- 9 hours ago
The Crown S02E04 [Full Movie] [High Quality]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47I'm your old faithful
00:03:57I'm your old faithful
00:04:00You've got a wrestler
00:04:01I'm your old faithful
00:04:02I'm your old faithful
00:04:06You've got to go
00:04:10And I'm your old faithful
00:04:13I'm your old faithful
00:04:20Mummy said something interesting the other day, she said that the first ten years of
00:04:28marriage were just an overture, that there's often a crisis at ten years but then you
00:04:36work it out and settle in and it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year to celebrate hitting our stride.
00:05:14All right.
00:05:21Yes?
00:05:24All right.
00:05:28So how was it?
00:05:31It somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there.
00:05:39Mummy was a nightmare.
00:05:40I see.
00:05:41Mercifully.
00:05:42They sent a helicopter to bring us back.
00:05:45Oh.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:58What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:06Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:11Christ.
00:06:14So if I were to accept it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:48Good night, Margaret.
00:08:34I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads.
00:08:41What's it doing up there?
00:08:43Nationally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right.
00:09:31You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:58They say that listening is important in any marriage.
00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time.
00:10:44I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:10:55No.
00:11:12It's time, now that you have money.
00:11:15All right.
00:11:31with a one two three flash oh quite magnificent thank you why does it always have to be Cecil
00:11:39Beaton taking my official birthday portrait what's wrong with Cecil when it came out last
00:11:44year everyone said how pretty you know they said how much I look like you well quite yes this is
00:11:53one
00:11:53thing fairy tales yes but he does it so well and to me your royal highness little less chin and
00:12:06what do you think I asked my new lady-in-waiting here today your majesty to offer her opinion
00:12:14having at least one foot in the real world I think birthday portraits should evolve and mature with
00:12:20age like the subject show change in the character complexity reality no one wants complexity in
00:12:32reality from us do sit down people have enough of that in their own lives they want us to help
00:12:42them
00:12:42escape indeed your majesty imagine this if you will a young woman a commonplace creature she sits in her
00:12:52drab little scullery so much work to do so much washing up how she longs for comfort for hope and
00:13:01again one
00:13:02two three and flash she wants to believe her life has some meaning beyond chores she opens a magazine and
00:13:12and she sees her royal highness's photograph for one glorious transforming moment she becomes a princess too she is
00:13:22lifted out of her miserable pitiful reality into a fantasy later she will step out of her house in a
00:13:35new neckerchief
00:13:38perhaps for which she has saved oh she will hold her head up high she is renewed and all thanks
00:13:46to you
00:13:47your royal highness and to the ideal which you represent and now with a one two three and flash quite
00:13:59marvelous
00:14:00oh
00:14:00oh
00:14:01oh
00:14:01oh
00:14:01oh
00:14:02oh
00:14:02oh
00:14:02oh
00:14:05oh
00:14:08oh
00:14:10oh
00:14:10oh
00:14:11oh
00:14:11oh
00:14:11oh
00:14:12oh
00:14:12oh
00:14:12oh
00:14:12oh
00:14:13oh
00:14:13oh
00:14:14oh
00:14:14oh
00:14:14oh
00:14:14oh
00:14:15oh
00:14:15oh
00:14:17oh
00:14:22In the 20 or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:48Oh, my God!
00:15:06Ma'am, Lord Blanford just telephoned to apologise and say that Mr Wallace may be indisposed this evening.
00:15:11They can't be indisposed. We're announcing our engagement.
00:15:14Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:41The royal highness, the princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit.
00:15:46You must keep the leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on? It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear.
00:16:18You'll laugh till you spit.
00:16:20Your friend Tennant rather took offence at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me,
00:16:35but a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we faced the dawn with clear heads and strong hearts.
00:16:58Now, Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:06It was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement,
00:17:53I've found myself quite the center of attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a beau, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:17Anyway, Tennant got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:49You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:02Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:25Margaret.
00:19:27Margaret.
00:19:29Margaret.
00:19:31Oh, yes.
