β Riot Women (2025) - Season 1 Episode 4
When silence is no longer an option, one voice becomes many. In Episode [4], [brief hook: see episode-specific hooks below]. Follow a group of courageous women as they challenge the status quo, fight for justice, and discover the power of standing together.
πΉ Episode Highlights:
β’ [E01 Hook: "A personal injustice ignites a movement that can't be stopped"]
β’ [E02 Hook: "From strangers to sisters: building trust in the face of opposition"]
β’ [E03 Hook: "When the stakes rise, who will stand firm and who will falter?"]
β’ [E04 Hook: "Truth has a price β but is freedom worth the cost?"]
β’ [E05 Hook: "No turning back: the movement reaches a pivotal crossroads"]
β’ Powerful performances, emotional depth & stories that resonate beyond the screen
πΉ Series Info:
β’ Format: Social Drama / Empowerment Series / Contemporary Storytelling
β’ Original Network: [Customize: e.g., Streaming Platform / International Syndication]
β’ Season: 1 | Episodes: 1-5
β’ Theme: Women's Rights, Social Justice, Community Activism
β’ Language: English (Original Audio) + Subtitles Available
β’ Runtime: ~45-60 minutes (full) | Clip/Highlight version: ~10-15 min
π§ Prefer audio? Listen to Riot Women recaps & social drama podcasts on Spotify, Apple Podcasts.
π Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Which character's journey resonates with YOU? πβ" Turn on notifications π so you never miss the next stand!
#RiotWomen #RiotWomenS1 #EmpowermentDrama #SocialJusticeTV #WomensRights #S1E[X] #CourageousStories #BingeWatch #StreamingSeries #WomenWhoLead #DramaWithPurpose #StandTogether
β οΈ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "Riot Women" belong to the original production company and broadcasting network. This upload complies with Fair Use guidelines (Section 107, U.S. Copyright Act). No copyright infringement intended.
When silence is no longer an option, one voice becomes many. In Episode [4], [brief hook: see episode-specific hooks below]. Follow a group of courageous women as they challenge the status quo, fight for justice, and discover the power of standing together.
πΉ Episode Highlights:
β’ [E01 Hook: "A personal injustice ignites a movement that can't be stopped"]
β’ [E02 Hook: "From strangers to sisters: building trust in the face of opposition"]
β’ [E03 Hook: "When the stakes rise, who will stand firm and who will falter?"]
β’ [E04 Hook: "Truth has a price β but is freedom worth the cost?"]
β’ [E05 Hook: "No turning back: the movement reaches a pivotal crossroads"]
β’ Powerful performances, emotional depth & stories that resonate beyond the screen
πΉ Series Info:
β’ Format: Social Drama / Empowerment Series / Contemporary Storytelling
β’ Original Network: [Customize: e.g., Streaming Platform / International Syndication]
β’ Season: 1 | Episodes: 1-5
β’ Theme: Women's Rights, Social Justice, Community Activism
β’ Language: English (Original Audio) + Subtitles Available
β’ Runtime: ~45-60 minutes (full) | Clip/Highlight version: ~10-15 min
π§ Prefer audio? Listen to Riot Women recaps & social drama podcasts on Spotify, Apple Podcasts.
π Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Which character's journey resonates with YOU? πβ" Turn on notifications π so you never miss the next stand!
#RiotWomen #RiotWomenS1 #EmpowermentDrama #SocialJusticeTV #WomensRights #S1E[X] #CourageousStories #BingeWatch #StreamingSeries #WomenWhoLead #DramaWithPurpose #StandTogether
β οΈ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "Riot Women" belong to the original production company and broadcasting network. This upload complies with Fair Use guidelines (Section 107, U.S. Copyright Act). No copyright infringement intended.
Category
π₯
Short filmTranscript
00:06I mean, it's extraordinary, they're meeting like that, not realising they had a connection.
00:11And how did they meet, exactly?
00:12I told you.
00:14Beth heard Kitty singing in a pub.
00:16I did tell him.
00:17And it was here.
00:18Here?
00:18Well, not here.
00:20A pub in Hebden Bridge, but I shouldn't think it would be this one.
00:23I mean, didn't you say it was a bit of...
00:24A bit of a nicky-sticky car.
00:25A bit of sawdust.
00:26And then what?
00:27Well, does Beth go around picking up women in disreputable pubs nowadays, Martin?
00:31Is that what you would used to do?
00:33Can you pass the mayo, Dad?
00:34No.
00:35No, she was looking for a singer for this comedy rock band, so...
00:38For this do.
00:39This charity do this evening.
00:41So?
00:41So, she was just walking past a pub.
00:44And she heard this amazing voice, so in she went, and Kitty really can sing, apparently.
00:51I mean, possibly not Maria Callas, but...
00:55And so, no more information yet about who...
00:58Who your, uh, biological father is, Tom?
01:03Um...
01:05We've only ever actually met her that once, so...
01:07Oh, really?
01:08Mm.
01:09So this is only the second time we all have asked...
01:11Well, they were going to come to us in Sheffield, Beth and Kitty, for something to eat, but we never
01:14seemed to be able to fix a date, did we?
01:16Then we were going to go up there again, but it didn't happen.
01:18So, yeah?
01:19No, apart from the odd text...
01:21You know, it will probably take some time before she's able to talk about something like that.
01:27I mean, you don't know if she was raped, or if it was incest...
01:32Beth, Beth, Beth.
01:34We've always thought you were a bit gay.
01:36And that's very sweet, but I'm not gay.
01:40Kitty's...
01:41I'm your birth mother.
01:49How do you...
01:51How do you know?
01:51Because I had a letter a few weeks ago, from the adoption services, after you got in touch with her.
01:56The dates all match, and the ages.
01:59I mean, we need to verify it, of course, but...
02:02It seems pretty conclusive.
02:05So how...
02:06How come that you found, um...
02:10Kitty.
02:11Before me?
02:13It was honestly a complete fluke.
