T h e   C r o w n   S 0 2 E 0 4 [Full Movie] [Trending Drama]Full EP - Full - video Dailymotion

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The Crown S02E04 [Full Movie] [Trending Drama]Full EP - Full

Transcript

00:00:01We are gathered together here in the sight of God and in the face of this congregation

00:00:06to join together this man and this woman in holy matter.

00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that

00:00:23is between Christ and his church.

00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or

00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand

00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering

00:00:50the causes for which matrimony was ordained.

00:00:55Now I've crowned you my princess

00:01:03Though there's nothing in a name

00:01:15Others would have sounded pretty tame

00:01:23If you were poorer

00:01:29I could be no surer

00:01:36That you're a princess

00:01:42May I call you princess

00:01:49If you say

00:01:51Love

00:01:53Thank you very much

00:01:54Very, very fresh

00:01:55Full of vitality, thank you

00:01:57And we're going to do another one when we're ready

00:02:02I'm your prince

00:02:03Thank you

00:02:04And to me everyone

00:02:05And...

00:02:06Next

00:02:07Pride and gruel

00:02:08Pride and gruel

00:02:13Bloody awful things

00:02:15Weddings

00:02:16Dreadfully upsetting

00:02:18Unless it's one's own of course

00:02:24Another couple

00:02:24Another couple offer to build a castle

00:02:27Lower the portcullis

00:02:28Pull up the drawbridge

00:02:29How do you mean?

00:02:31Couples do that, don't they?

00:02:33They turn to each other

00:02:34They turn to each other

00:02:34And all we see is their backs

00:02:38So what am I to do, really?

00:02:43They all want to take me on, apparently

00:02:48Through daunting a prospect

00:02:51I could keep it again

00:02:54Don't be silly, old friend

00:02:57Yes, but isn't that the first quality one should look for in a husband?

00:03:01In the olden days people weren't confused

00:03:04People married for sensible reasons

00:03:06Marriage was a consolidation of assets

00:03:09Also of other things

00:03:13Friendship

00:03:15Valued

00:03:18Outlooks

00:03:21We breed Derby winners

00:03:24Have an army of children

00:03:26They leave

00:03:27Look, and I know the rules

00:03:30I know the rules

00:03:31And your family all know me

00:03:33And I think are not averse

00:03:36Oh, they adore you

00:03:37And I, you

00:03:41Always have

00:03:45I'm your old faithful, after all

00:03:47We're getting that

00:03:49And we're hungry

00:03:56And we're hungry

00:03:59The clock

00:04:00Imagine

00:04:00You

00:04:02We're hungry

00:04:07Now

00:04:15We're hungry

00:04:16We're hungry

00:04:20Mummy said something interesting the other day.

00:04:23No.

00:04:26She said that the first ten years of marriage were just an overture.

00:04:32That there's often a crisis at ten years, but then you work it out and settle in.

00:04:40And it's only then that it really gets into its stride.

00:04:44Yeah.

00:04:48Do you suppose that's what's happened to us?

00:04:53Possibly.

00:04:58I was thinking perhaps we should have a big anniversary party this year

00:05:05to celebrate hitting our stride.

00:05:14All right.

00:05:22Yes?

00:05:23All right.

00:05:27So how was it?

00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.

00:05:37It took forever to get there. Mummy was a nightmare.

00:05:41Mercifully, they sent a helicopter to bring us back.

00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.

00:05:58What?

00:06:01To whom?

00:06:03Billy Wallace.

00:06:05Goodness.

00:06:07Congratulations.

00:06:10Oh.

00:06:11Christ.

00:06:15So if I were to accept, it would be a yes from you?

00:06:23Yes, of course.

00:06:25An emphatic yes.

00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.

00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.

00:06:40That's a nice idea.

00:06:43Well, that's settled then.

00:06:46My pleasure.

00:06:47Good night, Margaret.

00:06:48Let's, let's go first.

