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How To Get To Heaven From Belfast S01E05 [Full Movie] [Latest Version]Full EP - Full
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00:28Transcription by CastingWords
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01:18She's done it.
01:21My name's Margo.
01:22You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32He won't come now.
01:34He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gangor ever to a fake intern.
01:46I said I knew you were watching.
01:51I'd like to keep working with this one.
01:53The other child?
01:54Nothing I can do for the other child.
01:56I can do for the other child.
01:56I know.
01:57I know.
02:17Oh, my God.
02:34Oh, my God.
03:05Oh, my God.
03:27I'm never going to hear the end of this.
03:30My last woman, she threw a fridge out of one dome.
03:33We were like seven stories up.
03:35It was a whole thing.
03:37You're scared.
03:38I get it.
03:39This is a really shit, really stressful time for you.
03:42But things don't have to get all, you know, like Greek.
03:47Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You dropped me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:07You got to burn them, I'm afraid.
04:09Mostly because it's, like, procedure.
04:12But also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready.
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cups are.
04:34I don't understand.
04:35Do you have questions?
04:37When I land on the scene, everyone's full of this.
04:40I couldn't be doing with that last night.
04:43So you stuck a syringe in my neck.
04:45I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had shifty-doo.
04:52I made an executive decision.
04:54Now, will you please just sit down
04:56and have some coffee
04:57and a wee, tiny, gold cup?
05:03Why should I trust you?
05:09Because there's no-one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us
05:19in a confined space for loads of witnesses?
05:21She seems to really want that box.
05:22So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda, what are you doing, lovely?
05:44The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks Cholly.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something out of that really quick?
06:01It's...
06:04It's our mother's ashes.
06:06Yeah.
06:07Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:18Linda!
06:20Linda!
06:20Linda!
06:21Linda!
06:22Linda!
06:24Linda!
06:25Linda!
06:27Linda!
06:27Linda!
06:28Linda!
06:28Linda!
06:29Linda!
06:31Linda!
06:31Linda!
06:37Linda!
07:09Hey, Saoirse, it's me. Yeah, Liam. Excuse the voice note, I didn't want to call in case you were working
07:15on it. I sent that too soon. I never know if I should delete and start again when that happens
07:20or if that looks a bit. Sorry I did it again there. I think maybe I just have really big
07:27fingers. Anyway, look, so I spoke to Margo. She didn't know anything about Jodie for it or so she says,
07:35but she did tell me something which was a bit...
07:38I don't believe this.
07:39Megan, anyway, I spoke to Margo. She told me when she was pregnant she was reading this book. The author
07:46was a psychiatrist she admired, Greta Gancala. So she, Margo that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing. This woman should only publish one book and it was written more than a decade after
08:02Greta was born. So that can't be right, can it? I'm not really sure what it means, but...
08:08How the fuck have you done that again?
08:10Maybe just give me a call back, sure.
08:14Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport. Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this. Ready?
08:30No.
08:31Great.
08:35Why would we scatter her in the sea? She hated getting her hair wet.
08:40Why would you know what she hated? You never saw her. You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark. She loved it. There was her happy place.
08:50I'm gonna have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you wanna let the pilot know what's going on.
08:55Well, sure. I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda? Al Qaeda?
09:00You always gave her bad advice to seatbelt.
09:02No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:05Well, occurring for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself out there and live your
09:13own life for fear of rejection.
09:17So, so, so, skin nervous.
09:22Woo!
09:25You know you wanna come with her.
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are gonna subject us to any kind of breathalyzer type scenario, I should say I've had a
09:38few proseccoes.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat.
09:44If it wasn't for Dara's banana, we'd all be standing here dead nine.
09:47Impersonating a member of cabin crew staff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I wanna know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit.
10:10Look.
10:14Okay, we have to go.
10:16Now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:32Okay.
10:33Okay.
10:35Wait.
10:37Come on.
10:48Hello.
10:50All right, lads.
10:52You're welcome.
10:53Thank you, Draper.
10:54Thank you, Draper.
10:55Thank you, Draper.