02:15We got to know each other before either of us knew that we had any kind of connection.
02:21You should have told me before...
02:23Before we came.
02:24She tried to.
02:25She left a load of messages for you to phone her back.
02:27But you didn't.
02:30Are you all right?
02:32Yeah.
02:34Are you, Kitty?
02:35You deserve better than this.
02:39You come in here, and the first thing you do is tell your mother...
02:42You get your wife to tell your mother why you can't stay long, even though you haven't been here for
02:46months.
02:46And then you look me up and down, like I'm something you just trod in when you haven't got a
02:50fucking clue of who I am.
02:52And then you tell her you're going on a holiday with your dad, because you're worried he's lonely.
02:56What about her?
02:57Have you any idea what she's been through lately?
02:59It's kind.
03:00Brilliant woman.
03:01No, you don't.
03:02You've no idea, because you never see her, and you never fucking ask.
03:06Kitty, don't.
03:06What do you mean?
03:09Um, I've just been a bit low recently.
03:11That's all.
03:12Have you?
03:13Why?
03:13Oh.
03:15I'll go.
03:16No, no, don't.
03:16Please don't.
03:17What did you want me for?
03:18I mean, was there a particular reason why you wanted to contact me now?
03:22Just want to know what I look like.
03:25Were you, um...
03:28We were thinking about starting a family.
03:31Really?
03:32Oh.
03:33And...
03:35Well, I think that's what prompted it.
03:37If there was any medical history that we should know about.
03:42Medical?
03:46I don't think so.
03:50I don't know.
03:50I have no idea.
03:55I'm sorry, Bethany.
03:56I'm not going to come.
03:56No, please.
03:58Kitty.
03:59Don't.
04:04Well...
04:06What have you been depressed about?
04:08Well, you know, crannying.
04:10Work.
04:11Been on my own.
04:12And I'm just at that age.
04:15Hmm.
04:17So...
04:17Anxiety, insomnia, apathy, low mood, brain fog.
04:21Feeling like you're disappearing down a black hole.
04:24Drowning.
04:24Going mad.
04:27Fading away.
04:28Just...
04:29That sort of thing.
04:31Look, I don't want you two to get off on the wrong foot.
04:38And I did ring you last night, Tom.
04:40Oh, what time is it?
04:42Doors open at seven and we don't want to be sitting at the back.
04:46Or do we?
04:48Let's start a riot.
04:50We won't be quiet.
04:52Riot when we're gonna set this world on fire.
05:03Do you feel Randy?
05:06I feel nervous.
05:07You know, I mean, since I went to doctors.
05:10What?
05:10The HRT?
05:11Yes.
05:12I do.
05:13It comes over me every now and again.
05:14The most unlikely moment.
05:16Oh.
05:17Which is bizarre.
05:18And delightful.
05:19Because I had thought all that was behind me.
05:21Do you know what?
05:22Right now, I could shag anything that moves.
05:25Anything with a pulse.
05:26Anything.
05:27Anything.
05:32Either that.
05:33I'm gonna have to go into toilets and sort myself out.
05:36Not in the infants, Kitty.
05:38Come in with me if you want.
05:39Finish me off.
05:40I wouldn't know where to start.
05:42Don't be so disingenuous.
05:43I'm gonna stop teaching you all those big words.
05:46Maybe it's nerves.
05:46Maybe it's the adrenaline.
05:48I think it probably is the HRT.
05:50I've started to feel about a hundred years younger in the last few weeks.
05:54You look great.
05:56So do you.
05:57Come on, then.
05:58It'll take two minutes.
06:00I'm on fire.
06:01I'm very fond of you, Kitty.
06:03And it's sweet of you to offer.
06:05But contrary to what Fern thinks,
06:07a deep dive into lesbianism at this late stage
06:10is not on the top of my list of things to do.
06:12We need to get you a fella.
06:15You know Martin's coming, don't you?
06:16The thing is with Martin, though,
06:18he's long gone, baby.
06:21I'm just saying.
06:24And the in-laws.
06:25Bloody hell, you wait till you meet them.
06:28Oh, yes, we're masked, Cap.
06:30Anything for the refugees.
06:32Ha, ha, ha, ha, ha.
06:34Of course, it's all housewife.
06:35Couldn't give a fuck about the refugees.
06:37They're just coming to gawp at you.
06:39Might be disappointed, won't they?
06:41What are we going to do about this low opinion
06:43you have of yourself?
06:45Don't know.
06:45Drown me in a bucket.
06:47Do you feel like that when you're singing?
06:50On stage in front of people
06:51with that fabulous voice?
06:54Yeah?
06:58Tom hates me.
07:00Don't say that.
07:01I don't care.
07:02I mean, I do.
07:03But, you know.
07:05As long as you and him are all right.
07:07He doesn't know you.
07:09But he will.
07:11In time.
07:13For fuck's sake.
07:14Can't use me own kit.
07:15Why?
07:16I've got to use the drum kit
07:18belonging to the fellow from that granddad band
07:19because there isn't time to take more than one kit
07:21on and off stage during the performance.
07:23And they've all decided in advance,
07:25without consulting me,
07:26because, you know, why would they,
07:27that we're using his kit.
07:29But he's being a twat.
07:30And he won't let me practice with it properly.
07:32But which wouldn't be a problem
07:33if his high hat and his snare
07:34weren't, like, way up there.
07:36And his crash and his ride
07:37weren't way up there.
07:39So, look, if your august tits up
07:40in the percussion section,
07:41you'll know why.
07:42Jessie.
07:43Look, I'm so sorry.
07:45It's crazy.
07:46Please don't fall out with me.
07:48Look, we've had so many entries.
07:49And if I have to clear
07:51the entire roster between acts,
07:53we are going to be here till midnight.
07:54Charlie, it's fine.
07:56We'll work with whatever's there.
07:57We can do people.
07:58We're focused on the refugees.
08:00I mean, we have been practicing solitly, like,
08:02six weeks, you know.
