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The.Hunting.Party.S02E09 [Full Movie] [Must See]Full EP - Full
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04:44DOUVO
04:44I'M SORRY
04:45I'M JUST TIRED
04:45WE'VE HAD A LONG DAY
04:50OH, ABOUT TO GET LONGER
04:51GOT A HIT
04:53WHAT ABOUT THE MISSING INMATES
04:55EVER SINCE Lazarus
04:57TOOK OVER THE TRANSPORT
04:58THREE INMATES WERE
04:59MOVED OUT
04:59AND NO ONE SEEMS TO KNOW
05:00WHERE THEY WENT
05:01WHERE THEY WENT
05:01BECAUSE THEY'VE BEEN MOVED
05:02DOESN'T MEAN SOMETHING
05:03MESSED UP IS HAPPENING
05:04I'M NOT S didn't
05:05Ok?
05:06Mas o que realmente tem que ter, realmente?
05:08Besides o fato de que ela fez uma horrible mistake
05:11como uma adolescente e spentas décadas em prisão.
05:17A dead body foi found in a mortuary
05:19em Kansas City an hour ago.
05:21Just the one?
05:22Uh-huh.
05:23Our victim, Henry Bradley,
05:25was the owner and funeral director
05:26of the Bradley Mortuary,
05:28which used to be the Aikens Mortuary.
05:30Now, the hit was confirmed
05:31by a partial fingerprint belonging
05:32to inmate, age 64, Colette Aikens.
05:35Do you wanna do the honors?
05:36Sure.
05:37Back in 2015,
05:39Colette chalked up an impressive
05:41eleven murders to her name.
05:43From a young age,
05:44she was raised in the family business.
05:47When the time comes,
05:50show your loved ones you care.
05:53We're here for you.
05:57Aikens Family Mortuary.
06:01Very Adams family?
06:03No Morticia.
06:03Sadly,
06:04the mom died in childbirth.
06:06That's dad,
06:07Nathan Aikens,
06:07with Colette,
06:08and on the left,
06:09told her sister Liza.
06:11The two sisters
06:11had a lot of resentment
06:12due to the mother's death.
06:14So much so,
06:15that Liza's favorite pastime
06:16was locking Colette in coffins
06:18for hours on end.
06:20Good to be kids.
06:21Her dad was the only one
06:22that Colette actually felt protected her.
06:24The day of her dad's funeral,
06:26Colette decides to slit Liza's throat
06:27with an embalming knife.
06:28And then when she's finally caught years later,
06:30she tells police her dead dad told her to do it.
06:35Like she saw his ghost or something?
06:37More like a disembodied voice.
06:39Auditory psychosis can be the result of a couple different things.
06:42Brain injury, sleep deprivation, trauma.
06:44In Colette's case,
06:45they think that it was tied to the embalming chemicals
06:47that she was working with.
06:48Formaldehyde.
06:49Damn.
06:50I knew some guys back home who used to smoke weed,
06:53soaked in formaldehyde.
06:54They hear voices telling them to kill people too?
06:57Colette's father's voice told her to do a lot more than that.
07:00He instructed her to put Liza's corpse in his coffin,
07:03bury them together,
07:04and then tell friends and family
07:05that Liza had run off to California.
07:08Okay, so Liza was the first.
07:11Who were the next ten?
07:12Women all around Liza's age
07:14that Colette saw as a replacement for her abusive older sister
07:17and activated her trauma stimulus response.
07:20She would stalk them, kill them,
07:22and then put them in coffins with other cadavers
07:24that were being buried by the family funeral home,
07:27just like she did with her sister.
07:29It is a pretty cool system for hiding bodies.
07:32No.
07:33If, you know, if you're a depraved serial killer.
07:36Clean's on the tarmac.
07:51I can't sleep.
07:59Can you sing to me?
08:02Hello? Is anyone there?
08:04Can you hear me?
08:05I need help. Help.
