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The.Hunting.Party.S02E09 [Full Movie] [Full Story]Full EP - Full
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00:26THE HUNTING PARTY
00:56THE HUNTING PARTY
01:20THE HUNTING PARTY
01:25THE HUNTING PARTY
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04:51THE HUNTING PARTY
04:54THE HUNTING PARTY
04:55THE HUNTING PARTY
05:21ME Hue
05:22THE HUNTING PARTY
05:24THE HUNTING PARTY
05:28THE HUNTING PARTY
05:50THE
05:50loved ones you care. We're here for you. Aikens family mortuary. Very Adams family? No morticia.
06:04Sadly the mom died in childbirth. That's dad Nathan Aikens with Colette and on the left
06:09told her sister Liza. The two sisters had a lot of resentment due to the mother's death.
06:14So much so that Liza's favorite pastime was locking Colette in coffins for hours on end.
06:20Good to be kids. Her dad was the only one that Colette actually felt protected her. The day of her
06:25dad's
06:25funeral Colette decides to slit Liza's throat with an embalming knife and then when she's finally caught
06:30years later she tells police her dead dad told her to do it. Like she saw his ghost or something?
06:37More
06:37like a disembodied voice. Auditory psychosis can be the result of a couple different things. Brain
06:42injury, sleep deprivation, trauma. In Colette's case they think that it was tied to the embalming
06:47chemicals that she was working with. Formaldehyde. Damn. I knew some guys back home who used to smoke
06:53weed soaked in formaldehyde. They hear voices telling them to kill people too? Colette's father's
06:57voice told her to do a lot more than that. He instructed her to put Liza's corpse in his
07:02coffin, bury them together, and then tell friends and family that Liza had run off to California.
07:08Okay so Liza was the first. Who were the next ten? Women all around Liza's age that Colette saw as
07:15a
07:15replacement for her abusive older sister and activated her trauma stimulus response. She
07:20would stalk them, kill them, and then put them in coffins with other cadavers that were
07:25being buried by the family funeral home just like she did with her sister. It is a pretty
07:30cool system for hiding bodies. No. If, you know, if you're a depraved serial killer. Clean's on the tarmac.
07:51I can't sleep. Can you sing to me? Hello? Is anyone there? Can you hear me? I need help.
08:07Help. Help. Can you sing me a lullaby? What? No. Please, you gotta get me out of here.
08:16How about a story? Lady, I don't know any story. Just please, let me out of here.
08:25Hello? Are you there? Are you out there? Lady? You want me to tell you a story? How about that?
08:32No, no. I don't want a story. Look, lady, it's hot in here. I can barely breathe. I really need
08:40some water.
08:42Let me out of here. Let me out of here. What the hell is wrong with you?
08:48There was a bone-cold winter's night, and inside a little house, a little girl lay in her bed all
08:53alone.
08:54Please.
08:55And just as she was about to fall asleep, she heard a noise.
08:57Please, I need water.
08:59Hey!
09:01Shh!
09:03I'm telling you a story.
09:06Okay.
09:07Okay.
09:08I'm listening.
09:09So the little girl heard a sound, but when she opened her eyes and looked around, she couldn't see anything.
09:14But then, through a crack in the wall, she saw what was making the sound.
09:20Look, lady.
09:21It was a mouse.
09:22I don't know what you want, but I can get it for you.
09:24And the little girl was like, hello, mouse. Would you like to be my friend?
09:28Money? You want money? Please, what do I have to do?
09:29This wasn't a cute mouse.
09:30Please, just let me out. Please.
09:35What was the little girl to do?
09:37What are you doing?
09:38I said, what was the little girl to do?
09:41Come on.
09:53It turns out the mouse wasn't a mouse at all.
09:55Please, just let me know.
09:56It was a rat.
09:57A big, fat, ugly rat.
10:01And they just kept coming around and squeaking and scratching, and the little girl couldn't fall asleep.
10:06Even though she said to the rat, be quiet, or the rat just kept saying, can I please have some
10:10water?
10:11I'm thirsty. I want some water.
10:12And because the girl was a nice little girl, she gave the rat exactly what it wanted.
10:28And then everything was quiet again.
10:40But the little girl still couldn't sleep.
11:05I can help you, Colette, but you've got to talk to me.
11:09Now let's start with where the bodies are buried.
11:12Who we are.