00:19:44Ma'am, I've been asked to tell you that Princess Margaret will not be announcing an engagement this evening.
00:19:51Our Royal Highness says she'll explain everything later.
00:19:53Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right, settle down.
00:20:21So, on my recent tour of the Pacific, I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply, ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days, I imagined two people welded together into some sort
00:20:50of combined existence.
00:20:53Ten years. Ten years has taught me the secret of a successful marriage is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13So, it's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves, and presumably, they see that hidden part of
00:21:25you.
00:21:27One ends up knowing more about one's partner than they know about themselves, and it can be pretty tough to
00:21:36keep quiet about it.
00:21:37So, you have to, you have to come to an accommodation, an arrangement, a deal, if you like, to take
00:21:46the rough with the smooth.
00:21:52But the extraordinary thing is, down there in the rough, in the long reeds of difficulty and pain, that is
00:22:05where you find the treasure.
00:22:10So, I would like to propose a toast, in the name of love, in the name of our beloved country,
00:22:20in the name of steadfastness, in the name of another ten marvellous years.
00:22:31I give you my Betty Shoe.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:54The Queen.
00:22:55The Queen.
00:22:55The Queen.
00:22:56The Queen.
00:22:58The Queen.
00:23:07The Queen.
00:23:12The Queen.
00:23:14The Queen.
00:23:16The Queen.
00:23:19The Queen.
00:23:20The Queen.
00:23:21The Queen.
00:23:23The Queen.
00:23:23The Queen.
00:23:24The Queen.
00:23:25The Queen.
00:23:26The Queen.
00:23:26Ha, ha, ha, ha.
00:23:56Oh boy, you are my people
00:24:05The laughs and the jokes on me
00:24:15Pardon me, but I've gotta run
00:24:23The facts are normally clear
00:24:33Gotta find who's now not there
00:24:46And why, my angel eyes
00:24:55Oh, where is my angel?
00:25:06Oh, where is my angel?
00:25:55Angels
00:25:57We have the special relationship that exists between Britain and the United States
00:26:01Prime Minister McMillan and I will do everything we can to strengthen and repair the long-term bonds which have
00:26:11bound together the...
00:26:14Blackheart
00:26:16I want only you
00:26:20I've tried again with Harold
00:26:24Tried and tried
00:26:27I know
00:26:28I know
00:26:29I know
00:26:30I just can't
00:26:31I can't have it touch me
00:26:34Be near me
00:26:35His weakness repels me
00:26:40His love disgusts me
00:26:44You
00:26:45Yes
00:26:45Yes
00:26:57You
00:27:11You
00:27:12You
00:27:12You
00:27:13Beautiful day.
00:27:16I bought something to cheer you up.
00:27:20Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:27I can tell you which one I would choose as the official birthday portrait.
00:27:32And Cecil immediately agreed.
00:27:35But, of course, it's for you to decide.
00:27:43...
00:28:12And with regards to Billy Wallace...
00:28:14Don't mention that name.
00:28:16I've had him on the telephone to me all morning.
00:28:19Quite distraught.
00:28:20Then his mother, then his grandma...
00:28:22I'm never speaking to him again.
00:28:24Then we will find you someone else.
00:28:29I don't want you to find me anyone.
00:28:33Moritz Landsgrave of Hesse.
00:28:35He's a distant cousin.
00:28:37Now, his mother was a Catholic, but their lands are still intact.
00:28:41And he gives a very good show of himself on the polo field.
00:28:44No one!
00:28:46Someone suggested Prince Christian of Hanover, a descendant of Queen Victoria.
00:28:52Served in the Luftwaffe, but we won't hold that against him.
00:28:56I do know what the official duties of the lady-in-waiting are.
00:28:59Accompanying me on foreign trips, dealing with my mail.
00:29:04Well, do you suppose it might also include helping me climb over the wall to escape?
00:29:09I just can't bear it anymore.
00:29:11I'm having some people to dinner.
00:29:13Tonight.
00:29:16Normal people.
00:29:17Yes, they're all normal.
