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Margos Got Money Troubles S01E01 [Full Movie] [Trending]Full EP - Full
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01:00You're my man.
01:05Yeah, the way you're talking.
01:08Baby, you're so cool.
01:10I've been waiting for you.
01:21We have Mr. Incognito, Mr. Fancy Pants.
01:28Who could possibly win?
01:29When Margo was little, she played with dolls and practiced her make-believe with a vengeance.
01:35You think, punk, you're a dead man.
01:38Try me, loser.
01:41Burn, die, kill, and crush.
01:45An only child needs to develop a complex inner world, and this one could pretend just about anything.
01:51And they're still down, and they're fighting.
01:54Eventually, her imagination became her playmate.
01:58Entire alien worlds bloomed inside her head.
02:02Lives she never lived.
02:04Impossible possibilities.
02:07Sometimes, she wondered if this was a curse.
02:10Was her father's carny lifestyle and career as a fabulist in her blood?
02:20Or was she just trying to avoid reality by rewriting it?
02:34The beginning of a story, when you start to read it, is like a first date.
02:39You hope that from the opening lines, the magic will happen.
02:43And that you will sink into the narrative like a hot bath, giving yourself over entirely.
02:50That's what you want.
02:51For the author to come right up to you in the dark of your twisted mind, and kiss you on
02:57the throat.
03:01Miss Millett.
03:04Can you hold back a second?
03:09Did I write it?
03:10Of course I wrote it.
03:12I do not plagiarize.
03:14I wrote that.
03:15Okay, then, um, my...
03:18My second question is, why are you here?
03:25This paper is excellent.
03:26Why are you at Fullerton College?
03:28You can go anywhere.
03:29Yeah, right.
03:30Like Harvard?
03:31Yes, like Harvard.
03:33I don't think they let you in there for writing a good English paper.
03:36That is exactly why they let you in.
03:43Oh.
03:46I'm meeting him for coffee.
03:48I'm sorry, what?
03:49Why?
03:50What?
03:50Marco, if a professor asks a student to get coffee, it's because he wants to fuck her.
03:55They've actually done studies.
03:56He's married.
03:57Oh, gee, then.
03:59I want to get coffee with him, okay?
04:01Why?
04:02Is he cute?
04:03He thinks my writing is brilliant.
04:06And he meant it.
04:07Okay, do you not see the irony here?
04:09He wows you with the characters in books are not real.
04:12It's why the reader falls for them.
04:13And now here you are, falling for him, who is equally unreal.
04:16In fact, just the title professor makes him mysteriously non-human in your eyes.
04:19Can you for once not analyze me?
04:21I don't need to analyze you.
04:23I know you.
04:24And you're probably a character in a book for him, too.
04:27One with sticky pages.
04:29Don't be gross.
04:30And being your mother, do I need to call your mother?
04:32I'm not going to sleep with the guy, okay?
04:37I'm not.
04:39It's possible that I might be a leg man.
04:44I always thought I was a forearm man because of this little nook between the bicep and the forearm.
04:49But, my lord, this leg.
04:53My mother has the best legs in the history of the planet.
04:57I used to think that I wanted to grow up to be them.
05:00Her legs.
05:01And then I thought, no, I want to be her sheer black pantyhose.
05:05She works at Bloomingdale's.
05:08I think maybe I was imprinted like a baby duck to her stockings.
05:13I mean, can you imagine wanting to grow up to be hoes?
05:15Good that you reset your aspirations.
05:20Do you remember when you first wanted to become a writer?
05:22Ever since I was little.
05:25Probably because my father used to read to me when I was a baby.
05:29Really? Really?
05:30When does he think of you writing?
05:32Oh, he's never read me.
05:35I was raised by a single mom, so he would pop in and out, but it's not like I can
05:41really claim to know him.
05:43Well, I think you should send him one of your pieces.
05:46Because I think he would be quite proud to know you.
05:50So, I wrote you a poem.
05:53The Hungry Ghost.
05:56In the dark, we turn to one another.
05:59Like deformed doves, confused that we have bodies.
06:04I feel nothing.
06:06Keep touching me.
06:08I feel nothing.
06:11I'm a hungry ghost.
06:18Isn't it amazing?
06:20It's creepy.
06:22It's beautiful.
06:24Your blood sugar is low.
06:26Go to the store right now and buy some O.J. and Harvest Cheddar Sun Chips.
