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The Crown S01E09 [Full Movie] [Latest Version]Full EP - Full
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00:00:11If your sweetheart sends a letter a good-bye,
00:00:26it's no secret.
00:00:29You feel the record.
00:00:33This way, by the way.
00:00:43The end of the bar.
00:00:49Hello.
00:00:50Hello, Porchy.
00:00:54Find the place all right now?
00:00:55Taxi driver, dear?
00:00:57Yes.
00:00:58Of course.
00:01:00Wonderful.
00:01:15Is it just me or is this place faintly ridiculous?
00:01:20Two of my great hates in life, fine dining in central London.
00:01:25I just thought it's the kind of special occasion place one came if one had a special question
00:01:31to ask.
00:01:43This moment I wish I were a poet, not a horse breeder.
00:01:55Will you marry me?
00:02:01Oh, poor G.
00:02:03That sounds like a no.
00:02:05No.
00:02:06No.
00:02:06It's not a no.
00:02:08No, no, no, no, no, no, no, no, no.
00:02:13Twelve no's.
00:02:14I would love to.
00:02:16On one condition.
00:02:19That you don't still hold a torch for her.
00:02:22Who?
00:02:25Who?
00:02:27Her.
00:02:36I know how close you were and how close your families still are.
00:02:41It's true.
00:02:41She and I, we are close.
00:02:43I was close to her father.
00:02:45I am close to her sister.
00:02:46Our families are close.
00:02:48In many ways, and I speak as a breeder myself, it would have been a good match.
00:02:52Perfect match.
00:02:53I won't deny it.
00:02:56Except for the fact it was never on the cards.
00:03:03For her, there was only ever Philip.
00:03:17Who?
00:03:18Who is this?
00:03:22And for you?
00:03:25Oh, it was only you.
00:03:35What was this?
00:03:36Who?
00:03:40Who?
00:03:46Who is this?
00:03:53I don't know.
00:04:09A little bit.
00:06:02Right, you are, Jock.
00:06:03Yes, I'll let him know.
00:06:06I'm sure he'll be delighted.
00:06:09Bye.
00:06:17Are you winning?
00:06:20No.
00:06:21Well, there was one brief tantalizing moment, and I thought I had it.
00:06:29I moved in for the kill.
00:06:32Oh, but then one wrong brushstroke, and it got away once again.
00:06:39I've just been talking to Jock about your 80th birthday.
00:06:42Oh, don't mention it.
00:06:43Because it happens on the same day as the opening of Parliament, they've decided to combine events and hold a
00:06:51reception in your honor at the Great Hall.
00:06:53Oh, that's very nice.
00:06:55Oh, and it's going to be Graham Sutherland.
00:06:58Who?
00:06:59The painter.
00:07:00To paint your portrait.
00:07:01What portrait?
00:07:03The official portrait commissioned by both houses.
00:07:06It's your present.
00:07:08Sutherland?
00:07:09Sutherland?
00:07:11Never heard of him.
00:07:12He's got quite the reputation.
00:07:14He's a modernist.
00:07:15So I can trust a modernist with an English name?
00:07:19Give me a German modernist, or an Italian.
00:07:24They're the ones who have to start all over again, whatever would an Englishman want to change.
00:07:51It's grand to be home again after so long an absence.
00:07:55The surgeon who operated on me told me yesterday that all was well.
00:08:00I'll need to have a further period of convalescence, put on some weight.
00:08:06There's nothing else to worry about.
00:08:09As I said, it's grand to be home again.
00:08:13I look forward to being back at work just as soon as possible.
00:08:37Hello?
00:08:38Porchy.
00:08:40I hope I'm not disturbing.
00:08:42Goodness.
00:08:43Am I disturbing?
00:08:47No.
00:08:48Good.
00:08:49It's all real.
00:08:50I think we're making a mistake.
00:08:52I think we should lead from the start.
00:08:55And I think you're wrong.
00:08:57But we both know he doesn't hold up naturally.
00:08:59We tried holding him up against Darius before, and Darius won.
00:09:03That was the Guineas, which is a mile.
00:09:06This is the King George, a mile and a half.
00:09:11What will we do if he plays up before the race?
00:09:13He always plays up.
00:09:15That's who he is.