00:29:21But in their own way, they're all quite exceptional, too.
00:29:24You can go.
00:29:25Possibly not deferential.
00:29:29That's fine.
00:29:31As long as they still meet the main requirements.
00:29:34Which are?
00:29:36That none of them breeds horses, owns Lend.
00:29:40Or knows my mother.
00:30:04All right, all of you.
00:30:07Hello.
00:30:09Everyone.
00:30:10I'd like you to say hello to our guest of honour,
00:30:14Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:19Hello.
00:30:22Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:26Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:33Oh, there's a dud.
00:30:35Oh, God, Jane.
00:30:38Oh, God.
00:30:39I'm now.
00:30:40Robert, you must.
00:30:42He's not.
00:30:43I'm.
00:30:47I'm.
00:30:48Oh, I'm.
00:30:48You know that I design this crap.
00:30:50Oh, God.
00:30:53I feel it was.
00:30:53Please do.
00:30:54Oh, God.
00:30:55Oh, God.
00:30:56I probably agree that's fine, but this is tonight.
00:30:59I feel it's already outside.
00:31:01Discussing me, please, please.
00:31:03I think you have to clear it with you.
00:31:11You're feeling a little left eye.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either.
00:31:45You know what we've met?
00:31:46We have.
00:31:48Where have we met?
00:31:51Perhaps they'll come to you.
00:31:52Now, where to begin?
00:31:55Ah, far corner.
00:31:58The irresistible so-and-so with the mustard-coloured pearly neck.
00:32:01Irresistible?
00:32:02Oh, come on.
00:32:03A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune.
00:32:10Married to the blonde beauty opposite.
00:32:13Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those two.
00:32:20We don't disappoint you private either.
00:32:22More of that another time, I think.
00:32:25Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell, makes documentaries for BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown as Frankenstein.
00:33:00She played opposite Boris Karloff in that movie, you know, actress.
00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician.
00:33:13No, his name's John Perfumo.
00:33:16Fucking dull.
00:33:17It's true.
00:33:18It's true.
00:33:19But, the older gentleman, beside her.
00:33:23Oh, no, no, no, no.
00:33:23I know who that one is.
00:33:24That's John Betcham.
00:33:25The poet.
00:33:26Um.
00:33:29Books from boots and country lanes.
00:33:31Free speech, free passes.
00:33:34Class distinction.
00:33:36Distinction.
00:33:37Distinction.
00:33:39Democracy.
00:33:40Democracy and...
00:33:42Robert dreams.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:57Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God, you don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Uh, that was a favor.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:30Ah.
00:34:31What?
00:34:32These are yours?
00:34:34Yes.
00:34:36Portraits?
00:34:37Mm, I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they, then?
00:34:45Mm, people.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:05Uh, it's all luck, really.
00:35:07Made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:28Just doors, generally.
00:35:29The facade is only useful as a markup or something one has to get behind or beyond.
00:35:34The surface is so dreary, I don't think.
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide, that interests me.
00:35:49But you get so close.
00:35:52Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small light, nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer.
00:36:09And in the end, it's kind of like a...
00:36:11Well, it's an intrusion.
00:36:18Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:47Go on.
00:36:47When you come to my slum's studio, you leave the titles and princess outside.
00:36:53I'm happy to.
00:36:54And for the duration of the session, you do everything I say.
00:37:00Don't look like that.
00:37:02You're dying to.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to when nobody got up.
00:37:22Bowed.
00:37:24Curtsied.
00:37:24Curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:28Those that did talk to me, it was such indifference or nonchalance it verged on.
00:37:35I'm pertinent.
00:37:38There was this one in particular.
00:37:41Tony.
00:37:42Tony.
00:37:43Anthony, surely.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:45Armstrong Jones.
00:37:47Tony.
00:37:49Tony.
00:37:50Tony.
00:37:57Tony.
00:38:02Tony.
00:38:04Tony.
00:38:05Tony.
00:38:07Tony.
00:38:24Tony.
00:38:36Tony.
00:38:42Tony.