06:29I'm fine.
06:30I don't want orange meal.
06:32Honestly, Margo, I think you should get away from this douche.
06:35Get him to write a recommendation for you.
06:37Either that or you report him.
06:38Oh, maybe he can shoehorn you into NYU.
06:41We have real professors here, by the way, who are more into teaching than getting into their students' pants.
06:46What?
06:47Hello?
06:49Did you just throw me?
06:50Margo, pick up that phone.
06:53Stay away from him.
06:54Margo, stay away from him.
07:13Thank you for coming.
07:18Uh, uh, uh, no.
07:20Not here.
07:21This is the sacred place.
07:24That is actually why I had you meet me here today.
07:32Okay.
07:33So...
07:33So, this place is obviously an important part of me.
07:38Mm-hmm.
07:41As are you.
07:43As is God.
07:45I'd like to incorporate God more into the equation of us.
07:53Okay.
07:54It's great that you're with us on Sundays.
07:58I want you to be among us.
08:07Okay.
08:09The choir?
08:10Uh.
08:11You agreed to be in the choir.
08:13Well, it would be less painful than being on some committee.
08:16Is it a cult?
08:17This church?
08:18Yeah.
08:18Well, Kenny wants me to, um, be among the Episcopalians.
08:25House, school, any upticks in your intelligence?
08:30Some.
08:32Hold on.
08:33Oh, Mom.
08:35You can't just do this to somebody.
08:37I only do this to you.
08:38You have such beautiful eyes, and I'm tired of being the only one who thinks so.
08:43What are you studying?
08:44Well, uh, my lit class.
08:48I have this amazing professor, which, I mean, who knew at Fullerton College, right?
08:54He thinks that I could have a real future as a writer.
08:57Could you imagine me as a real writer?
09:00Yes, I can imagine that.
09:03Tell me about him.
09:05Who?
09:07Your professor?
09:13Well, he's great.
09:16There's this contagion in the way that he teaches.
09:20He has a way of really making you feel the books, feel the characters.
09:27Hmm.
09:28Tell me more.
09:30That's it.
09:32There's nothing really more to tell.
09:35That isn't true, is it?
09:41Oh, my God.
09:42If you want to get brief.
09:56Who's that?
09:57It's one of my roommates.
09:58Roommates?
09:58I told you I had roommates.
10:00You didn't say they would be home.
10:01Well, see what part of him is.
10:03Let's go over there.
10:04It's a stress-bearing wall.
10:12He is tender and thoughtful and sweet.
10:16And he writes beautiful emails.
10:19Let me read you one.
10:20Marco, he's a 30-something-year-old professor shipping a student.
10:25Do not be falling in love with him.
10:27I'm not going to fall in love with him.
10:29But he's making me fall in love with you some.
10:31And that's the oldest trick in the book.
10:34You're too smart for this.
10:46Dad!
10:48Dad!
10:57Oh, my God.
10:59Oh, uh, sorry.
11:02Um, how I, uh, how I exercise.
11:07To that?
11:07To him?
11:09Yeah.
11:09I love wrestling.
11:11And he's my favorite.
11:13Isn't he retired?
11:15You follow wrestling?
11:18No.
11:20Oh, well, yeah.
11:22He has the most amazing bellow.
11:24Like Tarzan.
11:44He's probably just jealous, you know.
11:46Friends can get envious that way.
11:48And what exactly would she have to be envious of?
11:51Well, she's stuck in the Big Apple studying at a major university
11:54while you get to be here in Fullerton working a night shift.
11:57With you.
11:58Exactly, with me.
12:02Are you still nauseous?
12:03It's just a bad taco, I think.
12:06It's fine.
12:10Dude, that is not cool.
12:12I'm so sorry.
12:14You've been nauseous for three days, dude.
12:16You think maybe you should take a test?
12:18What do you mean a test?
12:20I mean a test.
12:21The kind you can't study for at Fullerton College.
12:24I'm so sorry.
12:41What do you think?
12:45If you're anxious, I can't even see.
12:48If you're anxious, I'm so anxious.
12:48So, I just want to be like,
12:48I'm too anxious to do that.
12:50I'm anxious.
12:50I'm so anxious to do that.
12:51No, I'm anxious.
13:05Oh, my fuck.
13:09Holy shit.
13:13Um...
