- 7 hours ago
Wonder Man 2026 S01E01 [Full Movie] [Ranked]Full EP - Full
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Short filmTranscript
00:01The End
00:24If we don't reverse the tomography in the next 30 seconds,
00:27Barnaby won't stand a chance. I know, Wondermath. I'm trying.
00:45Change the plans. There's too many. Get out of there. Head to the sanctum now.
00:48But what about you? I can't leave Barnaby to die.
00:51But they'll kill you both. I don't care!
01:06The Umbera people believe if a soul fails to turn right after death,
01:10it winds up in a dark and treacherous place.
01:13Well, I've been to the void. I've lived in that screaming silence.
01:20I know what it's like. I lost whatever part was left in me that makes a person, a person!
01:25No!
01:32Until Barnaby pulled me out.
01:34No one else separate gay, but...
01:36Damn!
01:38It's too late for me.
01:40But you can still walk away.
01:43I'm begging. Please, just walk away.
01:45I'm begging.
02:24You got this, man.
02:27You already got the job.
02:30You just got to go out there and crush it.
02:34Just crush it.
02:36One step closer to the top.
02:40Mr. Williams, they're inviting you to set.
02:46Copy.
02:47Yep, on our way.
02:48Yeah, David, go ahead.
02:51Uh, no, I don't know if I can see it.
02:53I can see it.
02:55Stay just as far.
02:57Yeah, David, go ahead.
02:59Yeah?
03:01What?
03:04Okay, who last had eyes on him?
03:06Hey, Kieran.
03:07Hey, Ashley.
03:09Hey, isn't that for American Horror Story?
03:11Sorry, day players don't get golf carts.
03:14David, where are we with that blood?
03:17Yeah, I just got to set.
03:19Hey, what's the status on that mask?
03:22Oh, beautiful.
03:23Talk soon.
03:24How is it always Mendocino Farms?
03:27Someone on the right is Rue Mustard's talk.
03:29Ugh, I hate choosing lunch when I barely had breakfast.
03:31I mean, how am I supposed to know my stomach want?
03:33Personally, I would go for the smoky chicken, a lote ball.
03:36No Kramer.
03:37Hi, I'm Lauren.
03:39You must be Professor Hoppin.
03:40Yeah, I love the Castle Rock.
03:41You direct it.
03:42Your Sons of Anarchy episodes.
03:43They were the best in the series.
03:45Thanks.
03:45Ashley, I'm a big fan.
03:47Yeah, loved you in the Twilight series.
03:49Absolutely.
03:50Okay, so classes just ended and Professor Hoppin's packing up his desk at the end of the night.
03:55And then your colleague Sarah enters from here.
03:58You do the first couplet.
04:00How was your trip?
04:01Yada, yada, yada.
04:02And then Ashley, you cross to about here.
04:04And Professor Hoppin says...
04:06You do realize, according to legend, that's where the Aztec god of death, Muglantuckutli,
04:12was tricked into giving up the bones that became humanity.
04:16Yeah.
04:17Duh.
04:18Great.
04:19And then Sarah transforms into a monster.
04:22Um, and bites off Professor Hoppin's head.
04:27Yeah.
04:28Any questions?
04:29Yeah.
04:30Mm.
04:31Should I switch to that or a little table?
04:32Right now it's sounding pretty good.
04:38Just one thing?
04:39Yeah, of course.
04:43How long have Sarah and I known each other?
04:46Hmm, that's a good question.
04:47What are you thinking?
04:49I was thinking we'd go pretty far back.
04:50Like, maybe we were best friends, but we had a little falling out when she got tenure before me.
04:56Sure.
04:57Why not?
04:57Right, might add a little layer to the scene.
05:00Totally.
05:01Let's try it.
05:02Yeah.
05:02Great.
05:03Yeah.
05:03Yeah.
05:05So, so maybe I shouldn't say Sarah, right?
05:09What's that?
05:10Well, the script says Sarah, but if I've been secretly jealous of her career, I don't think
05:15I would be so friendly.
05:17You know, maybe I should call her Dr. Johnson instead, you know?
