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Watch Stranger Things Free Season 5 Episode 4 online in HD on Dailymotion (2016).
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00:00:18Hey, I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:25Derek, Derek.
00:00:27If you keep doing that, you're just going to hurt yourself.
00:00:29We just calm down so we can talk, okay?
00:00:34Do you know who I am?
00:00:36An evil child kidnapper.
00:00:39Okay, I understand why you would think that, but I'm not evil.
00:00:44I'm just a mom, a regular mom.
00:00:47That's my son, Will.
00:00:50He's a zombie boy.
00:00:51You know why they call him that?
00:00:53Because he died and came back to life.
00:00:55But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:01:03And now that scary monster is after you.
00:01:06Yeah, I know.
00:01:07Mr. What's It told me.
00:01:08Which is why you need to let me...
00:01:10No, no.
00:01:10Mr. What's It is not who he says he is, okay?
00:01:13He is lying to you.
00:01:15All these monsters, they work for him.
00:01:17Now, that's why we took you here to this barn.
00:01:19We thought this barn was safe, but he's found us, so we have to move you again somewhere he can't
00:01:24find you.
00:01:24So if I untie you, will you cooperate and come with us?
00:01:30Please?
00:01:32Okay, great.
00:01:33You're a very brave kid, Derek.
00:01:36I want you to know that.
00:01:38Very, very brave.
00:01:46Let me go!
00:01:48Get off of me!
00:01:49Please, the door!
00:01:50Get the door!
00:01:51Let me go!
00:01:52Help me!
00:01:53Let me go!
00:01:54Get away!
00:01:56Somebody out of my bank in there!
00:01:58Get away from me!
00:01:59Let me go!
00:02:01Mom, the rope!
00:02:02I need the rope!
00:02:03Let me go!
00:02:05Eat dirt!
00:02:09Come try us, dipshit!
00:02:11Shit!
00:02:23Dude!
00:02:24She's not lying to you, okay?
00:02:26Mr. What's-It is a very bad guy.
00:02:27He sent the monsters after you!
00:02:29You suck my fat one!
00:02:31Jesus, what?
00:02:32You just signed your death warrant, dipshit!
00:02:34You're just a psycho and you're going to jail!
00:02:36Derek, there is a monster coming!
00:02:39I bless you!
00:02:39Derek, please!
00:02:41You gotta hang down!
00:02:42I'm not listening!
00:02:43My dad!
00:02:44Actually, I'm not with a dance!
00:02:46I'm not with a dance!
00:02:47I'm not with a dance!
00:02:48I'm not with a dance!
00:02:49I'm not with a dance!
00:02:51I'm not with a dance!
00:03:07Stay back!
00:03:18You want him?
00:03:19You're going to have to come through me!
00:03:47You're going to have to come through me!
00:03:57You're going to have to come through me!
00:04:03You're going to have to come through me!
00:04:07It flipped!
00:04:08It's headed back towards us!
00:04:09Come on!
00:04:10What are you doing, man?
00:04:11We've got to turn around!
00:04:12The gates are kind of like peanut butter boppers, right?
00:04:13What?
00:04:14The outside is, like, crunchy and tough, but then you bite down on it, it gives way
00:04:18to a gooey, creamy core.
00:04:19Dude, what the hell are you talking about?
00:04:21I drive fast enough, I think the Beamer can punch a hole straight into the gate, and then
00:04:24we can track the demo on its home turf in the upside down, and follow it straight back
00:04:27to Holland.
00:04:28We're losing the signal!
00:04:29We're not going to be able to follow anything if we crash!
00:04:31We're not going to crash if it's like a bopper!
00:04:33It's almost gone!
00:04:33guys!
00:04:37Do it!
00:04:42Oh my god!
00:04:43Oh my god!
00:04:43Shield!
00:04:44I got it!
00:04:45I got it!
00:04:45I got it!
00:04:46I got it!
00:04:46I got it!
00:04:46I got it!
00:04:46Oh god!
00:04:47Don't work.
00:04:48It's not going to work!
00:04:48We're not going to make it!
00:04:49It's not going to work!
00:04:50Stop!
00:04:51Jesus Christ!
00:04:53Oh my god!
00:04:54Oh my god!
00:04:54Now I'm done!
00:04:57Brothers!
00:05:02You did it!
00:05:06Signal?
00:05:09It's wrong.
00:05:10Oh, my God.
00:05:11Get, you son of a bitch! We got you!
00:05:35I got you. I got you.
00:05:41I got you.
00:05:43No.
00:05:44No.
00:05:45No.
00:05:58No.
00:05:58No.
00:06:09No.
00:06:10No.
00:06:11No.
00:06:50Oh, yes, yes, that's right.
00:06:52Hockety-pockety-wockety-wack.
00:06:53Cards and pens and prick-and-brick.
00:06:55We'll be with you in just a minute, sir.
00:06:56Who's almost done?
00:07:01Shush.
00:07:04Jelly.
00:07:11Alan Miller?
00:07:13I'm sorry, what is this about?
00:07:15It's your daughter, sir.
00:07:19I'm sorry.
00:07:31I'm sorry.
00:07:47Looks like our boy's taking us on the shortcut through our own cemetery.
00:07:50That's the most of the county line.
00:07:51Doesn't this thing ever get tired?
00:07:53Uh, unfortunately, it looks like the opposite.
00:07:55I think he's speeding up.
00:07:56Wait, what?
00:07:56You're losing the signal.
00:07:58You've got to be shitting me, man.
00:07:59Can you go faster?
00:08:00Let's see.
00:08:04Henderson, you've got to talk to me here.
