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The.Sandman.S01E08 [Full Movie] [Full Story]Full EP - Full
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00:06To be continued...
00:31Who are you?
00:33You have somehow dreamed your way into an audience with Lord Morpheus.
00:38The King of Dreams.
00:40And now you must go.
00:42Lucienne.
00:43She shouldn't be here.
00:45No.
00:47But I should like her to stay.
00:51What is this place?
00:53You're in the dreaming.
00:55The place where people come when they sleep.
01:00So, I'm asleep right now.
01:02I'm dreaming.
01:03Yes.
01:04And I should like to know how it is you found me.
01:07I heard you talking about my brother.
01:10Is he here?
01:12No.
01:14Do you know where he is?
01:16No.
01:21But I think he might be with one of my missing nightmares.
01:27She's a nightmare?
01:30What would she want with Jed?
01:32I don't know.
01:34But I have a feeling it has something to do with you.
01:37Me?
01:39Why?
01:40What did I do?
01:41It is not what you did.
01:43It is what you are.
01:46I'm sorry.
01:47I don't understand any of this.
01:49No.
01:50Dream vortexes are largely incomprehensible.
01:54What's a dream vortex?
01:56You are.
01:58You see, once every few thousand years, a mortal is born with a dreaming ability so powerful,
02:05she can travel through the dreams of others.
02:08Apparently, all the way to my throne room.
02:11I was just looking for my brother.
02:13If you can find me in the dreaming, you can find your brother.
02:17No matter where Gold has hidden him.
02:20How?
02:21How do I do that?
02:23For now, keep looking for your brother in the waking world.
02:28Matthew will watch over you there.
02:30At your service, Rose.
02:33When he is with you, I am with you.
02:37Then tonight, when you sleep, you and I will go and search for Gold and your brother together.
02:44In your dreams.
02:47She's just a nightmare, right?
02:49She can't hurt him, can she?
03:11Which one of my enemies is it this time?
03:14Johnny Sorrow?
03:16The Phantom of the Fair?
03:17Or is Dr. Daft back from war?
03:26It's the Pied Piper.
03:28He appears to be using next-gen sonic technology to control all the area's children.
03:37This looks like a job for...
03:44The Sandman.
03:47Time I put the Pied Piper to bed.
04:10No sign of the Pied Pied Pied.
04:11No sign of anyone.
04:15I'm afraid we're too late.
04:17They've all been kidnapped.
04:23Wait.
04:26Can you hear that?
04:28The Piper's tune.
04:30Can you hear where it's coming from?
04:35I can.
04:45Are you seeing this?
04:50I am.
04:51And I don't like what I'm seeing.
04:53Return to base, Sandman.
04:56Don't worry.
05:00I've got this.
05:08Rats!
05:12Get back here, Jed.
05:13Right now.
05:14There's too many of them!
05:15Ah!
05:16Ah!
05:18Ah!
05:19Ah!
05:19Help!
05:20I'm trying, Jed.
05:20Hold on.
05:21Help!
05:21Jed!
05:22Jed!
05:23Oh!
05:25Oh!
05:27Oh!
05:27Oh!
05:30Oh!
06:00Aunt Louise, Uncle Barnaby, I think I'm hurt. Is anyone there?
06:16Don't.
06:21We can't just leave him down there.
06:23The second you open that door, he's going to run away again.
06:29He has to learn.
06:39Aunt Louise?
06:46Is anyone there?
07:10Matthew?
07:25Unity!
07:26Hi!
07:26It's Rose calling.
07:27How are you, darling?
07:29How was it with the foster agent?
07:31What was she all for?
07:33Well, she wouldn't tell us where Jed is.
07:35Oh, no, of course not.
07:37That would have made it far too easy.
07:39But she did tell us one thing.
07:41Apparently, Jed's foster parents were friends of my dad's.
07:44Oh, so she told you quite a bit.
07:46Do you remember your father's friends?
07:49No, but if it's okay with you, I thought I'd stay longer and maybe...
07:54Of course, love. Of course, Rose.
07:57May I?
07:58Okay.
07:58Please.
08:00Unity?
08:00Am I interrupting something?