08:03But if it's more important for him
08:04to show off his shiny new trap
08:06rather than be fair
08:07or reasonable, you know,
08:09no, I actually feel sorry for him.
08:11Are we having a sound show?
08:13Yes.
08:13When?
08:14Well, the rest of your band is out there now.
08:15That's what we're doing.
08:17OK, so we don't have long.
08:19Hallelujah.
08:20You should have texted us.
08:22Yeah, cos I'm your PA.
08:24Jess, do you want to try this again?
08:25I've adjusted everything down a notch
08:27so it's not too high for you,
08:28not too low for me,
08:29and I've pulled the crash
08:30and the ride in an inch or so.
08:32Come and have a go.
08:33See what I'm doing?
08:35Bastard.
08:39I think she's upset.
08:41Inez has joined the PTA now.
08:43She's stepped down, so...
08:44She needs to be on HRT, like the rest of us.
08:47She'd soon get over shit like that.
08:49Language.
08:49Kitty, look at this!
08:52Yvonne delivered this baby six weeks ago.
08:57I'm with Jacob.
08:58Hiya.
08:59He's been helping Yvonne with a guitar.
09:05Jackie, do you want a cuddle?
09:07No.
09:08I'll start lactating.
09:10I get ridiculous with babies.
09:11For fuck's sake, it's only a baby.
09:13Ten a penny.
09:14Come on!
09:15We haven't got so long.
09:16Can't you do that later?
09:17Come on.
09:19It's hit cracking.
09:20I need to nip out and get some supplies
09:21before kick-off.
09:22I'll be trying to look at walls.
09:23Where's Holly?
09:24Toilet.
09:25She's got diarrhoea.
09:26And I knew she don't get off till six.
09:28She did tell you that, didn't she?
09:32Oh, here she is.
09:35Oh, you're so nervous, you've shat yourself.
09:38It's not that big a gig, love.
09:39I knew this had happened.
09:42Ah, take your guitar to the toilet, will you?
09:45Yeah, well, I couldn't get it off.
09:46Could I have had to muddle your house so fast?
09:47You saw that arse action you've been involved with.
09:49Not.
09:51Is it nerves, Holly?
09:53Will you be able to go on?
09:54Yeah.
09:55What I'm really nervous about is the fact that my mother's decided she's coming.
09:59So I've had to persuade Adam and Carl to bring her in, so it's been all...
10:02What if she needs to take into the toilet?
10:04I'm not taking her.
10:05It's like, why, why, why?
10:06Can't they just rise to the occasion now and again?
10:09About turning everything into...
10:11Are you?
10:11Fucking opera.
10:12Sorry.
10:12Are we doing this?
10:15You are?
10:16I can't come.
10:17I can't get there.
10:18You're joking.
10:19Sergeant Arsall's just dropped three hours compulsory overtime on us all,
10:23cos Scunthorpe's beaten Halifax 5-0 at home.
10:25So all the numpties are going to get pissed and kick each other's heads in.
10:28Hold on, babe.
10:30They've just dropped three hours compulsory overtime on them all,
10:33cos Scunthorpe have beaten Halifax 5-0 at home,
10:35so they need extra policing,
10:36cos all the numpties are going to get pissed and kick each other's heads in,
10:39apparently.
10:40No.
10:41Shit.
10:41I'm going to look like a right turnip doing these moves on me own.
10:44Hang on, no, wait.
10:44Why don't I?
10:46I can move you down the programme.
10:47So I had you on at the end of the first act,
10:49but if you went to the very end,
10:52then...
10:53Yeah.
10:55Cos...
10:55Yeah.
10:56We won't be over by half past nine.
10:58Not even close.
10:59Thank God.
11:01Did you hear that?
11:01Yeah.
11:02Yeah, yeah, yeah.
11:03Yeah, yeah, yeah, yeah.
11:04Right, are we doing the sound checker box?
11:06Yeah.
11:07One, two...
11:07Can you put this on, please?
11:08One, two...
11:09One, two...
11:13One...
11:13My, my!
11:15I want a new Napoleon did surrender
11:23Right, I'm getting chewing gum, chocolate...
11:30Yep, right.
11:31Bags.
11:33Imodian.
11:34Yeah.
11:34I'll need some...
11:35I'm out.
11:35Back, back...
11:36I'm out.
11:36Back, back.
11:37But I'll just follow you.
11:44Gity?
11:48Gity!
11:52Hey!
11:54Gity!
12:02Gity!
12:02Hey!
12:06For sake!
12:11I'm not fucking running. Don't you fucking touch me!
12:15I'm not gonna touch your kitty. I just want to talk to you.
12:17What about?
12:20You'll come here.
12:20Fuck off!
12:21Look, I'm not with Shelly anymore. We never went to Antigua.
12:24Well, I didn't. She took kids and her mother.
12:26I'm living in the flat, our flat.
12:29She wants a divorce.
12:30Oh, fascinating.
12:31Look, come back to me.
12:33What? I'm serious.
12:36You got your mates because you're such a fucking coward.
12:39You got your mates from the rugby club to come and knock me about
12:41and chuck me out on the street with nothing, literally nothing.
12:43And now you want me to come back. I ended up in hospital that night.
12:46Yeah, but you didn't stop me smashing up my Jaguar the next day, did you?
12:49Come on, Kitty.
12:50You think that makes us even?
12:51Yeah, but we both made mistakes.
12:53I haven't even started.
12:54Look, I'm sorry.
12:57I miss you.
13:01You miss having someone who can supply with A-grade shit to shove up my nose.
13:06And do the kind of contortions in bed your wife wouldn't do.
13:10I've moved on.
13:12I've got stuff to do.
13:13So seriously, fuck off!
13:19Oh, you fucking, you filthy fucking whore!
13:27You die in a ditch one day, you.
13:29Like you deserve.
13:31Like all the rest of you.
13:33You're a fucking dirty, nasty fucker.