00:08:05What do you got, man?
00:08:07Henderson!
00:08:07Wait, I'm picking up some interference.
00:08:09How is that important right now?
00:08:10It means I can't hear the signal.
00:08:11Well, then listen harder, Henderson.
00:08:13You want to try to put these on?
00:08:14I'm driving!
00:08:14You do the driving.
00:08:15I'm driving, man.
00:08:17What is that?
00:08:18I don't know.
00:08:19Steve, go down.
00:08:21Steve!
00:08:22Steve, watch out!
00:08:24Steve, watch out!
00:08:32Jonathan, it's mom.
00:08:33Answer me, please.
00:08:34Over.
00:08:35Jonathan, please answer.
00:08:38Jonathan, Nancy, Dustin, it's Joyce.
00:08:42Please answer me.
00:08:44Hey.
00:08:45Any luck?
00:08:47Well, on the plus side, I guess that means they made it through.
00:08:51You want to see where they're headed?
00:09:22You want to see where they're headed?
00:09:23What is it?
00:09:25I don't know, but...
00:09:27AKA Vecna.
00:09:28AKA One.
00:09:29That's too many names.
00:09:31Why won't you just zip it and listen, dipshit?
00:09:33I had this feeling he didn't want me there.
00:09:38I wasn't supposed to see it.
00:09:41You've never been this close to the hive mind before.
00:09:43I mean, that thing was, like, feet away.
00:09:48Sometimes at the squawk, when a signal comes in too strong, it overloads the whole system.
00:09:53I think that's what this was, an overload.
00:09:56You didn't just tap into the hive mind.
00:09:58You checked right into the goddamn control center.
00:10:01And Holly, where was Holly?
00:10:04Holly.
00:10:05Holly, she was...
00:10:07She was attached to this...
00:10:09This spire.
00:10:11She became a part of it somehow, like it was doing something to her.
00:10:18And there were others.
00:10:20There were three others.
00:10:24I thought Vecna was just coming for dipshit.
00:10:27So did I.
00:10:28But I only knew about Derek because he walked right past me.
00:10:33Serendipitous timing.
00:10:34You hear that?
00:10:36Serendipitous.
00:10:36I don't know what that means.
00:10:37I'm really not loving all of these extra spires.
00:10:41I mean, night one, Vecna kidnaps Holly.
00:10:43Night two, he takes three more.
00:10:44He's escalating.
00:10:45And he's coming for more.
00:10:47Yeah, eight more, if this is accurate, which brings him to a total of 12.
00:10:50What does he want with them?
00:10:52And why kids?
00:10:53And why Swell?
00:10:54I don't know.
00:10:54But we have to stop him before he takes any more and buy Dustin and the others' time to find
00:10:58this place.
00:10:59To find Holly.
00:11:00Maybe if we can pinpoint his exact targets, we could get them out of Hawkins.
00:11:03And out of Vecna's reach.
00:11:05Did you forget we're quarantined?
00:11:06That's not all!
00:11:07There's another problem.
00:11:08On the way here, we saw soldiers load Debbie Miller onto a bus with a bunch more kids.
00:11:13And then we followed them for two blocks more, and they loaded more kids onto it.
00:11:16I don't think they were taking them to school.
00:11:19Vecna's not the only one that wants these kids.
00:11:28Eleven was at the Wheeler house the same night Holly was taken.
00:11:3224 hours later, we've got three more missing kids.
00:11:35There's 73 children in Hawkins between the age of nine and ten. If the pattern holds, our next target will
00:11:41be from this group.
00:11:42And you believe 11 has taken these kids. For what purpose?
00:11:48Killing them, protecting them, the reason doesn't matter.
00:11:51And these children? Where are they now?
00:11:53Arriving at the Max-Z any moment, which is where I want you.
00:11:57I should be looking for Lieutenant Akers. I find Akers, I find-
00:11:59A blind and dead man. Report to the Max-Z, Colonel. That's an order.
00:12:11Major General.
00:12:14With all due respect, these kids are in danger.
00:12:18To use them as bait seems...
00:12:21Seems...
00:12:22What, Sergeant?
00:12:25Reckless.
00:12:28It's only reckless if you fail to protect them.
00:12:33Are you telling me you can't protect them, Sergeant?
00:12:37No, ma'am.
00:12:40Good.
00:12:55I'm sorry for scaring you.
00:12:59I haven't seen anyone in a really long time, so...
00:13:04I guess I got excited.
00:13:07Good news is, it doesn't look that deep. Not enough for stitches.
00:13:12I bet it stings though, huh?
00:13:16You can talk to me, you know.
00:13:20I won't bite.
00:13:24You do remember me, right?
00:13:27I've been to your house. Like, a lot.
00:13:33You're Max. Max Mayfield. You skateboard and never take off your Walkman.
00:13:39That's me.
00:13:40But how am I in here when I'm in a coma in Hawkins General?
00:13:45That's a very reasonable question.
00:13:49We should get going. It's not safe here. Come on.
00:13:53Where are we going?
00:13:54My home.
00:13:55Well, I can't go far. I came here to meet Henry.
00:13:58Do you know Henry?
00:13:58Yeah, you could say that.
00:13:59Well, he left me this note here, see?
00:14:01And he told me to meet him right here at the axe, right here.
00:14:03I think he's in trouble with the monsters.
00:14:05Henry is a lot of things, but in trouble with the monsters is not one of them.
00:14:08No, but look. Look, the note says...
00:14:09Holly, I know what the note says.
00:14:10Then how do you know he's not in trouble?
00:14:11Holly.
00:14:11He said hurry!
