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Young Sherlock S01E06 [Full Movie] [High Quality]Full EP - Full
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00:25Go upstairs, find my mother, take her to the gatehouse.
00:29Do not leave her side.
00:40Here, dry yourself off.
00:42You've had quite a shock.
00:45Sorry.
00:47It's for my own protection.
00:49Your protection?
00:49Exhuming your sister's body.
00:51Hardly rational, is it?
00:52No, no, no, no, no, don't.
00:54Don't try to make it out like I'm the dangerous one.
00:56I always feared this day would come.
00:57That I would find out.
00:58You would show signs of your mother's affliction.
01:00Is my sister still alive?
01:02Sherlock, for God's sake.
01:04It's not her in the grave.
01:05It's not her body.
01:06Of course it's her.
01:07No, it's not.
01:08Her arm was broken.
01:09That arm's not broken.
01:10You're misremembering.
01:12It was in a sling.
01:14It was in a sling.
01:15I remember that.
01:16Yes, yes, it was.
01:19Because she had sprained her arm, falling from a tree, trying to climb after you, trying
01:25to keep up after you.
01:28No wonder you've locked it from your memory.
01:30I understand how desperately you want to believe she's alive.
01:33I know about your failed businesses, and how your fortunes change when mother was sent
01:38away.
01:38Explain that.
01:39You know why my business went under?
01:41Because I was here looking after your mother.
01:43She wasn't well, Sherlock, long before Beatrice died.
01:46And after she went away, I buried myself in work, and so my fortunes improved.
01:49There is nothing sinister about it.
01:52Only two people saw the body.
01:54Only you and the groundskeeper.
01:56No, that is simply untrue.
01:57The doctor, he issued a death certificate.
01:59He saw her.
02:00I can't believe we're even having this conversation.
02:01A doctor who didn't even know what Beatrice looked like?
02:04Enough.
02:04I've been more than patient.
02:06Why would you bring a doctor all the way from Oxford?
02:08That was your mother's idea!
02:12She was an old friend of his.
02:14He was an old friend of hers.
02:16She wanted him to be here.
02:18She wanted him to be here.
02:24Listen to me.
02:27Sherlock.
02:29Listen.
02:30It was the worst day of our lives.
02:38Of course you find it confusing.
02:42Do you think that I'm capable of something so heinous?
02:49Imagination can be a curse.
02:51I'm sorry.
02:55You stay away from him!
02:57That's a lie about the doctor.
03:00It's a lie!
03:01How many others are there?
03:03Cordelia, my love, you don't remember.
03:05James told me what they found in that grave.
03:09Yes, Beatrice.
03:11Where is she?
03:12We all just need to calm down.
03:15Oh, do we?
03:21Get me!
03:31Get up!
03:37Hey, son.
03:40I'm looking forward.
03:42You're aiming backwards.
03:44Up to some shore.
03:47Have you had enough?
03:49Are you feeling rough?
03:51Thought you're strong, huh?
03:53Well, if you're strong.
04:00I'm feeling.
04:03What do you know?
04:05I'm waiting.
04:07I'm waiting.
04:08I'm waiting.
04:08I'm waiting.
04:08For so long.
04:09I'm waiting.
04:10For so long.
04:10For so bad.
04:12To take me, to take me over days.
04:17Days, days are forgotten.
04:20Days, days are forgotten.
04:22Now, it's a long day.
04:27To be forgotten.
04:31Now, I'll disappear.
04:39That's, uh, most mysterious.
04:43Most mysterious.
04:45Um.
04:47What is, sir?
04:48What, what is what, young man?
04:49What is most mysterious?
04:52Well, no sign of skin discoloration.
04:54No lingering smell that would indicate poisoning.
04:58No sign of a heart attack.
05:01No blood vessels burst, as you'd expect, and no flesh wounds of any sort.
05:08So the man has been murdered, and you're telling me that we don't know how.
05:12What I'm telling you is that the body is in excellent health.
