β Riot Women (2025) - Season 1 Episode 2
When silence is no longer an option, one voice becomes many. In Episode [2], [brief hook: see episode-specific hooks below]. Follow a group of courageous women as they challenge the status quo, fight for justice, and discover the power of standing together.
πΉ Episode Highlights:
β’ [E01 Hook: "A personal injustice ignites a movement that can't be stopped"]
β’ [E02 Hook: "From strangers to sisters: building trust in the face of opposition"]
β’ [E03 Hook: "When the stakes rise, who will stand firm and who will falter?"]
β’ [E04 Hook: "Truth has a price β but is freedom worth the cost?"]
β’ [E05 Hook: "No turning back: the movement reaches a pivotal crossroads"]
β’ Powerful performances, emotional depth & stories that resonate beyond the screen
πΉ Series Info:
β’ Format: Social Drama / Empowerment Series / Contemporary Storytelling
β’ Original Network: [Customize: e.g., Streaming Platform / International Syndication]
β’ Season: 1 | Episodes: 1-5
β’ Theme: Women's Rights, Social Justice, Community Activism
β’ Language: English (Original Audio) + Subtitles Available
β’ Runtime: ~45-60 minutes (full) | Clip/Highlight version: ~10-15 min
π§ Prefer audio? Listen to Riot Women recaps & social drama podcasts on Spotify, Apple Podcasts.
π Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Which character's journey resonates with YOU? πβ" Turn on notifications π so you never miss the next stand!
#RiotWomen #RiotWomenS1 #EmpowermentDrama #SocialJusticeTV #WomensRights #S1E[X] #CourageousStories #BingeWatch #StreamingSeries #WomenWhoLead #DramaWithPurpose #StandTogether
β οΈ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "Riot Women" belong to the original production company and broadcasting network. This upload complies with Fair Use guidelines (Section 107, U.S. Copyright Act). No copyright infringement intended.
When silence is no longer an option, one voice becomes many. In Episode [2], [brief hook: see episode-specific hooks below]. Follow a group of courageous women as they challenge the status quo, fight for justice, and discover the power of standing together.
πΉ Episode Highlights:
β’ [E01 Hook: "A personal injustice ignites a movement that can't be stopped"]
β’ [E02 Hook: "From strangers to sisters: building trust in the face of opposition"]
β’ [E03 Hook: "When the stakes rise, who will stand firm and who will falter?"]
β’ [E04 Hook: "Truth has a price β but is freedom worth the cost?"]
β’ [E05 Hook: "No turning back: the movement reaches a pivotal crossroads"]
β’ Powerful performances, emotional depth & stories that resonate beyond the screen
πΉ Series Info:
β’ Format: Social Drama / Empowerment Series / Contemporary Storytelling
β’ Original Network: [Customize: e.g., Streaming Platform / International Syndication]
β’ Season: 1 | Episodes: 1-5
β’ Theme: Women's Rights, Social Justice, Community Activism
β’ Language: English (Original Audio) + Subtitles Available
β’ Runtime: ~45-60 minutes (full) | Clip/Highlight version: ~10-15 min
π§ Prefer audio? Listen to Riot Women recaps & social drama podcasts on Spotify, Apple Podcasts.
π Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Which character's journey resonates with YOU? πβ" Turn on notifications π so you never miss the next stand!
#RiotWomen #RiotWomenS1 #EmpowermentDrama #SocialJusticeTV #WomensRights #S1E[X] #CourageousStories #BingeWatch #StreamingSeries #WomenWhoLead #DramaWithPurpose #StandTogether
β οΈ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "Riot Women" belong to the original production company and broadcasting network. This upload complies with Fair Use guidelines (Section 107, U.S. Copyright Act). No copyright infringement intended.
Category
π₯
Short filmTranscript
00:18Thank you so much for listening!
00:39Oh
00:41Hello
01:00Fuck.
01:39Kitty.
01:39Hello.
01:40I didn't expect you to be up yet.
01:42Did you sleep?
01:43I've forgotten your name.
01:45Beth.
01:45Beth.
01:46Yeah, we got a bit drunk, didn't we?
01:48Let me get you some breakfast.
01:50Why not?
01:50Can you finish your...
01:51No, no.
01:52I've got to go in a minute.
01:53Erm, what can I get you?
01:56Coffee?
01:57Alka-Seltzer.
01:59You just help yourself to toast, jam, whatever.
02:05Did we...
02:06Last night, what did we?
02:08What did we?
02:10Oh, we talked.
02:12About music.
02:13The band.
02:14This band that I'm involved with.
02:16And my idea to do something more with it.
02:17Something more than silly cover songs.
02:19And you seemed keen.
02:21Well, more than keen.
02:22I am.
02:23I am.
02:24I would be.
02:25We came up with a whole song.
02:28Do you remember?
02:29We were singing it in the car.
02:32You with your fun-tastic voice.
02:34And me with my...
02:36Not quite so fun-tastic voice.
02:40We didn't have sex or anything?
02:41You and me?
02:43No?
02:45Oh!
02:47Oh, can you imagine?
02:49No.
02:50Anyway, look.
02:51We can catch up properly again this evening.
02:53If you want to.
02:54But you don't have to.
02:55But I could cook us a meal or...
02:57Or...
02:58Are you vegetarian or anything?
03:00No.
03:01No.
03:01I think you told me that last night.
03:03Just help yourself to anything in the fridge.
03:06If you go out for a walk...
03:07Can you lock up?
03:09Just put the key under the plant pot outside.
03:11Outside the back door.
03:14Otherwise...
03:15Just...
03:15Make yourself at home.
03:17Yeah, if you...
03:18If you...
03:20Thanks.
03:21I don't...
03:23It's...
03:23So exciting.
03:25Yeah.
03:27Is it?
03:28Shouldn't get too carried away.
03:30Early days.
03:31I'm usually back about five or six.
03:33And you've got my number.
03:35It's in your phone.
03:37Under Beth.
03:37We swapped phone numbers last night.
03:39So, erm...
03:41Call me.
03:41If you need anything at all.
03:43But you take it easy.
03:45Hey Kitty.
03:46You've had a really unpleasant experience.
03:48And you need time to recover and sort yourself out.
03:52And you do need to see a doctor.
03:54Yeah, I know.
03:55I will.
03:57Thanks.
03:58Okay.
04:01See ya.
04:29Let's start a riot.
04:31We won't be quiet.
