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T h e . S a n d m a n . S 0 2 E 1 2 [Full Movie] [Full Storyline]Full EP - Full
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00:28Dear Sylvie,
00:32by the time you read this, I'll be dead.
00:51He's gone.
00:54I know.
00:56You said we shouldn't talk for a while.
00:58But I didn't want you to think my death had anything to do with you or us.
01:06Truth is, the planet is dying, democracy is dead, and the human race is next.
01:14But not before we inflict as much damage on the planet and on each other as we possibly can.
01:34Neither are you.
01:36Yeah, well, I'm playing truant today.
01:39Amelia's helping me.
01:41Oh, but if you're working, Saxon, we can...
01:43No, or, or...
01:44You're on your way out to work in that cafe where you sometimes work?
01:49Huh?
01:50Yes, yes.
01:52I was on my way out.
01:55Uh, just one last email to send.
01:58Oh, I read your piece in The Guardian.
02:01The one about the climate crisis.
02:03What, they're all about the climate crisis?
02:04I found it very hopeful.
02:06You did?
02:07You did.
02:10Well, um, we'll leave you to work, but you're coming out with us tonight, yeah?
02:17Actually...
02:18Is that tonight?
02:20You promised.
02:21Yeah, but don't you just want to have a night in?
02:23That's what we ever have.
02:24Do you not like my friends?
02:25I do, just not as much as I like you.
02:27Oh, my God.
02:28They already told Jackie that we're coming, all of us.
02:29You, me, and Sexton.
02:30Yeah, well, Jackie will understand.
02:32I'm not going to cancel on her.
02:33Look, can you blame me if I want to be alone with you?
02:35You're obsessed, man.
02:36Yeah, who's for, is that?
02:38You can't just be the two of us, and I don't know what it's like.
02:40It's not just the two of us, it's good.
02:42You're thinking about it.
02:47Hi, Sylvie.
02:53Hiya, Sylvie.
02:58Hi, Sylvie.
02:59It's me.
03:00Um, I know that you said that we shouldn't talk for a while.
03:06But, uh, I needed you to know that what I'm about to do.
03:11It's got nothing to do with you.
03:17Oh, wow.
03:19Now, who would throw you away?
03:23Uh, hi.
03:28No!
03:31No!
03:43No!
03:45No!
03:47No!
03:47No.
04:22No.
05:06Fuck.
05:15Hello?
05:16Hello?
05:17Hello?
05:17Hello?
05:17Someone there?
05:22Yeah?
05:25Hello?
05:32Are you all right?
05:34Yeah.
05:35I just can't seem to move.
05:39Oh, yeah, I see the problem.
05:42Do you think you could maybe...
05:45Oh, I don't know.
05:47Never moved your refrigerator before.
05:50Maybe.
05:51Just give it a good...
05:57Oh, look at that.
06:02Didn't expect to be doing that today.
06:04Here.
06:05Nice.
06:06No.
06:07Sorry.
06:08Sorry.
06:09I forgot.
06:09It's my day off.
06:16There you go.
06:18Oh.
06:18Oh.
06:19You good?
06:22Well, what were you doing down there?
06:23Nothing.
06:25Nothing.
06:25I fell.
06:26Oh.
06:28Uh...
06:28Looking for these?
06:29Oh, yeah.
06:30They're...
06:31They're for my allergies.
06:34Oh.
06:35You're bleeding.
06:37Oh.
06:38Oh, no.
06:39You better come back to my place.
06:40What?
06:41I don't.
06:42I'm only a few minutes away.
06:43I've got plasters for that arm.
06:44And I might even fix a jacket for you.
06:46But after that, you're on your own.
06:49Come on.
07:05I can't get over this beautiful day.
07:09Listen.
07:10Do you hear that?
07:15I hear...
07:16traffic?
07:16Yes.
07:17That's what it is.
07:18Do you enjoy the sound of traffic?
07:20Well, isn't that why people live in London?
07:24Was that your rubbish back there?
07:26What?
07:26Were you flying to me?
07:27No.
07:28What?