00:06:52What were you looking for at?

00:06:52No, sir.

00:06:57I'm so sorry for that.

00:06:57You're looking for it.

00:07:00I'm so sorry.

00:07:02I have to wait.

00:07:03I don't know for that.

00:07:07You're going to miss, Mary.

00:07:09It's the first one.

00:07:10There's no resentment that works.

00:07:10So if we had fun.

00:07:10I'm so sorry.

00:07:10I'm sorry.

00:07:13I'll be here for it.

00:07:14You're looking for a character.

00:07:15I've been here for a year.

00:07:16I'm sorry for a secret.

00:07:17I was just talking to my heart.

00:08:34I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads.

00:08:41What's it doing up there?

00:08:43Nationally, it's providing information about the density of the Earth's upper atmosphere.

00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.

00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.

00:09:05Imagine the effect this will have on the Americans.

00:09:08Great crisis of self-doubt, if I'm not very much mistaken.

00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian

00:09:19threat.

00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez

00:09:29Crisis.

00:09:31Right.

00:09:31You know, after the war, they said that I...

00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.

00:09:39We're bound by so much more than just language and shared history.

00:09:45It's a kind of marriage, as in any marriage.

00:09:49There'll be ups and downs, but one must work to get things back on track.

00:09:58They say that listening is important in any marriage.

00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?

00:10:19Well, how are we going to do this?

00:10:21I think the driver should drop me first, then take you onto the station.

00:10:25Or I could wait.

00:10:28I don't think that would be wise.

00:10:32Why?

00:10:34How long do you need with him?

00:10:37A day.

00:10:40Maybe two.

00:10:42It's the last time.

00:10:44I promise.

00:10:45Don't make promises you cannot keep.

00:10:47No.

00:10:49I'm determined to mend it.

00:10:51It's time, now that you're Prime Minister.

00:10:54Yes, it is.

00:10:56I'm over.

00:10:57I'm over.

00:11:31with a one two three flash oh quite magnificent thank you why does it always have to be Cecil

00:11:39beaten taking my official birthday portrait what's wrong with Cecil when it came out last year

00:11:45everyone said how pretty you look no they said how much I look like you well quite yeah Cecil does

00:11:53just one thing fairy tales yes but he does it so well and to me your royal highness little less

00:12:02chin

00:12:02and what do you think I asked my new lady-in-waiting here today your majesty to offer her opinion

00:12:14having at least one foot in the real world I think birthday portraits should evolve and mature with

00:12:20age like the subject show change in the character complexity reality no one wants complexity and

00:12:32reality from us do sit down people have enough of that in their own lives they want us to help

00:12:42them

00:12:42escape indeed your majesty imagine this if you will a young woman a commonplace creature she sits in

00:12:51her drab little scullery so much work to do so much washing up how she longs for comfort for hope

00:13:01and again one two three and flash she wants to believe her life has some meaning beyond chores

00:13:09she opens a magazine and she sees her royal highness's photograph for one glorious transforming moment

00:13:18she becomes a princess too she is lifted out of her miserable pitiful reality into a fantasy

00:13:31later she will step out of her house in a a new neckerchief perhaps for which she

00:13:39has saved oh she will hold her head up high she is renewed and all thanks to you your royal

00:13:47highness

00:13:49and to the ideal which you represent and now with a one two three and flash quite marvelous

00:14:21in the twenty or so years we've known the hapless miss-shapen crane that is billy wallace has any woman

00:14:27ever looked at him as an object of desire

00:14:29I mean even remotely certainly not then how can one begin to explain that

00:14:36what

00:14:36I mean

00:14:38I mean the

00:15:06Ma'am, Lord Blanford just telephoned to apologize and say that Mr. Wallace may be indisposed this evening.

00:15:11They can't be indisposed. We're announcing our engagement.

00:15:15Something about an injury. Rather a serious injury.

00:15:18I don't know why I'm so scared.

