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Wonder Man 2026 S01E02 [Full Movie] [Watch Free Online]Full EP - Full
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00:07The showrunner just called.
00:08He's cutting your character from the show.
00:10You never let me in, Simon.
00:12Not really.
00:13What's this big audition you were talking about?
00:15I'm auditioning for Wonder Man.
00:18Anyway, nice meeting you.
00:20Wait, someone's asking me to be making Wonder Man?
00:22It's too late. Today was the last day of auditions.
00:30You're a bloody mess.
00:31You can't go in like this.
00:33And then you ran into each other at the audition?
00:36Yes.
00:37Are you sure he's buying the act?
00:39He doesn't suspect a thing.
01:09I was ten when the acting bug first bit.
01:13My first audience was my dear old mum, Dorothy.
01:17I had to keep her spirits up.
01:19It was the least I could do after all she gave to me.
01:23You can see how much she loves you.
01:26She was a saint.
01:27A true saint.
01:28She always believed in me, believed in my acting.
01:31I'd never have made it without her.
01:34Wait.
01:36Were you in a hospital show?
01:38South Shore Hospital, yeah.
01:40The first three episodes.
01:42Yes.
01:43With Joe Pantoliano.
01:45I love him.
01:46Yeah.
01:48No, yeah.
01:50People do.
01:52Yeah.
01:56Yeah, it's true.
01:57I've had some low points.
01:59Some bits I'd rather forget.
02:01But that's all behind me now.
02:03Thirteen years sober.
02:05Back in Hollywood.
02:07Ready to make my mum proud.
02:09You know, Joe has said my acting could be important.
02:14Vital.
02:16And I'm going to prove her, right?
02:18That's wonderful.
02:19Your mother would be so happy for you.
02:21Stay there!
02:23Do not move!
02:24Trevor Slattery.
02:25You're under arrest.
02:26I'm not resisting.
02:29We're not together.
02:31Some people call me a terrorist.
02:34I consider myself a teacher.
02:39America.
02:41Ready for another lesson.
02:45Thirty-nine hours ago,
02:47the Ali al-Salaam airbase in Kuwait was attacked.
02:51I, I, I did that.
02:56Pretty scary stuff.
02:57It's cold acting.
03:04I'm going to shoot him in the head.
03:06Live on your television.
03:11Acting.
03:12They're squibs, blanks.
03:13You sure about that?
03:14Why are we going through all this again?
03:15I had my trial.
03:16I went to jail.
03:16I never finish your sentence.
03:17Not my fault.
03:18No one cares.
03:26You know, the way that I see this,
03:28you have two options.
03:30Option one is that you go back to prison
03:34and finish your sentence.
03:35I like that option.
03:36And then you have option two,
03:37which is you do a little work
03:39for the Department of Damage.
03:40Two.
03:40Option two.
03:41Thanks.
03:43Okay.
03:47This is Simon Williams.
03:50You're an actor.
03:51Do you think you can get close to him?
03:53I would need some bait.
03:55An audition could work.
03:57Shouldn't be hard to set up a fake one.
03:59No, he'd see through it.
04:00He's a, he's a working actor with an agent.
04:03This is a small town.
04:04You'll know what's real.
04:04You need to find out what projects are coming up.
04:08Something juicy.
04:11Something Simon Williams would be particularly excited about.
04:35How in the hell did Ruth back?
04:37She called me about your audition for Wonder Man.
04:39Yeah, see, that's kind of a funny thing.
04:42No, no, no, it's actually not funny.
04:44I'm so mad, I don't even want to hear it.
04:46I'm sorry, Janelle.
04:47I had to.
04:48It's just, it's just something about this role.
04:51It feels like, it feels like the one,
04:55like it was made for me, you know what I mean?
04:57Actually, I don't.
04:58Mm-mm.
05:00She loved me, didn't she?
05:01Simon, stop.
05:03She loved me.
05:04She said something about you showing promise, maybe.
05:08I knew it.
05:08Yeah, but she's also realistic, like me.
