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00:35Oh, sir, my fire is very small.
00:44It will not burn my heart.
00:55Hannah?
00:57Hey, Carol.
00:58We need a place to stay, and I need you to not ask any questions.
01:05Not now.
01:09All right, then.
01:12Welcome to Arizona.
01:16Here we go.
01:18Here we go.
01:18Here we go.
01:20Here we go.
01:20Here we go.
01:21Here we go.
01:21Here we go.
01:21Here we go.
01:23Here we go.
01:23Here we go.
01:25Here we go.
01:29Here we go.
01:31Here we go.
01:33Here we go.
01:34Here we go.
01:38Here we go.
02:43I'm sorry.
02:44She's just not how I pictured her.
02:49Do you want to shower first or should I?
02:53I'll go first.
02:54It's okay.
03:04What the fuck you said it was tonight?
03:08Listen to me.
03:09I don't like all these changes, okay?
03:12Tomorrow then.
03:14Okay.
03:159.30.
03:17Uh, look, I gotta go.
03:19Okay.
03:19I'll see you tomorrow.
03:21Hey, I didn't know you were here.
03:22Yeah, I just, uh, had to grab some stuff.
03:29Everything okay?
03:31Larry and I were gonna reach out.
03:32Yeah, it's fine.
03:33I'm fine, honestly.
03:35Okay.
03:35We'll see you around?
03:37Uh, yeah.
03:38Uh, do me a favor.
03:41Just keep this between us.
03:43Keep what between us?
03:45You know, just, you didn't see me, okay?
03:48Uh, sure.
03:50Thanks.
03:51Yeah.
04:10It's like a banshee on crack.
04:12How often does that happen?
04:14Often enough.
04:15I mean, for a while, I hated it.
04:16I mean, the whole reason I came out here was for the quiet.
04:19But now, it's just part of the rhythm.
04:25No.
04:25No thanks.
04:26Suit yourself.
04:34May I sit?
04:35It's your porch.
04:42Never thought I'd get you out here.
04:45I needed some place I had no discernible connection to.
04:49Oh.
04:53You expecting company?
04:57I'd rather not get into it.
05:00Well.
05:02This has been a nice catch-up.
05:08Uh.
05:10This is full of pennies.
05:11If the coyotes get too bold, you just give it a shake.
05:19He might be coming.
05:20I-I don't know.
05:24I just don't want you to be surprised.
05:27You're sitting on my porch.
05:29Your daughter's sleeping in my house.
05:31About the only thing that could surprise me now
05:33is if your father came back from the dead
05:35and joined us for breakfast.
05:36God forbid.
05:39Don't wait up all night.
06:50You followed the locket.
06:51I gave it to you just in case.
06:53In case things got out of hand.
06:58I'm sure this has all been pretty upsetting.
07:03Yeah.
07:05You could say that.
07:07Yeah.
07:11I'm sorry.
07:14I need a minute.
07:18Let's just...
07:20It's late.
07:20We need to sleep.
07:21Let's go inside.
07:47Let's go inside.
07:52I wasn't sure.
07:54So I didn't tell her about the locket.
08:14I got it.
08:25So this is your mother's house?
08:28Yeah.
08:31She's got the same taste as you.
08:33Seriously?
08:35Because you're welcome to go right back to where you came from.
08:38Sorry.
08:47I really am sorry, you know.
08:57Let me get you a blanket.
09:14She's got a lot of questions.
09:42All right.
09:43I'm sorry.
09:43I'm sorry.
09:43I'm sorry.
09:44I'm sorry.
09:55Hey. Morning. You didn't sleep. A little. What? What is that?
10:23You must be Carol. Must be. I've heard a lot about you. Only good things, I hope. I'm fucking
10:30with you. I know exactly what you've heard. Can you grab me some beans out of that front
10:34canister? Uh, maybe the back one.
10:42I know.
10:44I know.
10:46I know.
10:54I know.
11:05I know.
