- 7 hours ago
Izvor 2026 - Epizoda 9 - DomaćA Serija
Category
🎥
Short filmTranscript
00:27So, let's get started.
00:35It's amazing!
00:37There are a few years ago, but also known and popular people.
00:44They just brought a strong voice.
00:48Like the son of Amid's son, Amid's son.
00:52He was a pastor of Amid's village of Miloš.
00:56and they are from Sela Ramaće.
00:57The entrance is the name of him.
00:59But we are not here because of this,
01:02but because of something else.
01:03Let's go, Roki.
01:05What will we talk about
01:07the Director of the Council for Infrastructure Projects?
01:10Let's go, Roki.
01:12Listen to the camera.
01:13Mr. Milorad Milojević.
01:15Let's go, Roki.
01:18As you can see,
01:20the entrance is the entrance
01:22with a large amount of water.
01:24But, unfortunately,
01:26with one home,
01:28the water is not available to the rest of the country.
01:31Yes, yes.
01:32Can you tell us about who is working?
01:34Of course.
01:37It's the entrance.
01:38Biorad, its own company.
01:41Ljubice!
01:42Ljubice!
01:43What is it?
01:45He said it's the entrance.
01:49He went there,
01:51where he needed and where he needed.
01:53He said it's all the people from the room.
01:59I forgot the door.
01:59When I was filming this?
02:00When I was not watching it,
02:02that's when I was watching it.
02:04Yes, yes, good.
02:06Who are you now?
02:12This is Novinar.
02:14This is Doba.
02:15Yes.
02:19Hello.
02:20Hello.
02:21Good evening, citizens.
02:23Good evening, good evening.
02:26Sorry, what are you talking about?
02:28From drama. I call him Obre Biora, on the phone.
02:30Yes, yes, Mr. Obre Biora.
02:34Let me tell you something.
02:36Don't let me laugh.
02:39I mean, we just...
02:41Why would I laugh?
02:43No, it's novinarstvo.
02:44Why would I laugh?
02:46I don't think you were in the right direction.
02:50That's why I invite you to come.
02:52Not because I'm laughing,
02:54but I invite you to get to see where I am,
02:57because I am, first of all, a woman.
03:00Thank you very much.
03:00Why would we go?
03:01Uhh...
03:01goes, goes, goes.
03:17I have a line in your room to
04:28What is this?
04:31I don't know.
04:33I know.
04:34I just wait...
04:36...that everyone will come.
04:38My name is Rudnik.
04:39Rudnik?
05:08Yes.
05:10I'm sorry.
05:12I'm sorry.
05:21I'm sorry.
05:26I'm sorry.
05:43I'm sorry.
05:44I'm sorry.
05:49I'm sorry.
05:51I'm sorry.
05:53I'm sorry.
05:54I'm sorry.
05:55It's nice to be good.
05:56Yes.
05:57I'm sorry.
06:02I'm sorry.
06:03I'm so tired. I'm so tired. I'm so tired.
06:08I've created my life.
06:09I'm living normal.
06:10Wait a minute.
06:13Hello. Here we go.
06:17What do you want, Pavle?
06:35Let's go.
06:42Let's go.
06:43You have to wait for me.
06:44You'll be able to see you with me.
06:47What about you? I just wanted to ask you for testing.
06:51You said you need something to write.
06:54What to write?
06:55I don't know.
06:56I didn't say anything,
06:58but it's important to me.
07:08I don't know.
07:10Pavle,
07:12ono što sam ti rekla u poverenju,
07:15jel ostaje između nas dvoje?
07:18Nedo,
07:19sve što je bilo između nas,
07:22ostaje između nas.
07:24Nemoj da briniš.
07:25Hvala.
07:36Pa dođe, dajte mu sve što je na fakturi.
07:39Nije važno što još nisu platili,
07:41platit će kasnije.
07:44Jel to Dragan dolazi u naše magacine?
07:47To ponu plastiku što je traže?
07:48Ne mešaj se u ono što te se ne tiče.
07:50Mama, tebi nije palo na pamet da on to može da kupi bilo gde.