07:28That's illegal.
07:29I would never do that.
07:30Then what were you doing?
07:32If you don't mind my asking.
07:35Thinking, I suppose.
07:38What about?
07:42How about how we've taken a perfectly good planet
07:45and turned it into a place to put all of our rubbish?
07:49I don't know.
07:50I quite like it.
07:52This is me.
07:57Come on.
07:58We'll get you sorted.
08:03It's very nice of you.
08:05Well, it's no harder to be nice to people than it is to be awful.
08:08And it's much more fun.
08:11Wow.
08:14That looks much better.
08:16Have you met the goldfish?
08:19Oh.
08:20The big orange one.
08:22That's slim.
08:23And the little yellow one.
08:25He's called Wandsworth.
08:28I would introduce you, but you haven't told me who you are yet.
08:30Sorry, Sexton Furnival.
08:35I blame my parents.
08:38I like it.
08:40Sexton Furnival.
08:42And you are?
08:44I am...
08:48...very good at sewing.
08:55Okay?
08:56Yeah, you are.
08:58Hmm.
09:00Is that what you do?
09:01Are you in the fashion industry?
09:04No.
09:05Dan, what do you do?
09:08I...
09:10...rescue journalists from illegal fly tips.
09:14Three sugars?
09:17Yeah, I...
09:19How did you know I'm a journalist?
09:21How many Sexton Furnivals do you think there are in the world?
09:26You read my column?
09:28When I have time off.
09:30Time off from what?
09:33Look, I tell you, but you won't believe me.
09:37Why not?
09:40Because...
09:45I'm deaf.
09:50You're deaf.
09:52Yeah.
09:54Okay.
09:55But you have nothing to worry about, because today's my day off.
10:01Oh.
10:05Death is a day off.
10:07Just one.
10:09Every hundred years.
10:10Just to see what it's like to be human.
10:14Hmm.
10:16Death lives in Shoreditch.
10:18No.
10:19No, this place is just the universe's way of making me feel comfortable.
10:24Technically, right now, I'm only a few hours old.
10:28Of course.
10:32I should probably...
10:35Go.
10:36Thank you for the jacket.
10:38And the tea.
10:41And everything.
10:42Of course.
10:45Well, I'll see you again.
10:48You will?
10:51Sooner or later I'll see everyone.
10:52No.
10:55Right.
10:56Okay, bye.
10:58Okay.
10:59Bye.
11:01Bye.
11:01Bye, bye guys.
11:23Oh!
11:25Bye, bye!
11:46Hello, me bonnie boy.
11:48You were with her, weren't you?
11:50I could smell it on you.
11:53Upsy-daisy.
11:54They must be the most understanding here.
11:56In my experience, broken bottles is sharp enough to make your face a lot less bonnie.
12:01Bonnie boy.
12:02All right, look, if it's money you need...
12:04Button your lip and shut your face.
12:07You're going back inside, you're going to knock on her door, you're going to tell her it's you.
12:12Aren't you?
12:15Hello.
12:17It's Sexton.
12:19Carnival?
12:21Sexton.
12:24You're back.
12:25I didn't expect to see you so soon.
12:28Oh, it's you.
12:30That's right.
12:31It's me.
12:34Get in, bonnie boy.
12:43Look.
12:44Leave Sexton out of this mad-haired tea.
12:46I'm not leaving him out of this.
12:47He's my bargaining thing, isn't he?
12:50And I've got a job for you.
12:54Fine.
12:56What's the job?
12:59Take a seat, bonnie boy.
13:09I want you to find my soul for me.
13:12Your soul?
13:16Any idea where you lost it?
13:17I didn't lose it.
13:20Put the little bugger somewhere safe as ours is I did somewhere.
13:24No one would find it.
13:26Especially not you.
13:27If you hide your soul from death, you never die.
13:31Well, she can't take it if she can't find it, can she?
13:34Let me get this straight.
13:35You've hidden your soul from me, and now you want me to go and find it for you.
13:40Will you?
13:43I've tried ever so hard.
13:46I can't do it on me.