00:09:17You don't seem the slightest bit worried.
00:09:20Anything else?
00:09:22Well, can I just say one more time, for the record, I think we should start fast and run at
00:09:30a good clip.
00:09:33Noted.
00:09:34I am right sometimes, you know.
00:09:36Even you said yourself that I have good instincts.
00:09:39You do.
00:09:41I might well live to regret it.
00:09:44That and a good many other things.
00:09:47Oh, dear.
00:09:47Such as?
00:09:49Good night.
00:10:29Mr. Sutherland, Prime Minister.
00:10:31Good morning.
00:10:32How do you do?
00:10:33Good morning.
00:10:33Hello.
00:10:34How do you do?
00:10:34Good morning.
00:10:35How do you do, sir?
00:10:36It's an honor.
00:10:37I don't know.
00:10:37The honor is mine.
00:10:45So where do you want me?
00:10:52So, will we be engaged in flattery or reality?
00:10:57Are you going to paint me as a cherub or a bulldog?
00:11:00I imagine there are a great number of Mr. Churchills.
00:11:04Yes, indeed, there are.
00:11:07Well, as you search for him, perhaps I can implore you not to feel the need to be too accurate.
00:11:14Why? Accuracy is truth.
00:11:16No, for accuracy, we have the camera.
00:11:20Painting is the higher art.
00:11:24I paint a bit myself, you know.
00:11:27Yes, sir, I know.
00:11:29And I never let accuracy get in the way of truth if I don't want it to.
00:11:34If I see some landscape I like and I wish there wasn't a factory in the background, I leave the
00:11:41factory out.
00:11:45So, Mr. Sutherland, tell me, I'm fascinated.
00:11:48What is your process?
00:11:54First, I shall take some photographs.
00:11:57They'll be useful as reference when I get back to the studio.
00:12:00Then I shall do some charcoal sketches, studies of the head, hands.
00:12:03And then I'll work the sketches out.
00:12:09The actual painting up will be done in my studio at home.
00:12:16Um, is this? Do you mind?
00:12:18Perfect, all right. Carry on.
00:12:22What pose are you thinking of?
00:12:27Seated.
00:12:31A good right standing.
00:12:33It might be more commanding.
00:12:36Dynamic.
00:12:38It might make me look younger.
00:12:42I thought the painting was supposed to celebrate reaching a certain age.
00:12:46Four score years, Winston.
00:12:48Yeah.
00:12:49I think seated is more senatorial.
00:12:53Senatorial.
00:13:00Yes, I agree.
00:13:08Cigar or no cigar?
00:13:13No cigar.
00:13:14Garter robes or no garter robes?
00:13:17No finely.
00:13:19No grandiosity.
00:13:22Dressed merely as a parliamentarian.
00:13:25A prosaic.
00:13:32I liked him.
00:13:33Yes, I could tell.
00:13:35He was smit, blushing like a little girl.
00:13:39Well, he's rather a wow.
00:13:42A wow?
00:13:43Tall and handsome.
00:13:45Saturne.
00:13:46A bit of a Heathcliff.
00:13:48He wants total control.
00:13:50Well, any artist worth anything would insist on that.
00:13:53We don't really want a flatterer.
00:13:55Yes, I do.
00:13:56No, you don't.
00:13:58Besides, it's manifestly clear he's a fan.
00:14:00Oh, no, don't be silly.
00:14:02You can smell the socialism on him.
00:14:04Even the socialists acknowledge you saved the country.
00:14:07Well, through gritted teeth.
00:14:10I have the protective instincts of a loving wife, and I can tell you this one is not an assassin.
00:14:20I can tell you this one is not an assassin.
00:14:41Thank you, thank you, thank you, thank you, thank you.
00:15:11What a champion.
00:15:13Oh, hello.
00:15:26I remember getting the phone call from your father when he was born.
00:15:31By Hyperion, out of Angelola.
00:15:33Yes, we gave him his first milk, remember?
00:15:37Watching him grow up, everyone thought his elder brother would be the star.
00:15:41Your clever papa always had an instinct for this one.
00:15:44The underdog.
00:15:45And he backed him.
00:15:47And an underdog became a star.
00:15:50Yes, it's his favourite horse.
00:15:54So, what's next, Rajan?
