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How To Get To Heaven From Belfast S01E02 [Full Movie] [Full Series]Full EP - Full
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00:28¡Suscríbete al canal!
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06:03I mean, I have no idea why.
06:09So you're interested in cops?
06:16Saoirse, your ring was in the glove compartment.
06:20Oh, thank God.
06:24Oh, God, I can't wait to get home.
06:32I'm getting sat-napped. It's totally fucked.
06:34Here, I have the map on my phone.
06:36Say I was raped. I think we're turned off here somewhere.
06:39Stick your arm through so I can see the map.
06:40What if it wasn't her body in the coffin?
06:42Do you know how I deranged you, sign?
06:44Why can't I just come up front?
06:45The passenger window's all over the seat, Dara.
06:47And picking shards of glass out of your arse is not how you want to end this already.
06:51Quite mental weekend.
06:52If I saw what I think I saw...
06:54If being the significant word, you can't just dismiss it.
06:56Okay, that's it. Dara, open the door and fuck her out.
06:59I don't really want to fuck her out.
07:00I'm not mad.
07:01Look, I know going there was a big deal,
07:04considering the thing we never talk about.
07:08Stop it, Dara.
07:09Stop what?
07:09Looking at her to check how you should react.
07:11Have you no fucking mind of your own?
07:13Sorry.
07:13You don't have to apologise.
07:14What are you apologising for?
07:15Sorry.
07:16I really think something weird is going on here.
07:20Okay, we all know that it was a bit complicated.
07:24Just leave it alone.
07:25We've left it alone for 20 fucking years.
07:27Shit!
07:33Again?
07:34Are you fucking serious?
07:37Are you talking to God?
07:39If you are, you might want to lose the attitude.
07:54Right, stay here.
07:57Jesus, bloody car!
08:03I am so, so sorry.
08:05Are you okay?
08:06I'm usually a really careful driver.
08:09The condition of your car would suggest otherwise.
08:12Right.
08:13Is that a dairy accident I'm detecting?
08:15I'm from Belfast.
08:17I'm not really feeling the old six-county solidarity at the minute.
08:20Fair enough.
08:21Let's do the thing and get going, then.
08:26It's not actually that bad.
08:29I mean, wing mirror side.
08:36The nightmare.
08:38She never looks where she's going.
08:41Hi.
08:43Hi.
08:43Are you okay?
08:45Not really.
08:46I should probably kill you all, but I don't have room in my boot.
08:49I don't.
08:58Here.
08:59Put on your details.
09:00Give me yours and I'll do the same.
09:02Right.
09:11Right.
09:11There you go.
09:12I'll be in touch.
09:13I'll look forward to it.
09:17Dairy people are always such weirdos.
09:19Dairy people are always such weirdos.
09:21Bye.
09:43Good gear.
09:47What the hell are you looking at?
09:49What the hell are you looking at?
09:57What the hell are you looking at?
09:59What the hell are you looking at?
10:18How are you looking at?
10:38Gracias.
10:49Ay, no, no, no, no.
10:50It's okay, but I really think we just-
10:54Right.
10:55Right.
10:56I've had it with Oz.
10:58Let's get the fuck back to Kansas.
11:06Jesus Christ.
11:08I was in a car crash, Harry.
11:09What were you expecting?
11:10Oh, my God, baby.
11:12I'm fine.
11:13This whole thing is a bloody nightmare.
11:14You were in a car crash, Gina set the wrong waistcoat over.
11:17Yeah, that's the same.
11:18¡Oh, chicos!
11:19¡Es horrible!
11:20¡Guys, necesitamos ir a la red carpet para las fotos!
11:23¡Mira ahora!
11:23¡Mira ahora!
11:24¡Ah, shit!
11:25¡You'll have to get changed aquí!
11:26¡No no get changed en la fucking street, Harry!
11:28¡Oh, no, no, no!
11:28¡Oh, over here, over here!
11:30¡Some fans left these for you at the venue!