08:09Can you sing me a lullaby?
08:11What? No.
08:13Please, you gotta get me out of here.
08:16How about a story?
08:17Lady, I don't know any stories.
08:19Just please, let me out of here.
08:25Hello?
08:26Are you there?
08:27Are you out there?
08:30Lady?
08:31You want me to tell you a story? How about that?
08:32No, no, I don't want a story.
08:35Look, lady, it's hot in here.
08:37I can barely breathe.
08:39Okay.
08:40I really need some water.
08:41Okay.
08:42Just let me out of here.
08:44What the hell is wrong with you?
08:48It was a bone-cold winter's night,
08:50and inside a little house,
08:51a little girl lay in her bed all alone.
08:54Please.
08:55And just as she was about to fall asleep,
08:56she heard a noise.
08:57Please, I need water.
08:59Hey!
09:01Shh!
09:03I'm telling you a story.
09:06Okay.
09:07Okay.
09:08I'm listening.
09:09So the little girl heard a sound,
09:11but when she opened her eyes and looked around,
09:13she couldn't see anything.
09:15But then, through a crack in the wall,
09:18she saw what was making the sound.
09:20Look, lady.
09:21It was a mouse.
09:22I don't know what you want,
09:23but I can get it for you.
09:24And the little girl was like,
09:26hello, mouse.
09:26Would you like to be my friend?
09:28Money? You want money?
09:29Please, please.
09:29What do I have to do?
09:31Please.
09:31Just let me out.
09:32Please.
09:35What was the little girl to do?
09:37What are you doing?
09:38I said, what was the little girl to do?
09:53Turns out the mouse wasn't a mouse at all.
09:55Please.
09:55It was a rat.
09:57It was a rat.
09:57A big, fat, ugly rat.
10:01And they just kept coming around and squeaking and scratching,
10:04and the little girl couldn't fall asleep.
10:06Even though she said to the rat, be quiet,
10:08the rat just kept saying,
10:09can I please have some water?
10:11I'm thirsty.
10:11I want some water.
10:12And because the girl was a nice little girl,
10:14she gave the rat exactly what it wanted.
10:28And then everything was quiet again.
10:40But the little girl still couldn't sleep.
11:05I can help you, Colette.
11:07But you've gotta talk to me.
11:09Now let's start with where the bodies are buried.
11:12Who we are.
11:14The essence of our being is so much more than just cartilage.
11:19Now is that something your father would say?
11:22Is he here now?
11:25He loves me.
11:27May I speak with your father?
11:29No.
11:31Why not?
11:34Because he's mine.
11:37Colette, help us reunite your victims with their loved ones.
11:42Dad says no.
11:45Sorry.
11:46Please, just tell us where the bodies are buried,
11:49and we'll leave you and your father alone.
11:54Dad says you're a liar.
11:57And not to trust a word out of your mouth.
12:02Son of Sam said a voice told him to kill too, right?
12:05Well, that was a dog.
12:07Since when does the pit care about things like retrieving the bodies for grieving families?
12:11Probably didn't, but they couldn't resist the challenge.
12:14I mean, think about it.
12:15This woman is completely controlled by auditory psychosis.
12:18They control the voices, they control her.
12:20And to do that surgically, they sent her to...
12:23Professor Fairfax.
12:25I want it only.
12:31Looks like the pit allowed Fairfax to perform experimental surgeries on Colette.
12:35Called targeted neurocortical decoupling.
12:38Which does what, exactly?
12:40Essentially, they severed the neural pathways that created the auditory hallucinations.
12:45Took away daddy's voice.
12:47Of course they did.
12:48Yeah, well they might have taken daddy's voice, but Colette still didn't give up the locations of the bodies.
12:53Are we feeling any better today?
12:55Where is he? Why won't he talk to me?
12:58If you're interested in talking, I know your therapist is eager to resume your sessions.
13:06Why can't I hear him?
13:09Why can't I hear him?
13:10What did you do?
