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Watch NCIS Origins Season 1 Episode 4 online in HD on Dailymotion (2026).
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00:27Letters from home.
00:29When you're a world away, sir, they mean everything a word, a phrase, a reminder that there's something else, something
00:41worth fighting for, something better, something to come home to when all this is done, a reason to live.
00:53Gunny. The rest of you, clear out.
01:05Shannon and Kelly wrote me letters, all hearts and I love yous.
01:15Shannon and Kelly were my reason.
01:28I'm sorry, Gibbs.
01:34I couldn't imagine a world without them.
01:39Until I had to.
01:43After that, the letters were over.
01:47It was only me.
01:50The ambush was coming.
01:55The sky would turn orange.
01:58The sun would go black.
02:01And there would only be me.
02:20Neighborhood folks are always in your business, even after you're dead.
02:23This kind of reminds me of where I grew up.
02:26Tell me something.
02:27They big on manners, where you from?
02:31Dinner, Proby.
02:33Can't keep ducking me because I can't keep ducking my lady.
02:36I wouldn't duck your boss.
02:37I wouldn't even think of ducking Tish.
02:40Look, you ain't gonna quit asking.
02:41It's a whole thing.
02:43Hey.
02:45Likes to break bread with the people who got my back.
02:48Rando, Mary Jo, they all done it and then they come back and they do it again.
02:51Hell.
02:53Even Dominguez.
02:59Hey, Agent Franks.
03:01I already led a couple of years back.
03:03Delivery guy found the body an hour ago.
03:06Victim's Breonna Davis.
03:07She's an eighth grade science teacher over at Hillside Elementary.
03:09She's the girlfriend of Staff Sergeant Derrick Jones.
03:13Where's he at?
03:13He's deployed.
03:14Your office is working on notifying him.
03:16But it gets worse.
03:22Victim's daughter?
03:23No.
03:23Daughter of Staff Sergeant Jones.
03:25A victim was taking care of her while her dad was overseas.
03:28Girl's name is Mildred Jones.
03:29She didn't show up to school this morning.
03:31We haven't been able to locate her.
03:33What are we doing about it?
03:35We got people out looking for her or are we just standing around wagging our Johnsons?
03:39I'm already on it.
03:40My men have been canvassing the neighborhood, making calls, but no luck so far.
03:46Double up the search party.
03:56The victim was Breonna Davis.
03:58I know all that, Randy.
03:59There was a guy on the porch.
04:00Come on.
04:01Right.
04:02I'll go do some other stuff.
04:04Gee, how you doing?
04:06You disrespect your own people.
04:07It only reflects on you.
04:09Randy?
04:10He's used to it.
04:11He's a redhead.
04:14What do we know?
04:16Gunshot wound to the back, wound to the head.
04:19Chest came first, then the head.
04:20Shooter knew how to make it quick.
04:22The guy got in how?
04:23No sign of force entering.
04:24Based on the positioning, I'd say he walks in through the side door while she's making
04:29breakfast.
04:30First shot came from there.
04:32The second one, close range.
04:34She's on the floor.
04:35Then turns around, walks back out the way he came.
04:38What about the girl?
04:39Do we know for sure she was here?
04:40Maybe she was at her mama's house?
04:42Mother's deceased.
04:43The girl's only family is her father.
04:45We're trying to make contact.
04:46His squad is on an op in Ethiopia.
04:54She was here.
05:02Her little hand.
05:04Looks like she was trying to hide.
05:06Boss.
05:08You're going to want to hear this.
05:10I can't believe this.
05:11I just, if I'd known, I would have done something.
05:15He lives two houses down.
05:16Tell him what you told me.
05:17I was driving home from the store and I saw this blue Ford Explorer pull onto the highway.
05:22It was going fast.
05:23I saw a little girl in the back.
05:25She looked familiar, but I didn't really think about it until I pulled in the driveway and
05:30saw you guys out here and I realized it was little Mildred in that car.
