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00:00You
00:06Arthur
00:09John
00:13Marco
00:16The chief constable of Birmingham has issued a warrant for your arrest
00:30I've made a deal with people even more powerful than our enemies
00:38Trust me brother
01:01Oh
01:02What is it Sunday?
01:04There's been a mistake
01:06There's an appeal process on the way that doesn't begin until January
01:09I want to see my lawyer, Mr. Patrick
01:11Stop
01:13This shouldn't be happening
01:21Stop me
01:22Ah
01:22Ugh
01:28God
01:32What?
01:33I'm George Delvey
01:35Hey
01:43I'm going back
01:44When I come back
01:45I've got to be clean
01:45Why don't I go outside?
01:47Why don't I go outside?
01:48Why don't I go outside, won't I go outside?
02:04I'll just...
02:06I'll just...
02:11I'll just...
02:12Michael!
02:13Michael!
02:14What's that?
02:15Michael!
02:15Arthur! John! Where's Solomon?
02:19Arthur! Arthur! John!
02:32No.
02:52Arthur, you have to call the king.
02:55About what?
02:56About this.
02:58This is the case of a family of Birmingham gangsters on trial for murder and sedition.
03:03Why would the king intervene?
03:05The leader of the gang, Thomas Shelby.
03:07He claims his family was caught up in a wider conspiracy.
03:10He names Winston Churchill.
03:12You woke me up for this.
03:13And he also sent us this.
03:18How the fuck did a Birmingham racketeer get his hands on a personal letter written by King George?
03:25During a robbery at Hampton Court, Shelby discovered a box of correspondence.
03:30Among the papers he stole was that letter from the king himself, which proves his majesty was involved.
03:36Arthur fuck.
03:40If his family walks free, then he will burn the papers in my presence.
03:45What will they do to her?
03:47Today.
03:48This morning in Winsome Green Prison.
03:51Why the hell didn't you bring it up before?
03:53The plan was for the Lord Chamberlain to intervene at the appeal.
03:56But late last night, some local judge brought the executions forward.
03:59Oh, my goody heart.
04:02Brought me through to his majesty.
04:05We'll reach him out!
04:08Uncuck.
04:14No!
04:18In the bleak midwinter.
04:22The�.
04:23In the bleak midwinter.
04:24In the bleak midwinter, I King of God.
04:26The world shall ROB down in earth.
04:28Oh Lord Jesus.
04:29With the swipe from your tail, I see your face, Shawnee Tyler.
04:59No himno, no himno, no himno, no himno.
05:07No himno, no himno, no himno, no himno, no himno, no himno.
05:18Also sir, in return for burning the King's Letters, Thomas Shelby has asked for something else.
05:25Inclusion in this year's New Year's Honours List.
05:28Thomas Shelby has asked for the king to award him an OBE, sir.
05:57THE END
06:18THE END
06:58THE END
07:03THE END
07:03I've wrapped all Charlie's presents and left them in the room.
07:07What did I get him?
07:08Toy horses, toy cars, toy guns.
07:13You do at the Singer Factory at 8 tomorrow, not 8.30 as a union problem.
07:18Eight, yep.
07:19Then the driver will take you home.
07:22I'll drive me off.
07:23Good night, Lizzie.
07:24Have a good Christmas.
07:28I'll have a vodka tonic.
07:29Yes, ma'am.
07:38Tommy, I've had Christmas cards from John, Martha, Ada, Michael and Polly.
07:46And an invitation.
07:48New Year's.
07:50Party at John's house.
07:52Party at John's big house.
07:54Good for him.
07:56Ada's coming back from Boston for it.
07:58I know.
08:00It was me who gave her the time off.
08:06Why don't you come?
08:08Just turn up.
08:09Bring Charlie.
08:10Bring a lump of coal.
08:12First footing.
08:14Dark-haired man crosses the threshold to bring good luck for the new year.
08:18The babies will make everybody okay.
08:20Babies stop everything.
08:22Can't pull a razor with a baby there.
08:24Not even Esme.
08:30Just come.
08:32See what happens.
08:37Tommy, you've never even seen Arthur's kid.
08:40Nor John and Esme's.
08:43A drink, lady?
08:44Yeah.
08:48Who did you get for me?
