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#Ḭmperfect #Women S01E01 [Full Movie] [Recommended]Full EP - Full
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00:16It feels cheap to call it a friendship.
00:21It was something else, like a kinship from deep in our souls.
00:29We could face anything that life would throw in our path as long as we had each other to
00:34come back to.
00:37We were supposed to grow old together.
00:41What we had was powerful and essential, and it was supposed to last forever.
00:57But that's not what happened.
00:58What happened?
01:05What happened?
01:21What happened?
01:25What happened?
01:43What happened?
01:45What happened?
01:55when was the last time you saw the deceased um we had dinner last night you don't seem sure about
02:02that no i am i'm sorry i am i i just um it doesn't seem possible that that was yesterday
02:10you know everything feels just so different now can i ask how
02:23what happened was she robbed was she raped oh that's not information we can share just now
02:33we're hoping you can help us yes however i can what what can i do
02:38you may have been the last person to talk to your friend before the assailant so
02:43you can tell us anything that you remember from last night
02:56okay okay okay okay here we go
03:05let's go thank you thank you thank you
03:09i would like to thank my co-workers on the south asian team for letting me win
03:16and i have to thank our fearless leader eleanor for the two most rewarding challenging years of my
03:22life may i say something of course so these somewhat ridiculous cornhole contests do serve
03:31a purpose and it's not just to bring some joy and levity to the really difficult but crucial work
03:38that all of you are doing all over the world these moments also mark passageways so kumal
03:45we raise our compostable cups to you today because we are so proud of everything that you have
03:52accomplished at rescue and relief and we are even more proud of all the work on your horizon
03:57thank you thank you to kumal everyone please eat i don't want to waste any food
04:09thank you good speech boss what was just you know giving you a compliment well don't do that
04:19what's up do you have a second to talk i don't i'm i'm so sorry i don't but maybe we
04:24can find some
04:24time later yeah yeah i'll see you later okay
04:37do i have to do this yeah from college yes we were young we had that taste el help me
04:46i do not make the
04:48rules happy birthday
04:55it's gotten worse yeah it's really bad okay honey how has the day been have you been adequately
05:02worshiped absolutely artemis woke up at 6 a.m. to start worshiping me by demanding pancakes you know
05:09they were so sweet the girls and howard had them write me a little poem that is so nice kind
05:14of cheap
05:15it's personal oh nancy she deserves to be showered with gifts excuse me oh potato mini galettes with
05:23the tomato confine paired with champagne compliments of the chef oh thank you please thank porco for me
05:28will do miss boucher thank you amazing i look very nice i mean they're tater tots right no they are
05:35very fancy artisanal tater tots okay rude i love it when you sleep with chefs oh how's it going with
05:43the um co-workers that's still yes we are still connecting here and there you know it's very casual
05:51though does he know that yes nancy you good what is everything okay yes ladies i wanted to say this
06:02it's going to be long because i have to pee no no i just wanted to say that i'm so
06:08happy to be here
06:09with the two people that i love most who i feel most loved by in all the world we do
06:13love you there's
06:14an irish name oh god please no i'm just kidding happy birthday beauty thank you all right i'll be right
06:22back
06:25we have your table ready oh fantastic thank you we don't have to grab that nancy what is going on
06:33are
06:33you okay yeah no um what's happening that guy it's still happening what i thought you were breaking it
06:43i tried i know it's complicated what does that mean mary doesn't know can you not say anything i
06:51i don't want to make her upset but it's okay for me to be upset
06:57well it's not like you're monogamous nancy if you were being honest with robert about what you were
07:04doing that would be fine i mean open marriages are like open kitchens these days everybody's putting them
07:09it's not exactly robert's style but this thing that you were doing it's not liberating you it's just
