- hace 19 horas
Reparto: Alfredo Landa, Esperanza Roy, Laly Soldevila, Ingrid Garbo, Patty Shepard, José Luis Coll, Emilio Laguna, Joaquín Pamplona, José Luis Viloria, Manuel de Blas, Carlos Oroza, Javier Lozano, Manuel Ayuso
Dirección: Manuel Summers
Sinopsis: Eduardo (Alfredo Landa), un hombre a punto de contraer matrimonio con Claudia (Laly Soldevila), su novia de toda la vida, tiene dudas sobre el paso que va a dar. Su futura esposa no es una mujer de bandera, y entre las invitadas a la ceremonia hay unas cuantas con las que pasaría el resto de sus días. Así, mientras la ceremonia va avanzando, él fantasea con el tipo de vida que podría llevar junto a cada una de esas mujeres.
Dirección: Manuel Summers
Sinopsis: Eduardo (Alfredo Landa), un hombre a punto de contraer matrimonio con Claudia (Laly Soldevila), su novia de toda la vida, tiene dudas sobre el paso que va a dar. Su futura esposa no es una mujer de bandera, y entre las invitadas a la ceremonia hay unas cuantas con las que pasaría el resto de sus días. Así, mientras la ceremonia va avanzando, él fantasea con el tipo de vida que podría llevar junto a cada una de esas mujeres.
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CortometrajesTranscripción
00:00:12Hello good!
00:00:30And I'm leaving.
00:00:33That's it, let's move on.
00:00:42We are gathered here, many married men, representatives of all nations of the world.
00:00:48Anyone who can swear on their honor that they have never cheated on their wife, let them raise their hand or
00:00:54speak.
00:01:04Can you see me?
00:01:07Well, they don't see me anymore.
00:01:10Here is a woman who was born and died for all of you in a second.
00:01:21How many women are born at any given moment in anyone's life?
00:01:24Yes, yes, yes.
00:01:25They pass by, you look at them and they die.
00:01:28Because it's almost certain that we'll never find them again.
00:01:38Ladies, gentlemen, friends all.
00:01:40My name is Eduardo Torrico, I am 37 years old and I am a doctor.
00:01:45Tomorrow, God willing, I am going to marry Miss Claudia Acedo.
00:01:53A ritual, go see if everyone is there.
00:01:56What a drag!
00:02:00Yes, we can begin now.
00:02:02A production of...
00:02:08Performed by...
00:02:10The pre-dollar...
00:02:12Lali Soldevila...
00:02:14Esperanza Roy...
00:02:15Ingrid Garbo...
00:02:16Patti Shepard...
00:02:17José Luis Col...
00:02:19Emilio Laguna...
00:02:20Joaquín Pamplona...
00:02:21José Luis Viloria...
00:02:22Manuel De Blas...
00:02:23Carlos Oroza...
00:02:25Javier Lozano...
00:02:26Manuel Ayuso...
00:02:27Petra Lacei...
00:02:28Juan El Lices...
00:02:29Manuel de Agustina...
00:02:30Carmen Martín...
00:02:31Tola Orcajo...
00:02:32Script.
00:02:32A loose adaptation of the novel by Venceslao Fernández Flórez, made by Manuel Summers and his brother Paco.
00:02:39Management team.
00:02:40Francisco Ariza, Marisol Villanueva and Loli Che.
00:02:43Production team.
00:02:45Rafael Cuevas, Francisco Escobar, Juan Casado and Rafael Soria.
00:02:49Makeup team.
00:02:51Mariano García, Maricarmen Fretes and Maruja Hernáez.
00:02:54The music is by...
00:02:55Carlos Santisteban.
00:02:57Assembly team.
00:02:58Mercedes Alonso, María Dolores Laguna and María Luisa Hernández.
00:03:02Decorated...
00:03:03Chinín Burman.
00:03:04Photography equipment.
00:03:05Juan Gelpi, José García, Santiago Rodríguez, Antonio Gómez and Enrique Montoya.
00:03:10A film by...
00:03:11Summers.
00:03:12Do you have many left?
00:03:14No, I still have the laboratories, the dubbing studios, the others that...
00:03:19those who did...
00:03:20Nothing, nothing, they should put a title card at the end of the movie, we can't just stand here waiting.
00:03:22Okay, let's go, let's go.
00:03:42Beloved brothers and sisters in Christ, today is a truly important day for you.
00:03:48You are going to enter into holy matrimony.
00:03:50You are going to sanctify your love.
00:03:53Amare est, gaudere congratulate alterius.
00:03:56And there are, as you know, brothers, many kinds of love.
00:03:59There is the love of the father, who bravely jumps into the water to save his son, who is in serious condition.
00:04:06danger of perishing.
00:04:08That's love, brothers.
00:04:11It is equally love that of the husband who exhausts his health in excessive work to satisfy the needs of his
00:04:19wife and at the cost of his life provide her with food and shelter.
00:04:23That's love, brothers.
00:04:24Yes, yes, yes, yes.
00:04:26OK.
00:04:27That's all love.
00:04:28But you've thought it through, Mr. Torrico.
00:04:32Well, uh...
00:04:34Claudia is good.
00:04:36I think she's the kindest woman I've ever met and...
00:04:39So what? So what?
00:04:40Well, I don't know.
00:04:42He possesses a truly remarkable effusiveness.
00:04:46A true nobility of heart.
00:04:49A fantastic country house.
00:04:52I like it.
00:04:54Excuse me, friend, but you don't know who Claudia is.
00:05:00It's Claudia, she says.
00:05:08Think, Mr. Torrico.
00:05:10Think.
00:05:12Think about what it will be like.
00:05:16Thank you so much.
00:05:17Very kind.
00:05:18Thank you so much.
00:05:19And thank you very much.
00:05:31Thank you so much.
00:05:32At first they were very happy.
00:05:36It seemed that that wonderful life was always going to be the same.
00:05:40No, no, no, no, no, no.
00:06:09Off to another plot to pick carnations.
00:06:11Silence weighs heavily on the souls of lovers.
00:06:13Because they guessed right.
00:06:15It is something that weighs on the soul, that swells, that cannot withstand what it holds.
00:06:20He needs to break into conversation, into conversation, into conversation.
00:06:30Why are you wearing those ugly shoes, Claudia?
00:06:33My feet hurt.
00:06:34High heels are torture.
00:06:36But you used to wear them and I liked seeing you.
00:06:38I believe...
00:06:39Leave me alone.
00:06:40Can't a woman be at home however she wants?
00:06:42Yes, woman, yes.
00:06:49Those stockings, Claudia, are made of wool.
00:06:53Yes, I bought them yesterday.
00:06:55My sneakers are tearing my silk stockings.
00:06:57That's why I bought them.
00:06:59But don't worry, man, I'll only wear them in private.
00:07:03Two gardenias for you.
00:07:04It's a moonlit night.
00:07:06And its little slice of melon is already being drawn against the clarity of the firmament.
00:07:10The sound of the waves is a lullaby.
00:07:12And the clear horizon has a pearly hue.
00:07:15The shoes...
00:07:15Eduardo!
00:07:16Eduardo, let's eat!
00:07:29Don't eat so much, Claudia.
00:07:31You've gained a lot of weight since we got married.
00:07:32I've suffered enough as a single woman.
00:07:34So potatoes were completely forbidden to me.
00:07:37There is a certain tendency towards obesity in my family.
00:07:40You see, poor mom.
00:07:42Okay.
00:07:45I remember when I turned 20.
00:07:47They put me on a diet of roast beef and hard-boiled eggs.
00:07:51And after lunch, a half-hour walk.
00:07:54It was horrible.
00:07:55But there was no other option.
00:07:58Now things are different.
00:08:01I am married.
00:08:02I am happy.
00:08:04And I can eat whatever I want.
00:08:14Lady?
00:08:15Don't bother me, I'm eating.
00:08:17The postman has brought this letter for you.
00:08:19Okay, give it to me.
00:08:23Guess who's coming to see us.
00:08:25I don't know, any old pest.
00:08:27Walks like a man.
00:08:28Your mother?
00:08:30No.
00:08:31Well, your father.
00:08:32Neither.
00:08:33Well, your niece.
00:08:34No, not that either.
00:08:36I don't know, I can't get it.
00:08:37Dora.
00:08:38Ah.
00:08:39Don't you know who Dora is?