05:11She's putting you up for an opportunity
05:12that you actually have a real shot at.
05:14It's a self-tape for an indie feature, the Carlisle.
05:17Get it to me as soon as you can.
05:19You better deliver for Ruth.
05:20You want her on your side.
05:22Can she type with Vaughn Colbert?
05:23Because she's a great casting director.
05:25Nah, nah, nah, nah, nah, nah, I got you.
05:27Do you?
05:27Do you got me?
05:29Bye.
05:43Poetry teacher.
05:44Close with.
05:45You never judge.
05:46Who says?
05:46Who says what?
05:47That I don't judge.
05:48How is it that no matter who I bring in here,
05:50boy or girl,
05:51my mother or that odd poetry teacher,
05:53you never judge?
05:57Who says?
05:58Who says what?
05:59That I don't judge.
06:10That I don't judge.
06:32Maybe I'm just good at hiding it.
06:50It's good.
06:51Maybe just,
06:52maybe just,
06:53like,
06:54down in the back.
06:55Okay.
06:55And then maybe this out.
06:56Okay.
06:59Yeah,
07:00I like that.
07:00Okay.
07:01I'm a nutty.
07:23No, no, no, no.
07:28I'm a nutty.
07:36I don't know.
08:00Did you notice any signs of visible enhancement?
08:03Like what exactly?
08:05I don't know.
08:06Like a subtle glow, maybe?
08:09No, he was not glowing.
08:12I said subtle.
08:14Look, Trevor, the Department of Damage Control considers Simon Williams an extraordinary threat.
08:20And I just need some proof.
08:21I need it fast.
08:23I think we've wasted enough time trying to search for this perfect audition.
08:26It was worth it.
08:27I think we could have gone with Megan 3.0.
08:29That's why you hired me.
08:32Oh, will you look at that?
08:34Simon Williams needs help with an audition, wants me to come over.
08:38You see, my friend, that is great news.
08:45I want you to wear this when you enter his place, find his computer, and place this right on top,
08:51and I'll handle the rest remotely.
08:53Got it.
08:55Why aren't you texting him back?
08:57I wouldn't want him to think I'm just sitting around all day waiting for someone to text me.
09:17I think we've waited it long enough.
09:19I'll handle the role of Trevor Slattery, if you don't mind.
09:22I do appreciate it.
09:25Okay.
09:26I've put down my book.
09:28I have crossed the room.
09:30I've reached my phone.
09:32Intriguing.
09:33When were you thinking?
09:37He's thinking now.
09:38I see.
09:39That might be tricky.
09:40I would have to move some things around, but there might be a chance I could manage...
09:49Just say, see you in 20.
09:50I would never text a sentence fragment.
09:56Meeting is set.
09:58Great.
10:00How far that little candle throws his beams so shines a good deed in a naughty world?
10:08Yeah.
10:10Shakespeare.
10:11Right.
10:12Merchant of Venice.
10:14Sure.
10:15Don't mess this up, Trevor.
10:17Yep.
10:18Okay.
10:31Yeah.
10:32Yeah.
10:33It's Trev.
10:34Trevor Slattery.
10:37Cool.
10:37We're right in.
10:39Wait.
10:39Aren't I coming up?
10:47Hey.
10:50Thanks for coming.
10:51Let's go shoot this thing.
10:53How are we using your apartment?
10:54Nah, it's got bad energy.
10:58Look, I just went through a breakup, so it's kind of hard to focus in there.
11:02I've got to be centered for this.
11:03It's got to be good.
11:05Okay.
11:06Okay, so where did we go?
11:07That's a self-tape studio.
11:09Not far from there.
11:10And won't pray tell.
11:11Well, it's a self-tape studio.
11:15They sprang up over the last few years.
11:18You rent the room by the minute.
11:19It helps.
11:21It's almost everything these days is a self-tape.
11:23It's tragic how the industry's changed.
11:26Oh.
11:27Sorry.
11:28I've got to tape this.