07:54Ha?
07:54Zbog mene je došao.
07:56Mašo.
07:57Ej, pa zbog mene je došao.
07:59Mašo.
07:59Mašo, dušo.
08:01Dođi, Ljubavi, ajde sedi.
08:06Mašo, Ljubavi.
08:09S Draganom, Bjorcem je bilo šta je bilo.
08:12Ali gotovo raskinuli ste.
08:14Ja sam raskinula sa njim, ne on sa mnom.
08:17Sve ved znam, znam.
08:19Ali to je prošlost.
08:20Svataš dušo, prošlost.
08:22Zar u tvojim godinama majka treba da te uči
08:25da se od prošlosti ne živi?
08:27Za tvoje dobro.
08:30Ustavi to već jednom iza sebe.
08:34I nemoj da mi pokvariš ovo što radim sa malim Bjorcem.
09:01Gago.
09:02E?
09:05Baš dobro što si naišao.
09:08Baš smo tele da zovemo obrena.
09:10Jutro sam je stigla neka čudna faktura od Bašićke.
09:13Zato sam i došao.
09:14Faktura je za kace.
09:15Nove su kvalitetne, ekološki isprave.
09:17Bašićka nam je dala super cenu i ne traže odmah krenemo da platimo.
09:20Radila sam za obrena godinama.
09:22Znam ga i u dušu i u računu.
09:23On, Bašićki, nikad nije ni ti će ikadi šta platiti.
09:26Tako da mislim da obrena to neće pristati.
09:30Kafa, Rakea.
09:31Ništa, hvala.
09:31Žurim.
09:33Svako ću ja to srediti sa obrenom.
09:35Mislim, sve je onako već dogovoreno.
09:37Greota da posao trpi zbog nekih starih svalđa.
09:40A što to nije došao Veljko da me moli?
09:43Malo pre mi baš rekao da imate super odnos.
09:45E kad imamo super odnos, što je posao tebe?
09:47Pa nije hteo to da kvari.
09:53Ne, ako ne želite to da radite stvarno razume.
09:56Mislim, svakako, svakako vi vodite knjige.
10:06A možda možemo da učinimo Veljko, mislim Draganu.
10:11Pa Tura je tek stigla, a ne moramo odmah da javljamo.
10:16Ništa, idem ja onda po robu, a baš sam dužnik.
10:21Ajde, aj vidimo se.
10:22Ajde da upoznamo Unu.
10:23Biće, biće.
10:51A zapoznamo Unu.
10:51Sjej.
10:54A bici, biće.
10:55A njovine tu košinu, kiškinu.
10:59A njovine tu košinu.
11:00P implicacite tepulimu.
11:01A njovine tu košinu.
11:07A njovine tu košinu.
11:09I možišči, koši tepulimu.
11:10Užine tu košinu.
11:12Pa mjilu posao na nevajte.
11:12A njovine tu košinu.
11:13A njovine tu koši,
11:13What's the truth?
11:23Is it really bad for you?
11:26No, thank you.
11:30What did you do here?
11:32I'm going a little bit to talk to you.
11:35I'm talking to you.
11:39Are you watching me?
11:41I'm watching you.
11:43I'm on Facebook.
11:45You show pictures with friends.
11:48You can even tell me when you find it.
11:51It's hard to get out of here.
11:54I pray, go. The other people are not here.
11:57I pray.
11:58Great, tell them not to come.
12:02I don't want to be long.
12:04About half an hour, not so much.
12:07If you don't see me, I'd like to call them.
12:12Okay.
12:18Hey, Brankice, hi.
12:21I'm sure I came here,
12:22but I took a reserve so I can't do it.
12:28Yes, yes.
12:30But no matter.
12:31Let's go to the cafe at your house.
12:34Come on, come on.
12:37Bye, bye.
12:39Come on.
12:40You've always had a quick reflection.
12:42You've got to go to the other place.
12:45If you come, you can tell us that we're going to go.
12:48We're going to go.
12:50I want to end the story about Seji.
12:57Hello, Pope.