11:21What? What? What? What is that? I set up motion sensors in the road in.
11:43Thank the Lord. I've been hollering at those guys to come out of here for over a month.
11:48It seems that the desert electrical grid is just not sophisticated enough for my new
11:53coffee grinder.
11:54So that's scheduled maintenance?
11:55Well, after a dozen angry phone calls, yeah, I guess you could call it scheduled.
11:59What?
12:10What?
12:12What?
12:14What?
12:16What?
12:17What?
12:23What?
12:31What?
12:32What?
12:35What?
12:36What?
12:39So this is when you reached out to Grady?
12:41Yeah. Did he?
12:42You were trying to build a case that would take down the Campanos.
12:45They own a shipping company moving drugs for a narcotic syndicate.
12:48I just got the documents that prove it.
12:50By breaking into Grandpa's office.
12:53Grandpa?
12:54He was her grandfather.
12:58Nice to see you two getting along.
13:00You were right. She's the best.
13:02And she's been here.
13:08So you got the documents, and now you need...
13:11We need the proof that Frank and Teddy are knowingly shipping contraband.
13:14Grady says he's got an informant to help us with that.
13:17And you trust him?
13:17Yes.
13:18Grady was pretty off, Owen. He took a swing at someone.
13:21I trust him, and this should happen soon.
13:23I'm heading to Austin so that when Grady's got what he needs,
13:26we can take our case to the feds.
13:28You're leaving again.
13:31Not like before.
13:33If this thing works, it would mean we could be together.
13:36All of us.
13:43Motherfucker!
13:53See what I mean?
13:55Well, how long does this normally take?
13:57Oh, couple hours, give or take.
13:59I'll go give those gearheads a piece of my mind,
14:01see if I can't get them to put their back into it.
14:06Okay.
14:12Have we had any new visitors?
14:14I don't think so.
14:15There's only one road in around, so...
14:18Where's Bailey?
14:19She asked for some space.
14:36Is it just me, or just...
14:39Carol's fancy coffee tastes like soap?
14:42It's not just you.
14:44I was worried I was having a psychophysiological response.
14:51Why did she leave you?
14:55I...
14:55I think my dad slept with another woman at a photography conference,
14:59and she didn't want to lose him.
15:02So she just followed him around.
15:06Carol doesn't seem that...
15:08Weak?
15:09I was gonna say romantic.
15:14I guess it's hard to know who someone really is until they're tested.
15:21You okay?
15:25It's...
15:26It's just a lot.
15:28I mean, I've been really angry, and...
15:32Then I saw him when I...
15:33When I actually saw him right in front of me, I just...
15:37I felt so relieved.
15:40But now I'm...
15:42I don't know.
15:43I...
15:46He wants to protect us, but...
15:48This plan seems crazy.
15:51And why come here?
15:52I mean...
15:53Isn't it safest for us to stay away from him?
15:56You heard what Quinn said.
15:57No one knows he's here.
16:00We have a lot to figure out.
16:03We should probably do it together.
16:07That'd be a first for him.
16:17Maybe get some air?
16:19In the desert?
16:21Mm.
16:23Okay.
16:40Hey.
16:51I'm pretty good.
16:53Would be if you stopped coming in here and let me finish it.
16:57How you doing?
16:58I told you, I'm fine.
17:00I didn't even know him.
17:02I'm not gonna miss him.
17:02Why should I care?
17:04Because he was your father.
17:08I said I didn't want to see her.
17:12Listen.
17:12No.
17:13Hannah?
17:13I'm out of here.
17:14Hannah.
17:14I'm taking the truck.
17:15I'll be back when she's gone.
17:16Hannah.
17:17Your father was an asshole.
17:18Okay.
17:19But now that he's gone...
17:20You don't have to follow him around anymore?
17:22So you thought you'd come play house?
17:24He wanted you to have this.
17:26And so do I.
17:28I want to tell you about her.
17:30I want to tell you the whole story.
17:32If you have some time.
17:34I had some time when I was five.