11:14The essence of our being is so much more than just cartilage.
11:19Is that something your father would say?
11:22Is he here now?
11:25He loves me.
11:27May I speak with your father?
11:29No.
11:31Why not?
11:34Because he's mine.
11:37Colette, help us reunite your victims with their loved ones.
11:42Dad says no.
11:45Sorry.
11:47Please, just tell us where the bodies are buried, and we'll leave you and your father alone.
11:54Dad says you're a liar.
11:57And not to trust a word out of your mouth.
12:02Son of Sam said a voice told him to kill too, right?
12:05Well, that was a dog.
12:07Since when does the pit care about things like retrieving the bodies for grieving families?
12:11Probably didn't, but they couldn't resist the challenge.
12:13I mean, think about it.
12:15This woman is completely controlled by auditory psychosis.
12:18They control the voices.
12:19They control her.
12:20And to do that surgically, they sent her to...
12:23Professor Fairfax.
12:25I want it only.
12:31Looks like the pit allowed Fairfax to perform experimental surgeries on Colette.
12:36It's called targeted neurocortical decoupling.
12:38Which does what, exactly?
12:40Essentially, they severed the neural pathways that created the auditory hallucinations.
12:46Took away Daddy's voice.
12:47Of course they did.
12:48Yeah, well, they might have taken Daddy's voice, but Colette still didn't give up the locations of the bodies.
12:53Are we feeling any better today?
12:55Where is he? Why won't he talk to me?
12:58If you're interested in talking, I know your therapist is eager to resume your sessions.
13:06Why can't I hear him?
13:09What did you do?
13:11Well, Colette, I like to think we brought you some peace.
13:16No.
13:17I want you to bring him back.
13:19Removing the voice they couldn't control was just step one.
13:27Colette.
13:28It's okay. It's Dad.
13:31They brought me back to you so we could be together.
13:36That's not real.
13:38Colette.
13:40The people here, they just want to help you.
13:43Tell them what they want to know.
13:45That is quite the parlor trick.
13:47I know this is very good.
13:48I have to get the voice right.
13:49Do you remember the commercial for the family mortuers?
13:51I'm so proud of you.
13:51How could I forget?
13:52They scraped the audio and then created a program where they could say whatever they wanted in his voice.
13:57But you're doing great.
13:59Sweetie, if you tell them what they want to know, then we can get back to people.
14:09If you want to talk to your dad, Colette, you need to talk to us first.
14:14Some psychotic form of mind control.
14:16The holy grail of psyops.
14:18Honey, just tell them where you hid the bodies.
14:22That way we can be together.
14:24Forever.
14:28Heather Wilson is buried with Howard E8, Section 5, Lot 1443, Blessed Assurance Lawn.
14:34It's a triangle spot with a beautiful view of the crypts on the southern slope of the cemetery.
14:38That's so twisted.
14:39Ron?
14:39It worked.
14:41They got their bodies, Colette got her father's voice back.
14:44Yeah, until the pit blew up.
14:46Now she's all alone again.
15:00Oh.
15:01Couldn't change the slogan.
15:03Hmm.
15:10Police said Bradley was dead almost a week before they found him.
15:13Downstairs.
15:14Throat was slit with an embalming scalpel.
15:17That fits.
15:19They didn't find his body until yesterday.
15:21Mortuary is by appointment only.
15:23Janitor came in for his weekly service and he found the body in here last night.
15:27Cops are bringing him down to talk to us right now.
15:33Could this have been a territorial thing?
15:36She comes home to find the family business being run by somebody else.
15:39Somebody who isn't dad.
15:41Or maybe Colette came back for her trophies.
15:45Hey guys.
15:46She'll be out in a second.
15:47All right.
15:49I'm sorry.
15:50You got it.
15:54Hi.
15:55I understand you're the one that found the body.
15:58Special Agent Rebecca Henderson.
15:59Franco.
16:00Do you mind if I ask a couple questions?
16:02Okay.
16:03How long have you worked here?
16:05Almost three years.
16:07Was that space always empty?
16:08No, ma'am.
16:09Usually there's a coffin on it.
16:11Fancy one, too.
16:12Okay.
16:12When did it disappear?
16:14It was here the last time I was here.
16:17Is there any chance that Mr. Bradley could have sold it before he passed?
16:20It's a floor model.