00:14:12Holly, I know what the note says because Henry didn't write it.
00:14:14I did.
00:14:17I... I... I don't... I don't understand.
00:14:21I'm sorry.
00:14:24I didn't want to lie.
00:14:25I... I just... I had to make sure that you came here.
00:14:29You're one of them, aren't you?
00:14:31One of what?
00:14:32The monsters.
00:14:33Do I look like a monster?
00:14:34I don't know. Maybe you're in disguise.
00:14:36You're dressed weird and you're in a coma.
00:14:38Okay.
00:14:40Well, would a monster know that your brother tried to get a mohawk until your sister stopped him,
00:14:45saving him from possibly the greatest social humiliation that a freshman has ever experienced
00:14:49at Hawkins High?
00:14:51What color was this mohawk?
00:14:54Hot orange.
00:14:55And personally, I think the use of the word hot is a bit ironic, but people say I'm too negative.
00:15:00I just think I'm honest.
00:15:25Come on.
00:15:34Welcome.
00:15:36Mm-hmm.
00:15:54Hey, it even comes with a view.
00:16:20Where are we?
00:16:22In a memory, which exists inside a world of a thousand memories.
00:16:29I know it might look nice, but it's not.
00:16:32This place, this world, it's a prison.
00:16:45Henry's prison.
00:17:12It's okay, sweetie.
00:17:14These are the good guys.
00:17:16They're gonna keep everyone safe.
00:17:18Just try and think of this as a field trip.
00:17:22Mm-hmm.
00:17:22A learning expedition.
00:17:37Cargo has arrived.
00:17:39I repeat, cargo has arrived.
00:17:45They're taking them into a barrack second from the library.
00:17:56Tunnels.
00:18:02Yeah, see, the north tunnel of the Max Z runs right underneath the barracks.
00:18:07Lucky break.
00:18:08Well, I'm having one of these days.
00:18:09We're gonna need a lot more luck if we want this plan to work.
00:18:11If we're right, the military's trying to protect these kids,
00:18:14so this barracks is gonna be heavily guarded.
00:18:16I mean, we have to dig up into the barracks unnoticed,
00:18:18grab the kids, get them to Murray, smuggle them out of pockets.
00:18:21All before anyone notices they're gone.
00:18:23Dick.
00:18:24What?
00:18:25What?
00:18:26Oh.
00:18:27Sorry, did I say that out loud?
00:18:28I thought I was talking in my head, but you guys know Tom, Dick, and Harry, right?
00:18:34Seriously?
00:18:35None of you have seen The Great Escape?
00:18:38Well, basically, it's about these POWs, right?
00:18:41And they're stuck in a barracks just like this one, and they need to escape.
00:18:45So they dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:18:48They have to hide the tunnels from the Nazis, so they put Tom in this dark corner,
00:18:52and they put Harry under the stove, and they put Dick in the washroom.
00:18:55And personally, for us, I like Dick.
00:19:00Oh, um, sorry, the washroom, I actually don't even...
00:19:04Never mind.
00:19:05Okay, say we go with Dick, how do we find the washroom?
00:19:10And how do we get the kids to it?
00:19:11How do we even know which kids are being targeted by Vecna?
00:19:14We use an inside man.
00:19:16Someone who could get into the barracks, measure the distance of the washroom,
00:19:19find out which kids have actually seen Mr. What's It, and somehow avoid the military altogether.
00:19:22Well, that's a lovely plan, but isn't it a tad...
00:19:25Missing impossibly.
00:19:26Yeah, I mean, Mike, who are you gonna get to do this? Bond? Magnum?
00:19:31No, no, we don't want a super spy.
00:19:33We want the opposite. We want someone no one would suspect.
00:19:36Someone that could just walk in, no questions asked.
00:19:39The one kid the military failed to wrangle?
00:19:48What?
00:19:49...
00:19:51...
00:19:58...
00:20:00...
00:20:01...
00:20:19two grunts in the tower by the west gate one more in the tower by the east gate one two
00:20:27three four
00:20:27on the ground i hope to god you're right and vecna is in there because we might just die trying
00:20:33to
00:20:33break in i am right well you can't be right about everything because your theories aren't exactly
00:20:38lining up why not you heard kryptonite means if vecna's in there he doesn't have his powers and
00:20:43if he doesn't have his powers how could he have anything to do with holly's kidnapping you can
00:20:47ask him before i kill him how high is that fence hey you're not jumping that why not because this
00:20:55is not training this is a real world situation and that roof is metal you hit that on a jump
00:21:03you're gonna alert the whole damn base not if i time it with the thunder yeah it's seven seconds
00:21:12one two three four five six
00:21:23seven okay you got lucky
00:21:26hopper you copy dustin
00:21:31hopper you copy dustin
00:21:37okay well they're alive
00:21:40uh el el is el with you over yes i'm here over okay yay terrific i don't know what you're
00:21:46doing
00:21:46right now or if you're caught up in something important but dustin meet us meet us at rhone
00:21:51cemetery church please rhone cemetery how the hell are you contacting us from there right you don't
00:21:56know we're in the upside down what long story short we're in here to track a demogorgon using our
00:22:02telemetry tracker only to then hit a wall literally now steve's beamer is stuck so we need el to come
00:22:06and pry it loose using her power so we can then resume the search for said demogorgon which will in
00:22:10theory lead us to holly does any of this make sense do you need additional details questions concerns
00:22:15over you hit the wall what kind of wall exactly
00:22:22uh it's a bit hard to describe
00:22:27sort of huge
00:22:30disgusting smells like henderson's armpit
00:22:33yeah we hit the same thing but not at the rhone cemetery we hit about a quarter mile southeast of
00:22:38the old
00:22:38hagen bridge that's the opposite side of town
00:22:43fascinating we don't know what it is but we think that holly's behind it
00:22:46don't bother trying to break through you you can't we're working on a solution
00:22:51what means solution what kind of solution
00:22:55wait what kind of solution
00:22:58hopper listen we got to keep the airwaves clear all right we'll come get you just stay put
00:23:05you think they're safe i mean compared to us yeah
00:23:11okay let's go see if that training is paid off you're gonna let me jump
00:23:16let's go before i change my mind
00:23:26vekna's curse
00:23:28it never goes away
00:23:31never leaves you
00:23:32with each victim that he took
00:23:34he created a new gate a gate to the upside down
00:23:38when he took me he opened the fourth final gate splitting hawkins in two
00:23:46wait but if mr what's it i mean henry took you how are you here you mean shouldn't i be
00:23:54dead
00:23:56it's okay it's a fair question i definitely should be and for a moment
00:24:04i was
00:24:08i don't know how long i was gone but then i felt something calling to me
00:24:16okay
00:24:27oh
00:24:28No, no, no, no, no!
