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00:00:22Good evening and welcome to the Great Indian Couple Show.
00:00:33One is from Russia, one is from New Zealand, one is from England, one is from Poland.
00:00:38And I am from the West.
00:00:45Because of you girls, people are starting to say that I am looking at Desi James Bond.
00:01:01Thank you girls.
00:01:03Thank you so much.
00:01:09And Arshanji, you will know that in the world, which country will produce films in the world?
00:01:15Absolutely.
00:01:17You will know that the entire world, 25% of the film is produced in India.
00:01:21That is when 90% of the people are not making projects.
00:01:24Yes.
00:01:25For example, these are all directors.
00:01:28Yes.
00:01:29They are not made until they are made.
00:01:35What the hell?
00:01:37If you think about them, then the world is 90% of the films that we are producing.
00:01:43Yes.
00:01:44Think about the Cannes Film Festival.
00:01:46Yes.
00:01:46It is happening in Kanpur.
00:01:48Right?
00:01:53Oh God.
00:01:54Oh God.
00:01:56Oh God.
00:01:58Oh God.
00:02:07Oh God.
00:02:18It isπειheus.
00:02:20Any油 music, but of many stars of these films you wonder, because of many stars and suns,
00:02:24there are many purposes in the world that this is getting seen in the world.
00:02:25If the Charmin Who is the family scour…
00:02:26For example, Thram Paaji of example, when Sani Paaji came back in films,
00:02:30people will think that it still killed his son's son of avenger mismo,
00:02:31so it will even kill himself at clan fino to 22.
00:02:34Like the warm dialogue,
00:02:36You see what teacher is trying to tell the discourse in marriage.
00:02:41You might want to go directly to your own family,
00:02:42They won't shoot their heads in their heads.
00:02:45If they are funny, they will listen to their heads in their heads.
00:02:48Kajal, if they come out of this chocker, then they will take their hair.
00:02:52And first of all, they will take their hair on their head.
00:02:56So, people hope this.
00:02:59In India, you can see all the trends set in India.
00:03:02You can see Dilip, Raaj, Deer.
00:03:04They started wearing baggy pants.
00:03:07They started wearing all the world.
00:03:08They started wearing pants.
00:03:09And after that, there was reason to wear pants.
00:03:11What?
00:03:12They also wore pants.
00:03:17Now, they are in baggy, so they don't know how to get out of it.
00:03:21After that, they have a v-ship.
00:03:25So, people started wearing tight pants.
00:03:27Then, the people also started wearing tight pants.
00:03:29They also started wearing tight pants.
00:03:32They are wearing tight pants.
00:03:33People wear the hero.
00:03:35They are fit.
00:03:36Some people are more unfit.
00:03:38Then, they have to leave.
00:03:40Now, they have to wear the mask.
00:03:43Then, the people who are wearing pants,
00:03:46they call their friends,
00:03:47their home,
00:03:47they call them,
00:03:49and they will get there,
00:03:50and they will come back from them.
00:03:51Because they are scared.
00:03:52They will get there.
00:03:53And they will get everything out of their clothes.
00:03:55What?
00:03:56They will also copy their clothes.
00:03:57They also copy their hair styles.
00:03:57People also copy the film.
00:03:59Saadhana, like Saadhana.
00:04:00Saadhana's hair cut is so popular.
00:04:02They keep their hair in the mouth.
00:04:04It was so beautiful.
00:04:05Some of us, in that time,
00:04:07sent their Saadhana's photos.
00:04:10The girl was looking at Saadhana's hair cut.
00:04:13When she was looking at Saadhana's hair cut,
00:04:15she was looking at Saadhana's hair cut.
00:04:16How much is it, Mukherjee?
00:04:19Then the work was bad.
00:04:21You see, the old heroism
00:04:23is very gracefully
00:04:24and there was a lot of fun.
00:04:25Yes.
00:04:27Bahida Ji, Asha Ji, Sharmila Ji.
00:04:29Babita Ji.
00:04:30They didn't have vanity events.
00:04:31They were sitting down at a break.
00:04:33They were being relaxed.
00:04:34If they were tired,
00:04:36it's not the need for them.
00:04:36It's not the need for them.
00:04:37It's not the need for them.
00:04:40And in those days,
00:04:41there was a lot of love, love and love
00:04:43for other actors.
00:04:44If Omprakash Ji is shooting at the end,
00:04:46they thought that Omprakash Ji is tired.
00:04:48So Asha Ji would give them
00:04:49a little bit.
00:04:52Let's do a bit of work.
00:04:53Do a little bit.
00:04:54Oh God.
00:04:56One time after Sunil Dat,
00:04:57Vinod Khanna,
00:04:58Bachchan,
00:04:58They wore the bell bottoms.
00:05:00Upward from above,
00:05:01and down from above.
00:05:02With the great great head,
00:05:03the head ones are locked.
00:05:05The feet with high front.
00:05:06Side locks here,
00:05:06the jaw line should become
00:05:08around the body.
00:05:10They would take their head.
00:05:11The hair dressers
00:05:11bought their hair on the coast.
00:05:13And then,
00:05:13I took them from the coast road.
00:05:14I was wearing a shirt.
00:05:16It was like a fashion.
00:05:18You can see the shirt, pants shirt,
00:05:20everything was in style.
00:05:21The shirt was so big.
00:05:24If the hero was eating food,
00:05:26the other one was eating soup.
00:05:29The other one was eating soup.
00:05:32The two buttons were open in the shirt.
00:05:37The hair was like a murder.
00:05:40The photo shoot was like a hero.
00:05:42The hero was sitting here.
00:05:44Put the hero in the hand.
00:05:48The photo came out.
00:05:50When the hand came out,
00:05:51the hair was burned.
00:05:54The hair was the bottom.
00:05:56The hero was falling down.
00:06:03The hair was falling apart.
00:06:04The hero was falling apart.
00:06:05The hero was falling apart.
00:06:05The hero was falling apart.
00:06:09Lovely.
00:07:05Please welcome Mr. Sanjay Dutt.
00:07:09People.
00:07:09Look at Sunil Shaki.
00:07:13Oh, maa!
00:07:15Yeah!
00:07:20Yeah!
00:07:20Oh!
00:07:22Oh!
00:07:24Oh!
00:07:39Wow!
00:07:41One second, one second, okay?
00:07:44One second guys, a technical technical problem.
