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00:15¡SuscrÃbete al canal!
00:30No, money's been tight, so I called in a favor from an old friend.
00:35This belongs to Pierre Cadot, and it's yours if you want it.
00:40Wow, that's so generous.
00:42I mentioned your name, and he said no problem, and also to send his love to Zio Lorenzo.
00:49Uncle Lorenzo.
00:51He worked for the company for many years.
00:53He charmed the pants of everyone in the fashion industry, literally.
01:00Oh, this is...
01:03Scary.
01:06Exciting.
01:07How soon can we move in?
01:08How about...
01:10Now!
01:11Whoa!
01:19Am I doing this right?
01:21I've never been a fit model before.
01:22You're perfect.
01:23Okay.
01:23Pierre Cadot's ready to zoom.
01:25He has news.
01:26Go, go, go.
01:27Hi.
01:29Sorry, guy.
01:33There's our fairy godfather.
01:35What did you call me?
01:36Bonjour, Pierre.
01:37Thank you again for this gift.
01:38This changed everything.
01:39You said you had some news.
01:42Any luck on Paris Fashion Week?
01:43Despite all the cloaks I wear, I'm not a wizard.
01:47It's impossible to get an unknown designer into Paris Fashion Week, especially when he's
01:53being sued by his own mother.
01:55You said you had good news?
01:57I found you a much more suitable event.
02:00Venice Fashion Week.
02:02Venice has a fashion week?
02:04It's more for emerging designers.
02:07Well, then that's perfect.
02:08An Italian newcomer making a splash in Venice, literally.
02:12You'll sink or swim.
02:14Either way, prepare to show in two weeks.
02:17What?
02:17That's not possible.
02:19Oh, my darling boy.
02:21Fashion is all about making the impossible possible.
02:25Bonne chance, mes amis.
02:34Cher Pascal, we're very excited to share our ideas with you for the launch of your absinthe
02:39Le Réve Verre.
02:40To celebrate, we'll be throwing a decadent party in the style of La Belle Époque.
02:45There'll be con-con dancers as well as waiters in period costumes.
02:50And no absinthe party is complete without a visit from the green fairy herself.
02:55Nice touch.
02:56When guests arrive, we'll greet them with a shot of Le Réve Verre, served on sugar cubes.
03:01But just a splash, we can't have anyone going mad.
03:04That's just a myth, right?
03:07Is it really hallucinogen?
03:09No, it's real.
03:10Absinthe was banned for almost a century in France.
03:13It was the molly of the Belle Époque.
03:15What do you know about molly?
03:19It's a strong drink, but I assure you Le Réve Verre is nothing like molly.
03:24It will not make you lose your mind.
03:26During the Belle Époque, regulations weren't strict.
03:29We weren't there, so who can say?
03:31I wish I had been there.
03:34La Belle Époque wasn't about restriction.
03:36It was about experimentation.
03:38About progress in art, in technology, in science, in everything.
03:42It was the birth of cinema.
03:43It was the birth of La Tour Eiffel.
03:45And the epicenter of it all was Maxime's.
03:47So I'm very, very glad you were able to book the venue for the event.
03:52We did?
03:55Oh, yeah, we did, of course.
03:57Bien sûr.
04:05Luc, why is Pascal's party at Maxime's?
04:08I thought you were booking Laurel's club.
04:10I mean, it's a perfect fit for the party.
04:11And he could use the business.
04:13I called to reserve the space, but I was told it isn't available.
04:16We even offered to change the date, but they said no.
04:19Should we ask again?
04:21No.
04:22No.
04:23Too late anyway.
04:25Amélie, are you free tonight?
04:27I'm feeling nostalgic, and I would love to show you my Belle Epoque Paris.
04:31Aw, that sounds lovely.
04:33Marcello's busy working tonight, so count me in.
04:36An artist working late into the night, it is just like the Belle Epoque.
04:40Without all the syphilis and the smells.