07:18making you miserable i know i know i
07:23it's just when i'm with him i feel powerless
07:29do you remember what you said to me about the difference between love and infatuation
07:36what did i say you said that love fills you up and infatuation depletes you are you sure i said
07:44that
07:44yes it sounds more like mary no you said it to me about robert the day that he proposed
07:52sometimes i think you see my life more clearly than i do no i just hi hi it's beautiful right
08:00what are we talking about just eleanor's entanglements huh well oh i was offered cocaine in the
08:10bathroom oh what i didn't take it but you know it's nice to be asked you still got it thank
08:15you
08:34um hey eleanor it's robert sorry to bother you so late or so early it's okay what's up well nasi
08:42didn't come home last night and she's not answering her phone she didn't go home with you after dinner
08:47by any chance are you there you okay yeah yeah i'm sorry are you not alone no no um can
08:57you just give me a
09:07second okay so nancy hasn't come home yet no and i've left half a dozen messages and texts there's
09:15no response um very concerning yeah i don't i don't know robert i mean we we ate and then
09:23she left and she told you she was coming home i mean she didn't say that exactly but i assumed
09:34that's it i'm calling the police no robert don't don't do that okay so
09:40but you you do know where she is not exactly eleanor what the hell is going on
09:49um i'm gonna throw some clothes on and come to you that's not necessary if you could just tell me
09:54robert stop stop do not call the police until we talk okay please
09:59okay okay okay okay i'm on my way
10:07hey jordan can i take these jeans
10:15you are already yeah but it's fine because i was never here remember
10:34so
10:40so
10:41I don't know.
11:28I don't know what she's thinking, and she hasn't said that, but...
11:33Jesus, come on, you came all the way over here.
11:35You might as well just tell me.
11:36She's seeing someone else?
11:40I'm so sorry.
11:48Well, there it is.
11:49I really don't want to be in the middle of all this.
11:54So who is he?
11:56She told me it was over, but you know how Nancy is, right?
11:59Like, sometimes she's very clear, and then another...
12:01I need a name.
12:04David.
12:05David who?
12:06I don't know.
12:07She says that she met him through work.
12:09The museum?
12:11The ballet?
12:12Hospital?
12:12Where did she find this guy?
12:14She hasn't told me.
12:18So this dinner with you and Mary last night, that's what, her alibi?
12:24No.
12:24We had dinner.
12:25We were celebrating Mary's birthday.
12:27Don't lie to me.
12:29Been lied to enough.
12:30Not by me.
12:31I have never lied to you.
12:33Not once.
12:34We all had dinner, and then she left.
12:40Would you like a drink?
12:43I quit.
12:44What?
12:46When?
12:47Two weeks ago.
12:49It was like a year.
12:51Did it for her.
12:57Is this new?
12:59No.
13:00She's always moving the art around.
13:02Says it keeps things fresh.
13:03Is she really that unhappy with me?
13:06I know she shares everything with you and Mary, but...
13:09Don't do that, Robert.
13:11It's not you.
13:12She is unhappy with herself.
13:20Thanks for coming, but I need to get myself together.
13:37Can we ask you to sit, sir?
13:41I'd rather stand.
13:44A body was found early this morning that we have reason to believe is your wife's.
13:49Nancy's.
13:53How do you know it was her?
13:56A wallet containing her identification was found with the body.
14:00Yeah, well, that...
14:04Where?
14:06In Roseco Park, sir.
14:08Under the Colorado Street Bridge.
14:10There's a lot right there.
14:11I know the Arroyo F.
14:12I've been messing in my life.
14:14What happened to her?
14:16The evidence suggests there was an assault that killed her.
14:21And unfortunately, those are all the details we can tell you right now.
14:28We will need someone from the family to identify the body.
14:35I'm sorry.
14:37I'm so sorry.
14:38What did you just say?
14:41We need someone to identify the body.
14:43I'm sorry.
15:08Yes.
15:10That's her.
15:11That's her.
15:15That's Nancy.
15:22Miss Boucher.
15:25Miss Boucher.
15:27I asked how long you and the deceased had known one another.
15:31We've been best friends for 25 years with Mary.
15:36Oh, God.
15:37I have to call Mary because she can't read about this.
15:40You told Mr. Hennessey that she was seeing another man.
15:44Yes.
15:46What do you know about him?