16:24No.
16:24Do you notice anything else missing?
16:27There's usually a work van out back.
16:32Cola's childhood trauma, her M.O., it's all tied to coffins.
16:35There's one missing along with a van.
16:37We'll put out a bolo.
16:38She didn't come here to kill.
16:40She came here to steal.
16:41We're thinking robbery gone wrong.
16:43Mom, she stole a coffin.
16:45She planning to put someone in it.
17:13The tears get a task at a drop.
17:20All the way I dropped it, I dropped it, I dropped it.
17:25That little yellow basket came up.
17:31Thanks, you can just leave it on the porch.
17:33Actually, I need a signature.
17:35Okey-dokes.
17:39Yes, sirree, Mr. Mailman.
17:42I hope that package is for me.
17:48Good morning.
17:48Here you go.
17:49Thanks.
17:49Ah!
17:51Ah!
18:11The wife came home to find a mess, and her husband missing.
18:14We got the 911 call.
18:16Are we sure it's Colette?
18:17Brain cameras are dragging him out of the house.
18:20I mean, I don't know.
18:20It's not like him.
18:21I mean, I came home and his phone was there.
18:24And then the lamp was broken and nobody will tell me anything.
18:27Where is he?
18:29The police won't tell me anything.
18:30Did somebody take him?
18:32Why would anyone kidnap my husband?
18:34We don't know.
18:35But you'll find him, right?
18:38Look, we are going to do everything possible.
18:41I promise.
18:43Excuse me.
18:44Hey, sorry to interrupt.
18:47Hey, Sue, did you go to Washington High School?
18:50Yes, we both did.
18:52It's the biggest high school in the county, so most of us went there.
18:55This is Marty's mother.
18:57Excuse me.
18:59Hi.
19:02What's up?
19:03So, Marty went to Washington High School.
19:06Graduated in 2004.
19:08Guess who else graduated from Washington High in 2004?
19:11Colette's sister.
19:13And Colette graduated from here two years later.
19:16Marty's mom is on her way over.
19:18Oh, Sue, you and Marty went to the same high school as Liza and Colette Akins?
19:22That was our dubious claim to fame, or notoriety, I guess.
19:26What were they like?
19:27I never really got to know either of them.
19:29It was such a shocker when we found out what happened.
19:32Colette murdering Liza that way.
19:34Colette was the quiet one, too.
19:36What about Marty and Liza?
19:37Did they know each other at all?
19:40Why do you ask?
19:42Uh, no stone unturned.
19:45As far as I can remember, Marty never talked to either one of them.
19:48Uh, uh, different circles.
19:50Liza was one of the popular kids.
19:52You know how high school is.
19:54Marty spent most of his time in choir practice.
19:59Marty is the kindest person I know.
20:02Why would anyone want to hurt him?
20:05Dex.
20:08Hey, Sue.
20:10Sue, listen to me.
20:12We're going to do whatever it takes to bring Marty home, okay?
20:15They found a body.
20:27That's not Marty.
20:30So she kills Henry Bradley, he's not the mortuary.
20:33Kills this guy, and hides him in a grave?
20:36Bradley was a means to an end.
20:38She got the coffin, the van.
20:39You think this guy serves a different purpose?
20:42Yeah.
20:43His name's Nelson Stewart.
20:46Hooked at a nursery.
20:47What, like, with babies?
20:50No, like, plants.
20:52Ah.
20:53They're missing a week.
20:54Cemetery employees dug this grave this morning,
20:56and they got back from lunch.
20:58Half the soil was topped back in with this poor guy underneath it.
21:01Yeah, well, Colette probably thought they'd just put a coffin on top of him,
21:03not even notice.
21:04The medical examiner will confirm,
21:06but I'd be surprised the time of death was over 24 hours ago.
21:09This Colette must have kept him somewhere for a while.
21:11Why go to the trouble of kidnapping someone
21:13if you're just going to kill him and leave him out here?
21:16She needed the coffin for someone else.
21:18Well, Marty.
21:19Did Nelson go to school with Colette as well?
21:21No, he's not even from around here.
21:23There's got to be a connection.
21:24Well, we better figure out what that is,
21:26or that's exactly how we're going to find Marty's body.
21:51Hello?
21:54What's going on?
21:57Hello?
22:00Somebody, please!
22:01Hello?
22:05Oh, good, you're awake.