04:33Riot women gonna set this world on fire.
04:42Yeah, hang on Beth.
04:44I've got a message to ring you.
04:46Bye Billy.
04:46Oh.
04:47See you later lads.
04:48I love ya.
04:50See ya.
04:50See ya.
04:51No work?
04:51No, I just wanted to check you were alright last night.
04:54Oh.
04:54Yeah, yeah, yeah.
04:56Sorry.
04:57I shouldn't have walked out like that.
04:58Hey.
04:58You don't have to apologise Beth.
05:00Not to me.
05:01I'm just...
05:01I'm just sorry Yvonne was such a pain in the er...
05:04bottom.
05:05I mean I didn't even know she was coming.
05:06I don't even know her.
05:07I...
05:08I was just going with the flow.
05:09I was just thinking the more the merrier.
05:11Of course.
05:12Yeah.
05:13I am definitely still in.
05:15Good.
05:16Right.
05:16So we're gonna meet on Tuesdays and Thursdays.
05:18I figured that I'd work for you cause you said you'd never go out.
05:21I'm gonna work on Smoke on the Water.
05:23Cause I can already do that on the drums.
05:26Waterloo and Layla.
05:27How about that?
05:27That's great.
05:28Yeah.
05:28And listen.
05:29Holly gave Yvonne a right good talking to you last night after you'd gone.
05:33And we've decided we're just gonna perform whichever one we're all happiest with on the
05:37night.
05:38How about that?
05:39Perfect.
05:39That's brilliant.
05:40So...
05:41Yeah, yeah.
05:42As long as we can all agree.
05:43Yeah.
05:43In other news.
05:44The other news is that I have found us a singer.
05:47A proper singer.
05:49Someone who can actually fucking...
05:51Oh my God!
05:52Can she sing?
05:53Go on!
05:54Take everything!
05:56Take everything!
05:57Take everything!
05:59Take everything!
06:04Oh my God!
06:23Oh, fuck off, you ought to toss it.
06:43Sorry, excuse me. Hello. Um, you've got an amazing voice. Can I get you a drink?
06:52I've got a soda. You all right? Yeah, yeah, yeah. A diet coat, please. Do you want to be
07:00in a band? You are. I know this will probably sound crazy, and it's not professional, there's
07:06no money. But me and a friend are trying to put a band together, just for a bit of fun.
07:11But we haven't got a singer. Well, I mean, someone can actually sing. And it's just for
07:17this charity event, and we'd be doing a cover, and we're no good. No, not yet. But what I
07:24was hoping was that eventually we'd be able to write our own material about things that
07:31matter. You see, we're all women on the wrong side of 50. Now, you're obviously younger
07:37than that, but... I was so things that matter. Oh, well. In my case, um, my husband decided
07:49to leave about a year ago, which was fine. Except it wasn't. Not really. And then there's
07:56my son. He's married to a very nice girl. I just don't think I really exist anymore.
08:03Not in their world. And work's a head fuck. I'd love to retire. But there's a thousand
08:09reasons why that's not an option. And then on top of all that, there's the inevitable.
08:14Headaches, nights, sweats, can't sleep, can't think straight, can't make a decision without
08:18bursting into tears. Which all sounds a bit miserable. But I had a moment. And it all became
08:25more about anger than misery. Which is why I think punk is the thing. It's my era. I grew
08:33up in the 70s. And your voice. That's a real talent. To have such raw energy in your voice.
08:43That, I would think, is really rather rare.
08:49It's interesting you should say all that.
08:53I've been having a bit of a shit week myself. Turns out this fella's been having her on for
08:58years. Telling her he can't stand his wife. And that he's leaving her. Only she finds out
09:04that he's got three weeks holiday booked. In Antigua. With his wife. And their two kids
09:09where they're going to reaffirm their marriage vows. So she realises like a slap in the face
09:14She was only ever meant to be his bit on the side. Men are just, they're just wired wrong, aren't
09:20they? And do you know what? I don't think they can actually help it.
09:23Don't make excuses for him, for fuck's sake. Sorry. And she's got her own very vivid take on things.
09:29And she's really keen. I mean to develop songs and stuff.
09:33No, no, no, no way. Not Waterloo.
09:35No, it's a good song.
09:36It is a good song, but you want to be doing something like Billie Eilish, Bradcat, Bikini.
09:40Oh, Alanis Morissette.
09:42Is she perverted like me? Will she go down on you when I did her?
09:48Oh, there's too many.
09:49And now I'm here. Oh, it's too hard.
09:51To remind you of the mess you left when you went away.
09:57It's not fair to deny.
10:01Oh, skunk and antsy.
10:02As weak as I am No tears for you As deep as I am
10:10I'm no one's fool As weak as I am
10:14Oh, last in a party.
10:16And I will fuck you Like nothing matters
10:19And I will hold you Like he held us
10:22Can I, can I just take your name and number?
10:24So I can get in touch about rehearsals.
10:27Are you leaving?
10:28I got work in the morning.
10:34Have you literally got nowhere to go?
10:38I used to invent swear words
10:41It was so inglorious
10:45And then, oh, the pitiful, shameful, shitty arguments we used to have
10:50And his favourite line was
10:51I shouldn't criticise him because he wasn't the worst husband in the world
10:55Not by any stretch of the imagination
10:57But his favourite line in any argument was always
11:02You're just like your mother
11:04Oh, God
11:06Which I used to hear as an insult
11:09And then, when my mother got dementia
11:11Which, I remembered all the thousand and one things I'd learned from her
11:17About life across that sea of years when I was growing up
11:21That brilliant, articulate, kind, clever woman that was my mother
11:26And I thought, yes, I am just like my mother
11:29Thank you very much
11:31So fuck you with your below-the-belt shitty insults
11:34You see, I always thought that would make a good song
11:38He said, oh, you're just like your mother
11:41He said, oh, you're just like your mother
11:44He said, oh, you're just like your mother
11:47And he's done nothing like yours
11:53Are you sure I can't make you something to eat?
11:57I don't really do food
11:58Oh
12:00Well, cheers
12:02What did you do to your face?
12:05Oh, it's been a funny few days
12:07I'm really sorry
12:10Is that your mum?
12:12Yes
12:13Yes
12:14And that's Tom
12:16My son
12:18Oh, and that's his wife
12:21Nice
12:23Have you got children?
