00:28Transcription by CastingWords
00:42CastingWords
01:10CastingWords
01:11I kept a journal for a while.
01:15A chronicle of everything that happened in your absence.
01:21But slowly the words began to fade.
01:27Sometime after you left, all the books in the library became bound volumes of blank paper.
01:34The next day the whole library was gone.
01:38I never found it again.
01:40And yet you remained.
01:43While others fled.
01:45A royal librarian of an abandoned kingdom.
01:49I never felt abandoned.
01:52I knew you would return.
02:16I knew you would return.
02:43I knew you were going to return.
02:45I knew you were going to return.
02:45I knew you were going to return.
02:45I knew you were going to return.
02:45I knew you were going to return.
02:46I knew you were going to return.
02:47I knew you were going to return.
02:53I knew you were going to return.
03:03you need rest my lord and food and perhaps a bit more rest and then you'll be back at full
03:11strength no not without my tools your tools my sand my helm my ruby why what happened to
03:24them they were taken from me by my captors and then taken from them i know not where
03:36nor what i am without them
03:44assalamualaikum darling how are you
03:50well you'll never guess what i am looking at it is a caravaggio and it can be your caravaggio
03:59for 22 million well of course you can think about it but not for too long
04:05giovanni sono giosiane ho già disturbati al lavoro ho appena acquistato un'altra dei volumi
04:17de vasari assi et merota perla dit au directeur que madame dodé l'appelait oui je patiente
04:33bernard i found it and it's in exceptional condition
04:41de onze en masse amine
04:43who
04:50hello?
04:53hello?
05:35Why, it's the place you got here, Ethan.
05:40Who are you?
05:45How did you get in?
05:48Getting in was the easy part.
05:51The hard part was finding you.
05:52You've done a very good job of convincing people Ethel Cripps doesn't exist.
06:02Apparently not good enough.
06:04Well, I'm not exactly people.
06:11What are you then?
06:13Do you remember the being Roderick Burgess kept caged in his basement?
06:20King of dreams.
06:22You're one of his?
06:25I'm my own man now.
06:28With your help, I intend to stay that way.
06:31Why do you need my help?
06:34Because he's out of his cage and he's coming for us.
06:37You and me.
06:39Why me?
06:40I never did anything to him.
06:42Oh, you did though, Ethel.
06:45You stole from him.
06:53There is only one sure way for me to find my tools.
06:59I'm a summoner three-in-one.
07:02Surely it hasn't come to that.
07:03The fates see past, present, and future, and they know all.
07:09Yes.
07:10But they speak in riddles.
07:12They never tell you what you want to know.
07:15Only things you should never know.
07:19Perhaps just this once, you could ask one of your siblings for help.
07:26Destiny would certainly know where your tools are.
07:29Or desire.
07:30My siblings have their own realms to attend to.
07:33I have mine.
07:34We do not interfere in each other's affairs.
07:37You may not, but they've certainly been known to.
07:41Perhaps just this once, you could tell them what happened to you.
07:46I am quite sure they know what happened to me.
07:53And not one of them came to my aid.
08:02The fates aren't cheap, you know.
08:05They cost a bloody fortune.
08:09And at present, I cannot muster power enough to summon them, let alone pay that cost.
08:17Unless, is there anything of mine that remains in the dreaming?
08:23Something that I created.
08:27You created all of this?
08:29No.
08:30Something that remains intact.
08:33Something that might retain some fragment of my power within it.
08:39Something I can absorb.
08:41There is one thing.
08:42Something that remains intact.
09:13That's it!
09:22Are you sure?
09:27Good boy, Gregory!
09:29Good gargoyle!
09:31Cain! Come quick!
09:33Just didn't... all those bilge-bubbling bollocks!
09:36Cain!
09:37What do you want, Powder Brain? Can you not see I'm busy?
09:39We have visitors.
09:42What?
09:44Where?
09:46Cain!
09:48Abel!
09:52Lord, I'm Orpheus.
09:55You've come back.
09:57At last.
09:58I told you he'd return.