00:15:56Well, we've received an invitation to the Laurel International.
00:16:02America?
00:16:03Yes, next month.
00:16:05Well, he's what, four?
00:16:07Already at the older end of the spectrum.
00:16:10Hmm.
00:16:11If you're asking my opinion.
00:16:12Well, that is why I asked you here today.
00:16:16My honest advice?
00:16:18I'd consider retiring him now.
00:16:20At the top of his game.
00:16:22The best middle-distance horse in Europe with a sky-high market value.
00:16:27Let him earn you some proper money as a stud.
00:16:30Well, I'm surprised to hear you turn down the opportunity of going to America.
00:16:37Why?
00:16:38Well, that's where your girlfriend's from, isn't it?
00:16:42Fiancée.
00:16:44Fiancée?
00:16:45Goodness.
00:16:49Who is she?
00:16:51Money, I hope, so you can keep up the stables.
00:16:53Actually, she's a portsmann.
00:16:55Dear, so no money.
00:16:56Some money.
00:16:57But a horse mad.
00:16:59Well, she'd have to be.
00:17:03You'd approve, I think.
00:17:06Well, can I meet her?
00:17:07If you promise you won't scare her.
00:17:09Why would I scare her?
00:17:10You're the queen.
00:17:12Only some of the time.
00:17:13All the time.
00:17:14That makes you terrifying.
00:17:16And she's heard a lot about you.
00:17:19From whom?
00:17:20From me.
00:17:22Some of it nice, too.
00:17:32Why'd you put a dog on the back?
00:17:34It would be a good thing.
00:17:36What?
00:17:36So, my mother, we got to soon hook you up.
00:17:37Come on.
00:17:44Paul's life comes back from.
00:17:45Here we go.
00:17:48Come on.
00:17:48See you up?
00:17:48See you up.
00:17:50Okay.
00:17:54See you up.
00:17:56See you up.
00:18:03the one you let get away what he was carried a torch for you what was she
00:18:12nonsense he told me himself one night while in his cups
00:18:18that doesn't count when a man's had a drink that's when the truth comes out
00:18:24no that's when the nonsense comes out besides you have interests in common
00:18:29horses aren't an interest for you they're a passion passion your husband doesn't share
00:18:34he has other passions so i hear
00:19:12the foreign secretary is here sir shall i show him in no not here
00:19:32sorry to keep you waking as apposite as ever i didn't mean it like that
00:19:44there's ugliness in the air and i have nothing of beauty to say
00:19:50then say what you must deposit your ugliness and go
00:19:54i have more important things to do
00:20:07at some point every leader must ask himself whether by staying in office
00:20:14he is giving to the country or taking from it helping or harming
00:20:23and i would suggest that for some time now you have been taking and harming
00:20:31and therefore i come to you in the name of the party and of the country
00:20:36for the very last time winston
00:20:40to bid you to stand down
00:20:42i will in good time yeah at the right time
00:20:45the right time was nine years ago when you lost us the election
00:20:49and i have since avenged that defeat by winning us the last election
00:20:53i won us that winston i won that
00:21:01people voted conservative in the clear expectation
00:21:05that you would give way to me
00:21:07that is such rubbish they voted conservative because they couldn't stomach socialism inflation
00:21:13is out of control and with every misjudgment with every miscalculation with every utterance
00:21:22you make that appetite to return to the left is growing
00:21:25be careful anthony too much excitement is not good for one so soon after an operation spoken
00:21:31by a man who only two months ago was effectively dead which makes two of us i have recovered
00:21:38that's not what i hear i hear you're a shadow of your former self that when you walk the pills
00:21:46rattle around inside of you i have something that you will never see again
00:21:52a clean bill of health and a stallion said the same
00:21:57he died robbering on the floor
00:22:01mr sutherland is here
00:22:03hello anthony
00:22:05anthony was just leaving
00:22:08hello climmy
00:22:11yes i was uh
00:22:14just leaving
00:22:17here we are
00:22:18morning
00:22:21this is my wife kathleen
00:22:23she'll assist me sometime
00:22:26hope you don't mind
00:22:59over here
00:23:07what's that you're using pencil but which kind
00:23:13um 4b or 6b or something i'm not sure
00:23:18it's a 6b
00:23:20and on what paper
00:23:22drawing paper
00:23:23i pay for heavyweight cotton
00:23:25cold pressed deckle edged
00:23:28sized with gelatine
00:23:36how many paintings has your husband complete in a year mrs sutherland
00:23:41three or four
00:23:43would you care to guess how many i average
00:23:4710 10 15 60
00:23:53of course i'm just a hobbyist and enthusiast not a major artist like your husband
00:24:02taking his time
00:24:06over here
00:24:14so
00:24:19you
00:24:38I did a little reading about you, Mr. Sutherland, after our last session.