11:32¡So sweet!
11:33¡Oh!
11:34¡Gimmy, yep!
11:34¡Oh!
11:35¡Oh, yeah!
11:35¡I mean, they're usually just story-ling ideas,
11:38which nine times out of ten are fucking psychotic!
11:40¡It's just such a weird fit!
11:41¡It feels sort of boxy!
11:43¿Es it boxy?
11:44¡I'm just going to talk you through the plan,
11:45and that's called Sishi!
11:46Sishi, ¿seriously?
11:47¡Zeb, ¿can we have a hand, please?
11:49¡For God's sake!
11:54¡Oh, fucking hell!
11:57¡Holden nice and high!
11:59¡So, I've just been with Marnie,
12:01and we are very sensitive to the fact
12:02that there are some creative discussions going on,
12:06but from our channel perspective,
12:09we are super keen that you walk the red carpet together.
12:12How are you feeling about that?
12:14¡Not brilliant!
12:15Right, um,
12:17we wouldn't push it
12:18if we didn't feel it was super important.
12:21Imports?
12:22Do you mean,
12:22do you mean important?
12:23Does she mean important?
12:24I think she means important.
12:25She's a dick.
12:26Right.
12:27She's a dick.
12:27Isn't she a dick?
12:28There was some definite dick-like behavior on set.
12:31Then again.
12:32No, then again.
12:32We will not be needing a then again,
12:34unless you'd like me to call off our engagement.
12:36She really regrets some of the things that she said.
12:38She told her that?
12:39I very much got that vibe.
12:41Um, isn't apology something that you would be open to?
12:44She's not going to apologize.
12:46Come on.
12:47No.
12:51Sorry, you want me to apologize?
12:53Get the fuck.
12:55I'm so sorry.
12:56She's Irish.
12:56What can you do?
12:57We're just thinking of the fans.
12:59Are you?
12:59Especially the women.
13:03Oh!
13:03The showrunner and the star.
13:05This unstoppable, inspirational, feminist force.
13:10And they feel empowered by it, see she?
13:13Fans like the show because of the murders.
13:16They like to solve a mystery because it makes them feel in control.
13:19It makes them feel like good will prevail.
13:21It makes them feel like this fucked up, messy existence
13:24can somehow be figured out when the truth is.
13:27Of course, they're not in control.
13:28Good won't prevail.
13:29And life is fucking meaningless.
13:30So, you do whatever it is that you need to do
13:34because I am not apologizing to that narcissistic, ungrateful dickhead
13:41and I am not walking the red carpet with her.
13:45End of scene.
13:50Thank you.
13:52Thank you.
13:53God, you're welcome.
13:54You think you're going to win tonight?
13:55Oh, Scott, look, we're just delighted to be nominated
13:59and in such great company.
14:01And also, it's a good excuse for a girly night.
14:04Oh, isn't it, Sish?
14:05Totally.
14:06It was definitely brought our dancing shoes.
14:09And you have a new nemesis this series, I believe.
14:12Yes, indeed.
14:14Rosemary de Cassis.
14:15So, how do you come up with such fabulous character names?
14:18It depends, really.
14:19Sometimes it's just a bit more things, right?
14:21Or, like, real, truthful.
14:24But with the villains, I can have a bit of crack.
14:26A bit of fun.
14:27So, what I do is...
14:35What I do...
14:36G-Harton.
14:37What's this?
14:38Did he was hanging?
14:40I'm so sorry.
14:48My name is G-Harton.
14:52So, now you know?
14:54You know who sent that email?
14:57You know it wasn't me in that coffin.
15:01I don't know anything.
15:04Not for certain.
15:06If it wasn't you, who was it?
15:08Are you ever planning on telling Seb you don't want children?
15:10Jesus, where'd that go?
15:11I don't know.
15:12I'm a figment of your imagination, Sia.
15:13So, you're the one calling the shots here.
15:15We are talking about you being in a coffin or not being in a coffin.
15:18Can we please just stick to it?