04:43Do you know about the great stink of 1880?
04:46What?
04:47Ew, no.
04:48The city was unbearable.
04:51I can't wait to tell you all about it.
04:53Hello?
04:54Have fun.
04:59Yes, I can have a marketing plan ready by tomorrow, but if they get two weeks for the line,
05:03can I please just at least get two days to prep the rollout?
05:09Okay, thank you.
05:13Sounded intense.
05:15Who was that?
05:16Nico.
05:17He's pretty freaked out.
05:18Can you maybe try to cut him, like, a little slack?
05:21Money's really tight right now.
05:23He's worried about money, really?
05:25Yeah.
05:26Oh, do you not know that when he left JVMA, it violated his trust, so he's locked out of that.
05:32He cashed in some stocks that his grandfather gave him, so he's basically betting his whole inheritance on Marcello's business.
05:39Wow, I had no idea.
05:41It's going to be fine.
05:42He knows what he's doing, but I feel like I need to start contributing more, you know?
05:46I mean, if I nail this audition tomorrow, I can cover his rent.
05:49Do you have an audition?
05:50For what?
05:52Did I not tell you?
05:53So, these movie producers saw me at Crazy Horse, and they want me to read for Satine in an animated
06:00Moulin Rouge.
06:01Oh, my God, I love that movie.
06:02You're being amazing, Satine.
06:04Aw, thanks.
06:05Okay, how do I say break a leg in French?
06:08The French version is merred.
06:10Okay, well then.
06:12Merred.
06:13I'll take it.
06:14I need all the merred I can get.
06:23Thank you.
06:32I'm so happy that you're able to be free.
06:35Paris, you're very, very busy.
06:36Oh, I can't imagine.
06:39I'm sorry, by the way, for your absence, we're reserved for a few weeks.
06:43Oh, but it's not a problem.
06:45It's good news.
06:46Yeah.
06:52You're missing me.
06:55You asked me, I gave you the air, but I was happy that you called me.
07:03I was happy that you called me.
07:03Me too, I was happy that you were there.
07:08And you were where all these times?
07:10In the south, especially.
07:13Paris works very well, but it's nothing at the side of St. Tropez.
07:16A propos St. Tropez, j'ai retrouvé un petit truc.
07:24Ça date de l'ouverture.
07:26C'est toi qui avais fait la photo, non, je crois ?
07:27Oui, j'avais posé, j'avais mis le timer, j'avais conçu le flyer, j'ai tout fait.
07:32Tu as été incroyable.
07:35Tu l'es toujours.
07:38On était en fusion à l'époque, on ne pouvait pas se séparer l'un de l'autre.
07:42Je suppose que c'était notre belle époque.
07:47Qui sait, peut-être que le meilleur reste à venir.
07:52Il suffit de le vouloir.
07:56Il suffit de le vouloir.
08:28Il suffit de le vouloir.
08:29Donc, c'était mon quartier quand j'ai emmené à Paris.
08:32J'ai voulu être dans le monde de Toulouse-Lautrec,
08:36où l'artiste que j'ai l'aimérité
08:37utilisait à peindre, écrire, et à boire,
08:39et à rouler leur cerveau jusqu'au soleil.
08:42Je me souviens comme un painter.
08:45Mais ça ne meurtraîne pas à rien.
08:47Tu as une âme artistique.
08:50Allez.
08:53Donc, c'est le bateau Lavoie.
08:56Matisse, Cocteau, Modigliani,
08:58ils ont tous集é ici.
09:00Oh, et Picasso, aussi. Wow.
09:02J'aurais dû être mort pour être among eux.
09:04Mais j'étais plus comme lui.
09:07Selling mes works par jour et painting new ones à l'heure.
09:10Vous avez vraiment été artistique.
09:12C'est romantique.
09:13C'était une vie brutale.
09:15Non de l'argent.
09:17Non de l'esprit.
09:18Juste moi et mon art.
09:22Je n'ai jamais plus heureux.
