#video #Young Sherlock S01E06 (2026)
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00:11To be continued...
00:40Here, dry yourself off. You've had quite a shock.
00:44Sorry. It's for my own protection.
00:47Your protection?
00:48Exhuming your sister's body. Hardly rational, is it?
00:51No, no, no, no, don't! Don't try to make it out like I'm the dangerous one.
00:54I always feared this day would come, that I would find out.
00:56You would show signs of your mother's affliction.
00:58Is my sister still alive?
01:00Sherlock, for God's sake...
01:02It's not her in the grave, it's not her body.
01:04Of course it's her.
01:05No, it's not! Her arm was broken! That arm's not broken!
01:08You're misremembering.
01:10I know, it was in a sling! It was in a sling! I remember that!
01:13Yes, yes it was.
01:16Because she'd sprayed her arm, falling from a tree, trying to climb after you, trying to keep up after you.
01:25No wonder you've blocked it from your memory.
01:27I understand how desperately you want to believe she's alive.
01:30And all about your failed businesses? And how your fortunes changed when mother was sent away? Explain that.
01:35You know why my business went under? Because I was here looking after your mother. She wasn't well, Sherlock, long
01:40before Beatrice died.
01:42And after she went away, I buried myself in work and so my fortunes improved. There is nothing sinister about
01:47it.
01:48Only two people saw the body. Only you and the groundskeeper.
01:51No, that is simply untrue. The doctor, he issued a death certificate. He saw her. I can't believe we're even
01:56having this conversation.
01:57A doctor who didn't even know what Beatrice looked like?
01:59Enough. I've been more than patient.
02:01Why would you bring a doctor all the way from Oxford?
02:04That was your mother's idea! She was an old friend of his. He was an old friend of hers. She
02:11wanted him to be here.
02:19Listen to me. Sherlock, listen. It was the worst day of our lives.
02:32Of course you, of course you find it confusing. Do you, do you really think that I'm, I'm, I'm, I'm
02:38capable of something so I hate this?
02:41I'm sorry, I'm sorry, I'm sorry.
02:42Imagination can be a curse.
02:44I'm sorry.
02:48You stay away from him. That's a lie about the doctor. It's a lie. How many others are there?
02:55Oh, Gilead, my love, you, you, you, you, you don't remember.
02:57James told me what they found in that grave.
03:01Yes, Beatrice.
03:03Where is she?
03:04We all just need to calm down.
03:07Oh, do we?
03:13Get in!
03:30That's, uh, most mysterious. Most mysterious. Um, what is, sir?
03:38What, what is what, your man?
03:39What is most mysterious?
03:41Well, no sign of skin discoloration. No lingering smell that would indicate poisoning. No sign of a heart attack. No
03:50blood vessels burst, as you'd expect. And no flesh wounds.
03:55Uh, of any sort.
03:57So the man has been murdered, and you're telling me that we don't know how?
04:01Now, what I'm telling you is that the body is in excellent health.
04:05Yes. Apart from the rather unfortunate fact that he is dead.
04:10Hmm.
04:13What is this?
04:13That's the contents of his airways.
04:16Uh, the sort of thing that you would expect in a drowning victim.
04:20Except he didn't drown.
04:22I was there. I was on dry land.
04:26Would you excuse us for a moment, please, sir?
04:28Yes, certainly, young man. Thank you so much.
04:33Do you know what he was working on? Because if you do, now is the time.
04:37It was, um, something for the government. Most secretive.
04:42So he and Professor Malick, they were working together, is that right?
04:45Yes. Although he never shared any of the details with me.
04:49You neither?
04:50No.
04:51Ah, are we getting anywhere?
04:53Not really, Lestrade, no.
04:55No. Each question leads to more questions, like fighting the Hydra.
05:02Lestrade, what do you have for me?
05:05A wire cone for you, sir?
05:09Oh. I've been summoned.
05:26Who is she?
05:28We don't know.
05:30They would have got a body from the hospital or at the poor house.
05:34It's not hard to do.
05:42Do you think she might still be alive?
05:44I don't know.
05:45But it is a possibility.
05:47Yes.
05:49It is a possibility.
05:51Where are you going?
05:53To find her.
06:00And where is Professor Malick now?
06:03I'm afraid I don't know, sir.
06:04And the Chinese assassin?
06:06Whereabouts also unknown, sir?