15:20Jesus Christ, I can't breathe.
15:22Do you know what?
15:23I'm not doing this.
15:24Not now.
15:25Not here.
15:26I'm going to close my eyes.
15:27And when I open them again,
15:29you're going to be gone, okay?
15:30Whatever you say.
15:37Why don't you do this, girl?
15:44Guess it didn't work.
15:46Fools!
15:47You have to tell the others about your little epiphany.
15:49They won't listen.
15:50Make them listen.
15:51I'm not sure I can.
15:53Fine, ignore it.
15:54Pretend it didn't happen.
15:55You're good at pretending things didn't happen, aren't you?
15:58Is this connected to what we did?
16:09That's what you have to figure out.
16:20Stop this.
16:22Take yourself back there.
16:24No.
16:26Take yourself back there and look at it again.
16:33See it.
16:45And ask yourself this.
16:47What should we have done?
17:02Hey, there you are.
17:03You must meet Marcus Dalton Foster.
17:05He produces...
17:05Oh, my God.
17:06We were obsessed with it.
17:07I'm so sorry.
17:07I just need to steal him for a second, okay?
17:09Uh, what's going on?
17:10I have to go.
17:11Can I have the room key?
17:12Because they took all my stuff.
17:13What do you mean you have to go?
17:15It's my friend.
17:15You know, the dead one.
17:16It's an emergency.
17:17What kind of emergency?
17:18Has she died again?
17:20It's a whole thing.
17:21I can't really get into it right now.
17:22Can I just have the key?
17:23Um, it's here, sure.
17:24Babe.
17:24It's the BAFTAs.
17:26Mm-hmm.
17:27Um, do you think you might have a concussion?
17:29Oh, no, I'm fine.
17:30You sure?
17:30Yeah, yeah, yeah.
17:31Oh, yeah.
17:31Okay, great.
17:32Um, if we win, you're going to have to do the speech.
17:35Do not let Marnie do the speech.
17:39Wow.
17:41Thank you.
17:42So much.
17:43Um, what a huge honor.
17:45For he who conceals his transgressions will not prosper.
17:52But he who confesses and forsakes them will find compassion.
18:01Take this, all of you, and eat it.
18:04For this is my body, which will be given up for you.
18:09Body of Christ.
18:10Body of Christ.
18:16Body of Christ.
18:17Body of Christ.
18:23Jason Meadows.
18:24He's here.
18:31Stand back, please.
18:37I mean, like, what do you think happened?
18:40You think I woke up?
18:41Excuse me, son.
18:42Grace!
18:43Mars!
18:44If you make Patrick, I'll come up with you as responsible for my actions!
18:49Well, if anyone's going to make Patrick, I mean...
18:51Do you think I've decided?
18:52I know.
18:52I got a completely banjax in my brand new car.
18:55That'll be class correct.
18:56No, of course not.
18:57It's just, well, you know, like, it was bloody expensive, Robin.
19:00And I work hard, though.
19:03I don't work hard.
19:04No.
19:05No.
19:05That, that, that, that, that, that, that's not what I said.
19:07Well, maybe all this is easy.
19:10Maybe I'm overthinking this whole mothering thing, you know.
19:12Maybe I'll just fire the three of them outside and let nature take care of it.
19:16It'll be like Chicken Boy.
19:17Who's Chicken Boy?
19:19The elephant from Anna.
19:20He was raised by chickens.
19:21Chicken Boy!
19:23What do we know?
19:24Look, who gives a shit about the car?
19:26I could have died, Jim.
19:27Well, obviously, I'm glad you're not dead.
19:30Oh, my God, really?
19:32It's sick.
19:34Oh, Jesus.
19:37Obviously, I'm glad you're not dead.
19:40Fuck.
20:14Oh, Father, I'm so sorry.
20:17Please, don't worry about it.
20:19These things happen.
20:19I'm going to be left to the bingo, Dara.
20:21In a minute, Mammy.