08:03There is a lovely young journalist here who wants to interview me about the sleepy sickness.
08:09Unity?
08:10I keep telling him I slept through the entire thing.
08:15I'm hanging up now.
08:17Enjoy being famous.
08:20That was my great-granddaughter, Rose.
08:23Oh.
08:24Is she in London?
08:25She was.
08:26Now she's back in the United States.
08:29In Florida.
08:30Really?
08:31What about's in Florida?
08:33A town called Cape Kennedy.
08:37You sound American to me.
08:39Have you been?
08:40Cape Kennedy?
08:41No.
08:43Now I'll have to visit.
08:57Did you figure out the printer?
08:59I did.
09:01What do you think?
09:04Oh.
09:05I think I want to help you put these up all over town.
09:08Really?
09:08Mm-hmm.
09:09Can I pay you for them?
09:10You already did.
09:10I overcharged you for the room.
09:12May I see?
09:15Morning.
09:16Oh, my gosh.
09:18Rose.
09:19Oh, look at you guys.
09:21Can I have some?
09:21Uh, babe.
09:22What are you doing?
09:23Putting these up.
09:24Yeah, but we're out all day with Cindy.
09:26Well, Cindy can put some up, too.
09:27She's our realtor.
09:28She's fabulous.
09:31Thank you, guys.
09:34Zelda suggests we take some as well.
09:37We can all hit the streets together when Lada wakes up.
09:39She's still asleep?
09:49I just want to stay like this forever.
09:54I do, too, but...
09:57What?
09:58You know, you should be out.
10:00Living your actual life, not having ghost sex with your dead husband.
10:05You're not a ghost.
10:07You're a dream.
10:10Yeah.
10:12I'm meaning to talk to you about that.
10:16If I were a dream, wouldn't I disappear when you wake up?
10:23Don't you?
10:24No.
10:25Then what do you do?
10:27I go to work.
10:29I...
10:29I cook.
10:30I work out.
10:30You go to work?
10:34Yeah.
10:35Doing what?
10:42I finally built our house.
10:45Can I show you?
11:05You...
11:06You built our house?
11:09Come on.
11:11I'll give you the tour.
11:32I did my best to follow your blueprints,
11:34but there were a few details I just couldn't remember.
11:38That's perfect.
11:45What's in there?
11:46Uh, that room's not quite finished yet.
12:07Why did you build this?
12:11Because it was our dream.
12:17And now that we're both here, maybe it can come true.
12:21How?
12:23You have to stay with me, here, in our house the way we planned.
12:37Sweetie, you know I eventually have to wake up.
13:02You're awake.
13:04Yeah.
13:06You're awake.
13:08Okay?
13:08Yeah?
13:10What are those?
13:13Is this a terrible idea?
13:19No.
13:20Not at all.
13:21Because I was thinking we could put up a few near the foster agency.
13:25Just to let that woman know we're not giving up.
13:27No, I think she probably got that from yesterday.
13:30Was I that bad?
13:31Should I go there and apologize?
13:33No.
13:33No.
13:34But why don't you let me do that side of town?
13:41My lord, may I help?
13:44Is this everything we have on Rose Walker?
13:46And Jed Walker, but I shouldn't think there's anything in those you don't already know.
13:51Except perhaps...
13:52Except perhaps why it is she was able to wander into my throne room.
13:55What do you think?
13:56Why did Golt target her brother and not her?
13:59Did you read about Unity Kincaid?
14:02The day you were imprisoned, there were people all over the world who fell asleep and could not wake up.
14:09Unity Kincaid is the sole survivor of what they called the sleepy sickness.
14:15The day you returned, she woke up.
14:19Rose Walker is her great-granddaughter.
14:24Which would seem to suggest that my absence caused the birth of a vortex.
14:29Is that not a possibility?
14:30Vortexes are naturally occurring for mom and her.
14:33No one knows where they happen, not even I know.
14:35But I do know they are not caused or created.
14:37They simply happen.
14:40And this is all a coincidence and not an imminent threat?
14:44My instinct says no, but tonight, when Rose Walker sleeps, I shall see it more clearly.
14:49May I?
14:52Of course.