12:27No
12:28I'm going to sit there
12:30Yeah, yeah, do, do
12:32I hardly ever see him these days
12:35He's happy, he does his own thing
12:36But
12:37He doesn't need me anymore
12:41You see, there's another song
12:43There are so many
12:45I should be getting out my new keyboard
12:46I could write a thousand songs about this
12:48Swat I've been dealing with
12:51I want to help you with that
12:52I might damage something
12:53No, no, it's all right
12:55It's all right
12:56What do you do for
12:56You know
12:58Money
13:00Whatever I can
13:08Oh, God
13:09I thought it was an arm there
13:13Could you give her a job?
13:15Like behind the bar?
13:16Yeah, I can possibly give her a few hours
13:18She's a bit rough and ready
13:19But I like her
13:20She makes me smile
13:23She's cheered me up
13:25Yeah
13:25Well, I can have a chat with her
13:26If she can get herself down to the Duke
13:28With a P-45
13:29You're right, sweetheart
13:30Yeah
13:31Right, I'm just going to
13:32Sound us up to the talent contest
13:35What should I put down as our name?
13:37You're not like riot women
13:39What about hot flush?
13:41Well
13:42I'll put anything
13:43We can always change it later
13:59Right
14:00It's official
14:01It's in ink
14:02What are we?
14:03We're the riot women
14:05It's in inkinflammation
14:05It's
14:05in ink Tailor
14:16And in
14:16ink Fast Calm
14:16I had
14:17particulars I had
14:17a natural It's
14:17Yeah Or he calls
14:17No OK Back inside
14:24Oh
14:25Hey
14:25Hey Luca
14:26Hey,
14:26we're
14:26doing our
14:27project highly Brilliant I've got my
14:30nails
14:30Still
14:30Hey Oh, shit Shit
14:32This
14:33way
14:33Do you still
14:34ignoring
14:34me?
14:35Hey, Jessie. I'm here!
14:37Sorry, who's talking to me?
14:38It's silly! You're silly.
14:40Sorry, I didn't see you there.
14:42It's time to be more like the grown-ups.
14:44We are in the same business. We should communicate.
14:46We should share and tell.
14:47Yeah, yeah. Sure, sure. Any time. Bye!
14:50I am prodding you with my olive stick.
14:53Oh, what? So you couldn't have called me customers again?
14:55Lovely, thanks. Ta-da.
14:56Because we have things in common.
14:58Yeah, we don't. Have a nice day.
15:00Jessie, come on. This is ancient history.
15:03Oh, is it? Is it really?
15:05Well, what about that time you pranged my fiesta, eh?
15:08Not even so much as a sorry. Sorry I've written your car off, Jess.
15:11No, Jess, you pranged my truck.
15:14You were on your phone.
15:15No, no, I was not on my phone. I was not on my phone.
15:18That was a lie you told the insurance company.
15:21I'm sorry. I am sorry you lost your not-claimers-bombs.
15:26Yeah, funny, funny. Look, everyone's laughing.
15:29And you gave me Covid, shouted in my face with your breath.
15:32I was ill in bed for six weeks and you're just swanning around like the arrogant, ignorant fucktard that you
15:37are.
15:38And that's the only reason the insurance company came down on your side.
15:40I was too ill to contest the thing properly.
15:42And that's not ancient history, so, yeah, I am ignoring you, actually.
15:47Inez, bye-bye.
15:50You make me sad, Jessie.
15:52We were friends once. We can be friends again, no?
15:55What?
15:56Jess.
15:57Well, boo-hoo. Suck it up.
16:04So, playing an electric guitar is different to playing an acoustic guitar.
16:07I mean, the chords are all the same, then there's different stuff.
16:10Like, do you know about your power chords?
16:11No. I've not even got a guitar yet.
16:13I need to find something I can borrow one on.
16:14Will you be playing rhythm or lead?
16:16No idea.
16:16So, rhythm guitar is like you're playing chords, like you're supporting the drummer, like keeping the beat going,
16:21and then lead you're doing like your riffs, your licks, your solos sort of stuff.
16:24Okay.
16:24You got an amp?
16:26Me fire?
16:27I haven't got anything.
16:28Well, when you get your guitar, you're gonna need to get an amp as well.
16:31And then you can start thinking about your pedals, your pedal board.
16:34What pedals?
16:35Your different sounds.
16:36You'll get him started on his pedals.
16:38I mean, you can just plug it straight into an amp if you've got a combo, but that's it.
16:41Bit shit.
16:42So, you're gonna need your overdrive pedal, your reverb pedal, your delay and your distortion.
16:46He loves his pedals.
16:47You don't need all of them, not to start with, but I'd definitely get like a tube screamer,
16:50a banging hangover, a wire pedal, kind of like a crybaby, and a big muff.
16:56You'll love it.
16:57Honestly, you'll change your life.
16:58A big muff?
16:59How?
17:04What's your budget?
17:05I haven't got one.
17:06I told you.
17:06It'll all be over in a few show weeks.
17:08I'm not spending any money.
17:24What are you doing?
17:25I'm asleep.
17:26It's not that loud.
17:27Well, go do it somewhere else.
17:28What, at me other house?
17:29Well, I would, only, oh yeah, I haven't got one.
17:31I meant in the shed.
17:32It's ten to eleven.
17:33I've retired.
17:34This is my new hobby.
17:35You can't be serious.
17:37You know now about it.
17:38Yet.
17:39I soon will.
17:40What time does your shift start?
17:42Right, well, you have to be up anyway then, don't you?
17:44Yeah, well, I could have had another ten minutes.
17:46PHONE RINGS
17:51Yes?
17:52Holly?
17:52Yes.
17:53Fucking ridiculous.
17:54You're fucking ridiculous.
17:56It's Rudy.
17:57Rudy.
17:58What's happening?
17:59Well, I'm with a lady and I'm thinking it's your mum.
18:02It's got nothing to do with you.
18:04Where I'm going?
18:05God alone knows why you've called the police.
18:07She's sat waiting for a train at Sorby Bridge railway station in her dressing line and slippers.
18:12Oh, my God.
18:13How's she got there?
18:16Er, taxi.
18:17Any road.
18:18The driver wasn't sure he should be leaving her on her own, so he's rung three nines and, er,
18:23well, I've found your contacts in her purse.
18:39It's a bugger if you can't set off for the day without being reported to the police.
18:44You're in your night clothes.
18:45He was worried about you.
18:47Oh, get with it.