00:25:01You can't move.
00:25:13One night only? Don't miss it. Tickets are only 50 cents.
00:25:18That's two quarters for you point-dexters.
00:25:20Joyce! Is that stupid play of yours?
00:25:23Better see you there, Harrington.
00:25:24A Friday night? You wish.
00:25:29Nice shot, jerk.
00:25:35Somehow, I was in another time.
00:25:38Hawkins.
00:25:4030 years ago.
00:25:42Time travel.
00:25:44Only, I wasn't actually there.
00:25:47Not really.
00:25:49I was just...
00:25:50an observer.
00:25:55And that's when I understood.
00:25:58I was trapped inside Henry's mind.
00:26:00His memories.
00:26:01Like a nightmare prison world
00:26:04ruled by an evil, psychopathic piece of shit.
00:26:09Like Camazots.
00:26:11Cam... what?
00:26:13Camazots.
00:26:14From Wrinkle in Time.
00:26:15Never read it.
00:26:16You should, it's amazing.
00:26:17Camazots is like this dark planet
00:26:19that's under the control of it,
00:26:20which is this giant, disembodied, evil brain.
00:26:22Anyways, Meg's dad makes the main character.
00:26:24He gets taken prisoner there.
00:26:25So, Henry's kind of like it
00:26:27and you're kind of like Meg's dad.
00:26:29Okay, well,
00:26:30I don't know if Meg's dad would agree,
00:26:32but the way I see it,
00:26:34when you're a prisoner
00:26:36in a messed up prison world,
00:26:38you really only have a few doors open to you.
00:26:41Door one,
00:26:43you take your own life.
00:26:45Door two,
00:26:46accept your fate.
00:26:48Or door three.
00:26:50You escape.
00:26:51I chose door three.
00:26:52That seems like the best door.
00:26:54So, I kept moving.
00:26:57From memory to memory.
00:27:00Only this place is a maze.
00:27:03I became lost.
00:27:05Turned around.
00:27:07I got so turned around,
00:27:08I actually ended up right back at the beginning.
00:27:21And that's when I heard her.
00:27:26I heard Kate Bush.
00:27:28Is she one of your friends?
00:27:31You could say that.
00:27:37Music has a way of finding you,
00:27:39even in the darkest of places.
00:27:41Lucas had used it before,
00:27:42to reach me,
00:27:43to guide me out of Vecna's mind.
00:27:46Back to the light.
00:27:57So, this music was coming from Lucas.
00:28:01From the real world.
00:28:08Even after all this time,
00:28:10he hadn't given up on me.
00:28:12If you follow this music,
00:28:16then what?
00:28:18Then it would lead me out of here.
00:28:21Back home.
00:28:25At least that's what I thought.
00:28:31Then...
00:28:35Everything went wrong.
00:28:37Come on, Angel.
00:28:38Come on, come on, darling.
00:28:41But this is genius.
00:29:02Hey!
00:29:05What the hell are you doing?
00:29:07Can't you read, kid?
00:29:08No trespassing.
00:29:10Right, I see that, officer.
00:29:12It's just...
00:29:13My school is missing.
00:29:21Let's go.
00:29:33Move it.
00:29:39Holy shit.
00:29:40Are those laser blasters?
00:29:42Might just be.
00:29:43And the blaster,
00:29:44if you don't keep it moving.
00:29:50Boys.
00:29:52Boys.
00:29:53Boys.
00:29:55Boys.
00:29:55Boys.
00:29:55All right.
00:29:56Absolutely nothing.
00:29:58Whoa, whoa, whoa, whoa, whoa, whoa.
00:30:00This is private chat.
00:30:02You do exactly as he says.
00:30:04Got any questions?
00:30:05Direct them to him.
00:30:06Where might I relieve myself?
00:30:12Breaking bar.
00:30:14Shovel.
00:30:16Five safety goggles.
00:30:19A surveyor's wheel.
00:30:21And...
00:30:22Hold for applause.
00:30:27Santa's sleigh is ready for his reindeer.
00:30:30We got built-in benches, seatbelts, foam padding.
00:30:35Everything a kidnapped child could desire.
00:30:38Foam padding.
00:30:39Don't want to break any eggs en route now, do we?
00:30:43I'm in.
00:30:44You copy.
00:30:45Repeat, I'm in.
00:30:46You copy.
00:30:47Yes, yes, we copied.
00:30:48We copied.
00:30:49Where are you?
00:30:50Bathroom.