13:11Well, Colette, I like to think we brought you some peace.
13:16I know.
13:17I want you to bring him back.
13:19Removing the voice they couldn't control was just step one.
13:27Colette.
13:28It's okay, it's dad.
13:31They brought me back to you, so we could be together.
13:36That's not real.
13:38Colette.
13:40The people here, they just want to help you.
13:43Tell them what they want to know.
13:45That is quite the parlor trick.
13:47I have to get the voice right.
13:49Do you remember the commercial for the family mortuers?
13:51I'm so proud of you.
13:51How could I forget?
13:52They scraped the audio and then created a program where they could say whatever they wanted in his voice.
13:57But you're doing great.
13:58Sweetie, if you tell them what they want to know, then we can get back to people.
14:07Dad?
14:10If you want to talk to your dad, Colette, you need to talk to us first.
14:14Some psychotic form of mind control.
14:16The holy grail of psyops.
14:18Honey, just tell them where you hid the bodies.
14:22That way we can be together.
14:24Forever.
14:28Heather Wilson is buried with Howard E8, Section 5, Lot 1443, Blessed Assurance Line.
14:34It's a technical spot with a beautiful view of the crypts on the southern slope of the cemetery.
14:38That's so twisted.
14:39It worked.
14:41They got their bodies, Colette got her father's voice back.
14:45Yeah, until the pit blew up.
14:46Now she's all alone again.
15:00Oh.
15:01Couldn't change your slogan.
15:02Hmm.
15:11Police said Bradley was dead almost a week before they found him downstairs.
15:14Throat was slit with an embalming scalpel.
15:17That fits.
15:19They didn't find his body until yesterday.
15:21Mortuary is by appointment only.
15:22The janitor came in for his weekly service and he found the body in here last night.
15:27The cops are bringing him down to talk to us right now.
15:33Could this have been a territorial thing?
15:36She comes home to find the family business being run by somebody else, somebody who isn't dad?
15:41Or maybe Colette came back for her trophies.
15:45Hey guys.
15:46She'll be out in a second.
15:47Alright.
15:49Thank you.
15:51Hi.
15:56I understand you're the one that found the body.
15:58Special Agent Rebecca Henderson.
15:59Franco.
16:00Do you mind if I ask a couple questions?
16:02Okay.
16:03How long have you worked here?
16:05Almost three years.
16:06Was that space always empty?
16:08No, ma'am.
16:09Usually there's a coffin on it.
16:11A fancy one, too.
16:12Okay.
16:12When did it disappear?
16:14It was here the last time I was here.
16:17Is there any chance that Mr. Bradley could have sold it before he passed?
16:20It's the floor model.
16:24Have you noticed anything else missing?
16:27There's usually a work van out back.
16:32Colette's childhood trauma, her M.O.
16:34It's all tied to coffins.
16:35There's one missing along with a van.
16:37We'll put out a bolo.
16:39She didn't come here to kill.
16:40She came here to steal.
16:41We're thinking robbery gone wrong.
16:43Mom, she stole a coffin.
16:45She's planning to put someone in it.
16:46Now, she's still in the house.
16:49She's staying in the house.
16:50I'm a little victim.
16:52All I'm going to do is let's go for the house.
16:52I'm going to go for dinner by my house.
16:57Oh, she's trying to get home.
16:59Oh, you're happening.
17:14She's trying to get home.
17:16I'm going to be glad that we're going.
17:16O que é isso?
17:48Bom dia.
17:48Aqui você vai.
17:49Obrigado.
18:11A minha viva veio para encontrar uma espécie,
18:13e a sua espécie está morrendo.
18:14A minha viva veio para encontrar uma espécie.
18:15A minha viva veio para encontrar uma espécie.
18:19A minha viva veio para encontrar uma espécie.
18:20Eu não sei.
18:20Não é como ele.
18:21Eu me lembro.
18:22E o telefone estava lá.
18:24E a luz foi rompida.