18:49Everyone goes out in the pyjamas these days.
18:51Have you never been to Lidl?
18:53I'll go after my birthday suit next time.
18:55Then he'll have something to say.
18:57Well, it'll be contrary to section 66 of the sexual offences, Aunt, but you crack on.
19:01Oh, now I'm a sex offender.
19:04That's new.
19:05In.
19:06Oh, was a clever answer.
19:08What you been up to now, Nancy?
19:10Often a little odyssey was here.
19:11Oh, God almighty.
19:14She's here.
19:15Let's go.
19:16No, Mum.
19:16No.
19:17Hi, Veronica.
19:17Where was you heading for, eh?
19:19Lanzarote, Bill Sunshine?
19:20She just talks rubbish.
19:22How's yourself, Holly?
19:23Yeah.
19:24Good, good, thanks.
19:24Doesn't look like she's taking her meds again.
19:26You're gonna take your pills for me, Nancy.
19:29Can you tell her to fuck off?
19:30She doesn't listen when I say it.
19:32No, we don't use language like that.
19:33Not to a house professional.
19:34Professional?
19:35This one?
19:37She wipes her arse on the curtains.
19:39Well, where have you got them from?
19:40You can't say that.
19:42Oh, bless her.
19:42You see, this is what happens when you skip your meds, Nancy.
19:45You start using naughty words.
19:46Naughty words?
19:47Does she think I'm six?
19:49You do?
19:49You get your potty mouth on?
19:50You can go now.
19:51Cause Holly's here.
19:52I'm sorry.
19:53I am sorry.
19:54Are you alright?
19:54She loves me, really.
19:55Oh, and the rest.
19:57She wants some tea.
19:59Oh, and there's some nice biscuits somewhere.
20:02Not them she brings.
20:15See, they'll be worried about where I am.
20:21That's all I was thinking.
20:24Who?
20:25My mum and dad.
20:29You know, they've not seen me for weeks.
20:34Months.
20:36I can't remember the last time I was there.
20:43Could you not drive me over?
20:48That they're not there anymore.
20:51Aren't they?
20:54You all left Hull in...
20:571941.
20:59After the bombing.
21:00When you were nine.
21:06Did we?
21:12Where are they then?
21:21They're dead.
21:24Yeah, yeah.
21:28They're dead.
21:30Are both of them?
21:34Yeah.
21:36They've been dead a while now.
21:39They were very old.
21:40They...
21:41They had a nice life.
21:42A good life.
21:43Always smiling and laughing and full of fun.
21:50Does our Colin know?
21:54Yeah.
21:56He...
21:58Uncle Colin.
21:59He knew.
22:00He knew.
22:08Let me clean you glasses.
22:13Aye.
22:14You can do.
22:19I can't see through them either way.
22:26Oh, shut me up if I've said it before.
22:28You've said it before.
22:29Oh, no one could have been kinder to her than me when she came here.
22:32I gave her a job.
22:33I gave her a roof overhead.
22:34That's practically a mother to her.
22:36And then she goes and opens that wine bar behind me back.
22:39Oh, yeah.
22:39All done and dusted.
22:40And after she's learnt everything there is to know about the business.
22:43Not just about the business, but the business in this town.
22:46Off me.
22:47I didn't text all my regulars off me.
22:49Overnight, I had an empty pub.
22:50I had to build it all up again from nothing.
22:52And I did.
22:54Anyway.
22:55I won't go on again about the fucking Spanish bitch.
22:58She's Catalonian.
23:00I know where she's from.
23:01Shouldn't you be practising your drums, Mama,
23:03if you're not going to make a top dick of yourself in a few weeks down?
23:06You see, I'm just not like that.
23:08Unscrupulous.
23:09Devious.
23:10Underhand.
23:11Manipulative.
23:11Sneaky.
23:12I've never been like that.
23:13A liar.
23:14And so, you see, I don't always see it in other people.
23:17Then, of course, it's always a shock when other people do behave like that.
23:19Oh, for God's sake, Mother, will you have a day off?
23:22Always complaining about people.
23:23Always finding fault in everybody.
23:26You're not perfect yourself.
23:29Are you seeing Bruno again?
23:32Bruno?
23:33What are you on about?
23:34All this sneaking about.
23:36Do you think I'm fit?
23:37Charting yourself up not to learn any one way you're going.
23:40Oh, God.
23:42If you're seeing that abusive little...
23:45I haven't got words bad enough for him.
23:47If you're seeing him again, you want your head examined later.
23:50Why would I be seeing him?
23:51Well, I don't know.
23:52Something's going on that you're not telling us about.
23:54She's seeing Inez.
24:00What?
24:02What did you say?
24:02What did you say, Mary?
24:04No, I'm not.
24:05Well, what is she saying it for?
24:06Well, because she's off a jump.
24:08She's senile.
24:08She's away with the trolls.
24:09I don't know.
24:10Are you protesting too much?
24:12No.
24:12Well, why are you going red?
24:13I'm not.
24:14Jesus, H.
24:15Dude, I can see who I like, you know.
24:18All right?
24:19As long as it's not someone that's going to hurt you again, like Edith.
24:22Well, then.
24:22Well, then.
24:23Well, then.
24:23So why is it a secret?
24:26Chloe?
24:26Because I know you don't like her.
24:28Who?
24:29Inez!
24:32Hi, girls.
24:33Oh, Jerry's here now with the beer.
24:36Geriatric.
24:37You know where everything goes.
24:40Chloe, get back here.
24:41You all right, Mary?
24:42Yeah, I'm good.
24:43Thanks, Jerry.
24:45Are you lying?
24:45I'm minding my own business.
24:48If this is true, you'd better think long and hard about what you want out of it,
24:52because that's it as far as I'm concerned.
24:54Why?
24:54Why?
24:55All the things I've done for you.
24:57All the rubbish I've put up with over the years, rescuing you from one bad idea after another,
25:02all the jives and insults and geriatric, and now this.
25:06I can't, I can't, I can't even process it.
25:09We don't have to, because it's none of your business.
25:11Is there anything more calculated to upset me?
25:13I can't, I can't begin to imagine.
25:15Oh, always, always.
25:15It's always about you.
25:17Well, you're not even like that.
25:18Well, I am, so...
25:19Oh, right, so is that why you've got three kids to two different fellas?
25:21Oh, I'm not even getting into it.
25:22Inez!