05:16Yes, yes. Apart from the rather unfortunate fact that he is dead.
05:22Hmm.
05:25What is this?
05:25That's the contents of his airways.
05:28The sort of thing that you would expect in a drowning victim.
05:33Except he didn't drown. I was there. I was on dry land.
05:38Would you excuse us for a moment, please, sir?
05:41Yes, certainly, young man. Thank you so much.
05:46Do you know what he was working on?
05:47Because if you do, now is the time.
05:51It was, um, something for the government.
05:54Most secretive.
05:55So he and Professor Malik, they were working together, is that right?
05:59Yes.
05:59Although he never shared any of the details with me.
06:02You neither?
06:04No.
06:04No.
06:05Ah.
06:06Are we getting anywhere?
06:07Not really, Lestrade, no.
06:09Each question leads to more questions, like fighting the Hydra.
06:17Lestrade, what do you have for me?
06:20A wire came for you, sir.
06:24Well, I have been summoned.
06:42Who is she?
06:43We don't know.
06:45They would have got a buddy from the hospital or at the poor house.
06:50It's not hard to do.
06:58Do you think she might still be alive?
07:01I don't know.
07:02But it is a possibility.
07:04Yes.
07:05It is a possibility.
07:08Where are you going?
07:10To find her.
07:18And where is Professor Malik now?
07:20I'm afraid I don't know, sir.
07:22And the Chinese assassin?
07:23Whereabouts also unknown, sir.
07:25Mr. Holmes, your handling of this whole thing has been nothing short of a pouring.
07:29Yes, well, perhaps if you gentlemen had been a little more forthcoming with me from the start,
07:32I might have been better placed to protect Sir Bucephalus.
07:35Are you insinuating this is our fault?
07:37I can say it more plainly if you prefer.
07:39Holmes, I believe that Hodge was killed owing to a secret government project based out of Oxford,
07:44the details of which you have refused to share with me.
07:47But I suspect whatever he was working on was highly dangerous.
07:52Hodge died working for this government.
07:56I need to know what you know.
08:02How does a man show signs of drowning on dry land?
08:06Don't try to confuse us with riddles, sir.
08:09You were sent to Oxford to assist Sir Bucephalus with the new science building.
08:14Now he's dead.
08:15On your watch.
08:17You are done here, sir.
08:19Your career with Her Majesty's government is at an end.
08:22Sir, if I may, I...
08:23The All.
08:31Good day.
08:33Tell me everything that you've uncovered so far.
08:37Well, we think it was the groundskeeper who actually took Beatrice.
08:40Not Nathan.
08:41Yes, Nathan.
08:43Father paid off his debts just after Beatrice disappeared.
08:46My darling, he was always so kind.
08:47Well, Father was with us at the picnic the entire time,
08:50so he would have needed an accomplice.
08:51And the groundskeeper would have squirreled her off the estate.
08:53So he would have needed to thank you,
08:54take her as far away from here as possible without anyone noticing.
08:57Did he have a cart or a trap?
08:59Yes, he had a cart for his deliverance.
09:03Nathan did deliveries.
09:05Game.
09:05Yes, Father used to hunt game on the estate, pheasants and rabbits.
09:08And Beatrice would never eat the rabbits.
09:11She used to give them all names.
09:12So there was lots left over,
09:14and Nathan would sell it once a week from his cart.
09:17So Nathan renders her unconscious and hides her in the cart.
09:20Underneath the sacks of pheasants and rabbits.
09:22And then it's a standard delivery,
09:23and he draws no attention to himself.
09:26Do you remember where he'd make these deliveries due?
09:28No, darling, I have no idea.
09:35The game book.
09:37The estate game book.
09:39Everything that was shot and sold has been recorded in there.
09:43Nathan Burford makes a delivery the day after Beatrice supposedly dies.
09:49Isn't that a peculiar day to go about your business as usual?
09:52A brace of pheasants.