06:07Mr. Holmes, your handling of this whole thing has been nothing short of appalling.
06:11Yes, well, perhaps if you gentlemen had been a little more forthcoming with me from the start,
06:14I might have been better placed to protect Sir Bucephalus.
06:17Are you insinuating this is our fault?
06:19I can say it more plainly if you prefer.
06:21Holmes.
06:21I believe that Hodge was killed owing to a secret government project based out of Oxford,
06:25the details of which you have refused to share with me.
06:28But I suspect whatever he was working on was highly dangerous.
06:33Hodge died working for this government.
06:37I need to know what you know.
06:42How does a man show signs of drowning on dry land?
06:46Don't try to confuse us with riddles, sir.
06:50You were sent to Oxford to assist Sir Bucephalus with the new science building.
06:54Now he's dead.
06:55On your watch.
06:57You're done here, sir.
06:59Your career with Her Majesty's government is at an end.
07:01Sir, if I met, I'll be all.
07:10Good day.
07:12Tell me everything that you've uncovered so far.
07:16Well, we think it was the groundskeeper who actually took Beatrice.
07:19Not Nathan.
07:20Yes, Nathan.
07:21Father paid off his debts just after Beatrice disappeared.
07:24My darling, he was always so kind.
07:26Well, Father was with us at the picnic the entire time, so he would have needed an accomplice.
07:29The groundskeeper would have squirred her off the estate.
07:31So he would have needed to, thank you, take her as far away from here as possible without anyone noticing.
07:35Did he have a cart or a trap?
07:37Yes, he had a cart for his deliverance.
07:41Nathan did deliveries?
07:42Game.
07:43Yes, Father used to hunt game on the estate.
07:45Pheasants and rabbits.
07:46And Beatrice would never eat the rabbits.
07:48She used to give them all names.
07:50So there was lots left over and Nathan would sell it once a week from his cart.
07:54So Nathan renders her unconscious and hides her in the car.
07:57Underneath the sacks of pheasants and rabbits.
07:59And then it's a standard delivery and he draws no attention to himself.
08:02Do you remember where he'd make these deliveries due?
08:04No, darling, I have no idea.
08:11The game book.
08:14The estate game book.
08:15Everything that was shot and sold has been recorded in there.
08:19Nathan Burford makes a delivery the day after Beatrice supposedly dies.
08:24It's not a peculiar day to go about your business as usual.
08:27A brace of pheasants, four rabbits, and a hare delivered to an address in Highgate.
08:41What's the best matter 60 miles from here?
08:44Where no one would know her.
08:46I will get Crowell to saddle some horses and I promise to wire news as soon as I hatch.
08:51Oh no, I'm coming with you.
08:55If Beatrice is out there, I'm going to find her.
09:00With or without you.
09:06That's you, Jordan.
09:13Oh, get out from under my feet.
09:18Go on, you little tyrants.
09:19Go play over there.
09:24Who are you then?
09:25My Croft Holmes.
09:26I was wondering if your good husband might be home.
09:28My good husband.
09:30I only have the one.
09:33Visitor.
09:34Thank you, light of my life.
09:39Excuse me.
09:40A little early, isn't it comfortable to be on the cider?
09:43I'm drowning my ambition, Mr. Holmes.
09:45Scotland Yard, that's where I have my sights on.
09:47Well, after everything that's gone down, Hodge's dead.
09:50If you haven't fled, I'll be lucky to keep my job in Oxford.
09:55Constable, it is a safe bet, is it not, to assume that Professor Malick killed Sir
09:58Pucephalus Hodge?
09:59It is.
10:00Well then, is it also a safe bet to say that if we were to apprehend Professor Malick,
10:05we could also rescue both of our careers?
10:09I'm listening.
10:10When we were at the police station in Oxford, you mentioned Professor Malick having a file.
10:13What of it?
10:14What was in it?
10:14Nothing.
10:15Just his name and his address in Oxford, which we've already searched.
10:18But if he had no criminal record, why bother to create a file for him in the first place?
10:24Answer.
10:25There was something in that file before.
10:28It's since been taken.
10:29So where's the arrest report?
10:31Worth another gander, don't you think?
10:34I'll get my coat.
10:50Hello.
10:53Can I help you?
10:54Oh, yes.
10:55We're looking for a young girl.
10:57We have reason to believe that she was brought here about 12 years ago.