00:15:21Alright.

00:15:27That's correct.

00:15:33Where is he?

00:15:35Uh.

00:15:41Your Royal Highness, the Princess Margaret.

00:15:44Out from my way.

00:15:45Oh shit.

00:15:46You must keep your leg up, sir.

00:15:47Billy?

00:15:49It's all right, Simpson.

00:16:01What's going on?

00:16:02It's our announcement this evening.

00:16:05Unforeseen cirques, I'm afraid.

00:16:07Rather a dust-up in the early hours.

00:16:10Are you drunk?

00:16:12Don't be like that.

00:16:13I had to do something for the pain.

00:16:15What happened?

00:16:16Wait till you hear.

00:16:18You'll laugh till you spit.

00:16:20Your friend Tennant rather took offence at something I did.

00:16:23You came to blaze with Colin.

00:16:25I believe the word duel was mentioned.

00:16:28A duel?

00:16:30Tennant issued the challenge.

00:16:33A little childish in this day and age, if you ask me,

00:16:35but a duel is a duel, so I stepped up to the mark.

00:16:40That's what a gentleman does.

00:16:42No!

00:16:47If I'm completely honest, a little drink had been taken during the night.

00:16:52But we faced the dawn with clear heads and strong hearts.

00:16:58Now Tennant wanted to motor up to Glen to get his father's old pistols.

00:17:02It would have been quite ridiculous, much too far away.

00:17:05So Blamford offered his.

00:17:07That was a bloody stupid mistake.

00:17:09A duel is not just a test of marksmanship.

00:17:13It's a test of character.

00:17:14Ten paces.

00:17:18One.

00:17:20Two.

00:17:22Three.

00:17:23Four.

00:17:25Five.

00:17:27Six.

00:17:28Seven.

00:17:30Eight.

00:17:32Nine.

00:17:33Ten.

00:17:37Fucker shot me in the leg.

00:17:39Bloody awful thing.

00:17:40Anyway.

00:17:41I survived with a small flesh wound.

00:17:46Why was he angry with you?

00:17:49It's the strangest thing, but ever since word got out about our engagement,

00:17:53I've found myself quite the center of attention.

00:17:56It's as though every good-looking girl on Earth's taken the news as a personal challenge.

00:18:01I'm not used to the idea of being a bow.

00:18:04Much less a catch.

00:18:06Seems to have gone to my head, rather.

00:18:10Had a bit of a fumble at Blenheim.

00:18:12It was rather a beauty.

00:18:14It was in pictures, you know.

00:18:15An actress.

00:18:17Anyway.

00:18:18Tennant got wind of it.

00:18:19It's gone very cross.

00:18:27Yes, with reason.

00:18:32Pathetic.

00:18:35Weak, contemptible fool.

00:18:39I never even wanted to marry you.

00:18:42You were only ever an act of charity.

00:18:45Or desperation.

00:18:48And now you insult me.

00:18:49You.

00:18:51People like you don't get to insult people like me.

00:18:53You get to be eternally grateful.

00:18:58And you've quite the way with women.

00:19:02Take a look with this face.

00:19:04A picture of disappointment and disgust.

00:19:09This is the look that every woman you ever know will come to share.

00:19:13This is what the next forty years of your life will look like.

00:19:26Margaret.

00:19:28Margaret.

00:19:31Margaret.

00:19:31Oh.

00:19:33Yes.

00:19:35Yes, I've been asked to tell you that...

00:19:46Margaret will not be announcing engagement this evening.

00:19:51Our Royal Highnesses should explain everything later.

00:19:53Yes, I'm sure she will. Thank you Michael.

00:19:55Thank you!

