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Year (Jahr): 2025
Release Date (Veröffentlichungsdatum): 2025-03-07
Duration (Spieldauer): 120 min
Director (Regie): Shivam Nair
Actors (Schauspieler): John Abraham, Sadia Khateeb, Kumud Mishra
Writers (Drehbuch): Ritesh Shah
Title (Originaltitel): The Diplomat
Country (Land): India
Original language (Original-Sprache): Hindi

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Rotten Tomatoes: 47% | TMDB: 6.6
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Looks like diplomacy, feels like paperwork with a pulse. In The Diplomat, an Indian diplomat goes all-in to bring back an Indian girl from Pakistan. The claim is brutal and specific: she was allegedly forced into marriage against her will and deceived along the way. So far, pretty clear. Then the movie does what politics always does. It turns urgency into obstacles. Diplomatic hurdles stack up, political tension slows everything down, and suddenly his “case” becomes a personal test of nerve. You’re watching someone push against systems that are designed to absorb pressure, not solve problems. Whether it lands perfectly or drags a bit, you get the point. And hey, with a 47% Rotten Tomatoes score, you already know this one is for people who don’t mind a little friction.
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Der Titel klingt nach Anzug-und-Krawatte. Der Film eher nach „Kann man das irgendwie noch schlimmer drehen?“ Ein indischer Diplomat versucht, ein Mädchen aus Pakistan zurückzuholen, das offenbar gegen ihren Willen in eine Ehe gedrängt wurde und dabei richtig reingelegt worden sein soll. Klingt nach klarem Unrecht. Wird aber natürlich kompliziert, weil jede Tür erst diplomatisch, dann politisch und am Ende irgendwie menschlich zu ist. Was als Aktenreise startet, kippt zur persönlichen Mission: Er kämpft nicht nur gegen Behörden, sondern auch gegen die Frage, ob „Prozess“ hier Schutz oder Verzögerung bedeutet. Unterm Strich: ein Spannungsthriller mit moralischem Druck und genug Reibung, um einen bis zur letzten Szene auf Trab zu halten. Rotten Tomatoes ist auch nicht überzeugt, aber das ist meistens ein gutes Zeichen.

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Kurzfilme
Transkript
00:14Get back.
00:15Where did you get inside?
00:16Open the door, keep it behind.
00:18Open the door, we're out of here.
00:19No, he's gonna kill me.
00:25What is your name?
00:27Spiderman.
00:27What's the problem with you?
00:30Tahir.
00:31Tahir?
00:34Sir, I had married with him.
00:36And then I'll take you easily to Indian embassy.
00:42What's that?
00:43You're lucky.
00:44You're very fraught.
00:48What's that?
00:50What's the matter, Tahir?
00:51You've got your hand.
00:51You're very scared.
00:53That's not what happened.
00:54She's talking a little bit.
00:57You've got a good contact with the police.
00:58You've got a good contact with them.
01:00Yes, sir.
01:03Or something else can show you.
01:07You killed your husband.
01:08You can kill injury marks.
01:11How do you know that he killed his husband?
01:15J.P.
01:16Have you given any Indian woman in the embassy?
01:19Yes, ma'am.
01:20We had immediately informed J.S.
01:22You've got to kill him in the embassy.
01:24You've got to kill him in the embassy.
01:25You're a citizen of the embassy.
01:26If you want to go to your country,
01:27you should never give away.
01:28You've got to go to India.
01:30We don't want to see India from the prism of Pakistan.
01:32We should see it from the humanitarian angle.
01:35Don't be afraid.
01:36You're our daughter.
01:38You're our daughter.
01:38Our daughter of India.
01:39Our daughter of India.
01:42Our daughter of India.
01:45Our daughter of India.
01:46My daughter of India.
01:46I always thought the same way is the same way.
01:49Like the same way is the same way is the same way
01:49And the same way is the same way.
01:51My fault is too.
01:53I'm a diplomat writer!
01:54I'm not a character.
02:07I'm a character.
02:15I'm not going to meet you here three years ago.
02:18Don't forget that you're in Pakistan.
02:20Just don't.
02:22Don't worry.
02:22I'm not going to meet you.
02:23We need you.
02:41I'm not going to meet you.
02:48I'm not going to meet you.
02:48I'm not going to meet you.
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