- 17 hours ago
- #imperfect
- #women
#Ḭmperfect #Women S01E01 [Full Movie] [New Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:16It feels cheap to call it a friendship.
00:21It was something else, like a kinship from deep in our souls.
00:29We could face anything that life would throw in our path as long as we had each other to
00:34come back to.
00:37We were supposed to grow old together.
00:41What we had was powerful and essential, and it was supposed to last forever.
00:57But that's not what happened.
00:58What happened?
01:05What happened?
01:21What happened?
01:24What happened?
01:43What happened?
01:55When was the last time you saw the deceased?
01:57Um, we had dinner last night.
02:00You don't seem sure about that.
02:03No, I am. I'm sorry. I am. I just, um,
02:07it doesn't seem possible that that was yesterday.
02:10You know, everything feels just so different.
02:18Now, can I ask how?
02:23What happened? Was she robbed? Was she raped?
02:30Oh, that's not information we can share just now.
02:34We're hoping you can help us.
02:35Yes, however I can. What can I do?
02:39You may have been the last person to talk to your friend before the assailant,
02:43so you can tell us anything that you remember from last night.
02:56Okay, okay, okay, okay, okay. Here we go.
03:06Thank you, thank you, thank you.
03:09I would like to thank my coworkers on the South Asian team for letting me win.
03:16And I have to thank our fearless leader, Eleanor,
03:19for the two most rewarding, challenging years of my life.
03:22May I say something?
03:23Of course.
03:24So, these somewhat ridiculous cornhole contests do serve a purpose.
03:32And it's not just to bring some joy and levity to the really difficult but crucial work
03:38that all of you are doing all over the world.
03:40These moments also mark passageways.
03:44So, Kumal, we raise our compostable cups to you today
03:48because we are so proud of everything that you have accomplished at Rescue and Relief,
03:53and we are even more proud of all the work on your horizon.
03:59To Kumal!
04:00Everyone, please eat!
04:02I don't want to waste any food!
04:12Good speech, boss.
04:13What?
04:14I was just, you know, giving you a compliment.
04:16Well, don't do that.
04:19What's up?
04:20Do you have a second to talk?
04:21I don't.
04:22I'm so sorry.
04:23I don't.
04:23But maybe we can find some time later?
04:25Yeah.
04:27Yeah?
04:27I'll see you later.
04:28Mm-hmm.
04:28Okay.
04:35Aw.
04:35Come on, Chady.
04:36Aw.
04:37Wait, do I have to know?
04:39Yeah.
04:39Do I have to do this?
04:40It's a sister tradition.
04:42From college.
04:44We were young.
04:44We had that taste.
04:46Elle, help me.
04:46I do not make the rules.
04:49Happy birthday.
04:49Happy birthday.
04:49Happy birthday.
04:53Oh.
04:54It's odd.
04:56It's gotten worse.
04:57Yeah.
04:57It's disgusting.
04:58It's really bad.
04:59Okay, honey, how has the day been?
05:00Have you been adequately worshipped?
05:03Absolutely.
05:04Artemis woke up at 6 a.m.
05:05to start worshipping me by demanding pancakes.
05:08No, they were so sweet, the girls.
05:11And Howard had them write me little poems.
05:13That is sweet.
05:14Yeah, I know.
05:14It's kind of cheap.
05:15Hey, it's personal.
05:16Oh, Nancy.
05:17She deserves to be showered with gifts.
05:20Excuse me.
05:21Oh.
05:21Potato mini galettes with a tomato confin paired with champagne.
05:25Compliments of the chef.
05:26Oh, thank you.
05:27Please thank Porco for me.
05:28Will do, Miss Boucher.
05:31Amazing.
05:32You look very nice.
05:33I mean, they're tater tots, right?
05:34No, they are very fancy, artisanal tater tots.
05:39Very rude.
05:40I love it when you sleep with chefs.
05:42Oh, how's it going with the coworkers?
05:44That's still...
05:45Yes, we are still connecting here and there.
05:50You know?
05:50Yeah.
05:51It's very casual, though.
05:52Does he know that?
05:53Yes.
05:54Nancy, you good?
05:56What?
05:57Is everything okay?
05:58Yes.
06:00Ladies, I wanted to say...
06:02This is going to be long because I have to pee.
06:04No.
06:05No, I'm just checking.
06:05I just wanted to say that I'm so happy to be here with the two people that I love most,
06:10who I feel most loved by in all the world.
