She Knows Too Much (2026) is a gripping Lifetime-style thriller inspired by a true story, where knowing the truth becomes the most dangerous thing of all. When a woman uncovers secrets that were meant to stay hidden, she finds herself caught in a web of fear, deception, and escalating danger.
As tension builds and trust disappears, every step closer to the truth brings greater risk. With emotional performances, shocking twists, and relentless suspense, this full-length thriller keeps viewers hooked until the final reveal.
Perfect for fans of Lifetime movies, true-story-inspired dramas, and psychological suspense thrillers.
#sheknowstoomuch #lifetimemovie #thrillermovie #basedonatruestory #fullmovie #suspense #psychologicalthriller #englishmovie
As tension builds and trust disappears, every step closer to the truth brings greater risk. With emotional performances, shocking twists, and relentless suspense, this full-length thriller keeps viewers hooked until the final reveal.
Perfect for fans of Lifetime movies, true-story-inspired dramas, and psychological suspense thrillers.
#sheknowstoomuch #lifetimemovie #thrillermovie #basedonatruestory #fullmovie #suspense #psychologicalthriller #englishmovie
Category
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Short filmTranscript
00:00:11My favorite place to do so
00:00:13A young girl loves me
00:00:15And by my favorite place
00:00:15I'm a little and this is awesome
00:00:18I can't cut my hair
00:00:18Just a little bit
00:00:19I can't cut my hair
00:00:20I can't cut my hair
00:00:22I can't cut my hair
00:00:26I can't cut a onion
00:00:44Thank you for listening!
00:01:20Hey, baby.
00:01:22Hey.
00:01:23Hey.
00:01:24Mmm.
00:01:34It's weird.
00:01:35What's that?
00:01:37Uh, there was a woman standing outside our house just staring at it.
00:01:41A woman?
00:01:43Yeah, I don't know.
00:01:44She's just standing there.
00:01:48Maybe it was a real estate agent.
00:02:02Honey?
00:02:03Yeah?
00:02:04Have you seen my red swim trunks?
00:02:06Uh, no, I couldn't find them.
00:02:09I'll just take you shopping in San Carlos for a new pair.
00:02:13Like you need an excuse to go shopping.
00:02:15Oh, you know me so well.
00:02:34I really want to make this work.
00:02:42I know you do.
00:02:45I'm really glad you planned this.
00:02:49Whatever it takes.
00:03:36Wow, this is amazing.
00:03:39Look at the birds.
00:03:40Oh, my gosh.
00:03:41Oh, my gosh.
00:03:42Isn't that beautiful?
00:03:43Hello.
00:03:44Hold on.
00:03:44Let me get a photo.
00:03:46Yeah.
00:03:48Hey, look.
00:03:49Hello.
00:03:51He wants you to pick him up.
00:03:53Okay.
00:03:54Oh, my gosh.
00:03:57Oh, my gosh.
00:03:59Okay, say cheese.
00:04:01Cheese.
00:04:03Cheese.
00:04:05Cheese.
00:04:05Oh, my gosh.
00:04:06Cheese.
00:04:07Cheese.
00:04:10Cheese.
00:04:21So, I tell me anything.
00:04:21There eyes see all.
00:04:24Really?
00:04:25It's an old superstition.
00:04:27Jake and Hope carry.
00:04:28Welcome to San Carlos.
00:04:29It's your first time here?
00:04:31Uh, it's my first time.
00:04:33I was here once before.
00:04:34Short time.
00:04:35College.
00:04:36So,
00:04:38daiquiris or room first?
00:04:41Both.
00:04:43Yeah, both.
00:04:44Okay.
00:04:45Your room is at the end of the hall.
00:04:47It's our best room.
00:04:49Well.
00:05:06Well, this is a first for us.
00:05:07We never hung out in a cemetery together.
00:05:09I know.
00:05:10It's not exactly my first choice for a romantic stroll,
00:05:12but I made the top ten list of things to do on the island, so.
00:05:16Ooh.
00:05:17Ooh.
00:05:19Up to 15 generations of islanders are buried here,
00:05:23with some gravestones going back to the Spanish missionaries
00:05:26who followed on the heels of Columbus' voyages to the New World.
00:05:38She was supposed to have her husband.
00:05:39He died in 1856, and she died in, uh...
00:05:421896.
00:05:44She was a widow for 40 years.
00:05:45It's so sad.
00:05:49Well, what's 40 years when you're going to spend an eternity together?
00:05:52Oh, I'm serious.
00:05:54Imagine spending your life mourning a dead spouse.
00:05:58Well, let's hope she at least got out a little bit,
00:06:00maybe had a lover or two.
00:06:02That stupid jacket.
00:06:05I socked your little girlfriend.
00:06:10Sorry.
00:06:12Bad choice of words.
00:06:16Can you even be unfaithful to a dead person?
00:06:22Hey, have you ever, uh, done it in a graveyard?
00:06:26What?
00:06:27No.
00:06:31Why, have you?
00:06:31Oh, yeah.
00:06:32Yeah, I was 17.
00:06:33She was 22.
00:06:34It was your idea.
00:06:35I mean, she was totally twisted.
00:06:36Ew.
00:06:37What was that like?
00:06:39Uh, interesting.
00:06:40Scary.
00:06:41It was a turn-on, actually.
00:06:42You know, fear and desire.
00:06:45Yeah.
00:06:45And then she wanted to dig up another body
00:06:47so that we could have a threesome.
00:06:48And, uh, you know what?
00:06:48I had to draw the line there.
00:06:49And that was...
00:06:50What?
00:06:53Someone's watching us.
00:06:58Where?
00:06:59Behind that stone.
00:07:02The stone?
00:07:04Yeah.
00:07:06Right here.
00:07:07Jake.
00:07:08What?
00:07:12There's no one here.
00:07:15What?
00:07:16There's no one here.
00:07:17It's just us.
00:07:17I swear I saw a man's face, okay?
00:07:20I didn't imagine it.
00:07:22I didn't say you did.
00:07:24Hey, do you want to leave?
00:07:26No.
00:07:27Hmm?
00:07:28I just would like to know why someone's watching us.
00:07:31Yeah, I can understand why someone would watch you.
00:07:33You're just so darn watchable.
00:07:36You're so cheesy sometimes.