18:26E ninguém vai me dizer nada.
18:27Onde está ele?
18:28A polícia não vai me dizer nada.
18:30Alguém vai me levar ele?
18:31Por que alguém pode kidnap minha espécie?
18:34Eu não sei.
18:35Mas você vai encontrar ele, certo?
18:37Olha,
18:39nós vamos fazer tudo possível.
18:41Eu prometo.
18:42Esses...
19:11Esses...
19:12Eu sou uma espécie.
19:42Um...
19:43No.
19:43Stone unturned.
19:45As far as I can remember, Marty never talked to either one of them.
19:49Different circles.
19:50Liza was one of the popular kids.
19:52You know how high school is.
19:54Marty spent most of his time in choir practice.
19:59Marty is the kindest person I know.
20:02Why would anyone want to hurt him?
20:05Dex.
20:08Hey, Sue.
20:10Sue, listen to me.
20:12We're gonna do whatever it takes to bring Marty home, okay?
20:15They found a body.
20:27That's not Marty.
20:30So she kills Henry Bradley.
20:31Leaves him at the mortuary.
20:33Kills this guy.
20:34And hides him in a grave?
20:36Bradley was a means to an end.
20:38She got the coffin, the van.
20:39You think this guy serves a different purpose?
20:42Yeah.
20:43Name's Nelson Stewart.
20:46Hooked at a nursery.
20:47What, like, with babies?
20:50No, like, plants.
20:52Ah.
20:53Been missing a week.
20:54Cemetery employees dug this grave this morning.
20:56They got back from lunch.
20:58Half the soil was topped back in with this poor guy underneath it.
21:01Yeah, well, Collette probably thought they'd just put a coffin on top of him and not even notice.
21:04The medical examiner will confirm, but I'd be surprised the time of death was over 24 hours ago.
21:08Well, Collette must have kept him somewhere for a while.
21:11Why go to the trouble of kidnapping someone if you're just gonna kill him and leave him out here?
21:16She needed the coffin for someone else.
21:18Well, Marty.
21:19Did Nelson go to school with Collette as well?
21:21No, he's not even from around here.
21:23There's gotta be a connection.
21:24Well, we better figure out what that is or that's exactly how we're gonna find Marty's body.
21:52Hello?
21:54What's going on?
21:57Hello?
22:00What's going on?
22:00Somebody, please.
22:01Hello?
22:05Oh, good.
22:06You're awake.
22:07What?
22:08What?
22:08What's happening?
22:10Where am I?
22:14Oh, God.
22:16Let me out of here.
22:16Oh, please.
22:18I can't do that.
22:20What?
22:21What?
22:21What?
22:21But as long as you do as I say, you don't have anything to worry about.
22:24You like to sing, don't you?
22:28You're gonna sing to me.
22:33I can't believe it.
22:34Of all the scenarios I imagined why Nelson didn't show up this week, murdered was not
22:39one of them.
22:40Yeah, I can imagine it would be a shock.
22:42What do you know about his background, friends, family, hobbies?
22:45He was a hard worker.
22:46He was great with the orchids.
22:49He brightened up the place.
22:51He talked about moving to Nashville.
22:53He wanted to be a singer-songwriter.
22:55He has this great, uh, he had a, a great voice.
23:01Uh, the kind of voice you don't hear very often.
23:05So what, she's going after singers?
23:07What do you want to beg Collette's dad sang to her?
23:10Maratlas, I need you to run a search.
23:12I remember some entries in her pit file that mention singing.
23:15Already on it.
23:16Sending you something now.
23:19I can't sleep.
23:21I'm sorry, sweetie.
23:23Dad, can you, can you sing to me like you used to?
23:27Of course, baby.
23:30Hush, little baby, don't say a word.
23:34Mama's gonna buy you a mockingbird.
23:37And if that mockingbird don't sing...
23:40That's good news for Marty.
23:43You think?