25:23Of all people, oh, of course it's Inez.
25:26Obviously, it's Inez.
25:27What could be worse than that poisonous little toss of Bruno?
25:30Only you could aim so high.
25:32Oh, my God.
25:33Oh, my God, I think I'm having a heart attack.
25:35I think I'm having a stroke.
25:36Better have a lie down, then.
25:37If you think for one minute, for one fraction of a split second, that I am child-minding
25:43and babysitting and taking people to school and on holiday and everything else to do for
25:47you, while you go doing what... whatever it is you're doing with that bitch.
25:52I don't think anything.
25:54I don't expect anything from you, because all you want to do is show off what a wonderful
25:59granny you are and what a useless parent I am.
26:03Well, you know, if the cat fits.
26:04All right.
26:06Fuck you.
26:08I'm off.
26:09And I'm taking Bronte with me.
26:10Where?
26:12Where?
26:13And for your information, we was at it when she lived here.
26:16Before I even went out with Bruno, before Bronte were born.
26:19And if you hadn't kicked up such a fuss and made life so hard for everybody when my dad
26:24left, we'd have probably got it together then.
26:26And I never would have been involved with bloody Bruno.
26:29And I don't suppose it's ever occurred to you that I was basically having a breakdown
26:35when your dad left.
26:36Oh, me, me, me, me.
26:38She's having you on.
26:40She isn't.
26:41She is.
26:42You forget I know her.
26:43You don't know her.
26:45You think you do, but you don't, because you are blind.
26:49It's all twisted in your mind.
26:52All the truth about what happened with me bloody dad.
26:55And I'm out of here.
26:57And you won't be seeing none of these kids for dust ever again.
27:39And I'm not too.
27:39No, you're not too smart.
27:40You, you, you.
27:40You just feel brighter.
27:40You a little bit too.
27:43I wanna hang out with you some little kids.
27:43I wanna hang out with you some Herzog, the Mahalo.
27:43I'm not too late.
27:43I'm not too late.
27:43I'm not too late.
27:44I don't know you're wasting time with all of them.
27:44I don't know you're doing the best.
27:45I don't know you.
27:48I don't know you're lying.
27:52You're lying.
27:58I don't know.
28:50I don't know.
29:13I don't know.
29:21I don't know why.
29:22I think I've always been disposed this way, but somehow it's all got to be more of a burden recently.
29:28Don't be sad about it.
29:30I want you to have a wonderful life.
29:33Always try and be happy and try to be consciously aware of it when you are happy, because I've discovered
29:39that if you're not careful, it can all slip away from you far too easily.
29:44I will always love you, wherever you are in the world, and wherever I may have gone to.
29:54Mum.
30:05Oh, my God.
30:11Fuck, no.
30:13Go.
30:18Go.
30:27Go.
30:30Go.
30:45Oh, my God.
31:13Hello, Tom?
31:14Mum, hi. You busy?
31:16No, I'm not. I'm just driving home from work.
31:19So, you know what I said yesterday about coming over to see you and changing the day?
31:23I do, yeah.
31:24Well, the thing is, what are you doing this Sunday?
31:28Because me and Fern were going to Liverpool to see my mate Toby, but he's blown us out because he's
31:33got COVID.
31:34Oh, dear. Is he all right?
31:36No, the twat is in bed.
31:38Well, that's fantastic.
31:41Shall I make us some lunch?
31:42If you like.
31:43Oh, well, you could take me out, seeing as it was meant to be for Mother's Day.
31:47Yeah, but if you're making lunch anyway...
31:49Well, I wasn't, but that'll be lovely, though.
31:51Sunday lunch at home with you.
31:54And this is definite, you're not going to blow me out if you get a better offer, are you?
31:59Of course not.
32:00Right.
32:01OK, well, I'll be very happy to see you.
32:04All right. Love you. See you later. Bye.
32:06Bye.
32:07Bye. Love you.
32:09Bye.
32:11Bye.
32:14Bye.
32:31Bye.
32:46Hi.
32:47Hi.
32:47I'm still here.
32:49Good.
32:50Have you had a good day?
32:52Yes, actually.
32:53Really not too bad.
32:55What about you?
32:57Listen to this.
32:58I'm going to do it on this because I can't work out loud pedal on that.
33:05Ahem.
33:11I used to think your words could hurt me.
33:17We were spiralling and taking chunks out of each other.
33:21But you crossed the line and you lost your wife.
33:28When you said to me, you're just like your mother.
33:35Saying it like it's an insult says more about you than it does about me.
33:42He said, oh, you're just like your mother.
33:45He said, oh, you're just like your mother.
33:47Poor little man-child forced to suffer because apparently I'm just like my mother.
33:54The joke's on you because you never really knew her.
33:59A rebellious suburban badass bitch.
34:03You're never for a second would have taken your shit.
34:06Saying it like it's an insult says more about you than it does about me.
34:11He said, oh, you're just like your mother.
34:15He said, oh, you're just like your mother.
34:18Poor little man-child forced to suffer because apparently I'm just like your mother.
34:25That's as far as I've got.
34:26Oh, Kitty, that is wonderful.
34:29Do you not like it?
34:29No, I do very much.
34:31Are you laughing?
34:31No, it's really good.
34:33I was smiling.
34:34You think it was shit?
34:35Not remotely, but did you not like the Rebel with the Sparks card line?
34:38She's the countdown queen.
34:39Yeah, I just, I haven't got it in there yet, but I will.
34:42And you can play?
34:43Oh, I flicked through the manual.
34:44Oh, come on.
34:45I did GCSE music.
34:47You never said.
34:48I forgot.
34:49I wanted to get out of hockey, but yeah, and I had keyboard lessons for a couple of years,
34:53so hardly anyone did music O-level at my school.
34:56And I went to a grammar school.
34:57Well, you're assuming I went to shit street high, which I did to start with,
35:00but then we were 13.
35:04I got sent to this posh private school in North Yorkshire.
35:08Only I got expelled.
35:09Did you really?
35:10Eventually, for dealing in illegal substances, yeah?
35:13No, I mean, did you really go to...
35:14Oh, my dad made a lot of money one way or another, plus he couldn't stand the sight of me,
35:17so it was no-brainer to shell out some notes and just dump me in some smart arse school.
35:24My mum had died, so yeah, it was just a nuisance as far as he was concerned, so...
35:30Oh, I'm sorry.
35:31I know, it was an education in all sorts of things.