05:21Yeah, let's, let's try both ways.
05:23Okay, great.
05:24Cool.
05:25Let's shoot one.
05:26Oh, and I wouldn't let her get that far.
05:29Who?
05:30Dr. Johnson.
05:31Considering our history.
05:32I don't think I'd let her cross all the way to my desk.
05:36I think Professor Harpin will stop her right about here.
05:39Yeah.
05:40Hmm.
05:41No, no, no.
05:42That is interesting.
05:42Uh, we're already lit, so I, I did want your dead body kind of bleeding out in this moon
05:50beam that we have.
05:52Uh, we can move the moon beam.
05:54Uh, it'll only take a few minutes.
05:59If you want it.
06:07Let's move the moon.
06:08Yeah.
06:08Yeah.
06:09Move the moon beam!
06:10More, more.
06:11Right there.
06:13Last looks!
06:17Should I be packing up a copy of Aztec Thought and Culture by Miguel Leon Padilla?
06:23Is there a problem, Simon?
06:24No, no problem.
06:25I was just, just wondering if I should be packing up a copy of Aztec Thought and Culture by Miguel
06:31Leon Padilla.
06:33And what is that?
06:34I'm assuming that's what I'm teaching.
06:36Unless you're thinking Aztec Civilization by Henry Freeman, but that kind of changes
06:40things.
06:41Does it?
06:42Aztec Civilization is a quick read.
06:44It barely touches on Mucantocotli.
06:46It might fit into an ancient civilization syllabus, but Professor Harpin is focused solely
06:52on Aztec studies.
06:54Right?
06:55Hmm.
06:58Um.
07:00Now, there's no reference to a book.
07:02Oh, but it says, it says packing up his debt.
07:06Right.
07:07For the night.
07:08Mm-hmm.
07:09Mm-hmm.
07:09I think it's implied.
07:11Should we check with a writer?
07:13Just to be safe.
07:22Who is this, Bozo?
07:24He had a great audition.
07:26Yeah, but at this rate, we're never going to make our day.
07:29Can you get Ryan on the phone?
07:30Yes, ma'am.
07:31And the interesting thing is, it's all here in your words, if you really look at it.
07:36You think so?
07:36I do.
07:37Hmm.
07:38Professor Harpin's history with Professor Johnson is what makes his death at her hands
07:42all the more tragic.
07:44Honestly, I never thought of it that way.
07:45But it's here.
07:46Yeah.
07:47In subtext.
07:47Yeah, I see that.
07:48You found something really interesting.
07:49Simon.
07:50Hi, Linda Cox.
07:51Hey.
07:52Hi, really nice to meet you.
07:53I'm a big fan.
07:54Oh, thank you.
07:55Love all the thoughts that you're bringing to this role.
07:57Thank you, thank you.
07:58Yeah, thank you.
07:59The showrunner just called, and he is rethinking this episode, and he's worried about Professor
08:05Harpin's scenes being a remnant of an earlier version of Ashley's arc.
08:09A remnant?
08:09So he's cutting your character from the show.
08:15Thank you so much for all your hard work today.
08:21That's a series rough on Simon Williams.
08:31They're gonna put me in the movies
08:36They're gonna make a big star out of me
08:41We'll make a film about a man that's sad and lonely
08:46And all I gotta do is act naturally
08:51Well, I'll bet you I'm gonna be a big star
08:56Night with a monster you can't ever kill
09:02And who thinks gonna make me a big star
09:07Cause I can play the part so well
09:12Well, I hope you come to see me in the movies
09:18And I know that you are plain to see
09:23They get fooled as ever, it's a big time
09:28And all I gotta do is act naturally
09:38We'll make a scene about a man that's sad and lonely
09:43And baking down upon his bending knee
09:48I'll play the part, but I won't need rehearsing
09:54All I'll have to do is act naturally
10:09What the hell?
10:17You moving up?
10:21I thought you were after five
10:25So you're sneaking out
10:32I'm just trying to prevent this from becoming a thing
10:36Weren't you showing me pictures of rescue dogs last week
10:39And complaining I wasn't committing?