17:36And seven.
17:37And ten.
17:39Honey.
17:39No, get out!
17:41Get out and take your fucking portrait with you!
17:43Go!
17:52What?
17:53What did you expect?
17:55You're right.
17:56She...
17:57Doesn't deserve to be forgiven.
18:02But...
18:03People make mistakes, Hannah.
18:05Abandoning your child?
18:06Yeah.
18:07Pretty big mistake.
18:09It is.
18:10It would take a pretty big person to forgive it.
18:19Who is this?
18:20What do you want?
18:21Uh...
18:22It's...
18:22It's me.
18:23Bailey.
18:24Sorry.
18:24Someone keeps calling me from a blocked number.
18:26You know how I get about these things.
18:28Yeah.
18:29I do.
18:29It's one of your more endearing qualities.
18:31Glad to hear I'm still endearing.
18:33I know I didn't do great with your mom the other night.
18:35No.
18:36You did.
18:36I've been...
18:37We had to...
18:39It's a long story.
18:41Bailey, is everything okay?
18:43Yeah.
18:44I just wanted to let you know that I miss you.
18:47Okay.
18:47I miss you too.
18:49But now I'm worried.
18:53I...
18:54Can't really talk about it.
18:56Okay.
18:56This is getting super weird.
18:58I know.
18:58I'm sorry.
18:59Um...
18:59I have to go.
19:10What is it?
19:11We've picked up a call to the boyfriend's farm.
19:13It's the girl's burner, most likely.
19:15Did you get a number?
19:15We're trying to nail it down.
19:17Let's do more than try, how about?
19:21Everything good for tonight?
19:22Yes, sir.
19:23Don't...
19:24Yes, sir, me.
19:25This is a huge deal.
19:26I want you on it like a bunny on a so-coast snow globe.
19:29Do you understand me?
19:30Yes.
19:31Yes.
19:31Yes.
19:32I do.
19:43Well...
19:43That was productive.
19:45Used to be men listened when I talked to them, or at least they pretended to.
19:49Of course, they were all trying to get me into bed, so...
19:51How much longer?
19:52I mean, you're welcome to have a go at it.
19:54You might have better luck than I did.
19:56I'm opening windows.
20:18Probably not a good idea.
20:20They'll be keeping tabs on everyone you know.
20:22Yeah, it's a burner.
20:23Sure, but if they connect you to the number, they can track it just like any other.
20:27Phone.
20:30I was gonna check in with Charlie.
20:32He said Bailey and I should go to Austin.
20:34The Campanos have eyes all over there.
20:36I know.
20:36You're going.
20:37I have to.
20:38You don't.
20:39Okay.
20:40Well, you can't stay here.
20:41I get it.
20:42I cannot stay here.
20:43I get it.
20:44Grady's meeting is informant, and then...
20:46Then you could have a case that might bring down a crime family that's avoided prosecution
20:49for decades.
20:51Hannah.
20:51I'm just saying this isn't exactly a layup, Owen.
20:53And relying on Grady, I don't think you understand.
20:55He's one of the most loyal people I know.
20:59It's hard to trust me.
21:01I spent the last year thinking through the options.
21:05This is our best shot.
21:09I'm glad you're convinced.
21:31Oh, about fucking time.
21:34It's going down at eight.
21:36Frank Campanos confirmed?
21:37Teddy.
21:38Couldn't get his old man.
21:40And Tomas Peric for the syndicate.
21:44Look, meet me at Canal and Bray at seven.
21:45I'll get you wired up.
21:46I'll be with Peric at that point.
21:48Had to be six.
21:50Okay.
21:50Whatever.
21:51What we need is a verbal from Teddy Campano that Rafina Imports is a willing partner
21:55in the movement of syndicate product.
21:57Okay?
21:58Think that'll be clear.
21:59We good?
22:01What, you got a fucking dinner party?
22:02No.
22:03I just prefer not to be seen with you in public if I can help it.