00:24:44Did you?
00:24:44Yeah, quite interesting.
00:24:46From what I read, this is all very new to you, this portraiture.
00:24:51I don't think anyone starts out wanting to be a portraitist.
00:24:54Yeah, but in your search for your metier, you've tried a bit of everything.
00:24:59That's true.
00:25:02I came to painting quite late.
00:25:04But now that you've found it, you'll never leave it, yes?
00:25:07Yeah.
00:25:07Yeah, I quite understand.
00:25:28How is it, Mrs. Sutherland?
00:25:32It has truth.
00:25:35Am I to be allowed a peek?
00:25:36No.
00:25:38Well, why not?
00:25:40I could give you advice.
00:25:42After all, I know this face better than you do.
00:25:46If you've made the neck too thick or the arms too long, I can tell you.
00:25:50I find in general people have very little understanding of who they are.
00:25:54One has to turn a blind eye to so much of oneself in order to get through life.
00:25:58And you see it as your responsibility to bring all that out into the open?
00:26:01Certainly, the good as well as the bad.
00:26:03Just concentrate on the good and all will be well.
00:26:07You're not just painting me, you know.
00:26:10You're painting the Prime Minister of the United Kingdom of Great Britain and Northern Ireland
00:26:15and everything that great office represents.
00:26:17Democracy, freedom.
00:26:18The highest ideals of government and leadership.
00:26:22Just remember that.
00:26:34Yes?
00:26:36Lord Porchester, Your Majesty.
00:26:40Plug in.
00:26:42Porchy?
00:26:43What a palaver.
00:26:44What is?
00:26:45Getting through to you.
00:26:47I picked up the phone to you just after nine this morning.
00:26:50It's now gone midday.
00:26:51Oh, don't exaggerate.
00:26:53But yes, I know.
00:26:54It is infuriating.
00:26:55Fire away.
00:26:56You asked me to come to some figures for you with regard to Oriole.
00:26:59Although I'm numerically dyslexic, runs in the family, I'm afraid, like the high forehead.
00:27:04Hmm.
00:27:05I have done the sums.
00:27:06See if this helps you with your decision.
00:27:08In the course of his lifetime as a racehorse, Oriole has made you just over £40,000.
00:27:12In the course of his lifetime, he's got some parts.
00:27:13Goodness.
00:27:15But, if you were to put him out to stud, he could make you far more.
00:27:18He's a recognised champion with a top-notch pedigree.
00:27:21You could stand him at Walfleton's stud for top dollar.
00:27:27Well, that's the decision then.
00:27:30Good.
00:27:31And in the meantime, I'll ask if I can get you a direct line.
00:27:36To you?
00:27:37Yes, to me.
00:27:38Why?
00:27:39Or is there anyone else you wanted to speak to here?
00:27:42No.
00:27:43Good.
00:27:47Dollar.
00:27:48What is it?
00:27:49Top dollar.
00:27:50I need numbers.
00:27:52Four hundred.
00:27:53A pot.
00:27:54A shot.
00:27:56Sorry, I'm trying to find a less onomatopoeic expresser for what is ultimately...
00:27:59I know what it is.
00:28:00A shag.
00:28:01A cover.
00:28:03A cover?
00:28:04Yes, that's the correct term.
00:28:06A horse hump.
00:28:09Yes.
00:28:11So what might you earn then, over the course of the year?
00:28:14Well, in one year alone, Aurel might cover 40 mares, making about 16,000 pounds.
00:28:23Good for him.
00:28:24In the course of his lifetime at the stud, he might sire 500, 600 foals, making me over 200,000
00:28:31pounds.
00:28:32Creating an entire generation of offspring.