00:30:50Back stall.
00:30:5145 of my paces from the front entrance.
00:30:53Good job.
00:30:54Now round up anyone who's seen Mr. Wetted.
00:30:56And we'll be there soon.
00:30:57And remember, you're not dipshit Derek.
00:31:00You're delightful Derek.
00:31:13Okay, once you get that gate open and I'm inside...
00:31:18You lead.
00:31:19That's right.
00:31:20And you?
00:31:21I will destroy your crypt tonight.
00:31:25Don't worry.
00:31:25Okay.
00:32:10All right, come on.
00:32:11Come on, you got this, you got this.
00:32:44Wait, you're too early, you're too early.
00:32:52God.
00:32:56Sorry.
00:33:02Can I give your old man a heart attack?
00:33:04Nice job, by the way.
00:33:13Pop.
00:33:14Yeah?
00:33:18For what?
00:33:20For teaching me.
00:33:22And trusting me.
00:33:25Always.
00:33:33The day of reckoning has arrived.
00:33:36With this in mind, I've been sent by Mr. What's-It to gather the chosen ones.
00:33:39If you've been visited by Mr. What's-It, speak now, and when night falls, follow me to the latrine, and
00:33:45I will lead you to our savior. To safety.
00:33:49Derek's gone mental.
00:33:51Derek's gone mental.
00:33:53Monsters are coming and you're all gonna die.
00:33:55Ha, ha, ha, ha, ha, ha.
00:33:57Derek?
00:33:59Are you talking about Henry?
00:34:13Anywhere from Derek yet?
00:34:15Not yet.
00:34:16Give him time.
00:34:18Give him time.
00:34:18It hasn't been that long.
00:34:19I just can't get over the fact that the fate of the world rests on Derek freaking Turnbow.
00:34:25When you look in the mirror, do you see a Navy SEAL looking back at you?
00:34:29Sometimes people need someone to believe in them.
00:34:33And they can do amazing things.
00:34:35Yes.
00:34:36Your mom and Robin are getting along better.
00:34:39Well, it didn't hurt that mom scared off that demo.
00:34:42It saved Robin's life.
00:34:44Everybody's life.
00:34:49So, when your mom, when she had her axe, you could see her, like, through the demo's eyes?
00:34:55Yeah.
00:34:55And I was so close to the hive, it's like I could-I could feel what it was feeling, like
00:35:01-like this
00:35:02anger, that I was still in there, too.
00:35:04And I was afraid.
00:35:06I was afraid for my mom.
00:35:07You wanted to protect her.
00:35:09Yeah.
00:35:09But-but I-I just couldn't.
00:35:11It was like this-this scary movie you just can't turn off.
00:35:19Open sesame.
00:35:21Oh.
00:35:22Well.
00:35:23Have fun.
00:35:25Thanks.
00:35:27Are you positive you didn't?
00:35:29Didn't what?
00:35:30Turn off the scary movie.
00:35:31Protect your mom.
00:35:32Not the other way around.
00:35:33I mean, no offense.
00:35:34I know she's badass and everything, but you know.
00:35:35Yeah, she's five foot three.
00:35:37Yeah.
00:35:37And Vecna likes to control the hive mind like a puppet master.
00:35:40So maybe when you tap into the hive, you can pull the strings, too.
00:35:44Except I'm not Vecna.
00:35:46You sorta are.
00:35:47You're trying to say that I'm evil and hell-bent on destroying the world?
00:35:51Totally.
00:35:51No.
00:35:52I'm just saying that, you know, you're like a wizard.
00:35:55Like him.
00:35:55In D&D, Mike.
00:35:56Not in real life.
00:35:57True.
00:35:58In real life, you're more like a sorcerer, because your powers don't come from a book
00:36:01of spells.
00:36:02They're innate.
00:36:03Listen, as far as crazy theories go, I've had crazier.
00:36:06And with Eleven in the Upside Down, we really need some magic up here.
00:36:23I can't believe it.
00:36:33I can't believe it.
00:36:35Who doesn't believe it?
00:36:38If anyone else doesn't believe it, who doesn't believe it?
00:36:48working on a solution i mean if hopper has a solution to get through this and to get to holly
00:36:54he should he should share it with us i just say we ignore the old man keep moving look for
00:36:59a door
00:36:59or something yeah and um but just curious uh this door yours why it's soft like a peanut butter
00:37:05bopper you got something to say bars why don't you just come out and say it man i'm just saying
00:37:08that maybe you shouldn't be making the calls from now on it was not just his call it was mine
00:37:13because it's my sister and i agree with steve okay we can't just sit here i don't know about a
00:37:20door but
00:37:22this wall can't go on forever there has to be a way around it there isn't this wall is a
00:37:29circle
00:37:29a circle completely surrounding the upside down oh yeah and how exactly do you figure that
00:37:34because unlike you i didn't sleep through algebra one
00:37:39so my telemetry tracker picked up a weird frequency coming from the wall and it took
00:37:44me a bit to place but i've heard it before rather we have you remember when we were out looking
00:37:49for
00:37:49hop and you heard that sound off of erwin road yeah you said it was an interference it was but
00:37:54this interference it wasn't coming from a military broadcast or an emi it was coming from this wall
00:37:59which is important because that gives us three known locations so i connected the dots measured the
00:38:05midpoints drew the perpendicular by all right yeah we're not your teachers we don't need to see
00:38:10your work we get it you think it's all a big circle i don't think i know i triple checked
00:38:15and
00:38:15my calculations jesus whatever still don't see how this gets us any closer to finding holly because
00:38:19it's not about the circle it's about the center
00:38:24the doe the department of energy that's hawkins lab what are the chances that the center of this
00:38:32wall just so happens to be in the very place where all of this started where the upside down
00:38:36was created so the lab created the wall no idea but i think we should find out don't you
00:38:50the music it led me to a new memory only something was different about this memory
00:38:57i was there
00:39:00it was the day that henry cursed me it was his first memory of me
00:39:05i know as if it's god so i followed it and it led me through new memories
00:39:20terrible memories
00:39:22let go follow me into death
00:39:40and it felt like they would never end
00:39:46but then eventually they did
00:39:50it was the night that beckna killed me
00:39:56the night he took me prisoner
00:40:03i finally found it
00:40:11the way out
00:40:12the way out
00:40:31and i was so close
00:40:36so close that i could feel his hand on mine
00:40:42and it was like i was there
00:40:45like i was with him
00:40:47in that hospital
00:41:14no
00:41:16no
00:41:17no
00:41:23lucas
00:41:24lucas
00:41:27lucas
00:41:28lucas
00:41:29lucas
00:41:29lucas
00:41:31lucas
00:41:33hello man
00:41:34i ran
00:41:41i ran
00:41:43and i kept running
00:41:43and i kept running
00:41:45and i kept running
00:42:17I'll never forget the look on his face that day.