12:59Excuse me.
12:59Excuse me.
13:00Excuse me.
13:00Excuse me.
13:02Excuse me.
13:03Excuse me.
13:03Excuse me.
13:03It's not just me.
13:04It's all over the world.
13:06Did you hear what the community wants?
13:09If you heard, you come.
13:23Good news.
13:25Good news.
13:26Let me tell you, I will decide if they are good or not.
13:28There are two out of three places.
13:31They are signed up.
13:32They are signed up.
13:33They are signed up.
13:34And they are all according to the lawyer.
13:36And this third one is Baružir.
13:39We will solve it.
13:42We will solve it.
13:54You want to do it?
13:55I really don't have a problem to give it.
13:58I really have it.
13:59Do you want?
14:00Don't be like that.
14:02It's not all about money.
14:03I don't want to tell you,
14:05but I have to put you in my own time.
14:09I have to put you in your own time.
14:12You should be my new version of my new version.
14:18You should be your new version of my new version of my new version.
14:21But Seja has never left the new version of my new version.
14:24As I can see,
14:26it is good to live.
14:28It would be good to help me.
14:30And I have to make it.
14:33New versions of my new version of my new version of my new version.
14:39If I had to play Lola,
14:41it could be the hits that Seja never had.
14:44Never.
14:45Duska, Seja ja sa tobom videla samo mrak.
14:51Samo uvrede, oniženje i bedu.
14:58Isے me dobro,
15:00Ja sam se večje rekla svom mužu.
15:03Tako da ni ti,
15:05ani slični poput tebe više, niko ne može da me ucenjuje.
15:09I da mi preti mojom prošlošću.
15:13You are good, man.
15:15All the time.
15:17I mean, you didn't accept the agreement,
15:19but you gave me money.
15:21Excuse me, I'm wrong with you.
15:26This is a gift.
15:26A gift?
15:28A gift?
15:28A gift?
15:29A gift.
15:30A gift.
15:48A gift.
15:49I said to you that Milic was sold to me.
15:52And Milic was sold to me.
15:54So the two of them were sold to me.
15:57I was a gift.
15:59I'll do it.
16:00I'll do it quickly.
16:02The third gift.
16:04And even when Milic was sold to me,
16:06I heard Milic and Obradovic sold to me,
16:09and not for you.
16:11That's the most important thing.
16:16I have to tell you something.
16:22I'm going to pay the bills on my name
16:25to send Dragan.
16:29Do you buy the bills for me or for Dragan?
16:32I've been forced to pay for you.
16:33I've been forced to pay for you.
16:35I'm going to pay for you.
16:38We won't pay for you.
16:40The more you, sister,
16:41the more you stop.
16:43The more you hold to me and my son.
16:44The more you will pay up to Dragan.
16:47The more you and I will pay for you.
16:51You are so much.
16:52The more you pay for me.
16:54Standard, the more you are sold.
16:56The more you will pay for me.
16:58The more your own love.
16:59I will say that.
17:03Listen to me, Obrene. I'll give up this country to Dragan, because I'll tell you all of a sudden.
17:11And I'll give up, and I'll give up, and I'll give up.
17:14It's better to accept this.
17:15You won, Obrene.
17:18You have to do everything in every victory to be on your own.
17:22Okay, okay.
17:26Dragan, it's mine. It's not a mistake.
17:29I'll finish with Baružov.
17:30Okay, I'll go.
17:32And go to the hospital.
17:35This is the place, nobody can tell me.
17:37Okay, you'll see it in the village.
17:41I'll call my friend to the star.
17:45I'll tell you everything.
17:49There's no land for him.
18:00Hey.
18:02Sedi pala.
18:14No.
18:16No.
18:18No.
18:19I think it's a good sign, except if you didn't deserve anything.
18:24Good morning.
18:25Good morning, please.
18:26Good morning.
18:28I thought we were able to get to the time.
18:31Get exactly when you need.
18:43Are these results from the test from Ramachin?
18:46Are they negative?
18:48Resultati?
18:49No, nothing.
18:50And why would they be negative?