00:08:41No idea.
00:08:41My schoolmate.
00:08:43But you don't remember.
00:08:45That beautiful one.
00:08:46Yes, man.
00:09:01You'll see how wonderful it is.
00:09:03Even as a child, Dora attracted attention.
00:09:05She is a deity.
00:09:07She has the most wonderful mouth and eyes
00:09:09that can be admired in a human face.
00:09:10It's a true sculpture.
00:09:12I haven't seen her for four years.
00:09:14But I suppose he hasn't lost.
00:09:15that purity of lines
00:09:16which amazed everyone.
00:09:18It's wonderful.
00:09:19Look, there it is.
00:09:22Dora!
00:09:23Dora!
00:09:24Which is it?
00:09:25The second one from the right.
00:09:26Dora!
00:09:27Dora!
00:09:27Dora!
00:09:28The second one from the right
00:09:29Are you sure it's Dora?
00:09:30Clear!
00:09:32She looks so beautiful!
00:09:34Dora!
00:09:37It must have a heart
00:09:38Disgusting.
00:09:40Because there is another dog.
00:09:44What do you think, Dora?
00:09:46Well, neither fu nor fa.
00:09:48Don't talk nonsense.
00:09:49It's a true beauty.
00:09:51Look at her!
00:09:52There it is.
00:09:55Look at that sculpture of a woman.
00:09:57What a wonderful body.
00:09:59What a well-proportioned size.
00:10:01Do you like it?
00:10:03Neither fu nor fa.
00:10:05Hello.
00:10:06Hello.
00:10:07Have you had breakfast, Dora?
00:10:08Yes, Claudia.
00:10:09Dolores brought me breakfast
00:10:10to the room.
00:10:14Will you give us a bath?
00:10:15I just left.
00:10:17I'll take a bath later.
00:10:19I don't want it to cut off.
00:10:19breakfast digestion.
00:10:21I'm going for a swim.
00:10:22and to remember my times.
00:10:26How's the water?
00:10:27Hey?
00:10:28How's the water, Eduardo?
00:10:30That?
00:10:30Is it cold?
00:10:32Who?
00:10:33Water.
00:10:35Ah, ah.
00:10:36No, no, no.
00:10:37It's very good.
00:10:42It's fantastic.
00:10:44Look at that silhouette.
00:10:46And what legs!
00:10:57How wonderful!
00:10:59Fantastic!
00:11:01Clap, you idiot.
00:11:02Don't stay like that.
00:11:06Claudia.
00:11:07Tell me, Dora.
00:11:08Can you do me a favor?
00:11:10Yeah.
00:11:11I forgot them in the room
00:11:12sunscreens.
00:11:13They're in the suitcase.
00:11:15I'll bring them to you right away.
00:11:16Thank you.
00:11:16You're welcome, send it.
00:11:17That's what we're here for.
00:11:39Help, crocodile.
00:11:41Crocodile!
00:11:41Take that, crocodiles!
00:11:44Go!
00:12:19But what a beautiful thing, what a delight
00:12:23What do you want now, Claudia?
00:12:25Look at those modern and exquisite panties she wears
00:12:27What lovely lace and colors, right?
00:12:30Do you like them?
00:12:32Yes, neither fu nor fa
00:12:33They're adorable, aren't they?
00:12:35Look, they're from London.
00:12:38These are the creams, take them with you.
00:12:40I'll be there in a moment
00:12:43How lovely
00:12:51Here are the creams, Dora
00:12:53Thank you, Eduardo
00:12:54You are welcome
00:13:17Eduardo, please, can you help me?
00:13:20As?
00:13:21Would you mind giving me some cream on my back?
00:13:23No, what a silly life
00:13:53Ah!
00:14:01It was about time you did something useful, you wretch.
00:14:05I'm going to see if any of the dead people I know show up today.
00:14:13No, there aren't any.
00:14:16Isn't it true, Eduardo, that you have beautiful skin?
00:14:19Yeah
00:14:21But unfasten his swimsuit
00:14:23Don't you see you're going to get it all dirty?
00:14:25What did you say?
00:14:29You're one of a kind.
00:14:31That's it, now it's your turn.
00:14:33Thank you, dear
00:14:40Softer and with both hands, fantastic
00:14:43Thank you, dear
00:15:01Help yourself to more, Dora, that's nothing
00:15:02By no means
00:15:04I have to watch my figure, dear
00:15:06Clear
00:15:06You can still get married
00:15:08I, on the other hand, am enjoying life more now than ever.
00:15:13Dora, have you never thought about getting married?
00:15:16If I find a man I like
00:15:18If it's not too much of an indiscretion
00:15:20What is your ideal type of man?
00:15:22Well, I don't know.
00:15:24I don't care that he's not handsome.
00:15:26What I ask is that you commit to me
00:15:28That he takes care of me, flatters me, and pampers me.
00:15:30Do you understand?
00:15:32Oh, and it also needs to be modern, strong, brave, and bold.
00:15:37Above all, bold
00:15:40Madam, a telegram
00:15:42My God
00:15:43What's happening?
00:15:44Mom is seriously ill
00:15:45What's wrong with it?
00:15:46Don't know
00:15:47But I have to get to the city somehow.
00:15:49Is there anything I can do for you?
00:15:50No, thank you, I'm very worried
00:15:52Do you want me to accompany you in the car?
00:15:53No, you're staying here with Dora.
00:15:55We're not going to leave her alone in the field with Dolores.
00:15:57I can go to a hotel
00:15:58No way.
00:15:59You stay and enjoy nature
00:16:01And you, Eduardo, please take care of her.
00:16:03Yes, woman, yes
00:16:04I'm going in the car
00:16:05I trust that what happened to my mom is nothing serious.
00:16:07And I can be back tomorrow
00:16:08What a problem!
00:16:08Go upstairs for the luggage
00:16:09I'm so sorry
00:16:36Would you have been afraid if you had been left alone on the farm?
00:16:39Surely
00:16:40I'm a bit of a coward
00:16:42It's a very feminine condition.
00:16:45Deliciously feminine
00:16:49That is the most beautiful quality that can adorn a woman.
00:16:52A somewhat cowardly woman is worth a treasure.
00:17:01Thank goodness I stayed to defend her
00:17:03Against whom?
00:17:05Against whom?
00:17:07It's true
00:17:08I said it because
00:17:11You're a bit odd, Eduardo
00:17:13But I don't know
00:17:14Do you find me a little strange?
00:17:17Yes, I am.
00:17:19Nobody had told me this until now, but
00:17:21I am
00:17:23And I'm happy to be so.
00:17:25I think it's the best thing you can be in life
00:17:29Don't you think so?
00:17:31According to
00:17:31Well said.
00:17:32You answered like a wise man
00:17:36You are very intelligent, Dora.
00:17:39I've had that impression of you for several days now.
00:17:43I hope I'm not bothering you
00:17:44If I tell her that
00:17:46It's not common to find a woman
00:17:49That it possesses at the same time
00:17:51Intelligence
00:17:53And beauty
00:17:54And beauty
00:17:55Sir, may I withdraw the service?
00:17:57Hey?
00:17:57Can I cancel the service?
00:18:04Yes, remove it, remove it
00:18:07Okay, Eduardo
00:18:08I'm going to bed
00:18:08I'm very tired
00:18:09I'm going to bed right away too.
00:18:11Good night
00:18:13It has been a very pleasant evening
00:18:15Thanks to her kindness, Dora
00:18:17Good night
00:18:18See you tomorrow
00:18:39You have such beautiful eyes
00:18:41That when they look at the sky
00:18:42The stars admired for their beauty
00:18:44They lose their foot
00:18:45And they fall to the ground
00:18:46Turning into drops of morning dew
00:18:48You are the most beautiful and lovely flower in paradise.
00:18:51Yes, yes, this one is valid.
00:18:59Forgive me
00:19:01What's happening?
00:19:02What's happening?
00:19:12What's happening?
00:19:34Above all, bold
00:19:46Forward
00:19:50Good evening, Dora
00:19:51What's happening?
00:19:52Please, Dora, don't be scared, nothing's wrong
00:19:55I've come to tell you that...
00:19:59I am a bold man
00:20:03The news is so extraordinary that it was worth the trouble to tell me.
00:20:07But close the door, I don't think the service is interested.