13:39Except you mucky bitch.
13:40Except you mucky bitch.
13:50And the pitch.
14:05And the pitch to Thek papers.
14:06And the pitch.
14:07And the pitch...
14:09And the pitch.
14:09And the pitch.
14:10I have here to go against it.
14:10And the pitch, because do you end there?
14:10Right, come on. Are we getting now? Yeah. Are we getting? Yeah, yeah, yeah. Right. Step to the side. Hello.
14:18Hiya, Nancy. Come on. Where are we going? Here. It's all right, but it's just standing there. I don't think
14:25we've done anything. Really. It's just standing there.
14:42It's so cute. Is it definite now about this kitty lady? Yeah, we've had the documents. And so how do
14:53you feel about it? She won't talk about who my biological father is, so I just have to assume that,
15:02yeah, wasn't a very nice person.
15:11Rape, incest. Maybe. Maybe not. Well, don't you say that if it was at all palatable, she would have told
15:19me.
15:21Either that. What? She doesn't want to talk about it, because she was complicit in it. Complicit? 12? No.
15:33Not complicit, but...
15:38I was talking to a friend at work, and when I said her name, he went like, oh, my God.
15:45And then he told me about this podcast, Gangs of the North, and there is literally one about her family.
15:52The Eckersleys. Keith Eckersley. Deeply, seriously unsavoury people.
15:59It's how I feel about her. I don't know, is the answer. It's just not.
16:07I thought we'd have things to say to each other. We didn't. The whole lunch was just awkward. It was
16:11ridiculous. I mean, I had no idea it was coming.
16:14Yeah, it does sound like it was handled rather badly.
16:17I always imagined I'd like her, and I don't know that I'd do.
16:31Oh, here she is. Miranda, we need you.
16:33Miranda. Why?
16:34Right, it's not entirely impossible that Nisha isn't going to get here on time, so we wondered...
16:39I wondered if you'd step in. We can't do the backing vocals.
16:42I can teach you the moves.
16:44Er, why me?
16:45Because you've heard your mum warbling all our numbers.
16:48At the top of her voice, apparently. At your house. So?
16:51Oh, I can't sing.
16:52Well, neither can I. That's our USP, Nisha and me. We're hopeless.
16:56Look, she will get here. It's just so if she doesn't...
16:59Which she will!
17:00I don't have to do the moves on my own.
17:03That's all.
17:06Okay.
17:08Good girl.
17:09Oh, my God. Is there something where we can rehearse?
17:11That's not in front of everybody.
17:12Yeah. Come over there.
17:13Yeah!
17:14Yeah!
17:17It's his finger. It's his finger. It's his finger.
17:21You got me running, going out of my mind.
17:25You got me thinking that I'm wasting my time.
17:29Don't bring me down.
17:31No, no, no, no, no.
17:37No, no, no, no.
17:38I'll tell you what's wrong.
17:39Before I get off the floor.
17:41Don't bring me down.
17:46You wanna stay out with your fancy friends.
17:50I'm telling you it's gonna be here.
17:54Don't bring me down.
17:56No, no, no, no, no.
18:02I'll tell you what's wrong.
18:04Before I get off the floor.
18:06Don't bring me down.
18:10Don't bring me down.
18:14Don't bring me down.
18:18Don't bring me down.
18:22Don't bring me down.
18:27What happened to the girl?
18:29You call me something around the blue just in case
18:32I should just let you go.
18:33Thanks.
18:35Don't let me down.
18:38Oh, no, no, no, no.
18:44I'm busy.
18:45Where are you?
18:45You're not at the Duke.
18:46I'm doing something else this evening,
18:47so don't even bother showing up right now.
18:49I know you are.
18:50I'm here.
18:51Where?
18:51Come on.
18:52Well, I went to Duke and somebody said you were here.
18:55So, where are you sitting?
18:56Here.
18:56You're at school?
18:58Affirmative. I'm stood at the back. Where are you?
19:00Have you got in? Tickets sold out weeks ago.
19:03Yeah, I lifted a couple from this old fella's jacket pocket.
19:06It's a shame, but they'll probably let him in anyway, won't they?
19:09I mean, his missus.
19:10He's lost the ticket before climbing, hasn't he?
19:13Somebody said I'd get a free drink with me ticket.
19:15Oh, Jesus Christ. What the fuck are you doing here?
19:19I've got some intel for you about your dad.
19:22Where you sat?
19:23No, I'm not there. What intel have you got about my dad?
19:25You're kidding me, man?
19:26I've got my tea sorted now.
19:28I'm not in the audience. I'm with one of the hats.
19:32Oh. Okay.
19:34What about my dad?
19:36Okay. Have you got a seat?
19:38What about my dad?
19:40Oh, there's two seats just here.
19:42No, Charlie. These are safe for Auntie Mary and Dyson.
19:45Okay, well, er...
19:47Are you there? Are you listening?
19:48Oh, there's one internal on here.
19:50Good evening, ladies and gentlemen.
19:53Look, I better go. It's kicking off.
19:55So, I'll find you after.
19:57Is there an interval?
19:58Yeah. I don't know.
19:59Break a leg.
20:01I'll tell you what's wrong before I get off the floor.
20:04Don't bring me down.
20:07And I had the pleasure of watching the act rehearse before today.
20:11And let me tell you, you're in for a treat.
20:13It's so wonderful to gather at the school...
20:16Would you mind holding me that, love?
20:17Why I open the crisps?
20:18...so goodly important to pause.
20:19And all proceeds from tonight's rent.
20:21We'll be going to charity.
20:23And your generosity will provide essential resources
20:26to those who are most in need.
20:28So, together, we can make a real difference
20:30with refugees who are seeking safety,
20:33hope, and a new beginning.
20:37You're chewing.
20:38I'm not chewing.
20:39I can hear you're chewing.
20:41Sucking.
20:42I'll be like that, then.
20:44I'm not chewing.
20:45I'll say it, then.