00:20:19all right all right settle down so on my recent tour of the Pacific I was

00:20:25introduced to a man who said to me my wife is a doctor of philosophy and much more important than

00:20:31I am to which I could only reply ah yes sir we have that trouble in our family too

00:20:43you know when I imagined our marriage in the early days I imagined two people welded together

00:20:49into some sort of combined existence ten years ten years has taught me the secret of a successful

00:21:00marriage is actually to have different interests but different interests but not not not entirely

00:21:12different so it's a funny business one sees the whole of the other person you see even that part

00:21:19of them that they don't see themselves and presumably they see that hidden part of you

00:21:27one ends up knowing more about one's partner than they know about themselves and it could be pretty

00:21:34tough to keep quiet about it so you have to you have to come to an accommodation an arrangement a

00:21:42deal

00:21:45if you like to take the rough with the smooth the extraordinary thing is down there in the rough in

00:21:58the long

00:21:59reeds of difficulty and pain that is where you find the treasure so I would like to propose a toast

00:22:14in the name of love in the name of our beloved country in the name of steadfastness in the name

00:22:24of

00:22:25another ten marvellous years I give you mon petit chou

00:22:44Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth

00:22:56Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth

00:23:00Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth

00:23:03Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth

00:23:05Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth Elizabeth

00:23:05Elizabeth

00:24:05The laughs and the jokes on me

00:24:15Pardon me

00:24:19But I've got to run

00:24:24The facts are normally clear

00:24:33Gotta find

00:24:36Who's now not there

00:24:46And why, my angel

00:24:55Oh, where is my angel

00:25:12Fuse me

00:25:18While I disappear

00:25:24Supreme

00:25:31Angels

00:25:38Angels

00:25:39Oh, where is my angel

00:25:46Oh, where is my angel

00:26:01Prime Minister McMillan

00:26:03And I will do everything we can

00:26:05To strengthen and repair

00:26:08The long-term bonds

00:26:10Which have bound together

00:26:14Blackheart

00:26:16I can't

00:26:17I want only you

00:26:20I've tried again

00:26:23With Harold

00:26:24Tried and tried

00:26:27I know

00:26:28I know

00:26:29I know

00:26:30I know

00:26:30I just can't

00:26:31I can't have it touch me

00:26:34Be near me

00:26:35His weakness repels me

00:26:40His love disgusts me

00:26:44The nothing

00:26:44The love

00:27:04The love

00:27:05The love

00:27:06That kind of

00:27:10The love

00:27:11The love

00:27:12The love

00:27:13day. I bought something to cheer you up. Cecil's magnificent work. He's quite outdone himself

00:27:25this time. I can tell you which one I would choose as the official birthday portrait.

00:27:32And Cecil immediately agreed. But of course, it's for you to decide.

00:28:12And with regards to Billy Wallace...

00:28:14Don't mention that name.

00:28:16I've had him on the telephone to me all morning. Quite distraught. Then his mother, then his

00:28:21grandmother... No, I'm never speaking to him again.

00:28:24Then we will find you someone else.

00:28:29I don't want you to find me anyone.

00:28:33Moritz Landsgrave of Hesse. He's a distant cousin. Now his mother was a Catholic, but their lands

00:28:40are still intact. And he gives a very good show of himself on the polo field.

00:28:44No one!

00:28:46Someone suggested Prince Christian of Hanover, a descendant of Queen Victoria. Served in

00:28:52the Luftwaffe, but we won't hold that against him.

00:28:56I do know what the official duties of the lady-in-waiting are. Accompanying me on foreign trips, dealing

00:29:01with my meal.

00:29:04Do you suppose it might also include helping me climb over the wall to escape? I just can't

00:29:10bear it anymore.

00:29:11I'm having some people to dinner. Tonight.

00:29:16Not normal people.

00:29:18Yes, they're all normal. But in their own way, they're all quite exceptional, too.

00:29:24You can go.

00:29:25Possibly not deferential.

00:29:29That's fine. As long as they still meet the main requirements.

00:29:34Which are?

00:29:36That none of them breeds horses, owns Lend, or knows my mother.