00:20:10Thank you
00:20:15If you'll allow me, I'm going to tell you
00:20:19You have such beautiful eyes
00:20:22That when they look at the sky
00:20:23The stars, gazes of such beauty
00:20:28They lose their footing and fall to the ground
00:20:30Turning into drops of morning dew
00:20:34Dora
00:20:35You are a flower
00:20:37Yes, you are like a beautiful flower
00:20:42Dora
00:20:44You are the most beautiful and lovely flower in paradise.
00:20:46What are you trying to do with the flower, Eduardo?
00:20:52It's a daisy!
00:21:04And now
00:21:05What are we going to do about Claudia?
00:21:08What a silly question!
00:21:14Kill him!
00:21:16I'll kill her tomorrow!
00:21:44Kill him!
00:22:09This one is really pretty.
00:22:10She's the right woman for me.
00:22:12You're sure?
00:22:16Thank you so much
00:22:17Thank you
00:22:18Thank you so much
00:22:30Yes, at first they were very happy.
00:22:34It seemed that that wonderful life
00:22:37It was always going to be the same
00:22:42But then
00:22:45Dora
00:22:47Miss Dora Santana
00:22:52How am I, Eduardo?
00:22:53You look like a goddess who's been taken off her pedestal.
00:22:57Come here, darling.
00:22:59Do you really think so, Eduardo?
00:23:00That my physical configuration
00:23:02It still has enough balance
00:23:03Yes, yes, Dora
00:23:05Of course
00:23:05But come, woman
00:23:07Please
00:23:07Aren't you happy?
00:23:09To have a beautiful wife?
00:23:10Yes darling
00:23:11I think that
00:23:12A woman without grace or beauty
00:23:14It's like an insult
00:23:15To the work of the creator
00:23:16But come
00:23:21Dora
00:23:36Dora
00:23:37Dora, Dora
00:23:39Hang on a minute
00:23:40What happens now?
00:23:42Nothing
00:23:43You're messing up my hair
00:23:48Eduardo, darling
00:23:49Hold the mirror for me
00:23:50Come on?
00:23:57Pretty
00:24:00Pretty
00:24:10Pretty
00:24:10More than beautiful
00:24:13Already?
00:24:15Already?
00:24:16Yeah
00:24:21Eduardo
00:24:23Look at my little nails
00:24:25What's wrong with the nails?
00:24:27Don't they look like mother-of-pearl?
00:24:30Yes, Dora, made of mother-of-pearl
00:24:32Eduardo
00:24:34That?
00:24:35How is that so beautiful?
00:24:36What did you tell me before?
00:24:37Of beauty?
00:24:39That a woman without grace or beauty
00:24:41It's like an insult to the creator's work
00:24:45How beautiful
00:24:46Let's see, let's see
00:24:48Give me some space, I'm going to write it down.
00:25:03Eduardo
00:25:04Eduardo, I'm bored
00:25:04Because?
00:25:06Don't know
00:25:07This tranquility drives me to despair
00:25:08What good is it to me to be so beautiful?
00:25:10What if I'm not admired by others?
00:25:14Take
00:25:15Time me
00:25:20Look, when I jump
00:25:22You press this button
00:25:23Look closely at the needle
00:25:24Hey?
00:25:25And when I get out
00:25:26You give this other one
00:25:26Yes, Dora
00:25:37Are you ready?
00:25:38Yeah
00:25:38You can start
00:25:47Jimmy, I've broken my own record
00:25:49Do you realize?
00:25:50That?
00:25:50What are you saying?
00:25:51Yeah
00:25:52One minute fifteen
00:25:53One minute fifteen
00:25:55Jimmy, I'm very happy
00:25:57Count me in for the championships
00:26:00I'm on my way there
00:26:01Come here with an arrow
00:26:07One, two
00:26:08One, two
00:26:09Hey!
00:26:10Dora!
00:26:11Do some jogging
00:26:15One, two
00:26:17One, two
00:26:18One, two
00:26:19One, two
00:26:20One, two
00:26:21Hey, Dora!
00:26:25Take a speed test drive
00:26:34Okay, that's it.
00:26:35Relax and go to the pool
00:26:40How much do you have left, Dora?
00:26:42Bit
00:26:44I'm going to do some long stretches
00:26:45And to time myself
00:26:47Already!
00:26:51Bad exit
00:26:51Look at yourself again
00:26:54Again!
00:26:57Further
00:26:58Worse!
00:27:01Okay
00:27:05How are you?
00:27:06Okay, that's enough for today.
00:27:08Go on, go to bed
00:27:09Thank you
00:27:11Finally, darling, we're leaving
00:27:13I can't wait to be with you
00:27:14It's been so long.
00:27:15What are you saying?
00:27:16If it's the trampoline
00:27:30Abdominal contraction
00:27:34Ausatman
00:27:38Trying to hit his head on the ground
00:27:50Dora
00:27:51Don't talk to me
00:27:52I'm focused
00:27:54Direct your attention to your abdomen
00:28:02Come here, darling, we're married
00:28:03No, Eduardo, it's not good.
00:28:06Deltoid fatigue
00:28:07To the dentate muscles of the trunk
00:28:09To the abs
00:28:10And then shrug your shoulders
00:28:12To practice the crawl
00:28:13It hinders sliding movement
00:28:14Do you understand now, Eduardo?
00:28:17I don't understand anything
00:28:19And you know what I say?
00:28:21I told you no.
00:28:23Leave me alone
00:28:25You'll make sure he doesn't win the championship
00:28:26Dora
00:28:27Dora!
00:28:28That?
00:28:28Dora!
00:28:31Spanish Championship
00:28:32Women's swimming
00:28:33Proof
00:28:34One hundred meters freestyle
00:28:36Attention, swimmers
00:28:40Good luck, Dora
00:28:44Attention
00:28:45Swimmers
00:28:46Ready to go
00:28:48Good luck, Dora
00:28:52Attention, swimmers!
00:29:00Attention, swimmers!
00:29:05Dora!
00:29:12On the first try
00:29:14On the first try
00:29:17Hurry!
00:29:19Hurry!
00:29:24Dora!
00:29:30Dora!
00:29:54It was your fault
00:29:55I hate you!
00:30:14Do you want to dance, Dora?
00:30:15No
00:30:15A moment of silence, please.
00:30:22Would you be so kind as to return to your tables?
00:30:27Ladies and gentlemen, good evening
00:30:29The judging panel of the competition
00:30:311000 Spanish National Swimming Championships 1968
00:30:33It has decided unanimously
00:30:35Grant your title
00:30:37To Miss Dora Santana
00:30:39As the most beautiful contestant in these championships
00:30:43Miss Dora, please
00:30:44Would you be so kind as to come closer to the microphone?
00:30:52My sincerest congratulations, Miss Dora
00:30:55Would you be so kind as to come and change?
00:30:57Why not?
00:31:00Miss Dora Santana has been the only contestant
00:31:03That has wonderfully conformed to the difficult canon of beauty
00:31:06Which governs, as you know, this traditional contest
00:31:09And now, admire it and contemplate it.
00:31:19Ladies and gentlemen
00:31:22Here it is, you have it.
00:31:23The most beautiful mermaid in the championships
00:31:26A mermaid who will go down in history
00:31:31How vulgar!
00:31:32And that's enough!
00:31:33Miss Dora's measurements
00:31:35Weight 58 kilos
00:31:38Height without shoes
00:31:391.68
00:31:41Forehead height, measuring the distance from the hairline to the base of the nose
00:31:454 and a half centimeters
00:31:46Nose from base to tip
00:31:484 centimeters
00:31:50Distance from the lower side to the chin
00:31:523.5 centimeters
00:31:5460 Centimeter Street
00:31:57Distance from the ear to the lower lobe at the base
00:32:004 centimeters
00:32:02Existing separation between both eyebrows
00:32:042 centimeters
00:32:49Take the patient to room 411
00:32:52Shall I accompany you, doctor?
00:32:55No, it's best if we let her rest.
00:32:57Well, that's what a walk is for, to calm my nerves, and come back in an hour.
00:33:01Then it will be alright.
00:33:02Very well, doctor, thank you very much.
00:33:12Thank you!
00:33:13Thank you!
00:33:28Thank you!
00:33:58Aaah!
00:34:00Are you drawing me?
00:34:03I'm not very photogenic.
00:34:05I've always looked bad in photos.
00:34:12That's it.