09:56Four rabbits.
10:00And a hare.
10:05Delivered to an address in Highgate.
10:07That's the best part of 60 miles from here.
10:09Where no one would know her.
10:12I will get Crowell to saddle some horses,
10:14and I promise to wire news as soon as I have to.
10:17Oh, no.
10:18I'm coming with you.
10:21If Beatrice is out there,
10:23I'm going to find her.
10:26With or without you.
10:33That's you, tall.
10:43Down for one of my feet.
10:45Go on, you little tyrants.
10:46Go play over there.
10:51Who are you, then?
10:52My Croft Holes.
10:53I was wondering if your good husband might be home.
10:56My good husband.
10:58I only have the one.
11:01Visitor.
11:02Thank you, light of my life.
11:07Excuse me.
11:09A little early, isn't it, Constable, to be on the cider?
11:12I'm drowning my ambition, Mr. Holmes.
11:14Scotland Yard.
11:15That's where I had my sights on.
11:16But after everything that's gone down,
11:18Hodge's dead.
11:19She won't have fled.
11:20I'll be lucky to keep my job in Oxford.
11:24Constable, it is a safe bet, is it not,
11:26to assume that Professor Malick killed Sir Pucephalus Hodge.
11:29It is.
11:29Well, then, is it also a safe bet to say
11:31that if we were to apprehend Professor Malick,
11:34we could also rescue both of our careers?
11:38I'm listening.
11:39When we were at the police station in Oxford,
11:41you mentioned Professor Malick having a file.
11:43What of it?
11:44What was in it?
11:44Nothing.
11:45Just his name and his address in Oxford,
11:47which we've already searched.
11:48But if he had no criminal record,
11:49why bother to create a file for him in the first place?
11:55Answer.
11:56There was something in that file before.
11:59It's since been taken.
12:00So where's the arrest report?
12:01Worth another gander, don't you think?
12:04I'll get my coat.
12:21Hello.
12:24Can I help you?
12:26Oh, yes.
12:28We're looking for a young girl.
12:30We have reason to believe that she was brought here
12:32about 12 years ago.
12:34Um, this is her.
12:38I'm afraid I've never seen her.
12:41Now I bid you good day.
12:57I would ask you to stop pestering me.
13:00Her name is Beatrice.
13:02I'm her mother.
13:03My name's Cordelia Holmes.
13:06Until yesterday, I believed that she was dead.
13:08I now have reason to believe that she may have been brought here.
13:13Tell me anything you know.
13:14Anything at all.
13:16I'm asking you.
13:17I'm begging you.
13:18Please help me.
13:22We didn't know her name, so we called her Hannah.
13:26Because she came to us as a blessing.
13:29I couldn't have children of my own, you see, Mrs. Holmes.
13:33And we thought that she was an orphan.
13:37And it was Nathan Berford who brought her here.
13:40He said he was from the orphanage.
13:43It's been a terrible accident.
13:44A fire at the house.
13:45So you're going to stay with me, Sateelcock, for a while.
13:47Hello, little one.
13:49We tried to give her a good life.
13:51I'm sure you did.
13:52I gave her all the love I had.
13:55Gave.
13:57You said gave.
13:59She's not here, is she?
14:02She's gone.
14:04Yes.
14:05She left us.
14:07When she was 14.
14:09We woke up one morning.
14:10She'd written a note thanking us and saying that she didn't want us looking for her.
14:15And you have no idea where she went?
14:18No.
14:19Mrs. Tilcott.
14:21Could I see her room?
14:38What was she like?
14:42Bright.
14:44Determined.
14:46Stubborn.
14:54Did she call you, mother?
14:56I'm so sorry.
14:57No, no, please.
14:58Please don't apologize.
15:00I can see that this was a...
15:02a happy and loving home.
15:07She loved nature.
15:09We'd get her those on her birthday.
15:10A different one, every year.
15:12You would buy her these?