10:40Yeah, I'm sorry
10:43I'm just not happy, Simon
10:44I know
10:45I just think you need to book something
10:48Things will turn around
10:50Come on, Vivian, we're good together
10:54You never let me in, Simon
10:56Not really
10:58It's a little late to start caring about this relationship
11:43Well, that's because Jerry wasn't there and I was, I remember
11:48Yeah
11:49It was a python
11:50A giant bloody python
11:52I don't know if it was Burmese or not, love
11:55I can't speak to that
11:57It was in the pool
11:58That's what bloody matters
12:00Maybe it had been
12:02Somebody
12:03Wasn't looking for cuddles
12:04Oh, sorry, love
12:06I can't
12:06I can't
12:07I can't
12:07I can't
12:08I can't
12:08Auditions this afternoon
12:10Dumb writers big
12:11Biggest bloody movie of the year is all
12:13Hey, man, do you mind?
12:15Give my love to Uma
12:17Smooches
12:19I've never talked to you in the actual film
12:21Don't fret
12:25Hey, I'm sorry, um, aren't you, um
12:27Oh, yes
12:30I play the Mandarin, but that was over bloody ten years ago and I was just a puppet
12:33And whatever theories you've seen on Reddit are totally false
12:37I had nothing to do with Pizzagate
12:38I'm not a member of the Illuminati
12:40And I did not have my hands replaced with baby hands
12:43First of all
12:45I always dug your performance as the Mandarin
12:47But I remember you from that omnibus episode you did in the 70s
12:52You played Edgar Allan Poe, The Need for Nightmare
12:55Well, well, well
12:57Not too many people remember that old gem, including me
13:00How was I?
13:02Stole the episode
13:04And I should know, I'm also an actor
13:05You don't say
13:07Yeah
13:08Do you mind?
13:10The movie's about to start
13:14I'll take the ten
13:16But when I take you over to see Mr. O'Daniel
13:18I'm gonna have to have another ten, just a couple expenses, alright?
13:22Alright
13:22Come on, I'll buy you a school after you, huh?
13:34Yeah, that's what I'll do
13:35Okay, Rico?
13:40Rico?
14:11It's heartbreaking.
14:14Never tired of re-watching that one.
14:17It's authentic.
14:19Moving.
14:22Really captures being an outsider on the fringe.
14:27And it's a little trippy, which is always nice.
14:31You know, Schlesinger didn't even think Hoffman was right for Ratso,
14:35even though he'd just come off the graduate.
14:39Apparently, Hoffman convinced him by showing up dressed in rags
14:42to their first meeting on the street corner.
14:44He was begging for change, and Schlesinger didn't even recognize him.
14:47I was fortunate enough to attend Schlesinger's production of Time and of Athens
14:51with the Royal Shakespeare Company, Sublime.
14:55Pity I was blind drunk.
14:58So, uh, what's this?
15:02Big audition you were talking about.
15:07Look, man, I'm not a weirdo, and I'm not desperate.
15:10I'm just curious.
15:12Would love to know what you're up to.
15:15Well, uh, between you and me,
15:18it's a huge opportunity.
15:20I'm auditioning for Wonder Man.
15:23Anyway, nice meeting you.
15:25Wait, uh,
15:27someone's actually remaking Wonder Man?
15:29Not someone.
15:31Bonkovec.
15:49Hey, I'm welcome.
16:07Jeannette!
16:10Did you hear about Wonder Man?
16:12You didn't tell me Von Kovac was directed?
16:15A superhero remake.
16:16Not exactly what we'd expect from an Oscar-winning director.
16:20Finding inspiration in another movie is not a crime.
16:25Look at what Kovac did with the flyer.
16:28Silly big picture.
16:30He made it personal,
16:33grounded it in modern science,
16:36and discovered new unthinkable horrors.
16:41Why not Wonder Man?
16:44Human and spectacular.
16:46That's where this film needs to live.
16:50Superheroes are part of our lives now.
16:54So, what we will find
16:56when we look at Wonder Man today,
16:59what can he teach us
17:01about ourselves?
