00:00That was practical.
00:01No.
00:02On the outside of an actual building?
00:04Yes.
00:04Was there a net?
00:05No.
00:06Oh, man.
00:06Hi, I'm Keanu Reeves, and I play Reef Hawk in Outcome.
00:10And I play Cameron, oh, I play Cameron Diaz.
00:12I'm Cameron Diaz, and I play Kyle.
00:14I'm Matt Bulmer, and I play Xander Alexander.
00:16And we're about.
00:17To see.
00:18Which one of our filming locations.
00:21We can remember, remember best.
00:23Remember the best.
00:24We'll try to, I'll try.
00:26I'm going to try.
00:28Thank you, good luck.
00:31I know what that is.
00:33I know what that is.
00:33Wait, is that me?
00:34I know exactly.
00:35I know exactly what this is.
00:37I know exactly what this is.
00:38We are.
00:39If we know, do we say it?
00:41Yeah.
00:41Yeah.
00:42Okay, this is from the first Matrix.
00:44When your character first, like, goes out of the wall,
00:47took it away from the guards who are coming.
00:49You look down, and you're kind of wigging out,
00:51but like, it's, yeah.
00:52I'm through to heights.
00:56Is she that in Australia?
00:58Sydney.
00:59Sydney, yeah.
00:59Yeah.
00:59Yeah, and that was practical.
01:01No.
01:02Yeah, so I had a line, I had a little, I had a little.
01:05Shit, no.
01:05I had a line.
01:06On the outside of an actual building?
01:08Yes.
01:08Was there a net?
01:09No.
01:10Oh, man.
01:11No.
01:11What?
01:12Yeah.
01:13You did that?
01:14Yeah, yeah.
01:14Wow, where was the camera?
01:16They had it on a crane, so they had it coming out with me,
01:20but then I was like standing outside for real looking down.
01:23What floor were you on?
01:26Uh, thirties, something like that?
01:27I would vomit.
01:28How are you with heights?
01:29I would vomit.
01:29I was, back then, I was okay.
01:32I mean, it was a little tricky, but by the end, I was just sitting on the lip.
01:35Oh, my.
01:36Just with my hanging out waiting.
01:37I would vomit.
01:38It wasn't when it could be at the beginning.
01:39Seriously.
01:40Wow.
01:40Oh, my gosh.
01:41You love the Matrix.
01:42You take the blue pill, the story ends, you wake up in your bed and believe whatever
01:47you want to believe. You take the red pill, you stay in Wonderland, and I show you how
01:54deep the rabbit hole goes.
01:57Oh, I know what that is.
01:58That is Gangs of New York.
02:00Gangs of New York, baby.
02:01Yeah.
02:02Yep, yep.
02:02Yeah.
02:03Which, you know, takes place, the story is New York, but we shot it at Chinichita Studios
02:09in Italy, outside of Rome.
02:11Historical.
02:12Legendary.
02:13Legendary.
02:14We had stage, the Fellini stage eight.
02:17Whoa.
02:17We had the whole entire back lot that they turned in from this set into.
02:21And that's like an actual set that we burnt down, burnt, not burnt down, but had all this
02:28happening.
02:29They built the boats.
02:29It was a beautiful set.
02:31Gunboat Liberty, an ironclad facade now lying off the foot of Wall Street.
02:35They are ready to open fire on the mob.
02:37All of these actors and background, and this is a scene at the very end when we are, my
02:44characters trying to escape out of sort of, you know, this riot that's happening.
02:49And I had basically pneumonia and had to shoot my entire scenes out at the very, very end,
02:54because I was the girl who was like the third or fourth or fifth character in the movie.
02:59So nothing, like all of, I was kind of like, like the cover set.
03:04Yeah.
03:04You know?
03:04And it was like time for me to go.
03:06So Marty had to shoot me out.
03:08What did you do?
03:09How did you rally?
03:11Just power through.
03:12I just, it was so hard, but, and then all that smoke and I couldn't breathe.
03:15And then I was getting punched in the stomach.
03:17Oh my gosh.