05:36It was her.
05:36You sure?
05:38100%.
05:38You see who's driving?
05:41No.
05:42It was a glare.
05:43I feel horrible.
05:45If I'd known, I would have followed him.
05:47Mr. Miller, can we have you circle back?
05:49Can you give us all the details that you remember about the car?
05:52Sure.
05:53Sure.
05:56Sure.
06:01Sure.
06:02Sure.
06:03Sure.
06:03Sure.
06:05Sure.
06:05Sure.
06:05Sure.
06:06Sure.
06:08Sure.
06:11Sure.
06:29Listen, Daddy, I have a new favorite song.
06:33Come on, Daddy, dance.
06:36Dance.
06:38Come on, Daddy.
06:40Gibbs.
06:44Bola's out on a blue Ford Explorer heading south on Line 15,
06:47possibly toward the border.
06:49Guys said Mildred was in the back looking distraught.
06:52Maybe Brianna Davis was collateral damage.
06:55Yeah, it looks that way.
06:57Killer's real goal was to take Mildred.
07:09What the hell's going on out there? There's a damn Toyota park to my spot.
07:12The whole neighborhood showed up to help find Mildred. It's nice, but you know, a lot of personalities.
07:19Hey, uh, you got an extra notepad?
07:26Hey.
07:28Oh, uh, Strickland's looking for you.
07:30Where's she at?
07:31Her desk, I think.
07:34Hey.
07:36Missing girl.
07:38Probably not the best case for Gibbs to be working.
07:41What do you want me to do? Rebench him?
07:47Strickland gets mean if you keep her waiting.
07:52Listen.
07:53Listen.
07:55I know you all want to lend a hand.
07:58But unless you have something relevant, I need you to make your way on home.
08:02All right?
08:03Miss, I told those kids not to play outside after dark.
08:06Creeps are always prowling around.
08:08Folks. Folks.
08:09Cliff Wheeler, special agent in charge.
08:11We appreciate you coming together to help Mildred, especially with her father overseas.
08:17But we have a job to do here.
08:19So, unless you have something relevant, we ask that you return home.
08:24Is he deaf? That's what I just said.
08:27Okay. Relevant info.
08:29Form an orderly line and talk to me or Agent Randolph over there or Agent Gibbs or Agent Dominguez or
08:36Agent Franks.
08:37Nope. Not me. I'm just passing through.
08:40Sir.
08:42Sir.
08:43Hi. I'm Sarah Walsh on the dairy off Old River Road.
08:46I mocked these up.
08:48We can get it on our milk cartons pretty quick.
08:49I just need a signature.
08:50I can help out with a tip line, too.
08:52That's good, ma'am.
08:53Gibbs!
08:54Set this lady up.
08:55You bet, boss.
08:56That's when I knew it was Little Millie.
08:58Dang, Jim. Did you follow the car?
09:00Yeah, I followed it.
09:01Of course I did.
09:02Hey, Franks.
09:03I've been looking for you.
09:05Blue folder.
09:06What?
09:07The hell you talking about?
09:09You said to be covert, dumbass.
09:11The profile.
09:11The stuff I gave you inside the blue folder.
09:14I told you I need those pictures back.
09:15Oh, yeah.
09:16I'll get them to you.
09:17It's a blue explorer, and when he turned to look at me, it was like ice in my veins, you
09:22know?
09:23It's just... you could see just how evil...
09:26Take a walk.
09:30I thought you said you didn't see the guy.
09:32All right.
09:33All right.
09:34I actually, uh...
09:35I think I caught a glimpse of it.
09:39Ow!
09:44This is how this is gonna go.
09:45I'm gonna toss some questions at you and you're gonna speak the truth.
09:48Else we're gonna have ourselves a problem.
09:50Okay?
09:51Did you follow that exploring or no?
09:54No.
09:55No.
09:56Did you see the guy driving or no?
09:59No.