13:54Any idea where you've hidden it?
13:57Hmm.
14:00My hat, I placed it in a duck egg.
14:04Inside a duck.
14:05Inside a well.
14:07In a castle, on an island, surrounded by a lake of fire.
14:11Guarded by a hundred dragons, each larger and more ferocious than the last.
14:18And maybe you didn't.
14:21It's been a long time, love.
14:24And, um, sometimes my mind goes a bit too, Lally.
14:32Fine.
14:39I'll keep an eye out for you.
14:42Help yourself to whatever's in the fridge.
14:44There's tea and biscuits in the cupboard.
14:48Thanks, lamb.
14:54Why don't you don't want to call the police?
14:56Why?
14:57Because there's a homicidal madwoman in your flat.
15:01You'd be mad too if you'd lost your soul.
15:03Oh, do you want anything?
15:05I've been so busy today, I forgot to eat.
15:08No, thank you.
15:09Yum.
15:10Um, hello.
15:11One, please.
15:13Chicken, lamb or veg?
15:15Veg.
15:16And what would you like on it?
15:18Uh, whatever you've got.
15:19Chef's choice.
15:20All right.
15:21One veggie flatbread with the works.
15:24There was this Zen monk, right?
15:26And he orders one of these.
15:28Do you know what he says?
15:30Make me one with everything.
15:32You've heard that one, eh?
15:34Oh, I hadn't.
15:35Oh, that looks delicious.
15:37What do I owe you?
15:39Nothing.
15:39Keep your money.
15:40What?
15:41No.
15:42A beautiful woman with a healthy appetite.
15:44You make me feel glad to be alive.
15:46You enjoy that.
15:48This might be the best thing I've ever tasted.
15:50It's actually, you've got to try it.
15:51No, thank you.
15:52Hey, try it.
15:53Mmm.
15:55I think enough time has passed now that I'm allowed to go home.
15:58What do you mean?
16:00My flatmate and her girlfriend asked me to leave so they could...
16:04Have sex.
16:05Aw, that's sweet of you.
16:07Look, no idea how long that's going to take.
16:09How long have they been together?
16:11Three weeks-ish.
16:12No, he might be out a while.
16:15Oh, taxi!
16:16What are you doing?
16:18I have an entire list of things I want to get done while I'm here.
16:21Like what?
16:22Mmm, like go to the opera or BFI.
16:26Oh, I want to get a chai in the queue at Deschun.
16:29And then a party, then maybe an after-party.
16:32Oh, and then I want to get a full English at the Regency Cafe.
16:36Oh, and I promise Madhati I find her soul.
16:39How does that sound?
16:41Like too much for one week, let alone one night.
16:44Challenge accepted.
16:48Let's go.
16:50No.
16:52Why not?
16:53Because I don't know you.
16:56And if you don't get in this cab, you never will.
17:00Where to, love?
17:02Sexton, where would you like to go?
17:05Home?
17:07Um, where's home?
17:08He can't go home.
17:09His roommates are having sex there.
17:11Nice.
17:11Yeah.
17:12Well, anywhere else do you want to go?
17:15I've no idea.
17:18That's the human condition, isn't it?
17:20Where would you like to take us?
17:21Me?
17:22Yeah.
17:23First place that pops into your mind.
17:26Well, I always like a bit of greenery.
17:29Can I see a drive through the park?
17:31That sounds perfect.
17:33Hop in.
17:35But what about the opera and the shooting?
17:38We'll get there.
17:40As my older brother would say, certain destinations are inevitable.
17:46After you.
18:05Can I ask you a question?
18:08Is it personal?
18:09Very.
18:11Good.
18:12Yeah, go on.
18:12I'll ask.
18:13What is it you think makes life worth living?
18:19Well, my sister, Maggie, she thinks it's men.
18:26For me, it's at the end of my night shift.
18:31When the sun's just coming up.
18:34And I've got London all to myself.
18:37And just for a moment, everything, everything feels possible.
18:43Yeah.
18:45I love that.
18:47Hey.