20:47Hmm?
20:49Oh, no.
20:50One way.
20:51One way.
20:51You've cheated.
20:51You've put another one in.
20:52When?
20:52When have I?
20:53You'd have seen me do it.
20:55All right, come on.
20:55Best of three.
20:56Oh.
20:59That's right, love.
21:00You've strolling.
21:01All right, let her go, let her go.
21:06How does that work, then?
21:11Knob.
21:12Yep.
21:13Nine, six, seven, five, are you free?
21:15Landlord's at the old cock has got some lads kicking off.
21:17There's a fire to escalate, and there's six or seven of them,
21:19apparently, and he's requesting police protection.
21:28Seriously, we've got a band together in six weeks.
21:30Yeah?
21:32Nine, six, seven, five, code six.
21:35What, you can all play your instruments and everything?
21:36Yeah.
21:37We're shit hot.
21:38Oh, yeah?
21:39Nah, that.
21:39But we have a laugh.
21:40Well, they're having a bloody laugh.
21:42What am I doing?
21:45Get up!
21:46Take him down, mate!
21:48Get down!
21:49Get down!
21:50Get down!
21:50Get down!
21:50Get down!
21:51Get down!
21:52Get down!
21:53Get down!
21:54Get down!
21:54Get down!
21:56Get down!
21:56Kill him and his fucking girlfriend!
21:58Fuck off!
21:59Fuck off!
21:59Fuck off!
22:00All right, Lollywood!
22:01Did you know your little piggy wagons had a little accident outside?
22:04For fuck's sake!
22:04Do you gonna get your tits out right now?
22:06What?!
22:06Yo!
22:07Ding!
22:10Unscrew the light bulb, pat the dog!
22:13Ding-a-ding-a-ding-a-ding-a-ding-a-ding-a-ding-a-ding-a-ding-a-ding-a
22:16-ding-a-ding-a-ding-a-ding-a-ding-a-ding-a-ding-a-ding.
22:18You're under arrest.
22:19Shit!
22:20Get out of here!
22:23Get out of here!
22:23Get out of here!
22:25White male Grey Train is like Grey Joggers.
22:26He's gone up King Edward Street.
22:30I've got him.
22:31Got him down the dead end.
22:32You're under arrest with criminal damage.
22:33Do you understand?
22:34No.
22:35Up against that wall.
22:35I didn't do anything.
22:36I was just telling you.
22:37Up against the wall!
22:38You do not have to say anything, but it may harm your defence if you do not mention when
22:40questions something you later rely on and call.
22:42Oh, yeah.
22:42Anything you do say may be given evidence.
22:44Do you understand?
22:47Put that down.
22:48Yeah?
22:48Put that down.
22:49Yeah?
22:50We're here!
22:51What up, man?
22:53It's a drama stick.
22:53It's a magic stick.
22:54It's a magic stick.
22:55It's a magic stick.
22:55It's a magic stick.
22:56Smash your camera.
22:57Smash your radio.
22:58I can't fucking get it though.
23:00I don't see.
23:03Oh, oh, oh, oh, oh, oh.
23:13Oh, oh, oh, oh.
23:14Ooo, oo, oo, oo, oo, oo, oo, oo
23:20Ah-Oh!
23:33years I
23:35I
23:36Keep a cry, love me
23:41You had no time for a wife or child
23:44People thought it strange
23:50And then I realised they were talking about my baby, not my husband
23:53They wanted to help me, so if you wouldn't mind just putting your hands up to have a bit please
23:58Rubbish trick, let's get rid of that
24:06My goodness
24:07Aye
24:12No
24:15My goodness
24:16What a baby
24:19Oh
24:19I
24:20Don't
24:20Good
24:20What a lot
24:36In
24:47Kitty, can I nick some more of your vodka?
24:49Sure.
24:50Kitty, can I? I'll pay you back.
24:52You'll pay me back, kid.
24:53You're all going to be pissed by the time we go on.
24:55Yay.
24:59Keep your nerve, woman.
25:01I just think it'd be, you know, quite something
25:03if we didn't make fools of ourselves.
25:05Oh, God. We're not going to make fools of ourselves.
25:07We are totally going to make fools of ourselves.
25:10That's why we're here, isn't it?
25:12That's the interval, folks.
25:14Are they good?
25:14Yeah.
25:16I don't think we've got any real competition, though.
25:29Oh, sorry.
25:31Come on.
25:36No, I don't.
25:37I don't want that.
25:38I don't want that.
25:40I don't want that.
25:42I don't want that.
25:43I don't want that.
25:49So, do you have children at the school?
25:52Me?
25:53No.
25:54I'm here to see, uh,
25:57me girlfriend.
25:58Yeah, she's in one of the acts.
25:59Oh, really? Which one?
26:00Oh, no, she hasn't been on yet.
26:05This will be her now.
26:08Kitty?
26:09SpongeBob, you know, are you there?
26:10Hiya.
26:11Where are you?
26:12I want you to meet me outside.
26:13In the infant's playground, round front.
26:14I need you to meet you.
26:18Good?
26:25Oh, that's legitimate.
26:30Hold on.
26:33Bye.
26:36Bye.
26:36Bye.
26:37Bye.
26:57It's very good. I'm enjoying myself.
27:00What do you know?
27:01He's here. He's in England.
27:03He's been extradited from wherever he was,
27:06and he's in Wakefield prison.
27:12How do you know?
27:14Well, I know somebody. You visit somebody in there.
27:18When?
27:19How long has he been there?
27:21Pass.
27:22Why wasn't it in the news?
27:25It probably was.
27:27Have you not Googled him?
27:36Do you mind if I get back inside?
27:38Only a fella said to be quick getting another drink
27:40because he wanted to crack on with second half.
27:42Yeah, yeah.
28:069-8-3-7. I'm in Shakespeare Street now.
28:08Oh, it's dark.
28:109-8-3-7 leaving.
28:15Keep us updated.
