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Extraordinary Attorney Woo Episode 14 in Hindi Dubbed [Full Movie] [Full Version]Full EP - Full
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00:11:35I don't know.
00:11:38You are a chef of the Hangu noodles, right?
00:11:41What are you doing here?
00:11:54Truthfully, they have taught me everything.
00:11:57You mean the boss of the Hangu noodles has taught you?
00:12:01Yes.
00:12:01Well, in this kitchen, I had a lot of time working on this kitchen.
00:12:07But then, I was not in any sense of my mother.
00:12:12So, after the Hangu noodles, the Hangu noodles went to the Hangu noodles?
00:12:16No.
00:12:18I was at the Hangu noodles when the boss of the Hangu noodles kept me on my own.
00:12:25I had a job on my own.
00:12:28But the Hangu noodles of the Hangu noodles was wrong.
00:12:32I had a lot of pain in my own hands.
00:12:37But one thing, I can say that the Hangu noodles were the originals.
00:12:43The Hangu noodles were the same.
00:12:45The Hangu noodles were the same.
00:12:46The Hangu noodles were the same.
00:12:54The Hangu noodles was originally named before the Hangu noodles was
00:13:32foreign
00:13:53I think they will be able to live in a river.
00:13:55Go to the world, go to the world.
00:13:57There are such places that are all over the world.
00:13:58There are some places in the river.
00:14:00There are some places in the river.
00:14:03You will be able to think, but you will be able to say this.
00:14:06You can go to a good place and love.
00:14:09That's right.
00:14:10When people talk about the river and river,
00:14:12they mean a beautiful place.
00:14:14Hmm.
00:14:16Does it mean a mountain water nursing home too?
00:14:21Mountain water nursing home?
00:14:23Hangbook noodles.
00:14:24It was a big mistake from the mountain water nursing home.
00:14:27It was a big mistake from the mountain water nursing home.
00:14:30So, what do you think?
00:14:32Do you remember her address?
00:14:43Bracket, Sanso Dong, 103730, Gyeongorho, Hambeck,
00:14:46JUC Special Self, Governing Province.
00:14:48It means that the nursing home is in Jeju Island.
00:14:52Wow.
00:14:53You are amazing.
00:14:54Let's go.
00:14:54Now, quickly, we are going to the nursing home
00:14:56and we will ask the owner of that.
00:14:58I'm ready to go.
00:14:59I have to go with you.
00:15:00I also have to go with you.
00:15:01We are going with you both.
00:15:04We are going with you both.
00:15:18Hello, madam.
00:15:19I was going to ask you something.
00:15:21I have to ask you.
00:15:21Ask me.
00:15:22We are going to the Hangbook Noodles name.
00:15:25It was a restaurant.
00:15:26And all these letters were on the ground.
00:15:30It could be possible to send you on the wrong paper.
00:15:33Oh, this is it.
00:15:35Do you know them?
00:15:36I know them.
00:15:37They are living in our nursing home.
00:15:39They are living in the house.
00:15:39They are living in a month.
00:15:41They have to meet them in a month.
00:15:42I don't know.
00:15:43They are not meeting them.
00:15:44They have to come and leave.
00:15:45Oh, they have to come and leave.
00:15:47Oh, they have to come and leave.
00:16:03Yes.
00:16:04But if you get to meet them,
00:16:06they will not be able to answer them.
00:16:08They have dementia.
00:16:09They have dementia.
00:16:10So they have to talk to them.
00:16:11Oh.
00:16:13That's right.
00:16:15I think this is the king of Hangbook Noodles in Jiju Island.
00:16:18If they are out there,
00:16:19they will not be able to meet their mother here.
00:16:21Yes.
00:16:22But now they are coming in the next month.
00:16:25So there is no need to wait for them.
00:16:27Because before they are going back here,
00:16:28we will have to go back here.
00:16:37This is the king.
00:16:38Hello, who is it?
00:16:39Uh, Atani Wu?
00:16:40Where are you located?
00:16:43Hmm.
00:16:46Hmm.
00:16:47What are you doing?
00:16:48What?
00:16:50What about you saying?
00:16:51Don't worry.
00:16:52Heads from the lord and nursing home in Handbook Noodles.
00:16:54So you just found the king of nursing home?
00:16:58Heads from Haw heads from his house.
00:16:58Did he get it or not?
00:16:59Yes.
00:17:00No.
00:17:01Heads from Haw heads from Haw.
00:17:02Look, Atani Wu, you remember that we have come to the case for Jeeju Island here, so make sure you
00:17:09prepare the case.
00:17:12Okay, I understand.