06:13We do love you.
06:13There's an Irish saying.
06:15Oh, God.
06:16Please, though.
06:16I'm just kidding.
06:17Good girl.
06:18Happy birthday, beauty.
06:22All right, I'll be right back.
06:25We have your table ready, Ms. Richer.
06:27Oh, fantastic.
06:28We don't have to grab that.
06:31Nancy, what is going on?
06:33Are you okay?
06:34Yeah.
06:35No.
06:35Um, what's happening?
06:38That guy...
06:39It's still happening.
06:41What?
06:42I thought you were breaking it off.
06:44I tried.
06:44I know.
06:45It's complicated.
06:46What does that mean?
06:48Mary doesn't know.
06:49Can you not say anything?
06:51I don't want to make her upset.
06:54But it's okay for me to be upset.
06:57Well, it's not like you're monogamous.
07:00Nancy, if you were being honest with Robert about what you were doing, that would be fine.
07:07I mean, open marriages are like open kitchens these days.
07:09Everybody's putting them in.
07:10It's not exactly Robert's style.
07:12But this thing that you were doing, it's not liberating you.
07:17It's just making you miserable.
07:19I know.
07:19I know.
07:20I...
07:23It's just when I'm with him, I feel powerless.
07:29Do you remember what you said to me about the difference between love and infatuation?
07:36What did I say?
07:38You said that love fills you up and infatuation depletes you.
07:43Are you sure I said that?
07:44Yes.
07:44That sounds more like Mary.
07:46No, you said it to me about Robert the day that he proposed.
07:52Sometimes I think you see my life more clearly than I do.
07:55No, I just...
07:57Hi.
07:58Hi.
07:59It's beautiful.
08:00Right?
08:01What are we talking about?
08:04Just Eleanor's entanglements.
08:08Well, I was offered cocaine in the bathroom.
08:11What?
08:11I didn't take it, but, you know, it's nice to be asked.
08:13You still got it.
08:34Hey.
08:35Eleanor.
08:36It's Robert.
08:36I'm sorry to bother you so late or so early.
08:40It's okay.
08:41What's up?
08:42Well, Nancy didn't come home last night.
08:43She's not answering her phone.
08:45She didn't go home with you after dinner by any chance.
08:49Are you there?
08:51You okay?
08:52Yeah.
08:53Yeah.
08:53I'm sorry.
08:54Are you not alone?
08:55No, no.
08:55Um, can you just give me a second?
09:00Okay.
09:01Okay.
09:02Okay.
09:04Okay.
09:05Okay.
09:10So, Nancy hasn't come home yet?
09:12No.
09:13And I've left half a dozen messages and texts.
09:15There's no response.
09:16Um.
09:16Very concerning.
09:18Yeah.
09:18I don't, I don't know, Robert.
09:21I mean, we, we ate and then she left.
09:25And she told you she was coming home?
09:28I mean, she didn't say that exactly, but I assumed.
09:34And, that's it.
09:35I'm calling the police.
09:36No, Robert, just don't, don't do that.
09:38Okay, so, what, you, you do know where she is?
09:43Not exactly.
09:45Eleanor, what the hell's going on?
09:48Um, I'm going to throw some clothes on and come to you.
09:52That's not necessary.
09:53If you could just tell me.
09:54Robert, stop, stop.
09:56Do not call the police until we talk, okay?
09:58Please.
10:00Okay.
10:01Okay.
10:01Okay, I'm on my way.
10:03Shit.
10:07Hey, Jordan.
10:10Can I take these jeans?
10:12Yeah.
10:13Hi.
10:15You are?
10:16You need them already?
10:17Yeah.
10:18But, it's fine.
10:20Because I was never here, remember?
10:24Remember?
10:35You're right.
11:28I don't know what she's thinking.
11:31And she hasn't said that, but...
11:33What Jesus said? Come on, you came all the way over here,
11:35you might as well just tell me.
11:36She's seeing someone else?
11:40I'm so sorry.
11:47Well...
11:48There it is.
11:49I really don't want to be in the middle of all this.
11:54So who is he?
11:56She told me it was over, but you know how Nancy is, right?
11:59Like, sometimes she's very clear and then another...
12:00And then I need a name.
12:04David.
12:05David who?
12:06I don't know.
12:07She says that she met him through work.
12:09The museum? The ballet? Hospital?