00:07:49Sir, please enter your entry.
00:07:50One second, one second.
00:08:02Please welcome Mr. Sanjay Dutt and Mr. Sunil Shetty.
00:08:25Please welcome Mr. Sunil Shetty.
00:08:28Please welcome Mr. Sunil Shetty.
00:08:46Please welcome Mr. Sunil Shetty.
00:08:51I know.
00:08:52You look so handsome.
00:08:54We were watching the walk again.
00:08:56So, you were watching me too?
00:08:58Yes.
00:08:59You sent me.
00:09:00Now, come here and come here.
00:09:04Today is a great fun.
00:09:06Both of my favorites.
00:09:07I watched you once again,
00:09:09maybe 25 years ago,
00:09:11I watched the film in Kante.
00:09:12After that, it was different.
00:09:13But today, we watched it once again.
00:09:14We watched it in our show.
00:09:15So, thank you very much.
00:09:17You came to our show.
00:09:17Come here, please.
00:09:19Thank you very much.
00:13:58Oh, God.
00:14:00Oh, God.
00:14:03Oh, God.
00:14:20You're out of bounds.
00:14:23And you're supposed to be able to get your battery out.
00:14:31You're sick of a system.
00:14:34You're sick of a single day.
00:14:37You're sick of a person's life.
00:14:40You're sick of a person's life.
00:14:42You're sick of a person's life.
00:15:02It was 2.33 at night.
00:15:04I know, but I was walking.
00:15:06I know.
00:15:13So, you don't have to get up and break down?
00:15:17Break down or break down is the best.
00:15:21I know, every actor who comes,
00:15:24I don't know, but when I started Sanju and Anna,
00:15:28they bring a unique concept.
00:15:30Some of them have a big role in dance,
00:15:32some of them have a big role in action.
00:15:33The people who live in Mumbai,
00:15:35you've heard this concept of Bar and Annie restaurant.
00:15:39Anna, you also have a restaurant.
00:15:40Bar and Annie restaurant.
00:15:41This concept, Sanju sir,
00:15:43is called Bar and Annie gym.
00:15:47They love each other.
00:15:49How is this possible, Sanju?
00:15:52You said that Bar and Annie restaurant is Anna.
00:15:55So, I started a new concept, Bar and gym.
00:16:00It means that the night is a little bit
00:16:01and the day is burning.
00:16:03What is the problem?
00:16:05What is the concept of sugar and the day is burn-out?
00:16:07The day is burn-out, right?
00:16:09Perfect.
00:16:09That's right.
00:16:10It's like it's the same.
00:16:12It's like it's like it's like a body.
00:16:18Anna, could you not drink in your life?
00:16:21No.
00:16:21I was looking at Baba and I thought that I would not drink.
00:16:26But you see,
00:16:27both are so fit,
00:16:29so even in such a year,
00:16:30you don't have to realize that fit is a lot of fun.
00:16:33You know?
00:16:34I've been in discipline for many years.
00:16:36I've been doing something.
00:16:37Have you ever heard of it?
00:16:39No.
00:16:39Who will do shooting?
00:16:43Don't put it in their minds.
00:16:44After 2 hours.
00:16:45If it starts, then I'll get out of it.
00:16:50So Sanju sir,
00:16:51you have so much of a illness in childhood.
00:16:53In childhood?
00:16:54Their childhood is gone or not?
00:16:56Yes, it's a good thing.
00:16:58You should have to stay in childhood, Sanju.
00:16:59If your childhood is gone,
00:17:00then what's going on?
00:17:01There's a lot of illness in childhood.
00:17:02Today,
00:17:03I'll say it's dangerous.
00:17:05There's a lot of illness.
00:17:07Dangerous?
00:17:07What did you do?
00:17:08One time I was in Ladaq.
00:17:10There was no bathroom.
00:17:12There was no vanity.
00:17:13There was a big road.
00:17:14On the mountains.
00:17:16So I said,
00:17:17I'll do it.
00:17:18No, I'm driving.
00:17:19No, I'm driving.
00:17:20No, I'm driving.
00:17:20No, I'm driving.
00:17:21No, I'm driving.
00:17:22No, I'm driving.
00:17:25So I'll tell you and take it.
00:17:27What happened?
00:17:28So I told you,
00:17:29No, no, no.
00:17:30We're driving here.
00:17:31No, no.
00:17:31We're driving.
00:17:32I said,
00:17:33No, no, no.
00:17:40No, no, no.
00:17:58I'm driving here.
00:17:58I'm going to torture him like this.
00:18:00In the bathroom, I don't want to stop him.
00:18:02Anna gives you a lot of pressure on the situation.
00:18:06How am I?
00:18:08Here's a bathroom.
00:18:09Who is asking me?
00:18:14What do you think of Anna?
00:18:19It's very cold.
00:18:21It's cold in L.O.C.
00:18:22It's cold.
00:18:24If we go to the bathroom,
00:18:26they would take 10 minutes.
00:18:29Because...
00:18:30One is inside,
00:18:32the other is inside.
00:18:33The other is inside.
00:18:34The other is inside.
00:18:34The other is inside.
00:18:35The other is inside.
00:18:36The other is inside.
00:18:42I didn't know that it will be cold.
00:18:48So, we're going to shoot in Ladakh.
00:18:50I'm shooting at the bathroom.
00:18:52I was shooting at the bathroom.
00:18:53I was shooting at the bathroom.
00:18:53For two to three days,
00:18:54I was shooting at the bathroom.
00:19:04Three days.
00:19:06Three days.
00:19:11It was a squadron.
00:19:14I've seen a solid show.
00:19:15I took a solid loaded control.
00:19:15The whipping Studer was a full action from Señal.
00:19:21I noticed that they were flying at the pool.
00:19:21These just fasts.
00:19:22I said they were flying.
00:19:25I saw one for 30 city.
00:19:34I found him flying at the ground like this.
00:19:35I saw him flipping boring.
00:19:37So all these people are in the character,
00:19:40running and chilling.
00:19:42And I don't give a sound, absolutely not.
00:19:46Because you have to save breath.
00:19:47Blast, the amount of oxygen you have will get blasts
00:19:51for running.
00:19:51I have to keep my attention.
00:19:54Now it's done, Adam.
00:19:56One minute shot, cut, cut, cut.
00:19:59Everything is falling.
00:20:00I'm standing there.