18:53I didn't think that...
18:55This is a agreement about trust and protection of personal data.
18:58Nothing special.
18:59When big projects are in question, these agreements are in habit.
19:04And you sign it the first time.
19:08Are you serious?
19:09I don't have enough money and hard to invest in this to someone, not you, but anyone who would give
19:17the business secrets.
19:18I mean, we already have a problem with the security officer.
19:23No.
19:24I work with you for more than 10 years.
19:28Do you really think that someone would give me that?
19:31The security officer knew that I'm looking for the money in Ramachin.
19:40Or you sign it or you look for the other job.
19:45The loss of the loss of the loss of the transfer of the trustee.
20:00I thought I was a little older than my older friend.
20:05Your father and me were friends, and you are my closest friend.
20:09But you have to write this down.
20:16If we are honest, I always thought that the plans are very ambitious.
20:23One thing is to raise new water factory.
20:26But instead of a village, there is a new neighborhood.
20:29Sorry, I'm sorry.
20:30Wait, wait, wait.
20:36Why do you know that?
20:39We know that only Camber and me.
20:42Okay, but I am...
20:44There is no need.
20:47What happened?
20:48You have to hear from now.
20:51And if you want this job, you will have to write it.
21:02I will write, of course.
21:05But this job is not just a job.
21:09It's amazing.
21:15I will write it.
21:16Where are you?
21:18Where is Gaga?
21:19I was expecting you to come to me here.
21:21I went to Mila for you to send me their gift back to you.
21:25No, he's a factor.
21:27Why are you leaving?
21:29My brother, when something is important,
21:33everyone will be better than me.
21:36It's crazy.
21:37When you're born in the house, you don't ask anything.
21:39That's not it.
21:41I don't want to move privately and privately.
21:43Where is Dragan?
21:48Dragan is leaving to play a hit in Kragujevac.
21:51What is it? This is a hit.
21:52Let's go.
21:58You're crazy, man.
22:02Welcome, nice guests.
22:03Good, good.
22:05We are ready to start with this one.
22:09Let's go inside.
22:10First, let's go inside.
22:12Let's go inside.
22:13Let's go inside.
22:13That's it.
22:18That's it.
22:18Let's go inside.
22:21Let's go inside.
22:22Let's go inside.
22:32Look inside.
22:34I've been working for the first class for 10 years.
22:37You can see it. Fantastic.
22:39But really fantastic.
22:41It's good, my son, it's good.
22:42Take a little rice, you know I like rice.
22:44People have baked rice,
22:45put a little cookies with my wife.
22:46Come on!
22:47Sit there, sit and watch it.
22:49No, no, only a cameraman.
22:51Nobody's anything.
22:52That's a crazy thing.
22:53If I had a cup of tea,
22:57I would have tried it in my life.
23:00I've never tried it.
23:00I've never played it.
23:03I've never played it.
23:04Let me tell you something. I didn't expect this. Thank you very much.
23:09But we could also get to some cafes.
23:12No, no, no. Here is better. Here is all of us.
23:16And there is no one who has left us. That's right.
23:20Sit down.
23:23I'm going to ask you something.
23:25You talked to Milojevic about the election.
23:29And you didn't ask me anything.
23:33Yes, yes.
23:35You know, we've been trying to make an announcement about Ramac.
23:40And Milojevic, I mean, he just found it. He was available.
23:43Nothing else.
23:44I was waiting for you first to come to us in Ramac.
23:47And you, Kragujevac, see you. Milojevic is with the public Djukiela.
23:52Yes, Djukiela. Not Djukiela, but Goveda.
23:54What do we do? We have to make an announcement about Djukiela.
23:58I know, but you are here because of the election.
24:01And the election exists in journalism, or for the election?
24:05Yes, it exists. Let me tell you something.
24:07This is 19kg.
24:09Let me show you.
24:10You see, we're going to make an announcement on the internet.
24:13There's no sign.
24:15Everyone writes in the head.
24:16There's no sign.
24:16There's no sign.
24:18There's no sign.
24:20There's no sign.