12:12Where did she find this guy?
12:14She hasn't told me.
12:18So this dinner with you and Mary last night,
12:22that's what, her alibi?
12:24No, we had dinner.
12:25We were celebrating Mary's birthday.
12:27Don't lie to me.
12:29Been lied to enough.
12:30Not by me.
12:31I have never lied to you.
12:33Not once.
12:34We all had dinner.
12:37And then she left.
12:40Would you like a drink?
12:43Let me quit.
12:44What?
12:46When?
12:47Two weeks ago.
12:49Feels like a year.
12:51Did it for her.
12:57Is this new?
12:59No.
13:00She's always moving the art around.
13:02Says it keeps things fresh.
13:03Is she really that unhappy with me?
13:06I know she shares everything with you and Mary, but...
13:09Don't do that, Robert.
13:11It's not you.
13:12She is...
13:14unhappy with herself.
13:20Thanks for coming, but...
13:22I need to get myself together.
13:37Can we ask you to sit, sir?
13:41I'd rather stand.
13:44A body was found early this morning that we have reason to believe is your wife's, Nancy's.
13:53How do you know it was her?
13:56A wallet containing her identification was found with the body.
14:00Yeah, well, that...
14:04Where?
14:06In Roseco Park, sir.
14:08Under the Colorado Street Bridge.
14:10There's a lot right there.
14:11I know the Arroyo I've been messing in my life.
14:14What happened to her?
14:16The evidence suggests there was an assault that killed her.
14:21And unfortunately, those are all the details we can tell you right now.
14:28We will need someone from the family to identify the body.
14:35I'm sorry. I'm sorry.
14:38What did you just say?
14:41We need someone to identify the body.
14:43I'm sorry.
15:08Yes.
15:10That's...
15:10That's her.
15:11That's...
15:15That's Nancy.
15:22Miss Boucher.
15:25Miss Boucher.
15:27I asked how long you and the deceased had known one another.
15:31We've been best friends for 25 years.
15:35With Mary.
15:36I have to call Mary because she can't read about this.
15:41You told Mr. Hennessy that she was seeing another man.
15:44Yes.
15:46What do you know about him?
15:48Not a lot.
15:50His name is David.
15:53They met at work?
15:54At work?
15:55Yes.
15:57Mr. Hennessy tells us she was a homemaker.
15:59Yes.
16:00She does a lot of philanthropic work.
16:02She sits on the board of several different organizations.
16:05I'm sure that Robert could give you a complete list.
16:08We're talking to you right now.
16:11Is there anything more that you can tell us about her lover?
16:15Hair color?
16:17Age?
16:18Race?
16:19Height? Weight?
16:20No.
16:21I'm sorry. I wish there were.
16:23My wife has a best friend from college.
16:26Can't get them off the phone with each other.
16:30Is that a question?
16:33It just seems she might have told you more than a first name.
16:38Well, she did it.
16:40As it happens.
16:47Am I being held?
16:49Or am I free to go?
16:52Somewhere else you need to be?
16:53You are free to go.
16:55Just do us a favor and stay in town.
16:59Of course.
17:31What's so funny about that?
17:34Hi.
17:35Hey.
17:37Ellie.
17:38Hi.
17:38I got a cat on my toe. It's infected.
17:40Whoa.
17:41I got a cat.
17:42You did?
17:42She started feeding a cat. It's not hers.
17:44Yes, it is.
17:45No, it's not.
17:46Yes, it is.
17:46Stop lying, you liar. Mom, tell her it's not her cat.
17:48This is a nice surprise.
17:49It is my cat.
17:50No, it's not.
17:51No, you don't.
17:52Yes, I do.
17:53No, you don't.
17:53Yes, I do.
17:55Come on, girls. Who wants some iPad time?
17:56It's not yours.
17:57Ellie and Mommy need some grown-up time.
18:03What is it?
18:07It's Nancy.
18:11What?
18:13Oh, Mary.
18:14What?
18:17She's gone.
18:19What do you mean she's gone?
18:21Mary, she's dead.
18:25What do you mean she's good?
18:26What do you mean?
18:30When you saw her body, what was it?
18:35What did they do to her?
18:38The wound is on the back of her head.
18:42So, her face was still perfect.
18:50What the fuck was she doing in the arroyo?
18:53I don't know for sure.
18:56What?
18:56What do you mean for sure?