00:07:40Come on, let's go.
00:07:52Sorry I freaked out earlier.
00:07:56I think that's the last cemetery we'll be visiting on this trip.
00:08:00Yeah.
00:08:02I don't know.
00:08:03I guess I'm just still a little...
00:08:07This is Ellen.
00:08:09Hi, this is Hope Carey.
00:08:13My husband's Jake.
00:08:19A little what?
00:08:25Sensitive, I guess.
00:08:29It's going to take some time.
00:08:33I know.
00:08:38I just needed to get away from everyone.
00:08:41Focus on each other.
00:08:46To focusing on each other?
00:08:58There you go.
00:09:00It's all right.
00:09:01We're calling the shots now.
00:09:05Let's go in here.
00:09:15Hola.
00:09:22Hola.
00:09:32Sorry.
00:09:34What do you think?
00:09:35Cool, huh?
00:09:36I kind of like it in a creepy kind of way.
00:09:39Oh, pretty cool.
00:09:39How much is it?
00:09:41I have no idea.
00:09:42Wouldn't this be awesome in my office on the wall?
00:09:44Well, the client doesn't pay their bill.
00:09:45I put a voodoo curse on it.
00:09:47Voodoo?
00:09:48Nada tiene que ver con voodoo.
00:09:50Usted no sabe lo que dice.
00:09:52Es una irreverencia que usted diga eso.
00:09:54Esa máscara pertenece a una religión importante de la que usted no conoce nada.
00:09:58No es voodoo.
00:09:59Usted no sabe lo que dice.
00:10:00Vienen de otras tierras y vienen aquà a decir y a decir y a decir y al final son de
00:10:0410.
00:10:04Si no, respetan las costumbres del sitio.
00:10:06Él no sabe lo que dice.
00:10:08Es una...
00:10:08Es una...
00:10:14Para tener clientes imbéciles como ustedes.
00:10:16Estúpidos!
00:10:17Vamos comprando una capa nueva.
00:10:20SÃ.
00:10:26¿Qué es eso?
00:10:27¿Qué es eso?
00:10:29Impulse?
00:10:32This feels like one of our first dates.
00:10:36Feels good.
00:10:38It does.
00:10:45I'll be right back coming out.
00:10:47Go to the bathroom.
00:10:49Don't go anywhere.
00:10:52Be here as long as it takes.
00:10:54Hurry.
00:10:55All right.
00:11:19I'll be right back with your change.
00:11:21Got it.
00:11:21Thanks.
00:11:21Thanks.
00:11:26I'll be right back.
00:12:03Hey, Jake.
00:12:05Jake.
00:12:08Oh.
00:12:09I'm sorry.
00:12:10Is there an American man in there?
00:12:14Jake.
00:12:24I'll be right back.
00:12:25Don't..."
00:12:37I'm not courage.
00:12:37I'll be right back.
00:12:40Oh, my God.
00:13:23Oh, my God.
00:13:38Yeah, we got lost.
00:13:41I can't find him.
00:13:43Maybe he's just shopping in Old Town.
00:13:46Well, actually, we were in Old Town together, and he got up and never came back.
00:13:51You'll see him again.
00:13:55Is there a police station nearby?
00:13:58Yes.
00:13:59At the end of Paseo del Motos Street.
00:14:02Okay, well, if he does come back, please tell him to call me.
00:14:05Si, Senora.
00:14:06Don't worry.
00:14:08Your husband is not in danger.
00:14:23Excuse me.
00:14:26You speak English?
00:14:28Si.
00:14:29Yes.
00:14:31This is going to sound kind of silly, but I lost my husband.
00:14:43What happened?
00:14:45Uh, we were just sitting at this cafe on Plaza del Cristo, just having drinks, and my husband
00:14:55got up to go to the bathroom, and he never came back.
00:14:59How long is he?
00:15:01Uh, it's been over two hours.
00:15:03Maybe he go play golf?
00:15:05Uh, no, no, no, his clubs are still in the room, and anyway, he wouldn't just go off
00:15:13and tell me.
00:15:17Okay, so what's the procedure here for missing persons?
00:15:23What if he was robbed?
00:15:24I mean, he could be beat up somewhere.
00:15:26I read in the guidebook that there are some crime areas here.
00:15:29Ah, no, no, no, no, no.
00:15:31Not in Old Town.
00:15:33Hmm.
00:15:36Okay, well, how long does he have to be gone before I can declare him missing?
00:15:40It's not time.
00:15:42It's circumstances.
00:15:45The circumstances are the man just disappeared in broad daylight.
00:15:53Please.
00:15:55Your name, your husband's name, your hotel's name.
00:15:59If I know something, I call.
00:16:25It just happened.
00:16:32Jake, where are you?