10:00No.
10:00Then why are you telling stories to those nice people, Jim?
10:04I...
10:04I don't know.
10:05I...
10:05I wanted...
10:08I wanted to matter.
10:11I wanted to matter.
10:14You think real hard on this one.
10:17Did you ever see a blue explorer going south on the highway with that little girl in it?
10:27No.
10:38What's this?
10:39My star witness is a fraud.
10:41I need to go back to the girl's house and start from scratch.
10:44I need you to sign the form.
10:45Mike.
10:46He's way past his prime.
10:49Liv.
10:50This world is packed to the brim with a bunch of no good sons of bitches.
10:54I am asking you to give me the one guy I can trust.
10:59A car pulls up, who can it be?
11:02A fresh El Camino rolling kilo key.
11:05He rolled down his window and he started to say
11:08It's all about making that GTA.
11:11Cause the boys in the hood are always hard.
11:13When come talking to trash, we'll pull the car.
11:17Yo, man.
11:19Here we are.
11:21Back in the fair.
11:22This is me and my boy.
11:25How you doing, buddy?
11:27There you are.
11:29You two look good together?
11:30I don't know.
11:30I think he's missing Artie.
11:32What's his name?
11:33Special Agent Gary Callahan.
11:35He's got a last name.
11:37Don't you?
11:38Fair enough.
11:40All right.
11:41There you are.
11:42Okay, come on, boy.
11:43You got it? Sniff it?
11:44You got it?
11:45Ooh.
11:46All right.
11:46You got it.
11:47Yeah, boy. Good boy.
12:00Hey, boy. Yeah. You go.
12:09He's digging.
12:13Mike.
12:19Roby. Hang back.
12:20Fend off any of them neighbors, would you?
12:23I'm sure he's not.
12:23I'm sure he's not.
12:23I'm sure he's not.
12:23I'm sure he's not.
12:23I'm sure he's not.
12:27Pull him back.
12:45It's a backpack.
12:57It's a backpack.
13:35It's a backpack.
13:35Gibbs.
13:38Agent Franks asked me to speak with you, but your door was closed.
13:41The girl gave you a description of your killer?
13:43Not that I know of. Agent Dominguez has been in there with her.
13:46Franks is requesting that we hold off. I'm calling in CPS.
13:49He also wants me to proceed with putting Mildred's picture on that milk carton.
13:52Why?
13:53Until we know what's what, it's safer to have people think she's still missing.
13:57Fine. Keep me in the loop.
14:00Yes, sir.
14:01Bye.
14:02Bye.
14:13Bye.
14:14Bye.
14:18Bye.
14:19Bye.
14:22Bye.
14:23Bye.
14:24Bye.
14:27Bye.
14:28Bye.
14:28Bye.
14:30Bye.
14:30Bye.
14:32Hey.
14:37I saw you liked Trotter Trio, so I made a little pit stop at Kmart.
14:45You can take it.
14:47It's yours.
14:50No, thank you.
14:58You buried your backpack in the woods, huh?
15:01So I wouldn't lose it.
15:03It's hard to hide with it.
15:11One time, when I was little, I got mad at my mom.
15:17I ran away from home, and I spent the night in the woods by my house.
15:23It was scary as heck, but that was different.
15:27That was my fault.
15:31None of this is yours.
15:35My dad?
15:38Well, there aren't many films where he is.
15:43But we are gonna get word to him.
15:48Hey.
15:50He's gonna come home.
15:57Millie, could you tell me about what happened yesterday?
16:03Last night, I had a bad dream about a bear.
16:07Brianna let me sleep with her.
16:09But I was so tired in the morning, she let me keep sleeping.
16:14She was gonna take you to school late?
16:17She was making breakfast.
16:20I was in the bathroom brushing my teeth.
16:26There were two big bangs.
16:30I looked out.
16:32She was on the floor.
16:35There's a man with a gun.
16:37He was looking down at her.