11:19this uh person who called this woman she said uh greta knew your father that she knew something
11:26about his disappearance yes but the caller they didn't identify themselves no and that was the
11:32only time they contacted me what day did you receive this call the ninth of this month
11:41today greta died i've since learned as much yes
11:46that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist no
11:55never would have been a long time ago i didn't mention anything
12:00well she would have been a teenager when he went missing
12:05around the same age as your daughter perhaps my daughter yes what do you know about my daughter
12:11well i i tried your house you went in but she was and i briefly leave my daughter out of
12:17this
12:17sorry i mean whatever this is you leave my daughter no i didn't even speak to her her mother has
12:21just
12:21died my wife has just died i didn't i didn't mean and you come in here with this insane story
12:29it's
12:29not a story inspector o'neill it's a fact someone did call me and someone gave me your wife's name
12:48i don't have time for this
12:55i understand i apologize sir it's not the right time perhaps
13:05i can wait
13:17yeah
13:20anything i can help with no
13:25no it's no it's it's fine
13:36by a lowly prison walls i heard a young girl calling
13:46maybe it's time we talk to the guards maybe we should just tell them everything yeah but you
13:51see we can't tell them everything can we dare because there's some bits we need to keep to
13:54ourselves like some quite big criminally type bit oh that name guy he might help but my phone's
13:58worked oh shit my key oh robin's works for fuck's sake jim i don't remember his number why's jim
14:05ringing me i don't know robin me because he's your husband and the father of your children hiya love
14:10how's things great yeah all under control here we're in sweden darling how is portugal hey baby let
14:19the free birds lie yeah a lot of a lot of irish here one second one in the name of
14:25i've got to go
14:26deal with this riot we need to focus girls okay what do we actually know what are the facts okay
14:31so we
14:31know that this thing belongs to jody we know that jody and greta grew up together we know that they
14:36were
14:36connected what was the name of the town again come on tashban tashban that's right why are you talking
14:42about narnia what tashban it's from the chronicles of narnia yeah jack's reading it forgot how messed
14:49up it is that lion is a nurse i i i i gotta go love okay right bye bye bye
14:55bye bye yeah love you bye
15:00jesus christ what was that he was right what are you talking about yeah they couldn't have come from
15:07tashban because tashban doesn't actually exist girls every single thing she told us was a lie
15:28and with that it's goodbye jody perfect a passport pick is everyone on their best day it looks great
15:36like this by the way babes if i do say so myself the truth is you don't have to do
15:41that much what's that
15:42thing they say about lying a good lie stays close to the truth like with your name i always think
15:50it's best to go for something that sounds similar that way when someone calls you or you have to
15:55sign something it's less of a leap like psychologically so i'm thinking grania grania i think it's suchy
16:03grania i honestly do you it's like an echo of the person you once wear i like that like a
16:12ghost of
16:13yourself that's actually quite profound that's me babes no the surname we have less freedomless we have
16:20to work off a list that's been cleared what i must have left it upstairs let me run and grab
16:26it
16:28gotta take the hardware with me i'm afraid babes it's not that i don't trust you it's just better
16:35safe than sorry type thing and i've been stung before people are like i just want to talk to my
16:41mother
16:41or sister or son or springer fucking spaniel just once just to hear their voice
16:50you know like i get it babes but now you've thrown the whole operation and i'm starting to decide
16:55with whoever it is the one she did
16:59you're on the other side of things now i guess what's that well earlier you said that you were
17:05evaporated too all right yeah but i was so young how young 13.
17:17yeah my parents they were both god i still haven't found a better way of putting this
17:27like they were kind of murdered babes i'm so sorry you don't need to know all the details
17:34trust me it will kill the crack overnight my environment became well not the safest
17:43and booker heard what happened and she decided to help me
17:50booker saved me i owe her everything i guess that's why i'm here doing what i do
18:01that's something else we have in common
18:05what is well you were young too when that marco woman stepped up i mean
18:16you know about that you know what happened with my mother we know everything babes
18:49i'm
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:37Run!
19:40Look at this!
19:41You're on!
19:45APPLAUSE
19:46You got to do?
19:48Up, up, up!
19:55Yeah!
19:56You got to do!
19:57That's what I need to be.
20:01Everything's done.
20:04You got to do.
20:05You got to do.
20:27She's grand!
20:36Why does she do that?
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:03That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St Patrick.
21:10Single-handedly,
21:12drove the English out of Ireland, you know.
21:14No way.
21:15Not the English.
21:16Snakes.
21:18Wait, you know, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:28Hmm.
21:29Would you like a straw?
21:31Do you think I'd glass one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay.
21:43Well,
21:44I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But...
22:03Anyway.
22:05When I reached the door,
22:06there's no answer.
22:08For some reason he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18Alright, fine.
22:19In the meantime,
22:21let me show you this.
22:22So, these are my father's old notebooks.
22:26I've been trying to decode them.
22:29Decode?
22:29Yeah.
22:30He interviewed paramilitary members,
22:31intelligence agents.
22:32When you said he was a journalist,
22:33he was an actual journalist.
22:35So, a few times,
22:36he talks about what I thought was something like
22:38sad girl,
22:40or mournful woman.
22:41But then I found out
22:42that the school that Greta attended
22:43was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills
22:50in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01Anyway.