28:22Can't see anybody.
28:29Hang on.
28:42I found a radio.
28:43And a body cam.
28:45Misha?
28:469-8-3-7. Contact you to the floor.
28:48No.
28:48NETΓ±os.
28:57Misha!
29:00Misha!
29:02Misha!
29:05Misha!
29:18You've got yourself into a right pickle here, haven't you?
29:21You daft bitch.
29:24Hear me now.
29:27Okay, okay.
29:29Yeah, I will do. I will do.
29:33Just take a few snaps from me, mate.
29:36Don't mind, do you?
29:38No.
29:39Of course you don't. Why would you?
29:549837. I've got Nisha. I've found her.
30:01She's been beaten up and cuffed to some railings. Can I have supervision down here?
30:069837, all reporting. Be sure to be aware and obvious. Contact me.
30:11Come on, pull your pants up.
30:13I'm not even tempted. Telling fucking Holly to go upstairs and squeal to the boss.
30:18Smart move. Not.
30:36Jesus, let's get you down.
30:38What?
30:39What?
30:50What?
30:52What?
30:52My weight, so let it flow.
30:56Oh, sit down. Oh, sit down. Oh, sit down.
31:01Sit down next to me.
31:04Sit down, down, down, down, down, down.
31:09In shape of me.
31:24I don't get it. She should be here by now. She should have been here half an hour ago.
31:28Have you texted?
31:30Yeah.
31:31Can you ring where she works?
31:32What? 999?
31:34No.
31:35There'll be an office number.
31:37Oh.
31:38Oh, my God. We're gonna be on soon.
31:40You'll be right, kid.
31:42It's just for a laugh. It's just for fun.
31:44Where are you going?
31:45Find out where girls are.
31:52Fuck.
31:57What are you doing all stuck together? Who?
31:59In Isla and Nancy's fucking Mary.
32:02Shit, they're good.
32:03Do you know what? I've seen hundreds of bands like this.
32:06You know, technically they're okay, but they're not saying anything.
32:09They're not doing anything new.
32:11We shouldn't sing more salute.
32:12We should do the menopause song you and Kitty wrote.
32:15We haven't practiced it.
32:16Yes, we have.
32:17I agree.
32:19We might as well be properly, unashamedly punk.
32:21Not give a shit if it's not perfect.
32:23And if you don't like it, fuck them.
32:25Is this the vocal speaking?
32:26What if it is?
32:27You're on in five, Wyatt Women.
32:29The last two acts before you have now officially dropped out due to technical issues.
32:33So, I've just got Mr. Topless and his magical musical kittens, and then you're on.
32:39Kidding.
32:40I need the toilet.
32:47I'm fine.
32:48This is the song I know best.
32:49It's the one she's always belting out around the house.
32:51You're sure about this?
32:52We're not doing Waterloo?
32:54No.
32:54No, we're not.
32:55And there's no moves, cos we never invented any, so just go for it.
32:58Just give it loads of welly on the chorus.
32:59I can't believe I'm doing this in front of Trisha.
33:01And Graham.
33:03Fern's parents.
33:04What about me?
33:04I've got to do it in front of Chloe and fucking Inez.
33:07They're out there now, sat with Auntie Mary and Dyson laughing the fucking heads.
33:11For God's sake, Mother.
33:12Stop slagging Inez off.
33:14Move on for your own sake, if not everybody else's.
33:17What happened again with fucking Inez?
33:19It was me dad being a creepy old tosser, coming onto anything that moves, including Inez.
33:25And her refusing to say what a philandering piggy was.
33:28So she'd rather blame Inez for telling her the truth about me dad,
33:31or say her about Inez setting up her own place when it wasn't.
33:34She thought the world of you.
33:36Well, I can't say how many are the wiser, to be honest, but, er...
33:40You're on in less than 30 seconds, ladies.
33:42Come on, let's boogie woogie!
33:44Oh, come on, come on!
33:45Quick, quick, come on!
33:46I love you.
33:47I love you.
33:48I love you.
33:48You can't do this.
33:50You're alive.
33:52You're alive.
33:55Wow!
33:56Absolutely wonderful.
33:58Wasn't that splendid?
33:59So original.
34:00So clever.
34:01I'm a fan.
34:02I'm a big, big fan.
34:04Oh!
34:05Right, okay.
34:06The next act is the final act of the evening, ladies and gentlemen.
34:11I know, I know.
34:13Can you believe it?
34:13I never thought we'd get here.
34:16I have to admit, I'm extremely excited about this, and they were one of the first acts
34:21to sign up.
34:23Ladies and gentlemen, it's the riot women.
34:55We were going to do a cover of an ABBA song, but we've changed our minds.
35:01We're going to do a song that me and Beth wrote last week, so it might not be up to
35:05much.
35:05We might have to make it up as we go along.
35:07Join in if you want.
35:08Oh.
35:11It's about the menopause.
35:34It's about the menopause.
35:45I'm so depressed.
35:47I can't get dressed.
35:48Having trouble hiding my lack of interest.
35:52Blood stains.
35:53Pouring like rain.
35:54Borderline anemic from bleeding all day.
35:57My time's waning.
35:58Feels like I'm fading.
36:00Doctor told me to stop complaining.
36:02If it happened to blokes.
36:04Got no news.
36:05We'd be getting an HRT from Tesco.
36:08Am I invisible?
36:10Am I untouchable?
36:13Am I unlovable?
36:16Are you uncomfortable?
36:18Am I singing red, red, red, red, red, red.
36:42I'm angry.
36:43I'm nice.
36:43I'm fuming.
36:44I'm fine, losing sleep me feeling like Jekyll and Hyde.
36:48I come up, it's about to get rough, I'm on the roller coaster and I wanna get off.
36:53I've got a UTI, I've got no drive, big surprise, my libido took a nosedive.
36:59Night sweats, too tired for sex, lie awake thinking about killing my eyes.
37:04Am I invisible?
37:06Am I untouchable?
