- hace 3 días
Reparto: Tony Leblanc, Concha Velasco, Alfredo Landa, José Sazatornil, José Bódalo, Manolo Gómez Bur, Margot Cottens, Tomás Blanco, Rafaela Aparicio, Erasmo Pascual, Paquita Torres, Antonio Mingote, María Luisa San José
Dirección: Javier Aguirre
Sinopsis: Cayetana, su novio Paco y Venancio, su hermano de leche, cometen pequeños hurtos y, de vez en cuando, pasan unos días en la cárcel. Pero un día conocen a Federico, un ladronzuelo que ha viajado por el extranjero y que los convence de que utilizando métodos europeos el éxito está garantizado. Paco decide entonces actuar científicamente para apoderarse del material quirúrgico de un hospital. Tan científico es el plan que, de repente, el pobre Venancio se ve obligado a ponerle una inyección a un paciente de odontología, y Paco a sacarle alguna que otra muela.
Dirección: Javier Aguirre
Sinopsis: Cayetana, su novio Paco y Venancio, su hermano de leche, cometen pequeños hurtos y, de vez en cuando, pasan unos días en la cárcel. Pero un día conocen a Federico, un ladronzuelo que ha viajado por el extranjero y que los convence de que utilizando métodos europeos el éxito está garantizado. Paco decide entonces actuar científicamente para apoderarse del material quirúrgico de un hospital. Tan científico es el plan que, de repente, el pobre Venancio se ve obligado a ponerle una inyección a un paciente de odontología, y Paco a sacarle alguna que otra muela.
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CortometrajesTranscripción
00:00:09Thank you!
00:00:57Thank you!
00:01:24Thank you!
00:01:33Thank you!
00:01:46José Ignacio, how kind.
00:01:48I received your letter, I couldn't miss it.
00:01:50They cost 5,000 pesetas.
00:01:52I still have 6 more tables available.
00:01:54And Mariló?
00:01:55Vegetating in Marbella.
00:01:56Bye!
00:02:04Can I leave something?
00:02:05That's for sure.
00:02:06I am a woman of the people, but I have six children.
00:02:09This is the smallest one, and I know very well what hunger is.
00:02:11And to fight against hunger, I'll be first.
00:02:15Thank you very much, ma'am.
00:02:22What a lovely detail.
00:02:42I want to donate to this beautiful fight against world hunger.
00:02:46the little that I can.
00:02:49Thank you so much, it's very touching.
00:02:57This is the town.
00:02:59Madam President, my friends,
00:03:00Allow me, all of you, to embrace in this blind man the soul of the generous and ever-charitable people.
00:03:05I am running as a candidate for city councilor in the next elections
00:03:07And it would be an honor for me to be chosen by men like this.
00:03:12A hug, a big hug.
00:03:17And at the same time, Tadeo Ramírez, a man of the people for the people,
00:03:20wants to contribute to such a wonderful campaign with 10,000 teseta.
00:03:23It's nothing, but it's something.
00:03:32I could swear I had my wallet with me.
00:03:45Is this where hunger is?
00:03:47Yes, young man.
00:03:54No, no, we don't accept food.
00:03:57No, no, no, no, it's just that I was looking for...
00:03:59That?
00:04:01Have you made up your mind or not?
00:04:04Yeah.
00:04:08Is...
00:04:10Thank you so much.
00:04:24Not only did he not take anything, but he kept the 100 pesetas we gave him.
00:04:28That's enough.
00:04:30I wanted to do it, but that lady gave me her hand and...
00:04:33Which, by the way, you almost brought your hand home with you.
00:04:36Just leave it, after all, it's just getting started.
00:04:38Look, Cayetana, you defend him because he's your brother.
00:04:41Milk.
00:04:42Well, whatever, he's your brother.
00:04:44And I'm teaching him the profession because he's your brother and he's going to be my brother-in-law.
00:04:47Milk.
00:04:48Well, made of milk.
00:04:49Well, there's nothing to be done.
00:04:50Have a little patience with the boy, it's not like he's hopeless.
00:04:54Of course not.
00:04:55You already know.
00:04:56Yes, man, the pig thing.
00:04:58Why did he steal a pig?
00:05:00Of course he stole a pig.
00:05:01Have you heard it yet?
00:05:03Did he steal a pig?
00:05:04Go on, tell us about the pig again.
00:05:08So I went into a pigpen, saw the most beautiful pig, and took it home.
00:05:13It was difficult because there was surveillance, but I managed to get it.
00:05:16Did you take it with you or did it follow you?
00:05:18Come on now, Paco.
00:05:19Hey, there are people who have a fondness for animals.
00:05:27Potatoes with ham.
00:05:30If you find a piece of ham, I'll give you a cigarette.
00:05:42A maua.
00:05:45And for this one, a glass of milk.
00:05:48Weather.
00:05:50And a napkin to clean the glass.
00:05:55Annoying?
00:05:58Well, to start with, do something, bazooka.
00:06:07Another small glass, please.
00:06:09I was downtown and it came to me that here they say I am
00:06:13a thug.
00:06:14And that's slander.
00:06:17You, Cocosabio, is that slander or not?
00:06:22I'm minding my own business.
00:06:24Yes, yes.
00:06:26The guy here is new.
00:06:28Yes sir.
00:06:31Venancio Torralba.
00:06:32Alias?
00:06:35The Torralba.
00:06:37That's what I like to hear.
00:06:38Have imagination.
00:06:42Pedigree.
00:06:44He stole a pig.
00:06:45That must be very difficult because it's growling.
00:06:48Don't believe it.
00:06:49If you approach the pig and...
00:06:52Come on, serve it to me, Mao.
00:06:54But without foam.
00:06:56Because I am very sensitive.
00:06:59Let's see, you who have a clear face.
00:07:02I'm not a thug, am I?
00:07:04No, sir.
00:07:05What are you going to do?
00:07:06You've already heard the lilac.
00:07:08So from now on, I will be respected here.
00:07:12On purpose.
00:07:14Since I had to take a taxi and it cost me 34 pesetas,
00:07:19You're all going to chip in.
00:07:21Because the wise man, who knows a lot about laws,
00:07:26He will explain to you that you have been ordered to pay costs.
00:07:31Mazoca, do something.
00:07:57That's what I like to hear.
00:08:01The hat for my little brother, who has a cold head.
00:08:06Let's go, bazooka!
00:08:08The titanism has to end.
00:08:10It's the least expected day.
00:08:13Okay, a mau and a napkin to clean the glass.
00:08:17You clean the glass yourself with your ears and it's no trouble.
00:08:20Wise Coconut!
00:08:20No, it's no trouble at all.
00:08:33Alright.
00:08:38What have you got there?
00:08:39It's the wardrobe I told you about, boss.
00:08:41We bought it at Muebles López.
00:08:43Well, this is going to be an 18th-century dinner cupboard.
00:08:47Very good.
00:08:48So you're already making it dirty.
00:08:49Who is it?
00:08:58Hello, Lorenzo.
00:09:00Tell me, Don Aurelio.
00:09:01And this?
00:09:02We have left it in the 12th century, the Gothic period.
00:09:06What do you know about goth, you wretch?
00:09:09Go on, go on, shoot him with buckshot, he's four centuries too old.
00:09:17That's how this box goes.
00:09:21It lacked details.
00:09:28No way!
00:09:28This is a Renaissance reliquary.
00:09:30We have to finish it off, Don Aurelio.
00:09:31Don't use box wood for these things, it's more noticeable than a long play record.
00:09:39I apologize for making you wait.
00:09:41Come on.
00:09:45Well, this is the knight D'Amberes.
00:09:49It turned out quite nice, didn't it?
00:09:51It's a Velázquez.
00:09:53I've got the client.
00:09:55I'm counting on you.
00:09:57You know, the usual.
00:09:58Oh, and Cayetana warns.
00:10:00There are one thousand pesetas per person.
00:10:02Friday at ten in the morning.
00:10:07The signature is too clear here.
00:10:09Damn it, they're so clumsy.
00:10:12Leave me the cigarette, Cocosabio.
00:10:18Don Aurelio, the person present here is Venancio Torralba.
00:10:21The Torralba, which arrived four weeks ago from the Corrubio riverbank,
00:10:24and who is in the profession.
00:10:26He's my girlfriend's foster brother.
00:10:29Nice to meet you, kid.
00:10:30Are you okay? I'm fine. Goodbye, thank you.
00:10:32The boy needs to toughen up, and we had thought he could do something sharp.
00:10:36The rustic style gives it away.
00:10:39Let's see, kid.
00:10:41What did you think of Madrid?
00:10:44Big.
00:10:46Very, very big.
00:10:51And a lot of staff, huh?
00:10:54Big, very big.
00:10:57Let him go, but let him be a silent gardener.
00:11:00Five hundred pesetas.
00:11:01Thank you very much, Don Aurelio.
00:11:03And better than mute, deaf.
00:11:07What does he think?