00:34:12Can I see it?
00:34:18It's a little strange, but beautiful.
00:34:22Are you a foreigner?
00:34:24No, I'm not.
00:34:25It certainly seems so.
00:34:26It's because I've lived in Paris for a long time.
00:34:28My mother is French, my father is from San Sebastián and I am from Valencia.
00:34:31But it's the same as if I were French, because I've lived there almost all my life.
00:34:35My name is Veronique.
00:34:36Very nice name.
00:34:38My name is Eduardo and I'm from Huelva.
00:34:41And where do you live now?
00:34:42Not everywhere and nowhere.
00:34:45I love intelligent women who have an answer for everything.
00:34:50What do you think about beauty, Veronique?
00:34:53Tempus transit, opera manent.
00:34:55Time passes, but the work remains.
00:34:58Ah, magnificent!
00:35:04Excuse me, but I have to go.
00:35:06Nice to meet you.
00:35:08Nice to meet you.
00:35:09Bye.
00:35:20Tempus transit, opera manent.
00:35:23You're right.
00:35:31Veronique!
00:35:33Thank you!
00:35:35Thank you.
00:35:38And where will she go now?
00:35:39I don't know.
00:35:40Perhaps the rain will stop and I can set up the tent.
00:35:42No no.
00:35:43Have the key to my apartment.
00:35:44I won't be sleeping there tonight.
00:35:45By no means.
00:35:47Do me a favor!
00:35:48Taxi!
00:35:48Veronique!
00:35:52Come on.
00:35:54Between.
00:35:57Take the young lady to Hortaleza Street 32.
00:36:00Eduardo.
00:36:00Yeah.
00:36:01Thank you.
00:36:02To your pain.
00:36:05You know what I'm saying, Veronique?
00:36:07That beauty is achieved by men.
00:36:10Intelligence, on the other hand, is a gift from the creator.
00:36:12You are a flower.
00:36:14Yeah.
00:36:16You are like a beautiful flower.
00:36:19You are the most beautiful and lovely flower in paradise.
00:36:22Me too...
00:36:29And what are we going to do with Dora now?
00:36:31What a silly question!
00:36:33Kill him!
00:36:43Listen.
00:36:45Mendez?
00:36:45Are you free?
00:36:46Yes sir.
00:36:47Would you please wait a moment?
00:36:49Yes sir.
00:36:49I'll be waiting for you here.
00:36:51Thank you.
00:36:52I'll be right out.
00:36:56What's wrong, Dora?
00:36:59What's wrong?
00:36:59Aren't you feeling better?
00:37:03What's wrong?
00:37:06Look.
00:37:09What's that?
00:37:10Your blood.
00:37:10This is what you have achieved with your lightness.
00:37:13A stain for life.
00:37:16Sorry, Dora.
00:37:18I gave my blood to save you.
00:37:19I am a man of sanguine nature.
00:37:21Perhaps a little arthritic, but...
00:37:23The transfusion was urgent.
00:37:25You couldn't have chosen a higher quality bloodline more carefully.
00:37:28You've made me miserable.
00:37:31Look at my arm.
00:37:32I will never be perfect again.
00:37:34I will no longer be the same, I sink.
00:37:36I will be nothing anymore.
00:37:37You are selfish.
00:37:39Kill him!
00:37:40No!
00:37:53Thank you!
00:37:56Thank you!
00:37:57Thank you!
00:37:58Thank you!
00:38:01Thank you!
00:38:16She's not a beauty, but she's intelligent.
00:38:20I like it.
00:38:21Tempus transit et opera manent.
00:38:24That's the woman who's right for me.
00:38:26You're sure?
00:38:30Thank you.
00:38:31Thank you so much.
00:38:32You are my calling.
00:38:41Yes, at first they were very happy.
00:38:45It seemed that that wonderful life was always going to be the same.
00:38:56But then...
00:39:02Veronica.
00:39:02Wait.
00:39:11Veronica.
00:39:13That?
00:39:14Stop that now.
00:39:15It's the essence of India, it smells wonderful.
00:39:17Go on, leave him alone. Come and hug me, my love.
00:39:20Veronica, please come over sometime.
00:39:21Let's be clear, chéry.
00:39:24Veronica.
00:39:25Wait, wait.
00:39:29Oh no.
00:39:32Love.
00:39:33Oh, my little intellectual.
00:39:35I love you, I love you.
00:39:42Good evening, Veronica.
00:39:43What's happening?
00:39:45Good evening, sir.
00:39:46Veronica, I have nowhere to sleep.
00:39:49Can I stay?
00:39:50Yes, Paul.
00:39:51Settle down wherever you can.
00:39:53I won't bother the goat.
00:39:54No, Paul.
00:39:55We are all brothers and sisters.
00:40:03But who is that?
00:40:07It's Paul.
00:40:08And what is he doing here?
00:40:09Well, that's it, time to sleep.
00:40:10It has no ceiling and that's all it asks for.
00:40:12A roof.
00:40:14We are all brothers and sisters.
00:40:15Community is an overcoming.
00:40:18Of the imperfect family society.
00:40:25But...
00:40:26Are you a hippie?
00:40:28Well, I'm like them.
00:40:31Well, to be honest,
00:40:33It bothers me that people are intruding on our private lives.
00:40:36Understand it.
00:40:36Oh, forget it.
00:40:38He's used to it.
00:40:39He doesn't pay you any attention.
00:40:41He'll surely be in Nirvana.
00:40:44Yes, but...
00:40:57Veronica.
00:40:57Veronica.
00:40:58What happens now?
00:40:59I need to travel.
00:41:00I'm sorry, Paul.
00:41:01I only have one cigarette left.
00:41:02Veronica.
00:41:02I need to travel.
00:41:04Alright.
00:41:05Take it.
00:41:06Today for you, tomorrow for me.
00:41:08Thank you, sister.
00:41:13But what is that?
00:41:15A little firecracker.
00:41:16What's it going to be?
00:41:17Little firecracker.
00:41:18But it can be dangerous.
00:41:19It doesn't matter.
00:41:22The visible world outside the surface doesn't matter to us.
00:41:26It is necessary to revolve around the eternal circle of transmigration and penetrate into total annihilation.
00:41:33In other words, Nirvana.
00:41:35But, but that little firecracker can be bad for your body, Veronica.
00:41:40I think that...
00:41:41Shut up!
00:41:44You'll never be able to calculate how many times I've died.
00:41:48Births and deaths exceed the flowers and shrubs of the universe.
00:41:53And the body is nothing more to us than a drop of rain.
00:41:56And do you think it's possible to experience pleasure from a drop of rain?
00:42:20Nothing and no one will help them live, brothers.
00:42:24Art has become a ritual.
00:42:26Work is a dirty game.
00:42:29Now we feel an absolute moral void.
00:42:32We demand spirituality.
00:42:35We have no business being in this dreadful void and preaching peace.
00:42:40Not war.
00:42:42Let's make love.
00:42:45I love you.
00:42:47Eduardo, take off that bourgeois jacket and put this on.
00:42:50But, but, Nick, I...
00:42:51Put it on.
00:42:57Let the wheat grow on the borders.
00:43:00If men only loved one country, what would become of the future?
00:43:05Slowly, it would be us.
00:43:07We would slowly become later.
00:43:09Oh, damn my parents, my mothers, uncles, cousins, grandparents.
00:43:17Damn my parents.
00:43:19He is to blame for everything.
00:43:21Of war, of oppression, of nuclear terror.
00:43:25I hate my parents.
00:43:37What are you doing?
00:43:39We're rolling.
00:43:40We filmed.
00:43:41We make art.
00:43:42But without looking?
00:43:44If we look, we depersonalize the machine.
00:43:47As?
00:43:48The machine is made up of cells, just like a human being.
00:43:52If we direct it, we take away its creative freedom.
00:43:55Their freedom to express themselves as an entity.
00:44:04In this way we can all be poets.
00:44:07We can all participate and express our ideas in art.
00:44:12We can be great.
00:44:15Wally, put that camera down.
00:44:17Huh? I need to express myself.
00:44:18You already expressed yourself the other day and you ruined two chassis.
00:44:20We are to me.
00:44:26Brother, do you want to travel?
00:44:27No, thank you very much.
00:44:29Do you want one of these?
00:44:31Tobacco?
00:44:32Yes, he's from the Canary Islands.