00:30:04All right, all of you. Hello. Everyone. I'd like you to say hello to our guest of honour,

00:30:13Her Royal Highness, the Princess Margaret.

00:30:19Hello.

00:30:22Are you ready, ma'am? Here come the introductions. Here we have Dudley on the piano.

00:30:31And this here is Shilpa.

00:30:36Oh, God, Jane.

00:30:47You know that our designer's crap.

00:30:51Oh, God, I believe that's fine.

00:30:58No, but this is tonight.

00:30:59I feel it's been read the outside of the discussion.

00:31:02Please, please.

00:31:03Oh, do you have to be here?

00:31:11You're feeling a little left out.

00:31:15You're thinking to yourself,

00:31:18these dabblers and freaks all seem to know one another very well.

00:31:28Then you'd be absolutely right.

00:31:32Now, be honest.

00:31:35Can you remember any of the names?

00:31:41No, not really.

00:31:42Can't remember me either.

00:31:45Not we've met.

00:31:46We have.

00:31:48Where have we met?

00:31:50Perhaps they'll come to you.

00:31:52Now, where to begin?

00:31:55Huh.

00:31:56Far corner.

00:31:58The irresistible so-and-so with the mustard-colored pearly neck.

00:32:01Irresistible.

00:32:02Oh, come on.

00:32:03A nine, surely.

00:32:05Seven.

00:32:07It's called Jeremy.

00:32:08He's heir to a chocolate fortune.

00:32:10Married to the blonde beauty opposite.

00:32:13Oh, she's an eight.

00:32:15Isn't she?

00:32:17Yes, they dazzle in public, those do.

00:32:20They don't disappoint in private, either.

00:32:23More of that another time, I think.

00:32:25Who's next?

00:32:26Ah, yes.

00:32:27Our flushed and fleshy friend in Paisley.

00:32:30His name's Ken Russell.

00:32:31Makes documentaries for the BBC.

00:32:33Travels everywhere on a bus.

00:32:38You've probably never been on a bus, have you?

00:32:43You know.

00:32:45Pity.

00:32:46You really do meet the best people.

00:32:51Tell me about the woman with the, uh, extraordinary eyes.

00:32:57Brown is Frankenstein.

00:33:00She played opposite Boris Karloff of that movie, you know, actress.

00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician.

00:33:13No, his name's John Perfumo.

00:33:16Fucking dull.

00:33:17It's true.

00:33:18It's true.

00:33:19But the older gentleman beside her.

00:33:23Oh, no, no, no, no, no, no, no, I know who that was.

00:33:24That's Don Betcham, the poet.

00:33:27Um.

00:33:29Books from Boots and Country Lanes, free speech, free passes, class distinction.

00:33:36Distinction.

00:33:39Democracy.

00:33:40Democracy and proper dreams.

00:33:45Just so.

00:33:50Is it really true he has two minds?

00:33:54I hope so.

00:33:57It's better if he has three.

00:34:00We don't want anyone conventional around here.

00:34:10Now, tell me about you.

00:34:12Oh, God, you don't remember?

00:34:14No.

00:34:15I'm a photographer.

00:34:18Oh, the wedding photographer?

00:34:20Ah, that was a favor. It's not my normal line of work.

00:34:23What is?

00:34:25This.

00:34:31What, these are yours?

00:34:34Yes.

00:34:36Portraits?

00:34:37I don't like that word.

00:34:39It's so stuffy and traditional.

00:34:41Oh, sorry.

00:34:43What are they then?

00:34:46People.

00:34:46Faces.

00:34:47They're the most interesting subject that I've found so far.

00:34:52If you can think of anything more interesting, do let me know.

00:34:57Oh, I like them.

00:35:00As if there's no camera at all.

00:35:03I caught them off guard.

00:35:05Uh, it's all luck, really.

00:35:07You made the ugliness beautiful.

00:35:09I despise posturing and pretentiousness and humbug.

00:35:14Don't you?