00:16:57it's awful damn early
00:16:58uh glenn i it's hope i'm i'm sorry to
00:17:03something wrong have you heard from your brother you mean since he left no
00:17:11yesterday we were um in this plaza and he got up to go to the bathroom and he didn't come
00:17:17back
00:17:18what do you mean i'm telling you he got up and he didn't come back what did you call the
00:17:24police
00:17:24yeah i i went to see them two hours after it happened and they weren't taking me serious
00:17:28so i'm gonna head back there now to make them do something did you guys have another fight
00:17:32what no no it's not like that hope i i know you guys have been going through a rocky patch
00:17:39i yeah but no
00:17:44okay um i'm gonna go to the police station so i'll just call you after okay please
00:17:49okay i'll uh i'll call you back
00:18:05hi um my name is hope carrie i reported my husband missing yesterday i actually was speaking
00:18:13to another officer did he mention anything to you what's the problem senora
00:18:18okay um
00:18:19my husband jake carrie got up from our table yesterday from the plaza del cristo a little
00:18:25after 3 p.m he said he was going to the bathroom he never came back he hasn't called me
00:18:30or
00:18:30tried to contact me in any way okay he's he's missing all right missing
00:18:37you need to write a statement senora
00:18:49thank you
00:18:52oh no no i i can't i can't read this i don't speak spanish sorry we don't have english forms
00:18:56right now you can translate with this we need some information before we can do our job
00:19:08okay well then what then for the affairs must give a written permission before we can investigate
00:19:15how long does that take someone will contact you when when violent crimes assign an investigator
00:19:41hola hi uh i was in here yesterday with my husband
00:19:56i don't understand what you're saying
00:20:02okay my husband he he said something that made you angry i mean you have to remember that
00:20:13i'm trying to find my husband okay i'm trying to find my husband okay i'm trying to find my husband
00:20:15i'm pretty sure he came in here to buy that mask
00:20:19i'm pretty sure he came in here to buy that mask
00:20:20that mask wasn't there yesterday
00:20:24that mask was not there yesterday
00:20:30i'm just trying to find my husband okay can you help me
00:20:38thanks
00:20:47no
00:20:49no
00:20:53no
00:20:53no
00:20:54no
00:20:56no
00:20:57no
00:21:13no
00:21:16she was staring at me like she knew me your husband and this woman maybe they go away
00:21:25together look this isn't why i brought you this picture she's here she is somewhere on the island
00:21:31she knows where my husband is you need to find her look put put both of their photos in the
00:21:37newspaper okay someone will recognize either her or jake and put a phone number where people can
00:21:42call it's it's done all the time but it is with this woman i'm not missing it's big embarrassing for
00:21:52police and for you no just use the photos please
00:22:21so why haven't the police done anything
00:22:24well first they have to admit that the problem exists at the risk of scaring off the other
00:22:30tourists they're not gonna be able to just sweep this under the rug my husband he's got money he's
00:22:35got connections i'm not gonna be the only one looking for him well that's what made this a good
00:22:39story so you're gonna print the photos yes in tomorrow's morning edition and uh we're gonna
00:22:45put a phone number for people to call in case they have any information i don't know how to thank
00:22:50you
00:22:51well i have your cell number i'm gonna give you a call the moment i find out anything thank you
00:22:57you
00:23:06you
00:23:42Hello?
00:23:43Glenn, it's me.
00:23:44What's going on?
00:23:45I need you to be straight with me, okay?
00:23:48Was Jake having another affair?
00:23:50No, I mean, I don't think so.
00:23:51Just if you're trying to protect him, stop.
00:23:55Look, all I know is that Lady is being secretive about something.
00:23:58What do you mean?
00:24:00Something happened.
00:24:01He wouldn't tell me what it was, just that, well, he needed to take care of it.
00:24:06But so, um, it could be another woman.
00:24:31Oh, is there San Carlos setting yet?
00:24:49Just in it, señora.
00:24:51Gracias.
00:25:08Senora, something wrong?
00:25:20Yes, uh, has Gloria Peña come in yet?
00:25:23One moment, please.
00:25:29Hello?
00:25:30Miss Peña no longer works here.
00:25:32What?
00:25:33No, I just met with her yesterday.
00:25:36Who else can I connect you to?
00:25:39But this doesn't make sense.
00:25:40Um, can you tell me how to contact her, or?
00:25:44I don't have that information.
00:25:46Can I connect you to someone else?
00:25:48Uh, yeah, just, is there an editor, or?
00:25:52Tito Gomez.
00:25:53Yeah, just connect me with him.
00:25:56Este es Tito Gomez, principal redactor del Sol de San Carlos.
00:26:00Estoy ausente de mi escritorio.
00:26:02Satisfago tan licenciado mensaje.
00:26:05Oh, jee.
00:26:14Oh, my God.
00:26:36Oh, my God.
00:27:06Oh, my God.
00:27:25Miss Carrie.
00:27:29Miss Carrie, it's the police.
00:27:30Open up, please.
00:27:38Miss Carrie.
00:27:50I'm, uh, Miss Carrie.
00:27:53Chief Inspector Radimus of the San Carlos Police.
00:27:56Oh, God, I was hoping.
00:28:00Miss Carrie, we received your case file from the Foreign Affairs Office.
00:28:03You say your husband's missing?
00:28:05Yeah, yeah, yeah, yeah.
00:28:08Mark, do you mind if my associate and I take a look around?
00:28:17Are you the one that's been...
00:28:21Are you not feeling well, Miss Carrie?
00:28:25No, I'm not feeling...
00:28:29Do you mind if we come in?
00:28:31Yeah.
00:28:40I'm okay.
00:28:43Just have a seat right here.
00:29:03I'm not drunk.
00:29:07What exactly are you feeling, Miss Carrie?
00:29:13I don't know, I just...
00:29:14I feel weird.
00:29:17It's tingly, I...
00:29:18I don't know.
00:29:30You know her?
00:29:34What are you doing?
00:29:36We're trying to help you, Miss Carrie.
00:29:37Well, then find my husband.
00:29:39Look, I think you should come down to the office.
00:29:42If you're not feeling well, uh, we can find a bed.
00:29:46Somewhere where you can lay down.
00:29:48You want me to go to the police?
00:29:56Miss Carrie, do you understand what I'm saying?
00:30:00Look, Miss Carrie, you're obviously a little disoriented.
00:30:05So I think it's in everyone's best interest if you come to the office.
00:30:09And that way I can get a better understanding of what's going on.
00:30:12Okay?
00:30:16Yeah.
00:30:22I know.
00:30:29I know.
00:30:30Oh, yes.
00:30:39I know.
00:30:43Oh, yes.
00:30:44Oh, yes.
00:30:44Oh, my God.
00:30:44Oh, yes.
00:30:46I just want to see you next time.
00:31:01Hello?
00:31:04Hello?
00:31:09Yeah, come in.
00:31:10Come in.
00:31:15Miss Carrie.
00:31:17Do you remember me?
00:31:20Yeah, am I under arrest?
00:31:22No, no, you're not. Please come in.
00:31:24Gracias.
00:31:34Sorry about the cell.
00:31:37It was the only place we could find with a bed for you.
00:31:40How long was I out for?
00:31:42Nine hours.
00:31:50I was drugged.
00:31:53Explain, please.
00:31:57It had to be the orange juice at the hotel. Can we get that tested?
00:32:00Oh, they probably took that away by now.
00:32:02Well, what else could it be?
00:32:04Well, that's one question.
00:32:07Among others.
00:32:10So you heard what happened.
00:32:13My husband was kidnapped.
00:32:19Have you received a ransom note?
00:32:22No.
00:32:24The kidnappers contacted you in any way?
00:32:29No, but...
00:32:30Look, Miss Carrie, I spoke with your brother-in-law, Glenn Carey.