22:08What's happening?
22:10Where am I?
22:15Let me out of here!
22:16Please!
22:18I can't do that.
22:20What?
22:21But as long as you do as I say,
22:22you don't have anything to worry about.
22:24You like to sing, don't you?
22:26Oh, no!
22:28You're going to sing to me.
22:29Oh!
22:33I can't believe it.
22:34Of all the scenarios I imagined
22:36why Nelson didn't show up this week,
22:38murdered was not one of them.
22:40Yeah, I can imagine it would be a shock.
22:42What do you know about his background, friends, family, hobbies?
22:45He was a hard worker.
22:47He was great with the orchids.
22:49He brightened up the place.
22:51He talked about moving to Nashville.
22:53He wanted to be a singer-songwriter.
22:55He has this great...
22:58He had a great voice.
23:02The kind of voice you don't hear very often.
23:05So what, she's going after singers?
23:07What do you want to beg Colette's dad sang to her?
23:10Moralice, I need you to run a search.
23:12I remember some entries in her pit file
23:13that mention singing.
23:15Already on it.
23:16Sending you something now.
23:19I can't sleep.
23:21I'm sorry, sweetie.
23:23Dad, can you...
23:24can you sing to me like you used to?
23:27Of course, baby.
23:30Hush, little baby, don't say a word.
23:34Mama's gonna buy you a mockingbird.
23:37And if that mockingbird don't sing...
23:40That's good news for Marty.
23:43You think?
23:45She wants Marty to sing for her.
23:46Dead men don't sing.
23:48That didn't help Nelson.
23:49Well, maybe he refused or he panicked.
23:51But as long as he's singing, she's gonna keep him alive.
23:53What I don't understand, though, is how she's targeting them.
23:55I mean, Marty was a schoolteacher.
23:56Nelson worked at a garden center.
23:58Unless you must have heard him sing somewhere.
24:01Morales needed a cross-reference or social.
24:03See if Marty and Nelson both went somewhere.
24:05Church choir, community theater, voice lessons, anything.
24:09On it.
24:12Start again.
24:15Hush, little baby.
24:17Don't say, don't say a word.
24:20Daddy's gonna buy you a mockingbird.
24:25If that mockingbird don't sing.
24:29Daddy's gonna buy you a diamond ring.
24:34If that diamond ring don't shine.
24:39You're doing it wrong.
24:42Wait, wait, wait.
24:44Look.
24:45This song.
24:48It's obviously important to you.
24:54Somebody must have sung it to you when you were little.
24:58Am I right?
25:01What?
25:02What was that?
25:04Your mother?
25:07No.
25:11She died the day I was born.
25:18I'm sorry.
25:19I'm sorry.
25:20I didn't know.
25:21That must have been really hard.
25:23What it is, is none of your business.
25:25Okay.
25:30Your father, then?
25:34I love me.
25:36He believed in me when no one else did.
25:39I understand.
25:40My mom's like that, too.
25:45She's a very kind person.
25:48Just like your dad.
25:51I'm sure he wouldn't want you to hurt me.
25:57If you can't help me, I'm gonna have to find someone who will.
26:00No.
26:01No, don't go.
26:02Wait.
26:03Hello?
26:04Hello?
26:06Hush, little baby.
26:08Don't stay alive.
26:10Daddy.
26:16Guys, I think I found something.
26:18Marty doesn't have social media, but I found a picture of him on his friend Emily's SnapMech page.
26:24Turns out he was at a karaoke bar the night before he was abducted.
26:28And get this.
26:29Colette's other victim, Nelson, and his friends were at the same karaoke bar.
26:33The same night?
26:34No.
26:35As far as I can tell, they've never met one another.
26:37But they were both at the same karaoke bar within weeks of getting kidnapped.
26:41Nice work, Morales.
26:42Send us the address.
27:08Hey, now, do you think it's possible if you did not look like a car?
27:13I don't look like a cop.
27:16You look like a cop.
27:18I do not look like a cop.
27:20Well, now you look even more like a cop.
27:22Whatever, man.
27:24You look like a cop.
27:31Can I get you anything?
27:32Um, actually, yeah.
27:34I was in here a couple nights ago.
27:36I met this woman.
27:38I was wondering if you might have seen her.
27:41Just trying to hunt her down again.
27:44Yeah.