11:29I'll sign this up.
11:34I couldn't get into his apartment.
11:36How did you already screw this up?
11:38Editing and upload are included, and there are no hidden fees.
11:42Sign right there.
11:43And I can fit you in right now, if that works.
11:46Nice.
11:47Okay, fine.
11:48Just stay close and keep an eye out for anything suspicious.
11:50I think I can handle that.
11:52Trev, we're up.
11:53Well, got to go, Uncle Vanya.
12:00So, it's an indie feature in the vein of Igby Goes Down, or The Only Living Boy in New York.
12:06And I play a waiter who the man-boy protagonist has an unexpected emotional connection with.
12:11Sounds rich and textured.
12:13This could be good for you.
12:14Right.
12:14So, I'm thinking, the waiter character is third generation from the Bronx.
12:23His father always wanted to own his own restaurant.
12:26He was a great cook.
12:27And he took Corey to the Carlisle when he was a little boy for T1, so he's always had this
12:32emotional attachment to it.
12:34Not sure how you'll convey all this with, would you like to charge it to your room?
12:38May I see the sides?
12:40I'd like to prepare before we start.
12:42Oh, uh, no, sorry.
12:44The two of us, we can handle it.
12:46That's why we came together.
12:47Well, you should have read the waiver you signed, because it stipulates that I read all off-camera lines.
12:58Would you like to charge it to your room?
13:03Oh, sorry, is that me?
13:05Yes, ma'am.
13:05Here it is.
13:08Okay.
13:09Let's start again.
13:11Pick up the pace.
13:18Would you like to charge it to your room?
13:21How is it that?
13:27Is it that?
13:28That sounds weird.
13:30I think we're good.
13:31Thank you, Marcy.
13:32Is it that?
13:33That found you, right?
13:35Thank you, Marcy.
13:38Thank you, Marcy.
13:43How do you still have a place in L.A. after all these use?
13:45Bought it.
13:46From the South Shore Hospital money.
14:00Make yourself at home.
14:05Wow.
14:06This place is crazy.
14:07Sure beats the old dungeon.
14:14Turtle Diary.
14:15Directed by John Irvin.
14:18You've seen Turtle Diary?
14:19Of course.
14:20You and Glenda Jackson free a couple sea turtles from the London Zoo, but you really free yourselves along the
14:25way.
14:25Yeah.
14:26No, yeah.
14:27How am I just realizing that now?
14:31Coronation Street, you play Ryan Jenkins, right?
14:34Well done.
14:35A pint of bitter, please, and one for my friends.
14:38Every Brit did their stint.
14:40The producers were thrilled to get me after my runner's leer.
14:43Oh, careful with that.
14:48There's a tradition in the theater of handing down your prompt to the next generation.
14:53This particular skulls had quite the journey.
14:56It was used by David Garrick when he played Hamlet.
14:59He gave it to Keane, who passed it to Irvin, who passed it to Burton, who left it in a
15:05bar, and I nicked it.
15:10Is this you?
15:11Yeah.
15:13My mother, Dorothy.
15:14She was a nurse.
15:16She always believed I'd make a great performer one day.
15:19Have a positive impact on the world.
15:26Max Factor's grandson used to live in that apartment.
15:29Now we've got this.
15:30When I ask him to stop, it's just place a lot of time.
15:34Should we get to work?
15:39Would you like to charge her to the room?
15:41How is it that no matter who I bring in here, that should be whom, by the way, whom I
15:45bring in here, boy or girl, my mother, or that odd poetry teacher I'm close to it, you never judge.
15:50Who says?
15:51Who says what?
15:51That I don't judge.
15:52Maybe I'm just good at hiding.
15:54He stopped.
15:56All right, let's set up.
15:58Before we record, I had a thought.
16:00I think the key to this role is finding what's not being said.
16:03Think about what you're doing between your lines.
16:06That's where the character...
16:09Oh, bloody hell.
16:36Oh, there is someone I could ask.
16:41We were both in South Shore Hospital together.