22:06Hey, don't fuck with me, okay?
22:07I'm your only way out of this.
22:08Just get me what I need tonight.
22:48What did he do to her?
22:50It's a long story.
22:53Is it?
22:57He lied.
23:00And he left.
23:02Yeah, I can't imagine that played well with her.
23:04It's complicated.
23:06Yeah, it always is when you sit in someone else's reality.
23:28We should have an answer tonight.
23:34Hannah?
23:39How could you not have told me?
23:41About the plan?
23:42No.
23:43Before.
23:43In the beginning.
23:44In New York.
23:44In Sausalito.
23:46I wanted to.
23:47Just before we got married.
23:49I didn't think it was fair not to tell you.
23:53It would have been putting you at risk.
23:56Shouldn't that have been my choice?
23:58The less you knew, the safer you'd be if they ever came after me.
24:01I never thought you'd go to Austin.
24:04You left me a two word note.
24:06You didn't think I would try to do something to find you?
24:08I didn't have time to think.
24:09I needed to keep my face off the news until things at the shop blew over.
24:12And then I was coming back.
24:14I thought I was coming back, Hannah.
24:15If you had just told me.
24:16I was trying to keep you safe.
24:18How'd that work out?
24:22If you thought it was too risky to tell me the truth.
24:26Why did you marry me in the first place?
24:29I thought about that, but they couldn't leave you.
24:54The walls radiate heat.
24:56It's bad for the emulsion.
24:58That's your main concern right now.
24:59Well, I like a good steam, but my prints don't.
25:02So yeah, that's my main concern right now.
25:04Just because you don't appreciate the work doesn't mean it's not art.
25:07I didn't say I don't appreciate it.
25:09Good.
25:09Then you can help me with the rest of them.
25:30Can I join you?
25:32Yeah.
25:37Yeah, that house is a hellhole.
25:40Because it's hot or because it's Carol's?
25:44I kind of like her.
25:47Some things are hard to forgive.
25:51Like abandoning a child.
25:57You know, I was outside the stadium the day you graduated high school.
26:05Really?
26:07Listening to that song you sang at the end of the ceremony.
26:14I was so proud.
26:16And then I knew I had to go, but my feet wouldn't move.
26:22It was like I was stuck in cement.
26:27I never abandoned you, Bales.
26:31I've been with you since the day you were born.
26:34I'll always be here one way or another.
26:58Eleanor.
26:59My favorite.
27:00I remember.
27:03What do you think?
27:04As an artist.
27:08Um...
27:08Maybe if I saw it in a gallery and didn't know my father took it.
27:13Yeah, he didn't.
27:15You took this?
27:17I was the better photographer.
27:19He had the technical skills, sure, but...
27:22I had the eye.
27:27And sometimes, with the right person...
27:32I could get this.
27:36It was really the only way that I could connect with someone.
27:42So you've been spending time in Austin?
27:45Christmases and, uh...
27:48Grandpa's birthday.
27:50And Charlie took me around UT last summer.
27:53Hm.
27:59I know what Grandpa, what...
28:01Nicholas did.
28:04So I-I get why you wanted to take me away from him.
28:08But...
28:08I mean, why couldn't you tell me Mom's name?
28:11Or...
28:12Or show me a photo?
28:13It was safer that way.
28:17Uh...
28:19There were worse things than not being safe.
28:21Not when it comes to your child.
28:25Uh...
28:26Did you...
28:26Forget?
28:27Like...
28:28Like with my name, did you sometimes forget and call me Kristen?
28:31At first?
28:32Yeah, but...
28:34Bailey fit.
28:35Maybe even better.
28:39It was your Mom's first choice.
28:43She thought it was...
28:45Original?
28:46Specific, like you?
28:49I...
28:49Thought it sounded like a last name.
28:51I vetoed it, but...
28:54She was right.
28:56She was always right.
29:00You could've told me that story when all the first graders were making fun of my name.
29:04I did.
29:06I told you a version of it.