00:11:09Look, Mr. Bannister, the mayor has already been spoken to.
00:11:12I believe he will take our side.
00:11:14The important thing is that he decides without convening the council.
00:11:17Learn.
00:11:23Come on, Mr. Mayor, we're in a hurry.
00:11:30Excuse me, but there were some minutes that needed signing.
00:11:34Let's go, let's walk.
00:11:35Come on.
00:11:37Come on.
00:11:38Come on.
00:11:57No, don't call him, he can't hear you.
00:12:00The poor Costa Rican is deaf and mute from birth.
00:12:03A glass of muscatel that didn't agree with the mother.
00:12:09Hey, Eulogio.
00:12:12Peace be with you, Eulogio.
00:12:14Come here.
00:12:19Tell me to call the choir director and the Mother Abbess.
00:12:23The mayor is here with good people.
00:12:27That we all believe in God and in the communion of saints.
00:12:31Come on.
00:12:34Come on.
00:12:39Come on.
00:12:42He's a good kid, but he's not very good, and since he can't talk, he's a bit of a crybaby.
00:12:49But it's there, and with that lift many tractors would be envious.
00:12:56He's definitely on our side.
00:12:59Trust me, it's been discussed.
00:13:10Come on.
00:13:10Is Paco there?
00:13:11Of course, woman, she came with them.
00:13:13Come on, crybaby, and throw away the whistle, if you don't mind.
00:13:30Still!
00:13:30Don't show too much interest.
00:13:34Good morning, God bless us.
00:13:37Good morning, mother.
00:13:38Let's see the little square.
00:13:40Mother, don't tighten it so much, you'll ruin it.
00:13:43The man is a peaceful, American man.
00:13:47What's your candy for the little one?
00:13:50No, if you want a cigarette.
00:13:52Okay.
00:13:58Ale, mother, give me the little square.
00:14:01Mother, who is the mayor?
00:14:05There you go, dude.
00:14:06The mothers in the sacristy.
00:14:08From the time of I don't know which king of the year cholera.
00:14:12A man with glasses came in and said he had a husband.
00:14:15And that this one was called the knight of Ampurias.
00:14:18The Knight of Antwerp.
00:14:19In the village they call him "uncle the jazos" and they're not wrong because he refers to me.
00:14:25The gentleman the mayor is referring to was a professor of art history.
00:14:30Pinzón, I think his name was, and he told us that the painting had great value.
00:14:34The mother from Abar explained to us that it is the portrait of a Christian who has seen the devil.
00:14:38The Knight of Antwerp is a Velázquez.
00:14:40Yes of course.
00:14:40You understand as much as I do.
00:14:42Look at that corner, the signature.
00:14:44It is covered as if by ash, by dust.
00:14:46He is the gentleman from Antwerp, there is no doubt about it.
00:14:50It's commendable.
00:14:51And in the council, he is already loved as if he were a son.
00:14:56Offer them one hundred thousand.
00:14:58I feel bad for taking advantage of these people.
00:15:01One hundred and twenty-five thousand.
00:15:02OK.
00:15:04Look, mother, this gentleman here collects old things.
00:15:07And because he is very pious, he is willing to offer one hundred and twenty-five thousand pesetas for the Christian who has seen the
00:15:12devil.
00:15:13Mother, the Lord gives us one hundred and twenty-five thousand pesetas for this.
00:15:17Will we be able to put on a new roof and buy apple trees?
00:15:21He loves it so much.
00:15:22No.
00:15:24Ah, one hundred and fifty thousand.
00:15:26But...
00:15:26One moment.
00:15:27The grid is from a 17th-century foundation and belongs to my convent and my council.
00:15:33So...
00:15:35I need to call a council meeting.
00:15:37No, be careful.
00:15:39The pharmacist is on the board, and the pharmacist knows what he's talking about.
00:15:42Two hundred and fifty thousand.
00:15:44And let them divide it up.
00:15:46Look, Mr. Mayor, let's not bother the council.
00:15:49One hundred and twenty-five thousand for the council and one hundred and twenty-five thousand for the convent.
00:15:54They approved the council for humanitarian reasons.
00:15:57Mother, who is for the good of the community.
00:16:00We could build an oven and make San Damiano egg yolks.
00:16:03The poor woman is no longer in this world.
00:16:06You'll take care of it.
00:16:07Everything is on me.
00:16:09Don't worry, sir, I'll take care of the distribution.
00:16:14God be with you.
00:16:15Bye bye.
00:16:16Good morning.
00:16:17Good morning.
00:16:43Oh my God, Julio, I have to give Kuki her bottle.
00:16:45But what do you want me to do, woman?
00:16:47Can't you see it's stopped?
00:16:48But the child hasn't eaten anything since six o'clock.
00:16:50And so on.
00:16:51She's my daughter too, isn't she?
00:16:54My battery is running out.
00:17:00How disgusting, huh?
00:17:01Don't talk to me.
00:17:02When they decide not to start.
00:17:04Sure, sure.
00:17:06What immorality.
00:17:07I don't know how far we're going to go.
00:17:09And also at night.
00:17:11I feel sorry for the young lady.
00:17:13And here, in the university city,
00:17:15where culture is taught.
00:17:17To come and denigrate all of that.
00:17:20It's a disgrace.
00:17:23And also at night.
00:17:25There are others up there.
00:17:26And others on the curve.
00:17:28Come on, it's unpleasant.
00:17:31Listen, you're mistaken.
00:17:33The commissioner will find it very funny when you tell him that.
00:17:36Ah, you think he'll find it funny.
00:17:39I let those upstairs go with 500 pesetas.
00:17:41By Miss.
00:17:43Because I feel sorry for the young lady.
00:17:47The young lady was so happy enjoying the fresh air, which doesn't hurt anyone.
00:17:51Good customs are being harmed.
00:17:53Look, Paco.
00:17:54Let's all get out of here and go get some fresh air.
00:17:57For example, take yourself.
00:17:58Wait a bit, this has consequences.
00:18:00Come on, come on.
00:18:01Leave and let's have a peaceful party.
00:18:03What nerve!
00:18:05You are a witness, Inspector Lopez.
00:18:07Disrespect for authority.
00:18:09Another 500 pesetas fine.
00:18:11And quietly, eh, quietly.
00:18:13I don't want to lose my temper, I know myself.
00:18:16Because I am very good.
00:18:18But when a guy gets cocky with me...
00:18:24Yes, sir.
00:18:26All of this I'm telling you was told by my colleague to a gentleman up there.
00:18:30But if I...
00:18:31And I told him...
00:18:32Well, you see, you have no right to speak like that because this gentleman has every right to come here.
00:18:38Enjoy the cool air here.
00:18:39And you, well, you know.
00:18:41You can do whatever you want and I'm perfectly happy about it.
00:18:45At your feet, madam.
00:18:47Good night.
00:18:47Hello.
00:18:48One moment.
00:18:49Well, Amalia.
00:18:51I feel sorry for Kuki, but she's going to have to wait a little longer.
00:18:56Inside.
00:18:59From the Civil Guard?
00:19:01Yeah.
00:19:03Sergeant.
00:19:04Captain.
00:19:05Phew.
00:19:07Pray.
00:19:10Also for the full version?
00:19:12No, Mr. Ernesto.
00:19:13But you're going to hang me.
00:19:15Come on, I look like a fool.
00:19:18Coco, you were doing the full palm.
00:19:20The thing is, I'm very suspicious and I thought something else was happening in Roda.
00:19:25And why not lose young people?
00:19:27Yes, yes.
00:19:28Well, the captain of the peaks says you were doing the wrong thing.
00:19:31But if the stork couldn't hear me, if there was a noise...
00:19:34At ten o'clock at night and in the countryside.
00:19:36Unless they were crickets.
00:19:39Give up, Coco, you look better that way.
00:19:41If I have the bad luck.
00:19:44When have they ever paid you any attention?
00:19:46I went from Manroscati five months ago and to Secovea two months ago.
00:19:49But it was an injustice.
00:19:51Coco, I'll prick it for you.
00:19:53That you played the piano with me...
00:19:57How long ago, Coco?
00:19:58Who knows, the key will tell.
00:20:01My memory is terrible.
00:20:03Look, Coco.
00:20:05With luck, you'll win a fifth one.
00:20:08And unfortunately, they're going to give you the loaf of two frejes in anchors.
00:20:12To the carambuco.
00:20:13And what about inside the trunk?
00:20:17I don't work in blue.
00:20:19Let that be perfectly clear.
00:20:24You.
00:20:25Come here.
00:20:42What are they telling you?
00:20:46Well...
00:20:47Torralba.
00:20:48Venancio Torralba.
00:20:50When have they ever paid you any attention?
00:20:54Well...
00:20:54Before working on the full version, what role did you play?
00:20:58Spilling malice?
00:21:00Limping?
00:21:01Sword?
00:21:01Box?
00:21:02Or to charm the fool?
00:21:05They don't buy pa.