00:32:35It was one of the last numbers you dialed on your cell phone.
00:32:38You called Glenn?
00:32:41He said that last month you found your husband having an affair.
00:32:50I don't see how that's relevant here.
00:32:56I'm just trying to understand where his head is.
00:33:01We went through some intense therapy.
00:33:05Saved our marriage.
00:33:09You were taking some anxiety medication.
00:33:12Glenn told you that?
00:33:17But you didn't bring your medication to San Carlos.
00:33:21I didn't think I'd need it.
00:33:23This was supposed to be a nice romantic getaway.
00:33:27Instead, your husband's missing and all the evidence points to another woman.
00:33:30That another woman is involved, not that he's having an affair with her.
00:33:34You know, after what happened this morning, I'm beginning to think that someone planted that photo in his golf bag.
00:33:38Why would anybody do that?
00:33:40To make me think he ran away with another woman.
00:33:42Instead, he was kidnapped.
00:33:44Why won't anyone listen to me?
00:33:49Look, Miss Carrie, I understand you're distressed.
00:33:52But as an investigator, I need to see the whole picture.
00:34:00I know how it looks, okay.
00:34:03Not stupid.
00:34:05But neither is Jake.
00:34:07He's very smart.
00:34:08He's a very successful lawyer.
00:34:10Why would he put a picture of his girlfriend in his golf bag when he was going away with his
00:34:15wife?
00:34:15It doesn't make sense!
00:34:19Sometimes, when there's a beautiful woman involved, intelligent men don't do things so intelligent.
00:34:29Are you gonna help me find him or not?
00:34:33What makes you think he wants to be found?
00:34:38You cheated on me! I'm your wife! I'm your wife!
00:34:43I'm your wife!
00:34:44I don't know.
00:34:47I'm begging you, okay?
00:34:51Please.
00:34:53Just...
00:34:54Put his search party together.
00:34:56Put some flyers out there. Put his face in the paper.
00:35:01I know he's in trouble, okay? I know it.
00:35:07We will investigate, Miss Carrie.
00:35:14Am I free to go?
00:35:18Yes.
00:35:22I want my stuff back.
00:35:35Lieutenant Vega will take you back.
00:35:38I think I'm gonna walk.
00:35:40Use the fresh air.
00:35:43Miss Carrie, this is an official matter now.
00:35:46There's really not much you can do.
00:35:48I think you'd be better off if you leave San Carlos.
00:35:51I'm not leaving without Jake.
00:35:59Can I help you?
00:36:01Come on.
00:36:03Yeah.
00:36:03Have a seat.
00:36:07Can I get you a drink?
00:36:09Rum, maybe?
00:36:10Oh, no.
00:36:12Oh.
00:36:23So...
00:36:25This is about your husband.
00:36:28How'd you know that?
00:36:31Expensive wedding ring.
00:36:34Eyes in pain.
00:36:37You did not come alone to San Carlos.
00:36:41You suspect he's cheating.
00:36:43No.
00:36:45Well, sweetheart.
00:36:47You came to the right place.
00:36:54The police are following me.
00:36:57Why?
00:36:59All I know is that my husband disappeared two days ago
00:37:02and the police seem to be more interested in me than him.
00:37:16Bye.
00:37:17Bye.
00:37:17Police.
00:37:24So have you seen this happen before?
00:37:27Tourists get robbed, yes.
00:37:30But kidnapping is different.
00:37:33If they can get into my room to drug my orange juice,
00:37:36shouldn't I change hotels?
00:37:38Maybe not.
00:37:39The easier they can find you,
00:37:41the easier you can find them.
00:37:47What if they come in while I'm sleeping?
00:37:50Move a heavy piece of furniture in front of the door.
00:37:54And don't forget that the police is watching.
00:37:56Well, what about this Inspector Radimus?
00:37:59Can I even trust him?
00:38:00I believe Radimus is a man with a good conscience.
00:38:03But that doesn't mean you can trust him.
00:38:06Hmm?
00:38:08So what do you think happened to my husband?
00:38:11I have ideas.
00:38:12But give me some time, yeah?
00:38:14How long?
00:38:16San Carlos is not a big island.
00:38:18Not too many places to hide.
00:38:21So if your husband is here,
00:38:23I find him.
00:38:25So I will call you tomorrow to let you know what I find out.
00:38:28Okay?
00:38:30And, uh, I want to be respectful.
00:38:34But I charge $500 a day.
00:38:37And, uh, $5,000 bonus if I find him.
00:38:42Fine.
00:38:52Can I get a glass of Merlot from a new bottle that I want to see you open right in
00:38:56front of me?
00:38:57See some.
00:38:59Are you afraid they spiked the drinks here?
00:39:02Let's just say I had a bad experience.
00:39:04Well, do tell.
00:39:07You might want to be careful of the morning O.J. from room service.
00:39:11I'll remember that.
00:39:12Dennis Jones, Portland, Oregon.
00:39:14Oh, Carrie.
00:39:15I see Mrs. Carrie.
00:39:17Yep.
00:39:19Do you mind if I ask where your husband is?
00:39:23I do, actually.
00:39:24Oh, I don't mean to be nosy.
00:39:26I don't mean to be rude, so...
00:39:28Well, at least are you enjoying your stay here?
00:39:31I'm sorry, I just, I really don't feel like having a conversation right now.
00:39:35I'm just trying to be polite, you being a fellow American and alone.
00:39:40Who said I was alone?
00:39:44Uh, could you put this on Jake Carey's bill, please?
00:39:47I'm sorry, excuse me.
00:40:17I'm sorry.
00:40:21I'm sorry.
00:40:32You were sorry.
00:40:35There and I was so scared to be a mess.
00:40:38I was justosseous.
00:40:38I was so scared.
00:40:38I was scared.
00:40:38I was just scared.
00:40:39Oh, you're so scared.
00:40:39Oh, you're so scared of me.
00:40:41Hey.
00:40:43Hey, I thought I recognized you.
00:40:46Oh, hi.
00:40:47Sorry to bother you.
00:40:48Listen, I really need to talk to you privately.
00:40:51Do you have dinner plans tonight?
00:40:53Can't you tell I'm not interested?
00:40:55I'm sorry.
00:40:56I think you got the wrong idea.
00:40:58Excuse me.