00:44:33No, I want to quit the habit.
00:44:36Damn my parents.
00:44:38My matres.
00:44:40Veronique.
00:44:41That?
00:44:42Give me a kiss.
00:44:45Let's go, Veronique, because I think we'll end up going to war.
00:44:48Now I'm going to travel.
00:44:50No, wait a bit, don't do anything crazy.
00:44:51Let me.
00:44:52The time for reflection has arrived.
00:44:55But I want to love you.
00:44:57I want to hold you in my arms.
00:44:58Sublime.
00:45:00Don't you know how to love without loving yourself?
00:45:02What are you saying?
00:45:05Direct your instincts towards higher purposes through sublimation.
00:45:09And give yourself to others.
00:45:11But we're married.
00:45:13And the normal thing is...
00:45:14That's normal, that's normal.
00:45:16And I declare myself global.
00:45:18Ovi-paga.
00:45:19Lustful and Sinophobic.
00:45:23I open the fountains of the laughing atmosphere.
00:45:25It laughs concentrically and bursts with its clarity.
00:45:29Sometimes I feel like slapping you across the face.
00:45:32I feel sorry for you, Eduardo.
00:45:36I forgive you because I love you without expecting anything in return.
00:45:39To love for the sake of loving.
00:45:41But always remember...
00:45:43That non-violence is the barometer that marks the evolution of a being.
00:45:49From a society.
00:45:50From a civilization.
00:45:56Damn my mothers.
00:45:59My parents.
00:46:01And mine, daughter.
00:46:02And mine.
00:46:05Waiter.
00:46:07Look how much they're enjoying it.
00:46:10Filthy bourgeois.
00:46:13They have definitively lost the sea and the sun.
00:46:16And all their riches are nothing but something gray.
00:46:18And without form.
00:46:20Waiter.
00:46:22What would the young lady like?
00:46:24How much do you charge?
00:46:25All?
00:46:26No, I'm referring to his daily wage.
00:46:28Well, the base salary is 300 plus the bonus, tips, and the payments for July 18th and December.
00:46:33Disgusting.
00:46:34Too bad.
00:46:35The triumph of bourgeois democracy.
00:46:38I don't understand, miss.
00:46:39Brother, you are consenting to the enslavement of some classes by others and thus accelerating the process of their total destruction.
00:46:47Yes, I understand, miss.
00:46:48But excuse me, I have to attend to other tables.
00:46:50Yes, wow.
00:46:51And humble yourself once more.
00:46:52Pay him, Eduardo.
00:46:55How much is it?
00:46:55There are 2,675 and the will.
00:46:57Disgusting.
00:46:59I detest the bourgeoisie with all my soul.
00:47:01I was born into a bourgeois home.
00:47:04My family is well-off.
00:47:06I have always lived surrounded by bourgeois institutions.
00:47:10Suits, jewelry, cars.
00:47:15I'm sorry, miss.
00:47:17Everything was done for me.
00:47:19But I saw clearly and I abandoned them.
00:47:21How Buddha left his royal family.
00:47:24I hate my father and my mother.
00:47:27Damned bourgeois.
00:47:28That's enough, Veronique.
00:47:29Don't start with your parents again.
00:47:31Look how much they're enjoying it.
00:47:32Filthy bourgeois.
00:47:36They have definitively lost the sea and the sun.
00:47:39And all their riches are not without something gray and formless.
00:47:44This is a disgrace.
00:47:46Nothing is worth it.
00:47:48Family, morality, prejudices.
00:47:51There is only one way out.
00:47:54Death.
00:47:56All of this disgusts me.
00:48:01Taxi!
00:48:03Where are we going?
00:48:04Ibiza.
00:48:05What number?
00:48:06To Ibiza, to the island.
00:48:08Then you will have to pay the supplement.
00:48:09Well, if there's no other option.
00:48:27Oh, Ibiza.
00:48:28How wonderful!
00:48:29Look, Eduardo.
00:48:30Ibiza, to the island.
00:48:47Subscribe to the channel!
00:48:59Subscribe to the channel!
00:49:28Thank you!
00:49:42Do you want melon?
00:49:43No, no, thank you.
00:49:45And you?
00:49:45No.
00:49:50I have an idea.
00:49:52We're going to do theater for the people.
00:50:01Thank you!
00:50:34Thank you!
00:50:36Thank you!
00:50:39Thank you!
00:50:46Thank you!
00:50:48Out!
00:50:50Thank you!
00:51:01Out!
00:51:23Come on, Ises!
00:51:31Now you, Eduardo
00:51:32No, no, no, I'm not going out
00:51:35directly
00:51:36Fueana! Fueana! Get out!
00:51:39Fueana! Fuela! Get out!
00:51:40Out! Out! Get out!
00:51:44Get out! Get out! Get out! Stop!
00:51:46Stop!
00:51:47Stop!
00:51:49Stop!
00:51:56Come on! Get out!
00:52:06Long!
00:52:12Out! Out! Out! Out! Out! Out!
00:52:21Out! Out!
00:52:33Listen, do you think you're going to finish me off or what?
00:52:35As?
00:52:36Look, I'm the owner of this place and I won't let anyone mess with me. Get lost!
00:52:40Excuse me, but...
00:52:41No buts about it! So you take the nails and stick them in...
00:52:44Excuse me, sir, but that wasn't my intention.
00:52:46Enough with the humiliation! We're fed up with bosses and oppressors. How long will this go on?
00:52:51Hey?
00:52:51We don't wage war. We make love and we come to bring culture.
00:52:55To save this dirty, filthy people from total destruction, from illiteracy and ignorance.
00:53:01Listen here, you crazy aunt. This town is more typical and more cultured than all of you.
00:53:06Hey! What are you waiting for? Kill them! We're going down!
00:53:11No! No! No! Violence! No! War!
00:53:20No, no, no, please. I'm not an intellectual. I'm not a progressive. They are. I'm a doctor.
00:53:26Please, sir... Oh, no! Not the glasses! I can't see without them! Please!
00:53:30Calm down, bourgeois women of the people! Calm down!
00:53:32Please, no! I assure you I'm a doctor! In my normal life, I'm a doctor!
00:53:36Stay still, stay still! You're going to get shaken up! Stay still!
00:53:39No! No! No! No!
00:53:55You're going out!
00:53:59Ahul!
00:54:00No!
00:54:05and
00:54:08and
00:54:10and
00:54:12and
00:54:13and
00:54:14and
00:54:16and
00:54:17and
00:54:24and
00:54:25and
00:54:33and
00:54:34and
00:54:35and
00:54:37and
00:54:38and
00:54:39and
00:54:39and
00:54:42Because, brothers, violence begets violence.
00:54:46Let us contemplate the sad aspect of the world: violence, oppression, slavery
00:54:51the weakest classes all that is abhorrent
00:54:54everything that for us has been dead for a long time
00:54:57I love you
00:54:58I think the phrase
00:55:00I love you
00:55:01and
00:55:11and
00:55:14and
00:55:27That's fine.
00:55:29It's clear that it's something else.
00:55:31those eyes so black, so deep, so passionate
00:55:35that
00:55:36That's the woman who suits me.
00:55:38Well, I don't think so.
00:55:39But anyway
00:55:40and
00:55:57and
00:55:59and
00:55:59and
00:55:59and
00:55:59and
00:56:04What? What are you looking at?
00:56:07As?
00:56:07What are you looking at with that silly face?
00:56:10Nothing.
00:56:10Doesn't he like how I do my laundry?
00:56:13Yes, yes, miss, you're doing very well.
00:56:21But hey, are you one of those people from the theater?
00:56:25Yes, yes, miss.
00:56:27What a face.
00:56:29I'm not telling you.
00:56:30Wow, you guys have such a life.
00:56:33All day out there, doing nothing.
00:56:35Can I sit here?
00:56:38Do whatever you want.
00:56:39For me.
00:56:40Thank you.
00:56:43Are you married?
00:56:45What more could I want?
00:56:46And you?
00:56:47I do.
00:56:48With one of those...?
00:56:50Yeah.
00:56:50And how does she leave him alone?
00:56:55She is...
00:56:56Well, I don't know.
00:56:57It was about time I left my husband alone.
00:57:02Soap.
00:57:03My soap.
00:57:04No, no, wait a minute.
00:57:05Don't bother.
00:57:06I'll take it.
00:57:07Leave it.