00:21:07That?
00:21:09That they buy pa.
00:21:11I only speak Spanish.
00:21:12I'm not telling you what's going on, Ordoñez.
00:21:15Are you kidding me?
00:21:20When have you played the piano?
00:21:22No, no, no, no.
00:21:23The piano no.
00:21:25The harmonica, by ear.
00:21:27That's funny, Ordoñez.
00:21:30This guy is really funny, huh?
00:21:32Comb it a little.
00:21:34I really feel like combing his hair.
00:21:37Do you want me to comb your hair, handsome?
00:21:39Whatever you command.
00:21:41See, Ordoñez?
00:21:42These are the ones that make me lose my mind.
00:21:43Come on, I'd eat them up.
00:21:46Yes, I'm from Ávila.
00:21:52As?
00:21:55That he has no criminal record.
00:21:58Ordoñez.
00:22:00He is a young man.
00:22:01He hasn't played the piano.
00:22:04If I could find out what it's like to play the piano, with your permission...
00:22:08Okay, okay.
00:22:09Thank you.
00:22:14But, son...
00:22:16Who got you into this?
00:22:18Hey?
00:22:21Where do you come from?
00:22:23From the Navas de Corrubio, province of Palencia.
00:22:26Everyone started leaving for Germany.
00:22:28There were only four neighbors left, so I left...
00:22:31To find a job.
00:22:33Well, you've found her, son.
00:22:36You've already found it.
00:22:37From pianist.
00:22:39Let's see, the hand.
00:22:43Do, re, mi, fa, sol.
00:22:49Well, my son.
00:22:51Well, you're a pianist now.
00:22:52Come on, we've got you.
00:22:54I mean...
00:22:55Professional?
00:22:58Suspicious.
00:22:59Give me your other hand.
00:23:01Do, re, mi, fa, sol.
00:23:17Which one is longer for me?
00:23:18I've missed you all so much.
00:23:21Now I realize how much I loved you.
00:23:23And thank goodness they behaved well and only served us a fortnight with a tip.
00:23:26I was worried about you, but even more so about Venancio, who was going to be very impressed by it.
00:23:30Your little brother, he's really become the boss.
00:23:31Right, Torralba?
00:23:34There was a lot of cinnamon and a lot of hick in the sack.
00:23:36It wasn't worth it.
00:23:37You don't know him?
00:23:39I needed the brown one, you see.
00:23:41I was alobao.
00:23:43They chat in the sack and give you an idea.
00:23:47Forgive me.
00:23:48It's punch time.
00:23:49What's happening?
00:23:50The new guest is Don Federico.
00:23:52He's practicing.
00:23:53A gentleman.
00:23:54What a gentleman.
00:23:55He comes from abroad.
00:24:04May I, Torralba?
00:24:06Goes?
00:24:07Can?
00:24:09Can?
00:24:11No!
00:24:12No!
00:24:14No!
00:24:14No!
00:24:15No!
00:24:15No!
00:24:15No!
00:24:15Can?
00:24:17Forward.
00:24:18Don Federico?
00:24:20The punch?
00:24:23Thank you very much, ma'am.
00:24:25The tizona?
00:24:26But Tizona, what a joy.
00:24:27My name is Federico Martínez Hojas.
00:24:30And from now on, the nickname is unnecessary, Cocosabio.
00:24:34Let's see if there's class and respect.
00:24:37Because if there's no class and respect, you tell me, Mrs. Alicia, and I'll go to the Hilton.
00:24:43Sorry, kid.
00:24:44It was the emotion.
00:24:45Look, Cocosabio.
00:24:46I've been abroad for seven years and everything has changed a lot.
00:24:50That aside, I'm delighted to greet old friends.
00:24:56How was your Saturday?
00:25:00Very tasty, very tasty.
00:25:03In French-speaking Switzerland they are called Pondeter, and in German-speaking Switzerland, Cartofel.
00:25:16This hasn't changed, has it?
00:25:18The same things, the same faces.
00:25:22You're disgusting.
00:25:23Man, eh.
00:25:24Going through hardships for a fortnight.
00:25:27And why is that?
00:25:28For stealing a wallet, right?
00:25:31Or for smashing a car.
00:25:33I'm warning you that...
00:25:33You are like the bison, a species destined for extinction.
00:25:37Well, we're fifty years behind in Spain.
00:25:41How picturesque!
00:25:44Can I see?
00:25:45They are Celts.
00:25:48Oh!
00:25:49Be terrible!
00:25:51We will smoke Egyptians.
00:25:53If you don't mind.
00:25:56You don't know how things work abroad.
00:25:59Clear.
00:26:00We didn't have the industrial revolution here when it was supposed to happen.
00:26:02and, as a consequence, backwardness and rock art techniques.
00:26:13Have you heard of electronic brains?
00:26:16Is that what happens when you put in a peseta and the weight comes out?
00:26:19A ten.
00:26:20Your key is stuck!
00:26:21My God, it's incredible.
00:26:24You're still using the flint axe.
00:26:26You're all pathetic, and until you start stealing from each other properly,
00:26:29Spain will not be brought up to European standards.
00:26:31They are absolutely right about that.
00:26:32And those frail bodies.
00:26:36Do you know karate?
00:26:37No.
00:26:38But I know a little Basque.
00:26:40Voila!
00:26:41Karate is a scientific fighting style.
00:26:44with which you can face half a dozen armed enemies and defeat them.
00:26:48That's how it's done, Coco.
00:26:53C'est petit watch of European technique
00:26:56He just told me that I have a very important appointment at the Palas Hotel.
00:27:00It's been a pleasure chatting with you.
00:27:03Goodbye, guys.
00:27:08Se bien, pur le s'amplo ayer.
00:27:11Goodbye.
00:27:13Pour?
00:27:23Well, look at you now, Federico.
00:27:27Seven years ago you were just an average crook.
00:27:30And today you're a real gentleman.
00:27:34Let's stop reminiscing if you don't mind.
00:27:36Souvenir pair.
00:27:41Attention.
00:27:45Bank of Vizcaya.
00:27:48Spanish Credit Bank.
00:27:53Museum of the Parado.
00:27:56Royal Palace.
00:28:03Are you having fun?
00:28:04I don't know what you're trying to do, Federico.
00:28:06There is something of value in all these places.
00:28:09To work in our profession
00:28:11Three principles are needed.
00:28:15One is information.
00:28:17And the other is tourism.
00:28:18Yes sir.
00:28:19Information and tourism.
00:28:22Technical information and discretion.
00:28:25As you can understand, I didn't come here from abroad.
00:28:28to see the family.
00:28:30I'm planning a big heist.
00:28:32A blow that will shake the whole of Europe.
00:28:36I'll have to bring in collaborators from abroad.
00:28:39I would like to help my fellow countrymen.
00:28:42But you are not prepared for a blow at the European level.
00:28:46In any case, I would hire a third-level assistant.
00:28:50Man, thank you very much.
00:28:51But I would like the boy to do something too.
00:28:54Don't protect me so much.
00:28:56Hey, creature.
00:28:57Neither creature nor anything.
00:28:58You're the wise coconut, I'm the torralba.
00:29:01And here, Don Federico, you will know who benefits.
00:29:03You don't yell at me, because...
00:29:05Look, coconuts!
00:29:09Armchair, silence, please.
00:29:11One thousand, two thousand, three thousand.
00:29:13Very good.
00:29:16One thousand, two thousand, three thousand.
00:29:18Very good.
00:29:19Very good.
00:29:23They have just enrolled in the intensive and rapid course of calate.
00:29:26And you think we'll learn karate in a month?
00:29:29Here, Don Federico can answer you.
00:29:32We just put the sash on him.
00:29:35One day the eye might reach the belt.
00:29:38Today you can take down two enemies with a single blow.
00:29:42Absolute trust.
00:29:43With one blow you will be able to sink the ribs of the salty suad,
00:29:46lung damage and cause hemorrhages.
00:29:48Do you understand?
00:29:49That's why it's important that only decent people know about the incident.
00:29:52Are you decent people?
00:29:57Us...
00:29:58I already told Quilico that they are two excellent young men.
00:30:01Two true athletes.
00:30:03Let's see.
00:30:05Ah, bulging muscles.
00:30:07Stupid.
00:30:09Skin without elasticity.
00:30:10Legunante.
00:30:12Sunken Tolas.
00:30:15Weak shoulders.
00:30:17Wire skins.
00:30:18Man.
00:30:18It's the same.
00:30:19In one month you will be able to deliver a telephilic blow to an armed enemy.
00:30:23By sinking their abdomen they will be able to reach the intestines.
00:30:26Don Fedelico is already reaching the intestines.
00:30:29Did he wait for them?
00:30:32Ugly, nala.
00:30:37I don't think this is for me.
00:30:39Well, I like it.
00:30:40Of course.
00:30:41Don't worry, kid.
00:30:42He's a black belt.