00:35:17Is that why you took up photography?

00:35:21Maybe.

00:35:23Maybe it's just a good way to get behind closed doors.

00:35:26Somebody's door in particular?

00:35:27Just doors, Gemini.

00:35:29The facade is only useful as a mark-up or something one has to get behind or beyond.

00:35:34The surface is so dreary, don't you think?

00:35:37What people want to show themselves, the idealized version of no interest to me.

00:35:41What people hide, that interests me.

00:35:49But you get so close.

00:35:53Isn't it rather an intrusion?

00:35:55It's very much an intrusion, yes.

00:35:57That's exactly what photography is.

00:36:00I use a small Leica, nothing fancy, a natural light, which means that I can prowl around.

00:36:06All the while I'm getting closer and closer.

00:36:09And in the end, it's kind of like...

00:36:12It's, uh...

00:36:13Intrusion.

00:36:17Intimacy.

00:36:38How would you feel about taking my photograph?

00:36:41Well, I'd consider it.

00:36:43On one condition.

00:36:46Go on.

00:36:48When you come to my slum studio, you'll leave the titles and princess outside.

00:36:53I'm happy to.

00:36:54And for the duration of the session, you'll do everything I saw.

00:37:00Don't look like that.

00:37:02You're dying to.

00:37:07Dying to what?

00:37:09Be a supplicant.

00:37:13I can tell.

00:37:19It was the first room I'd ever been to where nobody got up.

00:37:22Bowed.

00:37:23Curtsied.

00:37:25Some just carried on having conversations if I wasn't there at all.

00:37:29Those that did talk to me did with such indifference or nonchalance it verged on.

00:37:36In pertinence.

00:37:38There was this one in particular.

00:37:42Tony.

00:37:42Anthony, surely.

00:37:43No.

00:37:44He insisted.

00:37:45Tony.

00:37:46Armstrong Jones.

00:37:47This is...

00:37:48Photographer.

00:37:50Like Cecil?

00:37:50No, nothing like Cecil.

00:37:52Couldn't be less like Cecil.

00:37:54Well, maybe a bit like Cecil, but he's obviously queer.

00:37:58Well, interestingly, Elizabeth denies it.

00:38:00Elizabeth who?

00:38:02Cavendish.

00:38:03I called him when I got home last night and interrogated her.

00:38:05What are the five most important things I need to know about that man?

00:38:09Why five?

00:38:10I don't know.

00:38:11It felt like the right number.

00:38:13Why not three?

00:38:14It's more interesting than three.

00:38:17So, what did she say?

00:38:19One.

00:38:20It is Welsh.

00:38:21Is that interesting?

00:38:22No, not particularly.

00:38:25Well, he had polio as a child.

00:38:27That he has a passion for inventing things.

00:38:30And he would never dream of being anything as straightforward as simply queer.

00:38:35What on earth does that mean?

00:38:37Not altogether, sure.

00:38:39But...

00:38:41I'm also not even curious to find out.

00:38:43What was number five?

00:38:45No, that was five.

00:38:47No, Margaret, that was four.

00:38:49Well, all right. Five is...

00:38:52I liked him.

00:38:54Yes.

00:38:55I can tell that.

00:38:58There's a contempt in him.

00:39:00What for?

00:39:03For me.

00:39:05For us.

00:39:08For everything we represent.

00:39:14I actually think you'd like him.

00:39:17That's what's so dangerous about him.

00:39:21Upstairs!

00:39:21Look at guys.

00:39:27Sniffing out.

00:39:27Tip.

00:39:31Clip.

00:39:32Clip.

00:39:43Clip.

00:39:44Clip.

00:39:45Clip.

00:39:47Clip.

00:39:48Clip.

00:39:49Clip, Clip.

00:39:50Clip.

00:39:51Clip-clip.

00:40:00Right.

00:40:06Wait there.

00:40:12Back in a minute.

00:40:24Back in a minute.