08:55Theresa.
08:56I said someone new.
08:58Understood.
09:04Do it for Charlie.
09:06Charlie should know his cousins.
09:10I got Charlie a real horse.
09:12Is he?
09:14And a toy.
09:16Thoroughbred.
09:18And on Christmas Day it'll be just you and Charlie.
09:21And the horse.
09:27You can't live like this another year.
09:33Sex.
09:34Freedom.
09:35Husky sours.
09:37Which one should I give up first, Lizzie?
09:40Eh?
09:49I've got you something.
10:02anti- Easter.
10:04Good day.
10:05Sh erm.
10:15Children,axe?
10:15How long have you been?
10:15Have you finished the night?
10:15You wonder what?
10:17I don't want your Grace.
10:19Happy be, Jack.
10:19Was she going to?
10:19Have you really got you help me?
10:20I'm sure my shame would be gone
10:23Is he human to adore life?
10:27If only I'd hid my lust
10:30And starved a little bit more
10:33If only I didn't ask for more
10:36Is he human to adore life?
10:44Are you all alone?
10:58I told you you didn't need to come on Christmas Eve
11:00I could have dealt with it
11:02Yeah, I could have dealt with it
11:04At the pressings factory
11:06This is the same problem
11:09Same fucking union convener
11:12Area convener for the Boilermakers Union
11:13Has got involved with something
11:14That could have otherwise been fixed
11:16With a drink and a bribe
11:18A wire cutting shop, hmm?
11:20All the wire causes here to women
11:22That's why the union convener thinks they're being underpaid
11:26I'll tell him
11:27There are no men in the cutting shop
11:29So there can't be no comparatives
11:30That's a woman
11:32What is?
11:34The union convener causing all the trouble
11:37Oh God
11:38My name's Jesse Eden
11:42You heard of her?
11:43Yeah
11:44Do you want me in the meeting?
11:47No
11:51Mark-up
12:10Look
12:12Sometimes I have a sniff of snow
12:13So what?
12:14How's your mother?
12:17I drove past the house
12:19The drain bar was hanging off
12:23Look, the cocaine keeps me awake
12:26Very long hours these days
12:28And when I do sleep
12:29I dream about what happened
12:31I wasn't asking about you, Michael
12:33Was I?
12:35I was asking about your mother
12:39Since she was pardoned
12:40She's been on these fucking tablets
12:41The doctor gave her when she was in the prison
12:44She says that when she was inside the noose
12:47She saw spirits
12:50She's running seances
12:51But people just come into the house to steal things
12:56Tell me it's bad
12:57All right, all right
13:01All right, listen to me, Michael
13:09The spirits she sees
13:11Are real
13:14Believe they're real
13:16Believe it with her
13:17And eventually
13:20You can take the remembered noose
13:21From around her neck
13:24Like a horse
13:25That's been choked off
13:28Keep it off, Whiskey
13:30Throw away the tablets
13:33And stop giving a fucking smell
13:37Fucked, are we?
13:39Sounds like family advice
13:42You coming back?
13:45Nothing to come back to
13:49Truth is, they're all fucked
13:52Not a lot of them
13:54Yeah
13:59Find out about that woman, Jessie
14:02Don't let your mother keep cash in the house
14:04And oi
14:06No cocaine
14:07On our registered premises
14:11Oh, because I don't know
15:02Did you see they all came?
15:07Yeah, I saw you at the back.
15:11It's funny they don't notice.
15:17Oh my sweet, oh my heart, crushed to death in the canal, but back home again, it's so beautiful.
15:51Inside the loop.
15:58Inside the merry loop.
16:10Inside the merry loop.
16:24Inside the merry loop.
16:50Inside the merry loop.
16:53Inside the merry loop.
17:06Inside the merry loop.
18:06Inside the merry loop.
18:48Inside the merry loop.
18:49Inside the merry loop.
19:02Inside the merry loop.
19:12Mabel 245?
19:17Hello, Esme.
19:18Hey, look.
19:20Couple of heads.
19:21Two heads.
19:23Over you.
19:24Arthur, be careful with Billy in there.
19:27There's a cock.
19:28Yeah, I will.
19:29And don't smoke that near him.
19:32All right.