15:48Not a lot.
15:50His name is David.
15:53They met at work?
15:54At work?
15:55Yes.
15:57Mr. Hennessey tells us she was a homemaker.
15:59Yes.
16:00She does a lot of philanthropic work.
16:02She sits on the board of several different organizations.
16:05I'm sure that Robert could give you a complete list.
16:08We're talking to you right now.
16:11Is there anything more that you can tell us about her lover?
16:15Hair color?
16:17Age?
16:18Race?
16:19Height?
16:20Weight?
16:20No.
16:21I'm sorry.
16:22I wish there were.
16:23My wife has a best friend from college.
16:26Can't get them off the phone with each other.
16:30Is that a question?
16:33It just seems she might have told you more than a first name.
16:38Well, she didn't.
16:40As it happens.
16:47Am I being held?
16:49Or am I free to go?
16:52Somewhere else you need to be?
16:53You are free to go.
16:55Just do us a favor and stay in town.
16:58Of course.
17:31What's so funny about that?
17:34Hi.
17:35Hey.
17:36Hi.
17:38Hi.
17:38I got a cut on my toe.
17:40It's infected.
17:40Whoa.
17:41I got a cat.
17:42You did?
17:42You just started feeding a cat.
17:43It's not hers.
17:44Yes, it is.
17:45No, it's not.
17:46Yes, it is.
17:46Stop lying, you liar.
17:47Mom, tell her it's not her cat.
17:48This is a nice surprise.
17:49You okay?
17:50It is my cat.
17:50No, it's not.
17:51No, you don't.
17:52Yes, I do.
17:53No, you don't.
17:53Sweetie, why don't you take me inside for a second?
17:55Come on, girls.
17:55Who wants some iPad time?
17:56It's not yours.
17:57Come on.
17:58Ellie and Mommy need some grown-up time.
18:03What is it?
18:08It's Nancy.
18:11What?
18:13Oh, Mary.
18:14What?
18:18She's gone.
18:19What do you mean, she's gone?
18:22Mary, she's dead.
18:25What do you mean, she's gone?
18:27What do you mean?
18:30When you saw her body, what was it?
18:35What did they do to her?
18:38The wound is on the back of her head.
18:42Sue, her face was still perfect.
18:50What the fuck was she doing in the Arroyo?
18:53I don't know for sure.
18:56But what do you mean for sure?
18:58Do you know anything else?
19:01She was meeting someone.
19:03What?
19:04What do you mean she was meeting someone?
19:06Somebody that she was seeing.
19:08Oh, my God.
19:11Oh, my God.
19:15Is this what you two were talking about last night when I came back from the bathroom?
19:19Yes.
19:20But, Mary, she didn't...
19:22She barely told me anything.
19:24But you knew.
19:27Who was he?
19:28I don't know.
19:29I don't know much.
19:30I just know that he was texting her and she was upset.
19:33And so, they must have still been seeing each other and...
19:37Still?
19:38Yes.
19:38Still seeing each other?
19:39Yes.
19:41How long have you known about this?
19:44I don't know.
19:45Maybe a couple of weeks?
19:47My God.
19:48Jesus, Ellie.
19:49It wasn't my business to tell you.
19:51And I thought that she was going to end it.
19:53I did not think it was going to be a big deal.
19:54I did not think...
19:56She...
19:58Okay.
19:59Okay.
20:02Did she tell you anything else about him?
20:05She told me that his name is David and that they met at work.
20:10Did you tell the police?
20:12Yes, of course.
20:13I told them everything.
20:14Well, yeah, but neither of you told me, so...
20:18What did you think?
20:19I was going to be judgmental.
20:21Is that what she thought?
20:22No, Mary, I think she...
20:24You know, you can be more judgmental than me sometimes.
20:27Okay?
20:28You know?
20:28Yes.
20:29Fine.
20:29Maybe that's why she told me, Mary.
20:31Because she knew that I would be harder on her, and I was.
20:34I am the one who told her that she had to break it off with him,
20:37and so she went to see him, and now she's dead.