00:42:20He was scared.
00:42:22More than scared, he was terrified.
00:42:26There's something about this cave.
00:42:30This memory.
00:42:33He won't come in.
00:42:36And here, I'm safe.
00:42:40So I turned it into my sanctuary.
00:42:47My home.
00:42:50I took door two.
00:42:54Shitty door two.
00:42:57Except your fate.
00:43:00That was.
00:43:02Until you showed up.
00:43:05And now door three is back.
00:43:08Escape.
00:43:10I have a plan.
00:43:11A plan to get us out of here.
00:43:13And it's going to take time.
00:43:15More time than we have now.
00:43:17Henry will return to his house soon.
00:43:19And when he does, he cannot know that you're gone.
00:43:22You want me to go back there?
00:43:25Back to him? Back to Henry?
00:43:26No, I know.
00:43:27It's scary.
00:43:29But if you want to get out of here.
00:43:31If you want to escape Camazots.
00:43:34This is the only way.
00:43:37It's the only way.
00:43:44Tell me what I need to do.
00:44:04Oh, Mike.
00:44:06Hey.
00:44:06Hi.
00:44:10Do you, um, play any chance to remember Tammy Thompson?
00:44:14Yeah.
00:44:15Isn't she that terrible singer?
00:44:17Yeah.
00:44:18But in the ninth grade, I thought that she sounded like Whitney goddamn Houston.
00:44:23I mean, the first time I saw her, oh, my God.
00:44:27Like, time slowed down.
00:44:29It was like a scene from some lame-o movie, you know?
00:44:32Her hair blew in the wind, and she just looked perfect.
00:44:37So goddamn perfect.
00:44:38And, uh, it was right then and there that I knew she was the one.
00:44:42That with Tammy, I would finally be able to be myself.
00:44:46You know, all of myself.
00:44:48Because there was always this part of me that kind of scared me, you know?
00:44:52But I thought that if Tammy loved me, all of me, you know, I wouldn't be so scared anymore.
00:45:00And then he showed up.
00:45:02Steve the hair, Harrington.
00:45:03Oh, God.
00:45:05You probably can't guess the rest.
00:45:07Tammy fell for him hard.
00:45:10And my entire fantasy life with her, along with the rest of my life, pretty much imploded before my eyes.
00:45:17I mean, my grades plummeted.
00:45:19I got grounded.
00:45:19I had to stay home every weekend doing chores.
00:45:21But then one day, I was cleaning Pratchett out of my parents' garage, and I found this 8-millimeter film
00:45:27reel, you know?
00:45:27And it was just from this silly movie that I made in the fourth grade.
00:45:30But I got it up on the projector.
00:45:33And all of a sudden, I was looking at this little version of myself.
00:45:38And that little me, I could hardly recognize her.
00:45:41You know, she was so carefree.
00:45:45And, like, fearless.
00:45:48And she just loved every part of herself.
00:45:51And that's when it hit me.
00:45:53It was never about me.
00:45:55It was never about Don't Have Damn.
00:45:57It was always just about me.
00:46:01I was looking for answers in somebody else, but...
00:46:05I had all the answers.
00:46:08I just needed to stop being so goddamn scared.
00:46:13Scared of...
00:46:14who I really was.
00:46:16Once I did that...
00:46:19I felt so free.
00:46:22It's like I could fly, you know?
00:46:24Like, like I could finally be...
00:46:26Rock and Robin.
00:46:28Yeah.
00:46:30Rock and Robin.
00:46:32Hey, guys!
00:46:34Take your time, will you?
00:46:40You finally hit dick!
00:46:42Hit the dick.
00:46:43Yep.
00:46:43Let's just hope it's not too hard.
00:46:45If it is...
00:46:47I'll soften it.
00:46:54Hey!
00:46:56Hey!
00:46:59Hey!
00:47:02Take me to K.
00:47:24Damn it!
00:47:25Damn it!
00:47:30Make a sound, it'll be your last.
00:47:32Not if you understand.
00:47:37Come on, let's go.
00:47:39Come on!
00:47:43It's not working.
00:47:45How do we get through?
00:47:46I-I don't have clearance.
00:47:47I didn't ask if you have clearance.
00:47:48I asked how do we get through.
00:47:50You can't.
00:47:51Dr. K, your boss.
00:47:53She got clearance?