00:20:02I got my breath.
00:20:06I'm sitting here with all these bodies.
00:20:10I'm sitting here with all these bodies.
00:20:11Then Sanju is saying, I can't breathe.
00:20:13I can't breathe.
00:20:14I can't breathe.
00:20:15So I'm saying, oh, oh, oh, tank.
00:20:16Take a tank.
00:20:17It was a big tank.
00:20:22Then I asked him to the girl, I'm saying,
00:20:24this is the tank.
00:20:25I'm saying, yes, sir.
00:20:26I'll give you it.
00:20:31But in the tank, there's oxygen.
00:20:34I was going to the same for it.
00:20:34Psychologically, we need to take it.
00:20:36Yeah, I think it's like we have to take it.
00:20:38Ha, ha, ha.
00:20:42Where you're a mother is, has a man,
00:20:45you to be własing a man.
00:20:48I did not want to take it, I just want to take it.
00:21:03He said that his husband is not his husband and his son is also an actor.
00:21:05He said that when I was successful,
00:21:07the whole family came to the house.
00:21:09So he saw that face,
00:21:11and then Mumbai came and became such a big star.
00:21:14You were like, when you started,
00:21:15you said that I had to become an actor.
00:21:18What was his reaction?
00:21:19Chaped.
00:21:21Huh? Chaped!
00:21:23Why?
00:21:24He said that he had to learn a lot.
00:21:26Okay.
00:21:28He said that you would become an actor,
00:21:29it's a good thing to eat.
00:21:32So I thought that,
00:21:34I said, who would go to college college?
00:21:38That's why he wanted to become an actor.
00:21:40He didn't go to college.
00:21:41He didn't go to college.
00:21:43He said, okay,
00:21:44if you want to become an actor,
00:21:45then he said,
00:21:45come on in the morning,
00:21:46come on in the morning,
00:21:46come on in the morning.
00:21:48He had to go to the riding.
00:21:51Then I said,
00:21:52I said,
00:21:53Papa, I'll go to college again.
00:21:58You have to find an easy route,
00:21:59you have to find an easy route.
00:21:59That's right.
00:22:01That's right.
00:22:01You have to listen to Dach Saab's talk.
00:22:03So, Dach Saab was in Congress.
00:22:06He had a friend's phone.
00:22:08He was in the other party.
00:22:09There was an election.
00:22:11And you will be campaigning for me.
00:22:19He was standing against Dach Saab only.
00:22:23And he had said, yes.
00:22:24And he said, yes.
00:22:25And he said, yes, yes, yes.
00:22:26I forgot.
00:22:29And he will be waiting for us.
00:22:31At that moment.
00:22:34Then you would get back to him.
00:22:35And the day of the day came to me,
00:22:38I told him,
00:22:39that his father was still in the situation.
00:22:41And my father asked me,
00:22:43I asked you.
00:22:44I said, you will leave.
00:22:45Because there is such a thing.
00:22:47I said that,
00:22:49my father had to go to the camp.
00:22:51I went to camp my family.
00:22:53The late Nitin Manmohan Ji, we were both good friends.
00:22:57They called him and said,
00:22:59Dach Saab is calling.
00:23:01I said, which Dach?
00:23:02I said, Sunil Dach Ji is calling.
00:23:04I said, why did you call me?
00:23:07Why did you call me for campaigning?
00:23:09I said, oh my God.
00:23:15Dach Saab has called me at home and said,
00:23:17I understand.
00:23:19It's your friend.
00:23:19But I also wanted to think about it.
00:23:24I was thinking inside.
00:23:26Your son didn't think about it.
00:23:27What did I think about it?
00:23:35One hour, they took my class.
00:23:38And I said,
00:23:42I saw another video.
00:23:45Somewhere in Bihar,
00:23:47there was a election in UPA.
00:23:48There was an election.
00:23:49And they reached out to support MLA.
00:23:51And they said,
00:23:52You give them a vote.
00:23:53A great, good person.
00:23:54What did they tell their name?
00:23:58Oh, wow.
00:24:01The video was very viral.
00:24:04Oh.
00:24:06Oh.
00:24:06This video was very funny.
00:24:07Oh, wow.
00:24:17Oh.
00:24:19Oh.
00:24:19Oh, I want to see.
00:24:21Oh.
00:24:22Oh, okay.
00:24:23Let's see.
00:24:24I hope so.
00:24:24Oh, okay.
00:24:24Oh, sorry.
00:24:25Oh, but I know I know.
00:24:28Yeah, I know.
00:24:29Oh, thank you.
00:24:34Oh, Lord.
00:24:34you can't do anything.
00:24:37If you're angry with the other people,
00:24:38I'm sorry, I'm sorry.
00:24:42And we have to go to the bathroom again.
00:24:48I'm sorry.
00:24:49There are a lot of people.
00:24:50I've been saying that.
00:24:51I'm sorry.
00:25:05We love you.
00:25:05Oh, Kapil.
00:25:08We love you.
00:25:12Kapil.
00:25:12We love you, Kapil.
00:25:17We love you.
00:25:19Kapil, can I come and hug you?
00:25:21Yahya, please, please come.
00:25:23Chalo, chalo, chalo, chalo, chalo, chalo.
00:25:25Chalo, chalo, chalo, chalo, chalo.
00:25:27How do you sit and sit and sit?
00:25:29Chalo, chalo, chalo.
00:25:30Kapil, ayala.
00:25:31Eh, meri kobi.
00:25:32Hello.
00:25:35Wow.
00:25:37Hi.
00:25:40Hello, hello, sir.
00:25:41Hello, hello.
00:25:42Hello, hello, sir.
00:25:44How are you, sir?
00:25:48Hi. Hi.
00:25:49How are you? Good.
00:25:51Oh, oh.
00:25:59Love you, Anta.
00:26:00Yeah.
00:26:01No, no, no.
00:26:02We have to say, I love you, Kapil.
00:26:04But no, I don't give you this.
00:26:08My name is Asha.
00:26:09My name is Parik.
00:26:11Oh?
00:26:13Asha Parik.
00:26:14Asha Parik.
00:26:15How do you know us?
00:26:16How do you know us?
00:26:17We have background answers.
00:26:20How do you know us?
00:26:21We have two in the day.
00:26:22Two in the day.
00:26:25How was it?
00:26:27How was it when it came to your house?