14:54I've been trying to remember my dad's friends, but I don't think he had any.
15:00He was a pretty unfriendly guy.
15:02Well, do you remember any golf buddies or drinking buddies?
15:06Or what else do married straight men with kids do?
15:10Well, if they're anything like my dad, they have affairs.
15:14Oh, that's why your mom divorced them.
15:17That was just one reason.
15:20Well, maybe your dad didn't have friends.
15:22That's why I thought we'd start with his neighbors.
15:24That was his house.
15:26Our house.
15:29The last time I saw Jed was right there, seven years ago.
15:35You haven't seen him since?
15:38When my mom got a job in New Jersey, my dad cut us off completely.
15:44Stopped paying alimony, child support.
15:48He wouldn't let us see or even talk to Jed.
15:51Hmm.
15:59My mom sued.
16:01She never gave up, but I went off to college.
16:08I haven't been a very good sister.
16:11Making it up for it now, though.
16:13I'm trying.
16:17Come in.
16:19Hi, Ms. Rubio.
16:22I'm Lyda Hall, Rose Walker's friend.
16:25What can I do for you, Ms. Hall?
16:30I just wanted to come by and apologize for yesterday.
16:34I know your job is hard enough without having to deal with other people's, uh, grief.
16:41Because that's what it was.
16:42It wasn't you.
16:45Rose wanted to come by, but...
16:47She is out looking for her brother.
16:55I think she really just wants to know if he's okay.
16:58I'm sure he is.
17:01Is there any way you could...
17:03find out?
17:05Check up on him?
17:06You wouldn't have to tell us.
17:07I don't want to get you in trouble, but...
17:10do you do...
17:11follow-up visits?
17:13We do.
17:14But I can't just...
17:16No, I understand.
17:19I'm sorry.
17:20That's really all I can hear to say.
17:25Thank you, Ms. Rubio, for your time.
17:54A woman from the foster agency wants to come by.
17:58For what?
18:00To check on Jed.
18:01What?
18:02Why now, all of a sudden?
18:05It's, uh...
18:07They do that.
18:08It's a regular thing.
18:10What did you tell her?
18:13Well, I...
18:14I couldn't tell her no.
18:16I can.
18:18Call her back.
18:22Fine.
18:23I'll do it.
18:25You don't think that's gonna raise a red flag?
18:32If you don't want him here,
18:35we can give him back.
18:38I'm not giving back $800 a month.
18:44Get him up here.
18:45I'll talk to him.
18:46I'll make sure he doesn't run away again.
18:48No.
18:50I'll talk to him.
18:59Come on up, Jed.
19:04You're all right.
19:17The woman from the foster agency is coming to check up on you.
19:21If you're good,
19:23you can sleep in your own bed tonight.
19:27But if you embarrass us in front of this woman,
19:31I will take you back into the cellar.
19:34I will wire your hands to the pipes down there.
19:38And I will break every bone in your body.
19:43Do you understand me, Jed?
19:47Then go clean yourself up.
19:54Here.
19:55I'll fix you something to eat.
20:17I mean, I tried to escape.
20:19I went directly to New York after college
20:23to have a huge Broadway career
20:26before moving on to film and television, of course.
20:29Of course.
20:31But, um...
20:32These days, if you're not already a film or television star,
20:35you can't even get a job on Broadway.
20:37So when my grandmother died
20:38and left me that ridiculous house,
20:41I...
20:42came home.
20:44Do you miss New York?
20:46Not as much as I thought I would.
20:49I mean, New York's very hard.
20:50And this place is not so bad.
20:59I'm gonna put a few up over there.
21:02So if you maybe want to...
21:04Oh, yeah, absolutely.
21:04I'll catch up with you.
21:18Matthew?
21:20Is that you?
21:23No, that's a crow.
21:28I'm a raven.
21:30Common mistake.
21:33You're real.
21:36Technically, I'm a dream, but...
21:38Sure.
21:40And is Morpheus watching?
21:42Right now?
21:43He is.
21:43I can feel him in the back of my head.
21:45It's the weirdest feeling.
21:47Fuck.
21:48Do you need him?
21:49No, but he said he'd be there tonight.