00:57:07I'll take it.
00:57:08Hold me...
00:57:08Careful, careful.
00:57:11Careful.
00:57:13Tell me, miss.
00:57:14That's awful.
00:57:15I've been upfront with you.
00:57:18Go up.
00:57:19Climb carefully.
00:57:21That.
00:57:24I'll leave just as I am.
00:57:31Do you have a boyfriend?
00:57:33No.
00:57:35If you'll allow me, I'm going to tell you.
00:57:38You have such beautiful eyes that when they look at the sky, the stars, amazed by such beauty, lose their footing.
00:57:45and fall to the earth becoming drops of morning dew.
00:57:50You are a flower.
00:57:53Yes, you are like a beautiful flower.
00:57:56You are the most beautiful and lovely flower in paradise.
00:58:00Me too...
00:58:02Just a moment, sir.
00:58:04I am decent.
00:58:06And I suppose we'll get married after this, right?
00:58:08Of course.
00:58:09I'm not just anyone either.
00:58:12What's it called?
00:58:13Eduardo.
00:58:14I, Sebastiana.
00:58:15Nice to meet you.
00:58:17The pleasure is mine.
00:58:34Our revolution has a precedent.
00:58:37The French Revolution of 1789.
00:58:40That marked the most transcendental path in the history of humanity.
00:58:45We follow his three fundamental principles.
00:58:49Liberty, equality, fraternity.
00:58:51Freedom between men and women.
00:58:54Among the different races of the world.
00:58:56Between social classes.
00:58:58Equality for all.
00:59:00Let everyone live their own life.
00:59:01Veronica lowers her head a little.
00:59:05And put it here.
00:59:08Because, brothers, violence begets violence.
00:59:11Let us contemplate the sad aspect of the world.
00:59:13Violence is the oppression of the weakest classes.
00:59:16Everything sheep-like.
00:59:17Everything that is for us...
00:59:37At first they were very happy.
00:59:39It seemed that that wonderful life was always going to be the same.
00:59:46But then...
00:59:47Estrupijustis.
00:59:58Miss, what time is it?
01:00:0111:20.
01:00:02God will repay him.
01:00:14Who is it?
01:00:15Who?
01:00:17Don't pretend, you know it very well.
01:00:18That.
01:00:20I don't know, I don't know her.
01:00:22So why is he looking at you?
01:00:23He's not looking at me.
01:00:24We're on the train.
01:00:25She's in front, and it's only logical that she'll look at me.
01:00:28And why doesn't he look at the blind man?
01:00:29I suppose he'll look at her too.
01:00:38Excuse me, miss.
01:00:40Are you looking at the blind man?
01:00:41What blind man?
01:00:42Oh, never mind, sorry.
01:00:46He hadn't even noticed there was a blind man.
01:00:48The sly fox.
01:00:49Please, Sebastiana, don't be so suspicious.
01:00:53Well, the show's over.
01:00:55Sebastiana.
01:00:57Little dove.
01:00:58That?
01:00:59Kiss me hard.
01:01:00But can they see us?
01:01:01They are all asleep.
01:01:02It doesn't matter.
01:01:03Sebastiana, please.
01:01:04Oh, little dove.
01:01:06Sebastiana.
01:01:06Oh, Eduardo, Eduardo.
01:01:08Eduardito.
01:01:13Close your eyes for a moment, I'm going to give you a surprise.
01:01:18You can open them now.
01:01:21This is your home, darling.
01:01:28This is the back with the garage.
01:01:30And now you'll see.
01:01:36This is the swimming pool.
01:01:39Do you like it?
01:01:43And where is the bedroom?
01:01:45Hey?
01:01:46The bedroom?
01:01:48Up there.
01:02:05I have to tell you something, Eduardo.
01:02:07That?
01:02:08I don't like that you're a doctor.
01:02:10Hey?
01:02:10As long as you practice that profession, I will not be at peace.
01:02:14He drops out of the race.
01:02:15What are you saying?
01:02:17There are many other professions that can earn you the same amount of money.
01:02:20Probably, but I haven't studied anything other than medicine.
01:02:23There are other occupations for which no degree is needed.
01:02:26For example?
01:02:27For example, a draftsman.
01:02:28That?
01:02:29A cartoonist doesn't need to leave his house at all.
01:02:33You buy a board.
01:02:34That.
01:02:35Some pencils.
01:02:36And you work by my side.
01:02:37Clear.
01:02:39Lolo, we were missing a puncture.
01:02:44I don't know what time we're going to arrive.
01:02:46Oh, wow.
01:02:49Let's see.
01:02:53Not here either.
01:02:54Ah, here it is.
01:02:56Tom.
01:03:14Oh, what the heck are those nuts and bolts?
01:03:22Oh.
01:03:23That's it.
01:03:24Eduardo.
01:03:24That?
01:03:27Become a cartoonist.
01:03:28For me.
01:03:30What are you saying, Sebastian?
01:03:31Are you crazy?
01:03:32Go on, my little dove.
01:03:34Become a cartoonist.
01:03:35Do it for me.
01:03:36It can't be, Sebastian.
01:03:37Understand it.
01:03:39So you don't love me anymore.
01:03:41Yes, I love you.
01:03:42But I'm fixing the wheel.
01:03:45Well, give me a kiss.
01:03:51What came out of your mouth, little one?
01:03:54Give me another one.
01:04:09What happens next?
01:04:11Next, please.
01:04:15Good afternoon.
01:04:16Good afternoon.
01:04:17What do you think?
01:04:17Well, you see, doctor.
01:04:18Here's my daughter, who has a pain like appendicitis.
01:04:21And how he works in the circus.
01:04:24Good heavens.
01:04:25As?
01:04:25What did he say he has?
01:04:26A pain here, Miss Nurse.
01:04:29Where?
01:04:30Here, on this side.
01:04:31That's nothing.
01:04:32Come on, go away.
01:04:33I'm getting fed up with so many anxious young women.
01:04:47Go away.
01:04:47Next, please.
01:04:53Hello good.
01:04:54Hello good.
01:04:55What's wrong with you ladies?
01:04:57I'm embarrassed to tell you, doctor.
01:05:03Excuse me, doctor.
01:05:05Would you do me the favor of checking on a young lady who is waiting?
01:05:07The one who works at the circus?
01:05:08Yes, ma'am.
01:05:09Well no.
01:05:09The doctor doesn't need to see that garbage.
01:05:11But, doctor, it is necessary to intervene.
01:05:13It could be a malignant tumor.
01:05:14Yes, yes.
01:05:18That's fine, but I can't go now.
01:05:19Tell that to Dr. Valero.
01:05:21Yes, doctor.
01:05:21Understood.
01:05:23Shameless, they're all the same.
01:05:24I don't really know where we're going to end up with these freedoms we have now.
01:05:27They're some toast.
01:05:28Sebastiana, please.
01:05:29Furthermore, you always have to operate on young girls.
01:05:31Why don't you operate on the lady, huh?
01:05:33Me?
01:05:34And why?
01:05:35Because it is not operable.
01:05:37Well, you can do whatever you want.
01:05:38But you can't lay a hand on that lizard, not even with rubber gloves.
01:05:41like Sebastiana, which is my name.
01:05:43I swear to you on my dead relatives.
01:05:48We can't go on like this, Sebastiana.
01:05:50Whatever you want is fine.
01:05:52I always have to be the one to give in.
01:05:54But if you must continue as a doctor, grant me at least one thing.
01:05:57What do you want?
01:05:58Specialize.
01:05:59In what?
01:05:59In the elderly.
01:06:00That doesn't make sense.
01:06:01You don't understand what.
01:06:03What's happening?
01:06:03What happened to you?
01:06:05What a fright!
01:06:06I looked at the moon in the shop window and saw you with another woman.
01:06:09It was me, but I didn't recognize myself.
01:06:11I thought you were with another woman.
01:06:13Sebastiana, I don't know how you can think that about me.
01:06:15My heart skipped a beat, I felt suffocated.
01:06:20At least let him support me.
01:06:23Swear to me that you have never deceived me.
01:06:25I swear.
01:06:26Tell me that you only love me.
01:06:27I love you.
01:06:28More than anyone else?
01:06:29Of course.
01:06:30Don't say it clearly.
01:06:31I said more than anyone else.
01:06:32More than anyone else.
01:06:34Kiss me.