00:47:55I don't know.
00:47:57You don't know.
00:47:58Thanks for your help.
00:48:01Plan B.
00:48:24Come on!
00:48:27You come on!
00:48:28Come on.
00:48:32Come on.
00:48:37I don't know.
00:49:09We're through.
00:49:42Oh, shit.
00:49:55I don't know.
00:50:16It's called visualization.
00:50:18Mom does it when she's out of Valium.
00:50:20Mom does it when she's out of Valium.
00:51:17Mom does it when she's out of Valium.
00:51:24I feel the sand under your butt.
00:51:28It feels cool and soft.
00:51:31Time.
00:51:32There you go.
00:51:34Good job.
00:51:35Good job.
00:51:35All right.
00:51:37Hey, sweetie.
00:51:39What's your name?
00:51:40Debbie.
00:51:41Do you work for Mr. What's It?
00:51:44Mr. What's It?
00:51:45Oh, yes.
00:51:46Of course.
00:51:46I'm one of his elves.
00:51:48You know, like a magic elf.
00:52:08Right here.
00:52:09Couple more steps.
00:52:11All right.
00:52:12Nice.
00:52:12Good.
00:52:13All right.
00:52:14Great job.
00:52:15Step by step.
00:52:16Up.
00:52:31Shit.
00:52:33I'm good.
00:52:33I'm good.
00:52:34I'm good.
00:52:41Oh, my God.
00:53:11Eleven, I have been looking for you for a very long time.
00:53:18My name is Dr. K.
00:53:22I know who you are.
00:53:27Know who you've taken.
00:53:32And I also know that you and your men are going to die.
00:53:42Oh, my God.
00:54:13Oh, my God.
00:54:16Oh, my God.
00:54:25Let's go.
00:54:51Let's go.
00:54:51Let's go.
00:54:52Let's go.
00:54:52Let's go.
00:54:53Let's go.
00:55:35Let's go.
00:55:41Let's go.
00:55:44Let's go.
00:55:45Hold it.
00:55:46Hold it.
00:55:47Hold it.
00:55:48Hold it.
00:55:51Sorry.
00:55:52I have a plumbing problem here.
00:55:53Are you by chance looking for Mr. What's It?
00:56:08There's a little breeze in here. I'm telling you to see it better.
00:56:12You look up at the sky, searching for clouds, but all the...
00:56:34Mr. Watson?
00:56:40Shit!
00:56:41Officer! Officer!
00:56:42Whoa, whoa, whoa. Hey, calm down. What's going on?
00:56:44Shitballs.
00:56:46Lucas! We've been spotted!
00:56:48Oh, no, no! Just get him out of here! Just go!
00:56:50What about the others? Just go! Go, go, go!
00:56:52Damn it! Okay, go on, guys!
00:56:57Go, go, go, go, go, go, go!
00:57:02Hey, stop right there!
00:57:03Ashley Clyde is a snitch!
00:57:11Open the goddamn door!
00:57:19So you're the reason...
00:57:22the reason she's been so hard to track.
00:57:26The thorn in my side.
00:57:31And after all that effort to hide her,
00:57:34you bring her here, of all places?
00:57:40Why?
00:57:40Why?
00:57:42Why risk her life...
00:57:44for the other?
00:57:46What do you know that I don't?
00:57:56It's actually holding back, if you can believe it.
00:57:59That heat you feel...
00:58:02that heat you feel...
00:58:03weakens it.
00:58:09But in the cold...
00:58:11it thrives.
00:58:17I can stop it.
00:58:19But you're gonna have to start talking.
00:58:23I will do the wild.
00:58:34I can't stop it.
00:58:36I can't stop it.
00:58:38I can't stop it.
00:58:40God out.
00:58:56In your current state, I'm afraid that won't work.
00:59:09Not the sharpest, are we?
00:59:31You're too late. Cavalry's on its way.
00:59:34That's all right. I'll be quick.
00:59:50Grocery delivery.
00:59:52Where's everyone else?
00:59:53Coming.
00:59:57Come on, sweetie.
00:59:59Come on down. Come on!
01:00:01You get down here right now, or a monster's gonna eat you!
01:00:06Open the door!
01:00:07Coming back!
01:00:08Shit!
01:00:09Get out of the water!
01:00:11That goddamn power!
01:00:20I got you.
01:00:22That's good.
01:00:24Good, good.
01:00:24Hey there!
01:00:25Where do you think you're going?
01:00:41What are you doing?
01:00:43Hey.
01:00:44You gotta go.
01:00:44Oh, you gotta go.
01:00:45Come on.
01:00:49We're gonna get to the woods?
01:00:52This kryptonite shit can't get you there.
01:00:54We can't.
01:00:55We can't leave.
01:00:56We came for Henry.
01:00:57Hey, you take this compass.
01:00:58Yeah.
01:00:58You're gonna follow it northeast.
01:01:00That'll take you to the graveyard.
01:01:01You're gonna find Nancy and the others.
01:01:03Whoa, whoa, whoa.
01:01:04Hey, hey, hey!
01:01:05Hey!
01:01:05What is it?
01:01:07It's just a failsafe, okay?
01:01:09No.
01:01:09It's a failsafe.
01:01:10If anything happens, I gotta make sure that he goes down with me.
01:01:12No.
01:01:13It's the only way.
01:01:14It's the only way.
01:01:14I'm not gonna risk losing you.
01:01:16I will not risk it.
01:01:18Hopper.
01:01:19No.
01:01:20I want you to know something.
01:01:21From how proud I am of you.
01:01:22I am so proud of you.
01:01:24I am so proud of what you've overcome.