19:33Get out of it.
19:35As May called to say, Ada's on our way over.
19:39Did you hear that, Billy boy?
19:41Your auntie Ada's coming.
19:42All the way from America.
19:46Oh, it's in.
19:48Oh, it's up to the neck, look.
19:50It's up to the neck, Billy boy.
19:52Oh, my God.
19:53Oh, my God.
20:00Yeah.
20:01Give him the hell, he keeps officers saying.
20:03Oh, my God.
20:05Oh, my God.
20:05Take a little walk to the edge of town and go across the tracks.
20:12When a fire does loose like a bird of doom, as a ship has cracks.
20:27Excuse me, this is the gym.
20:30You don't have a women's laboratory on the second floor
20:32because no women get this far up.
20:34I don't have a women's laboratory.
20:36I can't go to it, can I?
20:58You say there is a disparity in pay based on sex?
21:05The male wire cutters in the Rover factory a mile and a half down the road
21:09are paid ten shillings a week more than the female wire cutters here.
21:14Different factories, different rights.
21:16Both factories are owned by you, Mr Shelby.
21:19Not in your own name, of course.
21:21In the name of other householdings.
21:24You own the Lanchester car and van factory in the name of Tilton Company Limited.
21:28The Billings Machine Tools Factories at Hay Mills and Greete
21:31in the name of Stetchford Engineering.
21:33The Bilston Forging's and Pressley's Factory in the name of Canalside
21:36and the Canal Warehousing and Gas Street.
21:38Saltley and Cadbury in the name of Shelby Company Limited.
21:41Also, 255 streets of back-to-back houses.
21:46Very good.
21:49Very good.
21:51So this isn't about women and men.
21:54It's about me, eh?
21:57Tell me, Shelby.
21:58O-B-E.
21:59No, it's not about you.
22:02It's about disparities.
22:04It's about ten shillings a week for working mothers
22:06so they can buy shoes for the kids.
22:07You know what I'd choose myself?
22:09So now you deny others?
22:11And barefoot, I grew up mean.
22:13Oh, I know.
22:14Oh, yeah, you know everything.
22:16Your turn, I'm free.
22:17It's unacceptable.
22:18You grew up mean, you say?
22:19Threatened, though, I think, somewhere.
22:20No threats.
22:21The whole of Birmingham knows you, Mr Shelby.
22:23Sweetheart, whatever you've heard, I don't need to make threats.
22:32My Cymru, brothers and sisters.
22:34Your brothers and sisters.
22:35All right, listen.
22:37I will conduct myself as a businessman.
22:39Who says sweetheart?
22:41You say there is a ten shilling disparity
22:43between male and female cutters in two of my factories.
22:46Very well.
22:48I will increase the pay of the female cutters in this factory
22:51by five shillings.
22:54And I will cut the pay of the male cutters in the Rover
22:57by five shillings.
23:00Thereby achieving your sacred fucking parity.
23:04And I will tell the men with families to feed
23:08whose idea it was to cut their pay.
23:10You do that, I will bring all my members out on strike.
23:14Oh, yeah?
23:15The week after Christmas, you think so?
23:18You know, everything you've said here today,
23:19and the fact that we're having this meeting today
23:22tells me that you are a woman without a family.
23:26And everything I hear about you
23:27tells me you're a man without a family as well.
23:31My comrade brothers and sisters
23:33are not afraid of you, Mr. Shelby.
23:35I will call an extraordinary meeting
23:37of my executive committee as soon as boxing die.
23:40You will hear the whistles blow all across Birmingham.
23:45I've heard lots of whistles blow, sweetheart.
24:12The post has arrived, Mr. Shelby.
24:22I'm sorry to keep asking, but Chef needs to know
24:24how many for dinner tomorrow.
24:27He's new.
24:28He's foreign.
24:29He gets very upset.
24:32Right, will you tell Chef
24:34there will be 27 guests for Christmas dinner tomorrow?
24:3627?
24:38Family?
24:39Yep.
24:40I thought Charlie could do with some company,
24:42so I asked Johnny Doggs if he knew anyone
24:44who'd like to eat goose.
24:46And he said he knew 26.
24:50Tell Chef I want 10 geese,
24:52a buck cut into steaks,
24:55some trout from the river,
24:58fetch whiskey, brandy, and wine from the cellar.