11:03This is her.
11:05I'm afraid I've never seen her.
11:08Now I bid you good day.
11:23I would ask you to stop pestering me.
11:26Her name is Beatrice.
11:28I'm her mother.
11:30My name's Cordelia Holmes.
11:32Until yesterday, I believed that she was dead.
11:34I now have reason to believe that she may have been brought here.
11:38Tell me anything you know.
11:40Anything at all.
11:41I'm asking you.
11:43I'm begging you.
11:44Please help me.
11:47We didn't know her name, so we called her Hannah.
11:52Because she came to us as a blessing.
11:54I couldn't have children of my own, you see, Mrs. Holmes.
11:58And we thought that she was an orphan.
12:02And it was Nathan Burford who brought her here.
12:05He said he was from the orphanage.
12:07It's been a terrible accident.
12:08A fire at the house.
12:09So you're going to stay when you sit to your cot for a while.
12:12Hello, little one.
12:13We tried to give her a good life.
12:15I am sure you did.
12:16I gave her all the love I had.
12:19Gave.
12:20You said gave.
12:23She's not here, is she?
12:26She's gone.
12:28Yes.
12:29She left us when she was 14.
12:32We woke up one morning.
12:33She'd written a note thanking us and saying that she didn't want us looking for her.
12:38And you have no idea where she went?
12:41No.
12:42Mrs. Tilghott.
12:44Could I see her room?
13:01What was she like?
13:04Bright.
13:06Determined.
13:08Stubborn.
13:15Did she call you mother?
13:17I'm so sorry.
13:18No, no, please.
13:19Please don't apologize.
13:20I can see that this was a happy and loving home.
13:27She loved nature.
13:29We'd get her those on her birthday.
13:30A different one every year.
13:32You would buy her these?
13:36No need to lie to us now, Mrs. Tilghott.
13:38No, Mrs. Tilghott.
13:39Just anything you can tell us that might help us to find her.
13:44They were sent.
13:47Where did they come from?
13:49Sent from whom?
13:51I never learned his name.
13:52Never met him.
13:53He was her benefactor.
13:55That was all I knew.
13:56There was never any return address on the parcels?
13:59None.
14:00None.
14:00Do forgive me.
14:08Steel pin, lacquered preventing rust from the moisture inside the thorax.
14:14Specialist equipment.
14:18Only one place in London makes these.
14:26Annual commission.
14:28Beatrice was sent to Butterfly every year on her birthday.
14:30I'm paid for it by Silas.
14:31No name.
14:32But they gave me an address.
14:34Bedford Row Holborn, please, sir.
14:36Dive.
14:38Apologies.
14:39Manners, surely.
14:45Constable Lestrade.
14:47Mycroft Holmes.
14:48Leave the door open.
14:54Fishul Malik.
14:58As I said, it's empty.
15:01Someone trying to protect him, you think?
15:07Look at this.
15:08The ink was wet when the document was put into the file.
15:10Well, I can't read it.
15:11It's backwards.
15:13Never leave home without a dressing mirror, Constable.
15:16Like so.
15:19Two names.
15:20Two addresses.
15:22First is undoubtedly Malik's.
15:24The second is harder to read.
15:27Looks like Alvy Gordon, Shelbourne Hotel, Bayswater, London.
15:44I don't suppose she'll know who I am.
15:47She won't remember me after all this time.
15:49And she's been raised by another woman, so.
15:52Now, now, Mrs. Holmes, you'll never forget your mother.
15:56I certainly won't forget mine.
15:57James, what happened to your mother?
15:59Well, she's long past.
16:01She had the consumption.
16:02I was only a little lad at the time.
16:04Oh, you poor thing, I'm so sorry.
16:06But there's not a day that goes by that I don't think of her.
16:09And I promise you it'll be the same for your Beatrice.
16:12You are such a kind man.
16:13Well, you bring out the best in me.
16:14And you have such a beautiful smile.
16:35Will you kindly stop it?
16:38I wasn't referring to the whistling, James.
16:41Kindly stop what?
16:42Flirting with my mother?
16:43I'm doing no such thing.
16:44I know you.
16:45You can't help yourself.
16:46What I cannot help, Sherlock, is if people find my charm irresistible.
16:53You can't deny your mother's a very beautiful woman.