09:59I never doubted it.
10:02Come in, my lord. And you, Lucian, to the House of Mystery.
10:07Or to the House of Secrets. I have tea.
10:09You don't have tea and biscuits.
10:11Gentlemen, I'm afraid this is not a social call.
10:14What's happened?
10:15Is something wrong?
10:16What is it?
10:18For the sake of the dreaming, I must take back a gift I gave you long ago.
10:24Yes, my lord.
10:25What's ours is yours.
10:26Anything at all.
10:28Just ask it.
10:44Surely there's another way.
10:46I wish there were.
10:49But the dreaming must be restored.
10:51You say that as if we're the ones that destroyed it.
10:54As if we're the ones that disappeared for over a century.
10:57Cain!
10:57You forget yourself, Cain.
10:59No, my lord. You forgot us.
11:01Do you have any idea what we've already lost waiting for you to come back after all these years?
11:06What you have lost.
11:09The answer is not.
11:12I have not come here to ask you.
11:16I've come to ask Gregory.
11:59I need your help.
12:04Gregory!
12:05Stop!
12:06No!
12:08Take me instead.
12:10Or Abel.
12:10Jeff, take me, Lord Morpheus.
12:12Please.
12:12I cannot.
12:13I can only reabsorb that which I created and Gregory began as a nightmare.
12:18Yes.
12:19He's one of us now.
12:21It's not fair.
12:23No.
12:25It's not.
12:44You're a very good boy.
12:47You're a very good boy.
13:12You don't have to do this, you know.
13:14You don't have to do this, you know.
13:15I'm not.
13:16I'm not.
13:22I'm not.
13:24I'm not.
13:30I'm not.
13:34I'm not.
13:39I'm not.
13:42I'm not.
13:43I'm not.
13:45I'm not.
13:47I'm not.
13:48I'm not.
14:12I'm not.
14:13I'm not.
14:13I'm not.
14:40I'm not.
14:43I'm not.
14:43Come, Luciane.
14:45We have work to do.
14:56Good luck, my Lord.
15:00Simpering suck-up.
15:09I see you've turned your talent for theft into a successful career.
15:15I don't steal them. I broker them.
15:20Do you ever keep anything for yourself?
15:22No.
15:24Not even dreams, tools?
15:27He's going to want them.
15:29And I'm guessing that you do too.
15:31The tools, they won't work for me.
15:33They're made of the same stuff I am.
15:37So, why are you here?
15:40I'm going to see if we can help each other.
15:44I can show you how to use them.
15:47Use them to do what?
15:50Make him go away, for good this time.
15:54You want me to kill the king of dreams?
15:57You can do it. I know you can.
16:01You just have to listen and trust me.
16:04Then I'm afraid we're both dead.
16:07Because I don't have them.
16:10Yeah, well that is too bad.
16:12I wonder if your son knows where they are.
16:16How is John doing these days?
16:18What do you think a dream will do to the son of Roderick Burgess?
16:24So I'll ask you one more time for your son's sake.
16:30Where are the tools, Atle?
16:42Do you think you're quite ready for this, your majesty?
16:47It has been some time since you've navigated these waters.
16:51Do you think I have forgotten how?
16:54No.
16:57But...
16:57I cannot ask the fates for help without giving them something in return.
17:03There is nothing left to give from the dreaming.
17:07I have to gather my offerings from the dreams of others.
17:11I understand.
17:13It's just that...
17:14In your absence, these waters have become darker, treacherous, unsafe.
17:31These waters are as much a part of me as I am of them.
17:36Gregory's sacrifice will not be in vain.
18:04You are right, Lucian.
18:06The dreams and nightmares no longer seem to recognize their master.
18:10I will remind them...
18:13And take from them what I require.
18:18Since one meets the fates at a crossroads,
18:21I find one in the dreams of a Cambodian farmer.
18:31The Hanged Man represents surrender and sacrifice for the greater good.
18:36The gallows come from a young Japanese cinephile,
18:39her head full of British horror films.