23:04I went to Greta's old school for a look,
23:07and there's this whole area of the grounds
23:09that's just sort of abandoned now,
23:11and there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well,
23:27when I spoke to her friends,
23:28they mentioned it,
23:29and Greta,
23:30well,
23:31she'd have still been there the year
23:32that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh,
23:42I just had a chat with Andrew.
23:44You remember, Andrew?
23:45English lad.
23:46He, uh,
23:46spoke to you about the fact
23:47that his father disappeared,
23:49about how he thinks Greta was involved.
23:50Now,
23:51here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me
23:57what the hell is going on here.
23:59Fuck it.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends,
24:30if I die today,
24:35then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point,
24:46we need to address the fact
24:47that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:54Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do to that male bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:22Why?
25:23It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest walking in here
25:45and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:54Shh.
25:56What's up?
26:09What's up?
26:13Grab a weapon, quick.
26:22Come on.
26:24Come on.
26:25Come on.
26:26Come on.
26:27Come on.
26:27Come on.
26:27Come on.
26:28Are we ready?
26:29For a fucking exorcism, maybe?
26:34Who is she, girls?
26:36Is she playing at night?
26:38Mike?
26:38Let's go.
26:39Yeah, let's go.
26:41What's up?
26:46Moving onto scene 32A.
26:49Let's have cars on set in five minutes, please.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A, Crucial, people, Crucial.
27:20So, I'm not sure if you remember me.
27:23The cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also, aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I just like to be involved.
27:49Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53Well, you genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five, and you're helping with research.
28:05Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:22He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping any time soon.
28:30Oh, no.
28:30Could you just have her call me?
28:31Seb, darling, my car's here taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Burying of the body.
28:41Okay, fine.
28:44Hey, Ed.
28:45Sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law.
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat.
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greva?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that.
30:09And I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:21If I ever actually existed, what will it be?
30:29What will it be?
30:31What will it be?
30:45Let me do it.
30:58How will it be?
31:14I mean, you're not going to talk.
31:16Wait.
31:28why didn't you come inside I don't do business in God's house I don't trust him I see
31:45well we don't make deals with the devil
32:00that's so cute we chart a shop number you gotta get the balance right with this stuff
32:07it's more time consuming but every stitch young can't be brand new I'll sort the basics
32:13because they haven't told me where you're going yet so I don't know what conditions we're dealing
32:18with will you travel with me they'll send the midwife the what she delivers you to your new life
32:27when soon too soon it was my understanding that when I'm settled to my daughter she could join me
32:33oh come on babes I get that there's a lot to do well that's one way to put it thought
32:38if I could get
32:38a sense of you're giving me cause for concern here babes you're concerning me and can you don't need
32:45to be a time frame just roughly this is a very delicate procedure I get that no guarantees but
32:53if everything goes to plan with no guarantees she's my daughter and she thinks I'm dead
33:03what is in her best interests
33:13you'll be okay will I some people are built to survive
33:22that's what bicker told me when my parents died
33:26she said she knew I was deafening because I cleaned it all up most adults couldn't have managed that she
33:35said
33:37cleaned what up the mess babes there was such a terrible mess they were stabbed you see
33:4713 times between them oh my god it's fine honestly they wouldn't have known anything about it
33:59what do you mean they were fast asleep
34:0913 times 13 times I win for every miserable year
34:16oh don't look so shocked you recognize that in me I saw it in you two before I'd read a
34:24word
34:26it takes one to know one doesn't it babes
34:33you'll be okay
34:36you'll survive
34:38people like us always do
34:46she shouldn't call somebody
34:47all right love
34:49you okay
34:58exactly what part of the plan were you unclear on Dara
35:00I'm telling you it was chilling
35:02I was standing there looking her right in the eyes
35:05and it was like she had no soul
35:07it was like you're in the presence of evil
35:10actual evil
35:10how might someone like that react to you bashing her face in I wonder
35:14she was never going to let us walk away Robin
35:16she was lying
35:18what's this cue for exactly
35:20no idea but I'm thinking
35:22if we're hiding behind lots of people she'll have to kill them first
35:25Jesus Robin
35:26even I think that's dark Robin and I'm morally quite sketchy like I work on television
35:30oh speaking of which
35:32Seb's been trying to get you
35:33he wants to know how many scripts to give Liam now that he's a consultant
35:37what the fuck is he asking for scripts
35:39I'll need them if he's a consultant
35:40he's not a consultant Dara
35:43what is going on here
35:45I'll go easy on those
35:46tickets
35:47for what
35:48the late late show
35:50oh my god
35:52the late late show
35:53I love Patrick Hilty
35:55I love Patrick Hilty
35:58oh yeah
36:00I mean I suppose he's good at what he does
36:02I just don't get what all the fuss is
36:05fine I love Patrick Hilty
36:06Jesus
36:09she can't kill us on live TV
36:13okay can you guys move us out
36:14please
36:16uh we don't have tickets because these are the competition owners
36:19what are you talking about
36:21should be on your list
36:22Jesus I emailed about this yesterday
36:24what list are you working from
36:26who put you in the door
36:28Cara
36:29ah
36:29typical
36:30aye
36:30well tell me that you at least held some high seats back
36:33yeah of course always
36:35right
36:35so
36:36shall we
36:37mmm
36:39tickets
36:40seen a lot of 30 rock
36:42but you've yet to watch
36:44one episode of my show
36:45show's not funny
36:46hey Regina
36:48thank you
36:49we're just down the end there
36:50sorry
36:50thank you
36:51thank you
36:52we're just down
36:52we're just out there
36:53thank you
36:54thank you
36:55thank you
36:55thank you
36:56we'll be back
37:01oh
37:03we're just down
37:04we're just down
37:08we're just down
37:13we're just down
37:20we're just down
37:22we're just down
37:22we're just down
37:23we're just down
37:23we're just down
37:23we're just down
37:23we're just down
37:24we're just down
37:24we're just down
37:24we're just down
37:24we're just down
37:25we're just down
37:27we're just down
37:46Hey, would you ever turn that bollocks off?