00:28:34Yes.
00:28:36Father to all the foals in our stables and any other stable that could afford him.
00:28:40Yes.
00:28:41Oh, I see.
00:28:42So in time, every horse out there could somehow be related to Aurel.
00:28:50Yes, I suppose so.
00:28:53Like old man Carnarvon.
00:28:56Who?
00:28:58Your friend Porchy's father.
00:29:01Porchy?
00:29:02No.
00:29:02Like I said, his father.
00:29:05Yes, they're both called Porchy.
00:29:07Wasn't that the rumour?
00:29:08What rumour?
00:29:09Well, that he'd had so many affairs.
00:29:12An entire generation of British aristocrats was related to him.
00:29:17An illegitimate Porchy in every great house in the land.
00:29:23High foreheads everywhere.
00:29:27Enumerical dyslexia.
00:29:29What?
00:29:30Nothing.
00:29:31What?
00:29:32Nothing.
00:29:37Michael.
00:29:39Dear boy.
00:29:45Good night.
00:29:47Good night.
00:29:50Let me have a look at you.
00:29:52Marvellous.
00:29:53Shall we?
00:29:54Come on.
00:29:54You look beautiful.
00:29:55Phew.
00:29:57Mm-hmm.
00:29:59Mm-hmm.
00:30:09Mm-hmm.
00:30:14Hmm.
00:30:15Let's go.
00:30:45Let's go.
00:31:46Morning.
00:31:47Morning.
00:32:00Your wife this time?
00:32:03No.
00:32:05I asked her not to come.
00:32:11Since this is to be our final session,
00:32:15they wanted us to be all alone.
00:32:21In silence, preferably.
00:32:23Yes, yes.
00:32:25He'll be a good boy.
00:32:33I quite understand the need for concentration.
00:32:37Painting the picture is like fighting a battle.
00:32:41A bloody battle.
00:32:42In the gladiatorial fight to the death, the artist either wins or loses.
00:32:51Are you winning?
00:32:53I hope so.
00:32:56You think I'll like it?
00:32:58I think that's possibly too much to ask for.
00:33:02But I do take comfort from the fact that your own work is so honest and revealing.
00:33:08Oh.
00:33:10Thank you for the compliment.
00:33:16Are there any works that you're referring to in particular?
00:33:21I was thinking especially of the goldfish pond here at Chartma.
00:33:27The pond?
00:33:28Why the pond?
00:33:29It's just a pond.
00:33:31It's very much more than that, as borne out by the fact that you've returned to it again
00:33:35and again, more than 20 times.
00:33:37Well, yes, because it's such a technical challenge.
00:33:40It eludes me.
00:33:43Well, perhaps you elude yourself, sir.
00:33:45That's why it's more revealing than a self-portrait.
00:33:48Oh, that's nonsense.
00:33:50It's the water, the play of light, the trickery, and the fish down below.
00:33:59I think all our work is unintentionally revealing, and I found it especially so with your pond.
00:34:04Beneath the tranquillity and the elegance and the light playing on the surface,
00:34:09I saw honesty and pain, terrible pain.
00:34:12The framing itself indicated to me that you wanted us
00:34:17to see something beneath all the muted colors deep down in the water.
00:34:25Terrible despair.
00:34:27Hiding like a leviathan, like a sea monster.
00:34:31You saw all that?
00:34:34Yes, I did.
00:34:37Perhaps that says more about you than me.
00:34:39Mm-hmm.
00:34:41Perhaps.
00:34:46May I ask you a question, Mr. Sutherland?
00:34:49Hmm?
00:34:49It's about one of your paintings.
00:34:53The one you call pastoral.
00:34:56With all that gnarled and twisted wood.
00:35:01Those great ugly dabs of black.
00:35:05I found something malevolent in it.
00:35:10Where did that come from?
00:35:13Well, it's very perceptive.
00:35:15That was, uh...
00:35:16It was a very dark time.
00:35:18My, uh...
00:35:20My son, John...
00:35:23passed away.
00:35:24Eight to two months.
00:35:30Oh, my.
00:35:32I am sorry.
00:35:39Yes, thank you.
00:35:58You have five, yes?
00:36:01Four.
00:36:03Marigold was the fifth.