23:44She wants Marty to sing for her.
23:46Dead men don't sing.
23:48That didn't help Nelson.
23:49Well, maybe he refused or he panicked.
23:51But as long as he's singing, she's gonna keep him alive.
23:53What I don't understand, though, is how she's targeting them.
23:55I mean, Marty was a school teacher.
23:56Nelson worked at a garden center.
23:58She must have heard him sing somewhere.
24:01Maratlas, I need you to cross-reference our socials,
24:03see if Marty and Nelson both went somewhere.
24:05Church choir, community theater, voice lessons, anything.
24:08I'm on it.
24:12Start again.
24:15Hush, little baby, don't say a word.
24:20Daddy's gonna buy you a mockingbird.
24:24If that mockingbird don't sing,
24:30Daddy's gonna buy you a diamond ring.
24:34If that diamond ring don't shine...
24:40You're doing it wrong.
24:42Wait, wait, wait.
24:44Look.
24:45This song.
24:47It's obviously important to you.
24:53Somebody must have sung it to you when you were little.
24:58Am I right?
25:02What was that?
25:04Your mother?
25:07No.
25:11She died the day I was born.
25:18I'm sorry.
25:19I'm sorry, I didn't know.
25:21That must have been really hard.
25:23What it is, is none of your business.
25:25Okay.
25:30Your father then?
25:34He loved me.
25:36He believed in me when no one else did.
25:38I understand.
25:40My mom's like that too.
25:44He's a very kind person.
25:48Just like your dad.
25:52I'm sure he wouldn't want you to hurt me.
25:57If you can't help me, I'm gonna have to find someone who will.
26:00No!
26:01Go, go, go!
26:02Wait!
26:03Hello?
26:04Hello?
26:06You hushed little babies!
26:08Don't say a word!
26:10Daddy!
26:16Guys, I think I found something.
26:18Marty doesn't have social media, but I found a picture of him on his friend Emily's Snap Mac page.
26:24Turns out, he was at a karaoke bar the night before he was abducted.
26:28And get this, Colette's other victim, Nelson, and his friends were at the same karaoke bar.
26:33The same night?
26:34No.
26:35As far as I can tell, they've never met one another.
26:37But they were both at the same karaoke bar within weeks of getting kidnapped.
26:41Nice work, Morales.
26:42Send us the address.
27:08Hey, you think it's possible if you did not look like a car?
27:13I don't look like a cop.
27:16You look like a cop.
27:18I do not look like a cop.
27:20Well, now you look even more like a cop.
27:22Whatever, man.
27:24You look like a cop.
27:31Can I get you anything?
27:32Um, actually, yeah.
27:34I was in here a couple nights ago.
27:36I met this woman.
27:37I was wondering if you might have seen her.
27:40I'm just trying to hunt her down again.
27:44Yeah.
27:45She comes in here a lot.
27:54So, bartender recognized Colette's photo.
27:57Says she's in here most nights.
27:58Apparently, she's AO.
28:00What's AO?
28:01Audience only.
28:02She doesn't sing.
28:03She just watches.
28:05Ah.
28:05That makes sense.
28:07She's in here trolling for her next victim, not blowing off steam.
28:11Okay, supposing she does show up.
28:14What's the plan?
28:16We follow her.
28:17I mean, if Marty's still alive, we gotta know where she's holding him.
28:20What if she doesn't show?
28:21Do you have a better plan?
28:23I'm gonna take a lap.
28:25See what the song selection is.
28:26I do a mean Cyndi Lauper.
28:28Mm-hmm.
28:28I'm sure you do.
28:36You okay?
28:38Hmm?
28:40Yeah.
28:42Um, my wife and I went to a karaoke joint like this on our first date.
28:48That's sweet.
28:54Hey, I've been thinking.
28:58Colette is literally murdering folks seeking that connection with her father.
29:03Yeah, and?
29:10You think Shane's gonna do some new regrets for Lazarus?