18:58Do you know anything else?
19:01She was meeting someone.
19:03What?
19:04What do you mean she was meeting someone?
19:06Somebody that she was seeing.
19:08Oh, my God.
19:11Oh, my God.
19:15Is this what you two were talking about last night when I came back from the bathroom?
19:19Yes.
19:20But, Mary, she didn't...
19:22She barely told me anything.
19:24But you knew.
19:27Who was he?
19:28I don't know.
19:29I don't know much.
19:30I just know that he was texting her and she was upset and so...
19:34They must have still been seeing each other and...
19:37Still?
19:38Yes.
19:38Still seeing each other?
19:39Yes.
19:41How long have you known about this?
19:44I don't know. Maybe a couple of weeks?
19:47Oh, my God.
19:48Jesus, Ellie.
19:49It wasn't my business to tell you.
19:51And I thought that she was going to end it.
19:53I did not think it was going to be a big deal.
19:54I did not think she...
19:58Okay.
19:59Okay.
20:02Did she tell you anything else about him?
20:05She told me that his name is David and that they met at work.
20:10Did you tell the police?
20:12Yes, of course.
20:13I told them everything.
20:14Well...
20:14Yeah, but neither of you told me, so...
20:18What did you think I was going to be judgmental?
20:21Is that what she thought?
20:22No, Mary, I think she...
20:24You know, you can be more judgmental than me sometimes.
20:27Okay?
20:28You know?
20:28Yes. Fine.
20:29Maybe that's why she told me, Mary.
20:31Because she knew that I would be harder on her.
20:33And I was.
20:34I am the one who told her that she had to break it off with him.
20:37And so she went to see him.
20:38And now she's dead.
20:40Are you blaming yourself?
20:41I don't...
20:42You cannot do that.
20:43What happened?
20:46Hey, Marcus.
20:47Hi, sweetheart.
20:48Hey.
20:48How was it with your caseworker this morning?
20:50Mom, I'm an actual person now.
20:52You can talk to me.
20:55What...
20:56What's going on?
21:01Um...
21:03Okay.
21:07Um...
21:08Your...
21:09Your...
21:11Nancy was killed last night.
21:13They found her.
21:15Oh, my God.
21:16I'm sorry.
21:17Mom, look at me.
21:18Oh, my God.
21:20Mom, I'm so sorry.
21:23It's okay, sweetie.
21:25It's okay.
21:26It's okay.
21:26I'm sorry.
21:30I'm okay, sweetheart.
21:32I'm okay.
21:48I'm okay.
21:54Oh, my God.
21:57I'm okay.
21:58I'm okay.
22:03You look out for me too.
22:12How could I...
22:32It's too hard to put you in.
22:48Do they really think this will help?
22:52It might.
22:53It might make people care about her.
22:56Oh, come on.
22:57Be honest.
22:58If all you saw was this highlight reel of her life,
23:02don't you think you would hate her?
23:04Hate's an ugly word.
23:10Envy, maybe.
23:11That's all I saw.
23:13This wasn't even the real her.
23:16Yeah, it was, Ellie.
23:18It just wasn't the whole her.
23:27Have you seen Cora?
23:28No.
23:30Not yet.
23:54I don't even know my mom owned any black clothes.
23:57She used to have this gorgeous black leather jumpsuit that she wore when we went to the club.
24:04I can't picture that at all.
24:06She always wanted to take me shopping.
24:09I never let her.
24:10I get that.
24:12Mothers and daughters.
24:14It's very complicated.
24:16I know, but I would roast her for all the shopping she did.
24:19Now I'm like, digging through her clothes, trying to find something to wear to her funeral.
24:27Cora, if this feels like too much, we don't have to do this right now.
24:34I can't feel anything, Ellie.
24:37I think you might be in shock.
24:39Is that what it is?
24:40Because I feel like something's wrong with me.
24:43Nothing is wrong with you, okay?
24:47I remember being in this room with your mom when you were just an infant.
24:53And she was holding you in her arms.
24:55And she was so in love with you.
25:00Nothing made her happier than being your mom.
25:05And all I did was push her away.
25:09And it's too late now.
25:15It's okay.
25:17Oh, I'm here.
25:22Would you stay with us?
25:25Really?
25:26I don't want to be alone with my dad.
25:30Oh, Cora, I...
25:33Okay.
25:34I know that he struggles with his emotions.