18:48What about you, Sexton?
18:50What makes life worth living?
18:55That moment when your flatmate stops having sex and you get to go home.
19:00I asked you a serious question.
19:02I gave you a serious answer.
19:04You two deserve a night out.
19:06Oh, now that sounds like wisdom to me.
19:08What do you have in mind?
19:10Well, the Undercut Club's just down the road.
19:13The Undercut Club?
19:14Have you been?
19:15No, I've never had the pleasure.
19:16You're better off.
19:18Believe me.
19:18Have you been?
19:21My ex used to drag me there for 80s nights.
19:24And Naughty's nights.
19:26And Naughty's nights.
19:27But never 90s nights.
19:29Is it fun?
19:31If you like that sort of thing.
19:33What, if you like fun?
19:34If you like crowds and overpriced drinks and drugged up wannabes cyberpunks who look like
19:40they've escaped from a bad movie.
19:42Okay, you're actually making me want to go now.
19:44You sold it to me.
19:45I'd go.
19:46Would you like to?
19:47I'd love to.
19:48But I'm on the clock.
19:49So, I'd better drop you two there, yeah?
19:56Yes, please.
20:13What do I owe you?
20:15Nothing.
20:16It's a gift.
20:17Really?
20:21Say thank you, Sexton.
20:23Yeah.
20:25Uh, thank you.
20:26What?
20:27No problem.
20:29Well, all the taxi drivers don't generally give people free rides through the park at rush hour.
20:34Yeah, I know.
20:36But there's something about her.
20:37I like her.
20:40But if you're so bothered, that'll be 60 quid.
20:52Well, thanks now.
21:00You have a knack for never having to pay for anything.
21:03What's it like to live for free?
21:05Nobody lives free, Sexton.
21:07Especially not me.
21:09Now, I have 20 pounds and, ooh, two pence.
21:13Even if that's enough to get us in the club.
21:14I'll get you in.
21:16I'm not going.
21:17Why not?
21:19Are you scared you're going to see Sylvie?
21:23Sylvie?
21:24Your ex.
21:27How did you know she's called Sylvie?
21:29Because I know everyone.
21:31That's my job, remember?
21:34What I don't know is why you weren't coming with me.
21:38Because this is not my idea of fun.
21:43These are not my people.
21:45Sexton!
21:47What are you doing here?
21:49I thought you were having privacy with Amelia.
21:52Oh, we had a row instead.
21:53I messaged you.
21:55My phone died.
21:56What was the row about?
21:59Sorry, are you with Sexton?
22:02Yeah.
22:03No.
22:06I'm, um...
22:06Dee Dee.
22:08Billy, this is Dee Dee Dee.
22:10This is, uh, my flatmate, Billy.
22:14Pleasure.
22:15So, how did you two meet?
22:17Stop smiling, it's not like that.
22:19I found him on a fly tip.
22:20Oh, well, that does sound more like it.
22:22What was the row about with Amelia?
22:24Oh, sex.
22:25My girlfriend basically accused me of being a sex addict.
22:28What?
22:29She says I just want to spend all my time alone with her
22:33and I don't want to hang out with any of her friends.
22:35They're all inside waiting for me.
22:38She'll be so happy you're here.
22:40Oh, she might even forgive me.
22:41I'm not staying.
22:44He's scared he's going to see Sylvie.
22:46He's dying to see Sylvie.
22:47No, I'm not.
22:54Is she here?
22:56Only one way to find out.
23:00And Amelia knows a guy on the door so we can get him for free.
23:03For free.
23:04You hear that?
23:06Come on, sexist.
23:07It's my lucky day.
23:08And yours.
23:09I'm not.
23:23You're welcome.
23:27You're welcome.
23:29He came again.
23:32He came again.
23:33He came again.
23:35He came again.
23:37I'm not.
23:51Oh
23:51Hey, I'm here and look who I brought Sexton you came
23:57See isn't this nice last one and I out together. Oh, this is Sexton's friend Didi
24:05This is Amelia and that's Jackie Wow, you both look stunning
24:12Those gloves are amazing. Thank you. They're vintage. Oh
24:17You feel like vintage stuff, don't you?