03:21But it was amazing because it was in Rome.
03:23It was in Rome, baby.
03:25Like Martin Scorsese and Daniel Day-Lewis.
03:29And making like, sorry.
03:31Iconzome, baby.
03:32Iconzome.
03:34I lived in Rome for six months.
03:36It was amazing.
03:37That sounds incredible.
03:38I love it.
03:38I would get so fat.
03:40I had a, I called it my pasta baby.
03:42Your costume is no longer fit.
03:43I had a pasta baby.
03:45Oh, of course.
03:45No, I was cinched into my costume, so it didn't matter.
03:48Good times.
03:48It was incredible.
03:50This one feels like not, well, it's definitely not mine.
03:53It's not mine.
03:54Oh, it's mine.
03:56This is the Roosevelt Island tram.
03:58Oh.
03:59I think we were on White Collar, which is a television series I did for six years.
04:03This is, we were one of the few productions ever allowed to film an action sequence on the Roosevelt tram.
04:10Neil, where are you?
04:11On a tram headed for Roosevelt Island.
04:13What do you mean action?
04:14There was a fight sequence on the tram part.
04:17Were you fighting?
04:17Oh, yeah.
04:18It was all practical and they let us freeze the car and put it in a safer position.
04:21There may have been like one green screen jumping pickup situation, but 85 episodes or whatever, it's hard to remember
04:29exactly what it was.
04:3185.
04:3185.
04:35I'd do it all again.
04:36Mm-hmm.
04:38Yeah.
04:39That's me.
04:40Yes.
04:40Yeah, that's you.
04:41John Wick.
04:42Yeah, John Wick.
04:43New York State, Brooklyn Navy.
04:44This is practical.
04:45Oh, wow.
04:46Of course.
04:46So this was rain machines and it was less than 30 degrees.
04:50Just you and me, John.
04:53You and me.
04:5530 degrees and raining?
04:57It was fun.
04:58It was real.
04:58It was really fun.
04:59It was a dark.
05:01It was a dark.
05:05Is this you?
05:06That is me.
05:07Do you know?
05:08I don't know what that is.
05:09I believe that that's from, there's...
05:11Wait, what is that?
05:12You're like, there's a home, they're looking inside.
05:15Yeah.
05:15It's a house.
05:16Is that, wait, there's, it's either from Something About Mary or...
05:20Ooh, is it Something About Mary?
05:21Or is it...
05:22It's Something About Mary.
05:24Is it?
05:24Yes.
05:25Yes.
05:25Okay, yeah, Something About Mary.
05:27That was in Miami.
05:29Okay.
05:29What time of year?
05:30That's the zipper scene.
05:31Perfect time of year, over the winter, basically, like, you know, January, February, kind of,
05:37yeah.
05:37I think this is the zipper, right before the zipper.
05:40Oh, yes, of course, of course.
05:42Yeah.
05:42Oh.
05:43I think he's screaming.
05:43God, I still have such a visceral...
05:45They're looking at it because there was...
05:47Yes.
05:47He's screaming.
05:48Got it.
05:56Nah, you?
05:59That's me.
05:59Yeah.
06:00I think this is in Savannah, Georgia.
06:02This is from the second Magic Mike film.
06:04Oh.
06:05And this is a scene where Channing Tatum and I, our characters have been in a fight the night
06:09before, and this is kind of our amend scene, and he's just kind of waking up, maybe a little
06:16hungover.
06:17My character's been meditating to kind of, like, center himself before he has this big conversation
06:21with his friend.
06:22I'm happy you finally got what you wanted, man.
06:25Yeah.
06:26I am.
06:27We say shit all the fucking time, but you went and did it, man.
06:30I love Savannah.
06:31Oh.
06:31We didn't spend a ton of time in Daytona, but Savannah I loved.
06:35Savannah's a little witchy.
06:37Yeah, it's very witchy.
06:38It's a little witchy.
06:39If you're in Savannah, Mrs. Wilkes Tea Room, and the pink something, pink lady, pink house.
06:45It's, like, really good, like, southern soul food kitchen.