20:22Father, I was wondering.
20:23Yes.
20:23Will you take my confession?
20:25Oh, for a second.
20:27Could we do it tomorrow?
20:28Well, I'd rather do it now.
20:29It's just that the confessional closes at nine.
20:31Well, can't you just open it?
20:33Normally, I would.
20:34But Rome's encouraging us all to examine our work-life balance.
20:38Work-life balance?
20:39You're a priest.
20:40And I'm heading to the bingo now myself, so...
20:42But listen, tomorrow I'll be all ears.
20:46Oh!
20:49Someone hand her that in to the sacristy for you.
20:52And I'll see you at the bingo, Mrs. Freed.
20:54Bye, caller.
20:57Come home.
20:58Come home, darling.
21:08Come home, my darling.
21:10Come home.
21:10Jesus Christ.
21:11I had a wrong to tell you I was coming, but, you know, I didn't.
21:15How come you're here and there?
21:18I'm not there.
21:19I'm just here.
21:20What?
21:21We just saw you on the red carpet.
21:23It's edited.
21:23Oh, what do you mean edited?
21:26Do you want me to explain what edited means?
21:28Why?
21:29Look, there's a delay.
21:30It might even be...
21:31Oh, my God, we won.
21:33What?
21:34How the hell could you know that?
21:36Give me a strike.
21:37What are you doing home now?
21:38Listen, do you remember my notebooks, like, from school?
21:41All my old stories and scripts and ideas and things.
21:44You're not on that cocaine stuff, are you, Saoirse?
21:47I kept them in that wooden box in my room.
21:50They're all at that cocaine stuff now.
21:53We turned your room into a gym.
21:54Well, you put a cross-trainer in there, which you now use as a clothesport.
21:57Well, we don't always get the weather to dry things on the line, Saoirse.
22:01Of course the box.
22:02I fired that stuff up into the attic.
22:03Okay, quick.
22:04Thank you.
22:06You need to clear that alley.
22:07Oh, will you stop, I?
22:10Give over.
23:07I don't believe it.
23:09Maybe it's just a shower.
23:13Maybe it'll stop soon.
23:20Time for plan B, then?
23:22What's plan B?
23:26We bury him?
23:27What's plan B, then?
23:41¿Qué pasa?
24:05¿Qué pasa?
24:28¿Qué pasa?
24:37No, no, no, no, no.
24:59No, no, no, no, no.
25:02No, no, no, no.
25:06No, no, no, no.
25:12No, no, no.
25:13No, no, no, no.
25:43No, no, no.
25:45No, no, no.
25:59No, no, no.
26:52No, no, no.
26:52No, no, no.
27:08No, no, no, no.
27:38No, no, no, no, no.
28:09No, no, no.
28:14No, no, no, no.
28:19No, no, no.
28:54No, no, no, no.
28:56No, no, no, no, no.
29:29No, no.
30:02No, no, no, no.
30:16No, no, no.
31:00No, no, no, no.
31:10No, no, no, no.
31:15No, no, no.
31:45No, no.
31:55No, no, no, no.
32:14No, no.
32:19¿Qué?
32:23Es un interesante caso
32:25¿A qué es ahora?
32:27Es mejor si no lo sabes
32:29¿Van a lo que me pidió?
32:31Sí
32:33¿Y?
32:42Muy bien
32:45Es un buen trabajo
32:47No creo que me aprecio tu voz
32:50¿Para?
32:52No te agradezco
32:52No te agradezco
32:53Y no te agradezco
32:54Es solo, no, no
32:56No, no, no
32:58No me
32:58No, no, no
33:02¿Verdad?
33:03¿Verdad?
33:03¿Verdad?
33:05¿Verdad?
33:05¿Verdad?
33:07¿Verdad?
33:07¿Verdad?
33:07¿Verdad?
33:08¿Verdad?
33:09¿Verdad?
33:10¿Verdad?
33:10¿Verdad?
33:12¿Verdad?
33:13¿Verdad?