29:09I guess something was missing.
29:24So these are all...
29:26Mine?
29:27Yours?
29:28Yeah.
29:29I've been selling his for years, but, um...
29:32I can't sell these.
29:34They're part of me.
29:38The world was...
29:39Not built for a woman to have it all back when you were born.
29:43I made a choice.
29:45I wanted to choose you, but...
29:48I was so young.
29:50And...
29:51I had all these big dreams.
29:53So I went back out to join your dad, and in the time that I'd been home...
29:58He'd made a name for himself.
30:02My prince, under his name, were worth more.
30:08And when your art starts to get noticed...
30:13Even if it's under someone else's name.
30:24I'm sorry.
30:26I wish that made it better.
30:47Hannah?
30:50What happened?
30:53Nothing.
30:54It's just a lot being here.
30:57Yeah.
31:01Did you and your dad talk?
31:03Kind of.
31:04It's...
31:04Hard.
31:06Do you want to tell me about it?
31:09Maybe not right now.
31:34It took us a minute, but we got the number.
31:36You got a location?
31:37Traced it to Arizona.
31:39Outside Kingman.
31:40You want us to go?
31:41I'm not paying you to sit on your ass.
31:43Copy that.
31:48Can I give you a hand?
31:50Avoiding everyone?
31:52Just my dad for now.
31:53Oh, I know that move.
31:55I was thinking that we could hang this to shade the house.
32:01Hannah seems like a good mom.
32:03She's the best.
32:05Well, I bet you didn't always think that.
32:08I mean, she can be a little tough, right?
32:11She's a responsible person, if that's what you mean.
32:14What I mean is sometimes you have to make the best choice for your kid,
32:18even though you know they'll hate you for it.
32:20You never stomach that part of the job.
32:24Good thing you didn't stick around, then.
32:26Yeah.
32:27Me and your dad have that in common.
32:29All due respect, you have nothing in common with my father.
32:34Also, your coffee tastes like so.
32:43You are gonna be fine.
32:45Just fine, kid.
32:54Think you have enough onions there?
32:56Hey, smartass, you wanna help?
32:58What's her plan?
33:00Honestly, I was just thinking if we could sit down and share a meal,
33:04like a normal family, maybe we could figure it out after.
33:06A normal family?
33:07Unless you have a better idea.
33:10No, a meal sounds good.
33:13And for what it's worth, in terms of a plan,
33:17I'll do whatever you think is best.
33:35It's not that interesting, really.
33:38Oh, that can't be true.
33:41It's a play.
33:43About a dysfunctional family.
33:45Hmm.
33:45What would she know about that?
33:46Hey, come on.
33:47Oh, says the man whose idea of romancing his wife
33:49is showing up unannounced at her estranged mother's house.
33:52Okay, that's enough.
33:55Mmm.
33:57The pasta's delicious.
33:58Oh, if you're gonna lie, can you just do it better?
34:01Make me feel as silly.
34:02I thought you said that was enough.
34:04And I thought you removed yourself from my life 40 years ago.
34:10Should we just go to a motel or something before we all melt?
34:13There are none.
34:14Too risky.
34:15How are you feeling about us going with you to Austin?
34:18I just don't think it's a good idea.
34:20Well, you don't really have a say in it,
34:22because they have their own damn car.
34:23Carol.
34:23She's not wrong.
34:24I can't focus on what has to be done,
34:26unless you're out of harm's way.
34:30The fuck?
34:31Shit.
34:32The heat.
34:33The ceiling at the...
34:35Oh, and what?
34:36Where is he going?
34:38Oh, I guess he's gonna go have a word with them.
34:41Man to man.
34:42Do any good?
34:43No, probably not.
34:45But...
34:45It's the thought that counts.
35:06Thank God.
35:10Fucking man.
35:14Sure.
35:23She said pound to man.
35:29That's not what I need.
35:30Look at me.
35:32You put a sign on the mountain.
35:33That is theraw himself.