13:14Okay.
13:17Okay.
13:20Well, um, I want to be there to support you in any way possible.
13:26Yeah, like, I would start by calling Planned Parenthood, but I don't know if a private doctor does it or
13:32if it's nicer.
13:33I don't want you to have to go to some cheap clinic.
13:38Um...
13:41What?
13:42Sounds like you've made my decision.
13:45Excuse me?
13:46That I should have an abortion.
13:48What?
13:50I would never make such a decision for you.
13:54That is your decision to make.
13:56I mean, ours.
13:58Together.
13:59But a woman's body.
14:00Your body.
14:01Your right.
14:03I totally respect that.
14:04Of course.
14:06Obviously.
14:09Are you Catholic?
14:11No.
14:14But terminating a life, that's something to think about.
14:20As is aborting your future, Margo.
14:23Your promise.
14:26Ever had one of these before?
14:28No.
14:29Well, when the fetus is this size, we can't see well enough through the belly, so we have to take
14:35a peek internally.
14:37You're going to stick that in me?
14:39Well, the gel is heated, so it shouldn't be too bad.
14:42How could it not be bad?
14:43I'm about to be fucked by a robot.
14:48Sorry.
14:48That just came out.
14:50I've heard worse.
14:51Are we ready?
14:53Are we ready?
14:54Yeah.
14:55Yeah.
14:55I guess we're ready.
14:57Make yourself comfortable.
15:01Here we go.
15:15What's that?
15:16Well, that's the heartbeat.
15:24It is.
15:26I would say, based on these measurements, that you're about nine to ten weeks.
15:33What?
15:34Oh, I should have asked.
15:35Do you want to copy the photo?
15:37Yeah.
15:40Yeah.
15:43Yeah.
15:50Do we know what we want to do about the pregnancy?
16:14I like your nails.
16:18Oh, thanks.
16:23Ten weeks.
16:25Do you want to see the picture?
16:28No.
16:33You want to keep it, don't you?
16:38I don't know.
16:40I don't know.
16:52You keep this baby, you're taking care of it.
16:55It would be your child.
16:56I know.
16:59God damn it.
17:00You were in college.
17:02You were going to be somebody.
17:04Who was I going to be?
17:05You know what I mean?
17:05You were going to have a career, and you were going to, like, do things.
17:09What things?
17:10Whatever you wanted.
17:14Oh, my God.
17:15Oh, my God.
17:17How do I tell Kenny?
17:19Kenny?
17:20He's religious.
17:23He'll either be shocked that you're having an abortion,
17:25or that you got knocked up in the first place.
17:27I don't really care what Kenny thinks.
17:30Well, you need to, because he could end up your stepdad.
17:35Fuck!
17:36Fuck, fuck, fuck, fuck!
17:40I'm sorry.
17:45You know me well enough when I get scared.
17:49God, when I got pregnant with you, I was terrified.
17:52You kept me.
17:54A one-night stand from a guy who picked you up at Hooters.
17:57I mean, what would possess you?
18:02I thought he was the one.
18:04Your dad.
18:05You didn't even know his name.
18:07I guess I'm going to have to tell Dad, by the way,
18:09if I decide to keep it.
18:12Promise that I'd keep him in the loop on the big stuff.
18:15Yeah, when was the last time you talked to him?
18:19Not in a while.
18:21Closer to never than recently.
18:27How did you break the news when you were pregnant?
18:33Um.
18:39One night, he and a few of his friends came into the restaurant
18:44and, uh, drunk off their asses.
18:48And after my shift, he took me back to his hotel room,
18:53and I told him.
19:01He seemed really happy.
19:05It was weird.
19:07Like, he couldn't stop smiling, and he was rubbing my tummy,
19:11and then he told me he was married,
19:14and that kind of broke my heart.
19:20And, uh, I was crying, and, uh, he said,
19:27I'm really glad that I met you.
19:31And I realized I was, I was really glad that I met him, too.
19:39You know, he'd come into town, we'd get together,
19:41and he'd sometimes bring you a toy,
19:43rock you on his knee, and, you know,
19:45and hoist you around some,
19:47like, hoist me around some,
19:50and, uh, my friends thought I was the biggest dumbass on earth,
19:54but I, I loved him.
20:00You chose to keep me.
20:04I did.
20:11Do you believe things happen for a reason?
20:15Mm, I don't know.