27:46She comes in here a lot.
27:54So, bartender recognized Colette's photo.
27:57Says she's in here most nights.
27:58Apparently, she's A.O.
28:00What's A.O.?
28:01Audience only.
28:03She doesn't sing.
28:03She just watches.
28:05Ah.
28:05Makes sense.
28:07She's in here trolling for her next victim, not blowing off steam.
28:11Okay, supposing she does show up.
28:14What's the plan?
28:16We follow her.
28:17I mean, if Marty's still alive, we've got to know where she's holding him.
28:20What if she doesn't show?
28:21Do you have a better plan?
28:24I'm going to take a lap.
28:25See what the song selection is.
28:26I do a mean Cyndi Lauper.
28:28I'm sure you do.
28:36You okay?
28:39Yeah.
28:41Um, my wife and I went to a karaoke joint like this on our first date.
28:48That's sweet.
28:52Hey.
28:55I've been thinking.
28:57And Colette is literally murdering folks seeking that connection with her father.
29:03Yeah, and?
29:10You think Shane's going to do some regrets for Lazarus?
29:13I'm just saying.
29:14Push comes to shove.
29:15Who's he going to choose?
29:17I think we give Shane some space.
29:23I just still don't love the fact that he lied to us.
29:26Especially about something personal.
29:29Do you still trust him?
29:30A hundred percent?
29:33I do.
29:34Yeah.
29:38I trust you, too.
29:41Even if you left a few things out of your story.
29:43Okay.
29:55When did you find out?
29:58When you were in the hospital.
30:01I figured someone should let your wife know that you got shot.
30:09I don't like to talk about it.
30:11You don't have to.
30:19She died two years ago.
30:24Were you with her?
30:26Nope.
30:29It was halfway around the world.
30:34My parents were.
30:37And the kids.
30:41I don't know.
30:53Not that I really know you, but, you know, the most things we've heard, then, it's a problem.
31:00Khalid is here.
31:12Next up, we've got Bobby.
31:14Bobby, come on up here and show us what you got.
31:17Hey.
31:18Hey, uh, I just want to let you know that there's some people here looking for you.
31:23Okay.
31:24Yeah, we just got made.
31:26Uh-huh.
31:28Oh, wait.
31:28We gotta go.
31:31Okay.
31:31Hey, Colette.
31:34Colette, we just want to talk.
31:36Colette.
31:38Colette, stop.
31:39Colette!
31:40Get out.
31:40Get out.
31:41Everybody get out.
31:42Stay calm.
31:43Keep moving.
31:43Move behind me.
31:44Go.
31:44Get out.
31:45Stay back.
31:47Drop it.
31:49You first.
31:50Please, don't.
31:51Shut up.
31:54You put the gun down right now or I'll kill her.
31:58I'll do it.
31:59Hey, hey, hey.
31:59Hey, it's just us.
32:01Okay?
32:02We just want to talk.
32:03I don't want to talk.
32:04I want you to let me out.
32:06Now put the gun down.
32:07You can't do that.
32:08Okay, okay, okay.
32:10Guns down.
32:11Guns are going down.
32:13You see?
32:15His gun's down.
32:16My gun's down.
32:17All right?
32:18Your turn.
32:18Put the knife down.
32:19Now, look, I know that you're scared right now, and I know that you don't want to hurt
32:25her, but if your dad was here, what would he say?
32:28Don't talk about him.
32:29Okay?
32:29Okay.
32:31Why don't you talk about him?
32:32Tell us.
32:32Tell us what he was like.
32:34He loved you very much, right?
32:37He kept you safe.
32:39We are trying to keep you safe right now.
32:41He protected you when you were young from Liza.
32:45She's horrible.
32:48She charms everybody, and they don't know the real her.
32:51She told me all the bodies downstairs woke up at night, and if I didn't stay real still
32:56in my bed would come up and find me, so I didn't even get up to go to the bathroom.
32:59And everyone loved her and hated me, except my dad.
33:06Go, mind me.
33:07Go, move.
33:07Stop moving.
33:08Nice, nice.
33:08Got it.
33:09Stop.
33:13Calm down.
33:15Look at me.
33:17Where's Marty?
33:21Where are you keeping Marty, Colette?
33:24He was pretty dehydrated when I left.
33:27I don't think he has much time.
33:39Hey.