37:09Am I unlovable?
37:11Are you uncomfortable?
37:42I'm singing
38:00Give me HRT
38:04Give me HRT
38:07Give me HRT
38:09Give me HRT
38:12Give me HRT
38:15Give me HRT
38:18Give me HRT
38:21Give me HRT
38:21Give me HRT
38:23I'm singing
38:33I'm singing
38:47I'm singing
38:49I'm singing
38:52I'm singing
39:16I'm singing
39:19I'm singing
39:19I'm singing
39:19I'm singing
39:20I'm singing
39:32I'm singing
39:50I'm singing
39:53I'm singing
39:55I'm singing
40:19I'm singing
40:22I'm singing
40:24I'm singing
40:44I'm singing
40:46I'm singing
40:49I'm singing
40:52I'm singing
41:21I'm singing
41:24I'm singing
41:38I'm singing
41:41I'm singing
41:41I'm singing
41:57I'm singing
42:12I'm singing
42:15I'm singing
42:32I'm singing
42:34I'm singing
42:36I'm singing
42:38I'm singing
42:42I'm singing
43:26I'm singing
43:27I'm singing
43:56I'm singing
43:56I'm singing
44:01I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:04I'm singing
44:06I'm singing
44:07I'm singing
44:07to get something from her and then the trauma team were here as soon as we arrived so she
44:12must have lost a lot of blood. They've taken her into resource now and they're saying they
44:16might have to transfer her to Jimmy's so... Good God. Yeah. I think there might be some
44:24neurological damage so yeah. Bastards. Honestly sir, the way I found her it was disgusting.
44:37Is that the family? Yeah. Well done lad. Sir.
45:19You're going to have to get me out of the bar. It's swamped. Right. Yeah. You can go talk to
45:22that woman.
45:23Oh yeah. Come on. Sure. Shall we go and talk to Tom love? No. You go and talk to Tom
45:27love. Oh. You were amazing. Oh hello Graham. Really really very very. This is Graham who's Fern's dad. And you
45:36wrote that song. Yeah we did. We were amazing.
45:37We've written quite a few together now. This is Trisha who is Fern's mum. Hello. Hello. My ex-husband Martin.
45:43How do you do? Nice. Nice to meet you. Can I get you a drink?
45:46Hey Tom. Hi Finn. No thanks. Yeah. You were in my news summer. Kitty. You were brilliant. Oh. Thank you.
45:56Thank you love.
46:00I'm sorry that we didn't go off to a better start.
46:11I loved it. You were so good. So good. So good.
46:21Who is it Kitty reminds me of? Tom I see you.
46:25You're actually very good. Don't sound so surprised. You look really well.
46:32You'll have to come over for Sunday lunch sometime and meet Kitty properly. We're not this lot.
46:36I will. Oh. I need to talk to this woman. Will you excuse me? Sure.
46:42The excitement in the room. It was. Oh. I just. I loved it. I loved it.
46:48Mum do you want another day? You know what? I'd really like to fuck you.
46:52What? Oh. Thank you.
46:55Is only some grand like this woman there.
46:58No, no. Just, erm, just a bit...
47:02...carioke now again yeah. But, erm, no. Not for... Kitty, can I get you something?
47:06Oh, no. No. No. Thanks say I love. I've got to go and talk to that woman.
47:09And did you grow up around here Kitty?
47:12Erm, yeah. No, not in Hepton. I grew up more like over that way, like Bradford.
47:19Fascinating
47:21Oh, and I met your boyfriend
47:23I've got a boyfriend
47:24We're sitting next to him, blonde hair, friendly
47:27Oh no, oh god no, he's just some dickhead who follows me around
47:30Oh, he told me he was your boyfriend
47:31I see, and you've only been rehearsing for six
47:34There's a lot I can help you with, if you're interested
47:36You presumably got yourselves out there on social media
47:38No, Ginny, we haven't done anything
47:40We only got together for this talent contest
47:42And then we discovered that we really can write our own stuff
47:47Can you all stop pushing, please?
47:49You're not going to get served any faster
47:50Do you want me to help you?
47:54Here
47:58Thanks
47:59You want me to help, Jessie?
48:04Come on
48:05Mike, when are you ready, Jessie?
48:07Maybe even one minute, yeah, yeah, yeah
48:08You know, you were amazing tonight
48:13You have to come and perform in my bar
48:15The dikes are going to love you
48:16Yeah, yeah, well, we'll see about that
48:18Can I grab some crisps as well?
48:20Yeah, and if you shove a brush you up my arse
48:21I'll sweep the floor as I go along
48:23And what do your family do?
48:25I haven't got any family
48:26None at all?
48:28Uh, well, yeah, this is my dad, but, um
48:32Anyway, look, sorry
48:33I've got to go and trust this lady
48:35Of course, it was so lovely to meet you
48:37I do hope we see you again
48:40Could I just say
48:42I know it's not all my business
48:45But I think it's important
48:46Tom's talked to us about everything
48:50And I know it's something you must find difficult
48:53But I think it's important for someone like Tom
48:57Psychologically, you know
48:58To know who his father is
49:02Is there something you might want to
49:03Get together and talk about?
49:06I'd like to help
49:07Yeah, well, you're not helping
49:08I'm whispering obscene shit
49:10My ear isn't helping anyone either
49:11You're a popular wacker
49:14Oh
49:16Okay
49:18Well
49:20I wouldn't fuck you anyway, darling
49:22Not for any amount of money
49:24You die in a ditch one day, are you?
49:26I call the rest of the dirt
49:28Nasty
49:28Go
49:30Go
49:32Alright
49:33Alright
49:34Oh, my God.
49:47Oh, my God.
50:18Oh, my God.
50:23What, what, what, what was sad?
50:26I just, I was complimenting her on her performance and, oh, I may have, what, hinted that she really ought
50:35to talk to you about your, who your biological father is.