29:13I'm just saying.
29:14Push comes to shove.
29:16Who's he gonna choose?
29:17I think we give Shane some space.
29:23I just still don't love the fact that he lied to us.
29:26Especially about something personal.
29:29Do you still trust him?
29:30A hundred percent?
29:33I do.
29:34Yeah.
29:38I trust you, too.
29:41Even if you left a few things out of your story.
29:55When did you find out?
29:59When you were in the hospital.
30:01Figured someone should let your wife know that you got shot.
30:09I don't like to talk about it.
30:11You don't have to.
30:19She died two years ago.
30:24Were you with her?
30:26No.
30:29It was halfway around the world.
30:34My parents were.
30:36And the kids.
30:44It was halfway.
30:51It's halfway.
30:53Not that I really know you, but, you know, the long tasting.
31:00Kalei está aqui.
31:11All right, next up we've got Bobby.
31:14Bobby, come on up here and show us what you got.
31:17Hey.
31:18Hey, uh, I just want to let you know that there's some people that are looking for you.
31:23Okay, yeah, we just got made.
31:26Oh, wait, we gotta go.
31:31Hey, Colette.
31:34Colette, we just want to talk.
31:36Colette.
31:37Colette, stop.
31:39Colette!
31:40Get out, get out.
31:41Everybody get out.
31:42Stay calm, keep moving, move behind me.
31:44Go, get out.
31:45Stay back.
31:47Drop it.
31:49You first.
31:50Please, don't.
31:51Shut up.
31:55You put the gun down right now or I'll kill her.
31:58I'll do it.
31:59Hey, hey, hey.
32:00It's just us.
32:01Okay?
32:02We just want to talk.
32:03I don't want to talk.
32:04I want you to let me out.
32:06Now put the gun down.
32:07You can't do that.
32:08Okay, okay, okay.
32:10Guns down.
32:11Guns are going down.
32:13You see?
32:15His gun's down, my gun's down.
32:17All right, your turn.
32:18Put the knife down.
32:22Look, I know that you're scared right now, and I know that you don't want to hurt her.
32:26But if your dad was here, what would he say?
32:28Don't talk about him.
32:29Okay, okay.
32:31Why don't you talk about him?
32:32Tell us.
32:32Tell us what he was like.
32:34He loved you very much, right?
32:38He kept you safe.
32:39We are trying to keep you safe right now.
32:41He protected you when you were young from Liza.
32:46She's horrible.
32:48She charms everybody, and they don't know the real her.
32:51She told me all the bodies downstairs woke up at night,
32:55and if I didn't stay real still in my bed, would come up and find me.
32:57So I didn't even get up to go to the bathroom.
32:59And everyone loved her and hated me, except my dad.
33:05Get back.
33:06Go, mind me.
33:07Go, move.
33:07Stop moving.
33:08Nice, nice.
33:08Got it.
33:09Stop.
33:12Calm down.
33:15Look at me.
33:17Where's Marty?
33:21Where are you keeping Marty, Collette?
33:24He was pretty dehydrated when I left.
33:27I don't think he has much time.
33:39Hey.
33:39My name is Special Agent Rebecca Henderson.
33:41I am not here to intimidate you.
33:43I'm not here to threaten you.
33:44I'm here to talk to you, okay?
33:47You're a liar.
33:54Hey.
33:59Clock's ticking.
34:00Local PD's upstairs taking statements.
34:03I told them we were serving an interstate warrant.
34:05Okay, if we have to turn her over to Lazarus,
34:07Marty's as good as dead.
34:09She says Marty's alive, but do we believe her?
34:12I do.
34:14The challenge is getting her to talk.
34:18Give me a couple minutes.
34:34I know it doesn't seem like it, but I am actually here to help you.
34:39You're not.
34:41You're not.
34:42You don't care about me.
34:44The only one who cared about me was my dad.
34:47And he's gone now.
34:49What if he doesn't have to be?