00:26:28How much the house was hit?
00:26:30When did you have it?
00:26:32It was about Mahduri Dixit Ji.
00:26:33He did not.
00:26:33He did not.
00:26:33He did not.
00:26:34In the Assault, he was talking to me.
00:26:37But I didn't have to buy the house.
00:26:39Why did not buy the house?
00:26:40Because I had to keep the house at home.
00:26:42Why would I do this house with the house?
00:26:43Oh, my God.
00:26:45Sunil sir, remember?
00:26:46Your song is Aai Uku, Aai Uku, Aai, Aai.
00:26:49Yes.
00:26:49Karishma, Kapoorji, she was going to do the song before me.
00:26:52Why then?
00:26:53What happened in the news, sir?
00:26:54When the song started,
00:26:55the hook of my clothes fell on the ground.
00:26:58So, everyone was doing Aai Uku, Aai Uku, Aai, Aai.
00:27:01I was going to do Aai Uku, Aai Uku, Aai Uku, Aai.
00:27:04I was going to do Aai Uku, Aai Uku.
00:27:12Yes, it was a Uku.
00:27:13The Aai Uku is a very special.
00:27:14Then again, his Frank and the Aai Uku will go on forever.
00:27:14Just to speak with you.
00:27:18Do you believe that?
00:27:19One minute, please.
00:27:19Sir, please one more question.
00:27:21We have a background dancer association,
00:27:23so a couple of questions had a request from them, sir.
00:27:25Mostpeople are becoming a problem.
00:27:26Sir, we have shooting, shooting is not too late.
00:27:28There is a lot of soda.
00:27:32So what do you want to do with soda?
00:27:35No, you don't put soda on it.
00:27:36But you put some soda on it.
00:27:37What if only soda comes, it will become hope.
00:27:44If only soda comes, it will be like a little bit.
00:27:48If you look at it, this is soda.
00:27:52Okay.
00:27:54This is soda.
00:27:54It's like this.
00:27:56It's like this.
00:27:56It's like this.
00:27:57Yeah, it's like this.
00:28:01Listen to me, you're scared of your mouth.
00:28:03What are you doing here?
00:28:05We had to sign here.
00:28:08Sign?
00:28:08Sign?
00:28:09It's good.
00:28:11Here.
00:28:12It's written in the picture.
00:28:14You can dance a little bit.
00:28:16Why?
00:28:17You can dance a little bit.
00:28:18Today, the new girls do dance a little bit.
00:28:22You can dance a little bit from here.
00:28:23You can dance a little bit in a little bit.
00:28:25You can come in and touch?
00:28:25You can put them in and forgot.
00:28:27I don't know where to put it.
00:28:28I don't know where to put it in.
00:28:28I'm not sure in time, because I was dancing behind Tiger Shroff.
00:28:30That's how you all step.
00:28:31It's a little bit.
00:28:33It's a little bit gone.
00:28:33Then, you know, it's got knocked.
00:28:34It was $3,000 to get a chance of dancing.
00:28:36I received $10,000 to open an ankle for $15 for her to.
00:28:40It was only $15,000 to open ourselves.
00:28:42Just like that's exactly what I should do.
00:28:45How do you get?
00:28:48That's good.
00:28:49You get that.
00:28:51If you're dancing, what we will do?
00:28:52E.G. E.G. step, I'll tell you what is the best part, sir?
00:28:58Do you move the body part of your body, the one that goes on?
00:29:06No, sir, I'm telling you, I'm a young girl,
00:29:09I don't know if there's something dance.
00:29:12The dance goes inside and then the body goes inside.
00:29:21And then the body goes inside and then they will go out and go out.
00:29:28You guys are talking about our own and go out and go out and go out and go out and
00:29:32do it.
00:29:32Why would you go out and talk about it, sir?
00:29:34It is only that you're talking about it.
00:29:36We can't talk about it.
00:29:38We are also a background dancer, sir.
00:29:40We are old kids.
00:29:42We have no watch the industry.
00:29:43We don't see the camera.
00:29:45Let's see.
00:29:45It's a comedy.
00:29:46So, comedy is a good job.
00:29:48We are also a background dancer.
00:29:49It's going to be a good job.
00:29:50So, it's going to be a good job?
00:29:52So, there's no good job?
00:29:54Are we still here to come to listen?
00:29:57Yes, we are just here to listen.
00:30:00We are not here from Tanki.
00:30:02We are not here from Tanki.
00:30:02We are here from Tanki.
00:30:07Listen to Rene Dina.
00:30:08It's a comedy work.
00:30:09So, we are also a background dancer.
00:30:10We are like that.
00:30:12In the background.
00:30:13Our man is the only thing.
00:30:15We are not here because we are here.
00:30:16That's fine.
00:30:17Why do we are here to listen?
00:30:21Do we are not here from Tanki,
00:30:23God's name is the only thing we have here?
00:30:24Well, it is the only thing we are here.
00:30:27That's great.
00:30:28So, our Tanki is the only thing we have here from Tanki.
00:30:34Yes, we are here to listen?
00:30:35Why are you born here?
00:30:38We are born here from Tunky. We are born here from mom's coke.
00:30:41You understand?
00:30:41Listen to me.
00:30:43Why do you think you both born here from mom's coke?
00:30:47I was telling you that it's a comedy work.
00:30:51It's a comedy work, but we also have a background answer.
00:30:53But we don't want to leave it in front of us.
00:30:55We don't want to leave it in front of us.
00:30:56We are born here from listening.
00:30:58This is okay. We are born here from listening.
00:31:00Oh my mother, forgive me.
00:31:02We are born here from Tunky.
00:31:03We are born here from Tunky.
00:31:04We are born here from mom's coke.
00:31:06Listen.
00:31:08Come on.
00:31:09It's a comedy work.
00:31:10It's a comedy work.
00:31:11It's a comedy work.
00:31:11We are also a background dancer.
00:31:15We are born here.
00:31:17We are born here.
00:31:19We are born here.
00:31:19We are born here for listening.
00:31:21What?
00:31:22What?
00:31:22What?
00:31:27So, I know in Hindustan...
00:31:30I don't know what to say.
00:31:31Yes, boy?
00:31:31Someone else gives a photo on social media.
00:31:33Let them comment a little bit.
00:31:35They'll give us some creative comments.
00:31:37They'll give us a lot of creative comments.