00:17:26foreign
00:17:27year 1983
00:17:28when the government decided to make the land of the river highway 3008
00:17:34will be made on the land of the river. What was the meaning of the
00:17:35Wangji?
00:17:36We were all in the first place to make the land of the river.
00:18:09Then we also left it.
00:18:12But how do you think about it?
00:18:14Do you think that the number of people who are missing
00:18:17is going to have the cultural heritage admission fee?
00:18:20But you can understand that.
00:18:24We think that if we spend money from there,
00:18:27then there will be fewer people.
00:18:29We think that the idea is good.
00:18:31We know that our Sanskrit people
00:18:32will be less than a few lives.
00:18:35Because we think that this fee is due to
00:18:37less than a few people here.
00:18:39I also believe that
00:18:42if the cultural heritage admission fees
00:18:43is the most important thing
00:18:45then it's just this.
00:18:48That's all your honor.
00:18:51Counselor, cross-examination please.
00:19:25I won't tell them.
00:19:27So Huang Jisa, where is the money you get from from the admission fees?
00:19:31That money is worth the money from Huang Jisa and Wang Jisa's cultural heritage and its money.
00:19:37But Huang Jisa and cultural heritage and cultural heritage are worth the money.
00:19:42They are giving you the first government, right?
00:19:45The administration has decided to have a total total total budget for cultural heritage and cultural heritage.
00:19:50Which has been replaced by 12 of the temples.
00:19:54For this, Huang Jisa will give you more help from the administration.
00:19:58So, what is the name of the admission fees?
00:20:01When you are talking about 10 cents, this money is worth the money.
00:20:06Huang Jisa has nothing to do with it.
00:20:09We get the money from the government.
00:20:11We pay attention to all things.
00:20:15Can you tell Huang Jisa's budget breakdown?
00:20:18Where is the amount of money?
00:20:20It will be difficult for me.
00:20:21It will be difficult for me.
00:20:22Because this is Huang Jisa's knowledge.
00:20:25You have said that you are not hiding anything.
00:20:27But also, it is difficult to tell the budget breakdown.
00:20:30What is this?
00:20:33What is this?
00:20:35What is this?
00:20:51What is this?
00:21:04What is this?
00:21:05How can I do the money?
00:21:07I am so sorry.
00:21:09How serious about Huang Jisa's video.
00:21:22No one is wrong with this.
00:21:24The Cultural Heritage Protection Act is given to us.
00:21:28And the people's money,
00:21:30is necessary for the existence of the cultural heritage
00:21:32and its presence.
00:21:36And if the thing is necessary,
00:21:39then why don't we have to leave this kind of situation?
00:21:53It's okay, right?
00:21:55If you don't have to leave this kind of situation,
00:21:57then why don't you have to leave here?
00:21:58First of all, you need to do your surgery.
00:22:01I'm going to go and go,
00:22:02but you won't have to do my surgery,
00:22:04because the date of the date of the date is not.
00:22:05What kind of hospital has to do so many days?
00:22:09Can anyone go to the hospital?
00:22:11Yes, I can't go.
00:22:12Then I'll take a new appointment
00:22:13and they'll take a new date.
00:22:15And my surgery will be...
00:22:18Come on!
00:22:22Come on!
00:22:26What's that?
00:22:26The plaintiff says that he doesn't have admission fee
00:22:29because he didn't have to leave there.
00:22:30That's right.
00:22:31Then why are we...
00:22:33What are we?
00:22:34Why are we doing the case?
00:22:36The defendant doesn't have to do anything wrong.
00:22:39He doesn't have to do anything wrong with the fees.
00:22:42Forgive me,
00:22:43but who is the last one?
00:22:47My name is Booyangbu.
00:22:48I'm going to go straight or go straight,
00:22:50or go straight or go straight or go straight.
00:22:50Like Robert Chamachka,
00:22:51I'm going to go straight,
00:22:52I'm going to go straight.
00:22:55This is my office's new attorney.
00:22:57Forgive me, but who are you?
00:23:00I'm...
00:23:02My ex-wife.
00:23:05Oh, ex-wife.
00:23:06Ex-wife,
00:23:06I mean...
00:23:07She was ex-wife,
00:23:08who was ex-wife,
00:23:09who was eight years old,
00:23:09when she was married to the family,
00:23:12and she was married to the family,
00:23:12and she was married to the divorce.
00:23:16What?
00:23:18She was ex-wife.
00:23:19Jisoo,
00:23:20can I talk a little while
00:23:21I'm going to talk to her
00:23:21and talk to her work?
00:23:25Do it.
00:23:34Oh...
00:23:54Ah...
00:23:55that's a justification?
00:23:57Hmm...