06:49Oh, this is not me.
06:51That's me.
06:52That's Charlie's Angels.
06:54Oh.
06:54Which one?
06:55Oh, sorry.
06:56I thought I was supposed to.
06:58Wonderful prod, I'm sorry.
07:00This was on stage downtown.
07:02Okay.
07:03In downtown LA.
07:04Relax, boss.
07:06Order a drink.
07:07Excuse me.
07:08Miss?
07:09Yes.
07:10Hi.
07:10My nephew was being born.
07:13I was in the middle of shooting with Bill Murray, Lucy, and Drew, and I got the phone call
07:18that my nephew was coming, so I said, guys, I gotta go.
07:21And they're like, go, go.
07:21Jumped into my car, and I drove down the 110 freeway on the side of, you know, the-
07:29The feeder?
07:29Yeah.
07:30The safety lane?
07:32The off road?
07:33The off lane?
07:33The off lane on the inside, all the way down to the 405.
07:38You just went, wow.
07:39I'm just like, I'm going.
07:40I'm not missing this, which is terrible.
07:42I would never do that.
07:43It's really irresponsible.
07:45And then got all the way down to Newport, and was there to be there when he was born.
07:50Aw, that's sweet.
07:52Yeah.
07:52Yeah.
07:53My sister held it as long as she could.
08:01It has to be Keanu.
08:03Oh, yeah.
08:03That's Keanu.
08:04Speed.
08:05That's Speed.
08:06That's my character's car.
08:08It's a sequence where Jack Traven asks someone to borrow their car, and they drive.
08:13And that's where he crashes, and he goes from car to the bus.
08:17Ignite!
08:20Oh, shit!
08:25Cool story.
08:26Mm-hmm.
08:27This was on when they were building the 105.
08:30Right.
08:30That was the 105 before it opened up.
08:32So we were on the 105, and so then we could take the 105 at home at night and stuff.
08:37But it was cool driving on an empty freeway.
08:40So cool.
08:40I just did that for the film that I'm on, that I just did.
08:43And they shut down three miles each way on a highway in Jersey for a week.
08:49Oh, shoot.
08:50It was crazy.
08:52You had some unhappy folks.
08:54Yeah.
08:54Apparently they do it with this part of the freeway a lot.
08:56It's like they've done a calculated kind of thing.
08:59But it's so cool.
09:01I know who that is.
09:02That's Cameron.
09:03That's mine.
09:04That's Cameron.
09:05That's the holiday.
09:05That's the holiday.
09:06Yeah.
09:07What's happening here?
09:08We're in England.
09:09I think we were in Surrey, I believe.
09:17I'm driving in England for the first time, my character.
09:21Ooh, was that your first time driving in England?
09:23I think it might have been, yeah.
09:25We know you're an amazing driver, so you had no problem with that.
09:28That's what I hear in that amazing driver.
09:31We're going to find out one day he is.
09:32Yes, we are.
09:33Oh, no.
09:34Oh, no.
09:35Oh, no.
09:36Oh, no.
09:36Oh, no.
09:37Oh, no.
09:39Okay.
09:39Yeah.
09:41Is that...
09:43Is that outcome?
09:44It's Malibu.
09:45That's outcome.
09:45I think that's Malibu.
09:46That is the PCH.
09:47That's PCH.
09:48What a beautiful cove.
09:49Yeah.
09:50You've had five years off.
09:52How are you going to frame the five years thing?
09:54I won't say that I was hiding a heroin addiction from the public.
09:58And that my best friends and my insane lawyer helped me cover it up for years.
10:03That is a really smart omission.
10:05Strong omiss.
10:06Mm-hm.
10:06Beauty of our job, right?
10:07Yeah, it is.
10:08It takes us to really amazing locations, beautiful places around the world.
10:13Constantly, where we get to not just visit, but immerse ourselves in it and live in it for moments
10:19that, you know, most people dream of.
10:21It was a wonderful jaunt down memory lane.
10:28Reminds us of our good fortune.
10:31Love you.
10:33humor.
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