00:38:57Tony.
00:39:05Tony.
00:39:07Tony.
00:39:18Tony.
00:39:21Tony.
00:39:21Tony.
00:39:21Tony.
00:39:22Tony.
00:40:01Right.
00:40:06Wait, Dan.
00:40:13Back in a minute.
00:40:44Back in a minute.
00:41:11Back in a minute.
00:41:40Back in a minute.
00:42:10Back in a minute.
00:42:53Back in a minute.
00:43:03Back in a minute.
00:43:44Back in a minute.
00:43:56Back in a minute.
00:44:00Back in a minute.
00:44:40Back in a minute.
00:44:48Back in a minute.
00:44:48Back in a minute.
00:45:18Back in a minute.
00:45:18Easy to miss too.
00:45:21Back in a minute.
00:45:23Back in a minute.
00:45:36Back in a minute.
00:45:37Back in a minute.
00:45:50Back in a minute.
00:45:53Back in a minute.
00:45:55Back in a minute.
00:45:55Back in a minute.
00:45:56Back in a minute.
00:46:02Do you miss him?
00:46:14What's up, guys?
00:46:19Got it. Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:50So, this is...
00:46:53Home.
00:46:57It's marvelous.
00:47:04Whiskey or cinzana?
00:47:08Whiskey, please.
00:47:18Who's she?
00:47:23Friend.
00:47:24What kind of friend?
00:47:27A friend.
00:47:30This one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word here.
00:47:39It's not.
00:47:42This is Bob Boothby's love child.
00:47:44No.
00:47:46Thirty years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Oh, sorry.
00:48:24Here, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lear.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01And keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What should I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:20All right.
00:49:21All right.
00:49:39Rhymes with peril.
00:49:47Put it back.
00:49:52Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:21Ones.
00:50:40Come on, there.
00:50:42No.
00:50:42What are we doing?
00:50:51I have no idea.
00:50:56All right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:36Yeah.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you're pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:49Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Then?
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret, I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Look, it's in this photo.
00:53:39You're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:04You, um...
00:54:06You want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good. Then he can follow us.
00:54:27Good.
00:54:40We are very proud to become the guest of Istana Indah.
00:54:47We are most honored to have been guests in your Majesty's beautiful home.
00:54:52We are very proud to become the best of Istana Indah.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:24It's been a pleasure.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:55:37Hmm.
00:55:38Mm-mm.
00:56:08I'm not queer.
00:56:13Keep it.
00:56:43I'm not queer.
00:56:44I can't see anyone but you.
00:56:50Come on, come on.
00:56:54Come on, come on.
00:57:02Come on, come on.
00:57:04Come on, come on.
00:57:14Come on, come on.
00:57:16Come on, come on.
00:57:17I don't know if it's cloudy or dry.
00:57:22Come on, come on.
00:57:40Come on, come on.
00:57:42The moon made me hide.
00:57:48Come on, come on.
00:57:50But I can't see a thing in the sky.
00:57:55I only have eyes for you.
00:58:15I don't know if we're in a garden.
00:58:25I don't know if it's cloudy or dry.
00:58:39I don't know if it's cloudy or dry.
00:58:52I don't know if it's cloudy or dry.
00:58:55I don't know if it's cloudy or dry.
00:58:57Come on, come on.
00:58:58Maybe millions of people.
00:59:01Come on, come on.
00:59:02Come on, come on.
00:59:04But they always are beautiful.
00:59:14You.
00:59:21And I only have eyes for you.
00:59:32Come on, come on.
00:59:34Oh, gracious.
00:59:39Come on, come on.
00:59:40Come on, come on.
00:59:49Oh, la, la.
00:59:50Oh, la, la.
00:59:55Oh, la.
01:00:06Oh.
01:00:09Oh, la.
01:00:12Oh.
01:00:13Oh, la, la.
01:00:16Oh.
01:00:24There you are.
01:00:25Finally.
01:00:36How is that?
01:00:38What is it?
01:00:55It appears she's naked.
01:01:00Yes.
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