01:06:35Sebastiana here?
01:06:36Yes, Eduardo, kiss me.
01:06:44On your wedding night, what's in your bed?
01:06:48Silk bedspread, silk bedspread
01:06:52Little sheet, kingdom and the pillow
01:06:55It's soft fabric
01:06:57Eduardo.
01:06:58That?
01:06:58What are you doing?
01:06:59I'm shaving.
01:07:01Are you alone?
01:07:02Clear.
01:07:02Who am I going to be with?
01:07:04End it soon, because I'm very lonely.
01:07:06What are you doing?
01:07:08What are you doing?
01:07:09Come soon.
01:07:11What are you doing?
01:07:13What are you doing?
01:07:14What are you doing?
01:07:15What are you doing?
01:07:15On your wedding night, what's in your bed?
01:07:18Silk bedspread, silk bedspread
01:07:23How handsome, Eduardo!
01:07:26No, please.
01:07:27Come here, little dove.
01:07:29Come to your little wife's side.
01:07:38Tell me.
01:07:39Yes, sir, this is it.
01:07:40Is it a woman?
01:07:41No, Sebastiana, it's from the hospital.
01:07:44Tell me, tell me.
01:07:48What, she can't operate it?
01:07:50Okay, okay.
01:07:52And there's no one on duty who can do it?
01:07:56Okay, okay, I'll be right there.
01:07:58Yes, get everything ready.
01:08:00Until now.
01:08:07Sebastiana, I have to...
01:08:08Not at all, sweetheart.
01:08:10But, Sebastiana, it could be serious.
01:08:11I have to intervene urgently, understand that.
01:08:13He's a poor old man who's had a stroke.
01:08:15Okay, do it.
01:08:18But the key has been lost.
01:08:20Why don't you climb out the window?
01:08:22Sebastiana, don't be foolish.
01:08:24It's about saving a person's life.
01:08:26Look for it.
01:08:31Cold.
01:08:34Cold.
01:08:35Cold.
01:08:38Cold.
01:08:38Cold as river water.
01:08:44Very cold.
01:08:45Trust!
01:08:58Trust!
01:09:00Trust!
01:09:03I will help you.
01:09:05Hot.
01:09:07Very hot.
01:09:10Further
01:09:14Hot
01:09:14Please, Sebastiana
01:09:16Hot
01:09:17Don't be...
01:09:18Hotter, more
01:09:20Hot
01:09:20You're going to get burned
01:09:24Give it to me
01:09:25You take it
01:09:28You got burned
01:09:29No, Sebastiana, for God's sake!
01:09:30I can't take it anymore.
01:09:31I can't take it anymore.
01:09:33I'm at the limit of my strength
01:09:34I'm not up for anything anymore, Sebastiana
01:09:36Please
01:09:37Please, Sebastiana
01:09:52Did they anesthetize her?
01:09:53Lime only, if you want
01:09:54No, that's fine.
01:09:56Is that watch working properly?
01:09:57Yes, doctor
01:09:57I have to finish the operation within an hour
01:09:59Why, doctor?
01:10:00Okay, tweezers, tweezers
01:10:14Eduardo?
01:10:17Eduardo?
01:10:19Eduardo?
01:10:22Eduardo?
01:10:25Eduardo?
01:10:31At the count of one
01:10:32On the count of two
01:10:33And on the count of three
01:10:39Scoundrel
01:10:42Scoundrel
01:10:46Adulterer!
01:10:56What time is it?
01:10:57It's half past four, doctor.
01:10:58Oh my God
01:11:01Oh
01:11:03Sebastiana
01:11:03Looks like we're having fun, huh?
01:11:06But, Sebastiana
01:11:07Miss
01:11:07Miss, please
01:11:08Sebastiana, for God's sake.
01:11:09Miss, please pick up your guts and leave.
01:11:12But what does it say?
01:11:13You're crazy
01:11:14Ma'am, it's just about
01:11:15It seems unbelievable.
01:11:16What people who boast of dignity
01:11:18They stoop to playing such low roles
01:11:19Sebastiana
01:11:20What did he say?
01:11:22Mother?
01:11:23Please, Sebastiana
01:11:24Calm down
01:11:25This is an operation
01:11:26It's not an operation
01:11:27It's a filthy mess
01:11:28And the best part is that I'm capable of killing her
01:11:29Please, please
01:11:30Please
01:11:31Please
01:11:32Please
01:11:36Eduardo
01:11:42Eduardo
01:11:42That?
01:11:46Will you forgive me?
01:11:48Yeah
01:11:50Good night
01:11:52Good night
01:11:58Little dove
01:12:02What's wrong, little dove?
01:12:05What's wrong, little dove?
01:12:32Oh my God
01:12:35What's happening?
01:12:35What happened?
01:12:36How unfortunate I am
01:12:39But what's wrong, Sebastiana?
01:12:41Oh, how unfortunate I am
01:12:43Your affection is over.
01:12:45But why, Sebastiana?
01:12:47I love you
01:12:48No, you don't love me.
01:12:50Yes, Sebastiana, I adore you
01:12:51Really
01:12:52The thing is, I'm tired.
01:12:54I'm exhausted
01:12:56No
01:12:59You are all the same.
01:13:01Garzais your youth
01:13:03In easy loves
01:13:04And you get married
01:13:05With the waste
01:13:06That they have left you
01:13:07Your adventures
01:13:09Singles
01:13:12Out of stock
01:13:12But for God's sake, Sebastiana
01:13:15You might be serious about that.
01:13:17Yes, yes
01:13:18And if you're not deceiving me
01:13:20With another
01:13:21Or with others
01:13:22Sebastiana
01:13:24I'm truly flattered.
01:13:25The one you can think
01:13:27That after all
01:13:27I still have some strength left.
01:13:28To go with others
01:13:30I can swear to you, however
01:13:31No, don't swear anything to me.
01:13:33And prove it to me
01:13:34That you love me
01:13:35But, Sebastiana
01:13:40This cannot go on, no sir.
01:13:42This man is dying on us
01:13:50I understand you, Eduardo
01:13:51Everything hurts, Alfredo
01:13:53I have perpetual muscle soreness.
01:13:57I think the first thing
01:13:58What do you have to do?
01:13:59It's distracting
01:14:02You should travel
01:14:04A quiet life
01:14:05It's not for his temperament
01:14:08A boat trip
01:14:10Osiria of pearls
01:14:11But Ilan
01:14:11He doesn't leave me alone for a moment.
01:14:13You can take someone with you.
01:14:15Whom?
01:14:15Well, your own father, for example.
01:14:17Can't
01:14:18Because?
01:14:18He died 15 years ago
01:14:21I'm sorry, Eduardo
01:14:23I share your feelings.
01:14:25Thank you
01:14:26You should see how good it was
01:14:29Well, you see, my poor mother
01:14:31He died of something completely trivial.
01:14:33I'm so sorry, Alfredo
01:14:34I share your feelings.
01:14:38But what do I do?
01:14:40Hire an extra
01:14:42To a second-rate actor
01:14:43You pay him a thousand pesetas a day
01:14:45And he can be a better father than your own father.
01:14:48That rests on bread
01:14:50Kill him
01:14:51Kill him
01:14:52Kill him
01:14:57Kill him
01:14:58Come on, Dad
01:15:00Take a cough drop
01:15:01Ande
01:15:02Come on
01:15:02You come up with some crazy things, son.
01:15:05What's happening?
01:15:06What do I have to think of?
01:15:07You're the first man to take his father on the honeymoon
01:15:09Sebastian, it's been nine months since we got married
01:15:12And?
01:15:13It feels like a century ago, of course.
01:15:14No, that's not it, but understand.
01:15:16That?
01:15:17The poor dad is very old.
01:15:18And her lifelong dream has been to take a boat trip
01:15:21Ah, well, the poor thing has had his time.
01:15:24If you neglect it
01:15:27Okay, I'm going for a walk
01:15:28Well
01:15:33What? How's it going?
01:15:35It works perfectly.
01:15:36As?
01:15:38Shout at me, I'm a little deaf in this ear
01:15:40It's going very well.
01:15:42If I saw danger approaching in the cabin
01:15:45I'll cough three times and you come in
01:15:48But what about the door?
01:15:50They are connecting cabins and I've already taken care of breaking the lock.
01:15:55As?
01:15:56I've already broken the lock!