00:30:45Honestly, if they give me back the three thousand fleas, I'll buy myself a crocodile belt.
00:30:50But don't be cocky.
00:30:51You have chosen the best path.
00:30:53In Europe everyone knows karate.
00:30:55It's about development, about building loyalty.
00:30:59Is...
00:30:59Stay still, you.
00:31:01Four.
00:31:03And like you, Doña Alicia.
00:31:06I'll count to twenty and eat you up, Paco.
00:31:10I don't know, here the only one who eats is you.
00:31:20What, with the family?
00:31:26That's what I like to hear.
00:31:28Have you been drinking?
00:31:30Two glasses.
00:31:31I've been with the cop and then in the golden cage, dancing with some girls.
00:31:37I don't like it when you drink or get into trouble, you know that.
00:31:40Bad company, Cayetana.
00:31:42What's that?
00:31:44Oh, nothing.
00:31:47But hey, don't insist, wise coconut, because I can't tell you anything.
00:31:54Discretion.
00:31:55But I had previously researched the site.
00:31:58Information.
00:32:00Barajas Airport.
00:32:04Nonsense.
00:32:06But they are good.
00:32:08That's not a pig, is it?
00:32:11Hey, Torralba...
00:32:12Tell me right now if that's a pig, scholarship.
00:32:15I won't answer that you have two...
00:32:16But is it a pig or not?
00:32:20It's not a pig.
00:32:22Thank you, Don Federico.
00:32:25I wanted to give you a little present, my little sister.
00:32:37Hello, everyone.
00:32:39And thank you so much for coming.
00:32:41Truly, this is a gathering of friends.
00:32:44You can't imagine how upset I am.
00:32:48And my displeasure is manageable.
00:32:50But the one the commissioner has...
00:32:52And you know that it's one thing for the commissioner to be happy
00:32:57and another one that hurts her stomach
00:32:59And bicarbonate goes and bicarbonate comes.
00:33:03Forgive me, forgive me for talking to you about my problems.
00:33:06But...
00:33:07It's just that one is so alone.
00:33:11What will you say happened?
00:33:14The four millionth tourist to arrive at Barajas airport.
00:33:18A beautiful girl who comes to visit Spain
00:33:23and then go back to their country and sing wonderful things about us, about our sun,
00:33:27And a guy comes along, grabs her earrings, and rips them off.
00:33:31Of course it wasn't any of you, of course.
00:33:35That's not professional.
00:33:37He must have been a sadist, a madman.
00:33:42There are some real monsters out there.
00:33:44What a rude job.
00:33:45And to a foreigner.
00:33:46There is no more patriotism, Don Ernesto.
00:33:48Okay, don't panic.
00:33:51Calm down, calm down.
00:33:53I told the commissioner,
00:33:55Don't worry, Don Carlos.
00:33:57I chat with the boys for a while,
00:34:00They're going to move around there, as they know how.
00:34:02and tomorrow in a small postal package
00:34:05We have the earrings here.
00:34:08And I'm sure we have them, right?
00:34:14It's unbelievable that you swore allegiance to the flag, Torralba.
00:34:17The package will be here tomorrow.
00:34:24You're decided.
00:34:26Life change.
00:34:28This isn't working.
00:34:29Tizona is right.
00:34:33I'm going to deliver the most scientific blow
00:34:35which has occurred in Spain.
00:34:37I have it here.
00:34:42I will need
00:34:44a couple of collaborators.
00:34:46It's possible he'll bring me a Portuguese man.
00:34:49Peninsular coup, do you understand?
00:34:51It might take you
00:34:53as a fourth-class assistant.
00:34:55What is it about?
00:34:57What is it about?
00:34:57Okay, first of all, discretion.
00:35:00I can't tell you what it's about,
00:35:02Besides, I still don't know.
00:35:08Bonjour, madame.
00:35:09Good morning.
00:35:11Bonjour, mes amis.
00:35:13Hello, Federico.
00:35:13Good morning, Mr. Federico.
00:35:17Thank you, Mr. Alicia.
00:35:19What things do you have, Don Federico?
00:35:23I don't know how you like Spanish breakfast.
00:35:26It has no calories.
00:35:27Of course, that's why the country is the way it is.
00:35:30You can't work without calories.
00:35:32I always have a European breakfast, you know.
00:35:35Eggs, bacon, toast, jam, coffee.
00:35:38This provides the necessary energy
00:35:40for large-scale productivity.
00:35:43This is always breakfast.
00:35:46It has what it needs to have.
00:35:48You may be right.
00:35:54The shout before attacking is essential.
00:35:56The shout acts on the opponent's nervous system.
00:35:58and it paralyzes him.
00:35:59Ah!
00:36:01Ah!
00:36:03Ah!
00:36:06Okay, I was going!
00:36:08I mean, if I can.
00:36:13Ali goes, now you!
00:36:15Glito!
00:36:15Ah!
00:36:16No, it's not about calling him a taxi.
00:36:18The aim is to paralyze the enemy's nerve centers.
00:36:21Ah!
00:36:24Ali va!
00:36:28Tupadle!
00:36:32Glito!
00:36:33Ah!
00:36:36Better.
00:36:36Now a blow.
00:36:37Already!
00:36:38Ah!
00:36:39Ah!
00:36:40Oh!
00:36:40Ah!
00:36:41They say the laws of the calate.
00:36:42Glita and hit fast.
00:36:44If you don't strike quickly,
00:36:45the other shoe
00:36:46And you're a big idiot.
00:36:47Ali va!
00:36:48You should primarily understand
00:36:49that in the calate
00:36:50the handbag
00:36:51It's a terrible knife.
00:36:52It needs to be toughened.
00:36:54You should always smash it with your purse.
00:36:55Attentive.
00:36:56Proof.
00:36:56Glital and breaks the cigarette.
00:36:58Already!
00:37:00Already!
00:37:01Already!
00:37:02Glital more like that.
00:37:03Ah!
00:37:05Pay attention now!
00:37:06Ah!
00:37:06Ah!
00:37:09Successful test.
00:37:10Test B.
00:37:11Lompe el cajita de madera.
00:37:13Already!
00:37:15Ah!
00:37:18Progress is being made!
00:37:19Test F.
00:37:20Already!
00:37:23Ah!
00:37:27Glito is very good.
00:37:28At Lilo in Telo.
00:37:30Oh!
00:37:30Oh!
00:37:30Nothing has happened.
00:37:31Pay attention to the first one.
00:37:33What do you see?
00:37:35They look like two large beans.
00:37:37It's a kidney.
00:37:38Shall we get down to business?
00:37:40Little by little.
00:37:42What's that?
00:37:43An ambulance.
00:37:45That.
00:37:45Let's see if you wake up
00:37:47of this centuries-old dream
00:37:49that so much damage
00:37:49It's making us
00:37:50to the Spanish.
00:37:52And now
00:37:53one dead.
00:37:54A skull, crazy.
00:37:56Are we gaining ground?
00:37:58Paco, you've been drinking
00:37:59Because otherwise...
00:37:59Will you be quiet for a little while?
00:38:01Attentive.
00:38:03Even more attentive.
00:38:07Can you see this one?
00:38:10There tomorrow.
00:38:11Exactly at 4:17 in the afternoon.
00:38:14Torralba Luxury Clothing
00:38:16because otherwise I'll call the Portuguese guy.
00:38:17But what is it about?
00:38:18I can't tell you any more.
00:38:20which is a medical-surgical procedure
00:38:21and with European technology.
00:38:31It has been delayed by 3 minutes.
00:38:33It's 4:20.
00:38:33Paco, the traffic...
00:38:34I do not accept apologies.
00:38:36Look at everything.
00:38:37He's the ambulance doorman.
00:38:39The one who gives the vehicles an exit.
00:38:40Do we understand?
00:38:41Yeah.
00:38:41Let's go in through the door
00:38:42back of the clinic.
00:38:43We are heading exactly
00:38:45to the seventh floor.
00:38:46Laboratories.
00:39:02That's it.
00:39:03It's 4:30.
00:39:06Now he will turn right.
00:39:08Come on.
00:39:17Now he will go through the center's door.
00:39:29Still.
00:39:30We are?
00:39:32This is where they operate on him.
00:39:33Where they disinfect the material.
00:39:35This nurse comes from the operating rooms
00:39:37which are in the basement.
00:39:40I don't like these clinic things
00:39:42They make me extremely nervous.
00:39:44There's a smell.
00:39:44Take off your tie for now.
00:39:46that they're going to arrest you for carrying it.
00:39:47You told me I was going to come dressed up.
00:39:49That's why.
00:39:50That action is repeated every day.
00:39:51The nurse goes upstairs
00:39:52and take the material to the autoclave.
00:39:54That equipment is worth a lot of money.
00:39:56It has an easy exit.
00:39:57And the hit is simple.
00:39:58Yes indeed.
00:39:59As long as we do it in 24 seconds.
00:40:01Do you understand?
00:40:02Not one more, not one less.