00:36:07She left us at age...
00:36:09Two years, nine months.
00:36:12Septicemia.
00:36:13I'm so sorry. I had no idea.
00:36:19We settled on the name Marigold,
00:36:22on account of her...
00:36:24her wonderful golden curls.
00:36:27The most extraordinary color.
00:36:30Uh...
00:36:31Regretfully,
00:36:34though perhaps mercifully,
00:36:36I was not present when she died.
00:36:39When I came home,
00:36:43Clemmie...
00:36:44Roared like a wounded animal.
00:36:55We bought Chantwell,
00:36:57a year after Marigold died.
00:37:03That was when I put in...
00:37:08the...
00:37:09the pond.
00:37:09the one...
00:37:15the...
00:37:16the...
00:37:30the...
00:37:31the...
00:37:32the...
00:37:36Here.
00:37:54Oh.
00:37:58It's a pleasure.
00:38:06There.
00:38:07I look forward to seeing it.
00:38:33Let me free is the death of death.
00:38:50Hello.
00:38:51Hello.
00:38:53Shall we?
00:38:55Yes.
00:39:00Well, given this is Aureole's debut, we want to leave nothing to chance.
00:39:03I've called up three different mares.
00:39:06Very rarely does a forced tryst make a fruitful tryst.
00:39:10One wants the perfect foe, one needs to be prepared to wait for the perfect peril.
00:39:14Shall we?
00:39:16Meet Neocracy.
00:39:17Oh, the Aga Khan.
00:39:18Indeed.
00:39:19Yes.
00:39:20Recently retired, with a good record as a winner.
00:39:22Lovely temperamental.
00:39:24My only concern would be, is she perhaps a little too...
00:39:28Special.
00:39:29I worry that if we left least through to it, nothing would ever happen.
00:39:33Which is why I've also called up Turkish blood.
00:39:36As you can see, an altogether different proposition.
00:39:40Strong, willful, with a terrific track record herself.
00:39:43She really would be breeding the best with the best.
00:39:46I'm sensing a barge.
00:39:48Through memory, your Aureole is something of a sensitive soul.
00:39:51That hate him to be intimidated or come unstuck and faced a fiery warrior like this.
00:39:56That's very considerate of your portrait.
00:39:58Which is why I have a good feeling about our third candidate.
00:40:01Feast your eyes on Temple Bar.
00:40:03The hot thoroughbred with the winning streak herself.
00:40:06There's a little on the young side, perhaps.
00:40:09Just three.
00:40:10We don't mind that, do we?
00:40:16An immediate engagement.
00:40:18Yes.
00:40:19I must say, I do like this one.
00:40:22What it appears the feeling is mutual.
00:40:26Oh, that's enough.
00:40:29Telegrams have been pouring into Dining Street today
00:40:32to wish Sir Winston Churchill a happy 80th birthday
00:40:36on this, the 30th of November.
00:40:38They come from all parts of the globe.
00:40:42Oh, happy birthday, that darling old pug.
00:40:54Happy birthday to you, happy birthday to you.
00:41:02Happy birthday to you, my dear sister.
00:41:07Happy birthday to you.
00:41:13Happy birthday to you.
00:41:24Happy birthday to you.
00:41:55Westminster Hall, silent witness of nearly a thousand years of history,
00:41:59was the scene of the birthday presentations to Sir Winston.
00:42:56I am deeply honored to be here today.
00:43:01No politician has ever received such an honor before, and I am deeply grateful.
00:43:11I am aware, however, that after having served my country for 54 of my 80 years,
00:43:26it is a word that hangs in the air.
00:43:32And indeed, this is the perfect occasion for it.
00:43:36The stage is set, and the audience is assembled all ready for a grand valediction.
00:43:46There's only one problem.
00:43:48The lead actor has forgotten his life.
00:43:53And instead of standing down, he is taking an encore.
00:43:59My dear, he's playing with them all.
00:44:03When your political colleagues are kind enough to present you with a portrait by an ambitious modernist,
00:44:14one has to ask oneself, is it a gift, or is it a curse?
00:44:27Mr. Sutherland, the artist, and I spoke a great deal during my sittings.
00:44:35I reminded him of the stakes involved, that his portrait was not just of me,
00:44:43but of the office I represent, indeed, of our entire system of government.