09:24Oh.
09:26Tu as encore une de vos peintures ?
09:27Non.
09:29Je n'ai pas fait.
09:31Je n'ai pas fait.
09:31Les autres j'ai utilisé comme feuillet
09:33quand j'ai réalisé que j'avais pas de talent.
09:35Oh.
09:36Ce que tu as utilisé à painting ?
09:38Oh.
09:39Ma spécialité était portraits.
09:42Oh, cool.
09:43Self-portraits.
09:45Nude self-portraits, pour être précis.
09:48Oh.
09:50Je me souviens qu'ils ont vu.
09:51Je me suis un personnage qui a un personnage qui a un personnage qui a un personnage.
09:53Oh.
09:54C'est mon loss.
10:00Merci, merci.
10:03This is my last one.
10:05Anymore and I'll start hallucinating.
10:09Are you feeling it too ?
10:10I am feeling a little tipsy.
10:13Oh.
10:15Oh, and maybe I am hallucinating.
10:19Gabrielle !
10:19Gabrielle !
10:20No way !
10:21You have to answer !
10:27Hi, Gabrielle.
10:28How are you ?
10:29Where are you ?
10:29Are you still on the yacht ?
10:31I'm actually in Amsterdam.
10:33The yacht is in dry dock for repair.
10:35So we're moving to Edderton's summer home in Monaco.
10:38Hmm, sounds fancy.
10:40It is, but I didn't call to brag.
10:43Listen, I left in such a rush that I forgot some of my knives.
10:48I'll be passing through Paris tomorrow, but I don't have much time in between trains, so I was wondering if
10:53you would be willing to come to the train station and bring them to me.
10:58I know it's a big ask.
11:01Uh, what time ?
11:02I'll be there at one o'clock for about an hour.
11:04We could have a quick lunch if you'd like.
11:07It would be nice to see you.
11:09Um, yeah, yeah, I think I could do that.
11:11Ah, thank you, Emily.
11:13Honestly, you're a lifesaver.
11:15Um, listen, I'll shoot you a picture so you know what to look for, and make sure the Guardian knows
11:19to let you in.
11:20Okay, I'll see you tomorrow at Le Tremblue, uh, Gare de Lyon at 1 p.m.
11:25Okay, yeah, um, yeah, I'll see you tomorrow.
11:29Bye.
11:31Just in case you were wondering, you were not hallucinating, that call was very real.
11:37It definitely was.
11:47Marcello.
11:49Livia.
11:49Cosa ci fai qua?
11:51Quindi è vero, stai lavorando al atelier di Pierre Cardot.
11:54Ciao.
11:56Nicola, this is my sister, Livia.
11:59Ciao, Livia.
12:00Nice to meet you.
12:01So you're the one behind this.
12:03This was my decision.
12:05Did Mama send you?
12:06She doesn't know I'm here.
12:08Don't agree with what she's doing, but...
12:10But?
12:11I don't know what you're doing.
12:13You never designed anything in your life, and suddenly you're doing a whole collection.
12:17If I may, your brother is very talented.
12:21Clearly, it runs in the family.
12:24Why don't you take a look at the line?
12:26We'd love to get an outside opinion.
12:28Good idea.
12:29I'd love to know what you think, hm?
12:37Hmm.
12:38They're beautiful.
12:40Really well constructed.
12:43But, Marcello, why do you want to tear a familiar part of this?
12:48It's not even that different from our own brand.
12:50You just put a colorful horse on it.
12:52You're not seeing the whole picture.
12:54Neither are you.
12:55You, please stop this before it's too late.
13:01Excuse me.
13:10Aw, hey you.
13:12What's up?
13:12Emily, I need you to cancel Venice.
13:14What?
13:15What do you mean?
13:16We have to shut everything down.
13:18What's going on?
13:19It was a huge mistake.
13:21I'm not a designer.
13:23Of course you are.
13:24Just because you keep saying it doesn't mean it's true.