21:52When I fall asleep,
21:53he's gonna help me find my brother.
21:55That's the plan.
21:56And I'll be around till then if you need me.
22:00You got it, kid.
22:06This is Jed Walker.
22:08You know, if you see him or know anything about him, just text.
22:12Okay.
22:13Thanks.
22:14What have you got there?
22:17I'll be right back to you.
22:19We're looking for a kid named Jed Walker.
22:21He would be about 12 now.
22:24Oh.
22:24How long has he been missing?
22:26Well, he's not actually missing.
22:27He's in foster care, but the agency won't tell us where.
22:31Would you like to get this?
22:32No, not at all.
22:34See you around?
22:35Um, yeah, I hope so.
22:40Friend of yours?
22:42No, but he took a flyer, so he might be calling.
22:47I'll give him your number.
22:49You're a good friend, Rose Walker.
22:55He's doing great in school.
22:59Helps out around the house.
23:02Never complains.
23:03I don't know what we'd do without him.
23:06Right, Barn?
23:09That's right.
23:10I'm so happy to hear that.
23:12You look good, Jed.
23:14You look happy.
23:16Thank you, ma'am.
23:20I wonder if I might have a moment alone with you both.
23:23It's just some admin updates.
23:28You want to go to your room, son?
23:42It's all pretty straightforward.
23:44I just need to update Jed's file with all his current information.
23:48His school, insurance, all the usual stuff.
23:52Guess he's still at Piccolo Elementary.
23:55So good to see you, Miss Rubio.
24:04It's good to see you, too, Jed.
24:26It's good to see you, too, Jed.
24:28Hello.
24:30How can I help you?
24:31I have a question for you.
24:35Have you seen this boy?
24:41Your Aunt Clarice and I want you to know we were very impressed
24:46with the way you got this note
24:50into that lady's bag.
24:54I'm sorry.
24:55No, you're not.
25:02But you will be.
25:06No, you're not.
25:06No, you're not.
25:08No, you're not.
25:40Where is everyone?
25:41Must have all gone to bed.
25:43There's not much to do.
25:44Keep Kennedy after dark.
25:47Or during the day for that matter.
25:50That's kind of what I like about it.
25:53I was thinking, maybe I should move back.
25:57Why?
25:58To do what?
26:00I don't know.
26:01Before my mom died, I was going to go to grad school.
26:05And try to become a writer.
26:08But maybe it's like you and New York.
26:11God, I hope not.
26:13No, I mean, your life is here.
26:15You have this house.
26:17People who love you.
26:18You've got Dolly.
26:19Rose, do you think I want to be here?
26:24Cleaning up after Barbie and Ken?
26:28Don't get me wrong.
26:29I love them.
26:29They're great.
26:31But if Broadway called tomorrow,
26:33I would sell this fucking house.
26:37And I would never think about any of these people ever again.
26:43Go to grad school.
26:45Write a novel.
26:47About me.
26:49But do it now.
26:50While I'm still cute enough to play myself in the movie.
26:54Because this was never my dream.
27:22Hold on, buddy.
27:24I'm on my way.
27:30Here she is, boy.
27:34Here she is, world.
27:39Here's...
27:41Rose!
27:46Rose!
27:48Rose!
27:48Rose!
27:50Rose!
27:51Nice delight!
27:53Play it, boys!
27:58You either got it, or you ain't.
28:02Now, boys, I got it.
28:06You like it.
28:10Well, I got it!
28:15Okay, doll.
28:17Listen carefully.
28:19I'm only gonna say this once.
28:22This is not my real face.
28:25Nice.
28:36And this is not my real face, either.
28:49Hal, you're gonna have to come up here and help me.
28:52Mama's running out of hands.
29:00Rose?
29:12Rose?
29:14Rose?
29:22I am having a relationship.
29:24with a sentence.
29:29It was just one of those things.
29:32It was a chance meeting
29:34that grew into something more important for both of us.
29:37Everybody knows about me and the sentence.
29:42And now I have the pleasure
29:45of reading it into the Library of Congress.
29:52Rose?
29:56Rose?
30:14Babe.
30:15Please?
30:16Open the door and let me in the car.