24:23There's no sign.
24:24There's no sign.
24:27There's no sign.
24:40No sign.
24:40Maybe.
24:40Maybe they have us from here.
24:42Ah, dear.
24:42It's not a bad thing.
24:43No sign.
24:46I'm expecting a show.
24:49I'm going to take it and pack the show.
24:52So, we're going to get us from there, we'll get to the show.
24:56I said it all.
24:57Hi, thank you, föruts.
24:59Dear ول Toby, I have to make a quick shot.
25:05Rabbi Florian, I was apologize for that.
25:09Good morning.
25:14Hello Veljko.
25:17Just hurry up, because I'm going back home.
25:19That's the meeting. I know that Obren is calling everything.
25:24How is it at home?
25:25You know it better than me.
25:27What is it?
25:29You collect information to go around, to show people.
25:33I don't show anyone.
25:35Why don't you show me?
25:35I don't care.
25:37I don't care about it.
25:40I don't care about it.
25:42You know what I'm doing.
25:43I don't care about it.
25:44I'm not talking about it.
25:44I'm talking about it.
25:45I'm talking about it.
25:45I don't care about it.
25:47Let's finish it!
25:47I'm going back with a clink.
25:59I'm going back to the whole life.
26:01How much money?
26:05I'm going back.
26:06I'm going back.
26:08I'm going back.
26:10I'm going back.
26:10I don't know what the real life is.
26:12What are the real problems?
26:16I think we showed you how much to the prince is in the village, right?
26:20I'm going back.
26:21I can use a fork.
26:22I can use a fork after a hand, but it's not important.
26:24But, this is a weird thing.
26:27We're here because of the ring, right?
26:30Yes.
26:32And all the people talk about a wooden roof and a half-drago stone.
26:36I don't know.
26:38A day is long.
26:39I'm a lot of work.
26:40I'm a bad guy.
26:41Yes, yes.
26:43Sorry.
26:44Everything is collected and packaged.
26:45Wait, wait.
26:48Let's go.
26:49Let's go.
26:50Let's go.
26:52Let's take the camera.
26:54Let's do it.
26:56Let's take the microphone.
26:59Let's take the microphone.
27:01You asked what people thought about Rudiqa.
27:04These are the owners.
27:07Hello, the news.
27:09Here I am.
27:09Here I am.
27:12Here I am.
27:14What a red red.
27:16You leave us our water and our trees.
27:20It's a beautiful house.
27:22That's it.
27:24People, people.
27:26We are people in the village.
27:29And we will not be in the old days.
27:34You leave us, people, to live in the village,
27:39and not in the village.
27:41You understand?
27:41No, no, no.
27:45You know what?
27:46I am a resident of the village of Ramadja,
27:49but I am an advocate with more decades.
27:55And that's why I know that,
27:58in the legal regulations,
28:02you understand?
28:02Yes.
28:03If someone wants to decide something,
28:07you have to open a public conversation with people who are here,
28:13who live here and work.
28:14You understand?
28:15Yes.
28:15So, in these things,
28:18the public conversation is absolutely necessary.
28:22Yes.
28:23Yes.
28:25Yes.
28:25Hello, Ratkovic.
28:27Who thinks that it is a mistake?
28:29Let's first throw the camera.
28:31But here we don't need the wood,
28:33we need water for life.
28:37And this one, Ratkovic.
28:39Oh my God.
28:40Oh my God.
28:42Oh my God.
28:42Oh my God.
28:43Okay, okay.
28:44Here I am.
28:44Here, just a second.
28:45Here you see him.
28:46I don't know what to say.
28:49You heard everything.
28:52Here.
28:54Here.
28:54As you can see,
28:55there is no one in the waterfront.
28:58We can easily say all of the residents.
29:01I don't really need it.
29:04I'm the author.
29:05I don't really need it.
29:06I don't really need it.
29:07Because this is your home.
29:09Yes.
29:09Yes.
29:09Yes.
29:10Yes.
29:30Oh my God, that's so scary.
29:40Come on.
29:42Come on.
29:42Come on.