13:27We've wasted so much money.
13:28I can't show this collection.
13:30I never should have listened.
13:33Wait.
13:34What happened?
13:35Where is this coming from?
13:36My sister came here to see the line, and she said it's not good enough.
13:41And she's right.
13:42She's right.
13:43I'm going to humiliate myself.
13:45That's not true, okay?
13:46Don't let her get into your head.
13:47The line is great.
13:49Emily, stop.
13:50She's right.
13:51It's boring crap.
13:53No, it's not.
13:54Maybe we can add some accessories to liven it up.
13:57I said stop.
13:59You always want to fix everything.
14:02But there are some things you can't fix.
14:07Just stop.
14:08Please.
14:12Okay.
14:13Um, let me see what I can do.
14:32Uh.
14:37Okay.
14:38Gracias.
15:10Gracias.
15:38Um, we're good.
15:40Well, he's starting a fashion company.
15:42He's actually designing the line himself.
15:44I didn't know he was a designer.
15:46Well, he wasn't.
15:47But then we lost the one that we had,
15:49and I saw his sketches, which were incredible,
15:51so I insisted that he take over.
15:54Mm-hmm.
15:55And we're supposed to show at Fashion Week,
15:57but now he wants to trash the entire collection, so...
16:00Oh.
16:02I missed so much.
16:03It all happened so fast.
16:05You know, maybe a little too fast.
16:07Maybe I shouldn't have pushed him to do it.
16:14Can I ask you something?
16:15Of course.
16:17Did I push you for the Michelin star?
16:21The Michelin star was my dream.
16:23But you were miserable.
16:25And you ran halfway across the world to escape from it.
16:29And...
16:30I don't know.
16:32Maybe from me.
16:35Emily, all I can tell you is that you supported me.
16:39Yeah.
16:39You had faith in me.
16:41Probably more than I ever deserved.
16:44That's a good thing.
16:45I just don't think that's how Martello feels.
16:48He's so upset, and I feel like it's my fault.
16:53Although...
16:55Maybe that could be because of the lawsuit.
16:57Because on top of everything else, his mom is suing him.
16:59That's terrible.
17:00And his business partner, Nico.
17:02Oh, um, Mendy's boyfriend.
17:03You remember him?
17:04The billionaire?
17:04Well, no, not anymore.
17:06It's a really long story.
17:09You know what I forgot a dramatic Paris can get?
17:17This restaurant is so gorgeous.
17:19We should have had our Belle Epoque party here.
17:21It's Art Nouveau, right?
17:23You know what?
17:24I believe it is.
17:26Look at you.
17:27You're such a cultured Parisian now.
17:29There was a time where you didn't even know which floor you were on.
17:32Oh, God.
17:32Remember when that was my biggest problem?
17:35Oh.
17:36I feel like that was my Belle Epoque.
17:40Everything was so new and exciting, like a fantasy.
17:45Now it all just feels so difficult and real.
17:52We tend to romanticize the past.
17:54Things were pretty hard back then, too.
17:57You didn't know what you were doing at work.
18:00You were kissing people that had girlfriends.
18:03Which I didn't know.
18:04And they were kissing back, by the way.
18:06That's very true.
18:07But not only that.
18:08There were secrets and pacts and fake Michelin inspectors.
18:13And also good memories, like sex on the roof.
18:17Now who's romanticizing the vibe?
18:21You know, when I left for the yacht, I thought my best days were behind me.
18:29But no, I'm excited for the future.
18:31Wherever it brings me, I...
18:35I think you should be, too.
18:39Never knew I could feel like this.
18:46Like I've never seen the sky before.
18:54I wanna vanish inside your kiss.
19:01Every day I love you more and more.
19:08I wanna vanish inside your kiss.
19:15Every day I love you more and more.
19:23Seasons may change, winter to spring.
19:29Thank you for meeting me.
19:31It was good to see you.
19:34Give Marcello some time.
