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Warum glauben wir eigentlich, was wir sehen? Das ist die zentrale Frage des Dokumentarfilms Born to Fake, der den Fall von Michael Born aufarbeitet. Der vermeintliche Journalist fälschte zwischen 1990 und 1996 über zwanzig Beiträge für das Privatfernsehen.

Mehr dazu: https://www.moviepilot.de/movies/born-to-fake?

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00:21as a crime seen.
00:23If you're very good, you'd say that was a great
00:27a big explainer.
00:29The flesher is a explainer.
00:33Dünner Jauch and his Redaktion
00:35were the trial for years and years.
00:37That's fascinating,
00:38he made it a bit of an opal.
00:42Was the Redaktion
00:43in Jauch a secret
00:44of the flesher?
00:45He gave him the raw material
00:47and at least then
00:48one of them must have seen
00:50that there was not.
00:52He told me,
00:55the sender would like to have
00:57pictures, even if
00:58there's no pictures.
01:01And if the sender
01:02wants to have that,
01:04we can also deliver that.
01:06But the stories were funny,
01:08the one wanted to hear
01:09or see.
01:11I was afraid of that,
01:13but exactly the same
01:16and that they also have
01:18The odd one
01:20that this scandal
01:20in the public
01:21is also unknown.
01:23Yeah,
01:24Fälschung.
01:24Fälschung here,
01:25Fälschung here,
01:26Fälschung?
01:27Fälschung?
01:28Fälschung hin,
01:28Fälschung?
01:30Fälschung?
01:43Fälschung?
01:44What is the one thing for the one thing is, can be the other thing for the other thing.
01:55Stop, it's enough.
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