00:40:03There will be no drugs here.
00:40:05Right, Paco?
00:40:05This is a scientific breakthrough
00:40:06And you stay calm.
00:40:07that there are no immoralities.
00:40:09From this moment on, smoking is prohibited.
00:40:11I want you in perfect condition
00:40:12physical and mental.
00:40:14Only water is drunk.
00:40:16Doping is prohibited
00:40:17until the day
00:40:19H time.
00:40:26Quick, it's an emergency.
00:40:27They call you from operating room number 2.
00:40:29Bring that.
00:40:30I take it to the autoclave.
00:40:31Come on!
00:40:34Come on!
00:40:44Come on!
00:40:47Come on!
00:40:58Come on!
00:41:08Come on!
00:41:10Come on!
00:41:12Come on!
00:41:15Come on!
00:41:17Come on!
00:41:35You take him to the operating room.
00:41:37Yeah.
00:41:39What's wrong with him?
00:41:41Peritonitis.
00:41:43Oh, that's for Kille.
00:41:45Hey, Antonio, Kille is operating on him.
00:41:51Come in, handsome!
00:41:59We spent a little time together.
00:42:00We'll pass one over there!
00:42:00One moment.
00:42:00One moment.
00:42:01No, we passed one.
00:42:02Come on!
00:42:04There, over there.
00:42:18Come on, let's have a go!
00:42:20Oh!
00:42:27Is that the way out?
00:42:29I'm on the left. What I feel is that we've fallen behind by one minute and twenty-two seconds.
00:42:32Come on!
00:42:53Come on!
00:42:56What's happening?
00:42:59There is a gentleman.
00:43:00Where?
00:43:02Here.
00:43:10What have you done, Torralba?
00:43:12It must have been in the mess that broke out in the elevators.
00:43:14Let's go, Paco!
00:43:16Tranquillity.
00:43:17Fast.
00:43:22They've taken the equipment to the fifth floor. Let's go!
00:43:42Please, Dr. Segura. What did you read that about?
00:43:45The operation, in my opinion, went completely smoothly. It was, as you know, a rupture of
00:43:51Meniscus. It's all been done in record time. And I hope that in a month, Menines will be playing again.
00:43:56new to football.
00:43:57What does the coach say?
00:43:59You write a lot of good things, Dr. Segura. Very good things for my counter-attack tactics. I'm very happy about that.
00:44:13Please don't disturb him. He'll still be under the effects of the anesthesia. Just a photo. Come on.
00:44:25But what is this? Hey, Gonzalez! What kind of joke is this?!
00:44:30And Menenes?
00:44:35Excuse me, doctor. There's been a mistake. This is going in the autoclave.
00:44:39Where is Menenes?
00:44:40I think she's in gynecology.
00:44:46González, as head of personnel, you are responsible for anything that may happen. The patient has left the hospital in perfect condition.
00:44:53operating room.
00:45:11Stop! Look out, Cayetana.
00:45:16Nobody. Okay. Go ahead.
00:45:22He's unlucky. Your little brother is unlucky.
00:45:24He told me there was an emergency in operating room 2. I went down there and there was nothing. Apparently
00:45:29It was a joke.
00:45:29Ah, but they also play pranks. Come on, the laughing tube.
00:45:33The guy I know is operating here again. Not me.
00:45:36Excuse me, doctor. It won't happen again. So the cart was found without instruments, was it?
00:45:41Yes, Mr. Gonzalez.
00:45:43Yes, yes. With absolute discretion and silence. One plant at a time. Let's not let them get away. There are three of them.
00:45:49The brunette girl dressed as a nurse in a white coat. The other tall, swarthy man also in a white coat. And the
00:45:54wee.
00:46:01What? What are you doing? Are you going out, coming in, going up, or going down?
00:46:09This must be a real pain. Right, Eusebio?
00:46:15Truly.
00:46:26The little one won't come undone. He's unmistakable. He's wearing a white coat too.
00:46:35And he has very characteristic features of a cretin and a weak-minded person.
00:46:51It's unavoidable, isn't it? Seeing this armchair and starting to tremble, it's all one and the same.
00:46:56Calm down, Mr. Ramirez. Dr. Fernandez uses the Nielsen method from Georgetown University.
00:47:02It's a simple extraction. You won't even notice.
00:47:06Nielsen Method? What's that?
00:47:08He doesn't even get an injection in his gum. He gets an intramuscular injection whose effects last 20 minutes.
00:47:15minutes.
00:47:16And your tooth is extracted without you noticing the slightest discomfort.
00:47:20Sure?
00:47:22Absolutely.
00:47:24Would you like to come with me?
00:47:25Yes, miss.
00:47:26Dr. Fernandez will arrive in 5 minutes.
00:47:36You're from Monterde, right?
00:47:39Yes, yes, Monterde.
00:47:44Would you please lie down?
00:47:45Yeah.
00:47:49Have you brought the instruments?
00:47:51Uh-huh.
00:47:53Well, I...
00:47:54You know how Dr. Fernandez gets when we fall behind on that.
00:47:58Miss Isabel, would you please come to my office immediately?
00:48:03Yes, Dr. Ramos, right away.
00:48:05You?
00:48:05How's the boss feeling today?
00:48:08Go ahead, you prick him.
00:48:13I think this lasts 20 minutes, right?
00:48:15This is taking forever.
00:48:17I'm talking about the effects of the injection.
00:48:19Yes, sir, 20 minutes.
00:48:21But...
00:48:22It doesn't hurt at all.
00:48:24No, sir, nothing.
00:48:29That?
00:48:30Will you put it on me?
00:48:31Yes, ma'am.
00:48:34Where?
00:48:35You'll know.
00:48:36It is intramuscular.
00:48:38Ah, yes.
00:48:41Here.
00:48:43It should fall around here, approximately.
00:48:46Where do you usually put them?
00:48:48Hey, don't joke around with this, I'm really nervous.
00:48:52It's for relaxing.
00:48:59Oh, how that hurt!
00:49:01And he hasn't even put it on yet?
00:49:05No, it's better if I don't see it.
00:49:07Don't look, don't look without looking.
00:49:19Your meat is very tough, isn't it?
00:49:23Ah!
00:49:25Ah!
00:49:25Ah!
00:49:27Ah!
00:49:29Ah!
00:49:29Ah!
00:49:29Ah!
00:49:29What a pain!
00:49:30The leg!
00:49:31I'm frozen in place!
00:49:32Did you prick me properly?
00:49:34Ah!
00:49:37Ah!
00:49:39Ah!
00:49:40Ah!
00:49:41Ah!
00:49:42Ah!
00:49:42Ah!
00:49:45Ah!
00:49:46Ah!
00:49:48Ah!
00:49:55You two!
00:50:03Okay, I'll leave you to it, here it comes.
00:50:07Have a good time!
00:50:11Paco has us located.
00:50:13Let's go!
00:50:14Do you want to be calm?
00:50:18Dr. Fernandez!
00:50:23Dr. Fernandez!
00:50:25Tell me.
00:50:26There are my x-rays.
00:50:27Tooth extraction.
00:50:29I've already received the injection so I won't feel any pain.
00:50:31But it would have been better if they hadn't put it on me.
00:50:33because I have suffered so much in my life.
00:50:35Ah, yes, yes, of course.
00:50:36Sit down.
00:50:38Thank you.
00:50:41Don't you have a blind relative?
00:50:44Well, thank God, no.
00:50:47Okay, okay, don't worry, we'll be with you right away.
00:50:54Here?
00:50:56The legs.
00:50:57That?
00:50:58They are green.
00:50:59And?
00:50:59They are looking for a man and a woman dressed in white,
00:51:01not green.
00:51:02Hurry!
00:51:27Good afternoon.
00:51:29Hello good.
00:51:30Hello good.
00:51:31Hello good.
00:51:33Put it on.
00:51:34I find him a little agitated.
00:51:38But what does he do?
00:51:59We'll go to the pharmacy section.
00:52:16We need to take another look at this plant.
00:52:18Come on!
00:52:25Doctor, please, the effects are wearing off.
00:52:27Right away, man.
00:52:31Listen, this leg problem can't be serious, because I can't feel it.
00:52:35Nothing unusual, it happens all the time.
00:52:37Are you there, Dr. Fernandez?
00:52:41Let me through.
00:52:42The thing is, I'm very nervous, doctor.
00:52:44Here, I take it.
00:52:44What reassures me most is that at least my tooth won't hurt.
00:52:47Because if on top of that I had a toothache...
00:52:51Excuse me, Dr. Fernandez.
00:52:52Go on, go on.
00:52:53Sorry.
00:53:04Come on!
00:53:05Oh!
00:53:06It's mine now!
00:53:09Oh!
00:53:10Oh, oh!
00:53:11Oh, oh, oh!
00:53:15Oh, oh, oh!
00:53:23We are, Cayetana, it's very apprehensive!
00:53:25Ah!
00:53:26Oh!
00:53:27Here!