00:41:02Hello.
00:41:04It's Gerhard.
00:41:05Can you come to my office?
00:41:07Yeah, did you find out something?
00:41:08Have you heard of a town called Malamore?
00:41:11Or a man named Pulmero?
00:41:14Uh, no.
00:41:15I better explain it to you in person.
00:41:18Okay, I'm on my way.
00:41:20Oh, Mrs. Carey?
00:41:22Don't trust anyone.
00:41:24Not until we've spoken.
00:41:29Uh, got it.
00:41:32Bye.
00:41:36Uh, was that your husband?
00:41:37I'm sorry.
00:41:38I've got to go.
00:41:39I really need to talk to you.
00:41:50Oh, my God.
00:41:53Oh, my God.
00:41:54Oh, my God.
00:41:58What happened?
00:42:03What happened?
00:42:04There's a hit in there.
00:42:07It's Carrie.
00:42:09Come with me.
00:42:18Do you think this was an accident?
00:42:20Well, we haven't investigated yet.
00:42:23But as a precaution, I think we need to find you another hotel room.
00:42:26No, this hotel's fine.
00:42:29Well, there's always the homie cell back in headquarters.
00:42:31You found that bed comfortable?
00:42:33Yes.
00:42:34Are you threatening to lock me up?
00:42:36Look, Mrs. Carey, it's very important for me and for the people of St. Carlos that you remain safe.
00:42:43Oh, thanks for caring.
00:42:45But if you guys were doing more to find my husband, I wouldn't have to run around trying to find
00:42:48him myself.
00:42:49We know how to do our jobs.
00:42:53Look, that private investigator was trying to help me.
00:42:56Now he's dead.
00:42:57Doesn't that tell you something?
00:42:58Yes.
00:42:59What it tells me is that you need to stay in your room until we can find some answers.
00:43:03Okay.
00:43:13Okay.
00:43:49I need to go to Malamore.
00:43:56You have a friend there?
00:44:00No.
00:44:01I'm just going to do some sightseeing.
00:44:06Señorita, I don't know, but there's not much to see in Malamore, you know.
00:44:12Can you just take me where I want to go, please?
00:44:17I'll pay you double the fare, okay?
00:44:19I'll pay you double the fare, okay, triple, just please.
00:44:29Okay, we go, huh?
00:44:34Okay, we go.
00:44:59All right, you're going to wait for me, right?
00:45:01How long?
00:45:02I'll just, I'll make it worth your time, trust me.
00:45:06Okay, lady, I wait.
00:45:25Hi, I was wondering if you could help me.
00:45:29I'm looking for my husband.
00:45:31We're American.
00:45:39Hi, I'm just looking for my husband, and I was told that maybe he came through here.
00:45:44What about this girl?
00:45:46Do you recognize her?
00:45:48Okay.
00:46:03Hi, do you guys know a Balmero?
00:46:05Have you heard of someone named Balmero?
00:46:10What about her?
00:46:11Do you recognize her?
00:46:12No.
00:46:19Hey, hey, hey, hey, hey.
00:46:22You were at La Casa Negra in Old Town.
00:46:25Do you remember my husband?
00:46:26You got mad at him for trying on that mask.
00:46:28No hablo ingres.
00:46:31Okay, wait, wait, wait, wait.
00:46:34Hey, come here.
00:46:36Wait, please.
00:46:38Can you please tell me that my husband is the American who wanted to buy that mask?
00:46:42The husband of her husband is the American who was going to buy a mask.
00:46:48Well, please, I know he went back to your shop, okay?
00:46:51Are you afraid something will happen if you tell me?
00:46:54Why won't you talk to me, please?
00:46:56Yes, yes, yes.
00:46:58I feel the pain that the lady is feeling.
00:47:01Wait, wait, wait, what does he say?
00:47:02I want to help.
00:47:03I don't understand.
00:47:04He understands and he wants to help.
00:47:06Yes, yes.
00:47:08His husband was in the shop.
00:47:11What?
00:47:12He...
00:47:12He came, he came twice.
00:47:16Yeah.
00:47:17Una vez con la señora y otra vez con solo.
00:47:21Once, once with you and later on his own.
00:47:25Él compró la máscara.
00:47:28He, he bought the mask.
00:47:30And then what?
00:47:38He got into an argument with someone outside the shop.
00:47:46And he drove away in a truck.
00:47:49He wasn't driving.
00:47:50Who put him in that truck?
00:47:51Do you recognize the voices of the people?
00:47:56Who are you trying to protect?
00:47:57No, no, no.
00:47:58Why would you just talk to me?
00:47:59No, no, no.
00:48:00Please.
00:48:02Please.
00:48:03I'm not going anywhere until I know what happened to my husband.
00:48:06It's not safe to stay.
00:48:07Let's go.
00:48:08It's not safe to stay.
00:48:10Please.
00:48:11Let's go.
00:48:12Hey.
00:48:15I just want to talk.
00:48:22Wait.
00:48:24I just want to talk to you.
00:48:40I need to talk to her.
00:48:41Please.
00:48:42Please.
00:48:43I need to talk to her.
00:48:45Okay.
00:48:46Have you seen my husband?
00:48:47I'm looking for this man.
00:48:48Have you seen him?
00:48:49Please.
00:48:50Please.
00:48:50I need your help.
00:48:51I just need to talk to her.
00:48:52Come on.
00:48:53No.
00:48:54Here we go!
00:48:54Please.
00:48:55Come on.
00:48:56No!
00:49:04No!
00:49:05No!
00:49:10That's it!
00:49:10So, why do you think your husband is in Malamore?
00:49:14I don't know where he is.
00:49:16I just got the name of a town and the name Bulmaro.
00:49:21Bulmaro?
00:49:22Ay, Dios mÃo.
00:49:25Wait, who is he?
00:49:27Bulmaro is a very powerful man. That's who he is, okay?
00:49:29Well, what's his connection to Malamore?
00:49:32Well, that's where his followers live.
00:49:34His followers?
00:49:36Bulmaro makes his own church.
00:49:39People think he's sacred.
00:49:42Many loves him.
00:49:44More are afraid of him.
00:49:48Have police tried to find your husband?
00:49:51I haven't seen him do anything.
00:49:56You cannot fight Bulmaro, no.
00:49:58He's too strong.