00:23:58Huang Ji-sah's justification is clear.
00:24:00In the case of the Cultural Heritage Protection Act,
00:24:03it's not the best of the fact of the Cultural Heritage Protection Act.
00:24:04But there is also a theoretical justification
00:24:06that the Temple's cultural heritage
00:24:08may also be replaced in his surroundings.
00:24:11In front of them,
00:24:11we all look like a girl.
00:24:13And we are only looking at one thing,
00:24:15that the plaintiff Huang Ji-sah
00:24:16is never really a task.
00:24:18That's why,
00:24:19it's a little difficult for the judge to take us,
00:24:20This is a difficult time to make our side a little easier because we don't have any rules for our
00:24:24side.
00:24:25Why would we use this fact as a justification that the National Park has been finished in 2016 and the
00:24:32Hwang Ji has been in the handbag mountain National Park.
00:24:34But Hwang Ji has asked the cultural heritage admission fees, but it doesn't have the entrance fees.
00:24:38Why? Let's ask the judge to give Hwang Ji Ji to give a budget breakdown.
00:24:42I have told that it's double collection, because it's a product and an admission fee.
00:24:48but I didn't know much about it because I didn't know much about it.
00:24:52Now, look, I don't think the judge is going to give it.
00:24:55Because this case is not the case of Huang Ji-sha's budget.
00:24:58The case's real need is to give the plaintiff's cultural heritage admission fees.
00:25:05So then, what kind of legal justification should I be doing?
00:25:12Nothing comes in my mind.
00:25:18Hmm.
00:25:22Jisoo.
00:25:24Hmm.
00:25:25Jisoo.
00:25:25Aya kush de magme?
00:25:27Zara ek no choko.
00:25:37Ho gayi tumhaari baate khat.
00:25:40Ji.
00:25:48He has no choice.
00:25:51He has no choice.
00:25:51He has no choice.
00:25:53He has no choice.
00:26:03Hmm.
00:26:09What?
00:26:10He has no choice who has been to be toward me.
00:26:13That's nothing.
00:26:14But here is no choice.
00:26:23You also have no choice.
00:26:28But then, if I don't know who my jaw is,
00:26:30but he has no choice.
00:26:34Because if I'm not fingers,
00:26:36okay,
00:26:36I don't think I'm going to be the same thing in my life.
00:26:54I'm not alone.
00:26:55I'm not alone.
00:27:11Oh
00:27:11Ah, you're doing a good job. I'm happy to be here.
00:27:15Okay, listen, if you have any kind of need, you need to call me.
00:27:18Did you understand?
00:27:20Yes.
00:27:23Papa.
00:27:24Yes, tell me.
00:27:27If I brought Juno to the house,
00:27:30you will be able to help him with him?
00:27:33But who is Juno?
00:27:36Who did I do in the house?
00:27:38Oh, that's a loafer.
00:27:41So, are you going to bring him to the house?
00:27:43No.
00:27:45I just wanted to know why you have to get him. Please tell me.
00:27:49Why? What do you mean?
00:27:51I have to see how the girl is.
00:27:53Will he keep my daughter happy or not?
00:27:56I have to see that he will keep my daughter happy or not.
00:28:01Hmm.
00:28:03Hmm.
00:28:07Well, Juno is the only person who is paying attention.
00:28:12She keeps my daughter happy.
00:28:16She keeps my daughter happy.
00:28:32She keeps my daughter happy.
00:28:33I have to see that she will keep my daughter happy.
00:28:36Maybe I will not be alone with him.
00:28:43I don't think I'm feeling it.
00:29:05What happened to me?
00:29:07I see a dolphin every day.
00:29:10but when we both come, we don't even see the dolphin's child.
00:29:17Juno, there's one thing.
00:29:19Yes, say it.
00:29:22I don't think that we should be dating both.
00:29:47Why are you doing all these things like this?
00:30:01You're saying all these things because of the disease, right?
00:30:03You're saying all these things, right?
00:30:05You'll feel bad that we've come here on a date
00:30:07and there are so many diseases with such big diseases.
00:30:12You're feeling bad about their cancer.
00:30:15Why are you doing that?
00:30:17I didn't think so.
00:30:19But there's a point in your story.
00:30:23Then, what can happen to you, Juno?
00:30:35Okay.
00:30:36Maybe we won't lose our mind because we haven't seen dolphins.
00:30:41Oh, you're thinking about these things too.
00:30:45Those dolphins are still in the sea.
00:30:50They won't see us from here.
00:30:52Abbott also said that what they see is always true.
00:30:57They're not true.
00:30:57What you're seeing, they're not true.