19:36You two are good together.
19:39What makes you say that?
19:42Because I saw the two of you in Rome.
19:45When were you in Rome?
19:49After you decided to leave Paris, I had this crazy idea to follow you.
19:55And...
19:56I saw you with them.
19:57Why didn't you ever tell me?
20:00Because you looked...
20:02...happy.
20:06And that's all I ever wanted for you.
20:10It's all I ever wanted for you, too.
20:15For both of us.
20:20You know, they didn't start calling it La Belly Puck until after it had passed.
20:25Nobody knows if they're leaving their golden age.
20:27Maybe we're leaving ours now.
20:34Just send me a postcard, okay?
20:37A real one.
20:39With a stamp.
20:46No more.
20:52No more.
20:54Bye.
21:02No more.
21:04Oh!
21:04Oh my God!
21:05Gabrielle, your knives!
21:07Wait!
21:11Gabrielle, Gabrielle!
21:15Your knives!
21:17You're knives!
21:17Oh!
21:17Gracias.
21:24Un buen amigo.
22:01¿Qué?
22:17Black is white, up is down.
22:21Something like that, yeah.
22:23All I can think of is how I'm disappointing everyone.
22:27Well, then think of the opposite.
22:30Listen, I don't need you to be a designer,
22:34or a titan of industry,
22:37or anything other than the wonderful man that you are.
22:47Whatever you decide, I'm with you.
23:18Can you tell me to connect with me too,
23:20to explain to me why his creditors take care of me?
23:23Excuse me?
23:24He's in charge of payment,
23:27his alcohol license, his suppliers,
23:29and even some employees.
23:30No, I don't understand.
23:32He told me that his business works great.
23:34He also told me that he took 2 millions
23:36in the apartment.
23:38My lawyer came to take it.
23:39Are you sure of what you're saying?
23:41Of course, I'm sure.
23:43If he's no money,
23:44then I'll take it away.
23:47I'll never admit to him.
23:48I'll never admit to him.
23:49And you, too.
23:51You, too.
23:52he,
23:53he,
23:54he,
23:55he,
23:56he...
24:07I'm sorry.
24:12The protist
24:12Look, he's still there.
24:15I'm not even there.
24:16He's still there.
24:16He's still there.
24:18I'm not even there.
24:19I'm not even there.
24:27¡Bravo! ¡Bravo!
24:29¡Thank you all so much!
24:31¡It's perfect!
24:32¡It's exactly how I pictured Maxime's during the Belle Époque!
24:35¡Merci! ¡It's been our pleasure!
24:37¡Now, if you'd excuse me, I have a date with the green fairy!
24:41¡She's in love with me!
24:48Are we sure this doesn't make you hallucinate?
24:51Mm-hmm.
24:54Is everything okay?
24:57I thought you'd have the time of your life here.
25:00No, c'est magnifique, but being here made all this beauty.
25:04I wish I hadn't given up on my art.
25:08Luke, I think you're romanticizing the past.
25:11Do you remember how hard it was?
25:13And look at you, okay?
25:14You have a great life.
25:16You have great friends and a great job.
25:19And, well, you live on a boat.
25:24Yes, it's true.
25:26But I wasn't talented enough anyway.
25:30Just another dream that dying.
25:34Luke, there is something you have to see.
25:48Oh, my God, is that...
25:51It's me.
25:53All of these years have been hanging in Maxime's.
25:56Maybe a little too well hung.
25:59Artistic license.
26:00I can't believe it.
26:02I did make it as an artist.
26:03Emily, can you take a photo of me with my masterpiece, please?
26:06Oh, of course.
26:07Yeah.
26:08Okay, let's see.
26:10Uh, oh, you know what?
26:12Here, you want to just hold this?
26:13Okay.
26:14Um, just a little higher.
26:16Tilt it to the left.
26:17Yeah, up, up, up.
26:19Perfect.
26:24Hello.
26:25May I join you?