16:57And I certainly wouldn't kick her out of bed for eating biscuits.
17:02I am serious, James.
17:05Cease and desist.
17:11Please.
17:28This is the address for Alvie Gordon, Esquire.
17:31If your cute little mirror trick is correct.
17:34Good afternoon.
17:36We're looking for an Alvie Gordon.
17:38Yes, of course.
17:39I'm Mr. Gordon.
17:40Perfect.
17:41We're looking for Professor Malick.
17:44Kiss your Malick.
17:45I'm sorry, I don't know anyone by that name.
17:47Strange that, sir.
17:49Seeing as this address was listed on his arrest report.
17:55Perhaps this is best discussed in my office.
18:02Now, what's all this about?
18:07I couldn't possibly trouble you for a glass of water, could I?
18:13I'll wait here.
18:14Thank you so much.
18:24A receipt from Hatchardson Bookshop for Moody's Guide, latest edition.
18:29I shall ask what you think you're doing.
18:31As I said, sir, we're trying to find Professor Malick.
18:33And as I said, I don't know him.
18:36You recently purchased a travel guide, sir.
18:39I thought I might take a holiday.
18:41This receipt mentions that you paid to have it gift-wrapped.
18:44Traveling with someone, are we?
18:46What exactly is your relationship with the Professor?
18:52We have the arrest report, Mr. Gordon.
18:54Someone tried to suppress it, but recently it came into our possession.
18:58Now, as far as I'm concerned, how a man chooses to live his life is his own affair.
19:03But many in my profession may hold a different view entirely.
19:06Fortunately for you, I'm able to ensure the arrest report remains hidden.
19:10As I'm sure you would prefer.
19:13Yes.
19:15Very much so.
19:17So tell me, where is Professor Malick?
19:24Paris.
19:26Well, well, well, Constable Strahd.
19:28Bluff and blackmail, all in the same breath.
19:31We'll go fast, Golan Yard, I'm quite sure.
19:34I won't be able to come with you to Paris.
19:36Well, that is a shame.
19:37Have to get back to work.
19:38Can't leave Mrs. Lestrade with her hands full.
19:41Not to mention the goats.
19:44Fine, Malick.
19:45Yes, if I do.
19:46When you do.
19:47I will be sure to let your superiors know quite how invaluable you were.
19:52Thank you, Mr. Holmes.
19:53Please, please, call me Mycroft.
20:03Pelley's back.
20:04Rozzy, Pelley's back.
20:07Street Pirates, Pelley a bunch.
20:13Did he come?
20:14No.
20:16Not yet.
20:18He's the only one we found out of Malik.
20:32Red Street.
20:34Have you got a picture?
20:38Red Street, cheap side.
20:40Cheap side, please.
20:51You're right!
20:52You're right!
20:53You're right!
21:17Oh shit.
22:08Let's go!
22:23Are you ready, Ma?
22:47Oh, my God.
22:50Oh, my God.
22:50Oh, my God.
22:52Oh, my God.
22:56Oh, my God.
23:03I'll go for help.
23:05No, no.
23:07You need to go with this.
23:09He's going to find Malik's only one.
23:12I'm not here.
23:13He's already gone.
23:14No.
23:15I know where he will.
23:18He's from the door.
23:19He's from the door.
23:23Ah, Lee?
23:25She's going to come.
23:29She's going to come.
23:30She's going to come.
23:31She's going to come.
23:32Come on.
23:33Come on.
23:35But I won't let you go.
23:38If you're not going to let me go,
23:40I can end the hospital.
23:45I'll look for him next year.
23:50Cause they're going to leave me.
23:57I will beg my pardon.
24:01He will have me with me.
24:03Home.
24:05Home.
24:07Home.
24:08Home.
24:08Home.
24:09Home.
24:11Home.
24:12Home.
24:13Home.
24:14Home.
24:15Home.
24:15Home.
