00:00Well, first of all, how are you? Because for us, you know, it's like the presentation of the show, it's
00:08like everything starts, but you already come from a process of writing, of creating, of producing, of nights without sleeping,
00:15of many things, you know?
00:17You know, so I'm going to say it. So, I want to know how are you, how are you feeling?
00:50I've done songs of many different styles, and sometimes you connect more with the people, or you coincide more with
00:58the audience that you are in the same way that you, and there are times that suddenly you see that
01:05we are not in the same way, and now this song and the previous, which were two Latin songs, I
01:15know that I have a lot of people,
01:17very rockers, to those who have a lot of people, and there is a lot of people that I like
01:24to do different things and that I move, and I think that they are going to thank you.
01:31Every song is special, like every work, but of this in particular, even though it is in the past for
01:37you, what has been determined, what has been left as a musician?
01:43Well, it is an important learning for me. I normally do not do the songs that I do, but the
01:52ones that I do not do. I effort to introduce myself in territories that I do not control so much,
02:01because I like that the process of composition and gravitation is a process in which I learn something.
02:08So, for me, for me, the Latin music, there is a Spanish, there is, digamos, a concept, there are songs
02:17that we enter very well, but harmonically are very complex, and melodically.
02:23So, for me, to compose songs in these genres, for me, that I have a different background, that comes from
02:36rock mainly, but I have made other genres, the truth is that it has allowed me to work a lot
02:44in harmonics,
02:47of chords that I don't usually manage, songs like the voice, which is a song of the most complex, harmonically,
02:56that I have composed, and for me, the passion of working with these musicians,
03:03is that they are people, they are people who are folklorists, they are people who are folklorists, they are people
03:09who know, they are experts in the matter.
03:14To work with them, to work with them, and to have the benefit of them, and to say, ah, this
03:20song, that well composed, that well, these changes, that well,
03:24for me, it was a honor to receive their benefit. And, well, they are musicians from Chile, from Cuba, from
03:36Mexico,
03:37I have been gravitated in Mexico, in a place called the Desert of the Leones, so that having,
03:43having, like, everything, being submerged in this world of such a deep way, has been beautiful for me.
03:53I'm going with a knowledge that I didn't have before.
03:58I feel like you have a world family of followers of your music, I don't know if you can see
04:05that.
04:05I have tried to have a lot of contact with the audience whenever I could.
04:12In different moments I have done things to stay with them.
04:17In the promotion I always ask to organize something to stay with the fans.
04:23In the last year or the last two years ago, I did a thing that I was carting with the
04:34fans.
04:35So they wrote me, they asked me things.
04:39And I responded weekly to their doubts.
04:44And sometimes they said, this is not what I've done.
04:48But without any fear of me, they told me.
04:52That, in fact, I like that.
04:55And I think it was very well.
04:59That was a close connection.
05:01That was a little bit for the pandemic.
05:06That, in some way, it was a moment of isolation.
05:10And I wanted to go out and show me everything possible.
05:17That, in the next year, new mutations, you in the 2026.
05:22If there is something that marks your history,
05:24are the quantities of giras that you have done throughout your history musical.
05:30Or, not to stop.
05:32You want to make it a little more, more,
05:34more intimate, but in this case, I don't know.
05:38I don't know.
05:38I don't know.
05:39I don't know.
05:40I'm going to add something different.
05:41I don't know.
05:42I don't know.
05:43What can I tell you about this gig?
05:44Well, I've reached the conclusion of that,
05:49I have several conclusions with the gira.
05:51One, that since, let's say, the gira anterior,
05:55the gira already no are gira of presentation of a album.
05:59Or, this is not the gira of presentation of a album.
06:02It's a gira that has a concrete concept called
06:05Newas Mutations.
06:07It's called Newas Mutations.
06:08It's called The Cancionero.
06:09It's divided in three parts.
06:11It's a...
06:14It's a...
06:15It's a...
06:16It's a...
06:19It's a gira totally different from the anterior
06:22and it's totally different from the posterior.
06:25It's a gira concreta
06:26that has a beginning and a final.
06:28It's 20 shows.
06:30We're going to do it this way.
06:31We've designed a show that is fantastic.
06:35It's fantastic, to my opinion.
06:38And...
06:38We're now with the rehearsals
06:40and the truth is that the band sounds incredible.
06:43There are 10 musicians.
06:44I think it's possibly the best band
06:47I've had in my career.
06:49And...
06:51Well, it's a recap for all the songs,
06:55but...
06:56with sometimes inesperances.
06:59means gloves.
06:59I'll be sure to put something back in the chat
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