37:52Happy St. Patrick's Day!
38:00Also on the show tonight, he went viral this week when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains and carried it down on his back to safety.
38:11His name is Sean O'Kelly!
38:14Ah, couldn't mind yourself, Sean.
38:16What a strange show.
38:20She plays Detective Emma Fierce in the smash hit multi-award winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins!
38:30Marnie Mullins!
38:34You're shitting me.
38:36Isn't that those three Belfast agents we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're one anywhere.
38:45This thing's still alive, right?
38:47Oh, God, yeah.
38:48So you cannot whack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:54Yeah!
38:57When you first read the scripts, did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was.
39:06But then I realised it was the audience's attachment to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17The tag wars.
39:17To make her relatable, and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that, I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in to see you catch the elusive career killer in your own home?
39:41Actually, actually, a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise!
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here!
40:17Look, look, Mummy's on TV.
40:20She really is.
40:21All right, lads, will you stop?
40:22Your mum's in Portugal.
40:30So, Saoirse.
40:31Patrick Kielty.
40:32Patty.
40:33Patrick.
40:33Patty Kielty.
40:34PK.
40:34Patty.
40:35Mr. Patty.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns?
40:48I guess I, lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:01Films, news stories, uh, history, uh.
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of, uh, things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about?
41:20Give us an example.
41:21Well, oh, maybe I shouldn't say that.
41:26Go on, now, don't be a tease.
41:28Oh.
41:31When we were young, my, my friends and I, we did this pretty terrible thing.
41:37But only because we were, we were, uh, trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:50I think this is a bad idea, Patrick Kinkley.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:59Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:05Well, turns out the person we were trying to protect, she was lying.
42:13So now we've done this terrible thing, but we don't even.
42:16We don't even know why.
42:18If this were murder code, and you were Emma, I mean, what would you do?
42:25Well, I suppose, well, I suppose Emma would realize that she's overlooked something small,
42:34something that she initially thought was insignificant.
42:40But it turns out that it was the key to unlocking the case.
42:48The key to unlocking the box.
42:51Locks.
42:52She had it all alone.
42:55I had it all.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:03Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:15I can't remember.
43:16Picture.
43:17Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20Picture of a painting.
43:28I've got it.
43:29Paddy, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone talk to me.
43:35I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:40Roll it there.
43:44Totally swindled.
43:45Big pan of your work.
43:46Right.
43:47Hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick.
43:50I know we all saw Patrick.
43:52But keep going.
43:53Keep going.
43:53What is he like?
43:54What is he like?
43:55Jesus Christ.
43:56Let's go.
43:56Come on.
43:57Come on.
43:58Jesus.
43:59Those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick, Katie.
44:09I, I love Patrick, Katie.
44:16We already saw the answer.
44:19We had it right in front of us.
44:23What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:36Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um, 250197.
45:04Oh, my God.
45:20What happened to her?
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:53Step out of the car!
45:56Step out of the car!
46:24What do you want?
46:26What do you want?
46:27Help!
46:27Get out of the car!
46:36You!
46:38Drive!
46:41Move!
46:57You keep going, Dad, I tell you to stop.
47:15I tell you to stop.
47:56I tell you to stop.
48:12I tell you to stop.
48:53I tell you to stop.
49:23I tell you to stop.
49:42I tell you to stop.
49:44I tell you to stop.
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