20:17I think you want to wreck your life.
20:19I ruined your life.
20:24You ruined my life so pretty.
20:39Are you in love with him?
20:41Your professor.
20:42I'm not in love with him.
20:47I don't want him.
20:53But for whatever reason,
20:57I want this baby.
21:03I want it more than I've ever wanted anything.
21:19It's very important that you not judge her.
21:23Why would we do that?
21:24We're not judging people.
21:26I'm just saying she's going to need our support.
21:27I'm not going to feign support for a decision I don't approve of.
21:30She's a student, supposedly a feminist.
21:33I mean, what message is she sending?
21:37Hey, what's up?
21:41We were planning your baby shower.
21:43We were?
21:44You really don't want a baby shower.
21:46Whether you want one or not, you're going to need stuff,
21:48and that's the best way to get it.
21:49Hey, may I ask, is he going to be part of the picture?
21:54Evidently not.
21:55What do you mean evidently?
21:57He's gone a bit silent after I told him I'm having it.
22:02He's gone stone-cold silent.
22:04He sent me another poem.
22:06Ooh.
22:47He's gone, he's gone, he's gone, he's gone, he's gone, he's gone, he's gone, he's gone, he's gone, he's gone,
22:53he's gone, he's gone, he's gone, he's gone, he's gone.
22:54I got a woman down in the tunnel trying to make it play.
22:58He got the action, he got the motion.
23:01Oh yeah, the boy can play.
23:05Dedication, devotion, turning all the night time into the day.
23:09He drew a song about his feet, I got a woman.
23:11He drew a song about the night.
23:14He drew the walk, he drew the walk on the line.
23:18He drew the walk on the line.
23:31He comes on and he'll tell you the story.
23:34Hand me down my walk and shoot.
23:37He comes on and hear the fire and the glory.
23:40That beat, it's all too new.
23:42He got the action, he got the motion.
23:46Oh yeah, the boy can play.
23:48Dedication, devotion, turning all the night time into the day.
23:53He drew the song about his feet, I got a woman.
23:56He drew the song about the night.
23:58He drew the walk, he drew the walk on the line.
24:03Yeah, he drew the walk on the line.
24:31I'm not a serious person.
24:33What kind of person are you?
24:37The cheesy one.
24:39Can I ask you something?
24:43Why do you always write in the third person?
24:46I think that it makes me have more sympathy for the character.
24:51My character makes it easier for me to like myself.
24:56You are the most singular woman I've ever met.
25:06Hey.
25:07Hey.
25:09You alright?
25:11You've been kind of quiet.
25:13And I get triggered by long stretches of silences.
25:16How did I let this happen?
25:18Becca made a comment that it's not about me falling in love with him as it is him making me
25:26fall in love with myself.
25:27Oof.
25:28I think that's what he did.
25:31He made me feel important.
25:34What am I gonna do?
25:36I can't even get a deep breath.
25:37It causes this stabbing pain.
25:40What I do is I just pretend that stuff is make-believe.
25:46That's why I watch wrestling.
25:48You know, instead of other sports, because it's all scripted.
25:51It's pre-thought out.
25:53I feel safe watching it.
25:55This is definitely not pre-thought out.
25:58And I don't feel safe.
26:00Maybe try your father again.
26:03Dads are always good at making their daughters feel important.
26:05I've texted him a gazillion times.
26:09Maybe your mom?
26:13Could try the Goodwill.
26:14They might have a used upper baby.
26:16They won't have anything there but crap.
26:18Brown floral fabric and cheap plastic.
26:20You want him to grow up and spit from truck windows and laugh at racist jokes?
26:24Come on, I get a discount.
26:27Look at this stuff.
26:30How can they be so expensive?
26:33$1,200.
26:35That's more than I paid for my car.
26:36Well, it's...
26:38Of higher quality.
26:42It's just all so beautiful.
26:44It really is.
26:51What are you doing?
26:54This is the world that my baby deserves.
26:57The one I won't come close to being able to afford.
27:00Get up off the floor.
27:03This is so wrong.
27:05You are making a scene.
27:08Get yourself back up off the floor, young lady.
27:11There are no victims in Bloomingdale's.
27:25Fine.
27:32I'm buying you this one.
27:34Let's go.
27:42Oh, God.
27:43Mom!
27:54It will not hold me.
27:57Sit in.