00:44:51So, at long last, I look forward to unveiling this painting.
00:45:31Divine patriotic piece of modern art.
00:46:02Divine patriotic piece of modern art.
00:46:10Divine patriotic piece of modern art.
00:46:11Why are you here?
00:46:12I understand you've rejected the painting.
00:46:15I have.
00:46:16On what grounds?
00:46:17That is not a painting.
00:46:19It's a humiliation.
00:46:22How shall I paint him today?
00:46:25Ah!
00:46:26Sitting on a chair, producing a stool.
00:46:30A broken, sagging, pitiful creature, squeezing and squeezing.
00:46:36That's not how it's being seen.
00:46:37That is how it is.
00:46:39And I will not accept it.
00:46:41I don't think it's wise to reject it.
00:46:43It was commissioned by the members of the joint houses of parliament as a sign of respect.
00:46:47But then they should have commissioned an artist who is respectful instead of a Judas wielding his murderous brush.
00:46:55Look at it!
00:46:56It is a betrayal of friendship and an unpatriotic, treacherous, cowardly assault by the individualistic left.
00:47:06As regards to friendship?
00:47:07Clearly there is none.
00:47:11I accepted this commission because I admired you and I came through the experience admiring you even more.
00:47:16You make monsters of everyone you admire?
00:47:20It's not vindictive.
00:47:22No.
00:47:22It's art.
00:47:23It's not personal.
00:47:25Well, you are a lost soul.
00:47:29A narcissist without direction or certainty.
00:47:32Please, sir.
00:47:34Don't overreact.
00:47:35Give it time.
00:47:36I showed the sketches to your wife throughout the process.
00:47:39She remarked on how accurate they were.
00:47:40That is the whole point.
00:47:42It is not a reasonably truthful image of me.
00:47:46It is, sir.
00:47:47It is not.
00:47:48It is cruel.
00:47:49Age is cruel.
00:47:57If you see decay, it's because there's decay.
00:47:59If you see frailty, it's because there's frailty.
00:48:04I can't be blamed for what is.
00:48:06And I refuse to hide and disguise what I see.
00:48:14If you're engaged in a fight with something, then it's not with me.
00:48:24It's with your own blindness.
00:48:37I think you should go.
00:48:40I think you should go.
00:49:14I think you should go.
00:49:22He's right.
00:49:25What?
00:49:27I am that man in the painting.
00:49:31Wretched and decaying.
00:49:34And I cannot go on.
00:49:37You've said that before.
00:49:43And this time, I mean it.
00:49:44I'm tired.
00:49:49You've had enough.
00:49:53I have, my love.
00:49:59This time, I really have.
00:50:03Good.
00:50:04Good.
00:50:33Yes.
00:50:47Of course, I knew it was coming.
00:50:50If I'm being frank, there were one or two moments when I might have even hoped for it too.
00:50:57Prayed, no doubt.
00:51:06You really have been the most remarkable servant to your country.
00:51:09Thank you, ma'am.
00:51:10No, Winston.
00:51:12On behalf of us all.
00:51:21And you wish for Mr. Eden to take over?
00:51:23I do.
00:51:24Well, that will make him happy.
00:51:26For a day or two.
00:51:29He might even stop cursing me.
00:51:31Then he will be overwhelmed by a job in which no man can ever succeed.
00:51:37And curse me again for leaving it to him.
00:51:41It might be an idea not to tell him that before he starts.
00:51:44No, ma'am.
00:51:48So.
00:51:51This is our last audience.
00:51:53Oh.
00:52:02Yes.
00:52:08However, will I cope without you?
00:52:11You will be fine, ma'am.
00:52:15I have nothing more to teach you.
00:52:18Which is why it's time for me to leave.
00:52:30No matches, Tim.
00:52:34No matches, Tim.
00:52:43No matches, Tim.
00:52:47I see.
00:52:48I'll be fine.
00:52:48I'll be fine.
00:52:51I'll be fine.
00:52:52I sure was wrong.
00:52:58I just asked.
00:53:00I want you to do good stuff.
00:53:01I want you to的ity.
00:53:07I don't know, sir.
00:53:09But man, if you'll pay me down for me.