34:53I'm gonna lay out your two options, okay?
34:55Option one, you go back to prison completely alone.
35:02Option two, you can go back with your dad.
35:05His voice, at least, just like in the pit.
35:10All you gotta do is tell me where Marty is.
35:15Why would I believe anything you say?
35:17You people told me that the last time, and then you took him away.
35:20No, Colette, we did not take him away.
35:23There was an explosion.
35:24Do you remember that?
35:27Have you ever seen someone who's died of dehydration?
35:33The skin on their face shrivels up and contorts like a scream.
35:38I can give you some suggestions so he looks better for the funeral.
35:44That's okay.
35:47New plan, then.
35:49You'll like it.
36:07New plan, then.
36:30Let me out!
36:33Hey, little sis.
36:41Stop it.
36:42I hear you have been very bad, haven't you?
36:49I know you're dead.
36:51Dead?
36:52Alive?
36:54Who we are.
36:56The essence of our being.
36:58It's so much more than just cartilage.
37:03No?
37:04This isn't real.
37:06And I guess spending eternity together wouldn't be a problem for you.
37:13Look, all I want to know is where you're keeping Marty.
37:18Let me out of here.
37:20Let me out of here.
37:21Why should I?
37:21You didn't let those men out.
37:23So, why should I let you out?
37:32How about this?
37:34You tell me.
37:36Where Marty is.
37:37Or I'll let you rot in there.
37:54Or I'll let you rot in there.
37:57No!
37:57It's not doing that.
37:59And if that lost king bird don't sing.
38:01Shut up.
38:02Shut up.
38:03Shut up.
38:03Daddy's gonna buy you a diamond ring.
38:07And if that diamond ring is black.
38:12Daddy's gonna buy you a looking glass.
38:16I love it.
38:17I love it.
38:17I love it.
38:19I love it.
38:19I love it.
38:19I love it.
38:25I love it.
38:38It is found, Marty.
38:40It's gonna be just fine.
38:44Oh, my God.
38:45Marty.
38:46Marty.
38:47Oh, my God.
38:49Marty.
38:49Oh, my God.
39:22I don't think this is what the TV is meant for.
39:27Thank you.
39:33He's quite good.
39:34I don't think you should tell him that.
39:36You'll keep going.
39:39How about you?
39:39You okay?
39:44I don't know.
39:46What we did to Khaled.
39:48Hey, hey, hey.
39:49You did what you had to do.
39:52That was the only way to save Marty's life.
39:55I know that's supposed to make it easier, but it just doesn't.
40:05I know the lines can get blurred out here.
40:10But trust me, you're on the right side of this thing.
40:13Who's coming?
40:14Who's going to come up and sing with me?
40:16Who's going to join me?
40:16Come on.
40:17Oh.
40:17Oh, you're up.
40:18Nope.
40:19I don't sing.
40:20Yes, you do.
40:20No, I don't.
40:21Vax.
40:21Oh, sorry.
40:22I, uh, saved by the bell.
40:25So convenient.
40:26Don't leave me singing by myself.
40:27Get into it, Henderson.
40:28Come on.
40:30Come on.
40:31Here.
40:34Here you go.
40:35Come on.
40:35Come on.
40:36Come on.
40:46I've been looking into Colonel Lazarus.
40:48There's something you should know.
40:50Hmm.
40:50Seven years ago, a new hire candidate at the pit was flagged on their security clearance.
40:54Colonel Lazarus personally pushed it through anyway.
40:57Made sure he got the job.
40:58Sure.
40:58The, the warden, Oliver O'Dell.
41:01No.
41:01Shane Florence.
41:04If you're lost, you can look and you will find me.
41:09Time after time.
41:12It seems like Colonel Lazarus has known about Shane for a long time.
41:17Got it.
41:17Time after time.
41:20Good.
41:20No, it's very good.
41:21Really good.
41:24Time after time.
41:34We'll be right back.
42:01We'll be right back.
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