27:59Here, let me try.
28:00Let me try.
28:03Bye.
28:10Thanks, Mom.
28:12Even with the discount.
28:13I don't care.
28:15No grandchild of mine is riding in a boring-ass stroller.
28:21What?
28:27Do not tell me.
28:29Yeah.
28:31That's him.
28:32Mom?
28:34Listen to me.
28:36I'm gonna go talk to him.
28:38You're gonna take the stroller to the car.
28:41Let me just smash his face in.
28:42I can be quick about it.
28:43You're gonna mind your own business.
28:45I don't do that.
28:47I fucking swear.
28:48Just take the stroller to the car.
28:52I will deal.
29:11Professor.
29:13Margot Millett.
29:14I took your lit class.
29:15You probably don't remember.
29:17Do you remember?
29:20I do.
29:21Uh, this is my wife.
29:24Hi.
29:25Sarah.
29:26Daughter.
29:26Haley.
29:27My son.
29:28Max.
29:29Hello.
29:31I'm sorry to intrude, but there's no time like the present to take exception, right?
29:38She was very disappointed by her final grade.
29:41She felt you treated her unfairly.
29:45Honey, um, do you want to just go inside for a sec?
29:49Sure thing.
29:49I'll be right there.
29:50Come on, guys.
29:50I'll be right there, bud.
29:51Okay?
29:52Daddy will be back.
29:57Did you follow me here?
29:58Are you stalking me?
30:00Stalking you?
30:01Marco, I was shopping here.
30:03Not like I can really afford to.
30:06It's nice to see that you can.
30:07Look, Marco, I don't know what this is about, okay?
30:10Look at me, Mark.
30:12Take a guess.
30:13I endeavor to be responsible here, and the most responsible thing that I could have possibly
30:16done, which I did do, was to discourage you from having this baby.
30:20Do you want me in this baby's life?
30:21Is that what this encounter is about?
30:23If it even is my child?
30:26Excuse me?
30:36What do you want from me, Marco?
30:40You know what, Mark?
30:43Nothing.
30:46I want absolutely nothing.
30:52He actually questioned whether the baby was his.
31:00He checked you out.
31:01As you walked by, the father of my child took a beat to check out my mother.
31:12I told you to stay out of it.
31:14I did stay out of it.
31:15I didn't even look at you.
31:17I just walked to the car.
31:18Yeah!
31:19You walked right by us.
31:20Okay, clearly you are looking for a fight.
31:22I suspected him, and he's not here, so I'll do.
31:26I'm angry at him and you, because maybe this was a stupid decision, and maybe you were right.
31:34But this is my decision, and I'm having this baby, your grandson.
31:38And for you to not show an inch of joy, how dare you not celebrate it?
31:47Because I don't!
31:49Well, I love him, of course, just as I love you from the day you were born.
31:55But no, I don't celebrate this tragedy for one second.
32:01Your life as you know it, no.
32:03Check that.
32:05As you never got to know is over.
32:09So, no, I don't rejoice in that.
32:17Life breaks people.
32:23Nobody tells you that, and you won't read that in those what-to-expect-when-you're-expecting books,
32:28that this will break you.
32:32I'm not broken.
32:34Can you just get out of the car for two seconds?
32:37You want me to get out of the car?
32:38I can't believe I need to scream, and it's not good for the baby.
32:41And it'll reduce my stress, but it might not hiss, so please get out.
32:46It'll just take a second.
33:04You have to do it right, ma'am.
33:06No.
33:08Can't you just give her the epidural?
33:11Please.
33:11For God's sake, give it to me then.
33:15Push.
33:16Push.
33:17Go on, Diane.
33:17Go on.
33:18Push.
33:18Come on.
33:44Is he okay?
33:46Is he okay?
33:48Is he okay?
33:49You're so beautiful.
33:51Mom!
33:52Can you believe it?
33:54I did it.
33:55You did it, Noodle.
34:00You've done it.
34:03People say love's a dangerous game, but I wanna play, so will you be mine?
34:11Let's go out dancing, let's forget tonight You're so unstable, yeah, so am I
34:27Let's go out dancing, let's lose our minds You're so unstable, yeah, so am I Let's go out dancing, let's
34:48lose our minds
34:51You're so unstable, yeah, so am I Say love's a dangerous game, but I wanna play, so will you be
35:05mine?
35:06You
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