17:06Sounds good.
17:07I need to be in this movie.
17:10Sorry, you crazy.
17:12I was born to play this character.
17:14Are you serious?
17:16Boo, they are already talking to Leo.
17:18No, no.
17:19Deadline said they're looking for a new face.
17:21I have a new face.
17:22Mm-mm.
17:23It's too late.
17:23Today was the last day of auditions.
17:25Well, couldn't you work a little bit of your magic?
17:28No one can say no to you.
17:30Not when you put on that charm.
17:32I know you're not doing this right now.
17:34Mister, I got fired from American Horror Story this morning.
17:36Yeah, they told me you couldn't even lay in blood, Simon.
17:39How hard is that?
17:40You just sit there.
17:41You just lay.
17:42Then you storm into this meeting with my colleagues,
17:45acting like you own the place,
17:47and now you're trying to work me?
17:48You know what?
17:48You got some nerve.
17:50I just need you to believe in me, Janelle.
17:53You know I believe in you.
17:55I think you're one of the most talented people that I know.
17:59But there's a lot of talented people out here
18:02who are not pains in the ass.
18:03Do you feel me?
18:07All right.
18:08We can talk about American Horror Story
18:10first thing tomorrow morning.
18:11Nandi will validate you.
18:18Hey, maybe have an early dinner,
18:19so I'll be gone, okay?
18:20Mm-hmm.
18:40Hey, girl, this is Imani
18:42from Hanover agency.
18:43I got Janelle Jackson for Ruth.
18:46She's in session, but I can have her return.
18:48She's in on Wonder Man, huh?
18:50Yeah, till 6 tonight.
18:53Oh, no, that is not good.
18:55Nandi is gonna be in so much trouble.
18:58Why? What's wrong?
18:59Well, Nandi is out sick.
19:00You know, she got that stomach bug that's going around.
19:03You better make sure you wash your hands, girl.
19:05You know I do.
19:06Anyway, I'm coming for her,
19:08and she just texted me
19:09because she forgot to get Simon Williams in.
19:11I'm on Wonder Man for Janelle.
19:14And now, see, the session's already started,
19:15and today's the last day.
19:17So when Janelle finds out,
19:18she is gonna go ballistic.
19:20Can you still make it in?
19:21I can put him on the list.
19:22Oh, my God.
19:24Girl, you are an angel.
19:25I'm gonna call him right now, okay?
19:37Hey, Simon Williams.
19:39Sorry, I'm late.
19:40I'm assuming you're a Wonder Man and not a Barnaby.
19:43Correct.
19:44I just need you to sign this NDA.
19:48Also, I don't have a doorman waiver on file for you,
19:50so I'm gonna need you to sign this.
19:53Assuming, of course, you don't have superpowers.
19:59Okay, you're all set?
20:06Your mouth, I keep...
20:07Um, I guess so.
20:10I don't have a doorman.
20:40I don't have a doorman.
20:41I don't have a doorman.
20:42It's just like a damn.
20:44For a friend.
20:46Oh, my God.
20:47Oh, my God.
20:48Damn, for a friend.
20:50Okay, what's next?
21:08Ask Damien how things went
21:10Oh, that's right, you can't, because he's dead
21:14You guys are killing it in there, bro
21:16Oh, and please tell Mr. Von Kovac
21:18That if he'd prefer a Cockney accent
21:20I can throw one in it now, it's in charge, all right?
21:25Where have you seen him before?
21:27Pretty sure he used to be a terrorist
21:39Come with me
21:50You're a bloody mess
21:52You can't go in like this
21:56You're trying to get in my head
21:58I'm trying to help you, love
22:00You know, some of us actually believe in supporting each other
22:03Take it from someone who's eaten shit on stage more times than he can count
22:07Not literally, mind you, you can still turn this around
22:09It's not too late, I know
22:11There's lots to memorize
22:12No, but my memory isn't the problem
22:14So what's wrong?