15:16No need to lie to us now, Mrs. Tilcott.
15:18No, Mrs. Tilcott.
15:19Just anything you can tell us that might help us to find her.
15:24They were sent.
15:28Where did they come from?
15:29Sent from who?
15:31I never learned his name.
15:33Never met him.
15:34He was her benefactor.
15:36That was all I knew.
15:37There was never any return address on the parcels?
15:41None.
15:41Do forgive me.
15:50Steel pin, lacquered preventing rust from the moisture inside the thorax.
15:57Specialist equipment.
16:00Only one place in London makes these.
16:08Annual commission.
16:10Beatrice was sent to Butterfly every year on her birthday.
16:13And paid for it by Silas.
16:14No name, but they gave me an address.
16:16Bedford Rowe Holborn, please, sir.
16:19Darling.
16:21Apologies.
16:23Man, no, slowly.
16:29Constable Lestrade.
16:30Mycroft Holmes.
16:31Leave the door open.
16:38Kishore Malik.
16:42As I said, it's empty.
16:45Someone trying to protect him, you think?
16:51Look at this.
16:53The ink was wet when the document was put into the file.
16:55Well, I can't read it.
16:56It's backwards.
16:58Never leave home without addressing mirror, Constable.
17:01Like so.
17:04Two names.
17:05Two addresses.
17:07First is undoubtedly Malik's.
17:09Second is harder to read.
17:12Looks like Alvy Gordon.
17:14Shelbourne Hotel.
17:16Bayswater, London.
17:30Well, I suppose she'll know who I am.
17:33She won't remember me after all this time.
17:36And she's been raised by another woman, so.
17:39Now, now, Mrs. Holmes, you'll never forget your mother.
17:42I certainly won't forget mine.
17:44James, what happened to your mother?
17:46Well, she's long past.
17:48She had the consumption.
17:50I was only a little lad at the time.
17:51Oh, you poor thing.
17:52I'm so sorry.
17:54But there's not a day that goes by that I don't think of her.
17:56And I promise you it'll be the same for your Beatrice.
17:59You are such a kind man.
18:01Well, you bring out the best in me.
18:03And you have such a beautiful smile.
18:07Driver!
18:08Driver!
18:10Driver!
18:10Driver!
18:11Driver!
18:12Driver!
18:12Driver!
18:13Driver!
18:14Driver!
18:14Driver!
18:15Driver!
18:16Driver!
18:16Driver!
18:24Will you kindly stop it?
18:28I wasn't referring to the whistling, James.
18:30Kindly stop what?
18:31Flirting with my mother.
18:32I'm doing no such thing.
18:33I know you.
18:34You can't help yourself.
18:35What I cannot help, Sherlock, is if people find my charm irresistible.
18:43You can't deny your mother's a very beautiful woman.
18:47And I certainly wouldn't kick her out of bed for eating biscuits.
18:52I am serious, James.
18:56Cease and desist.
19:01Please.
19:20This is the address for Albie Gordon, Esquire.
19:23If your cute little mirror trick is correct.
19:26Good afternoon.
19:28We're looking for an Albie Gordon.
19:30Yes, of course.
19:31I'm Mr. Gordon.
19:32Perfect.
19:34We're looking for Professor Malick.
19:36Kiss your Malick.
19:37I'm sorry, I don't know anyone by that name.
19:39Strange that, sir.
19:41Seeing as this address was listed on his arrest report.
19:48Perhaps this is best discussed in my office.
19:54Now.
19:56What's all this about?
20:01I couldn't possibly trouble you for a glass of water, could I?
20:07Wait here.
20:08Thank you so much.
20:19A receipt from Hatchard's The Bookshop for a Moody's Guide, latest edition.
20:24I thought I'd ask what you think you're doing.
20:26As I said, sir, we're trying to find Professor Malick.
20:28And as I said, I don't know him.
20:31Have you recently purchased a travel guide, sir?
20:34I thought I might take a holiday.