35:36Except, you know, education.
35:38No, I mean about your mum.
35:44Well, I am very impressed.
35:49I've made spaghetti bolognese.
35:51Have you?
35:51Well, I've made something.
35:53Is...
35:54Is that OK?
35:55Yes!
35:56Yes!
35:57It's a treat for me, coming home to a cooked meal.
36:01I was worried you might have left.
36:02I was worried you might have suddenly got it into your head that I was some kind of weirdo and
36:05cleared off.
36:06Well, it did occur to me you might be a serial killer.
36:08Did it?
36:09Hmm, I'm not.
36:10Well, I would say that, wouldn't I?
36:12I'm not either.
36:13I have got many and varied faults, but that's not one of them.
36:16I'm going to come get changed, and then would you...
36:18want to sing it again?
36:19Oh, you can stand it.
36:20Oh, I'm so excited.
36:22Oh, my God, you have written a song.
36:24Half a song?
36:25They were your words, and I feel it was your tune.
36:27No, no, you came up with the tune.
36:29Did I?
36:29Well, one of us did.
36:34I'll open a bottle of wine.
36:35I'll put spaghetti on.
36:50Um, my son and his wife are going to come over for lunch on Sunday,
36:54and if you're still here, which you probably won't be,
36:56because you probably will have found somewhere of your own,
36:59with your own friends by then, but if you are here...
37:01I'll make myself guess.
37:03No, I mean, you'd be welcome to join us.
37:05Oh.
37:08Sure, thanks.
37:09And I need to give you the number of my surgery.
37:12Oh, and I spoke to my friend Jess this morning,
37:14and if you need any work, just to tide you over,
37:18she said she might be able to offer you something behind the bar.
37:21She owns a pub in Hepton.
37:22The Duke.
37:23Do you know it?
37:25OK.
37:25Thanks.
37:27Thanks.
37:31Thanks.
37:35Thanks.
37:39Thanks.
38:00He said, oh, you're just like your mother
38:03He said, oh, you're just like your mother
38:06Poor little man, child, forced to suffer
38:09Because apparently you're just like your mother
38:13He said, oh, you're just like your mother
38:16He said, oh, you're just like your mother
38:20Poor little man, child, forced to suffer
38:23Because apparently you're just like your mother
38:26He said, oh, you're just like your mother
38:34Fucking hell
38:54This is West Yorkshire Adoption Services.
38:57Our lines are currently closed.
38:59Please call back between the hours of 9 a.m.
39:14This is Kitty.
39:18Kitty Eckersley.
39:20And this is Holly and...
39:22Nisha.
39:23Nisha.
39:24And Cam.
39:25Cam.
39:26Hiya.
39:26Oh, and Yvonne.
39:28How'll do?
39:29Hello.
39:30Hiya.
39:31Hiya.
39:33Where's Jess?
39:34Right, I'm here.
39:35I'm here.
39:37Sorry, sorry, sorry.
39:38Don't find the lead for this bloody karaoke speaker.
39:42Just trying to do a thousand things at once.
39:44Are you alright?
39:44Yeah, yeah.
39:47Oh, is this Kitty?
39:49Hello, I'm Jess.
39:50What have you done to your mouth, love?
39:52Cut myself shaving.
39:56I was telling Jess on the phone.
39:59Kitty has got the most amazing singing voice.
40:02And are you alright now then, Beth?
40:04Don't start.
40:05I wasn't.
40:06I was being nice.
40:07Yes.
40:07Thank you, Yvonne.
40:09What are we going to do first?
40:10Can we do Waterloo first?
40:12Because it's the only one I've got a remote chance of getting through.
40:14Yeah, and we've been working on our moves to Waterloo, so.
40:17Lovely.
40:18Great.
40:19Plus, also me and Beth have been working on this other song for the last two days.
40:22I want to add that to the mix of stuff we might end up doing at this talent show as
40:26well, so.
40:26Yeah, we could sing it for you and then, if you like it, maybe we could all work on it.
40:31Yeah.
40:32Sure.
40:34Right.
40:34So, hang on.
40:35Do you all know how to get plugged in and tuned up?
40:37Well, we'll find out, won't we?
40:38Sorry, how do you two know each other?
40:39Oh, we don't.
40:41Not really.
40:42I heard Kitty singing in a bar the other night after I left here and I couldn't believe it.
40:47She sounded so...
40:50Gets you.
40:50Right here.
40:52So I asked her to join us.
40:53I need to get my keyboard out of the car.
40:55Do you want a hand there?
40:57Oh, thank you, Count.
40:59Are you all right?
41:00Be all right.
41:00Be all right.
41:11Have we got microphones?
41:12Yeah, we've got microphones, Jess.
41:13Yes, that's what I'm doing now.
41:15Miranda says that karaoke amp should work perfectly well for what we need.
41:19Yeah.
41:21Er...
41:21Right.
41:23Er...
41:23There's some microphones standing somewhere.
41:26It's all right, Nisha, do you mind just going next door and ask them around about
41:28they are?
41:29John!
41:39Where'd you get all that from?
41:41Oh, people are so pathetically grateful when you deliver their babies for them without
41:44damaging them.
41:45Nearly makes up for the stupid hours we have to work and not getting paid properly.
41:49It's only borrowed.
41:49You can stop turning green.
41:58Right.
41:59Is everybody ready?
42:00Woo!
42:00Ready.
42:01On the count of four then, yeah?
42:03Mm-hm.
42:04Okay.
42:05And...
42:05One, two, three, four.
42:10Sorry, that was me.
42:12Sorry, that was shit.
42:13Just go again, go again.
42:14Straight away, come on, Jess.
42:16One, two, three...
42:17Hang on, hang on.
42:18Five, seven, nine.
42:19Ahem.
42:21Right, okay.
42:22Are we ready?
42:23Yep.
42:25One, two, three, four...
42:26To be done.
42:31It's chα».
42:33Had, oooh...
42:33Two, three, three, four...
42:34A wall of love, upholding his surrender.
42:39Oh yeah, and I have met my destiny in quite a similar way.
42:46The history book on the shelf is always repeating itself.
42:59Stop, stop, stop, stop, stop.
43:01Push that beat, love.
43:02That is too slow.
43:03There's no energy holding Beth back.
43:05And horse without moves.
43:06I know, I know.
43:07I'm sorry.
43:07I'm sorry.
43:08I was worried about you, Holly, actually.