00:31:37We brought some pictures.
00:31:39Let's show you.
00:31:47This is Sanju sir has put a photo of a happy birthday dear brother Paria.
00:31:51Where is Sanju sir?
00:31:53Africa.
00:31:53What are you showing?
00:31:55I don't know.
00:31:58Come down and see the comments.
00:32:01The tourist guide is saying,
00:32:03My eye operation is done.
00:32:05Let me tell you if it's open or not.
00:32:11And see.
00:32:13In the jungle safari, there is a tree from the back.
00:32:18Someone replied,
00:32:20If the tree is coming,
00:32:21you don't have to run faster than your friends.
00:32:25You can even know how to run faster than your friends.
00:32:28Very good advice.
00:32:30And see.
00:32:33Oh, dear.
00:32:34Anna.
00:32:37Anna.
00:32:37The caption is also written correctly.
00:32:39Washing away the myth of age.
00:32:41What is the next?
00:32:42Let me tell you in the comments.
00:32:44It seems that it's not our bedroom door.
00:32:49And see.
00:32:51I can't do this.
00:32:52I can't do this.
00:32:54I can't do this.
00:32:54And no one can do this.
00:32:55I can't do this.
00:32:58And see.
00:33:00Oh, lovely.
00:33:02Dear Shahru and Nikra.
00:33:03Wishing you a happy birthday.
00:33:04And may God bless you.
00:33:05What a sweet picture.
00:33:07Where is the photo?
00:33:08Agra.
00:33:09It was on the shoot.
00:33:11It was on the shoot.
00:33:11It was on the shoot.
00:33:12It was on the shoot.
00:33:12It was on the shoot.
00:33:13It was on the shoot.
00:33:14It was on the shoot.
00:33:17How many years ago?
00:33:1815 years ago.
00:33:19Oh, wow.
00:33:20See below the comments.
00:33:22My sister said.
00:33:22Leave me to the mic.
00:33:23Leave me to the watchman's scooter.
00:33:27And see.
00:33:42Oh, wow.
00:33:46Oh, wow.
00:33:47Because every picture tells a story.
00:33:49Oh, wow.
00:33:51What a story.
00:33:52What a story.
00:33:52See below the comments.
00:33:53It seems that her beauty and beauty are not given.
00:33:58And see.
00:33:59My son was eating like this.
00:34:02Chalk.
00:34:03I have given her habits in 5 years.
00:34:06It has not been a long time.
00:34:07You can also take it.
00:34:10See.
00:34:12Oh, wow.
00:34:14Royal in Field motorcycle India.
00:34:16Is this a shooting shooting photo?
00:34:18No.
00:34:18Someone has made this bike.
00:34:20Okay.
00:34:21In Agra.
00:34:22What a story.
00:34:23See below the comments.
00:34:27I said that it has 41 lights.
00:34:30Now it has 40 lights.
00:34:32only one's own,
00:34:32one is just a mouth.
00:34:37And look.
00:34:38If you put light on light,
00:34:40if you put a small console and mic on it,
00:34:43then you can also be a DJ.
00:34:48And see.
00:34:49It's done.
00:34:55Some times,
00:34:57you've done so much about two different films.
00:34:59For example,
00:34:59we are talking about the härperial appearing
00:35:20I think that there is a lot of insecurity in my life.
00:35:22Absolutely, 100%.
00:35:23those things were so weird.
00:35:25It was a insecurity.
00:35:26In our time, I worked with Dilip, Sanjeev Kumar,
00:35:34and worked with Shambhi uncle.
00:35:37It wasn't a insecurity.
00:35:38If I had to learn something,
00:35:41if I had to say any of my lines,
00:35:45then it wasn't a insecurity.
00:35:46The picture was better for me.
00:35:48You know, right.
00:36:17You know, and...
00:36:41Right.
00:37:00Right.
00:37:01Right.
00:37:03Right.
00:37:06Right.
00:37:09Right.
00:37:13Right.
00:37:14Right.
00:37:18Right.
00:37:24Right.
00:37:27Right.
00:37:32Right.
00:37:37Right.
00:37:38Right.
00:37:39Right.
00:37:39Right.
00:37:40Right.
00:37:40Right.
00:37:54Right.
00:37:55Right.
00:37:59Right.
00:38:02Right.
00:38:02Right.
00:38:12Right.
00:38:13Right.
00:38:14Right.
00:38:30Right.
00:38:32Yes.
00:38:35Then I started a natak company.
00:38:38I was the director, so all the murderers were natak.
00:38:43One thing was good, my dad was growing.
00:38:46And the superintendent said,
00:38:48''Baba, what is this?''
00:38:48''It doesn't look good.''
00:38:50I said, ''Sir, you're talking about it?''
00:38:52I said, ''No, I'm going to sell it.''
00:38:54I said, ''Mishra Ji.''
00:38:56So, when my dad was cutting,
00:38:58I was going to sell it.
00:39:00So, I said, ''Mishra Ji, how many years have you been here?''
00:39:04I said, ''I'm 15 years old.''
00:39:06And the razor came here.
00:39:09So, I said, ''Why?''
00:39:10He said, ''Double Murderer.''
00:39:12I said, ''I'm going to cry.''
00:39:17''Double Murderer?''
00:39:20''I said, ''I'm going to kill him.''
00:39:22I said, ''What is this?''
00:39:25So, this is a crime of jail.
00:39:26I said, ''I'm going to kill him.''
00:39:27Oh!
00:39:28Sir, because both of you are so honest
00:39:31and you talk about it with your heart,
00:39:33you play a game that you have to give yourself a number.
00:39:36In 10 years, you will give yourself a number?
00:39:38As a father, if I ask you,
00:39:40how many numbers will you give yourself a number?
00:39:44Nine.
00:39:45Nine numbers.
00:39:51As a husband, how many numbers do you have to give yourself a number?
00:39:53As a husband, I'll give 10.
00:39:55Wow.
00:39:56I'll give 15.
00:39:59As a son, how many numbers do you have to give yourself a number?
00:40:0410.
00:40:07And as a producer?
00:40:09Of what?
00:40:10I'm a very good producer.
00:40:10I think you're a very good producer.
00:40:12Very good.
00:40:13Because you're going to make it with your heart,
00:40:15I'm a producer of films.
00:40:18I'm talking about my father's father.
00:40:25I'm a benchmarking producer.