20:36This receipt mentions that you paid to have it gift-wrapped.
20:39Travelling with someone, are we?
20:41What exactly is your relationship with the Professor?
20:48We have the arrest report, Mr. Gordon.
20:50Someone tried to suppress it, but recently it came into our possession.
20:54Now, as far as I'm concerned, how a man chooses to live his life is his own affair.
20:59But many in my profession may hold a different view entirely.
21:03Fortunately for you, I'm able to ensure the arrest report remains hidden.
21:07As I'm sure you would prefer.
21:10Yes.
21:13Very much so.
21:14So tell me, where is Professor Malick?
21:22Paris.
21:23Well, well, well, Councilor Lestrade.
21:26Bluff and blackmail, all in the same breath.
21:29We'll go fast, Scotland Yard, I'm quite sure.
21:32I won't be able to come with you to Paris.
21:34Well, that is a shame.
21:36Have to get back to work.
21:37Can't leave Mrs. Lestrade with her hands full.
21:39Not to mention the goats.
21:42Find Malick.
21:43Yes, if I do, when you do, I will be sure to let your superiors know quite how invaluable you
21:49were.
21:51Thank you, Mr. Holmes.
21:53Please, call me Mycroft.
22:02Please, call me Mycroft.
22:09No, no.
22:13I'm going to get out of here.
22:15I'm going to get out of here.
22:20The only one is the one I've been here.
22:34Is it a red street?
22:35Did you get out of here?
22:39Red street.
23:08Cheap side
23:19Cheap side
23:44Cheap side
23:45Cheap side
23:51Cheap side
23:53Cheap side
23:59Cheap side
24:01Cheap side
24:02Cheap side
24:03Cheap side
24:05Cheap side
24:05Cheap side
24:05Cheap side
24:06Cheap side
24:07Cheap side
24:07Cheap side
24:09Cheap side
24:16Come on.
24:30Did you get up?
24:40Oh, my God!
24:42Oh, my God!
24:45Oh!
24:45Oh, my God!
24:57Renegade.
25:00Renegade.
25:12I'll have to help help you now.
25:16I took it to my wife.
25:17I need to help my mother.
25:19Let's find her out for her.
25:20She's the only one who needs her.
25:21She is today, aren't you.
25:25She needs to be in the hospital.
25:27No, I don't know.
25:27She's not here.
25:28She's going to bring me up after her.
25:33Bari?
25:34I will die.
25:36She will be coming into my house.
25:58Oh, my God.
26:08No, tell me!
26:12Why, Chi?
26:18Chi?
26:39so this is the address that paid for Beatrice's butterflies it is and appears to be closed
26:51now usually James and I would of course wait until they are open come back in the morning
26:56which is right and proper and what if we're not being right and proper do you have a hairpin
27:00mother careful now this will make you our accomplice oh good thank you where did you
27:09learn how to do this headmaster's office used to break in alter my school reports before they
27:15were sent home well that didn't stop you getting expelled from school did it it stopped me getting
27:19expelled from more schools than I would have do you know I'm realizing I have absolutely no idea
27:24who you are I am my mother's son care to do the honor go on live life on the edge
27:37we'll make a fee for you yet mrs. Orbs
27:55what is this place let's light her up and find out
28:04good night
28:15some sort of textile company
28:18Sherlock look this is Beatrice and she's older but about 14 that's definitely her I knew it I
28:27could feel that she is still alive father's name that's definitely his signature
28:46important textiles I don't understand why would he hide that from us we should hurry James yes yes
28:53Silas's travel itinerary he's a busy man Brussels Bordeaux London to Monaco Amsterdam to Madrid there's
29:02all of those journeys intersect the same place Paris
29:02what's your name here