35:41That's the way he lived on the mountain.
35:41That's the way I lived on his cell.
35:41So should I stand out?
35:54That's cold, Bubba.
35:56I'm sorry, Mr. Merrick.
35:57A few more minutes.
35:58That's okay.
35:59I'm fine.
36:10Uh, sorry, I just, um, I didn't mean to...
36:14Oh, no, no, I'm good.
36:15I just want a place to sit and write.
36:18Well, this is a good one.
36:19Um, who are the...
36:30Well, this is me and my mom and this is...
36:37Well, that's you and Hannah.
36:38Yeah.
36:39Your mom must have loved that photo.
36:42Ah, my mom had a bad heart.
36:45She died when I was six.
36:47I'm sorry.
36:49Yeah, me too.
36:52Some folks say it's hard growing up without a mother, but...
36:56I don't know.
36:58I learned stuff.
36:59Grew up fast.
37:01I knew who I was, what I wanted, what I didn't.
37:05Of course, I had some blind spots.
37:10My mom died when I was young, too.
37:13Too young for me to really remember her.
37:16It's been bugging me a lot lately.
37:23I wish I knew who she was.
37:26That's the hard part.
37:33Can I ask you something?
37:36How did Hannah know what to do?
37:40She certainly didn't have a role model, so...
37:43How did you know...
37:46How to be there for you?
37:51Uh, she really didn't.
37:55Not at first.
37:59She was really pretty annoying.
38:03But...
38:05She kept trying.
38:11Yeah.
38:17.
38:18.
38:18.
38:18.
38:22.
38:23.
38:24.
38:25.
38:25.
38:26.
38:28.
38:32.
38:32.
38:32.
38:32.
38:32.
38:32.
38:33.
38:33.
38:35.
38:36.
38:40.
39:00I know you want things to go back the way they were, and part of me wants it to, but
39:04we cannot pretend like nothing happened.
39:06I'm not trying to, but being without you was like I wasn't even alive.
39:13Well, I was, and I was lonely, and I was scared, and more than that, I was worried about Bailey.
39:22I had to carry that on my own.
39:24I know.
39:24I feel terrible, but I want to fix it.
39:30With both of you.
39:32You should start with her.
39:40I'm Frank's number two.
39:41He sends his apologies, but I assure you, I speak for him.
39:44And I speak for myself.
39:46Let's get to it, shall we?
39:47We agreed to a 14-day turnaround?
39:50We did, but respectfully, this was more volume than we agreed to.
39:54My colleagues in Hong Kong are not accustomed to granting extensions.
40:00We're not schoolteachers, Mr. Campana.
40:04You'd be of no use to me if you were, Mr. Parrick, Tomas.
40:10We're expanding our operation to accommodate you in the future.
40:15We'll be able to move three times the volume in a 14-day period.
40:18Of course, we don't expect you to go granting extensions for free.
40:22We're prepared to waive our fee on this shipment.
40:25And turn it around in only an additional seven days.
40:34I'll take that to my colleagues for consideration.
40:45Any plans while you're in Houston?
40:47I was thinking about visiting the waterfront.
40:51That's a good choice.
41:16I never liked the desert.
41:20Even the hills.
41:24Remind me of Texas.
41:27That whole time...
41:33It's painful.
41:35I tried to bury it.
41:40To protect you.
41:44To protect myself, too, I guess.
41:48It was wrong.
41:51I'm sorry.
41:58Thanks.
42:04When I was in college, we went to Joshua Tree one year.
42:11Just a few friends.
42:13And before that, I kind of felt the way you do.
42:15Hmm.
42:17But then I was out there one night and I...
42:20It just hit me that...
42:23In the subtraction of everything, you could just... be.
42:30We're there.
42:33Drugs involved.
42:36No.
42:40No.
42:41No.
42:42No.
42:42Good.
42:43Not that time.
42:44At least.
42:46I'll just pretend I never heard that.
42:58You've put me in a shitty situation here, Agent Bradford.