00:53:12Oh, my God.
00:53:24Stop.
00:53:25Stop.
00:54:05I want something more personal for Winston.
00:54:16And what about dinner?
00:54:18Here?
00:54:18Oh, or Buckingham Palace?
00:54:20No, there.
00:54:21Downing Street?
00:54:22Yes.
00:54:23It would be quite the compliment.
00:54:25You and Philip go there for dinner.
00:54:28I'll ask Philip.
00:54:30No, you'll tell Philip money.
00:54:33Dinner?
00:54:34Downing Street, oh God.
00:54:36Why not?
00:54:39If you look at it, you think?
00:54:42I mean, if I were a stallion, would I fancy her?
00:54:46Attraction isn't so much about looks as smell.
00:54:50Oh, I see.
00:54:51Well, does she smell good?
00:54:52Well, we'll see.
00:54:53Don't we?
00:54:55It's all right.
00:54:56It's all right.
00:54:57It's all right.
00:55:03Rather like us, darling, when we were courting.
00:55:05Shh.
00:55:06Will you please be quiet?
00:55:10Yeah, look.
00:55:11Here we go.
00:55:12All right.
00:55:13You all right?
00:55:15You all right?
00:55:15Yeah.
00:55:17Hold her steady.
00:55:19Ready?
00:55:23All right.
00:55:24I see.
00:55:28Over here.
00:55:31Back off.
00:55:35Good guy.
00:55:37Good boy.
00:55:41Is that it?
00:55:442,000 guineas for that.
00:55:46As long as he's done what he needs to do, and it bears fruit, I don't mind.
00:55:50Well done, Porchy.
00:55:54Yes, indeed.
00:55:56Well done, Porchy.
00:55:58I hear he's been given a direct line.
00:56:01Who?
00:56:01Porchy, so he can call straight in.
00:56:04I know only because I tried to get one for Mike and was refused.
00:56:08Yes.
00:56:09On account of him not being a family member.
00:56:12Porchy is like family.
00:56:14Is he?
00:56:15Yes.
00:56:16Part of the furniture.
00:56:19Well, as long as you don't sit on him any time soon.
00:56:34Well, that all seemed to go well.
00:56:35Yes, it did, isn't it?
00:56:39You all right?
00:56:43Mm.
00:57:08Can you leave us now, please?
00:57:10Yes, ma'am.
00:57:28I have nothing to hide from you.
00:57:31Nothing.
00:57:35Portchy is a friend.
00:57:35Portchy is a friend.
00:57:39And yes, there are those who would have preferred me to marry him.
00:57:43Indeed, marriage with him might have been easier.
00:57:48Might have even worked better than ours.
00:57:53But to everyone's regret and frustration, the only person I have ever loved is you.
00:58:04And can you honestly look me in the eye and say the same?
00:58:16Can't you?
00:58:28Can't you?
00:58:32Pray silence.
00:58:35For Her Majesty the Queen.
00:58:44My Lords.
00:58:47Ladies and gentlemen.
00:58:48Dear Winston.
00:58:50And Lady Churchill.
00:58:56My confidence in Sir Antony is complete.
00:59:01And I know he will lead the country on to great achievements.
00:59:06But it would be useless to pretend that either he or any of those successors who may one day follow
00:59:13him in office will ever, for me, be able to hold the place of my first Prime Minister.
00:59:20To whom my husband and I owe so much, and for whose wise guidance during the early years of my
00:59:29reign, I shall always be so profoundly grateful.
00:59:40I will remember you always, for your magnanimity, your courage at all times.
00:59:55And for your unfailing humour, founded in your unrivalled mastery of the English language.
01:00:05I take comfort from the fact that in losing my constitutional advisor, I gain a wise counsellor.
01:00:19To whom I shall look for help and support in the days which lie ahead.
01:00:33May there be many of them.
01:00:34Many of them.
01:00:37Many of them.
01:00:39Many of them.
01:00:51Many of them.
01:00:52Many of them.
01:00:53Many of them.
01:00:54Many of them.
01:00:56Many of them.
01:00:57Any of them.
01:01:05Many of them.
01:01:05Many of them.
01:01:05GCLEB stronger.
01:01:05guar, guar, guar, guar.
01:01:08And upbeat.
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