00:53:28Here!
00:53:29Here!
00:53:31No...!
00:53:36Other!
00:53:39Oh!
00:53:40No, Diego, no, no!
00:53:42Oh no!
00:53:42Oh no!
00:53:44Oh no!
00:53:44Oh!
00:53:45Oh, oh, oh!
00:53:48Rinse yourself off, complainer.
00:53:49What are you, a complainer?
00:53:53Sit down.
00:53:56Come on, let's go.
00:54:01Oh my goodness! Oh, she didn't leave it with me!
00:54:04I arrived last.
00:54:07That's a lie! I'm the last one!
00:54:08Why all the fear?
00:54:09We're the last ones, I swear.
00:54:30Well, well! I had been told that you were timid, but not this much.
00:54:36Nothing, nothing, don't worry.
00:54:40But hey! But hey!
00:54:45Nothing, this just makes you dizzy and you won't notice anything.
00:54:50As if he had drunk half a liter of cognac.
00:54:55He likes cognac, huh?
00:54:59Well, that's it!
00:55:04Is this the way?
00:55:05Yeah.
00:55:05And what about poor Venancio?
00:55:06Get used to the idea that you've lost your brother.
00:55:11Come on!
00:55:19Let's take it one step at a time.
00:55:21Regarding the material...
00:55:25Yeah.
00:55:41Year, year, year.
00:55:53Sen dies de tool!
00:55:56Year, year, year.
00:55:58случindo!
00:56:03Year, year!
00:56:36Thanks for watching the video.
00:57:03Thanks for watching the video.
00:57:08Thanks for watching the video.
00:57:41That?
00:57:41I just received it.
00:57:42But just like that?
00:57:43Yes, they told me they didn't know what they were doing and they gave it to me.
00:57:46Okay, let's go. Let's go, I'm having surgery, it's my destiny.
00:57:49Hold on a minute. Everything has gone as planned.
00:57:52Come on.
00:57:59He suffered a lot.
00:58:01You don't know that well.
00:58:02They drive like maniacs. They don't know how to drive.
00:58:06And then this comes along.
00:58:09I want to see him.
00:58:10No, please. It's better if I don't see it.
00:58:12And I tell him that I want to see him.
00:58:14Don't let it be veiled.
00:58:15He is very disfigured.
00:58:16Poor Nazi uncle.
00:58:17You don't know what your bones are like.
00:58:20It's best to get him out of here as soon as possible.
00:58:21I'm going with you.
00:58:23My assistant has gotten himself into a mess here.
00:58:25Would you mind letting us borrow your jacket for a moment?
00:58:27What do I care?
00:58:29Thank you so much.
00:58:30It's freezing.
00:58:34Poor.
00:58:36Put this on, Dr. Torralba.
00:58:38Yeah.
00:58:41Wait for us here.
00:58:42No no.
00:58:43I'll go with you guys anywhere, okay?
00:58:51They're already there.
00:58:53Who are they?
00:58:54Those who insist on taking corpses for experiments.
00:58:56They dismember them.
00:58:58Not this one.
00:58:58Well, if not, we'll hurry up and get this one done too.
00:59:00But they'll have to go through me.
00:59:03Listen, if they're acting crazy, they have no heart.
00:59:04The other day they only buried one leg.
00:59:06We'll see.
00:59:08Everyone stay still!
00:59:10Not Uncle Narcissus, you understand?
00:59:12Uncle Narciso is not to be dismembered.
00:59:15I will kill anyone who tries to dismember Uncle Narcissus.
00:59:20There are a lot of scum here who want to dismember Uncle Narciso.
00:59:25Adaña!
00:59:26Killer!
00:59:27And they take Uncle Narcissus away, but...
00:59:29Uncle Narcissus!
00:59:39What's happening?
00:59:40We'll take it.
00:59:41But wait, I'll call an ambulance.
00:59:43No, I know we're going to burn it.
00:59:45Eastern customs.
00:59:46Here the gentleman is a relative, an Asian.
00:59:48Well, but the ambulance...
00:59:50Don't worry, we'll take a taxi.
00:59:52Wow!
01:00:10The decisive moment has arrived.
01:00:12The two of them against me.
01:00:13If they can barely touch me, they have proven their competence.
01:00:17Otherwise, you will be unworthy students of Cálate and you don't speak the word.
01:00:22Get ready!
01:00:24It's going to be very difficult for you to lay a hand on him.
01:00:27It took me ten minutes.
01:00:30Don't gass it for us, Federico.
01:00:34Ali va!
01:00:37Bye bye!
01:00:38One.
01:00:39Two.
01:00:40One.
01:00:41Two.
01:00:42One.
01:00:43Two.
01:00:44One.
01:00:45Two.
01:00:46One.
01:00:47Two.
01:00:47Preparation is complete.
01:00:49Forward!
01:00:50Bye bye!
01:00:52It is very elusive.
01:00:54Ali va!
01:00:58Oh!
01:01:00Me!
01:01:01Oh!
01:01:03Oh!
01:01:05It's me they need to hit.
01:01:08What they're doing is frankly repulsive.
01:01:12They are very crude.
01:01:14Oh!
01:01:25Do you still have any?
01:01:29I'm going to have to put on a little show for him.
01:01:31They are very brutal.
01:01:33Ali va!
01:01:34Forward!
01:01:39Already!
01:01:50Oh!
01:01:55Ah!
01:01:56Oh!
01:01:57Oh!
01:01:59Oh!
01:02:01Torqui!
01:02:03Already!
01:02:05Oh!
01:02:12Congratulations, you have beaten Quilico.
01:02:14I never thought you could do it.
01:02:17Congratulations.
01:02:18You have pedigree.
01:02:20I impose upon the child of the elemental gladiator of Cálate the belt.
01:02:25Silvanse.
01:02:29That's eight hundred pebbles.
01:02:32Can you lend me four hundred?
01:02:34And four hundred more to me.
01:02:36That's eight hundred pellets each.
01:02:38Each?
01:02:38Each.
01:02:43They don't have the right to wear it yet.
01:02:46But we've already paid.
01:02:47It's not a problem of balls, but of jolament.
01:02:50It's the Cálate's code of honor.
01:02:52You have to swear about him.
01:02:54From this moment on, you are superior to the rest of the world.
01:02:58They could be two killers, or two unleashed faithful followers.
01:03:00All of that needs to be controlled.
01:03:02There's no other way, I did it too.
01:03:04Otherwise, the street would be Jul.
01:03:05The translation of the oath.
01:03:07Lean.
01:03:09Put your hand on the code of honor.
01:03:13I swear that I will only use my superiority against an armed enemy.
01:03:17I swear I will only use killing blows in cases of extreme necessity.
01:03:23I swear that from this moment on I am aware that I am a superman.
01:03:28I swear to behave like a superman.
01:03:31Two hundred more pesetas for the ass.
01:03:35I swear I'll bring them tomorrow because we're completely broke.
01:03:39Don't forget.
01:03:41A little more sidera, Federico.
01:03:43It's our business.
01:03:49Let them drink whatever they want.
01:03:51And that they want wine.
01:03:53At the call, Santé!
01:04:01Everyone is standing.
01:04:03And a young lady has entered.
01:04:05Do you see it?
01:04:07If you have no manners or education.
01:04:12With your permission, Wise Coconut.
01:04:26It's nice and cool.
01:04:27Do you want some sidero?
01:04:29If we spend the afternoon on regional topics.
01:04:33Please, Federico.
01:04:35Here, the young man is the one who rules the neighborhood.
01:04:39Don't hit me, corner boy, for your mother's sake.
01:04:41No, man, no.
01:04:42Don't worry.
01:04:44Another drink, please?
01:04:46Yeah.
01:04:51Because you've changed your face, Coco.
01:04:55Thank you so much.
01:04:58Another drink?
01:05:00That?
01:05:02Have another drink, Quino.
01:05:07That's enough.
01:05:09Go on, have another drink.
01:05:11It's a craving.
01:05:14Watch out, Paco.
01:05:15Don't kill him.
01:05:17He's very handsome.
01:05:19That?
01:05:20You blew too much, didn't you?
01:05:21Come on, Quinito.
01:05:24This is for Dad.
01:05:28Forgive me, Sonia.
01:05:29I'm going to have to keep this with a drunk.
01:05:33Yeah?
01:05:36Torralba, do something.
01:05:39Ah!
01:05:41No!
01:05:42No!
01:05:43No!
01:05:46Well, you've had a few drinks.
01:05:48In total, five pesetas plus a little peseta as a tip.
01:05:52Six turkeys that you're going to put on the counter right now.
01:05:56No.
01:05:57I don't have any change.
01:05:59It's the same.
01:06:00That way you'll look good to your fans.
01:06:03Are you invited?
01:06:04Come on, Quino.
01:06:06Go outside for some fresh air.
01:06:08Renancio.
01:06:10Let him go.
01:06:11Okay.
01:06:12That?