01:15:58Ah, Eduardo
01:16:00That?
01:16:01Would you like to come for a walk with me?
01:16:04Well
01:16:18Wait for me, my children
01:16:19I want to go with you too.
01:16:21I don't like being alone
01:16:23In case I get a chest wound
01:16:25And the coughing begins
01:16:26Let's see how it's going to go
01:16:34Good night, Dad
01:16:35Good night, children
01:16:37Good night, Dad
01:16:38May you rest in peace
01:16:45Eduardo
01:16:46That?
01:16:46The lock is broken
01:16:49Good heavens!
01:16:50Can't you think of anything else?
01:16:52What do you want me to do?
01:16:53Well, I'm almost glad.
01:16:54So if something happened to my father
01:16:56We would go
01:16:57What will we do?
01:16:59I'll put this little table there
01:17:07Eduardo
01:17:12Eduardo
01:17:13Eduardo, put the book down.
01:17:15It's good to read
01:17:17In life
01:17:17You learn more in life than in books
01:17:19Yes, but also in books
01:17:21We're alone, little chick.
01:17:23At last
01:17:24No, no, no, no, Sebastiana
01:17:26Please
01:17:27My father is there.
01:17:28Can you hear us?
01:17:29No, it's fine.
01:17:29Understand it, understand it
01:17:32He's going straight to...
01:17:34What's the matter?
01:17:36Nothing, nothing
01:17:37My bronchial tubes hurt.
01:17:38What's the matter?
01:17:39What's the matter?
01:17:39What's the matter?
01:17:40What's the matter?
01:17:41What's the matter?
01:17:48What's the matter?
01:17:51What's the matter?
01:17:55What was that?
01:17:57Have you woven, son?
01:17:58About time!
01:18:04The alarm
01:18:05Run, date, press
01:18:06Yes, yes, yes
01:18:07I'm going, I'm going
01:18:07Alarm, alarm
01:18:09We've run aground
01:18:11Security, gentlemen
01:18:12Don't run each other over
01:18:14All the power went to the boats
01:18:16This way, this way
01:18:17This way, Sebastiana
01:18:18Well, well
01:18:19Those who say the pincos first
01:18:20Yes, then, take everything.
01:18:24Stay calm
01:18:25Calm down, gentlemen.
01:18:28Serenity
01:18:30Pick it all up
01:18:31Patience, gentlemen
01:18:33Come, wait for me!
01:18:34Come, wait for me!
01:18:34Come on, wait for me, it's not going to happen!
01:18:36Calm down, nothing's wrong
01:18:41This is not the first sinking
01:18:43Calm down, gentlemen.
01:18:45Women and their children first
01:18:48Tranquillity
01:18:50Everyone take your hat
01:18:52Very good
01:18:54Collect the life jackets
01:18:56Everyone for the life preservers
01:18:58Don't jump, gentlemen.
01:19:00Don't jump
01:19:01Don't go up
01:19:03There is no way out
01:19:04Everyone to the boats!
01:19:06Order, gentlemen
01:19:08Please don't run each other over.
01:19:10Respect women and children
01:19:13Order, gentlemen
01:19:15Those who do not have shoes with rubber soles
01:19:18Let them go the other way
01:19:21Calm down, gentlemen.
01:19:25Tranquillity
01:19:26No problem
01:19:31Very peaceful
01:19:34No problem
01:19:36Don't be apprehensive
01:19:39It's a minor malfunction.
01:19:41No problem
01:19:45No problem
01:19:47No problem
01:19:50No problem
01:19:54No problem
01:19:58No problem
01:20:17But let them go
01:20:22Oh my God
01:20:24Oh my God
01:20:26Oh my God
01:20:30Oh, what a workout!
01:20:32Oh, how awful!
01:20:35I won't last long here.
01:21:03Sebastian
01:21:04That?
01:21:05And the old diplomat
01:21:07That?
01:21:08Where is the old diplomat?
01:21:12He took him to the sea
01:21:13Palor, Sebastiana
01:21:18Is there no ship in sight?
01:21:22Nothing can be seen
01:21:24Oh my God
01:21:27My little dove
01:21:30Finally alone
01:21:33Love watches over
01:21:35For their slaves
01:21:36No, no, Sebastiana
01:21:38No, no, no
01:21:39I am your wife, I have a right
01:21:40Not this time.
01:21:40No
01:21:42Eduardo, come back
01:21:43Eduardo, I have a right
01:21:45Come back, come back
01:21:47Comes back
01:21:48Eduardo, where are you going alone?
01:21:51Eduardo
01:21:51Eduardo, don't leave me
01:21:53Kill him!
01:21:57Eduardo!
01:21:59Eduardo, I am your lady!
01:22:06Periscope, please
01:22:07Okay
01:22:11There it is
01:22:14Immersion, full-throttle immersion
01:22:17Up with the periscope
01:22:19Set heading 980
01:22:21Okay, sir.
01:22:22Speed, 30 knots
01:22:23Latitude, 30 degrees
01:22:25Prepared on the 1st
01:22:26Okay, sir.
01:22:27Fire on the 1st
01:22:28Okay, sir.
01:22:32Eduardo Torrico
01:22:33Do you want Miss Claudia Acedo for your wife?
01:22:37As?
01:22:38If you want Miss Claudia Acedo as your wife
01:22:50Mr. Torrico, please
01:22:52Hey?
01:22:53Do you want it or not?
01:22:55Yeah
01:22:56No
01:22:57I don't know, I
01:22:58I now pronounce you husband and wife
01:23:04Put this ring on your wife
01:23:06As a sign of fidelity and love
01:23:12Let's go, Anselmo
01:23:24My mother is so cute!
01:23:39Thanks for watching!
01:23:40That doesn't ring a bell.
01:23:42Oh, that sounds familiar.
01:23:43Well, you told me
01:23:48M欸
01:23:49It sounds familiar.
01:23:50M圓a
01:24:07He has died.
01:24:23He has died.
01:24:56He has died.
01:25:20Well, no, sir.
01:25:23I'm sorry, I must have mistaken her for someone else.
01:25:25It doesn't matter.
01:25:29Any family members?
01:25:31Yes, my husband.
01:25:34I'm sorry, I couldn't have imagined it. You're so young.
01:25:38Thank you.
01:25:39And so handsome.
01:25:41Thank you.
01:25:42Have you come to visit a relative?
01:25:45Yeah.
01:25:47My wife.
01:25:49I'm sorry, I couldn't have imagined it.
01:25:51You are so young.
01:25:53Thank you.
01:25:54And so handsome.
01:25:55Thank you.
01:25:56If I may, I would like to tell you that you are like a flower.
01:26:01Improving on the current ones, of course.
01:26:03Hey?
01:26:11That?
01:26:14What did you say?
01:26:16Like a flower.
01:26:18What else?
01:26:19Nothing, nothing, nothing.
01:26:20What else?
01:26:21What else?
01:26:23Nothing, nothing.
01:26:40Excuse me, gentlemen.
01:26:41Last.
01:26:42The movie is not over yet.
01:26:45At least that's what I hope.
01:26:46This is not a happy ending.
01:26:48And a lot of people weren't going to like it.
01:26:50Especially to the ladies.
01:26:51That's why we're going to try to make the movie end better.
01:26:55Does that sound good to you?
01:26:58What else?
01:27:12Like a flower.
01:27:13What else?
01:27:15And besides, you have such beautiful eyes,
01:27:18that when they look at the sky,
01:27:20the stars admired for their beauty
01:27:22They lose their footing and fall to the ground
01:27:24turning into drops of morning dew.
01:27:27How beautiful.
01:27:28Yeah.
01:27:29Yeah.
01:27:30You are a flower.
01:27:31You are the most beautiful and lovely flower in paradise.
01:27:36Eduardo.
01:27:38Pigeon.
01:27:48Pigeon.
01:27:49Pigeon.
01:27:52Pigeon.
01:27:53Pigeon.
01:27:55Pigeon.
01:27:56Pigeon.
01:27:57Pigeon.
01:28:00Pigeon.
01:28:02Pigeon.
01:28:02Pigeon.
01:28:03Pigeon.
01:28:03Pigeon.
01:28:04Pigeon.
01:28:06Pigeon.
01:28:06Pigeon.
01:28:10Pigeon.
01:28:11Pigeon.
01:28:12These are the things that upset me the most.
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