01:01:28I'm proud of who you are.
01:01:30No.
01:01:32No.
01:01:33Noah.
01:01:35Hopper.
01:01:35I love you, Jane.
01:01:37Hopper.
01:01:38Hopper.
01:01:43Hopper.
01:01:48Hopper.
01:01:55Hopper.
01:02:02Hopper.
01:02:04Hopper.
01:02:05Hopper.
01:02:09Hopper.
01:02:11Hopper.
01:02:13Hopper.
01:02:14Hopper.
01:02:15Detectives all the time.
01:02:42All right, kids. Come on. Find a seat in the back.
01:02:51All right. Okay, let's have some fun, huh?
01:02:54This is going to be great, huh? Okay, let's get our seatbelts on, hmm?
01:02:58Safety first. Come on, time's a-wasting.
01:03:00Pretty comfy, huh?
01:03:02Not really.
01:03:03Oh, sorry.
01:03:05Robin, Lucas, do you copy? Over.
01:03:08Copy, it's Robin.
01:03:09Lucas, I copy!
01:03:11We've got a problem here at the Met.
01:03:13What kind of problem?
01:03:14Let go of me, you asshole!
01:03:18You want to explain to me what in God's name is going on here?
01:03:20Get the hell off me!
01:03:21We've got five missing kids, sir.
01:03:23You've lost five kids?
01:03:24How is that possible?
01:03:25This woman-
01:03:26Joy Spires!
01:03:27She broke into the barracks. She's been helping them escape through some kind of tunnel.
01:03:31I'm sorry. Can you repeat that?
01:03:33Listen, these kids, they are not safe, okay? They are in danger.
01:03:38And why exactly do you think they're here, ma'am? Hmm? They're under our protection.
01:03:42If I may reject, officer, I've seen what's coming. And no disrespect meant, but you and your men can't protect
01:03:48shit!
01:03:49Sorry.
01:04:00on the way they look like they're good!
01:04:03Will! Will! Will! Will!
01:04:06Are you okay? BABY, are you okay?
01:04:14They're here.
01:04:51Take the nearest threat. Engage on sight.
01:04:53We're all gonna die. We're all gonna die.
01:05:01Get behind me. Get behind me.
01:05:13Get behind me.
01:05:26I'm in the mask! I'm in the mask!
01:05:28I'm in the mask... I'm in the mask...
01:05:43Stay behind me, stay behind me!
01:05:46Move! Move!
01:05:51Move!
01:06:01We are under attack! I repeat, we are under attack!
01:06:17We gotta go.
01:06:18We gotta go!
01:06:19What about the other kids? Shit!
01:06:31Go, go, go, go, go!
01:06:36Come on, shall we?
01:06:37Move! Get out!
01:07:12Hey, we're getting out of here, all right? Eyes on me! Stay close!
01:07:14Okay, okay, okay.
01:07:15Will, come on, come on.
01:07:17Come on, come on.
01:07:23Wait, wait, wait, wait, wait!
01:07:25I'm not ready to die! I'm not ready to die!
01:07:27Wait up, wait up!
01:07:28Stay close, stay close!
01:07:29Oh, Derek! I'm not ready to die!
01:07:35Is everybody okay? Are you guys okay?
01:07:37Yeah, yeah, yeah, yeah, yeah, yeah.
01:07:39We need to have it!
01:07:40Okay. The radio shack. If we move quick enough, I think we can make it.
01:07:44Get into the tunnels and get the hell out of here.
01:07:46Mm-hmm.
01:07:46Okay? Eyes on me, remember?
01:07:52Go, go, go, go, go, go!
01:07:56All right, go!
01:08:01Good job!
01:08:04Go, go, go, go!
01:08:06Oh my God, oh my God!
01:08:13Ah! My way!
01:08:33Hold on, baby, hold on!
01:08:45What the hell just happened?
01:08:47I have no idea, but I love it!
01:09:21I don't know.
01:09:46I don't know.
01:10:12I don't know.
01:10:15I don't know.
01:10:21I don't know.
01:11:17I don't know.
01:11:20I don't know.
01:11:43I don't know.
01:12:13I don't know.
01:12:41I don't know.
01:12:46I don't know.
01:12:47I don't know.
01:12:47I don't know.
01:13:04I don't know.
01:13:14I don't know.
01:13:45I don't know.
01:14:01I don't know.
01:14:19I don't know.
01:15:01I don't know.
01:15:10I don't know.
01:15:12I don't know.
01:15:28I don't know.
01:15:49I don't know.
01:16:01I don't know.
01:16:10I don't know.
01:16:30I don't know.
01:16:30I don't know.
01:16:31I don't know.
01:16:45I don't know.
01:16:58I don't know.
01:17:00I don't know.
01:17:03I don't know.
01:17:05I don't know.
01:17:06I don't know.
01:17:07I don't know.
01:17:07I don't know.
01:17:08I don't know.
01:17:10I don't know.
01:17:12I don't know.
01:17:21I was looking for the answers in somebody else,
01:17:23but I had all the answers.
01:17:37Do you want to be friends?
01:17:43I just need to stop being so god damn scared.
01:17:58Scared of who I really was.
01:18:04Wow, that's so good.
01:18:31And once I did that, I was so free.
01:18:36It's like I could fly.
01:18:40No!
01:18:44No!
01:18:54No!
01:18:59No!
01:19:28No!
01:19:55No!
01:20:25No!
01:20:55No!
01:21:25No!
01:21:55No!
01:21:56No!
01:22:06No!
01:22:07No!
01:22:09No!
01:22:10No!
01:23:19We're right back.
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