00:50:01His eyes and ears are everywhere.
00:50:04What would you want with Jake?
00:50:07I don't know.
00:50:09Sometimes
00:50:11he
00:50:11takes people and
00:50:13converts them.
00:50:16No, no, not Jake.
00:50:18He wouldn't let himself fall into something like that.
00:50:22But, Bulmaro
00:50:25has a special magic, you know?
00:50:28I think.
00:50:40Here's $300.
00:50:42Who?
00:50:44I'll give you another $300 if you'll be my driver tomorrow.
00:50:48You don't want to go back to Malamore?
00:50:50I don't know yet, but I just...
00:50:52I need someone to drive me, okay?
00:50:55I'm Hope.
00:50:57Okay.
00:51:01I'm Rodrigo.
00:51:20Go away.
00:51:22Go away.
00:51:41Mary, come in.
00:51:55I think I was followed here.
00:51:58Look, you must leave San Carlos right away.
00:52:01Where's my husband?
00:52:02His life is not in danger.
00:52:03Then why hasn't he tried to contact me?
00:52:05He will contact you when he's ready.
00:52:08Does he want a divorce?
00:52:11I don't know.
00:52:12Look, I'm sorry for your pain.
00:52:17Why are you here?
00:52:18I'm telling you.
00:52:19You must leave San Carlos.
00:52:21It is very dangerous.
00:52:22If he's not in danger, then why am I?
00:52:25I cannot say more.
00:52:26I took a big risk by coming.
00:52:28Who's Bomaro?
00:52:30I had to warn you.
00:52:31That is all I can do.
00:52:32I'm sorry.
00:52:32Wait.
00:52:34Just tell me why you really came here.
00:52:38Are you and my husband?
00:52:39No.
00:52:40Don't lie to me.
00:52:41I swear to you, we're not lovers.
00:52:46Jake, he's my father.
00:52:50And please don't follow me.
00:52:53If he finds out I spoke to you, I will be punished.
00:52:56Please.
00:53:07What'd you find out?
00:53:10There is a ceremony tonight.
00:53:12In a cave near Malamor.
00:53:16Jake might be there.
00:53:18If he is, you cannot rescue him.
00:53:20Not by yourself.
00:53:22Look, I just...
00:53:23I just need to know, okay?
00:53:24I just...
00:53:26I want to see him.
00:53:29No.
00:53:30No, it is impossible.
00:53:31No, no.
00:53:32Just, please, I'll pay you more money, okay?
00:53:34Señorita, you already make me the richest cab driver on San Carlos.
00:53:37Look, if I can see him with my own eyes, I can take that to the police, and they have
00:53:44to believe me.
00:53:47Please.
00:53:51We only watch, yes?
00:53:54Then you come back and tell the police.
00:53:59Only watch.
00:54:02I just...
00:54:03I just want to see him, okay?
00:54:08All right.
00:54:09I know.
00:54:09Let's go.
00:54:40I need to get closer, Louie.
00:54:43Be very careful.
00:55:02What's his name?
00:55:05A cave.
00:55:06Turns in the lock.
00:55:09Las puertas abren lentamente, descubriendo un nuevo universo, una nueva vida.
00:55:18To reveal a new universe, a new life.
00:55:22Descarga.
00:55:24Descarga.
00:55:26Release.
00:55:26Release.
00:55:46Jake.
00:55:50Vamos.
00:55:53We need to go.
00:55:54We need to go.
00:55:54We need to go.
00:55:55We need to go.
00:55:55We need to go.
00:55:57We need to go.
00:55:58We need to go.
00:56:01We need to go.
00:56:05We need to go.
00:56:06We need to go.
00:56:06We need to go.
00:56:06We need to go.
00:56:06We need to go.
00:56:07We need to go.
00:56:08We need to go.
00:56:08We need to go.
00:56:09We need to go.
00:56:10We need to go.
00:56:11We need to go.
00:56:32I saw Jake. He was there.
00:56:34I saw the shopkeeper, the woman from the newspaper.
00:56:37They were all there.
00:56:38Didn't I tell you not to leave your hotel room?
00:56:40Oh, come on. We're way past that.
00:56:41I just saw my husband.
00:56:43Either you go in there and get him out,
00:56:44or I'll call the U.S. consulate.
00:56:46Not even your consulate can help you.
00:56:48When you disobey a police order
00:56:49and interfere with an investigation.
00:56:51Give me a break.
00:56:54Give me no choice.
00:56:57What are you...
00:56:59Please take Miss Carrie to a holding cell.
00:57:02She's allowed no outside contact until further notice.
00:57:05Si, senor.
00:57:07Come with me.
00:57:08If Jake gets hurt, I will hold you personally responsible.
00:57:11This way, please.
00:57:24Tenemos que hablar.
00:57:29Sáqueme de aquÃ.
00:57:31Quiero un vaso de agua, por favor.
00:57:34Déjeme hacer uno de camadas, por favor.
00:57:37Ey, mira.
00:57:39Yo también.
00:57:50What's going on?
00:57:52They're releasing you to me.
00:57:54Why?
00:57:54Let's walk.
00:58:00I'm with the FBI.
00:58:01John Grayson?
00:58:02Why are you here?
00:58:04Well, I know you know the name Bulmaro.
00:58:07For the last decade, Bulmaro has been recruiting the San Carlo citizens to his church.
00:58:12They pledged complete devotion to him and turned over all their assets.
00:58:16Why does the FBI care?
00:58:18Well, a year ago, a U.S. citizen named Mark Penter came to San Carlo on business and never went
00:58:23back.
00:58:24He called his family, told him he was moving to Malamore, and cut off all contact.
00:58:28He sold everything he had and wired that money to an account of Bulmaro's here on the island.
00:58:34Jake wouldn't fall into something like that.
00:58:36Well, Bulmaro's become a master of mind control.
00:58:39He uses a powerful drug called Yerba de Diablo, which means the devil's herb.
00:58:44Like a hallucinogenic?
00:58:45Yes.
00:58:47Can't the FBI just go in and get Jake out of there?
00:58:50This is in the U.S.
00:58:52We're negotiating with a police official named Radice.
00:58:55Oh, no, no.
00:58:56You shouldn't trust him.
00:58:57He's protecting Bulmaro.