00:40:27Anna,
00:40:28how many numbers do you give yourself as a husband?
00:40:32Maybe a 7 or an 8?
00:40:33Come on, Anna.
00:40:34No, you're a 10 on 10.
00:40:3510 on 10, Anna.
00:40:37See, when we're at the peak of career,
00:40:41the work that we do,
00:40:44that we miss out.
00:40:46And that's the age when
00:40:48a husband or a man
00:40:50needs to be able to do the work.
00:40:52That he's not able to give that kind of time to that.
00:40:56The family.
00:40:59As a father, Anna, how many numbers do you have?
00:41:2711.
00:41:2711?
00:41:28Yeah.
00:41:28Wow.
00:41:29Very good.
00:41:31As Nanu, sir?
00:41:33Nanu, 100 out of 10.
00:41:37Mool, Mool, Mool,
00:41:40Mool se sooth hamesha piyara hota.
00:41:41Piyara hota.
00:41:41Ah.
00:41:44Ah.
00:41:46Ah.
00:41:48Ah.
00:41:51Ah.
00:41:52Ah.
00:41:52Ah.
00:41:52Ah.
00:41:53Ah.
00:41:55Ah.
00:41:56Ah.
00:41:58Ah.
00:42:06Ah.
00:42:06Ah.
00:42:07Ah.
00:42:09Ah.
00:42:09Ah.
00:42:10I am the one who has a voice.
00:42:21I am the one who has a voice.
00:42:25This episode of Friendship and without me, I will go. See you.
00:42:32Hey, Dad, come here!
00:42:34Dad!
00:42:35Hey, Dad, listen to me!
00:42:36What are you calling me?
00:42:38The episode of your rap-chandus is going to be finished.
00:42:43Yes, Kapil, my child.
00:42:47My father.
00:42:49Tell me something to tell me.
00:42:51Is this a motorcycle?
00:42:53Why?
00:42:54If you walk on the third person, you will run away.
00:43:02My friend, I am hurt.
00:43:05He was called, my grandfather.
00:43:07I'm not here.
00:43:10I'm not here, my father.
00:43:11I'm here, my brother.
00:43:12You, my brother.
00:43:14He is so good.
00:43:16Everyone is a guest.
00:43:19He does a little dog.
00:43:23He makes our episode.
00:43:24...bana ta real viral gatta hai aur bacha hoa content youtube pe dalta hai dhanda hai
00:43:34Iska to dhanda hai budu
00:43:37Aap log to apne hai budu
00:43:41Buraila gela meru bawa
00:43:42Dada phone kiya tha, innho ne bola ki ap nahi nahi anna nahi pa cha saal ka dhosti apna
00:43:49Pa cha saal ka
00:43:55my video log jitter be jato shetty get sati jato yata kima model and be out on the jetty
00:44:03manage it in a jato my video logana be 70s or 80s can a shetty sky sunta
00:44:15or suba okay you call it a betty my little shetty
00:44:23leakin episode made those co-boy my upset
00:44:33I'm upset.
00:44:35I'm upset.
00:44:35No, let me tell you.
00:44:37Tell me something.
00:44:39I will tell you all about me.
00:44:41I have a picture.
00:44:44I have a picture.
00:44:44I have a picture.
00:44:46I have a picture.
00:44:47I will not do it.
00:44:51I will not do it.
00:44:52I have a picture.
00:44:55I have a picture.
00:44:57I will tell you.
00:44:58I will tell you,
00:44:58I will not do it.
00:45:02But House Full 5 was done.
00:45:03I have not.
00:45:07I have no idea.
00:45:10Look,
00:45:10in this film,
00:45:11you have 5-5 hot heroines,
00:45:14he will remember a little friend.
00:45:19Yes, the truth.
00:45:21I have no idea.
00:45:23I didn't want to take it to him.
00:45:23I felt bad.
00:45:25I didn't say anything for you, I didn't say anything for you.
00:45:27The border picture.
00:45:29In the border picture, there was a scene of Swagrat.
00:45:32I was standing on the door. I didn't do anything.
00:45:36J.P. Dattas said that I wanted to send them to war.
00:45:39I said that I was my brother, give them 2-3 hours.
00:45:44What a shame.
00:45:46Dad, you didn't even see me one time in that scene.
00:45:49So, who would you see in Swagrat?
00:45:51Who would you see?
00:45:52I'm talking about it.
00:45:56My friends and I have so many friends.
00:45:59Friendship comes every year.
00:46:02Every day, I would take my friends to my father's house.
00:46:07Friendship brand?
00:46:09Friendship brand?
00:46:10My friends are friends.
00:46:12Why are you talking about it?
00:46:19Why are you talking about it?
00:46:20You just want the forsaken.
00:46:22You just want the forsaken.
00:46:22What did I do?
00:46:23You didn't call me.
00:46:24And you also want the whole tree.
00:46:27You want the whole tree.
00:46:28And on this tree, there are flowers.
00:46:29You all know.
00:46:30I'm so sad.
00:46:35And you all are so sad.
00:46:36I'm sure how much will the kaphil Sidduji feel bad.
00:46:40Sidduji isn't coming, I am alone.
00:46:41Who is saying today?
00:46:42I don't know what you're talking about now.
00:46:43Huh?
00:46:44Yeah, Sidduji is very upset.
00:46:46Please, Anna, you will call Sidduji.
00:46:49Come on Sidduji.
00:46:50Come on Sidduji.
00:46:51Come on.
00:46:51Come on, father.
00:46:52I don't know what...
00:46:59I think he's only here.
00:47:04I... I...
00:47:05Namaste, Namaste, Sashikhal.
00:47:07Sashikhal, Sashikhal.
00:47:09I want to avoid today.
00:47:11I want to go back.
00:47:12Avoid?
00:47:13What do you want to avoid?
00:47:14Don't be afraid.
00:47:15Don't be afraid.
00:47:16Don't be afraid.
00:47:16I'll be afraid.
00:47:17Don't be afraid, Sashikhal, Sashikhal.
00:47:22Still good, Suneer.
00:47:24What's the problem?
00:47:24Tell me.
00:47:25Come, come, come.
00:47:28What's the problem?
00:47:28Look, there's a problem.
00:47:30But I can't tell.
00:47:33What problem is?
00:47:34Tell me.
00:47:35I have a problem with a person.
00:47:40Who?
00:47:40I'll tell.