33:15¿Verdad?
33:15¿Verdad?
33:16¿Verdad?
33:16¿Verdad?
33:18¿Verdad?
33:19¿Verdad?
33:20¿Verdad?
33:25¿Verdad?
33:27I det?
33:27¿Verdad?
33:29Vej
33:30¿Verdad?
33:32¿Verdad?
33:34¿Verdad?
33:35¿Verdad?
33:36¿Verdad ¿Verdad?
33:39¿Verdad?
33:42¿Verdad?
33:44Ya.
33:50Ya está in...
33:52¡Verdad!
33:53Si inad
33:53¿No?
34:21No, no.
34:25Someone had to stay home and mind the baby.
34:29The baby?
34:31Hmm.
34:33Oh, there's the baby.
34:36Well done.
34:38Dara, Dara's just got a big promotion at work.
34:42Really? That's amazing.
34:44Yeah, and she's got her eye on a little place in France.
34:47My God.
34:49What an absolute dream.
34:50It certainly is that.
34:51And she's having lots of sex.
34:53Okay, well.
34:55It was great to see you.
34:59You too, Dara.
35:01Take care of yourself.
35:06Christ, she's always so far off her own home.
35:10Could we not?
35:10If I want you around, you can make me hug again.
35:19Looking back on where we first met.
35:23I cannot escape and I cannot forget.
35:28Baby, I'll be here.
35:30Okay.
35:31Let's think.
35:35What if we send a message?
35:37What?
35:37The body.
35:38What if we call someone?
35:40A newspaper.
35:41Tell them it's not Greta.
35:44Too easily dismissed.
35:46No.
35:47We need something that's going to bring it right out into the open.
35:54I have an idea.
35:59Okay, you ready?
36:00Are we absolutely sure about the mask thing?
36:02The mask thing is brilliant.
36:03The mask thing is the best of bent.
36:05Can I at least be Ariel?
36:06No!
36:07You're Belle!
36:08Yeah, Belle.
36:09Belle's a dick.
36:10But she slags off her entire town like she's the only person who's ever read a book.
36:14Who are you again?
36:15Eeyore.
36:16So look at Eeyore's class.
36:17I know.
36:19Okay, so we go in there, we do the thing and then we lag it.
36:21We're back in the car before they know what's hit them.
36:22I have to say, it doesn't feel foolproof.
36:24Well, it was Dara's idea and she's the one who's just found out the love of her life has had
36:28a baby with someone else.
36:30Fair enough.
36:39Do not be alarmed.
36:40We come in peace.
36:41We mean you no harm.
37:07Look, are you going to charge us with something or what?
37:09Uh, we don't know yet.
37:11You see, we're not quite sure at this present juncture if what you did was actually a bona fide crime
37:17or just something like, uh...
37:19Really feckin' weird.
37:21Exactly.
37:22Also, and furthermore, we need to wait for another one of our colleagues to be, uh, in situ, as it
37:28were.
37:29Should I call Liam?
37:30Sir, he's at the funeral.
37:31The boss's wife.
37:32They moved it to Donegal Town.
37:34His phone will be off.
37:35His funeral, Greta's funeral, they moved it.
37:38Call the crematorium.
37:39The crematorium?
37:41He cremated the body.
37:43He knew what I saw.
37:45He knew he had to get rid of the body.
37:46All right.
38:24¡Gracias!
38:29I thought someone from the station should come and pay their respects.
38:34You're very thoughtful. Thank you.
38:36It was supposed to be a private service and family only.
38:40You understand?
38:43If I had known, I'd never have...
38:44I'm glad you did.
38:53It was for Maria.
38:54She was finding everything so...
39:00...overwhelming.
39:02Of course.
39:04Of course, I get it.
39:16So sorry.
39:18Please, thank you.
39:27We weren't really sure what to do.
39:28I'm not surprised, lads.
39:30We thought it was Greta's funeral.
39:32How does that make it better, exactly?
39:34But let's get some statements. You.