22:21I can't get hold of the character
22:23I've seen the original too many times
22:26And I'm trying to come up with a backstory for his relationship with Barnaby
22:29But it's not making sense
22:30Well, trust the words, just show up and say them
22:33Be present
22:35No, that's not my process
22:36Well, your process can go blow a spider
22:38Do you mind? Let me see this
22:43Oh
22:45Oh, this is your problem
22:46You see, these nodes are garbage
22:47Sorry
22:48No, it's how I learned it
22:49It's how I make my choices
22:50Well, your choices are getting in the way
22:53No one gives a fart about the subtext of the tales of the Invera people
22:58We've got to get you out of your head
23:01Then how do we do that?
23:02When you're in there
23:03Blow every last bit of air out of your lungs hard and fast
23:06With no air in your lungs, your body will go into shock
23:09Shut down your frontal lobes
23:10So no more logic getting in the way
23:12Then your amygdala kicks in and you'll be left with instinct
23:14Simon Williams?
23:16Here
23:19Don't think
23:42You can slate whenever you're ready
23:44Simon Williams
23:45Reading for Wonder Man
23:54Everything okay?
24:13The Invera people believe if a soul fails to turn right after death
24:18It ends up in a dark and treacherous place
24:25Well
24:29I've been to the void
24:35I lived in that scream in silence
24:40I know what it's like
24:45I lost whatever part was left in me that makes
24:50A person
24:51A person
24:56Until Barnaby pulled me out
25:00No one else ever gave a damn
25:03No one
25:06It's too late for me
25:09But you can still walk away
25:14I'm asking you
25:15Nicely
25:16Just walk away
25:20It's a wonderful thing
25:21Not thinking too much
25:24Served me well most of my life
25:25I'm not sure I'd do it again
25:28Why not?
25:29John Gilgut
25:30Used to have me
25:31Whipping with a belt across his bare ass
25:33Every night before curtain up
25:34And that was before we were friends
25:37Then things got weird
25:38Hayashi Neat and a Virgin Mary with extra horseradish
25:42Thirteen years sober
25:43Congrats
25:44Thank you
25:45But an actor needs to think
25:50To do the work
25:51You have to fill in the backstory
25:53And the character's psychology
25:55If you don't understand it
25:56How can you perform it?
25:59When we are born we cry that we are come to this
26:02Great stage of fools
26:05Can't live
26:06All spotted
26:07I had a run of it in Croydon
26:11Back in the 80s
26:12I really struggled with the role at first
26:16Then
26:17I remembered that great speech from Hamlet
26:20The purpose of playing
26:23Is to hold us to the mirror
26:27Up to nature
26:29Never forget that
26:31Nature
26:31That's our job
26:32To understand
26:35The world around us
26:36And ourselves within it
26:40The real work
26:41Isn't digging for subtext
26:43Or
26:43For a singer-writer's intent
26:47The real work is living
26:55Let's probably get going
26:57Of course
26:57You're a young man
26:59With friends to see
27:01And important things to do
27:02This one's on me
27:04I think I'm going to do
27:05The wedge salad
27:08Hey, let's keep in touch
27:09Of course
27:11Oh, Simon
27:14I have a good feeling about today
27:18Something faithful in the air
27:44Is Trevor Slatter it?
27:46How are drinks?
27:48Fifteen dollars for a virgin Mary
27:49It's bloody criminal
27:50Trevor
27:52Third contact was established
27:53We don't call it third contact
27:55He was at the matinee?
27:56Yes
27:57And then you ran into each other
27:59At the audition?
28:00And then we had drinks
28:01Third contact
28:04Trevor, you need to take this seriously
28:07Simon Williams is super-powered
28:09He's unstable
28:10And incredibly dangerous
28:12This country isn't safe
28:14Until he's in my custody
28:15You sure he's buying the act?
28:18Don't fret
28:19I've got him right
28:20Where I want him
28:30He's in my custody
28:37He's in his custody
28:38He's in her custody
28:41Be fairat
28:41he's in his custody Who's
28:42under contrary If he's
28:42in the custody He's in
28:43his custody We don't
28:44under brinced How do you
28:46know You're leaving
28:48Ourストő
28:49Plac Remember
28:50The bonding
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