00:47:41Who is that person?
00:47:42I can't take a name.
00:47:44I can't take a name.
00:47:45Tell me.
00:47:46Who is that person?
00:47:46I can't tell her.
00:47:48I can't tell her.
00:47:49But I can give a hint.
00:47:50Yes.
00:47:51Who is that?
00:47:51Why?
00:47:53Actually, she's not a woman.
00:47:54She's a lady.
00:47:58Tell me, Siddhar.
00:47:59Tell me, Siddhar.
00:48:00I can't tell her.
00:48:02Why?
00:48:02I won't tell her.
00:48:03I won't tell her.
00:48:04I won't tell her.
00:48:05I won't tell her.
00:48:05I won't tell her.
00:48:06Where are you?
00:48:07Where are you?
00:48:08Where are you?
00:48:11Look.
00:48:11Look.
00:48:13That's true.
00:48:13That's true.
00:48:14That's true.
00:48:15That's true.
00:48:22I won't tell her.
00:48:25Who is that woman?
00:48:31I won't tell her.
00:48:39What?
00:48:40You are always saying, you don't give the opportunity to say to them.
00:48:45I will see.
00:48:45After that, there is a reason.
00:48:48The reason is that until I speak, the camera is on me.
00:48:51And until there is a camera, he doesn't say anything.
00:48:53As the camera is on, he is on my chin.
00:48:57What is the chin?
00:48:59What is the chin?
00:49:00He is on my chin, and he is on my chin.
00:49:04Arshana, people think that you don't have to do anything on the show.
00:49:07You do a lot on the show.
00:49:10That was such a problem, why didn't you say that before?
00:49:12Let me see.
00:49:14Let me see.
00:49:15How many hints you gave me, you don't hear me.
00:49:17I will throw a pillow here, and I will miss it.
00:49:20That pillow is not a pillow, it is a good thing.
00:49:22Last time, I put this pillow, and I wrote, please help me.
00:49:28I don't know.
00:49:30I don't know.
00:49:31I will miss it.
00:49:32Lovely.
00:49:33I will tell you, Arshu, that you have...
00:49:36So sorry.
00:49:36Arshu Ji, please don't mind.
00:49:39There are many people here in this show.
00:49:41There is no tension.
00:49:42There is no tension.
00:49:44There are many people saying that there are only things that happen.
00:49:47Why not?
00:49:49Today, we will take care of you in front of everyone.
00:49:52Yes.
00:49:53You are the main person.
00:49:54You are the main person.
00:49:54Oh, oh.
00:49:57You will come today.
00:49:58If you will come, then you will come.
00:50:01Come.
00:50:02The main person of the show.
00:50:04I just want to say that, Arshu, this will be your main person.
00:50:09Come.
00:50:11Put it in.
00:50:12Put it in the hand.
00:50:13Put it in the hand.
00:50:14Put it in the hand.
00:50:14Put it in the hand.
00:50:16You are too good, yeah.
00:50:20Yeah.
00:50:21Oh, my God, I'm going to put one hand in my hand.
00:50:27Pursi!
00:50:31Pursi!
00:50:34Oh, my God!
00:50:36Let's go, the main man.
00:50:38Who is the second and third man?
00:50:43First priority, I am.
00:50:45First priority, I am.
00:50:47Very good!
00:50:48Second, third, we will decide.
00:50:51Hey, hold on!
00:50:52Second, third, I am.
00:50:55I am not.
00:50:56First, I am not.
00:50:57Second, third.
00:50:58First, I am not.
00:50:59Second, third.
00:51:01These are the people from our side.
00:51:03And all these certificates.
00:51:06Okay?
00:51:07I will keep it.
00:51:09Happy?
00:51:10Look, now I am a man.
00:51:12I will start the episode.
00:51:14Pursi!
00:51:15It's not finished in the episode.
00:51:16It's finished.
00:51:17It's finished.
00:51:17It's finished.
00:51:18It's not finished.
00:51:20We will do it in the next few weeks.
00:51:21Let's go, let's go, let's go, let's go.
00:51:24Let's go, let's go.
00:51:50Hello everyone.
00:51:51Hello.
00:51:52Hello.
00:51:52My name is Anjali.
00:51:53I am Anjali.
00:51:54I am so happy.
00:51:59My name is Anjali.
00:52:00And your picture is released.
00:52:02And how passionately you have said that Anjali dialogue.
00:52:05I want to ask you, please, that dialogue for me.
00:52:11Please.
00:52:12Please.
00:52:13Anjali.
00:52:14Anjali.
00:52:15I will forget you.
00:52:16This will not happen.
00:52:17And you will forget me.
00:52:19I will not forget.
00:52:27Nathan Yamah Kr juli.
00:52:28Hey, man.
00:52:28Tell me who has canceled for you.
00:52:29And your picture is with a dialogue.
00:52:31Then, I will tell my Switch nih on Masi.
00:52:34You need to teach exactly the dialogue.
00:52:35If I want to talk a dialogue, I'll sit there.
00:52:39So, I want to make it happen every time.
00:52:40Anjali.
00:52:45Anjali.
00:52:46I will forget you.
00:52:47Anythingbuds enqu достиurst.
00:52:48Anjali.
00:52:48She thinks it is respect that.
00:52:48I will forget you.
00:52:51Maybe it will forever introduce yourself.
00:52:51That will not happen.
00:52:52And you forget me.
00:52:55This will never forget me.
00:52:55And I will like it.
00:52:56I will go ahead.
00:52:59So I will go ahead.
00:53:09Another friend of mine.
00:53:11Hello, Kapil sir.
00:53:12Hello.
00:53:13I'm from Naveen Gupta.
00:53:15I watch a lot of movies.
00:53:17And with me, there was a incident.
00:53:20I have a girlfriend and wife with both.
00:53:27What do you mean?
00:53:31What do you mean?
00:53:40Come on up!
00:53:42Come on up!
00:53:44We want you to meet your hands.
00:53:47We want to give you.
00:53:51How is it possible?
00:53:54But sir, you guessed one thing, who is my girlfriend and who is my wife?
00:53:59This is girlfriend and this is wife.
00:54:02And how can you say that?
00:54:03Because I spend a lot of time with the dad.
00:54:11Couple, sir.
00:54:13How did you do this? How did you teach me?
00:54:19I don't know if you have a girlfriend or a wife, but I think how are you living?