24:20Really what you got? Oh paperbacks typewriters toys toys rocket ships race cars toy collection is a modest one
24:31That's a shame
24:34Right we need drinks first rounds on me. I'll go with you. No you say okay
24:41Oh
25:01Sexton looks miserable
25:04Sexton is miserable and I can't even say it's sylvie's fault
25:09Sexton has a rather dark view of the world at the moment
25:13Which is not entirely unjustified given the world at the moment and which a lot of people share
25:20But you don't
25:23Well, I did
25:27Then I met Amelia
25:30And I'm not saying she's the answer or anything. She's just a person but
25:35Sometimes a person is all it takes to make you feel better about it all you know
25:44I think people are wonderful
25:48Nothing like them
25:52Are you looking for someone? Oh is sylvie here where no, I just lost them. Sorry
26:01Oh
26:02Who's sylvie sex and sex
26:06Well, if you've managed to stay friends with your ex that says a lot about both of you
26:10I'm not sure she'd consider me a friend. Oh, why did you break up with her?
26:16No
26:21I'm sorry
26:24Um, I'm gonna go help with the drinks. We'll meet you
26:33Well, I'm glad you came
26:37And sorry about earlier really had no right to ask you to leave
26:41She had every race she wanted to be alone with you
26:46Yeah, all she wants to do is shag men
26:49Amelia, I've known Billy since uni. She's never been interested in sex ever until she met you
26:56Did she tell you to say that she'd kill me for saying that you cannot tell her
27:07Oh, I got you a gin and tonic. That's okay
27:12I thought we were fighting. Mm-hmm sex has sorted me out in it
27:16All right
27:18How much do you owe you for the drinks drinks or in the house?
27:24Oh
27:29This is very kind of you any friend of sexton's hello theo sexton
27:37Niwa this is my friend
27:39Didi
27:40Didi
27:41Theo is the
27:44Manager here house dj club promoter and your house for the evening
27:50Theo is friends with sylvie
27:53Got it
27:54Thank you. Yeah, thanks there
28:00Sexton
28:02Your friend didi
28:04How long have you known her i just met her a few hours ago
28:08You brought a girl to a club that you met just a few hours ago
28:13That doesn't sound like you sexton
28:15You don't know me theo
28:18Yeah, just what sylvie told me
28:21Nothing bad don't worry just you know
28:23She likes to have fun and you don't
28:25Not your kind of fun
28:26No
28:27I don't do any of that shit
28:29Really
28:31So you just make money encouraging other people to do it
28:38Well
28:39Sylvie will be very happy to hear that you've met someone
28:43No
28:43No, no dv and i are not together
28:46Well in that case
28:47What about your girlfriend what about natalie
28:51You two still
28:53Yeah, but natalie does her thing
28:56I do mind
28:59Maybe that's why we're still together
29:16I love this place well done
29:26You all right
29:28Sorry i am
29:30I was just admiring your ang
29:35Egyptian right
29:38Symbol of death
29:41The opposite actually
29:43Immortality
29:44Right
29:46Because the pharaohs all wanted to live forever didn't they
29:48Some of them did
29:50Some of them knew better
29:53Immortality is not all it's cracked up to be
29:55I don't know about that
29:59If you knew you're gonna live forever you could do whatever you want
30:03You wouldn't have to be afraid of anything
30:07Anyone
30:11You don't need immortality for that though do you
30:18Did section show you this used to be a department store
30:20The club
30:21Yeah
30:22Bed linens
30:23Garden furniture
30:25Kids toys
30:27Also upstairs
30:28You need to provide the parties
30:30I could give you a tour
30:32If you like
30:32Yeah
30:33Maybe later
30:34Do you want to dance
30:42I'd love to but
30:44I came to sexton so
30:46Sexton doesn't dance
30:49At least not according to Sylvie
30:53Shall we
30:58Let's go
31:06What is wrong with you?