24:26so this is the address that paid for beatrice's butterflies it is and appears to be closed
24:38now usually james and i would of course wait until they are open come back in the morning
24:42which is right and proper and what if we're not being right and proper you have a hairpin mother
24:48careful now this will make you our accomplice oh good thank you
24:55where did you learn how to do this headmaster's office used to break in alter my school reports
25:00before they were sent home well that didn't stop you getting expelled from school did it it stopped
25:04me getting expelled from more schools than i would have do you know i'm realizing i have absolutely
25:09no idea who you are i am my mother's son she had to do the honors go on live life
25:16on the edge
25:22we'll make a fee for you yet mrs orbs
25:39what is this place let's light her up and find out
25:48good man
25:58some sort of textile company sherlock look this is beatrice i mean she's older but about 14. that's
26:09i could feel that she is still alive
26:17father's name that's definitely his signature
26:26importing
26:29textiles i don't understand why would he hide that from us
26:31we should hurry james yes yes silas's travel itinerary he's a busy man
26:38brussels bordeaux london to monaco amsterdam to madrid there's a name here
26:44therese perhaps a female travel companion well whoever therese is is with her this weekend
26:51yes so where is therese all of those journeys were made by trade what are you doing linear interpolation
26:58russells to bordeaux london monaco monaco amsterdam madrid all of those journeys intersect the same place
27:08for the first place i saw something look a guidebook to paris right well therese is not a woman
27:19Therese is the name of a hotel in Paris, in Rue Saint-Anne.
27:22Gosh, I'm not that clever.
27:27Right, time to skedaddle.
27:29Well done, mother.
27:30When you're ready, Mrs. Holmes, yes, I'll ask you this way.
27:36Not that way.
27:38Please walk.
27:38Yes, sir, come on.
27:50Good class, sir.
27:52Oh, goodness.
27:54Doesn't that hurt?
27:55Well, I never think to stop and ask them.
27:57They're not policemen.
27:58Police don't wear brown boots.
27:59Well, who are they then?
28:00Well, we could ask them.
28:02Or we could run.
28:03Oi, come on, no.
28:05What the hell?
28:06Oh, yes.
28:07Oh, yes.
28:08I'm running.
28:14Shut up.
28:15Where are we going?
28:17Not sure yet.
28:21What are we doing?
28:23Thinking.
28:28Step aside, mother.
28:38Come on, mother.
28:39Don't leave.
28:40Come on.
28:41Come on.
28:42Come on.
29:00This world of yours, Sherlock, it is rather fun, isn't it?
29:06Yes, I suppose it is.
29:12Wait, well, to Paris?
29:38Now, they are in the midst of a revolution.
29:41What a case?
29:42How many revolutions does a country need?
29:43Some parts of the city remain relatively unscathed, but we will have to navigate one or two barricades
29:49to get to where we need to go.
29:50Oh, you are too focused on the obstacles, my friend.
29:55We're not going to go further.
29:58We're going to the Hotel Terrell.
30:00Could you show us the path?
30:01You turn to the left, at the end of the street.
30:04But you have to cross the barricades.
30:05Good luck.
30:15This way, this way.
30:16Get down.
30:27Through here.
30:39Oh, I'm ready.
30:40Oh, no.
30:41English?
30:42Yes, yes, we're English.
30:43We do not like the English.
30:45How do you feel about the Irish?
30:47We like the Irish.
30:52So what do you propose?
30:54I don't shoot you, but I do shoot them.
30:57No, we'd quite like if you didn't shoot any of us, if it's all the same to you.
31:00We're just looking for my husband.
31:02He's on your side.
31:04He would lay down his life for the revolution.
31:08Then, get over here.
31:10Merci.
31:13Merci.
31:16Enchanté, madame.
31:19James?
31:25Here she is.
31:26Hotel Terrells.
31:27Right.
31:28Let's find a spot and watch the place.
31:29Wait for him to show.
31:30There's no time to wait.
31:31We have to find B.
31:37Oh, good evening, monsieur.
31:39Madame.
31:40Je viens rejoindre mon mari, monsieur Silas Holmes.
31:44Désolé, madame.
31:44Monsieur Holmes n'est pas ici en ce moment.
31:47Pourriez-vous avoir l'obligence de me dire où je pourrais le trouver?
31:51Un homme à doigt en son jardin secret, madame.
31:54Monsieur, je suis fatiguée.
31:57Je suis affamée.
31:58Et je viens de m'échapper d'un asile.
32:02Mais croyez-moi, il n'est pas dans votre intérêt que je cause un esclandre dans votre hôtel si élégant.
32:09Elle est assez fatale avec confusée.
32:12Nous cherchons Silas Holmes.
32:15Parti il y a une quinzaine de minutes.
32:18Où partait-il?
32:19Aucune idée.
32:20Il n'a pas pris de quel âge.