25:38But trust me, I have known him since I was barely older than you.
25:42It's not just the emotions.
25:45I don't feel safe with him right now.
25:55I don't need a publicist.
25:57I need them to find out who killed my wife.
26:00It's a crisis firm, Robert.
26:04And...
26:04Daddy just wants to make the introduction, that's it.
26:08Ultimately, it's your choice.
26:11Have you given me more thought to the idea of a reward?
26:15I hate the idea of a bounty hunt.
26:18I know.
26:18No one wants to put any pressure on you.
26:20But at this point, it's just about controlling the narrative.
26:23Hey.
26:23I mean, we're in...
26:25Oh!
26:26Eleanor!
26:26No, you were here.
26:28Sorry to interrupt.
26:29No, come on in.
26:30Come on in.
26:31You've been such a good friend to be here with the family for this long.
26:39I was just headed to the kitchen.
26:41Does anyone else need a drink?
26:43No, thank you.
26:49Is it cold in here?
26:50Cora?
26:51My sister's just trying to help.
26:52Oh.
26:53Finish all the alcohol in the house.
26:55Yes, I think she's doing that.
26:59Cora asked me if I would stay with you guys for a while.
27:03Okay.
27:05So, how do you feel about that?
27:07It's not about how I feel.
27:10It's about figuring out what's best for Cora.
27:14If I thank you for everything that you're doing.
27:16Don't do that, please, Robert.
27:18No, it's something I forget to do.
27:22Or I can be a real asshole like that sometimes.
27:24Just taking everyone around me for granted.
27:28How did Cora seem to you?
27:33Is she scared of me?
27:34She didn't use the word scared exactly.
27:40It can't be easy.
27:43Losing her mother.
27:45Seeing them treat me like a suspect.
27:47They're not calling you a suspect, are they?
27:49That's where this is headed.
27:51You know, I have no alibi.
27:53I was home alone that night until I spoke to you.
27:56Sorry.
27:56I can understand having you around.
28:00Like, make her a little more comfortable right now.
28:04I'm gonna come by as often as I can.
28:07But I, I don't think it's a good idea for me to stay here.
28:11Yeah.
28:12Okay.
28:13Okay.
28:25Good afternoon.
28:27Hey, Mr. Shea.
28:28Oh, Sam, you changed your hair.
28:30I like it.
28:31Thanks.
28:32Hey.
28:33Hi.
28:33We didn't think you'd be coming in yet.
28:35We would have gotten more prepared.
28:36Uh, I'm just coming in to grab a few things.
28:38I didn't want to disrupt the flow.
28:40Hi.
28:41You're the boss.
28:41You can do whatever you want.
28:43I just thought you might need some more time.
28:44Yeah, I don't want to make a big deal of it here at the office.
28:47I am so deeply, deeply sorry for your loss.
28:50I can't even imagine.
28:52There are no words.
28:53No words.
28:54Okay.
28:55You've said it.
28:56Love you.
28:59Thank you for that.
29:03Some detectives were here earlier, asking a few questions about the timing of that night.
29:08I told them I was already gone by then, so I couldn't help them.
29:12Yeah, they're just ticking boxes, trying to establish their timeline.
29:16Right.
29:17We will have to postpone the Middle East trip.
29:19Of course.
29:20There's too much going on right now for you to worry about that.
29:22They don't want me to leave town.
29:28If there's anything I need to know, you would tell me, right?
29:34Yes.
29:43Hey.
29:46They're trying to reach you.
29:48Yeah.
29:48It's not a great time.
29:52You going somewhere?
29:53I mean, you're not like leaving, right?
29:56No.
29:57I'm just grabbing stuff in case I have to work from home.
29:59I might maybe going to my friends to help.
30:02Who's helping you?
30:05What?
30:05I said, who's helping you?
30:10This is your loss too.
30:14Okay.
30:15Jordan, I think what would be most helpful right now is your discretion.
30:23Okay?
30:23Yeah, sure.
30:24Okay.
31:25Oh, ma'am, ma'am, are you smoking again?
31:32Yes, it's not a cigarette, it's an emotional crutch.
31:36I don't understand why we had to have this memorial so quickly.
31:40Because Robert wanted to get it over with, I think.
31:44Here they come.
31:45Will you just hold this one?
31:46What?
31:47Please, please, please, hold it.
31:47Hold it, hold it.
31:49Hey, guys.