16:44I played the lead.
16:46Somehow, he managed to get in the showrunner's ear.
16:49He had my character killed off.
16:50Walked away with the lead role and the people's choice award.
16:54The most promising newcomer.
16:56Yeah, that's cool.
16:57He owes me.
17:08Trevor Slery!
17:11I can't freaking believe it.
17:13Oh.
17:14Oh.
17:15Get in here.
17:21Simon, Joe Pantoliano.
17:23Joe Pantoliano, Simon Williams.
17:24Everybody calls me Joey Pants.
17:26Yeah, of course.
17:26It's a plus.
17:27You know, I never eat a steak without thinking about you and the Matrix.
17:29What?
17:30Everybody always go on and on about growing at De Niro and Midnight Rumble.
17:33You were the third side of that triangle, man.
17:35I like this guy.
17:37Wow.
17:38You done well for yourself, man.
17:40That's a lot of marble.
17:41Yeah, well, my wife, she designed the place.
17:45Hang on a sec.
17:46I better give the tree some life.
17:50You know, Art Linkletter taught me a crucial lesson about show business.
17:55It's not enough to make a living.
17:57You gotta make a killing.
17:59So, I got into real estate early on, bought in Venice, way before Arnold.
18:05Made a disgusting amount of money.
18:08Just disgusting.
18:10So, you guys hungry?
18:11My chef be happy to make you something.
18:13Well, we're not really here to socialize.
18:15We're on a tight schedule.
18:16Oh, come on, Trev.
18:17Nestor's the best.
18:19I just stole it from McConaughey.
18:21Thank you, Nestor.
18:25Ah, my favorite.
18:26We got some duck prosciutto, some roasted peppers from my garden, and we just flew in the moots.
18:34Fresh from Hoboken.
18:36They can't audition on an empty stomach.
18:38Here, sit down.
18:39Okay.
18:42You know, people don't appreciate all the work that goes into the audition process.
18:48I'm offer only, so it's hard for me to relate.
18:59Man, I'm so glad all that Mandarin business is behind you.
19:04I mean, the performance was good, but I was worried about you, man.
19:12That was some dark shit.
19:17Simon, what the hell is this damn audition?
19:19I'm sorry.
19:19I'm at Joe Pantoliano's house right now.
19:22He just offered me moots from Hoboken.
19:24He got a treat in the foyer.
19:25I'm just trying to be polite.
19:26I'm in here cold, switching to everything.
19:28I'll give a damn if you was having sloppy joes with Sarah Paulson.
19:30You need to hurry the hell up.
19:31That's why I'm here, to do the tape.
19:34I'm just trying to stroke the man's ego a little bit.
19:36Let me play this.
19:37Just put your face saying the lines on a tape and get it to me.
19:40Okay.
19:41Okay, all right.
19:42And don't do what you always do, Simon, okay?
19:44I know you're already overthinking and doing that bullshit.
19:46Just be normal, okay?
19:47Can you play that?
19:48Normal, man.
19:49The breakdown is go method.
20:00You know, I don't think we've crossed swords since we wrapped South Shore Hospital.
20:06Sounds about right.
20:07Well, I miss you, Dr. Jack.
20:09What's that supposed to mean?
20:11Dr. Jack Cronk.
20:12That was your character.
20:14Oh, right.
20:14Lovely.
20:15Lovely.
20:15Before you stole the lead from me.
20:20What the hell are you talking about?
20:22I'm surprised you bring that up, Joe Pantoliano, right to my face.
20:27Trevor, you were high.
20:29Out of your mind.
20:31You weren't showing up to set.
20:33And when you did, you were screaming.
20:35White worms were coming out of your skin.
20:37You told me that you couldn't handle the pressure of being the lead.
20:43Showrunner had a rewrite to work around you until finally network had enough.
20:48Killed you off.
20:49Can we please take this audition already, already?
21:01So, let's shoot this gentleman, shall we?
21:08That's quite a career.
21:09Well, yeah.