16:40Did he see you?
16:43No.
16:45He left the house.
16:49Then I went to Bjarke.
16:51I tried to wake her up.
16:54I started to hide.
16:57My dad said if anything bad ever happens, I should run.
17:04So I ran.
17:12Millie,
17:15You think you could tell me what he looked like?
17:18The man you saw.
17:23Okay.
17:25It's okay.
17:29I spoke to the principal at Hillside.
17:31Brianna Davis did not teach on Wednesdays.
17:33The killer knew she'd be home.
17:35But we've got nothing to tell us why she was targeted.
17:37Well loved at school, no known enemies.
17:40She had at least one, that's for sure.
17:41Hey.
17:43Gary seemed thin to you.
17:45Sorry?
17:46Gary Callahan.
17:47His fur wasn't as shiny as it usually is.
17:49And when I was petting him, I swear I felt ribs.
17:51No, he don't eat so good when we haven't had a sleepover in a while.
17:54It affects him.
17:56You two have sleepovers?
18:00Yeah.
18:01No idea.
18:03You work here, don't you?
18:04Yeah.
18:05Oh, Michael Franks.
18:06Hey God, it's you and not that new guy again.
18:08Gibbs was here?
18:09Yeah.
18:10Yeah, a couple times yesterday.
18:11Dropped off all this stuff.
18:13Somebody needs to tell that guy what qualifies for evidence.
18:16Hey Phil, can you just give me a hand with this, will you?
18:19Look, Gibbs might have been a little overzealous.
18:21This case ain't exactly easy on him.
18:23Yeah, well, he brings in a cabinet door, we gotta process it.
18:26Brings in a lake water science experiment, we gotta process it.
18:30Brings in the California Raisins board game, and I gotta spend the rest of my life trying
18:34to figure out why they made a California Raisins board game.
18:37Well, I sent him on an errand to make sure the milk carton's printed right.
18:41You should stay out of your errand now.
18:43Or go for striations.
18:44Thanks, Phil.
18:48Okay.
18:49So this is the bullet that we extracted from Brianna Davis's chest.
18:53The one from her head had the same markings.
18:55Tired from the same weapon.
18:56Same weapon.
18:56Yeah.
18:57If you'll focus on this area here, all the way to this area here,
19:01you will notice that it looks exactly like my grandpa Marv's comb over.
19:06Like, exactly.
19:07You're driving towards the point here.
19:09Point is, I've seen this pattern before.
19:11I don't know what case it was, but there's no mistaking grandpa.
19:15The same weapon was used in a different case.
19:17Yeah.
19:18And all I gotta do is find the match in this pile right here.
19:21You guys wanna hang out while I look, or-
19:23Why don't you give us a buzz?
19:25Well, if you wanna hang out, we'll be here.
19:28PE-20, this is Pendleton, over.
19:32This is PE-20, go.
19:34It's Lala.
19:37Yeah, I know.
19:39So, yeah, Mildred saw the shooter, but she won't engage.
19:43Maybe I should try the decipher kit?
19:44You ever seen one of those?
19:45It has drawings of different features.
19:48You pick the right ones, you end up with a composite.
19:50Like Mr. Potato Head, you know?
19:54Anyway, how are you?
20:00Pranks asked you to check in on me?
20:04Yeah.
20:08Tell them the milk cartons are done. Over.
20:30Bye.
20:31Yeah.
20:39Bye.
20:41Bye-bye
20:41Bye.
20:54Bye…
21:00Correspondent says they won't have a funeral without you.
21:04We'll get you on the next transport home.
21:19Carman! We need a Carman!
21:22Carman!
21:26I need a Carman!
21:31Carman!
21:34Get down!
21:38What are you doing?
21:40Get down!
21:42Get down!
21:45Get down!
21:49Get down!
21:51Get down!
21:57Get down!
21:58What are you doing?
22:00Get down!
22:01Get down!
22:03Get down!