01:06:14Ladies first.
01:06:17Already!
01:06:18Already!
01:06:19Already!
01:06:27Excuse me, Federico.
01:06:28As I was saying.
01:06:32Kids, would you like another flan?
01:06:34I don't.
01:06:35And you?
01:06:36No.
01:06:37I'm stuffed.
01:06:39Doña Alicia, would you like to serve us the cognac in my room?
01:06:42With pleasure, Don Federico.
01:06:44Whatever you command.
01:06:46We need to talk.
01:06:48Come on.
01:06:55You too, Cayetana.
01:06:57I don't drink.
01:06:58It's the same.
01:06:59I need to talk to all three of them.
01:07:03Is the bubble advancing?
01:07:08Please make yourselves comfortable.
01:07:13Leave it there.
01:07:15I will serve him.
01:07:17Oh!
01:07:19Already!
01:07:19Already!
01:07:20Yes sir.
01:07:22You've earned it.
01:07:24I'm counting on the three of you.
01:07:27I have to admit that you have done things that are at a European level.
01:07:35There are seven million.
01:07:38There are seven million.
01:07:39That?
01:07:40Seven million.
01:07:41Five for me and two for you.
01:07:45But how many do we have to kill?
01:07:47Oh, mon die de la France.
01:07:49Oh, my god of France.
01:07:51It's much simpler, Coco.
01:07:54Jewelry?
01:07:55I don't like my friends to know too much.
01:07:59I need to meditate.
01:08:02But what do you have to meditate on, ghosts?
01:08:04Do you know what Don Federico gives us?
01:08:06A small apartment in Moratalaz, the wedding, the possibility of having children and of living properly.
01:08:11Two more major robberies a year and that's it.
01:08:14Made.
01:08:15I haven't spoken yet.
01:08:16And what do you have to say?
01:08:18Yes.
01:08:19Very good, guys.
01:08:21I'm waiting for some friends who are coming on the plane from Munich.
01:08:23Well, from Munich.
01:08:25They are the buyers.
01:08:27For now, that's all I can tell you.
01:08:31Oh, you won't mind being paid in dollars, will you?
01:08:36For once, please pass.
01:08:44Attention, attention.
01:08:47Lofthansa announces the arrival of its flight 941 from Munich.
01:08:55Attention, attention.
01:08:57Lofthansa a 741, arriving from München.
01:09:04Attention, attention!
01:09:09Lofthansa, 741, arriving.
01:09:16Arriving from on Shu Ustunz.
01:09:37Okay, so what's the deal?
01:09:39Tonight.
01:09:42You told us to come for the thing.
01:09:45Listen, I didn't want to have the thing in my possession all night.
01:09:48I told Dovier I would do it as soon as you arrived.
01:09:52We'll be here without sleeping.
01:09:54Don't keep us waiting too long.
01:10:02What? Again?
01:10:04What again?
01:10:05Haven't they given you the report?
01:10:06Which part?
01:10:07The 600.669 that grinds the gearbox.
01:10:10Well, I didn't know that.
01:10:12We've been called.
01:10:14Well, take a look.
01:10:17Of course, they treat them with punches.
01:10:21What I don't know is how they're doing.
01:10:23Do you have the keys there?
01:10:24Yes, go ahead, give them to him.
01:10:31Get on top.
01:10:41Give it a try.
01:10:45Very good.
01:10:47Step now.
01:10:49Softly, softly.
01:10:51Put it in first gear.
01:10:54Bark?
01:10:55No, release the brake.
01:11:00Start releasing the clutch.
01:11:02Gentle.
01:11:03Press the accelerator.
01:11:05Come on, let's go.
01:11:30Are you the night watchman for this area?
01:11:32Yes sir.
01:11:33Name?
01:11:34Rufino Celeiro, to serve you.
01:11:36Listen carefully, Rufino.
01:11:36I am the municipal subsurface engineer.
01:11:39You are the authority at this moment.
01:11:40Please, remain completely calm.
01:11:42This building is going to sink.
01:11:44What are you saying?
01:11:46Due to the roadworks currently underway,
01:11:48The foundations of this house give the maximum vibrations.
01:11:52When you reach 200, there is a lot of danger.
01:11:54When it reaches 250, danger is imminent.
01:11:57When the needle reaches 300, the house sinks.
01:12:00Jesus.
01:12:01It's at 290, 295, 296.
01:12:05Silence, tranquility.
01:12:07Operate with me.
01:12:08We, the authorities, must not lose our composure.
01:12:11Are the restrooms ready?
01:12:13Are resuscitation fluids ready?
01:12:15OK.
01:12:16Come on.
01:12:16Yes, sir engineer.
01:12:30For now, please cooperate with us.
01:12:32You're the goalkeeper, aren't you?
01:12:33There may be victims.
01:12:34I hold him responsible.
01:12:35Is there a general inlet of light in the house?
01:12:37Clear.
01:12:38Turn off the ignition.
01:12:39There may be a short circuit.
01:12:40But let's take it one step at a time.
01:12:41Yes sir.
01:12:42First.
01:12:43Before disconnecting the phone, call the floor managers.
01:12:45Come on, come on.
01:12:46Yes sir.
01:12:46Come on.
01:12:47Come on.
01:12:51Come on, man.
01:12:55One, two.
01:12:56One, two.
01:12:57This is the chief municipal subsoil engineer speaking.
01:13:00Due to the vibrations produced by the street works in which it is located
01:13:05This property, your house, is sinking.
01:13:09Silence.
01:13:09Do not attempt to turn on the lights.
01:13:11The power is out.
01:13:12There is a 96% vibrational wave.
01:13:15It is necessary to evacuate the building.
01:13:19Serenity.
01:13:20Some healthcare workers employed by the city council will help them.
01:13:24We need to leave immediately.
01:13:27From this moment on, not a single scream.
01:13:30Serenity!
01:13:32Be quiet!
01:13:33Let's come with calm and serenity!
01:13:34Get down on your tiptoes!
01:13:36Try to breathe slowly!
01:13:38The slightest sound can cause the house to collapse.
01:13:43Don't close the doors!
01:13:46But what's going on?
01:13:50But aren't you the ones who make noise?
01:13:52If this leg doesn't respond.
01:13:54A criminal who gave me an injection, the day I meet him.
01:13:57Don't close the doors!
01:13:59Stay calm, one at a time!
01:14:02Go down slowly!
01:14:03Not only is there the danger of sinking, but also radioactivity.
01:14:07Because the university's cyclotron has broken down.
01:14:10Calm down, calm down!
01:14:12Calm!
01:14:13Paperwork, hurry, hurry!
01:14:15Women and children first!
01:14:17Are you two dating?
01:14:18Yes, yes, sir.
01:14:20Have they closed the doors?
01:14:22No!
01:14:23Come on, go greet each other in an orderly fashion!
01:14:25In an orderly fashion!
01:14:26Don't panic!
01:14:28Come on, quick!
01:14:28Continue the stroking!
01:14:31Taxi!
01:14:31Oh my God, Tadeo, the cyclotron!
01:14:35This is unacceptable!
01:14:36Come on, get down, Tadeo!
01:14:38Just look at the extremes!
01:14:39They arrive at the town hall!
01:14:40They open up the street and demolish our house!
01:14:42Abuses like this will not happen when I am no longer a councilor!
01:14:44Please, Mr. Tadeo, don't get upset, the house is going to collapse!
01:14:48Taxi!
01:14:50Come on, Juliana!
01:14:51I'm going to a hotel now, and tomorrow I'm going to file an administrative complaint against the city council.
01:14:55that their hair is going to burn.
01:14:57Okay, okay.
01:15:07With your permission, I'm going to have a shot to combat the chill.
01:15:12May I?
01:15:15Would that be necessary?
01:15:21Please, medical professional, give me the coñado.
01:15:23Do not disturb.
01:15:25I'm shivering.
01:15:26So ask for a blanket there, this isn't a party.
01:15:29Wow!
01:15:29Oh, how shameful!
01:15:31I'm going to the embassy right now.
01:15:33I will make a diplomatic complaint.
01:15:35And I see myself under the American flag.
01:15:38Spain is different.
01:15:40The houses are falling down.
01:15:42Stop, doctor, you're safe on the street!
01:15:44Go to sleep on Friday!
01:15:49Still!
01:15:50Two blankets per family, get in line!
01:15:51Come on, come on!
01:15:52And the parrot goes and says, yes, a lot of real parrot, a lot of real parrot, but you are not the husband.
01:16:04Do you know the one with the crocodile?
01:16:07It's much better.
01:16:13How am I doing with you, Paco?
01:16:16With me and the coñado.
01:16:18Why are you neither two nor drops?
01:16:21Medical officer, excuse me for interrupting, but there's an injured person.
01:16:23Yeah?
01:16:24Where is the injured person?
01:16:25Right here, without shame.
01:16:27Oh!
01:16:29Sir, you are being evacuated.