43:10I thought I was rushing you.
43:11Yeah, I'm sorry.
43:11This is hard.
43:12This is difficult.
43:13I've never done this before.
43:14Yeah, mate, we could...
43:16Jess, are you all right?
43:18Yeah.
43:18Right, OK.
43:19Well, maybe we'll just play it through once,
43:20no matter how bad or slow we're out of time,
43:22and then we unpick it afterwards, yeah?
43:24Yeah, oh, you two could play at the proper speakers,
43:26you know what you're doing.
43:28And you two just...
43:30just do what you can.
43:31If you get lost or whatever,
43:32just come back in when you can, all right,
43:34cos they can keep it going.
43:35Is that how you're going to sing it?
43:37Are you, uh...
43:39are you talking to me?
43:40Well, it was aggressive.
43:41It was verging on nasty.
43:42It's not that sort of song.
43:44Well, that's my shtick, baby.
43:46It's the mood I'm in.
43:48If you want Saka in,
43:49you're looking at the wrong chick dudes.
43:51Seriously.
43:53Yeah.
43:55I think you sang the wrong words there, Kitty.
43:58It's...
43:59Waterloo, how would you feel if you won the war?
44:02No...
44:04Well, you sang something different.
44:08Waterloo, I was defeated, you won the war...
44:11Oh!
44:11Wow, OK, who knew?
44:13Ah, play a play.
44:15I prefer your version, though.
44:16It's less meh.
44:17Like handing everything to the garner plate.
44:19Do you like our moves, Kitty?
44:21I didn't see them, love.
44:22I wasn't looking at you.
44:24Oh.
44:25Sorry.
44:26I'll look out for them next time.
44:27Oh, I forgot to say,
44:28there's a couple of little saxophone solas in the chorus.
44:30One after war.
44:31I was defeated, you won the war.
44:36That's it.
44:37Couldn't escape if I wanted to.
44:39That we thought that you could do them on that,
44:41if you feel up to it at some point in the future.
44:43Who did?
44:44Well, me and Beth did.
44:45When we were driving over earlier, listening to it.
44:49Do you know which bit I mean?
44:50Yeah.
44:51Yeah.
44:55Maybe not today, but, you know, eventually.
44:57Going to count us in again, then just a go!
44:59Right.
45:00Is everyone ready?
45:01Yes.
45:01Right, here we go.
45:03One, two, three, four!
45:31One, two, three, four!
45:34I was defeated, you won the war.
45:40One, two, two, three, four!
45:42I promise to love you forevermore.
45:46One, two, three, four!
45:49Couldn't escape if I wanted to.
45:53One, two, three, four!
45:55Know in my face to hear you.
45:58Whoa!
46:00One, two, three, four!
46:06She's got it. She's in the garage.
46:17And now it seems my only chance is giving up the fight.
46:24And how could I ever refuse?
46:27Oh, oh, oh, oh, oh, oh.
46:57Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
47:00What a load of shit, that one.
47:06Wow, Kitty.
47:09That was an unimpressive performance
47:11of someone who was throwing the guts open on a drip less than 72 hours ago.
47:16You were a bit sheer, but you'll get there.
47:20Six weeks. It's only a verse.
47:23Would anyone like to hear this song that Mia and Kitty have been working on?
47:26Oh, yay! I do. Where is she?
47:30Mia. Oh, where she is.
47:37What's this for? Oh, no, just this after the contest,
47:40we think we want to carry on and do more stuff.
47:42What are you doing? Well, our own stuff.
47:45I mean, obviously, we don't have to.
47:47If you just want to do the contest, that's fine.
47:50It's a song about me and Martin, my husband,
47:54and the stupid arguments we used to have,
47:55and one particularly stupid and recurring argument
47:59that we occasionally indulged in.
48:02Okay, Jess?
48:06Yeah, yeah, sorry, sorry. Carry on. Yeah, yeah, sorry.
48:17I used to think your words could hurt me.
48:23We were spiralling and taking chunks out of each other.
48:28But you crossed the line and you lost your wife
48:35when you said to me, you're just like your mother.
48:40One, two, three, four, saying it like it's an insult.
48:45Tells more about you than it does about me.
48:48He said, oh, you're just like your mother.
48:51He said, oh, you're just like your mother.
48:54Poor little man-child forced to suffer
48:57because apparently I'm just like my mother.
49:00The joke's on you because you never really knew her.
49:05A rebellious suburban badass bitch
49:08who never for a second would have taken your shit.
49:12Saying it like it's an insult.
49:15Tells more about you than it does about me.
49:18He said, oh, you're just like your mother.
49:20He said, oh, you're just like your mother.
49:24Poor little man-child forced to suffocate.
49:26Because apparently I'm just like my mother.
49:31Rainbow with a Sparks card.
49:33She's the Countdown Queen.
49:36Gotta go.
49:38Don't wanna miss the Chelsea Flower Show.
49:41He said, oh, you're just like your mother.
49:44He said, oh, you're just like your mother.
49:47Maybe I'm just like my mother.
49:50At least I'm nothing like yours.
49:52He said, oh, you're just like your mother.
49:55He said, oh, you're just like your mother.
49:59Maybe I'm just like my mother.
50:01Yeah, fuck you, I'm just like my mother.
50:15That's exactly what Simon used to say to me.
50:17The one I was married to before this one.
50:19You're just like your mother.
50:21Anything, everything I said or did that he didn't like,
50:23which was legion.
50:24You're just like your mother.
50:25You never said.
50:26Yeah, well.
50:28Bastard.
50:28You don't like her in your dirty linen, do you?
50:31Idiotic bastard.
50:32I think that's really good.
50:35I mean, it's really good.
50:37When did you write that?
50:39Yesterday.
50:41Well, Kitty did.
50:42No, you wrote the lyrics in the tune, sir.
50:44No, I didn't.
50:45You did.
50:45No, I didn't.
50:46I'm sorry.
50:47I've just got to pop inside.
50:48Just had a text on Miranda.
50:51That was brilliant.
50:51Honestly, it was...
50:52It was absolutely...
51:09When was this?
51:10Half an hour ago.
51:41I might pop in and see you tomorrow,
51:43bring back some more old bits of a uniform I found in my cupboard.
51:47I hate it without you.
51:49No, you don't.
51:50I do.
51:57I was in the main office yesterday doing the callbacks.
52:01There was no-one else around,
52:03except Sergeant Arsall off in kitchen.