31:08She likes you
31:10She likes everyone
31:12I can't work out whether she's being serious or not
31:16She told me
31:22She thinks she's death
31:25What?
31:27She thinks she's the living incarnation of death
31:32She told you that
31:34Oh she'll tell you if you ask her she's not shy about it
31:40Maybe I will
31:42Someone needs to save her from the day
31:44Come dance with us
31:45No
31:48According to Sylvie I don't dance
31:51Supreme the role
31:56Huh?
31:56Ha
31:57Ha ha!
31:59Oh, my God
32:17Everything will be joyful
32:20Hmm
32:21Everything will be joyful
32:37Are you not a joiner then?
32:40No, I've never been very good at that.
32:43Takes practice.
32:49I think I must be doing it wrong.
32:51Um, everyone here seems to not notice or care.
32:57The world is ending.
33:01Well, maybe that's why the hit.
33:10Just makes me want to give up.
33:15You don't mean that.
33:19Yeah, you're probably right.
33:25May I offer another perspective?
33:28Are you going to try and cheer me up?
33:30I would never be exact opposite.
33:33Yeah, by the way, it means.
33:35So, I had this friend who was abused by her father and a few of her father's friends.
33:44Jesus.
33:46The family fiction was that she loved hunting and fishing, which is why he would take her
33:52away on these weekend trips with all his friends.
33:55He was a posh barrister.
33:57And one of the other men was a police inspector.
34:00There was no one she could tell.
34:03So, one day, she got one of her father's hunting knives, locked herself in the toilet, and started to cut.
34:15I know.
34:16I'm sorry.
34:20I'm only telling you this because when she woke up in the hospital,
34:23even with bandages all the way down her arms, and her father just sitting there, terrified she would talk.
34:33She was still glad to be alive.
34:52So, according to Theo, this place used to be a department store.
34:56He's invited us on a tour.
34:58He's invited us?
35:00Or you?
35:02Me.
35:03But I'm inviting you.
35:05He's got a girlfriend, you know?
35:06She's called Natalie.
35:08You two go.
35:10I've got dancing to do.
35:18Come on.
35:19Theo's waiting.
35:20Theo is not a good guy.
35:23Well, Sexton, do you really believe that there are good people and there are good people
35:26not good people in this world?
35:27I'm a reporter.
35:28I know for a fact that there are.
35:29And I've heard things about Theo.
35:31Really?
35:31Such as?
35:32Ready for the tour?
35:36Yeah.
35:37You don't mind if Sexton comes too, do you?
35:41Not at all.
35:44This way.
36:04Well, this looks like a storeroom.
36:08So this is where you host private parties?
36:11Well, we're having one right now.
36:15Ow!
36:16Theo!
36:16Give it back!
36:16Get back!
36:18It's not a weapon.
36:20It's a symbol.
36:20It's a sigil.
36:21Your sigil.
36:24From now on, I decide who lives and dies.
36:28It doesn't work like that, Theo.
36:31You better hope it does.
36:35Theo!
36:36Hey!
36:37Theo!
36:39Theo, let us stand in here!
36:40Theo!
36:42Don't let me out!
36:43We can't hear you, Sexton.
36:53Theo!
37:05Did you tell him you're deaf?
37:09I didn't have to.
37:14He summoned me here.
37:27I'm so sorry, Sexton.
37:29I'm so sorry, Sexton.
37:43It's not your fault.
37:46It is.
37:47It is.
37:47You warned me.
37:48But I got cocky.
37:51I just thought it doesn't matter if something happens to me.
37:55That's what today's for.
37:59I didn't think I'd be hurting other people, too.
38:02You haven't hurt anyone.
38:08What about Mad Hattie?
38:10I'm sorry.
38:11At this point, we'll never find our soul.
38:14I thought you were just humoring her.
38:17No, of course not.
38:19She's counting on me.
38:23I only have a few hours left.
38:27Until what?
38:31Until my one day every hundred years is over.
38:41Ah, here we go.
38:44We'll get the door open.
38:46We'll open Theo's skull.
38:48Sexton.
38:49Put that down.