31:50Aunt Ellie, you're smoking?
31:54It's a bad habit, but it doesn't make her a bad person.
31:57Oh, thank you, Howard.
31:59Well, uh, we'll save two seats for you.
32:08Now they think I smoke.
32:09Oh, I'm sorry, but I don't think we should have brought them.
32:12Howard said we shouldn't shield them from grief.
32:14Oh, well, Robert's family planned this,
32:16so there's not gonna be a lot of grief.
32:17We'll get elegance and waspy denial.
32:35When does the bride come out?
32:37It's not a wedding, it's a funeral.
32:39Actually, it's a memorial.
32:41Because there's no body.
32:43We don't believe in shielding them from grief.
32:46Yes, I heard.
32:49Isn't that crazy?
32:50Does this smell like something?
32:53It's rose pulp.
32:54We had the paper made from linen and rose petals from Nancy's garden.
33:00That's so lovely.
33:02You just smashed up her roses and...
33:05Yes, of course.
33:07You are so kind to come.
33:09Oh, no, please.
33:12Such beautiful little girls.
33:15I'm so sorry you couldn't find childcare on such short notice.
33:47No.
33:50No.
33:51No.
33:52You're up.
33:52No.
33:54No.
33:57No.
34:00No.
34:02No.
34:02No.
34:14No.
34:14No.
34:15No.
34:24No.
34:25No.
34:25No.
34:26She walks in beauty.
34:30Like the night of cloudless climes and starry skies.
34:34And all that's best of dark and bright meet in her aspect and her eyes.
34:42Thus mellowed to that tender light
34:48Which heaven to a gaudy day denies
34:53One shade the more
34:56One ray the less
35:06It was lovely, don't get me wrong
35:09It just wasn't her
35:10Yeah
35:11Yeah
35:13Well, Kit runs a tight ship
35:15You know, she made me send her that Byron poem for approval
35:19And then she told me no jokes, no tears
35:22Jesus
35:23Yeah
35:24Did you see that guy in the denim jacket at the church yesterday?
35:30No, I don't think I saw him, why?
35:34You don't think anybody from Nancy's family would have come, right?
35:38No
35:40Ellie, they wouldn't have dared
35:42Right
35:45Hey, so, um, well, Howard had this thought, was a favor, really, to ask
35:52Okay
35:53We wanted to know if it was possible, maybe Marcus could volunteer with you
35:57Because we thought if he saw some real suffering in the world, he could maybe get some perspective
36:03And then he
36:04Yes, yes, yes
36:05Yes, I will find something for him if he's willing
36:08Thank you so much, Ellie, that is very...
36:10Mary
36:11They found him
36:13Breaking footage of David Haji Boyette, also known as D.H. Boyette
36:18There he is
36:19As we can confirm, has been officially made...
36:21No fucking way
36:23That's the guy
36:24That's the guy?
36:24That's the guy?
36:25Yeah, that's what they're saying
36:27Do you know him?
36:28How would I know him?
36:29...with his cold, large-scale portraits...
36:31Why did you ask me that?
36:35I'm sorry, I shouldn't have assumed...
36:37No, I have never met this person
36:40Mom's listed on his website as one of his patrons, you know, she's supported artists
36:45And he is a painter, D.H. Boyette, also known as Daveed
36:50There's Kit right on the shoe
36:54Do you think this is the guy?
36:55I think we need to be very careful to not rush to judgment
36:59Let's let them talk to him, oh my god
37:01While L.A. artist D.H. Boyette was named a person of interest
37:05What?
37:07What?
37:08What?
37:08Oh my god
37:09What?
37:11Ellie?
37:15Oh shit
37:17Oh
37:17D.H. Boyette, she just put this one up, didn't she?
37:20Right before she died, that's him
37:23Is that mom?
37:30Hey, hey, Rob
37:32Dad, what are you doing?
37:34Dad, stop it!
37:35What are you doing?
37:36Dad!
37:36Ellie!
37:37Stop!
37:38Please stop!
37:40Robert!
37:41Dad!
37:41Do something!
37:43Robert!
37:43Dad!
37:45Dad!
37:45Stop!
37:46Dad!
37:46Dad!
37:46Stay here, please!
37:47Stop it, Robert!
37:48Stop it!
37:49Oh my god, Robert!
37:50You have to stop!
37:51You have to take a beat!
37:53Jesus!
37:54Robert!