29:48Come on.
29:55What are you doing? What are you doing?
29:57I'm going to let me go.
30:00I'm going to call him.
30:01I'm going to write a statement about righteousness.
30:06He's going to kill him.
30:09Who will kill him?
30:10Who will kill him?
30:10You will kill him.
30:11Hey, for everything he's wrong.
30:13And his mega-lomans plans.
30:15He wants to...
30:18I'm going to tell you.
30:20I'm going to write a statement about righteousness.
30:26He's going to kill him if he needs me.
30:29No, I'm not mine.
30:47What are you thinking?
30:48What do you think?
30:49And he can't remove nothing from theז life of you.
30:51Okay. Don't hurt yourself. You can't do anything.
30:56You're alive.
30:59I'll drive me to the cafe and I'll see you with her.
31:09I called my secretary.
31:13I don't want to sign up.
31:16I didn't want to tell you.
31:22Lola?
31:30What happened, Lola?
31:32Did something happen?
31:36Lola.
31:39I was earlier...
31:43Lola.
31:44Lola.
31:47Lola.
31:49Lola.
31:50Lola.
31:54Lola.
31:58Lola.
32:23Lola.
32:25Lola.
32:40Lola.
32:48Lola.
32:54Lola.
32:55Lola.
33:10Lola.
33:12Lola.
33:12Lola.
33:12Lola.
33:13Lola.
33:13Lola.
33:13Lola.
33:13Lola.
33:13Lola.
33:13Lola.
33:14Lola.
33:14Lola.
33:14Lola.
33:14Lola.
33:14Lola.
33:14Lola.
33:15Lola.
33:15Lola.
33:15Lola.
33:15Lola.
33:16Lola.
33:16Lola.
33:16Lola.
33:16Stop it.
33:32Now I've won everything in the car.
33:50That's why you didn't want to go to the star,
33:55nor to the Ramach.
34:02I understand that the sea was hurt,
34:10but it's not important to me.
34:21And I have to admit that I would like to see how the sea looks.
34:40It was before internet, so you can only think about it.
34:51It's important that we don't have any more.
35:24I have to leave it to the manager.
35:26I really like the pictures.
35:27Great, legend.
35:29I knew you will be the best.
35:43What are you doing?
35:45I don't think so.
35:47I don't think so.
35:48I think you should be thinking about that Ramach
35:50and about your future.
35:54What are you talking about, Lidia?
35:55I think that Goran is ready for everything and you for your business plans.
36:02Where do you talk about this?
36:03I don't understand.
36:04I understand.
36:06He's your father.
36:06He's probably fine, good, but it doesn't mean that he wouldn't sell you.
36:12Where are you, Lidia?
36:14What are you doing?
36:14My father is doing that.
36:15You're so sorry for me later.
36:22I'm sorry for you.
36:23I have been betrayed you.
36:24See this.
36:25I found my place besides Dragan.
36:27And Goran doesn't want to be hurt.
36:29I don't understand why you would be hurt.
36:31Give me.
36:31You're lying to me.
36:33That village is not for you.
36:34And the other one is Dragan.
36:36Why?
36:36He's just a character in his combination with his talent.
36:40What does he call his talent?
36:41Do you want to get rid of your crystals?
36:44You're lying to me.
36:45You're lying to me.
36:46I'm losing time.
36:48Let's go.
36:48Bye, Saro.
36:50Did you just want to tell him what you wanted to tell him?
36:54No.
36:56I couldn't.
37:00Okay, give me the camera.
37:01Here we go.
37:03Here we go.
37:03So, I'm going to tell you about the National Park Service.
37:06And also about Rudniku Opala.
37:09And about his project.
37:10We've come back to the owner of the city manager.
37:14Svetlani Arsic.
37:16I have to go back to your audience.
37:18To talk about false news.
37:20The Rudnik Opala is a project that is older than half a year.
37:25Beautiful woman.
37:27Is she helping her as a campaign?
37:30Yes?
37:33Yes?
37:34Yes.
37:34When that is like three or four years,
37:38didn't you see that?