38:51You could hurt him.
38:54You sure you're deaf?
38:56Doesn't mean I go around killing people.
38:59Doesn't it?
39:01No.
39:03There is such a thing as free will.
39:05People make choices.
39:08People don't choose to die.
39:12Normally, there's war, there's famine, disease.
39:19I'm not saying it's not painful to be alive.
39:25But it's not always painful, is it?
39:31No.
39:37In fact, sometimes it's so nice that you forget that there's suffering everywhere.
39:46All the time.
39:48People with nothing struggling to survive, to keep their families alive.
39:55It never stops.
39:56No matter what I say or do or write.
40:00No matter how hard I try to make a difference, I don't.
40:02I can't.
40:03Which leads me to why bother.
40:07Which leads me to what's the point.
40:14I keep having to remember that you've only ever been human.
40:21So you don't know what it's like not to be able to feel these things.
40:32What it's like not to have free will.
40:36You don't have free will.
40:39My siblings and I have our duties.
40:43And we perform them.
40:50Except for one day.
40:55Every hundred years.
40:58A death takes a holiday.
41:02Spends it locked in a storeroom.
41:04Well.
41:07That's my fault for making plans in the first place.
41:10For having these expectations.
41:13Which makes it impossible to just enjoy what the day actually turns out to be.
41:23You'd think I would have learnt my lesson by now.
41:31What?
41:43Marbles.
41:43Marbles.
41:53When Theo comes back.
41:54He'll slip on these.
41:56He'll fall non-fatally.
41:58And we'll get away.
42:00Are you trying to save your life with those?
42:02Or mine?
42:04Ideally.
42:05Both.
42:08What a difference a day makes.
42:12What do you mean?
42:15The sleeping pills.
42:17In your pocket.
42:19I'm not judging you.
42:22There is such thing as free will.
42:26And...
42:27Today you want to live?
42:34What the fuck are you doing?
42:37With those meant for me?
42:46Where's my egg?
42:47They bought me the Thames.
42:49Doesn't fucking work.
42:50Not the way you wanted it to.
42:52Well.
42:53Doesn't matter.
42:55Because I've got you.
42:57And you're coming with me.
42:58Theo, she's not that.
43:00I've told him.
43:01He doesn't believe me.
43:02Even if she was.
43:03You don't need her.
43:04You've got the power to kill.
43:05It's in your hands.
43:06I don't want her to kill anyone.
43:11I wanted to bring someone back.
43:18Natalie.
43:22Will you bring her back for me?
43:26I can't.
43:28It was my fault she died.
43:31No.
43:32It wasn't.
43:35Natalie overindulged one night.
43:39Theo, you did everything you could to try to save her.
43:43Including summoning me.
43:47You know one's gonna believe that though, are they?
43:52They're all gonna think I killed her and why wouldn't they?
43:57I'm gonna spend the rest of my life in prison.
44:04I'm Bess.
44:06Theo.
44:07Will you take me like you took her?
44:08No, Theo. Listen.
44:09Theo.
44:10Put the gun down.
44:11Just fuck up, Sixten.
44:12I know you think I killed her too.
44:13No, I don't.
44:14I swear.
44:14Theo, put the gun down.
44:15Just stay back!
44:25Theo.
44:29He's hit his head.
44:31Get help.
44:33Call an ambulance.
44:41Please bring her back to me.
44:45Once they're gone, it's too late.
44:49Are you taking me now?
44:50Not today.
44:55Today's my day off.
45:04Today's my day off.
45:14I'm aware that he might have a concussion, so we'll keep him overnight.
45:17Thought maybe we could go and see him tomorrow?
45:21I won't be here.
45:25Right.
45:28Death only gets one day off.
45:36Well, it wasn't the day I wanted, but it was probably the day I needed.
45:48And there's the proof.
45:50You like it?
45:52It's perfect.
45:54How much is it?
45:56For you?
45:57Just give it to her.
46:00We all know you're going to.
46:03For you?
46:0530 quid.
46:0730 quid?
46:11Is it real silver?