00:31:00The most of the eyes that they see, they're not true.
00:31:04Let's open the eyes and see the eyes that they can't see.
00:31:06Yes.
00:31:07You remember Abbott also said this.
00:31:11I understand.
00:31:12I was seeing the eyes that I was seeing.
00:31:15And I didn't see the eyes that were hidden.
00:31:17It's on highway 3008 Huangjisa.
00:31:20The government had to grow up for tourism.
00:31:23So that people see Huangjisa and his temple cultural heritage.
00:31:27I have to see these things.
00:31:29Local highway number 3008.
00:31:31It's just one road.
00:31:32This is the main point.
00:31:37Why are you talking about the case?
00:31:39The public property concept is in the Public Administration Act.
00:31:42The public property, state or local government,
00:31:44the administrative body is made so that the administrative purpose can be completed.
00:31:47And the road also is a representative public property,
00:31:50which is made for people's transit.
00:31:52The public property concept will be our justification.
00:31:56Legal justification.
00:31:59Where are you going?
00:32:01I'm going to go and discuss this with Sir.
00:32:07How can you go?
00:32:08How can you go?
00:32:13How can you go?
00:32:16How can you go?
00:32:29How can you go, Yangwu?
00:32:32How can you go again?
00:32:32Good morning.
00:32:33How can you go?
00:32:38I'm sorry Jundho.
00:33:10I'm sorry.
00:33:44I'm sorry.
00:34:35I'm sorry.
00:34:38I'm sorry.
00:35:11I'm sorry.
00:35:14I'm sorry.
00:35:45I'm sorry.
00:36:04I'm sorry.
00:36:36I'm sorry.
00:36:37I'm sorry.
00:37:07I'm sorry.
00:37:22I'm sorry.
00:37:53I'm sorry.
00:38:14I'm sorry.
00:38:47I'm sorry.
00:38:47I'm sorry.
00:38:47I'm sorry.
00:38:59I'm sorry.
00:39:13I'm sorry.
00:39:16I'm sorry.
00:39:18I'm sorry.
00:39:19I'm sorry.
00:39:21I'm sorry.
00:39:23I'm sorry.
00:39:27I'm sorry.
00:39:50I'm sorry.
00:39:52I'm sorry.
00:39:56I'm sorry.
00:39:58I'm sorry.
00:40:08I'm sorry.
00:40:10I'm sorry.
00:40:17I'm sorry.
00:40:18I'm sorry.
00:40:21I'm sorry.
00:40:32I'm sorry.
00:40:38I'm sorry.
00:40:52I'm sorry.
00:40:55I'm sorry.
00:41:00I'm sorry.
00:41:02I'm sorry.
00:41:04I'm sorry.
00:41:19I'm sorry.
00:41:24My mother, why did you change so much?
00:41:26You were the one number of people who were tired of the hair?
00:41:29I was happy that I put a cake on the face,
00:41:31and I showed you how the style of it was.
00:41:33I was so happy to have fun doing the other things I was doing.
00:41:35So now what do you mean?
00:41:36Oh, I'm just so dirty.
00:41:38You don't know?
00:41:39Where did she?
00:41:40The man who was here?
00:41:42And why are you doing good and what you are doing?
00:41:46I was going to report to the police.
00:41:48There's no other way.
00:41:49But why did I get that?
00:41:50what's wrong with you I'm going to eat or what's wrong with you I'm going to take my
00:41:54own clothes or not I'm going to take those bottles of beer for you or not I'm going to take
00:41:59those bottles of beer why did you come to these things so much different why did you come to
00:42:01the business trip then you also jogging in the morning you buy all the flowers from the old auntie
00:42:05that day what do you want to do what you want to do so good you don't have a suit
00:42:10to you
00:42:10understand why you're trying to be good because we're in Jeju island
00:42:16you're not going to be with me romantic you're not going to be with me
00:42:20oh Suyeon you really like me what do you want me to stop talking about what do you want to
00:42:27do
00:42:27then who are all for me you're noticing my small little things
00:42:31let's say it right now you want me to like it right now you're looking at me
00:42:46so you're looking at me right now
00:42:52oh say it right now you're looking at me
00:42:58oh
00:42:59oh
00:43:15I
00:43:17I'm gonna go
00:43:19I'm gonna go
00:43:20I'm gonna go
00:43:21I'm gonna
00:43:23I don't know what to do.
00:43:26Both are looking for love.
00:43:29Like, I'm falling asleep.
00:43:32I don't know anything.
00:43:34Let's go inside.
00:43:35Let's go inside.
00:43:36We should go back to karaoke.
00:43:38But now, we are back to karaoke.
00:43:41Why are you going back?