00:58:58He's probably being paid off by him or something.
00:59:01No, it has nothing to do with money.
00:59:03Bulmaro and Radimus are brothers.
00:59:06What?
00:59:08But now that you've seen your husband with Bulmaro, we can force Radimus' hands.
00:59:15So within the next 24 hours, I have an extraction team that will penetrate Bulmaro's compound to get Jake and
00:59:22Mark Penter out of there.
00:59:24Could Jake get hurt?
00:59:25Well, as you've seen, Bulmaro is not above violence.
00:59:28Radimus wants you out of San Carlo.
00:59:30I'm not leaving without Jake.
00:59:32So I figured.
00:59:33Listen, I've got to meet with some of my operatives.
00:59:35You have to promise me you do not leave this room until you hear from me.
00:59:37You promise.
00:59:38Remember, Radimus and I have something in common.
00:59:40We're here to keep you safe.
00:59:42Well, I believe that about you.
00:59:43I'm not so sure about him.
00:59:44Well, we can talk about that later.
00:59:46Mr. Grayson.
00:59:48John.
00:59:59I'm not.
01:00:20I'm not.
01:00:25John.
01:00:26Come on.
01:00:29U.S. Consulate, go.
01:00:31They'll try to get you, too.
01:00:35Señorita, maybe you need a taxi.
01:00:37Go!
01:00:38Go! I'll be all right!
01:00:52Hurry, go!
01:00:53Go, go, go!
01:00:55Come on, go!
01:00:58Put your hands up and don't move.
01:01:14Get out of the car and put your hands behind your back.
01:01:35What's going on?
01:01:36Okay.
01:01:40Jesus, why don't you bring me here?
01:01:42For your safety.
01:01:44Why don't you just let me go to the consulate?
01:01:46Because you'll be safer here.
01:01:51Safer from who?
01:01:52Your brother?
01:01:53Yes, I want to go to the car.
01:01:56I want to go to the car.
01:01:58I'm a lawyer.
01:02:00I'm a lawyer.
01:02:02Be careful about making assumptions.
01:02:04An American FBI agent was just shot by someone working for Balmara.
01:02:09Am I wrong?
01:02:11We're looking for the perpetrator.
01:02:12We're looking for the perpetrator.
01:02:15How do you justify protecting him?
01:02:18Oh, well, you don't need to justify it because you're in charge of the department.
01:02:24You see everything in black and white, don't you, Miss Carrie?
01:02:27What I see is that my husband has been kidnapped and is being held against his will.
01:02:31How do you know it's against his will?
01:02:33Has he told you?
01:02:36Jake kidnapped.
01:02:37Gregorio Ray killed.
01:02:38John Grayson shot.
01:02:41Balmara connects these dots.
01:02:58Do you have any brothers or sisters, Miss Carrie?
01:03:04I had a sister.
01:03:07She died when she was young.
01:03:10I'm sorry.
01:03:12My father left us when I was a baby.
01:03:15So Balmara was my father.
01:03:17My older brother took care of my mother and his four brothers and sisters.
01:03:24He taught me how to hit a baseball.
01:03:27How to drive a car.
01:03:30Then he had a nervous breakdown.
01:03:33Something happened.
01:03:35I don't know what.
01:03:36But he left San Carlos.
01:03:39Came back a year later and started his church.
01:03:46How far are you going to let him go before you do something?
01:03:51He's my mother's son.
01:03:53She loves him.
01:03:55He'll break her heart.
01:03:57Does she know he kidnaps and kills people?
01:04:03He will stay here until we get this resolved.
01:04:06He can't touch you behind these walls.
01:04:09You know what?
01:04:09If you've got a decent bone in your body, you'll do everything you can to get Jake back to me.
01:04:15I'm working on it.
01:04:17You're just going to have to trust me.
01:04:21I'm working on it.
01:04:22Yeah, I guess I don't really have a choice.
01:04:23Huh?
01:04:49Oh, my God.
01:05:23Oh, my God.
01:05:28Oh, my God.
01:06:01Oh, my God.
01:06:04Oh, my God.
01:06:07Oh, my God.
01:06:09Oh, my God.
01:06:09Oh, my God.
01:06:09Oh, my God.
01:06:20Oh, my God.
01:06:25Oh, my God.
01:06:53Oh, my God.
01:07:17I'll tell that to the FBI.
01:07:20You've now kidnapped three U.S. citizens.
01:07:23Pardon me, Miss Gary.
01:07:25Your husband came to San Carlos of his own free will.
01:07:29He was Lord, she's Lord, my son.
01:07:30He was Lord here by that girl.
01:07:31He was Lord here by that girl.
01:07:31He was Lord here by that girl.
01:07:31My beautiful, she has made her father very proud.
01:07:37I invented her son, man, she's in the man, man, she's in the man, and I'm in her home.
01:07:43I invented a fiction that Jay was Luisa's father and that she needed him to sign a legal document that
01:07:52would allow her to claim her inheritance.
01:07:54One hour in the San Carlos port, and he would fulfill his obligation.
01:08:03Why would you believe that?
01:08:06Did your husband ever tell you he went backpacking through San Carlos as a young man?
01:08:11He and his friend passed through Malamore.
01:08:14He never mentioned Malamore.
01:08:16They started drinking at the cafe, got drunk, and went looking for local girls.
01:08:24They found three old teenagers, fed them alcohol, and had sex with them.
01:08:35One of those girls was named Juana.
01:08:37I was in love with her.
01:08:39She was pregnant with my child, with Luisa.
01:08:44So this is about revenge.
01:08:47There were four.
01:08:49Del Nersen.
01:08:51William Well.
01:08:54Mark Penter.
01:08:57And Jake Carey.
01:08:59So this has nothing to do with a higher power.
01:09:04This is about you getting back at them at something they did 20 years ago.
01:09:08I will show them the path to redemption.
01:09:11You show them?
01:09:11You're shoving it down their throats.
01:09:13Real redemption can only be achieved through real suffering.
01:09:18Oh, you call this suffering?
01:09:20I have already been redeemed.
01:09:22I was chosen to show others the path.
01:09:26You're crazy.
01:09:28All the great prophets in history were called crazy by non-believers.
01:09:33Where's Jake?
01:09:34I told you.
01:09:35I am leading him down the path to redemption.