21:11I've been lucky.
21:12Hell, if I was British, they would have knighted me by now.
21:16Can I, uh, can I give you some free advice?
21:19It's Louis B. Mayer.
21:21He had a saying.
21:24The most important thing about acting is sincerity.
21:32Once you learn to fake that, you got it made.
21:37No, look, look, show business is crazy.
21:41It's built on a foundation of insanity.
21:44So, success is the collateral you use to build something real for yourself.
21:49Well, remember this, acting, it's just a job.
21:54I mean, yeah, it's a great way to make a buck.
21:58It's better than any other job out there.
22:00But the minute you try to get something else out of it, fame, validation, getting even with your parents, whatever.
22:08You're screwed.
22:09You keep digging that hole, and you'll never get up.
22:16I gotta say, Trev, oh, I envy you.
22:21To finally be done with it all must be nice, huh?
22:27Not have to worry about your weight or your appearance.
22:30You can ignore the stupid trades.
22:35Actually, he's not done with acting.
22:39Really?
22:40He just had a huge audition for a lead role in the Von Kovac movie.
22:45Well, holy shit, that's terrific.
22:50Don't pretend to be happy for him, Joe Pantoliano.
22:53What?
22:54You think you're being nice, but you're actually condescending as shit.
22:57Do you know that?
23:00That speech was the dumbest, most patronizing thing I've ever heard.
23:04Oh, man, fellas.
23:06You suck, Joe Pantoliano.
23:08Baby's day out is garbage.
23:10Even that dumb baby couldn't make you funny.
23:17Let's get the hell out of here, man.
23:20Come on, guys.
23:22Come on.
23:24Acting isn't a job.
23:27It's a calling.
23:29It's the single most consequential thing anyone could ever do with their life.
23:51Barry!
23:53What's this I'm hearing about a new Von Kovac movie?
23:57And why am I not meeting on it?
24:01Can you believe that guy?
24:06You okay?
24:08Sorry, that didn't quite work out.
24:12Sorry, man.
24:17I know a place we could go.
24:29Just ignore the mess, okay?
24:38I've been thinking about what you said earlier.
24:42About how the key to this scene is finding what's not being said.
24:48All this time I've been assuming the line, maybe I'm just good at hiding it, was like a gentleman buff
24:53telling the kid to watch himself.
24:55Right.
24:56But I'm wondering if the waiter's actually feeling some type of connection.
25:02Like, maybe it's an invitation, maybe I'm just good at hiding it.
25:05You can trust me with your secrets.
25:08Feel free to tell me more, that kind of thing.
25:10Might be worth a shot.
25:30Would you like to charge her to your room?
25:31Well, how is it that no matter whom I bring in here, boy, girl, my mother, or that odd portrait
25:42teacher I'm too close with, you never judge?
25:51Who says?
25:53Who says what?
25:55That I don't judge.
25:57Maybe I'm just good at hiding it.
26:22Do I send it?
26:24You'd be crazy not to.
26:26I think it's good.
26:27It's transcendent.
26:32I'm cold.
26:42I gotta pee.
26:44I gotta pee.
27:13I gotta pee.
27:24I gotta pee.
27:47Yeah?
27:51Pepperoni?
27:56No doubt.
27:59I'll call it in.
28:25I'll call it in.
28:27I'll call it in.
28:33I'll call it in.
28:41I'll call it in.
28:44I'll call it in.
29:06I'll call it in.
29:44I'll call it in.
29:52I'll call it in.
29:55I'll call it in.
29:58I'll call it in.
29:59I'll call it in.
30:17I'll call it in.
30:19I'll call it in.
30:24I'll call it in.
30:36I'll call it in.
30:39I'll call it in.
30:41I'll call it in.
30:51I'll call it in.
30:53I'll call it in.
31:13I'll call it in.
31:33I'll call it in.
31:36I'll call it in.
31:48I'll call it in.
31:50I'll call it in.
31:51I'll call it in.
31:54I'll call it in.
31:54You
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