00:43:43Hey!
00:43:44Did you see that Minho has rejected me?
00:43:46That was the first proposed.
00:43:48If you know that, then you will reject it.
00:43:51I don't know anything.
00:43:52Why do you really want Minho?
00:43:57I don't know.
00:43:59Shit!
00:44:00I will sing all the songs and sing all the songs.
00:44:04My heart is broken.
00:44:10I will sing too.
00:44:24Thank you, Junho.
00:44:25You're welcome.
00:44:29What are the rest of the songs going on?
00:44:31Are you all there at home?
00:44:32Yes.
00:44:33We thought that you will get a little girl,
00:44:35so everyone will go together.
00:44:37They will all be ready, sir.
00:44:38Okay.
00:44:45Okay.
00:44:46Okay.
00:44:46Yes, yes.
00:44:47They are...
00:44:50Is that your guest here?
00:44:55An guest?
00:44:56Yes.
00:44:57My ex-wife.
00:44:58Yes, it's morning her phone sent down
00:45:00that she was going to sleep in the morning.
00:45:02Yes, yes.
00:45:04She met her phone sent down.
00:45:05She was going to sleep in the morning.
00:45:05I had to say that I was wrong, but now I changed completely.
00:45:12Please, come back to me again.
00:45:14But this morning, when he talked back to me,
00:45:17he didn't get out of my head.
00:45:19He looked like everything is normal.
00:45:20And he said, yes, it's a safe journey.
00:45:24If you don't have to say anything about your heart,
00:45:26then you should practice it first.
00:45:32You know, someone who loves you.
00:45:36If you do it, don't let him do it.
00:45:39If he wants to leave his hand,
00:45:41then you should go back to his hand
00:45:43and kiss his hand.
00:45:46But you don't feel like I'm worried
00:45:48that you will ever do this.
00:46:10What do you mean?
00:46:14This night, something happened to us, right?
00:46:17Yes, nothing happened to us.
00:46:19I don't remember anything.
00:46:20I don't remember anything.
00:46:20I don't remember anything.
00:46:22I don't remember anything.
00:46:24I don't remember anything.
00:46:25Let's go.
00:46:26Let's go.
00:46:27We're just like we were just like we were before.
00:46:33Deal.
00:46:34We are on the plane.
00:46:52We are here.
00:46:53We got to go.
00:46:54What is this tunnel?
00:46:58We have to go.
00:47:01You are on your side.
00:47:02We are running for the destination.
00:47:02Let's go.
00:47:03So, who would you like to be here?
00:47:06Tell me!
00:47:07Where will we go to this guy and the angel?
00:47:12Tell us how to believe it?
00:47:20Who will you like to be here?
00:47:54Oh, my God.
00:48:03Oh, my God.
00:48:38Oh, my God.
00:48:41Oh, my God.
00:48:52Oh, my God.
00:49:25Oh, my God.
00:49:26Oh, my God.
00:50:23Oh, my God.
00:50:34Oh, my God.
00:50:56Oh, my God.
00:51:26Oh, my God.
00:52:16Oh, my God.
00:52:26Oh, my God.
00:53:25Oh, my God.
00:53:46Oh, my God.
00:53:54Oh, my God.
00:54:09Oh, my God.
00:55:06Oh, my God.
00:55:06Oh, my God.
00:55:57Oh, my God.
00:56:28Oh, my God.
00:56:52Oh, my God.
00:56:59Oh, my God.
00:57:27Oh, my God.
00:57:40Oh, my God.
00:58:07Oh, my God.
00:58:59Oh, my God.
00:59:18Oh, my God.
00:59:49Oh, my God.
01:00:36Oh, my God.
01:00:40Oh, my God.
01:01:29Oh, my God.
01:01:37Oh, my God.
01:01:40Oh, my God.
01:02:37Oh, my God.
01:02:56Oh, my God.
01:03:07Oh, my God.
01:03:37Oh, my God.
01:03:38Oh, my God.
01:04:08Oh, my God.
01:04:09Oh, my God.
01:04:13Oh, my God.
01:04:14Oh, my God.
01:04:14Oh, my God.
01:04:15Oh, my God.
01:04:15Oh, my God.
01:04:16Oh, my God.
01:05:13Oh, my God.
01:05:16Oh, my God.
01:05:46Oh, my God.
01:06:16Oh, my God.
01:06:47Oh, my God.
01:07:22Oh, my God.
01:07:34Oh, my God.
01:08:29Oh, my God.
01:08:44Oh, my God.
01:09:02Oh, my God.
01:09:50Oh, my God.
01:10:02Oh, my God.
01:10:37Oh, my God.
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