22:25Take Mary Jo in with you.
22:26She's the one most likely to get through to the girl.
22:29You mean because I'm a multi-talented individual?
22:32No, because you're both black.
22:35And the other thing, too.
22:37Forgot I put it in my drawer.
22:39Mm-hmm.
22:40What did I tell you?
22:42Okay, let's go, lady. Bring me tour.
22:45Okay.
22:48I'll do it. I'll do it.
22:52Go!
22:55You did it, baby girl!
22:57Say it with me.
22:59Go!
23:02Can we play again?
23:04Heck yeah. Rematch City.
23:07Then we get something to eat.
23:08You ready?
23:10Go!
23:12Uh-uh. Uh-uh.
23:16Oh, you're good at this.
23:21Franks, I'm tapping out. You're up.
23:24What happened?
23:25She loved Mary Jo.
23:27She won't even look at the thing.
23:29Tell Mary Jo to tell her to look.
23:30She tried.
23:31We can't force the kid to describe the guy, Mike.
23:34She's scared.
23:36She's a little girl.
23:38Oh.
23:43You think Randy would want this for Junior?
23:45No, Donkeys will learn them.
23:47You tried to give that to Mildred?
23:50She didn't want it.
23:51Because that one sucks.
23:53Well, it was the only Trotter trio that they had at the store.
23:57Because Donna Donkey sucks.
23:58She doesn't even have any powers.
24:00Give me the kit.
24:04No, I'm going to give it a go.
24:05No.
24:06I'm going to give it a go.
24:08Just because I lost my little girl doesn't mean I can't go in there and talk to that one.
24:26I'm sorry there's no jelly, sweetie.
24:28This kitchen is a disgrace.
24:29You want crust or no crust?
24:33One of each, please.
24:35Oh, one of each.
24:36Okay.
24:37I like your style.
24:41Hi.
24:43Hi.
24:45Are you busy?
24:51I saw you have a boombox in your room.
24:56Do you have a favorite song?
24:58My favorite song?
24:59Yeah.
25:01Whitney Houston.
25:04How will I know?
25:05Greatest love of all.
25:07Okay.
25:08Wow.
25:09That's a big one.
25:10My dad said this about me.
25:12I have to love me first.
25:14Then I can love others, too.
25:18Well, maybe you can sing it with me.
25:22Can I move this?
25:28I'm going to turn these pages, and when you stop singing, I'll stop turning.
25:34Okay?
25:39I believe the children are our future.
25:43Teach them well and let them lead the way.
25:47Show them all the beauty they possess inside.
25:51Give them a sense of pride to make it easier.
25:58Give them a sense of pride to make it easier.
25:59Let the...
26:06Give them a sense of pride to make it easier.
26:12Let the children's laughter.
26:15Let the children's laughter...
26:16Let the children's laughter...
26:21Remind us how we used to be...
26:27Everybody searching for you...
26:31Wheeler just got word.
26:32Girl's daddy was located outside Gondar.
26:34He'll be on the next flight home.
26:35Oh, that's great.
26:37Got it.
26:38You're the best, Woodman.
26:39Later.
26:41So, a couple things from Woody.
26:43The stuff from Brianna Davis' house.
26:45Cabinet doors.
26:46No unknown prints.
26:48Water in jars with some kind of chemical lake water.
26:50Science experiment.
26:51Board game.
26:52There were a few missing California raisins.
26:55But likely not taken by the...
26:57Shooter.
26:59Let me skip to the striations.
27:01Here's our guy.
27:02He made copies.
27:06How'd you get her to do it?
27:09It's good work, Broke.
27:11Permission to go home.
27:13Little early, ain't it?
27:16Permission to go home.
27:17Boss.
27:20Go.
27:24So, uh, back to Woody.
27:26He had a hit on the striations.
27:27He matched the comb-over thing to another bullet.
27:29Another case, same guy?
27:30Yeah.