29:03Therese
29:04perhaps a female travel companion
29:06well whoever Therese is
29:08is with her this weekend
29:11so where is Therese
29:13all of those journeys were made by train
29:15what are you doing
29:16linear interpolation
29:18Brussels to Bordeaux
29:20London
29:20Monaco
29:21to Monaco
29:22Amsterdam
29:23Madrid
29:24all of those journeys intersect the same place
29:29Paris
29:32everything
29:33look
29:34a guidebook to Paris
29:35right
29:37well
29:38Therese is not a woman
29:40Therese is the name of a hotel in Paris
29:42in Rue Saint Anne
29:43gosh
29:44aren't I clever
29:48right
29:49time to skedaddle
29:50well done mother
29:51when you're ready
29:52Mrs. Holmes
29:53yes
29:53after you
29:54this way
29:58not that way
29:59not that way
30:00no
30:00yes sir
30:01come on
30:13good catch
30:14oh
30:15goodness
30:16doesn't that hurt
30:18well I never think to stop and ask them
30:20they're not policemen police don't wear brown boots
30:22well who are they then
30:23well we could ask them
30:25or
30:25come on
30:26we could run
30:26come on
30:28run
30:28stop
30:29oh yes
30:31oh yes
30:32I'm running
30:38Sherlock
30:39where are we going
30:42not sure
30:43yet
30:43oh Arthur
30:46what are we doing
30:47thinking
30:48thinking
30:53step aside mother
31:26this world of your Sherlock
31:28it is rather fun isn't it
31:32yes
31:33I suppose it is
31:39right
31:39well
31:41to Paris
31:46yes
32:07now they are in the midst of a revolution
32:09what's the case
32:10how many revolutions does a country need
32:12some parts of the city remain relatively unscathed
32:15but we will have to navigate one or two barricades to get to where we need to go
32:18oh you are too focused on the obstacles my friend
32:24we're not going further
32:25we're going to the Hotel Therese
32:29could you show us the path
32:30you turn to the left
32:31on the street
32:33but you have to cross the barricades
32:34good luck
32:37thank you
32:37thank you
32:45we are going to be right
32:46this way
32:46this way
32:46this way
32:47get down
32:50come up
32:58through here
33:10Oh, no!
33:12English?
33:13Yes, yes, we're English.
33:14We do not like the English.
33:16How do you feel about the Irish?
33:18We like the Irish.
33:24So what do you propose?
33:25I don't shoot you, but I do shoot them.
33:29No, we'd quite like if you didn't shoot any of us,
33:31if it's all the same to you.
33:32We're just looking for my husband.
33:35He's on your side.
33:36He would lay down his life for the revolution.
33:40Ben, get over it.
33:43Merci.
33:45Merci.
33:49Enchanté, madame.
33:52Ben!
33:58Here she is.
33:59Hotel Therese.
34:01Right.
34:01Let's find a spot and watch the place.
34:03Wait for him to shop.
34:04There's no time to wait.
34:05We have to find B.
34:12Ah, bonsoir, monsieur.
34:14Madame.
34:14Je viens rejoindre mon mari, monsieur Silas Holmes.
34:18Désolé, madame.
34:19Monsieur Holmes n'est pas ici en ce moment.
34:21Pourriez-vous avoir l'obligence de me dire où je pourrais le trouver?
34:26Un homme à doigt dans son jardin secret, madame.
34:29Monsieur, je suis fatiguée.
34:32Je suis affamée.
34:34Et je viens de m'échapper d'un asile.
34:37Croyez-moi, il n'est pas dans votre intérêt que je cause un esclandre dans votre hôtel si élégant.
34:45Non, c'est fatal avec un visite.
34:49Nous cherchons Silas Holmes.
34:51Parti à une quinzaine de minutes.
34:54Où partais-tu?
34:55Aucune idée.
34:56Il n'a pas pris de quel âge?
34:58Alors?
34:59Il ne peut pas aller bien loin.
35:02Quelle direction?
35:08Quelle direction?
35:10Sébastopol.
35:11Ou non?
35:13D'accord.
35:14Qui portait-il?
35:15Ce qui portait.