18:44The currents are stronger and faster than I remember.
18:49I have to focus.
18:52Open my eyes.
18:54And see what the fates require.
18:59A serpent.
19:02A symbol of transformation.
19:06Of life, death, and rebirth.
19:11I have gathered my offerings.
19:15Now it is up to the fates.
19:22I, Lord Morpheus, dream of the endless.
19:30Summon the fates.
19:34The three who are one.
19:37The one who is three.
19:40The Hecate.
19:47Morpheus.
19:48It's been a while.
19:50You look thin, love.
19:52Are you eating?
19:54Are you hungry?
19:55He is, but not for food.
19:58Look at him.
19:59He wants something.
20:00You've found me out.
20:03I do want something.
20:06I need your help.
20:08Help?
20:09Oh, listen to him.
20:12Like you helped us against Cersei.
20:15Cersei's old business, sister-self.
20:17And he did bring nice stuff.
20:36You may ask us three questions.
20:41You may ask us three questions.
20:52And get one answer from each of us.
20:55Thank you, ladies.
20:57My first question.
20:59I had a leather pouch filled with sand.
21:02Where is it?
21:07It was sold.
21:09In London.
21:12Last purchased by a magic user called.
21:18Johanna Constantine.
21:22Constantine.
21:24I knew Constantine.
21:26But that was 300 years ago.
21:29You said last purchased.
21:31Does she still have the sand?
21:32Dream.
21:34You know better than that.
21:36You get one question.
21:38One answer.
21:40My apologies.
21:41My second question.
21:43Go on, dear.
21:45My helm.
21:47What happened to it?
21:53It was traded away to a demon.
21:57For the amulet of protection.
22:01To which demon was it traded?
22:03One question, one answer, love.
22:06Last question.
22:09My ruby.
22:11Who holds it now?
22:14Your gem was passed from a mother to a son.
22:19Where are they now?
22:21You have asked your questions!
22:37My lord.
22:39You didn't give it to the fates.
22:43Because it was not meant for them.
22:51Oh, my God.
22:59Never mind.
23:08Who?
23:10Who?
23:12What?
23:17you don't listen do you attractive men seldom do i suppose they don't have to
23:25ethel are you flirting with me you asked me where the tools are i told you i don't have them
23:31well i
23:32find that difficult to believe given your extraordinary success do you think that the
23:37only way a woman can be successful is by using magic supernatural and sexist you
23:43really are a nightmare aren't you oh come on you can't deny the tools have helped you
23:50they've certainly kept you from looking your age now who's flirting
24:02when i left roderick i traded the sand and the helm for my life in america
24:09and the ruby the ruby as you know it does have the power to make dreams come true but it
24:18also makes
24:18nightmares come true my son john took the ruby from me and then the ruby took john
24:29where is it now i don't know don't want to know you're lying apple
24:42you don't have to lie in fact
24:48you don't have to say a word
24:52your eyes will tell me everything every thought every feeling
24:58you will regret this i promise you
25:04what makes you think that
25:06i don't need dreams tools
25:11i have my own
25:32brother
25:37thanks for burying me in such a shallow grave this time
25:42and for this
25:47who gave you an egg
25:48you did
25:50i didn't give you an egg why did i give you an egg
25:52it's an apology for murdering me
25:55when have i ever apologized for murdering you
26:06kate look
26:10it's a baby gargoyle
26:13he thinks leaving this creature on my doorstep makes up for gregory
26:17do you think it came from lord morpheus
26:19who else lackwit
26:21he's trying to buy us off with a baby gargoyle
26:24or
26:25he feels just as bad about losing gregory as we do
26:32he's rather cute isn't he
26:35i think i'll call him
26:39irving
26:41irving
26:42you can't dame a gargoyle
26:44irving you gully guts
26:46i like irving
26:53gargoyle
26:54gargoyle names
26:55always begin
26:57with a g
27:00gormagon
27:01gladstone
27:04ganymede
27:05all right then
27:07girving
27:10girving
27:10it starts with a g
27:13it doesn't have to be
27:14it can be
27:16it can be
27:16gold
27:46no goldie goldie
27:53Welcome back, Miss Dean.