26:27Uh, sure.
26:28But no dancing tonight.
26:30Deal.
26:31I can't do the can-can anyway.
26:33Yeah.
26:37You all right?
26:39Ugh, it's so stupid.
26:41All right, try me.
26:43Well, I guess I have to tell somebody.
26:46I booked the role of Satine in Moulin Rouge.
26:48It's an animated movie musical.
26:51Well, congratulations.
26:52That's great, isn't it?
26:54It is.
26:56I mean, I could use the cash,
26:58because I was really excited to tell Nico
26:59that I could cover the rent for a while.
27:01But?
27:02But they just sent me the script
27:04and some sketches,
27:05and the full title is Moulin Rat.
27:09I'm a rat.
27:10Hold on, hold on, hold on.
27:12That can't be the right translation.
27:14I mean, what's French for rat?
27:16It's fucking rat.
27:17What?
27:18I'm rat-teen.
27:20Who's rat-teen?
27:21A cartoon rat prostitute.
27:23No, see, this is why I didn't want to tell Nico.
27:25This is so humiliating.
27:27Who cares?
27:28Cash that check.
27:29That rat sex worker would.
27:30Sure.
27:32Honestly, yeah.
27:35Yeah.
27:35That's what?
27:36Oh, you're right, mate.
27:37What's so funny?
27:38I, um, I, I, I, I booked a job.
27:44I'm rat-teen.
27:45That's great.
27:47What?
27:48Wait, who?
27:49A rat prostitute in a top hat.
27:50Stop.
27:52No, no, no.
27:53It's, it's Moulin Rouge with rats.
27:56Ah, I get it.
27:59Funny.
27:59No, no, no, it's not that funny.
28:01But the salary's great, and rent is on me.
28:05That's amazing.
28:07Yeah.
28:13I'm going to go grab another drink.
28:18Congrats.
28:28Emily.
28:30Did Laura check in?
28:31I didn't see him yet, but I was only at the check-in for the first hour, so.
28:35Oh, I think he just walked in.
28:39Laurent.
28:43Laurent.
28:45My chérie.
28:49You lied to me.
28:51I know about the loan.
28:53I can explain.
28:54I need to pay off some debts in Saint-Tropez.
28:56I don't care why you did it.
28:58You took advantage of my mother.
29:01I'm so done with you.
29:03Sylvie, please.
29:04I want a divorce.
29:12No, it must be ready.
29:13It must be ready.
29:14I don't want to hear the reasons.
29:15Okay?
29:16Come on.
29:16Bye.
29:16Bye.
29:17Hey, what's going on?
29:18Oh, Emily, I'm sorry about earlier.
29:21You've been so supportive during this.
29:22It's been so difficult, and I need to tell you something.
29:27You're cancelling the line.
29:29Cancelling?
29:31No, say your thing again.
29:33I love you, Emily.
29:35I love that you believe in my crazy dream, even when I don't.
29:38I love that you won't let me give up.
29:41I love you, too.
29:43And like I told you before, none of this business stuff matters to me.
29:47I hope that's not true.
29:50Come.
29:55What is all of this?
29:57I took your advice about thinking differently, and I'm doing the opposite.
30:01The paleo is bright and loud.
30:03That's what the collection should be.
30:04Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:10But who were you on the phone to before?
30:12I thought you were so upset.
30:13Oh, that was my textile supplier, and it wasn't angry.
30:17I was excited.
30:20If we are going to make it to Venice, we don't have much time.
30:25We're going to Venice?
30:26No, no, no, no.
30:27No!
30:30We're going to Venice!
30:31No!
31:00¡Ahhh!
31:29¡SuscrÃbete al canal!
32:00¡SuscrÃbete al canal!
32:10¡SuscrÃbete al canal!
32:59¡SuscrÃbete al canal!
33:29¡SuscrÃbete al canal!
33:59¡SuscrÃbete al canal!
34:02¡SuscrÃbete al canal!
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