35:16Peau de forme.
35:18Cap.
35:19L'Opera?
35:20Mauvaise direction.
35:21Pas honte.
35:23Qui est-il dans cette direction à pied pour qu'on se mette sur son poteau?
35:33Chuchotez-le.
35:34Il faut les bergers.
35:51...
35:55...
36:07Darling, I'm only sorry you have to be here with your mother.
36:11Quite all right.
36:14Oh, I finally found where I belong.
36:19Outside the world borrows.
36:21Inside the dance.
36:23Never underestimate the human need for diversion.
36:26Keep them entertained.
36:28You'll have them in the palm of your hand.
36:32Mon Dieu, le visage d'un ange.
36:36Je suis au paradis.
36:50The things you could teach me.
36:52Whatever you want for a fee.
36:54A fee he can't afford.
36:55Now, if you wouldn't mind, I'd quite like to find Silas.
36:58Mycroft.
36:59Silas?
37:00No.
37:01Mycroft.
37:04Mother.
37:06What is Mycroft doing here?
37:14Sherlock?
37:15Mon cher frère.
37:15You brought Mother to Paris.
37:17Have you finally lost your marbles, brother dear?
37:19It wasn't his decision, darling.
37:22I'm fed up of people making decisions on my behalf.
37:25I must say, it does seem to be rather agreeing with you.
37:28Yes, I do find this life of adventure rather suits me.
37:32I just wish I'd discovered it before, darling.
37:36I'm sorry, I'm just not used to...
37:38Seeing me like this, I know.
37:39Neither am I.
37:40I'm finding it so liberating.
37:46Finished?
37:47Yes.
37:48What are you doing here?
37:49Ah.
37:51Following him.
37:54Malik.
37:56More to the point.
37:58What are you all doing here?
37:59We've been following him.
38:05Father.
38:06What's he doing here?
38:08It appears those two gulls know each other.
38:12Curious, sir.
38:13I'm curious, sir.
38:14Would anybody care to enlighten me as to what the hell is going on?
38:20We think Beatrice might still be alive.
38:23I'm sorry, what did you say?
38:24We think Beatrice might still be alive.
38:26Yes, I heard you, Sherlock, but...
38:27What did you say?
38:28Darling, I know that Bea is alive.
38:32And Silas knows where she is.
38:34Darling, he's on the move.
38:36No time to explain.
38:38Sherlock.
38:39We'll see you, Sherlock.
39:14There's a guard.
39:16Mycroft.
39:17Yes.
39:44Well, no, it just vanishes.
39:57This one looks rather young.
40:12This one looks rather young.
40:27You will have busy lives, but act your mind.
40:32This will be worth your while.
40:36A moment of silence.
40:37A moment of silence, please.
40:43I trust you enjoyed the festivities upstairs, to which we shall return.
40:47But for now, we must get down to business.
40:51Gentlemen, I know you stand here today with the same question on your minds.
40:55How do you take back control of your city?
40:57How do you take back control of your country?
41:00Impossible, some might say.
41:02As a famous man once said, impossible is a word only found in the dictionary of fools.
41:12What I am offering you here today, gentlemen, what Professor Malik here has developed,
41:20will change the face of modern warfare.
41:32Odorless, colorless, silent, deadly.
41:37This nerve agent is unlike anything the modern world has seen before.
42:02Killing butterflies is hardly our mission, sir.
42:05Indeed, general, quite so.
42:09Bring out the deplorable.
42:21You see, what I have here, in the right concentrations, will work on a barricade, a neighborhood, or even an
42:28entire city.
42:29You no longer need armies to defeat your enemies, general.
42:33You simply need me.
42:34Or, more precisely, you need what I'm selling.
42:38For those of you who wish to place an order, it's only fitting that we should meet at the famous
42:43two corners,
42:44where you can contact Mr. Esad Kashkali.
42:52Go, go, go, go, go, go!
43:00Go, go, go, go, go!
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