27:31The head of a gambling ring was murdered two weeks ago.
27:34Davidson.
27:34Shots to the head and chest.
27:36Theory was a competing ring hired a hitman to take him out.
27:38Hitman for a gambling ring.
27:40Black Kenny might know something.
27:41Hmm.
27:41This time of day, he won't be hard to find.
27:43Black Kenny?
27:45Maybe you can take Millie along with you.
27:48See if the two of them can bond.
27:49Don't be ridiculous.
27:51Mary Jo Black Kenny is a career criminal.
27:53Man's a CI.
27:54Not a multi-talented individual.
27:56I'm taking her home.
27:57The girl needs a real bed and a home-cooked meal.
28:01Carl's gonna post outside my house.
28:06You two, dig up the latest on Kenny.
28:07Radio it in.
28:08Mary Jo, I appreciate you.
28:11Yeah, yeah.
28:30Come on, Daddy.
28:31Dance.
28:33Dance.
28:42Dance.
28:58It's so extreme.
29:04We're not too far.
29:04It's too hard to find me.
29:05We're not too hard to find.
29:09We're not too far.
29:33I don't want to hear none of that.
29:35Tito, you're not shuffling these cars right now.
29:39Okay.
29:41All right, let's do this.
29:42Tito, get your ass ready.
29:45Kenny's gonna sit this one out, boys.
29:48What you want now, man?
29:49Quick chat.
29:53I'm gonna have some business, fellas.
29:59What's up with you?
30:01What the hell are you doing?
30:02You know this guy.
30:03You keep bringing paper like that.
30:04Do you know him?
30:05I'm not doing it.
30:07I'm hearing a keg of beer got lifted from a liquor store down the way from your house.
30:11A couple witnesses said they saw a guy who looked just like you rolling that barrel down the street.
30:15Now you want me to call the cops?
30:17Tell them to search your house and what are the goodies they find?
30:19You want to look at my paper?
30:22Give me the paper.
30:31Oh, no, look again.
30:34You got paid to take a guy out two weeks ago, Davidson, head of a ring.
30:39I ain't going to ask nice again.
30:47He's a fixer.
30:49All right.
30:50Calls by the name Hatcher.
30:51He lives in Oceanside with his old man.
30:54Oceanside where?
30:56Federal agents, open up!
31:02Two doors on the right.
31:04Clear.
31:05Clear.
31:08Cut him.
31:09Sir, where is your son?
31:12Clear.
31:13Mr. Hatcher, where is your son?
31:17He found something out.
31:21That little girl saw his face.
31:25He knows where she is.
31:27God help her.
31:28He knows.
31:33He knows.
31:47Agent Gibbs, what are you doing here?
31:49Come on in.
31:51I know Carl's posted up out front, and I didn't want to.
31:56I just figured I'd come around this way.
32:08What are you doing here, honey?
32:12Here.
32:13Uh, she doesn't need it.
32:19She doesn't want the bag.
32:22That's Harlow Horse.
32:24She has special powers.
32:26She's the only one that glows.
32:28That's why she's always sold out.
32:31Looks like she was loved.
32:37You want to come in and give it to her?
32:46You know, you're not alone.
32:52I have my own, um...
32:58I should grab that.
33:08I need to go wash your hands.
33:18I need to go wash your hands.
33:49I did it.
33:50I stabbed him.
33:51I mailed your hands to the basement.
33:52Is he alone?
33:54Where is he?
33:56He was there.
33:59Basement.
34:01Go out the back.
34:03Call it in.
34:03Go away.
34:09Go away.
34:11Fuck.
34:14Flame.
34:21Down to a guy.
34:24Be.
34:32The family.
34:38Let's go.
35:04Let's go.
35:46It's okay.
35:48Come here.
35:49It's okay.
35:51It's okay.
35:55You're okay.
35:57You're okay.
35:58I got you.
36:00I got you.