20:40Are you blaming yourself?
20:41I don't...
20:42You cannot do that.
20:43What happened?
20:46Hey, Marcus.
20:47Hi, sweetheart.
20:48Hey.
20:48How was it with your caseworker this morning?
20:50Mom, I'm an actual person now.
20:52You can talk to me.
20:55What's going on?
21:00Um.
21:03Okay.
21:05Um.
21:08Your...
21:09Your...
21:10Nancy was killed last night.
21:13They found her.
21:15Honey, I'm sorry.
21:17Mom, look at her.
21:19Oh, my God.
21:20Mom, I'm so sorry.
21:23It's okay, sweetie.
21:25It's okay.
21:26I'm sorry.
21:29I'm okay, sweetheart.
21:32I'm okay.
21:34I'm okay.
21:36When the sun comes back to sleep.
21:45When the rain comes knocking on my window, I will look out for you.
22:04When you look out for me, too.
22:22When you look out for me, too.
22:32It's too hard to see the signs of a brutal physical assault, there is no suspect in custody at this
22:38time.
22:39The victim's husband is Robert Hennessey, whose father is the founder of Hedge Grove Capital.
22:43Tributes poured in today on social media, where Mrs. Hennessey amassed thousands of followers.
22:49Do they really think this will help?
22:52It might.
22:53It might make people care about her.
22:56Oh, come on.
22:57Be honest.
22:58If all you saw was this highlight reel of her life, don't you think you would hate her?
23:04Well, hate's an ugly word.
23:10Envy, maybe.
23:11That's all I saw.
23:13This wasn't even the real her.
23:16Yeah, it was, Ellie.
23:18It just wasn't the whole her.
23:27Have you seen Cora?
23:29No.
23:30Not yet.
23:54I don't even know my mom owned any black clothes.
23:57She used to have this gorgeous black leather jumpsuit that she wore when we went to the club.
24:04I can't picture that at all.
24:06She always wanted to take me shopping.
24:09I never let her.
24:10I get that.
24:12Mothers and daughters, it's very complicated.
24:16I know, but I would roast her for all the shopping she did.
24:19Now I'm, like, digging through her clothes, trying to find something to wear to her funeral.
24:24Now, Cora, if this feels like too much, we don't have to do this right now.
24:34I can't feel anything, Ellie.
24:37I think you might be in shock.
24:39Is that what it is?
24:40Because I feel like something's wrong with me.
24:43Nothing is wrong with you, okay?
24:47I remember being in this room with your mom when you were just an infant, and she was holding you
24:54in her arms, and she was so in love with you.
25:00Nothing made her happier than being your mom.
25:05And all I did was push her away, and it's too late now.
25:14It's okay.
25:17I'm here.
25:22Would you stay with us?
25:25Really?
25:26I don't want to be alone with my dad.
25:30Oh, Cora, I...
25:33Okay.
25:35I know that he struggles with his emotions, but trust me, I have known him since I was barely older
25:41than you.
25:42It's not just the emotions.
25:45I don't feel safe with him right now.
25:55I don't need a publicist.
25:57I need them to find out who killed my wife.
26:00It's a crisis firm, Robert.
26:04And Daddy just wants to make the introduction.
26:07That's it.
26:08Ultimately, it's your choice.
26:11Have you given me more thought to the idea of reward?
26:15Oh, I hate the idea of a bounty hunt.
26:18I know.
26:18No one wants to put any pressure on you, but at this point, it's just about controlling the narrative.
26:23Hey.
26:23I mean, we're in...
26:25Oh, Eleanor.
26:26No, you were here.
26:28Sorry to interrupt.
26:29No, come on in.
26:30Come on in.
26:31You've been such a good friend to be here with the family.
26:35Do this long.
26:39I was just headed to the kitchen.
26:41Does anyone else need a drink?
26:43No, thank you.
26:49Is it cold in here?
26:51My sister's just trying to help finish all the alcohol in the house.
26:55Yes, I think she's doing that.
26:59Cora asked me if I would stay with you guys for a while.
27:04Okay.