00:54:25Guess, sir.
00:54:26Hello, ma'am.
00:54:27Guess who is my girlfriend and who is my wife?
00:54:35You're the wife?
00:54:36No.
00:54:36You're the girlfriend?
00:54:37Yes.
00:54:38So, you're the wife.
00:54:40How does this work?
00:54:43How?
00:54:44How does this work?
00:54:46She's also my friend.
00:54:47When I was my girlfriend, this was my girlfriend.
00:54:50But now I've become my wife.
00:54:51So, now I'm on my command.
00:54:53So, no problem.
00:54:54We are speechless.
00:55:01We don't know what to say to this.
00:55:03It says, I trust him.
00:55:05But if this is true, it's fantastic.
00:55:34Thank you very much.
00:55:35We have three types of heroes.
00:55:39There are some heroes.
00:55:40One is just one in front of us.
00:55:42There are other heroes that have won their lives.
00:55:50There are cancer warriors.
00:55:53There are children here whom I have brought from Delhi.
00:56:02I mean, I have been, I have been working in pediatric oncology for the past three decades.
00:56:09Okay.
00:56:10They have conquered cancer and they have won over it.
00:56:14And we don't call them as cancer survivors.
00:56:17We call them as cancer warriors.
00:56:22Now, there's a third category.
00:56:24There is a third category of people who are heroes for them also.
00:56:33And that includes you.
00:56:35Who has helped them overcome all the adversity.
00:56:41That is brilliant.
00:56:54I want to add, I'm Dr. Sangeeta Sardeva.
00:56:57He is my husband and he also is a cancer patient and he is fighting cancer.
00:57:02We are all fighters and you all are also fighters.
00:57:05And we also get a lot of inspiration from Sanju Baba.
00:57:11I hope you could give a jadu ki jhappi to these kids if possible.
00:57:17By the way, I'm a cancer warrior by the way.
00:57:20I know it.
00:57:21I know it.
00:57:22Yes.
00:57:23Come, come.
00:57:26Come, come.
00:57:29Come, come, come.
00:57:30Come, come, come.
00:57:30Come, come.
00:57:30Come, come.
00:57:30You all have made yourself with your hands?
00:57:33Oh, wow.
00:57:34How sweet.
00:57:37Hello.
00:57:38Hi, me too.
00:57:40Thank you, son.
00:57:53Kapil, sir, one of our patients has made a beautiful painting for you.
00:57:59And this is the golden ribbon, which tells everyone ki childhood cancer is curable.
00:58:06Ham yeh jang jheet sakte hain.
00:58:08Aur agar hum sab milke kaam kare to yeh jang hum jeet hain.
00:58:11Thank you, sir.
00:58:17Wow.
00:58:23Beautiful, it is.
00:58:26Yes, siri raam.
00:58:29Shemayini, tu shakshay chota, baby.
00:58:31Hi.
00:58:32Kaya naa mein aapka?
00:58:33Laavya.
00:58:34Alavya.
00:58:35Alavya.
00:58:36Alavya?
00:58:36How old you are?
00:58:38Four years.
00:58:39Four years?
00:58:39Four years?
00:58:40Me kutu ap to ke lag rahe ho.
00:58:42God bless you.
00:58:43Thank you, thank you, thank you, thank you, Shukriya.
00:58:45Thank you very much for your support.
00:58:52Friends, let's get a lot of applause for our two superstars.
00:58:58Thank you, thank you, Anna. Love you, Anna.
00:59:01Thank you, Srinivasan.
00:59:02Thank you, Srinivasan.
00:59:03Thank you, Srinivasan.
00:59:04Thank you, brother.
00:59:05Thank you, Srinivasan.
00:59:06So, friends, just so much for today.
00:59:08We'll meet with the next show.
00:59:09We'll meet with some new friends.
00:59:11We'll be watching The Great Indian Club Show.
00:59:13Every fanivar will grow our lives.
00:59:14Only on Netflix.
00:59:15Good night, Shubratri.
00:59:16Thank you so much.
00:59:20Please welcome Mr. Jagapati Babu, Mr. Teja Sarja, Shriya Saran and Ritika Nayak.
00:59:27Jagapati Babu, sir, you will have seen a lot of films in many films.
00:59:30And he gets fit in every role.
00:59:32He's like South Indian dish, Rassam.
00:59:34I prefer to be Sambar,
00:59:35because Sambar has everything in it already.
00:59:37Paisa Vassul, no?
00:59:38Oh!
00:59:38Super!
00:59:40I'll tell you something about Teja.
00:59:41I'll tell you something about Teja.
00:59:42Just leave.
00:59:44Don't leave today.
00:59:45Don't leave today.
00:59:45Don't leave today.
00:59:47Ritika Dilli is a big deal.
00:59:49They debuted with a big film in South.
00:59:51Ashoka Vanamalo Arjuna Kalyanam.
00:59:53Do you think it's a second to me,
00:59:54I'm offering it for 4 films?
00:59:56Oh!
00:59:57Oh!
01:00:00I'm liking you.
01:00:02I'm liking you.
01:00:02What?
01:00:02Do you get me in my house?
01:00:04What the big heels are you wearing?
01:00:06You'll drink water in your pockets.
01:00:08You'll drink water in your pockets.
01:00:10Jagapati, sir, has made more films in 170.
01:00:16I can say nonsense also.
01:00:21Nobody knows.
01:00:23He's a romantic king.
01:00:30I want to make people feel in the theatre that they need to be scared.
01:00:34I saw a big sound created.
01:00:36Can I have the sound, please?
01:00:50Sir, I'll also tell one thing, sir.
01:00:51You please repeat it.
01:00:52Yeah, yeah.
01:00:53Nani, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu, ninu.
01:00:57Oh.
01:00:57Oh.
01:01:27Oh.
01:01:38Oh.
01:01:41Oh.
01:01:44Oh.
01:01:44Oh.
01:01:44Oh.
01:01:44Oh.
01:01:45Oh.
01:01:45Oh.
01:01:45Oh.
01:01:46Oh.
01:01:46Oh.
01:01:49Oh.
01:01:49Oh.
01:01:50Oh.
01:01:50Oh.
01:01:50Oh.
01:01:50Oh.
01:01:52Oh.
01:01:53Oh.
01:01:54Oh.
01:01:54Oh.
01:01:55Oh.
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