36:05I know there's been some concerns raised about Special Agent Gibbs, but as far as last night
36:10is concerned, we're lucky he was there.
36:12What would you call that?
36:13Gismet?
36:13I call it a damn holy intervention.
36:15What's the set rep?
36:17Took Mary Jo and Mildred to a secure hotel while we processed the scene.
36:21Agent Loughlin is still at the hospital, concussions, stitches, but doctors should release him this
36:25morning.
36:26Toad Gibbs ticked day off.
36:28Kid's been through it.
36:29And the hitman?
36:30Hatcher the hitman is deader than a strip club on Mother's Day.
36:33Yeah, I'm aware.
36:33What I want to know is how the hell he found out we had the girl.
36:37No CPS, the milk carton's out there, press wasn't tipped.
36:40How did he know he'd find her at Mary Jo's?
36:44Excuse me, sir.
36:45Mr. Hatcher's here.
36:47Mr. Hatcher.
36:48Father of the hitman.
36:49We're hoping he can tell us who hired him.
36:51Um, who hired...
36:52I got it, Randolph.
36:57Boss.
37:00What are you doing?
37:01I told you to take the day.
37:04Is his father up there?
37:06Roby, I'll be up there pulling stuff out.
37:08And when you're done, I'll tell him what happened.
37:12I should be the one to tell him that his son is gone.
37:14It should come from me.
37:15I told you to take the day.
37:17You bench me.
37:18You send me across town on that thing.
37:21You think you're protecting me.
37:24This is the job.
37:29You ever known someone that tried to take himself out?
37:37You never know how close they are to going back down that road.
37:42It's a scary thing.
37:49I'm okay.
37:59I'm okay.
38:02Did you stop him from hurting that little girl?
38:07Do you have him here?
38:11Why was he after her?
38:14Is it because he knew she could ID him?
38:18How did he know that?
38:20How did he know that she was here?
38:23I don't know.
38:25Not many folks knew that we had her, Mr. Hatcher.
38:28Was he ever talking to someone here?
38:30Here at NIAS?
38:33Maybe someone saw when you found her.
38:36I don't know.
38:38He knows lots of people.
38:40Lots of places.
38:43Mr. Hatcher, who hired him to do the job?
38:48Who hired him to kill Brianna Davis?
38:54That lady he killed?
38:58She was a teacher.
39:01She was taking samples from the lake for a class.
39:06She realized something was wrong with the water.
39:10Some company was dumping chemicals into it.
39:13And she was going to make us think about it.
39:15Is that right?
39:16I think so.
39:20What was the company?
39:23Mr. Hatcher, what was the company that she was going to ride on?
39:28I think it was that dairy off Old River Road.
39:43My son never had it easy.
39:47I should have been better.
39:54Can I see him, please?
39:57Can I?
39:59Please.
40:17Mr. Hatcher, your son is over here.
40:32Milk Carton was smart.
40:34He wanted to find her just as much as we did.
40:36Turn around.
40:54Daddy!
40:57I missed you so much.
40:59I missed you too.
41:14The letters were over.
41:17It was only me.
41:21The ambush came.
41:23The sky turned orange.
41:25The sun went black.
41:27And there was only me.
41:29Without my reason.
41:32Without a reason to live.
41:40It was only me.
41:53I can't believe my damn eye.
41:56Come on in, bro.
42:01Tish.
42:03You're so sweet.
42:05Hey, Gary.
42:07Hey, Gary.
42:08Hey, Gary, buddy.
42:11Gary's sleeping over.
42:12Is he?
42:13Don't worry.
42:14He'll split his steak with you.
42:16I hope you like a bird.
42:18It was only me.
42:22Until it wasn't.
42:27The wake of the night.
42:37Well, look.
42:38Well, look.
42:44Do you understand?
42:44The people agree with you.
42:45If not, don't worry.
42:45Did you know a casino?
42:45The world?
42:51Oh, I love that.
42:52What doing?
42:53It's hard.
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