33:40My name is Special Agent Rebecca Henderson.
33:41I am not here to intimidate you.
33:43I'm not here to threaten you.
33:44I'm here to talk to you, okay?
33:47You're a liar.
33:54Hey.
33:59Clock's ticking.
34:00Local PD's upstairs taking statements.
34:03I told them we were serving an interstate warrant.
34:04Okay, if we have to turn her over to Lazarus, Marty's as good as death.
34:09She says Marty's alive, but do we believe her?
34:12I do.
34:14The challenge is getting her to talk.
34:18Give me a couple minutes.
34:34I know it doesn't seem like it, but I am actually here to help you.
34:39Fair enough.
34:41You don't care about me.
34:44The only one who cared about me was my dad.
34:47And he's gone now.
34:49What if he doesn't have to be?
34:53I'm gonna lay out your two options, okay?
34:55Option one.
34:56You go back to prison completely alone.
35:02Option two.
35:03You can go back with your dad.
35:06His voice, at least, just like in the pit.
35:10All you gotta do is tell me where Marty is.
35:15Why would I believe anything you say?
35:17You people told me that the last time, and then you took him away.
35:20No, Colette, we did not take him away.
35:23There was an explosion.
35:24Do you remember that?
35:28Have you ever seen someone who's died of dehydration?
35:33The skin on their face shrivels up and contorts like a scream.
35:38I can give you some suggestions so he looks better for the funeral.
35:44That's okay.
35:47New plan, then.
35:49You'll like it.
35:52You'll like it.
36:00You'll like it.
36:09You'll like it.
36:24Hey.
36:27Hey.
36:30Let me out.
36:33Hey, little sis.
36:36Let me out.
36:41stop it i hear you have been very bad haven't you
36:49i know you're dead dead alive who we are the essence of our being it's so much more than just
37:03cartilage no this isn't real and i guess spending eternity together wouldn't be a problem for you
37:13look all i want to know is where you're keeping marty let me out of here why should i you
37:22didn't
37:22let those men out so why should i let you out
37:32how about this you tell me where mardy is or i'll let you rot in there no
37:50hush little baby don't say a word
37:53daddy's gonna buy you a mockingbird it's not doing that and if that mockingbird don't sing
38:01shut up shut up
38:03daddy's gonna buy you a diamond ring
38:07and if that diamond ring is black
38:11daddy's gonna buy you a looking glass
38:18i'm so sorry i couldn't hear you through the coffin
38:24abandoned farmhouse route 13 farm road 8
38:38they just found marty it's gonna be just fine
38:44marty
38:45oh my god
38:48oh my god
38:50oh my god
39:06Take in, I think of you
39:09Caught up in circles
39:13Confusion is nothing new
39:18Flashback, warm nights
39:20Almost left me
39:22I don't think this is what the TV is meant for.
39:25Suitcase memories
39:28Time after some time
39:31You picture me
39:33He's quite good.
39:34I don't think you should tell him that.
39:36He'll keep going.
39:39How about you? You okay?
39:44I don't know.
39:46What do I do to Colette?
39:48Hey, hey, hey, you did what you had to do.
39:52That was the only way to save Marty's life.
39:55I know that's supposed to make it easier,
39:57but it just doesn't.
40:05I know the lines can get blurred out here.
40:10But trust me, you're on the right side of this thing.
40:13Who's coming? Who's gonna come up and sing with me?
40:16Who's gonna join me? Come on.
40:17Oh, you're up. Nope.
40:19I don't sing. Yes, you do.
40:20No, I don't.
40:21Oh, sorry.
40:22I, uh...
40:24Saved by the bell.
40:25So convenient.
40:26Don't leave me singing by myself.
40:27Get into it, Henderson.
40:28Come on.
40:30Come on.
40:31Here.
40:34Here you go. Come on.
40:35Come on.
40:36Come on.
40:45Go.
40:46I've been looking into Colonel Lazarus.
40:48There's something you should know.
40:50Hmm.
40:50Seven years ago, a new hire candidate at the pit
40:52was flagged on their security clearance.
40:54Colonel Lazarus personally pushed it through anyway.
40:57Made sure he got the job.
40:58Sure.
40:58The warden, Oliver O'Dell.
41:01No.
41:01Shane Florence.
41:12It seems like Colonel Lazarus has known about Shane for a long time.
41:16Got it.
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