43:01I think you did that to yourself.
43:04Why'd you get involved?
43:06This isn't the U.S. Marshal's purview.
43:11You're working with him.
43:13You're working with Ethan Young.
43:15Or Owen Michaels, or whatever the fuck he goes by these days.
43:22Where is he, Agent Bradford?
43:27Where is he?
43:32I appreciate your loyalty.
43:34I really do, but let me be clear.
43:38If you want to walk out of here on your own, you're gonna tell me where he is.
43:57I do that.
44:00I'm exacting.
44:02Just like that.
44:03I'd imagine you'd have to be.
44:05Yeah.
44:07Look, I'm in no position to be giving advice.
44:09No shit.
44:10What I was gonna say is that there are regrets in life.
44:15That's inevitable.
44:17But that the kind that you can live with, the kind that you really can't.
44:23Which kind am I?
44:24I think you know the answer to that, darling.
44:28What I know is that I spent almost every day of my childhood watching the door for you.
44:36Waiting for you to come back, even though I knew you never would.
44:42And...
44:46I would...
44:48I would like to be the kind of person who could get over that.
44:53I really would.
44:55But I don't...
44:56I don't know if I can.
44:58When?
45:02Well...
45:03It's awful big of you to try.
45:06And I'll be here.
45:09Waiting.
45:11Just in case you change your mind.
45:22There's someone inside the outer perimeter.
45:24Did you use that phone?
45:25No.
45:25I haven't touched it.
45:26Isn't it a burner?
45:27It doesn't matter.
45:28Why?
45:30Um...
45:30I called Shep yesterday.
45:32Shep?
45:33My boyfriend.
45:34I didn't mean to...
45:35I thought if it was a burner.
45:36I didn't say where we were.
45:38We have to go.
45:39Now.
45:40Okay, where are we going?
45:41We have five, maybe ten minutes.
45:44Then we need a plan.
45:44I told you.
45:45If I don't know you're safe, I can't do what I need.
45:47No.
45:47No, this isn't about you.
45:49This is about all of us.
45:51You don't get to make these decisions on your own.
45:53Not anymore.
45:54No more cryptic notes and bags of cash.
45:56No more, I've got this handled.
45:57Because you know what?
45:58You don't got it handled.
45:59Hannah, please.
46:00No.
46:00I can't speak for Bailey, but if you want any kind of relationship with me going forward,
46:04we are gonna do this together.
46:06All of us.
46:08What Hannah said.
46:14Okay.
46:15Fine.
46:16Let's go, but we gotta take both cars.
46:19Dad.
46:21I think we should take both cars.
46:23Okay, fine.
46:24See?
46:24Not unreasonable.
46:26Oh, wait.
46:26What about Carol?
46:27Don't worry about me.
46:28I'll be okay by myself.
46:31Bailey, get your stuff.
46:33Grab the burner.
46:34Burner.
46:34Yeah.
46:38I'll be fine.
46:38I'm sorry.
46:46I got the mm.
46:47It kinda...
47:02ornaments are off her.
47:03I got right.
47:03I got the
47:03I can't do it.
47:28Give me the burner.
47:38You're sure it's the burner they're tracking?
47:39Yeah.
47:51Okay.
48:21What the hell?
48:22Yeah.
48:27Yeah.
48:53It's gonna be okay.
49:04Yeah.
49:05Yeah, we have them.
49:06Yeah.
49:09Yeah.
49:10Yeah.
49:13Yeah.
49:14Yeah.
49:28Yeah.
49:30Yeah.
49:42Yeah.
49:44Yeah.
49:49Yeah.
49:50Yeah.
49:54Yeah.
50:07Yeah.
50:10Yeah.
50:12Yeah.
50:17Yeah.
50:18Yeah.
50:20Yeah.
50:24Yeah.
50:24Yeah.
50:24Yeah.
50:25Yeah.
50:25Yeah.
50:25Yeah.
50:25That's it.
50:25Yeah.
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