50:40I'm sorry, I am sorry, but I do think at some point, for your sake, it's something she's going to
50:45have to talk about.
50:47But, yeah, maybe now wasn't the time to say it.
50:50Right, do you need, do you think you need an ambulance?
50:53God, no.
50:53I am so sorry, Gray.
50:55Don't be silly, you don't need to be sorry.
50:57Did you bang your head?
51:00Oh, my God.
51:02It's going to fall out.
51:03I've got a meeting on Monday with some really important people and that is going to fall out.
51:09Are you all right, Mum?
51:10Mummy?
51:11Yeah, I just, I don't like violence.
51:13Excuse me.
51:14Sorry, sorry, excuse me.
51:17Where is she?
51:19Not answering at all.
51:24How's she going to get home now?
51:26And there aren't any more buses.
51:28Not at this time, not back up to where we are.
51:30Maybe she's already got a taxi back up there.
51:32I've no way of knowing that.
51:34Not if she won't answer it.
51:35Are you all right?
51:38Don't worry about her.
51:40Why?
51:40She's not a child.
51:41Because she's vulnerable.
51:42When I first met her, she was homeless.
51:44Just six weeks ago, she was homeless.
51:46Do you want us to come back to the house and wait with you?
51:49Well, yes.
51:50Then if I got a lift with you, I can leave my car keys with Jess.
51:53And I can text Kitty to say she has them and then she can just drive herself.
51:56Hang on.
51:57Kitty drives your car?
51:59Yeah, well, she often does her late shift.
52:00I don't believe this.
52:01Does she pay you any rent?
52:02Yeah, she does pay me rent.
52:04Not much, but she doesn't have much, though.
52:05Oh, God!
52:06I can't leave the car here.
52:08It's got all the equipment in the back.
52:10Well, maybe we could put it into yours.
52:12Yeah, and you do realise that she could just drive off with it?
52:15Where to?
52:16Anywhere.
52:17Why would she do that?
52:23What?
52:27He's been listening to a podcast.
52:29Sorry?
52:30There's a real-life crime series called Gangs of the North, and one of them...
52:36One of them is about them.
52:38The Eckersleys.
52:39Keith Eckersley.
52:40And his sons.
52:41Her brothers.
52:42And the...
52:43Well, most of them are in prison.
52:45Or dead.
52:46But when they ran Bradford, they weren't very nice people.
52:50How?
52:51Drugs, money laundry, violence, torture.
52:54Shall I go on?
52:55Because she's not like that.
52:56She has just hit Graham!
52:58You obviously don't know what she's like.
53:00You see her through rose-tinted glasses for some reason.
53:02I wish you could be a bit kinder about her.
53:05Kinder?
53:05We came to see your show.
53:07We came to see your show, and she hit Graham.
53:09Who's she going to hit next?
53:10You!
53:15I'm going to try her one last time.
53:25Sorry.
53:26The person you're calling is unavailable.
53:28Right.
53:30I...
53:31I'm going to go home.
53:33She can always knock on Jessie's door.
53:36And...
53:36Well, she can't expect me to stay here, can she?
53:39If she's not going to answer my calls.
53:45So...
53:46Shall we go with you?
53:49It's up to you.
54:05Oh, my boy.
54:07Ah!
54:18Oh, no, no, no, no, Inez, no, no, no, no more.
54:22Eh, we're celebrating.
54:23Come on.
54:24You know, you're loving a groney, mother, especially one of Inez's.
54:28Fucking hell.
54:29Oh, my God.
54:32Ah, look at us.
54:34Eh, you and me.
54:38See, this is the healing power of your beautiful music, Jessie.
54:46Where's Miranda?
54:47She's got a red down the bog.
54:49Why are you keeping an eye on her?
54:50Yeah, well, I mean, she doesn't usually drink like a pillet, does she?
54:54Oh, my God.
54:54I feel all emotional.
54:57Why do I feel so emotional?
55:00Oh, my God.
55:02It was so good on that stage.
55:05Oh, and then shit.
55:07Nisha.
55:09Fucking hell, Kitty.
55:11Do you think, do you think he said something lewd to her?
55:14That Graham?
55:16I mean, do you think that's what?
55:19Maybe.
55:24Is that what my Steve did to you?
55:31Said lewd things.
55:38I don't know why I never listened to you.
55:42Oh, it's always had this silly, bloody effect on me.
55:46It still does.
55:47But if you walk through that door right now, I still fall for it.
55:52I feel emotional, too.
55:55You know why?
55:57Because I'm back here, Jessie.
56:00In your place, with its big, beating heart, and...
56:06I love you.
56:08I never stopped loving you.
56:11Even when you hated me.
56:14Well, I mean, it was just when you went broadcasting.
56:17I sent it to fucking Sondra.
56:19Only because you didn't listen to me.
56:22I have...
56:24I was humiliated.
56:26I couldn't face me own customers.
56:28Do you know what it's like?
56:30You know, and then everything went tics up.
56:37Now, you have to forgive me.
56:41For Chloe's sake, for the baby's sake, for our life's sakes.
56:49Yeah, the baby's aren't half missing you, you know, Mum.
56:51Oh, well, and I must didn't have a normal.
56:56Well, you know we don't have a massive load of room in that flat.
57:00So we were thinking, what Inez, Inez was thinking,
57:05that she could let a flat out and, like, raise some money, you know,
57:09so we could get somewhere bigger, a house for all of us.
57:13But obviously they'd need, well, we'd need, we'd need somewhere in between,
57:18so, you know, so they don't feel like they're being shoved around
57:20all over the place.
57:23Oh, are we here?
57:29Yeah.
57:51My last today, yeah.
57:57Mine is forever.
58:03My last today, yeah.
58:08Mine is forever.
58:11When they get what they want,
58:14and we'll never want it again.
58:17Go on, take everything, take everything.
58:21I want you to go on, take everything, take everything.
58:26I want you to go on, take everything, take everything.
58:33I want you to go on, take everything, take everything, take everything.
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