37:55What are you doing?
37:58Can we talk about this inside?
37:59I just want you to take a beat!
38:01I just want you to take a beat!
38:01I want you to take a breath!
38:06Robert!
38:06Please!
38:07She never belonged to me!
38:08Please stop it!
38:09I always wanted her to be all mine, but she never was!
38:12There was always a piece of her that wouldn't be her, and I always fucking knew it!
38:16Robert!
38:16I think that they have people watching you!
38:18Don't give a fuck!
38:19I understand that you're angry!
38:21You need to calm down!
38:22Hey!
38:23Don't tell me how I should feel!
38:27Jesus Christ, Elanon!
38:28You don't know everything, alright?
38:30She's my fucking wife!
38:47Does he have an alibi?
38:49David?
38:50Yeah, the guy she was sleeping with.
38:52Kind of.
38:53He was maybe at this art event of some sort, but he left early.
38:58Honestly, they don't have a lot of information.
38:59I just, I don't think it's him.
39:01She only told you his first name.
39:03We have nothing to go on.
39:04It could absolutely be him.
39:06She would have told me if he was black.
39:08She hardly told you anything about it.
39:10I know, but I am her best and only black friend.
39:12This would have come up.
39:14Okay.
39:19I gave the police the name David.
39:22What if it's not the stubby person?
39:23And we still don't know who killed our best friend.
39:29I've never seen Robert that angry.
39:31Oh, he, he has a temper.
39:34Especially when he drinks.
39:37Or when he's jealous.
39:39No, he, you know, he loved her more than anything.
39:43Anger isn't the opposite of love.
39:46Sometimes it's the truest expression of it.
39:49You can't see it.
39:52Because Robert is your...
39:53My what?
39:55My friend?
39:56He's your friend.
39:57You and Robert have a connection.
40:02Yes.
40:02Her name is Nancy.
40:04Outside of Nancy.
40:06And Nancy knew it too.
40:10What are you saying?
40:13You're not the only person she confided in.
40:19That's all.
40:39Oh, God.
40:40I'm sorry.
40:42I'm going to frighten you.
40:43How did you get in here?
40:45Someone propped up the door.
40:47I should have texted.
40:48Yes.
40:49Sir, can we...
40:52Sir, can we...
40:53Sir, can we...
41:19Sir?
41:20Cruel.
41:22She was...
41:23My wife.
41:24But, uh...
41:26I know you guys wear everything to each other.
41:30I'm sorry.
41:35thank you
41:40I don't think I realized how much I needed to hear that from you
41:45are you gonna tell me why you're so dressed up
41:48this is dressed up to you this is how I leave the house after sundown
41:55where are you going
41:57you know
41:58Nassie loves the ballet and how I don't you hate it
42:04I don't hate it I just I find it was that French expressions walking boring and
42:10that's not French my legs don't fit in the seats what
42:17anyways it was supposed to go to the opening tonight and I don't know what to
42:24do I'm just banging around the big empty house alone I can't sleep I'm just
42:29walking around looking for her but she's not there so it's thinking that I don't
42:37know maybe at the ballet I could you could feel her with you yeah
42:47yeah exactly do you think that's possible I don't know what's possible anymore
42:59she's just here you know we were all just here playing stupid fucking card games and now she's
43:09just gone forever it's like I can't it doesn't make any sense so what why shouldn't I be able
43:17to go to go to a place that she loved so much and and and feel her
43:24I think you have to try
43:28but will you try with me
43:34you want me to go yeah no why not
43:42uh I can't I just can't I mean the optics fuck the optics who cares about the optics I do
43:50you should we can't just get dressed up and have a night out on the town together I'm sorry
43:58I'm sorry I'm sorry this is a stupid idea I'm sorry
44:34you
45:16My mother has this expression she loves.
45:21Have more than you show, say less than you know.
45:27It was advice I took to heart, guarding not only what we had, but how I felt.
45:36Sometimes, I hid it so well, I couldn't even see it myself.
45:49Miss Boucher.
45:51I thought you were worried about the optics.
45:54I was, but then I remembered that French expression, fuck the optics.
46:02Right.
46:03Shall we?
46:30I hope this isn't inappropriate, but the boss's daughter cleans up real nice.
46:37Just try to give me a usable shot this time, okay?
46:41Let's go.
46:42Let's go.
46:42Let's go.
46:44Let's go.
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