30:18Barb, it's not funny anymore.
30:20Honey, just open the door.
30:22Barbie, open the door.
30:23It's not funny anymore!
30:25Let it in your car!
30:27Bart! Come on!
30:34Why is this happening?
30:36I thought we were looking for Jed.
30:37We are.
30:38Then why am I in my friend's dreams?
30:40Because you're drawing the dreams of others to you.
30:42Barbie, please! What'd I do?
30:45Just be careful not to lose yourself in them.
30:48Take a moment.
30:49Find your own path.
30:56Step up at once.
30:56Drop them by once.
30:57Now back a moment.
31:05Step up at Hammond's Purpose.
31:13Step up to Hammond,
31:23I can hardly believe it. Here we are at last. The arch of the Porpentine.
31:31Our journey has indeed been long, Miss Barbara. And many is the worthy companion we have found and lost along
31:37the way.
31:39So many lives lost, Martin Tenbones. Because of what? A confection of spun silver and rose quartz.
31:49The Porpentine is more than that lady, as you know, in your soul of souls.
32:02So, what is a dream, Vortex? What is it for? What does it do?
32:08I confess there are some questions to which even I do not have an answer.
32:12But I can't tell you that a Vortex has the power to dream entire worlds. Or destroy them.
32:33Is that...
32:34Zelda. When she was your brother's age.
32:43Mami and Daddy told me to go away, so here I am in the Old Bone Orchard.
32:48Nobody understands me. Nobody cares.
32:53Nobody understands but Chantel.
32:55Chantel comes along and shows me she's my soul sister.
33:03Me and her are gothic heroines. Secret brides of the faceless slaves with the nameless knight of the castle of
33:10Dread Desire.
33:14Is she lost?
33:15She's at home here. That is what most people seek when they dream.
33:22Home?
33:23Do you know where that is for Jed?
33:52Oh, my God!
34:18You know this place.
34:23That was our house growing up.
34:25Look.
34:27You've done it.
34:29You found your brother's dream.
34:33Now we find gold.
34:38He's not a member of my robes gallery.
34:45He's the most powerful foe we have ever faced.
34:49The king of nightmares.
34:53He has come to take me away from you.
34:57I'm not about to let that happen.
34:59Thank you, Sandman.
35:03This battle is mine to face.
35:07And mine alone.
35:09We'll see about that.
35:11Jed!
35:11Jed!
35:12Come back, please!
35:14What's our next move?
35:15How do we find him?
35:25Who, king of nightmares?
35:27Or I'll send you both to dreamland.
35:29Jed?
35:31I am the guardian of sleepers.
35:34I am lord of the dream domain.
35:37I am the Sandman.
35:41You are the Sandman.
35:43Is that what she told you?
35:47Where is she?
35:49Your master.
35:51Stay back.
35:52Jed, we're not here to hurt you.
36:00It's me you want.
36:02Not him.
36:05Oh my god.
36:07Mom?
36:08That is not your mother, Rose.
36:14Rose?
36:18Is that you?
36:22I've been looking for you everywhere.
36:25Mom, it's Rose.
36:26She's all grown up.
36:28I'm sorry, Jed.
36:34Mom!
36:35What did you do to her?
36:37Jed.
36:37Jed, look at me.
36:39She is not our mom.
36:41Our mom is not here, but I am.
36:43And I need you to tell me where you are.
36:46I'm right here.
36:47No, Jeddy, this is a dream.
36:48When you wake up, where will you be?
36:51Look, did you write this?
36:54Uncle Barnaby said he's gonna break every bone in my body.
36:56Who's Barnaby?
36:57Aunt Clarice won't be able to stop him.
36:58Where are they, Jed?
36:59Where are Aunt Clarice and Uncle Barnaby?
37:01They're home.
37:03They're in homeland.
37:04Where is that?
37:05Where's homeland, Jed?
37:06Come, Gold.
37:07We must go.
37:14I'm sorry, Sandman.
37:19It's time to wake up, Jed.
37:20Wait, no!
37:21Goodbye, Rose Walker.
37:22Stop!
37:23Not yet, Jed.
37:24Tell me where you are.