39:36Come with me.
39:42Should I call my solicitor?
39:43It's not funny.
39:45Those people were probably really scared.
39:47They probably thought it was some sort of terrorist attack.
39:50Oh, because we're from Belfast, I suppose.
39:52Jesus, like the Good Friday Agreement never happened.
39:54Because you burst in on a funeral service wearing clown masks.
39:57There weren't clown masks. There were Disney princess masks.
40:01Well, two of them were. The other one was from the Winnie the Pooh line.
40:04Is Winnie the Pooh Disney?
40:05I don't know.
40:06Probably. Most things are Disney.
40:07Was this like a pact or something?
40:09What?
40:09You said you were all friends in school.
40:11Was this like a stupid prank you agreed to do if one of you died?
40:14Not really.
40:15Now, what's going on?
40:17If I tell you, you'll think I'm mad.
40:20That ship sailed, Saoirse.
40:22We're quite different in this environment.
40:24Take it all quite seriously, don't you?
40:27It's my job.
40:28I don't take my job seriously.
40:29You don't have a serious job.
40:32Can I ask you something?
40:34What?
40:34What happened to Greta when she died?
40:36Where did she go?
40:38In a spiritual sense.
40:40In a physical sense.
40:42Where did her body go?
40:44First unseen would have brought her here once they realised there was nothing else they could do.
40:47To the station?
40:48To the marg, yeah. Why?
40:49Were you, uh, working that night?
40:52Paul was on that night. One of the guards you just met.
40:55Did Paul know Greta?
40:57I don't think so. No. Why?
40:59Was anyone who knew Greta working that night?
41:01I'm not sure.
41:02Saoirse.
41:04What's all this really about?
41:11You can tell me.
41:25You were right.
41:26What?
41:27What you said about the pact, about the prank, that was it.
41:29That was right.
41:30So just, like, fine us or whatever.
41:32Saoirse.
41:35Saoirse.
41:35Can I go now?
41:40Or she can.
41:58All right, Greta.
41:59I just need a quick look at the lock there.
42:01Don't step on me floor.
42:02All right.
42:06I have to do this next.
42:08There's nobody in there.
42:09Sure there's not?
42:10No.
42:11All clear.
42:15My sister-in-law,
42:16she cleans for the medical institute in Limerick.
42:18She opened one of these things once
42:20and wasn't the fella inside,
42:21only still alive.
42:22Stop right.
42:25Here.
42:25Let me give you a hand.
42:30I think there's something jamming at it.
42:46All great as social media's gone.
42:48I noticed that.
42:49There's no trace of her at all.
42:51It's starting to feel like we imagined her or something.
42:56We didn't.
42:57What the hell is going on?
42:59I have no idea.
43:02But I have an 8-year-old's birthday party to organize, so...
43:06Excuse me.
43:08Can we get the bill, please?
43:19Can we get the bill, please?
43:38I feel it when you're with me.
43:42It happens when you kiss me.
43:44That rare and gentle feeling
43:47that I feel sad.
43:49Yeah?
43:50Hey.
43:51Eh, the night Greta Roneal died,
43:54that was supposed to be my shift, wasn't it?
43:56Before they were swapped around.
43:59Yeah, what happened?
44:00The boss said you had done three nights the previous week.
44:03So was Owen's idea.
44:04Hmm.
44:23Everyone's talking about what you did.
44:25Right.
44:26Everyone thinks it was fucking mental.
44:28Okay, thank you for your feedback.
44:31Can we just get the bill?
44:33Someone's already settled on.
44:34What?
44:36Who?
44:38Oh, they were here a second ago.
44:40Oh, wait.
44:43So...
44:44Oh, him.
44:45Over there.
44:53Love is like a butterfly.
44:57Oh, you're a butterfly.
44:59The multicolored moons of love are like it's Santa me.
45:05Love makes your heart feel strange inside.
45:09It blutters like soft wings.
45:24Sincronización Andrea Oroz
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