27:05So, how do you feel about that?
27:07It's not about how I feel.
27:10It's about figuring out what's best for Cora.
27:14If I thank you for everything that you're doing.
27:16Don't do that, please, Robert.
27:18No, it's something I forget to do or I can be a real asshole like that sometimes, just taking everyone
27:25around me for granted.
27:27How did Cora seem to you?
27:33Is she scared of me?
27:35She didn't use the word scared exactly.
27:40Yeah, it can't be easy.
27:43Losing her mother.
27:45Seeing them treat me like a suspect.
27:47They're not calling you a suspect, are they?
27:49That's where this is headed.
27:51You know, I have no alibi.
27:53I was home alone that night until I spoke to you.
27:56Sorry.
27:56I can understand having you around.
28:00Like, make her a little more comfortable right now.
28:04I'm going to come by as often as I can.
28:07But I, I don't think it's a good idea for me to stay here.
28:11Yeah.
28:12Okay.
28:13Okay.
28:26Good afternoon.
28:27Hey, Mr. Shea.
28:28Oh, Sam, you changed your hair.
28:30I like it.
28:32Hey.
28:33Hi.
28:33We didn't think you'd be coming in yet.
28:35We would have gotten more prepared.
28:36Uh, I'm just coming in to grab a few things.
28:38I didn't want to disrupt the flow.
28:40Hi.
28:41You're the boss.
28:41You can do whatever you want.
28:43I just thought you might need some more time.
28:44Yeah, I don't want to make a big deal of it here at the office.
28:47I am so deeply, deeply sorry for your loss.
28:50I can't even imagine.
28:52There are no words.
28:53No words.
28:54Okay.
28:55You've said it.
28:56Love you.
28:59Thank you for that.
29:03Some detectives were here earlier, asking a few questions about the timing of that night.
29:08I told them I was already gone by then, so I couldn't help them.
29:12Yeah, they're just ticking boxes, trying to establish their timeline.
29:16Right.
29:17We will have to postpone the Middle East trip.
29:19Of course.
29:20There's too much going on right now for you to worry about that.
29:22They don't want me to leave town.
29:28If there's anything I need to know, you would tell me, right?
29:34Yes.
29:43Hey.
29:45Hey.
29:47We're trying to reach you.
29:48Yeah.
29:48It's not a great time.
29:52You going somewhere?
29:53You're not, like, leaving, right?
29:56No.
29:57I'm just grabbing stuff in case I have to work from home.
29:59I might maybe go to my friends to help.
30:02Who's helping you?
30:04What?
30:05I said, who's helping you?
30:10This is your loss, too.
30:14Okay.
30:15Jordan, I think what would be most helpful right now is your discretion.
30:23Okay?
30:23Yeah, sure.
30:25Okay, thank you.
30:34Let's go.
31:36I don't understand why we had to have this memorial so quickly.
31:40Because Robert wanted to get it over with, I think.
31:44Here they come.
31:45Will you just hold this one?
31:46What?
31:47Please, please, please.
31:47Hold it.
31:47Hold it.
31:48Hold it.
31:49Hey, guys.
31:50Aunt Ellie, you're smoking?
31:54It's a bad habit, but it doesn't make her a bad person.
31:57Oh, thank you, Howard.
32:00We'll save two seats for you.
32:08Now they think I smoke.
32:09Oh, I'm sorry, but I don't think we should have brought them.
32:12Howard said we shouldn't shield them from grief.
32:14Oh, well, Robert's family planned this, so there's not going to be a lot of grief.
32:18We'll get elegance and waspy denial.
32:35When does the bride come out?
32:37It's not a wedding.
32:38It's a funeral.
32:39Actually, it's a memorial.
32:41Because there's a body.
32:43We don't believe in shielding them from grief.
32:45Yes, I heard.
32:49Isn't that crazy?
32:50Does this smell like something?
32:53It's rose pulp.
32:55We had the paper made from linen and rose petals from Nancy's garden.
33:00That's so lovely.
33:01You just smashed up her roses and, yes, of course.