32:22Alors?
32:23Mais il ne peut pas aller bien moi.
32:25Quel est le vaccin?
32:32Quelle direction?
32:33Sébastopol.
32:34Une autre.
32:36D'accord.
32:37Qu'il portait-il?
32:38Ce qu'il portait.
32:39Peu de forme.
32:41Cap.
32:42L'opéra?
32:43Mauise direction.
32:44Bon.
32:45Qui est-il dans cette direction à pied pour qu'un homme se mette sur son pontillon?
32:54Je suis sûr d'elle.
32:56Je smells froid.
32:57Je suis sûr d'elle.
33:02Je me suis sûr d'elle.
33:07Je suis sûr d'elle.
33:21Je m'en prie.
33:28Darling, I'm only sorry you have to be here with your mother.
33:31Quite alright.
33:34Oh, I've finally found where I belong.
33:39Outside, the world burns.
33:41Inside, they dance.
33:43Never underestimate the human needs for diversion.
33:46Keep them entertained, and you'll have them in the palm of your hand.
33:51My God, the face of a angel.
33:55I am in the paradise.
34:08The things you could teach me.
34:10Whatever you want, for a fee.
34:12A fee he can't afford.
34:13Now, if you wouldn't mind, I'd quite like to find Silas.
34:15Mycroft.
34:17Silas.
34:18No.
34:18Mycroft.
34:21Mother.
34:23What is Mycroft doing here?
34:30Sherlock.
34:32Mon cher frère.
34:33You brought Mother to Paris.
34:34Have you finally lost your marbles, brother dear?
34:36It wasn't his decision, darling.
34:38I'm fed up of people making decisions on my behalf.
34:42I must say, it does seem to be rather agreeing with you.
34:44Yes, I do find this life of adventure rather suits me.
34:48I just wish I'd discovered it before, darling.
34:52I'm sorry, I'm just not used to-
34:54Seeing me like this, I know.
34:55Neither am I.
34:56I'm finding it so liberating.
35:02Finished?
35:03Yes.
35:04What are you doing here?
35:05Ah.
35:06Following him.
35:10Malik.
35:12What's the point?
35:13What are you all doing here?
35:14We've been following him.
35:19Father.
35:21What's he doing here?
35:23It appears those two gods know each other.
35:26Curious, sir.
35:27I'm curious, sir.
35:28Would anybody care to enlighten me as to what the hell is going on?
35:34We think Beatrice might still be alive.
35:37I'm sorry, what did you say?
35:38We think Beatrice might still be alive.
35:39Yes, I heard you, Sherlock, but what did you say?
35:42Darling, I know.
35:43The bee is alive.
35:45And Silas knows where she is.
35:48Darling, he's on the move.
35:50No time to explain.
36:13The bee is alive.
36:18No time to explain.
36:25The bee is alive.
36:35He's alive.
36:40We're gone.
36:40The bee is alive.
36:42Where's the God?
37:49I trust you enjoyed the festivities upstairs to which we shall return, but for now, we must get down to
37:57business.
37:57Gentlemen, I know you stand here today with the same question on your minds.
38:02How do you take back control of your city?
38:04How do you take back control of your country?
38:06Impossible, some might say.
38:08As a famous man once said, impossible is a word only found in the dictionary of fools.
38:18What I am offering you here today, gentlemen, what Professor Malik here has developed,
38:26will change the face of modern warfare.
38:37Odorous, colorless, silent, deadly.
38:43This nerve agent is unlike anything the modern world has seen before.
39:05Killing butterflies is hardly our mission, sir.
39:08Indeed, General, quite so.
39:12Bring out the deplorable.
39:24You see, what I have here, in the right concentrations, will work on a barricade, a neighborhood, or even an
39:30entire city.
39:31You no longer need armies to defeat your enemies, General, you simply need me, or more precisely, you need what
39:39I'm selling.
39:40For those of you who wish to place an order, it's only fitting that we should meet at the famous
39:44two corners where you can contact Mr. Esad Qashqal.
39:53No, he's one of them!
39:56No!
39:58Oh.
40:05What the fuck?
40:13No!
40:15Oh!
40:17Yes!
40:18Fuck!
40:19Yes!
40:20No!
40:41No!
40:43No!
40:43No!
40:45Eh, voilà .
40:51Let's go.
41:17Let's go.
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