00:40:37Back in a minute.

00:40:42Back in a minute.

00:40:46Back in a minute.

00:40:47Back in a minute.

00:41:04Back in a minute.

00:41:06Back in a minute.

00:41:09Back in a minute.

00:41:21Back in a minute.

00:41:22Back in a minute.

00:41:35Back in a minute.

00:41:38Back in a minute.

00:41:44Back in a minute.

00:41:45Back in a minute.

00:41:54Back in a minute.

00:41:55Back in a minute.

00:41:56Back in a minute.

00:41:57Back in a minute.

00:41:59Back in a minute.

00:42:00Back in a minute.

00:42:02Back in a minute.

00:42:03Back in a minute.

00:42:04Back in a minute.

00:42:05Back in a minute.

00:42:52Don't smile like that.

00:42:54It's lovely, but don't.

00:42:57Too lovely.

00:43:01For my taste, yes.

00:43:03Oh, I see.

00:43:04You prefer me to be un-lovely.

00:43:08I prefer you to be yourself,

00:43:10but I realize it's asking the impossible.

00:43:12Why?

00:43:15Because I'm un-cooperative.

00:43:17Because you have no idea who you are.

00:43:19Look to the window.

00:43:21So I perfectly will.

00:43:22No, not the faintest idea.

00:43:26Window.

00:43:39We don't know who you are either.

00:43:43The rest of us, outside the palace gates.

00:43:46That's because we keep feeding you the fairy tale.

00:43:56Like this.

00:44:04Oh.

00:44:09Jesus.

00:44:10I'm sorry, but, uh...

00:44:14Cecil is a disgrace.

00:44:19Well, he's been good to the family.

00:44:22Why would you care about the family?

00:44:26Have they been good to you?

00:44:30Well, they're my family.

00:44:34Yes.

00:44:41But their business with Peter Townsend...

00:44:46...cruel.

00:44:54Was he really as drearly as he seemed?

00:45:02He was decent and old-fashioned.

00:45:08Easy qualities to mock.

00:45:18Easy to miss, too.

00:45:59Easy to miss.

00:46:02Do nothing.

00:46:14Sometimes.

00:46:19Got it. Right.

00:46:21Back to my place for a drink.

00:46:25Your place?

00:46:26Where's that?

00:46:27Well, get dressed and I'll show you.

00:46:49So, this is home.

00:46:56It's marvellous.

00:47:04Whiskey or cinzana?

00:47:07Whiskey, please.

00:47:19Who's she?

00:47:23Friend.

00:47:24What kind of friend?

00:47:27A friend.

00:47:29And this one?

00:47:32Couldn't you cheer her up a little?

00:47:34That's Sarah McMillan, the Prime Minister's daughter.

00:47:37What is she?

00:47:39Word here, it is not.

00:47:42This is Bob Boothby's love child.

00:47:44No.

00:47:45Mm.

00:47:46Thirty years, they say, the affair's been going on.

00:47:48Right under the PM's nose. Can you imagine?

00:47:53I don't think I'm ever going to get married.

00:47:56Quite right.

00:47:59Ghastly business.

00:48:02Makes being happy so very difficult.

00:48:10Oh, what's this?

00:48:13Oh, that's something I'm working on.

00:48:15A design.

00:48:16It's fragile.

00:48:17Get off.

00:48:20Oh, sorry.

00:48:24Yeah, come on, have a look at this.

00:48:26This might amuse you.

00:48:36What, people have signed their names?

00:48:38Oh, their nicknames, yes.

00:48:40Who's Tigger?

00:48:43Cleo Leigh.

00:48:47Snitch.

00:48:48Doug Bogart.

00:48:53Oh, look, you already have a princess.

00:48:55Hmm.

00:48:56That's Tony Richardson.

00:48:59Will you sign?

00:49:01I keep a diamond to the purpose.

00:49:05Go on.