52:05And then Rudy sneaks up behind me,
52:08puts his hands up under my arms like this and goes...
52:11Mate, mate.
52:14What did you do?
52:15Nothing.
52:18I was like...
52:19Did that just happen?
52:21And by the time I realised, yeah, it did,
52:23he was down the other end of the room playing with photocopier.
52:25Why did you not cut his hands off at the elbow?
52:27The rusty fretsaw.
52:29I don't know.
52:31I was all ready for him.
52:32I was gonna scream my head off.
52:34I was gonna stab him in the thigh with my braddle.
52:37That one I keep on my desk for emergencies,
52:38like you told me to.
52:40That just froze.
52:43That again.
52:45You've got to put in a complaint, kid.
52:46Why?
52:47If I can't even deal with a numpty like that without going upstairs squealing it to the boss,
52:50I'm not even fit to be in the job, am I?
52:51You are not the problem in this scenario.
52:53He is.
52:56I'm coming in. I'm gonna say something.
52:58He's a wanker. He shouldn't be there.
52:59I'm gonna talk to Tony.
53:00Don't. Do not. I mean it.
53:02Just...
53:05I was just telling you.
53:07It's just letting off steam.
53:11Don't say ho.
53:12She'll only tell my mum that it looks at her.
53:14Hiya.
53:16What's up?
53:17Work.
53:19Oh.
53:20We're all going for a drink.
53:21Okay.
53:24I'll get you one in.
53:26Yeah.
53:29What's going on with Jess?
53:31I don't know.
53:33That kitty's got some pipes on her, hasn't she?
53:36Did she say Eckersley?
53:41She's Keith Eckersley's daughter.
53:43She's been inside twice.
53:45Drugs.
53:46Assault.
53:47You name it.
53:48Wasn't he really...
53:50Oh.
53:50Complete scum.
53:52But the top echelon of scum.
53:54He still is somewhere.
53:55He ran Bradford for years.
53:57On fear.
53:59People disappeared, including a couple of police officers.
54:02It's never been done for it.
54:06Still, she has got some pipes on her.
54:14Yeah.
54:14I think we need lights.
54:16Yeah.
54:20And then two could do some...
54:21Definitely.
54:22Definitely.
54:23Yeah.
54:23I...
54:23Yeah.
54:23Chris, Jess, Jess, Jess.
54:24What is going on?
54:27Chloe.
54:28Chloe.
54:29And the babies.
54:30She picked up from school yesterday and they've gone to live with Inez.
54:34All fucking people.
54:36And then they've just been and got all their stuff now.
54:39Just now while we're in the garage.
54:41Inez?
54:41Why Inez?
54:45Oh.
54:46Are they...
54:50Did you know that Chloe was...
54:52Was both ways?
54:53Oh, she could be seven fucking ways for all I care.
54:56Inez?
54:56Yeah?
54:57For fuck's sake.
55:00Oh, fine.
55:02Who's Inez?
55:03See, this is the sort of thing we should be writing songs about.
55:07Inez aside, I am sorry, Jess.
55:10No.
55:10But Chloe has messed you about for years.
55:12I'm sorry but it's true.
55:13No, I know, I know, I know.
55:16I should write about this twat at work I'm having trouble with.
55:20What twat at work that you're having trouble with?
55:22Don't tell them.
55:23Write it down.
55:24Write everything down.
55:25And then we can turn it into a song and get Kitty to go and sing it at him.
55:29I could.
55:30I should.
55:33Well.
55:34I'm gonna write about this arsehole that's messed me around.
55:38That'd rock the casbah.
55:39What arsehole?
55:40I should write about Mum.
55:42I went on a ride old rollercoaster with her yesterday.
55:45She got a taxi to Sorby Bridge Railway Station in a nightie.
55:48Fuck's sake.
55:50I did send you a text.
55:51I'm sorry.
55:52I shouldn't criticise Chloe.
55:54No, no, no.
55:55You...
55:55Feel free.
55:56I said to her...
55:58I said is there anything more calculated to upset me?
56:01I was just right over her head.
56:03You could probably write a song about most kids though, couldn't you?
56:06Well, I know I could about Tom.
56:08They're coming over for lunch on Sunday, him and Fern.
56:11Because we missed Mother's Day.
56:14Because they were with her mum and dad.
56:16Like they were last year and the year before that.
56:18Well, at least he's coming though.
56:20Yeah.
56:20Oh, he's a lot better than he used to be though, Beth.
56:22You know, when he was younger.
56:23Oh, yeah, yeah.
56:25No, he is, he is.
56:26Why, was he a little bugger as well?
56:27I think a little bugger might be an understatement.
56:32I used to think it was because he was adopted.
56:34But some of the stuff the kids at my school get up to, you wouldn't believe.
56:39And they weren't adopted.
56:40A lot of them have got issues, but...
56:41Oh, was he adopted your boy, Beth?
56:43Well, fostered, then adopted.
56:45Well, I think he must be a saint for adopting someone else's unwanted child.
56:49You don't know if he was unwanted.
56:50Sometimes people just can't go up.
56:52How old was he?
56:53Oh, he was a baby.
56:55He was tiny.
56:55Local?
56:57Yes.
56:57Two days old.
56:59We collected him from Calderdale Royal.
57:01Oh, that's where I was.
57:03Oh, Princess Royal, as was.
57:05I think his mum was very young.
57:09You know, tragically too young.
57:12How old is he now?
57:1431.
57:15What's his star sign?
57:16Oh, I never know about star signs.
57:19I think he's a Leo, 20th of August anyway.
57:2220th of August, 1993.
57:24Yeah, he is Leo.
57:26Well, there you go, then.
57:28Stubborn.
57:29Stubborn.
57:29Oh, yeah.
57:30Jim.
57:31And all the stars were just like little fish.
57:40He's gonna go out today.
57:42Okay, love.
57:45You should learn how to say no.
57:47You should learn how to say no.
57:50My last day, yeah.
57:56Mine is forever.
58:02My yesterday
58:07Mine is forever
58:10And they get what they want
58:13And they'll never want it again
58:16Go on, take everything
58:19Take everything
58:20I want you to go
58:23Go on, take everything
58:24Take everything
58:26I want you to go
58:28Go on, take everything
58:30Take everything
58:32I want you to go
58:34Go on, take everything
58:36Take everything
58:38Take everything
58:39Take everything
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