37:25Rose?
37:27Rose?
37:29Rose!
37:46You expecting someone?
37:48No.
37:57Good morning.
37:59Good morning.
38:00Good morning.
38:03You're making it very difficult for me to leave this morning.
38:07That was the plan.
38:10Just hear me out.
38:11You being here, in my dream, means something is different, something has shifted.
38:17So if you can choose to be here, maybe you can choose to stay.
38:25Think about it, we can have the life we always wanted.
38:28Have a baby.
38:32Start a family.
38:36Light up.
38:38This is a dream.
38:44Anything is possible.
38:54Oh, my God.
38:58What is happening?
39:07Oh, my God.
39:11What is happening?
39:13You're lying.
39:42How good is happening?
39:45Lyda, I found him.
39:48I found Jed.
39:49What?
39:50I found Jed.
39:52Just a minute.
40:27I found Jed.
40:45Do you have any idea what his life is like in the waking world?
40:52Humans cannot live in dreams.
40:55As long as he stayed there, the child had no life, nor the chance for one.
41:01The boy is being abused.
41:04He's suffering.
41:05You abused that suffering.
41:08To build a dreaming you could rule.
41:11I had no wish.
41:13To rule.
41:16I merely wish to be a dream and not a nightmare.
41:20To inspire rather than to frighten.
41:23The choice is not yours to make.
41:27We do not choose to be created.
41:30Nor do we choose how we are made.
41:32That is true.
41:35But we can change.
41:37No.
41:39We are each of us born with responsibilities.
41:44Even I am not free to choose to be other than I am.
41:48Nor is anyone.
41:50If that were true, why did all the other dreams and nightmares choose to leave this place when you had
41:57gone away?
41:57Not all of us chose to leave.
42:00And nearly all have returned.
42:02Do you think they came back out of love?
42:08Or because they were afraid of what you would do to them if they did not?
42:14Because I'm not afraid.
42:21You should be.
42:27A nightmare's purpose is to reveal a dreamer's fears that they may face them.
42:35Perhaps a few thousand years in the darkness will reveal your fears.
42:51Better that than to make others afraid.
42:59Even a nightmare can dream, my lord.
43:15You feel her punishment was unjust?
43:26I used to be something else.
43:30Before you made me your librarian.
43:34We all change, sir.
43:37Even you, perhaps.
43:39One day.
43:43Lucienne, I realize that in my absence you were compelled to make decisions in my stead and...
43:49I am grateful to you.
43:52But I am back now.
43:57You may return to the library.
44:24I am true.
44:33Then you Dowda and you're locked down in this house.
44:37Amen?
44:39Let's go.
44:51You must be Jed.
45:02Your sister sent me.
45:05Your sister Rose.
45:13She's my sister.
45:28Ma'am?
45:30You can't be here.
45:30My little brother Jed, he lives with them.
45:32Is he inside?
45:33Is he okay?
45:35There was no one else inside.
45:37Just the two adult victims.
45:39Wherever your brother is, he's not here.
45:53So, how do you know my sister?
45:56I don't.
46:03But I'm really looking forward to meeting her.
46:08And I'll tell you who's who.
46:11Cause I'm the big bad boy.
46:14I'm the big bad boy.
46:16I'm the big bad boy.
46:20Blowing down your neighbor.
46:21I said, I will.
46:27Oh, yeah.
46:28I said, you've got to seize up your day.
46:36Yeah.
46:39Make the most out of you.
46:42Oh, you've got to make the most.
46:45Watch your knees when you pray.
46:48Yeah.
46:50If you flex with my crew.
46:53Oh, you know why?
46:54Cause they're the big bad boy.
46:57They're the big bad boy.
46:59They're the big bad boy.
47:02Blowing down your neighbor.
47:03Oh, cool.
47:04What?
47:04Hey!
47:06I will.
47:08Oh, yeah.
47:10Now.
47:14I'm gonna hurt and pull and blow your ass down.
47:20I'm gonna hurt and pull and blow your ass down.
47:25I'm gonna hurt and puff and blow this house down.
47:31I'm gonna hurt and puff and blow your ass down.
48:06I'll see you next time.
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