01:09:38No, you're brainwashing him.
01:09:42The key is turning in the lock.
01:09:45The doors to our new perceptions are opening.
01:09:51Slowly.
01:09:53Surely opening.
01:09:55Revealing a path you could never find without a guide to show you the way.
01:10:01We don't believe that.
01:10:02The first step to be enclenched is to give yourself to the redeemed one.
01:10:08Don't be quiet!
01:10:11Take that energy and put it into a new trajectory.
01:10:14A trajectory of boundless in love.
01:10:25Ulysses, because of your social condition.
01:10:27But the only way to be enclenched is to give yourself.
01:10:33Don't fight me.
01:10:34No!
01:10:35Father, please.
01:10:36Do it, sir!
01:10:36Father, not this woman.
01:10:38It is wrong.
01:10:38Go!
01:10:39Father, no!
01:10:40Go!
01:10:40Please, Father, no!
01:10:41No!
01:10:44Lock her up with her husband!
01:10:46No!
01:10:54No!
01:11:07Jake!
01:11:09Jake!
01:11:13Jake!
01:11:16Jake!
01:11:19Jake!
01:11:41You're married to me, Hope Hanson.
01:11:50We live at 21 Bridgewater Circle in Orlando, Florida.
01:11:58Your brother's Glenn.
01:12:02Your mother's Marlene.
01:12:05Look at me.
01:12:06Look at me.
01:12:07You know me.
01:12:09You know me.
01:12:12Jake.
01:12:14Jake.
01:12:16Jake.
01:12:16Jake.
01:12:17Jake.
01:12:18Jake.
01:12:18Your name is Jake Thomas Carey.
01:12:23You're married to me, Hope Hanson.
01:12:28We live at 21 Bridgewater Circle in Orlando, Florida.
01:12:36Your brother's Glenn.
01:12:40Your mother's Marlene.
01:12:42Look at me.
01:12:44Look at me.
01:12:47You know me.
01:12:51I'm your wife.
01:12:55I'm your wife.
01:12:59I'm your wife.
01:13:00I'm your wife.
01:13:00I'm your one.
01:13:21I'm your wife.
01:13:47Where's your ring?
01:13:52I locked it up. I don't want to lose it.
01:13:57Jake.
01:13:59Jake.
01:14:02Jake.
01:14:03Jake.
01:14:04Jake.
01:14:19Jake.
01:14:25Why didn't you just tell me?
01:14:29We were doing so well.
01:14:33I just thought it would send us back.
01:14:38I love you so much.
01:14:45Find me no harm.
01:14:47I want to help you get away here.
01:14:50Why should we trust you?
01:14:51You have no choice.
01:14:53It's me or my father.
01:14:56In one hour, we're going to have a prayer group in the room of ancestral spirits.
01:15:00Everyone must attend.
01:15:02Even my father's bodyguard will be there too.
01:15:04I'm going to leave the door unlocked.
01:15:06So when you hear the drums, get on and run down to the road.
01:15:10Here, take this card.
01:15:11His name is Rodrigo.
01:15:12He's a taxi driver.
01:15:13Tell him Hope called.
01:15:14Okay.
01:15:15So we're clear.
01:15:17You hear the drums, get out and run.
01:15:18Okay?
01:15:19Luisa.
01:15:23Very brave.
01:15:26If I was brave, I would leave San Carlos.
01:15:29I must go now.
01:15:30You hear the drums, get out and run.
01:15:32I will call taxi, okay?
01:15:41Okay.
01:15:55You ready?
01:15:57Yeah.
01:15:59Okay.
01:16:01Come on.
01:16:05Come on.
01:16:06What?
01:16:13Oh, my goodness.
01:16:17Come on.
01:16:19Come on.
01:16:20Come on.
01:16:21Come on.
01:16:21Hey, man.
01:16:21Hey, man.
01:16:29Hey.
01:16:31Hey.
01:16:32Hey, hey.
01:16:32Hey, hey.
01:16:32Hey!
01:16:42Where is he?
01:16:44Where's Rodrigo?
01:16:57I believe there is a traitor among you.
01:17:17Don't do this.
01:17:21I gave you my love, my teaching, my nursery.
01:17:27How could you betray me?
01:17:29I could not let you hurt them.
01:17:31So you hurt me instead.
01:17:34Please, I've got Jake back.
01:17:35Just let us go.
01:17:37Please.
01:17:42Take him to the airport as fast as you can.
01:17:44If anyone stops you, just tell him to call me and my cell phone.
01:17:46Hello, brother.
01:17:50Do you come as a public official?
01:17:53If so, you are trespassing on sacred land.
01:17:58I have a warrant for your arrest.
01:17:59You have no authority here.
01:18:01I have legal authority on the entire island of San Carlos.
01:18:04My authority comes from a higher being.
01:18:06The criminal court of San Carlos charges you with kidnapping, extortion, conspiracy, and attempted murder.
01:18:12You would turn against your own brother.
01:18:14My job is to protect the people of San Carlos.
01:18:16And my job is to save the people of San Carlos.
01:18:20I try to enlighten you.
01:18:23But you turn a blind eye to my spiritual ascendance.
01:18:27You feel anything beyond your intellectual comprehension.
01:18:31Now you attack me on my property in front of my disciples.
01:18:35Because you've gone too far.
01:18:36It needs to stop right now.
01:18:37Yes, it has to stop.
01:18:41I know you so well.
01:18:44My baby brother would never harm his mother's firstborn.
01:18:51He's too good.
01:18:54He has too much conscience.
01:18:57Too much heart.
01:19:33He's too good.
01:19:52He's too good.
01:20:19He's too good.
01:20:40He's too good.
01:20:40He's too good.
01:20:43He's too good.
01:20:44He's too good.
01:20:44He's too good.
01:20:44Are you okay?
01:20:45Are you okay?
01:20:49Come with us.
01:20:52I've got to take care of things around here.
01:20:58You've got your husband back.
01:21:00Take him home.
01:21:00You've got to take care of things around here.
01:21:10I'm sorry.
01:21:10I'm sorry.
01:21:15Have you got to take care of things around here.
01:21:19I'm sorry.
01:21:21I'm sorry.
01:21:22I'm sorry.
01:21:24I'm sorry.
01:21:28I'm sorry.
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