33:07You are so kind to come.
33:09Oh, no, please.
33:12Such beautiful little girls.
33:15I'm so sorry you couldn't find child care on such short notice.
33:20I'm so sorry.
33:20I'm so sorry.
33:21I'm so sorry.
33:48No, no, you're up.
34:20No, no, you're up.
34:26She walks in beauty, like the night of cloudless climes and starry skies, and all that's best of dark and
34:37bright meet in her aspect and her eyes.
34:42Thus mellowed to that tender light, which heaven to gaudy day denies.
34:53One shade the more, one ray the less.
35:07It was lovely. Don't get me wrong. It just wasn't her.
35:11Yeah.
35:11Yeah.
35:13Well, Kit runs a tight ship.
35:15Mm-hmm.
35:15You know she made me send her that Byron poem for approval, and then she told me no jokes, no
35:21tears.
35:22Jesus.
35:23Yeah.
35:24Did you see that guy in the denim jacket at the church yesterday?
35:30No, I don't think I saw him. Why?
35:34You don't think anybody from Nancy's family would have come, right?
35:38No.
35:40Ellie, they wouldn't have dared.
35:42Right.
35:45Hey, so, um, well, Howard had this thought, was a favor, really, to ask.
35:52Okay.
35:53We wanted to know if it was possible maybe Marcus could volunteer with you, because we thought if he saw
36:00some real suffering in the world, he could maybe get some perspective, and then he...
36:04Yes, yes, yes.
36:05Yes, I will find something for him, if he's willing.
36:08Thank you so much, Ellie. That is very...
36:10Mary, they found him.
36:13Breaking footage of David Haji Boyette, also known as D.H. Boyette.
36:18There he is.
36:19We can confirm has been officially made...
36:22No fucking way.
36:23That's the guy?
36:24Yeah, that's what they're saying.
36:27Do you know him?
36:28How would I know him?
36:31Why did you ask me that?
36:35I'm sorry, I shouldn't have assumed...
36:37No, I have never met this person.
36:40Mom's listed on his website as one of his patrons, you know, she supported artists.
36:45He is a painter, D.H. Boyette, also known as David.
36:50There's Kit right on cue.
36:54Do you think this is the guy?
36:55I think we need to be very careful to not rush to judgment.
36:59Let's let them talk to him.
37:00Oh, my God.
37:03D.H. Boyette was named a person of interest...
37:06What?
37:07What?
37:08Oh, my God.
37:09What?
37:11Ellie?
37:15Oh, shit.
37:17Oh.
37:18D.H. Boyette, she just put this one up, didn't she?
37:20Right before she died, that's him.
37:23Is that Mom?
37:30Hey, hey, Robert.
37:32Dad, what are you doing?
37:34Stop.
37:34Dad, stop it!
37:35What are they doing?
37:36Dad, Ellie!
37:37Hey!
37:37Dad, stop!
37:38Please, Robert!
37:40You're right!
37:40Robert!
37:41Dad!
37:41You're something!
37:43Robert!
37:43Stop.
37:44Dad.
37:44Where are you going?
37:45Dad!
37:45Stop!
37:46Dad!
37:46Dad!
37:46Dad, stay here, please.
37:47Stop it, Robert.
37:48Stop it!
37:49Oh, my God.
37:50Robert, you have to stop.
37:51You have to stop, you have to stop, a beat.
37:54Robert, what are you doing?
37:58Can't we talk about this inside.
37:59I just want you to take a beat.
38:01I want you to take a breath.
38:06Robert, please.
38:07She never belonged to me.
38:08Please, stop it.
38:09I always wanted to be all mine, but she never was.
38:12There was always a piece of her that wouldn't be.
38:14And I always fucking knew it.
38:16Robert, I think that they have people watching.
38:18Fuck!
38:19Fuck!
38:19I understand that you're angry.
38:20You need to calm down.
38:22Hey, don't tell me how I should feel.
38:27Jesus Christ, Alon.
38:28You don't know everything, all right?
38:30She's my fucking wife.