27:56Thank you, Sam.
28:14Hello, Johnny.
28:20Hello, Mum.
28:24How are you, Johnny?
28:26Are you well?
28:29Same as ever.
28:31Slightly bored, highly medicated.
28:34And days are all the same in prison.
28:37Hospital, John.
28:39Not prison.
28:40If it pleases you to think so.
28:43What did the doctor say?
28:45How's your therapy going?
28:49Is that your way of asking me if I've forgiven you yet?
28:55You are fine, aren't you, darling?
28:58You've come a long way.
29:00I'm proud of you.
29:03Are you trying to convince me or yourself?
29:05I'm trying to have a conversation with my son.
29:11We do need to talk.
29:13That rarely goes well for either of us.
29:15Perhaps I should ask the guard to come in and referee.
29:21We need to talk about the ruby.
29:35Come on.
29:37Come on.
29:42Or...
29:48Hello Irving, I mean Goldie, I'll call you Goldie for Cain's sake but I think of you
29:56as Irving really, in my heart. He can't help it, it's not his fault, it's who he is, it's
30:03who we are, the first murderer, the first victim. This is our story. Do you even know
30:10what a story is? Should I tell you one? It's a secret story. It's a story about two
30:19brothers who loved each other very, very much and they were very nice to each
30:25other, nice and kind and brotherly, you know, and the elder brother never harmed
30:32the younger brother ever and they didn't live in different houses, they lived
30:38together in the same house and they'd be happy. I don't mind getting murdered,
30:52honestly, if that's what makes Cain happy then, hey, what are brothers for, eh, little
30:58brother? Come on then, shall we say good morning to Cain? Oh, I'll be fine, he never
31:07normally murders me before lunch. He's not much of a mourning person, like me, or you
31:13apparently. May I ask where you're off to, sire? London. Did you not just spend the last
31:19hundred years there? Sorry, why London? The sand was sold there. When I have it back, I will
31:29seek out my helm. In hell. Oh dear. Then will you grant me one favor, before you go? Take a
31:42raven with you.
31:45No more ravens. If not for you, then for me. A raven can go back and forth between realms. Keep
31:52me informed.
31:53I do not need a minder. I am dream of the endless. Yes, and dream of the endless always has
32:01a raven.
32:02Yes, and dream of the endless. If this Constantine is anything like her ancestor, she will serve me well enough.
32:14She is only human. As was Roderick Burgess.
32:31What could possibly go wrong?
33:00Oh good. You've returned.
33:03And just in time too, his lordship will be pleased. Where is the dream? He's away. Again. For the moment.
33:12He's out there looking for his tools. Isn't he? He will be coming back.
33:18Well then, I better get a move on. Where are you going? Back to the waking world. To freedom.
33:26You should try sometime. Dreams and nightmares do not belong in the waking world.
33:30Oh turns out I fit right in. Have you no loyalty to your creator? Why should I? He's no loyalty
33:36to us.
33:37You misunderstand him, Corinthian. Oh no, I see him for what he is. He doesn't give a fuck about you.
33:45Or me. He only cares about himself. His kingdom. Well he can have it.
33:53Because I am leaving. He will come after you. Well then if he does, he won't be coming back either.
34:07You can't change it. You can't save him either.
34:24You can't change it. You can change it. You can change it. You can change it. You can change it.
34:31You can change it. You can change it. You can change it. You can change it. You can change it.
34:33You can change it. You can change it. You can change it. You can change it. You can change it.
34:36You can change it. You can change it. You can change it. You can change it. You can change it.
34:36You can change it. You can change it. You can change it. You can change it. You can change it.
34:37You can change it. You can change it. You can change it. You can change it. You can change it.
34:37You can change it. You can change it. You can change it. You can change it. You can change it.
34:38You can change it. You can change it. You can change it. You can change it. You can change it.
34:38You can change it. You can change it. You can change it. You can change it.
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