46:1430 quid, love.
46:15You're lucky it's real metal.
46:16Well, how much for that?
46:20How much you got?
46:22£20.
46:24And...
46:25two pence.
46:27I'll take the pounds.
46:29You keep the pence.
46:36I had a really good time today.
46:41You enjoyed being held captive at gunpoint?
46:45No.
46:48But it was part of the whole thing.
46:53And I wanted the whole thing.
46:57Speaking of which...
47:01For you.
47:03That's all I got left.
47:07You never know when they'll come in handy.
47:09Hmm.
47:11Oh.
47:11And, er...
47:16This...
47:17is for Mad Heady.
47:32Mmm.
47:36Have a lovely day.
47:42Mmm.
47:46Mmm.
47:48Mmm.
47:51Mmm.
47:52Mmm.
47:54Mmm.
47:56Mmm.
48:03Mmm.
48:08It just goes so fast.
48:13You wanna hang on to every second.
48:18And you give anything for just one.
48:33Please.
48:35Help.
48:39Please!
48:40Please.
48:51Please.
48:52Dee Dee.
48:54Dee Dee!
48:59She's dead, love.
49:00She's gone.
49:05You can't bring her back now.
49:07You can't bring her back now.
49:11You can't bring her back now.
49:12You can't bring her back now.
49:14Did she give you the dance?
49:15No, no, no.
49:15It's?
49:17No, no, no.
49:25No, no, no.
49:25Give her my hand.
49:30That's the cost of life.
49:42Poor love.
49:44She only has a day every hundred years.
49:48Doesn't ever get any easier.
49:53Did she give you anything else?
49:56Before she died?
50:08There you are.
50:13I knew she'd find you.
50:22Me soul.
50:26This was Cordelia, me baby.
50:30I wasn't mad at you back then, of course.
50:33They called me Henrietta, and I lived in a fine house.
50:38Long time come now.
50:42All gone.
50:46I suppose I'd better hide you again.
50:53If she'd stuck around, I could have asked her where to put it, but no-one would think of looking.
51:01I'd give her time, naughty boy.
51:07Another hundred years, and she'll be back.
51:23A few minutes later, the paramedics came and took her away.
51:32I thought it might have been a heart attack, but...
51:37What if she really was death?
51:44It would not be nice if death was someone, and not just pain and emptiness.
51:53Someone friendly, genuinely likes people, and is kind and funny.
52:06No idea.
52:31We thought we'd stop by.
52:33There's sex now, right?
52:34Oh, save yourself.
52:36Um, we were worried and Billy said you didn't make your home last night.
52:42I just wanted to make sure you were okay after our chat.
52:46Yeah, I'm sorry we didn't get a chance to...
52:49Oh, no, no, no.
52:50It's fine.
52:51There were so many people.
52:57Uh, well, I'm sure you're working.
53:03No, I...
53:07Do you want a cup of tea?
53:10Yeah.
53:11Yeah, if you have time.
53:24Milk and sugar?
53:26Three sugars.
53:32So that was it?
53:41Yeah.
53:42How was it?
53:45Oh.
53:51It was wonderful.
53:54It was filled with people.
53:58I got to breathe and eat and dance.
54:03I only wish it didn't have to end like that.
54:07It always ends.
54:09That's what gives it value.
54:12When you get to be alive, even for a day.
54:18Well, it's really only one way to stop living.
54:23I suppose so.
54:27Was it worth it?
54:33I wish it could have gone on forever.
54:41Take my hand.
55:11I wish it could have gone on forever.
55:12I wish it could have gone on forever.
55:13I wish it could have gone on forever.
55:14Right when I laid eyes on you, I thought to myself,
55:21Oh, could it be someone that's made just for me?
55:28Oh, I can't make this up.
55:32What if I fuck it up?
55:36Well, then I'm wrong.
55:39You're not the perfect someone made for me.
55:44Right when I laid eyes on you, I thought to myself,
55:52Oh, could it be someone that's made just for me?
55:59Oh, I can't make this up.
56:02Why if I fuck it up?
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