37:43Yes, as a day.
37:48Opistina wants to buy our land
37:53...and they will be able to find a river.
37:57And? What did you say?
38:00What did I say?
38:01I said that the city could catch up in our village, but not in our village.
38:06After all the promises, what did we get?
38:08We got the asphalt asphalt and the sand for the river.
38:11We thought that our friend is a big fish from Belgrade,
38:15and we are nothing.
38:17And why do we want to buy our land?
38:21Because we have something that they don't have.
38:24We have a clean land and a clean source.
38:30What did you ask for us?
38:33What do you care about?
38:38I'm not a poor woman.
38:41Oh, Zorka.
38:42I've never been married to a woman.
38:45I've never been married to a woman.
38:46I've never been married to a woman.
38:49I've never been married to a woman.
38:50You've been looking for more than that.
38:51You've been looking for us all around this job with a car.
38:56I'm afraid that we don't have to be in the face of this.
38:59Especially for the dragon.
39:02I've been doing everything because of all of us.
39:05I've been a bad person.
39:06And not because of yourself.
39:08What about the home without a family?
39:16I'm not a bad person.
39:17There's no money for her.
39:18Look, we know that we've heard already.
39:23Maybe these young people can, but I don't want to.
39:28The whole Ramaću was occupied.
39:31I wouldn't be ashamed of you being here.
39:33I'm just curious. And what happened?
39:35They were out of his hands.
39:37And that newspaper from Kragujevce.
39:39And that pop, all the rest.
39:57Myo Vuku, a obrena vrata.
40:32Anj tata there, a poj kakak,
40:34a pop why is he here?
40:36Take the railroad.
40:37The bridge will not go here if you have to go in the mall.
40:39Come on, the wood, we will talk about the work.
40:49So I gave an amount of money,
40:51and I asked myself to take care of it.
40:53It means you have your railroad?
40:55She's not a joke, she's not going to have a job with you, like many others.
41:00I'm ready.
41:01I don't know what you're talking about.
41:03Go first and talk to your son, he's helped the job.
41:06Let's go to my son.
41:08I know that you want me to take care of you.
41:10You want me to take care of you.
41:13You want me to be important.
41:15You don't want to.
41:16You're a woman.
41:17You can be like this and that.
41:19But you can't be a woman.
41:22Meni your life.
41:23You can find yourself a woman.
41:24I found a woman.
41:26Only you weren't allowed.
41:27Who?
41:29My name is Milena.
41:30He threw his eyes on his face because he was my brother.
41:35I'm now with him.
41:36Do you think you're going to take care of me?
41:38God, God.
41:39You don't stand for him anymore.
41:42That's the best.
41:43And for you and for him.
41:48You have a nice house.
41:52This is a nice place.
41:54Watch out the place.
41:56A nice place.
41:57When there's aloft and you fall as much as you're at home,
41:59you'll see no flowers at all or no lips at all.
42:03You're fine.
42:04Listen, brother.
42:05Listen, brother.
42:06Listen, brother.
42:07Listen to me.
42:07Listen to my woman's head.
42:08Listen to my friend, Gorano Stanković.
42:14Know what it is.
42:15Find your life.
42:15Let's see what's going on from me.
42:36I don't know you, no matter how old you are.
42:38I'm sorry, I'm not gonna let you go.
42:44I'm sorry, I'm sorry.
42:45I'm sorry, I'm sorry.
42:45I'm sorry, and I'm sorry.
42:47Chutish, chuti.
43:14Hey!
43:17She's from Beograd.
43:19Yes, I'm sorry, we know.
43:22Maša.
43:23Yes, Maša, sorry.
43:26Do you want me to throw it?
43:27I'm sorry, I'm hurt.
43:29I'm tired of training.
43:30Let's go.
43:36Let's go.
43:55Let's go.
43:56Sorry, I wasn't at the meeting.
43:57I felt that it was good.
43:59I finished everything for me.
44:01Let's go back to Bašićke.
44:04The other time.
44:05When you're planning something,
44:06let me ask you.
44:07That's all for us.