00:49:07I'm not sure I've ever had a nickname.

00:49:10What shall I put?

00:49:12Something that'll throw them off the scent.

00:49:16Beryl.

00:49:18Beryl?

00:49:19Mm.

00:49:20All right.

00:49:39Rhymes with peril.

00:49:46Put it back.

00:49:52Right.

00:49:55Shall we look at the photograph?

00:49:57Yes.

00:50:00Go.

00:50:00Oh, God.

00:50:12I can't walk.

00:50:20Okay.

00:50:28What?

00:50:30How about how difficult it you're supposed to see?

00:50:54All right.

00:51:14First, the chemicals.

00:51:30You knew when we first knit, I was sure you were queer.

00:51:44Why?

00:51:46Just the way you talk to women.

00:51:49Understood women.

00:52:03Then you put it into the water.

00:52:10Here.

00:52:15Not to mention your tidy little hips.

00:52:18All vanity and fastidiousness.

00:52:21I'm not vain.

00:52:24You're insufferably vain.

00:52:29But now I see you're not queer.

00:52:35Then you're pushing us the fixer.

00:52:44This hill routine is hard to practice and well oiled.

00:52:49Woman after woman has been here before me.

00:52:55Beautiful women.

00:53:00Yeah.

00:53:07Will you hang her up?

00:53:21What do you think?

00:53:27Margaret I've never seen before.

00:53:31No one's ever seen before.

00:53:35No.

00:53:38Because in this photo, you're not a princess anymore.

00:53:46There's someone I would like you to send her to.

00:53:50Can I give you an address?

00:53:54Sure.

00:53:57Then I must go.

00:54:03You, um, you want to stay a little longer?

00:54:09No.

00:54:11This is where the routine ends.

00:54:15For now.

00:54:18All right.

00:54:21You come with the driver?

00:54:23Yes.

00:54:24He's waiting outside.

00:54:26Good.

00:54:26Then he can follow us.

00:54:27Good.

00:54:30Slow down.

00:54:30Coming off.

00:54:31Whoa.

00:54:35Gurus Ramani.

00:54:40Sure.

00:54:42Thanks for making a space with yourérêt.

00:54:45D Sleep.

00:54:46Yeah.

00:54:47That's the zoo.

00:54:47You've been here.

00:54:48In living inаков yel�-el-el-elün.

00:54:50Beautiful museums.

00:54:52Take out.

00:54:53And Banya, is there an Inda?

00:55:04Hold tight.

00:55:30God, I thought that would never end.

00:55:32You made it to go on, rather.

00:55:33On and on, and on, and on.

00:56:07Definitely not queer.

00:56:13Keep it.

00:56:14Keep it.

00:56:26Keep it.

00:56:27Keep it.

00:56:40Keep it.

00:56:42Keep it.

00:56:44I can't see anyone but you.

00:56:46Keep it.

00:56:49Keep it.

00:56:53Keep it.

00:57:00Keep it.

00:57:02Keep it.

00:57:16I don't know if it's cloudy or dry, I only can't rise.

00:57:40The moon is far from behind, but I can't see a thing in the sky.

00:57:55I only can rise for you.

00:58:15I don't know if we're in a garden.

00:58:46I don't know if we're in a garden.

00:59:04I don't know if we're in a garden.

00:59:20I don't know if we're in a garden.

00:59:33I don't know if we're in a garden.

00:59:55I don't know if we're in a garden.

01:00:25I don't know if we're in a garden.

01:00:55I don't know if we're in a garden.

01:00:57It appears she's naked.

01:01:21I don't know if we're in a garden.

01:01:27I don't know if we're in a garden.

01:01:57I don't know if we're in a garden.

01:02:43I don't know if we're in a garden.

01:02:46I don't know if we're in a garden.

01:02:47I don't know if we're in a garden.

T h e C r o w n S 0 2 E 0 4 [Full Movie] [Trending Drama]Full EP - Full

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