38:47Does he have an alibi?
38:49David?
38:50Yeah, the guy she was sleeping with.
38:52Kind of.
38:53He was maybe at this art event of some sort, but he left early.
38:58Honestly, they don't have a lot of information.
38:59I just, I don't think it's him.
39:01She only told you his first name.
39:03We have nothing to go on.
39:04It could absolutely be him.
39:06She would have told me if he was black.
39:08She hardly told you anything about it.
39:10I know, but I am her best and only black friend.
39:12And this would have come up.
39:14Okay.
39:19I gave the police the name David.
39:22What if it's not the stubby person?
39:23And we still don't know who killed our best friend.
39:29I've never seen Robert that angry.
39:31Oh, he, he has a temper.
39:34Especially when he drinks.
39:37Or when he's jealous.
39:39No, he, you know, he loved her more than anything.
39:43Anger isn't the opposite of love.
39:45Sometimes it's the truest expression of it.
39:49You can't see it.
39:52Because Robert is your...
39:53My what?
39:55My friend?
39:56He's your friend.
39:57You and Robert have...
40:00A...
40:00Connection.
40:02Yes.
40:02Her name is Nancy.
40:04Outside of Nancy.
40:06And Nancy knew it too.
40:10What are you saying?
40:14You're not the only person she confided in.
40:19That's all.
40:39Oh, God.
40:40I'm just so sorry.
40:42I'm going to frighten you.
40:43How did you get in here?
40:46Someone propped up the door.
40:47I should have texted.
40:48Yes.
40:51Sorry, can we...
41:09Look, I, um...
41:14I owe you an apology.
41:16The way that I was behaving and what I said was cruel.
41:22She was my wife, but, uh...
41:26I know you guys were everything to each other.
41:40I don't think I realized how much I needed to hear that from you.
41:45Are you going to tell me why you're so dressed up?
41:48This is dressed up to you?
41:50Mm-hmm.
41:50This is how I leave the house after sundown.
41:54Where are you going?
41:57You know how Nancy loves the ballet and how I...
42:03Don't. You hate it.
42:04I don't hate it.
42:05I just find it... What's that French expression?
42:08It's fucking boring.
42:10That's not French.
42:11My legs don't fit in the seats.
42:13What?
42:17Anyways, we're supposed to go to the opening tonight.
42:23And I don't know what to do.
42:24I'm just banging around in the big empty house alone.
42:27I can't sleep.
42:29I'm just walking around looking for her, but she's not there.
42:34So I was thinking that, I don't know, maybe at the ballet I could...
42:40You could feel her with you.
42:42Yeah.
42:46Yeah.
42:48Exactly.
42:49Do you think that's possible?
42:52I don't know.
42:54What's possible anymore?
42:57I can't.
42:59She's just here.
43:02You know, we were all just here playing stupid fucking card games.
43:08And now she's just gone forever.
43:11It's like, I can't...
43:13It doesn't make any sense.
43:15So why shouldn't I be able to go to a place that she loved so much and feel her?
43:24I think you have to try.
43:29But will you try with me?
43:35You want me to go?
43:37Yeah.
43:39No.
43:40Why not?
43:43I can't.
43:44I just can't.
43:45I mean, the optics.
43:47Fuck the optics.
43:48Who cares about the optics?
43:49I do.
43:50You should.
43:51We can't just get dressed up and have a night out on the town together.
43:56I'm sorry.
43:59I'm sorry.
44:01It was...
44:03It was a stupid idea.
44:05I'm sorry.
44:07I'm sorry.
44:08I'm sorry.
45:38It worked so well, I couldn't even see it myself.
45:49Miss Boucher.
45:52I thought you were worried about the optics.
45:54I was.
45:56But then I remembered that French expression, fuck the optics.
46:02Right.
46:03Shall we?
46:30I hope this isn't inappropriate.
46:32But the boss's daughter cleans up real nice.
46:37Just try to give me a usable shot this time, okay?
47:07I hope this is true.
47:38Transcription by CastingWords
47:43Transcription by CastingWords
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