01:16:30Anyone who has a family or wants to go to a hotel can do so.
01:16:33For the rest, the city council provides comfortable apartments in the San Patricio polygonal absorption village.
01:16:41Until the firefighters arrive with the safety beams and double supports,
01:16:44You answer me with your life that no one should enter the house.
01:16:47You can rest easy now, Mr. Engineer.
01:16:49Rescue team, to your stations, the Atocha staircase is collapsing.
01:16:54They are authorized by the town council to make a bonfire.
01:17:00Gutenag.
01:17:15Please.
01:17:19Here's the thing.
01:17:21And the seven million?
01:17:25Go ahead and tell us, will you?
01:17:33Do you want to start counting, guys?
01:17:36It is absolutely wonderful.
01:17:39It has all the expressive power of the Spanish school.
01:17:43That clever fellow from Bannister deceived the poor nuns, a boorish mayor, and a deaf-mute gardener.
01:17:50You?
01:17:50Gorgeous eyes?
01:17:51An uncatalogued Velázquez.
01:17:53A true Velázquez.
01:17:56Art is priceless.
01:17:57Well, yes, it does in this case.
01:18:00A bit expensive.
01:18:02Nespa?
01:18:03Federico, they can wait for us in Guadalajara.
01:18:05Yes, Mr. Federico, please.
01:18:07Let's go, we're going to miss the train.
01:18:08Silence!
01:18:09Professor Sorensen, who is an art expert, is going to check the painting.
01:18:16They already know it's just a formality.
01:18:19It doesn't usually happen between gentlemen.
01:18:22But last year, in Amsterdam, they tried to deceive us.
01:18:29I detest violence.
01:18:31There were three deaths.
01:18:33Look, Federico, don't be reckless.
01:18:35Let's go, we're getting late.
01:18:37Don Federico.
01:18:38The restroom, please.
01:18:40But you want to stay put.
01:18:42The boys are nervous.
01:18:44It has been very hard work.
01:18:46We are serious people.
01:18:47Is that right, Professor Sorensen?
01:18:49For those who comply, we have the dollars.
01:18:52For those who don't comply, bullets.
01:18:57Excuse me, the sink, could you tell me where it is?
01:19:03Amazing!
01:19:04I already suspected that he would find it amazing.
01:19:07In twenty years, I have not seen a more crude, dirtier, and ruder job.
01:19:15That?
01:19:15Not only is it not a Velázquez, but it was made almost a few months ago with the most basic and fragile materials.
01:19:24What does this mean?
01:19:26We're joking, right?
01:19:28The bathroom, if you'll excuse me, please.
01:19:31Excuse me, he's getting sick and we're going to get him some fresh air.
01:19:38It's a very old trick, Alex.
01:19:41It is said to be counterfeit, worthless, and unpaid.
01:19:47Deca of that there!
01:19:51To the wall!
01:19:55Hands up!
01:19:58Boris, put down the weapons!
01:20:01I feel hot, Borris!
01:20:04Like a night in Amsterdam!
01:20:08Oh yes, unintentionally!
01:20:13Gab!
01:20:16Gab!
01:20:18Gab!
01:20:19Gab!
01:20:21Gab!
01:20:22Gab!
01:20:22Gab!
01:20:24Gab!
01:20:25Gab…
01:20:32Gab!
01:20:34Gab!
01:20:35Gab!
01:20:39Gab!
01:20:41Gab!
01:20:44Gab!
01:20:44Come on, look!
01:21:03Hey!
01:21:04Don't tell me the hotel is falling down too!
01:21:06I'm not moving from here.
01:21:07If we have to die, we'll die here.
01:21:09But I won't be evicted anymore.
01:21:11But what about the soil in Madrid?
01:21:12Please be quiet, they're shooting at us.
01:21:17There is no escape through the balcony.
01:21:19Please, ma'am, we need the mattress.
01:21:29They're trying to pick the lock!
01:21:30Let's shoot, Paco!
01:21:32Do you see it, Tadeo?
01:21:33I already told you that you weren't involved in politics.
01:21:35091, at the Luz Palacio Hotel, Fourth Floor,
01:21:38Six innocent people are being attacked by foreign gang members.
01:21:42Yes, okay.
01:21:44Oh!
01:21:46Yes, yes, right now.
01:21:48It turns out that these three are wanted by Interpol.
01:21:51To the dungeon and double surveillance.
01:22:00Please.
01:22:03Please, Mr. Inspector.
01:22:06I would like to know...
01:22:08Okay, come on, calm down.
01:22:10When have they ever paid you any attention?
01:22:12But what a mess.
01:22:13Your face doesn't look quite right to me.
01:22:16You must have been in the sack for a long time.
01:22:18But what are you saying?
01:22:20I am Mr. Tadeo Ramírez, candidate for councilman and...
01:22:22Take note, Ordoñez.
01:22:24Tadeo Ramírez, alias the candidate.
01:22:28With what?
01:22:29Tadeo Ramírez, alias the candidate.
01:22:33But, but as an alias.
01:22:36Let's see, man.
01:22:38Let's see.
01:22:40When did you play the piano?
01:22:42No, not me.
01:22:43My wife was the one who played the piano when she was young.
01:22:46Man!
01:22:47Have you ever played the piano?
01:22:48Yes sir.
01:22:49For shoplifting?
01:22:50No, it's for my birthday.
01:22:54Look, Ordoñez, they're joking.
01:22:56Juliana is joking.
01:22:58Do me a favor!
01:22:59No favors or anything like that!
01:23:02You two, I heard two undocumented immigrants...
01:23:04...and right now you're going to tell me what business you had with those foreigners.
01:23:07But haven't you heard that my house has fallen down?
01:23:09How funny!
01:23:10And my soul is at my feet.
01:23:13Okay, let's get this straight.
01:23:14Yes sir.
01:23:15Things are as I've said.
01:23:17And let it be recorded in writing that it all happened at dawn.
01:23:20From which it follows that there was no nighttime activity.
01:23:23Oh, and let my spontaneous regret be perfectly clear.
01:23:26But if you haven't done anything, what do you have to regret?
01:23:29Just in case, write there that I regret it and we'll see what for.
01:23:34Look, Mr. Ernesto, this was a silly thing that started because we wanted to buy a small apartment in Moratalá.
01:23:41Should have started there, of course.
01:23:44And because you wanted to buy an apartment, they started shooting at you.
01:23:48You don't know how things are with the floors.
01:23:56My son, you have played the piano with me.
01:23:59I'm like your father, well, that's a bad comparison.
01:24:02What happened? Come on, tell me.
01:24:05Don Ernesto, there has been no criminal activity.
01:24:09As a joke, he played the mayor and she played the nun.
01:24:14So we sold a Velázquez painting that a friend of ours had painted.
01:24:18But here, Don Federico, who is European.
01:24:20Of course, you're not European.
01:24:22No, sir, I'm from Palencia.
01:24:24Clear.
01:24:24And that falls on South Africa.
01:24:27Well, the thing is, we all piled into an ambulance and went to take them blankets because it was freezing cold.
01:24:32It was freezing cold.
01:24:34Don Ernesto, this idiot is distorting the facts.
01:24:38The truth is that we have captured some murderers.
01:24:41Because you and I may be in opposing commands.
01:24:43But in the face of foreign invasion, we are all one.
01:24:46And I, well, I'm delighted to collaborate with you.
01:24:50Very good.
01:24:51That's how I want you to be a patriot, Cocosabio.
01:24:54Okay, okay.
01:24:55I want my protest to be recorded.
01:24:57Oh, God!
01:24:57Sánchez, you'll throw the candidate and his wife in a dungeon.
01:25:02And yes, they should be given two blankets, otherwise they'll protest...
01:25:06Do this to me!
01:25:07I'm going to file an administrative lawsuit against him that will cost him his transfer to Melilla!
01:25:13So what, Tizona?
01:25:15What's up with you?
01:25:17Rien de Blix, I'm very discouraged.
01:25:21I tried to elevate the profession to the level of the common market because I am one of those who believe that we are entering.
01:25:26But we are many years behind technologically.
01:25:30Excuse me, Don Ernesto.
01:25:31I'm not exactly self-interested, but...
01:25:33What reward will we get for capturing their gaster?
01:25:36Because I don't care about medals and that kind of thing...
01:25:38Yes of course.
01:25:39You prefer something...
01:25:40...of a material type.
01:25:42Well, out of politeness I'm not asking for anything.
01:25:44But if they give something...
01:25:45That's for sure.
01:25:47López.
01:25:48Give these guys four of the new blankets.
01:25:51Oh, and make sure they're served a coffee with Swiss cheese in their cell.
01:25:54My treat.
01:26:04Thank you!
01:26:05Thank you!
01:26:07Thank you!
01:26:18Thank you!
01:26:21Thank you!
01:26:42Thank you!
01:27:10Thank you!
01:27:40Thank you!
01:27:41Thank you!
01:27:45Thank you!
01:27:52Thank you!
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