44:09We'll never find a better advice.
44:11Let's go back to that and don't forget it.
44:26Hello, my friend.
44:29I'm calling you to me at Preslav.
44:31We have some news,
44:33so we'll go together.
44:35You won't tell me what's going on.
44:37Good.
44:42We'll talk about it.
44:43We'll see you at Ramac.
44:47Good.
44:54What do you like here, with us?
44:57Very Hunske.
44:59The nature is wonderful.
45:01I can do a script.
45:03With illustrations and illustrations and all the time.
45:06This is really inspiring to me.
45:11We'll finish the job earlier and later
45:13I'm alone.
45:15I mean, since Gaga is also doing it.
45:20What are you doing?
45:22I'm going to work at my aunt's house.
45:25Ah, those are the warmers. Yes, I'm telling you.
45:28Yes, warmers.
45:31Do you want me to go to my house?
45:35Now?
45:37No, not now.
45:39I don't know.
45:42I have a tretan, a bazen.
45:46I don't know who you are.
45:47You can train.
45:48You can do it.
45:52Well, cool. Thank you.
45:58You know what?
46:00It would be good for training.
46:02Yes.
46:03We took a few days ago.
46:08Did you think we were together?
46:09Yes, we took a few days ago.
46:11Yes, we took a few days ago.
46:13I got out of the condition.
46:15I went to bed.
46:17Literally, until the morning.
46:18I know.
46:19I don't run because I'm enjoying it.
46:21I'm upset.
46:22I don't know what to do with me.
46:25I thought we'll be together.
46:27Who?
46:32Maybe we don't have to be together at the end.
46:35Maybe it's a stupid idea.
46:37Do you think so?
46:38Do you think so?
46:40Yes, I think so.
46:41Really, why would I have had an extremely close relationship with her?
46:44It's not only so.
46:49Sorry.
46:52Why are you looking at me?
46:56I'm not understanding what you are saying.
46:58I'll show you now and you'll understand it.
47:12Here, see what he asked me.
47:15And I'll give him away.
47:19I don't know why.
47:22I thought it was too late.
47:27He'll never be able to forgive me.
47:31And I think he'll never be able to forgive me.
47:34You know how much Gaga loves me?
47:37He'll never be able to forget me.
47:42He'll always love me.
47:45And you?
47:46You'll be happy with us.
47:51Let's go to the beach.
47:58Let's go to the beach.
47:59Let's go to the beach.
48:03Let's go to the beach.
48:13Let's go to the beach.
48:13Let's go to the beach.
48:14Let's go to the beach.
48:15Let's go to the beach.
48:15Let's go to the beach.
48:15Let's go to the beach.
48:16Let's go to the beach.
48:17Let's go to the beach.
48:18Let's go to the beach.
48:19Let's go to the beach.
48:27Let's go to the beach.
48:27Your family will be thrown around my company.
48:29And my judgment will not be thrown around your company.
48:32Okay, okay, okay.
48:33You took him out of the door, you go there and bring him out of someone.
48:37What's your relationship with my work?
48:40You're the only problem.
48:41What will it be, Pavle?
48:42Because you're listening to me.
48:44Where are your friends?
48:46You'll come, now.
48:47What if she's gone, you didn't think about it?
48:50Tell her to go and let her not return.
48:53People come to church not to be with me, but with God.
48:57Pivo mi je samo zbog un.
48:59Ono je mnogo vrednije od svega toga.
49:01Jel ima nešto što mi nisi rekao, a trebalo je da mi kašiš?
49:04No, gre, nema neke probleme.
49:06No, ja uči.
49:07Kakav problem?
49:28Notiqu cagive printin verr svega.
49:33Et okay.
49:51Vajra women suver grudni na kat tepkoće.
49:53Permeni, nauseam, karstje.
49:54Do you have anyplace Elnan dethLaughs?
49:55Don't you watch us talking to him?
49:56Maybe you may not win anyange locaux..
49:57Fine hauler es Chinese.
49:57So are you worried?
49:57After he has mad men,he
49:57eten戒 p � just from the other units.
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