25:00Best we have.
25:01There will be children.
25:03Lots of children.
25:05With Johnny's tribe,
25:06new ones might be born on the floor.
25:08So I've...
25:09I've mopped some buckets ready, eh?
25:12And I want you at the table, Francis,
25:14so make it 28.
25:16I won't be busy.
25:19You've put up with me this past year,
25:20looked after Charlie
25:21when I've been in business tomorrow.
25:23You'll eat at my table.
25:28Things will get better, I think, next year.
25:35I won't be busy.
25:59Okay.
26:32It gets much warmer than here in the summer, much colder in the winter.
26:36I knew it.
26:37Parts of it are just like Birmingham.
26:40Yeah.
26:40She didn't smoke the same everywhere.
26:43Hmm.
26:43What about you, Linda?
26:45You working?
26:47I've been seeking work as a teacher.
26:49Teacher?
26:50But you know, it's quite difficult.
26:52Shelby name.
26:53It's always in the papers.
26:56And what do you get up to all day, Arthur?
26:59As you know, Arthur's previous endeavours have left us with no need for a salary.
27:04Arthur occupies his time in the garden, doing voluntary work.
27:08He drives old people in cripples.
27:12Yeah, well...
27:13Something to do.
27:16I want to open a garage.
27:19Someday.
27:19Fixing cars, you know?
27:20Sometimes cars attract ambitious men.
27:24Yeah, but...
27:26I like fixing cars.
27:27Hmm.
27:33I'll go.
27:34I've got it.
27:42Maple 245.
27:44Arthur.
27:45You checked your post.
27:47I just got served a black hand.
27:51I just got delivered a black fucking hand to the house.
27:54From Luca Changretta.
27:57Jesus.
28:00Fingers crossed.
28:07The old man's out of his son.
28:09He was gonna get done for killing a bank clerk in a robbery.
28:12So this old man sent him back to New York.
28:16You know what the black hand means among the wops, Arthur?
28:19It's mafia shit.
28:21The Sicilian fucking mafia.
28:25Just check your post, Arthur.
28:34Arthur, I was just leaving.
28:36No, you're not.
28:38I need to talk to you.
28:41Right there.
28:42It's all right, Linda.
28:43Stay here.
28:44I need the police.
28:49Linda.
28:51You stay here.
29:01I need the police.
29:02You stay here.
29:04This man, I need to make a call.
29:07No.
29:08I need to make a fucking call.
29:09Give it in!
29:09What the fuck is this?
29:11Give it in!
29:11Can you tell me what the fuck it is?
29:13Give it in!
29:13What is it?
29:15It's from Luca Changretta.
29:17We killed his dad.
29:19I remember.
29:20It was Tommy who killed him.
29:22It was fucking Arthur!
29:23Pulled the trigger!
29:25It was mercy, but it was Arthur.
29:28It makes no fucking difference.
29:30For the wops, it's family.
29:31The Black Hand came here.
29:34Everybody will have got one.
29:36They're coming for us all.
29:42We made an agreement.
29:45We made a solemn promise.
29:48We're the family now.
29:51We'll take Talamendi Cochrane.
29:59Yeah.
30:00Look at that.
30:02That's from Changretta's son.
30:05Luca.
30:06How the fuck he knows where I live.
30:09Eh?
30:10And why has he waited a year?
30:12I'm gonna see Tommy next.
30:14I'll talk to him.
30:16I'll be served a Black Hand.
30:18And she won't even let me keep her fucking spud gun in the house.
30:21Go to a hotel.
30:23It's Christmas Eve, Ida.
30:28I've got a gun in the glove compartment.
30:30You take that for now.
30:31I'll talk to Tommy and have him call.
30:33Just make sure you get to the phone first.
30:35Yeah.
30:36Now, hug me like you came out here because you were emotional.
30:38I am emotional.
30:40I just don't know what fucking emotional it is.
30:43Sir.
30:44It'll be okay.
30:46I'll talk to Tommy.
30:47You talk to him.
30:55You're my bath, brother.
31:04Ida!
31:06You wait there.
31:08You won't leave empty-handed.
31:10Here you go, look.
31:10No.
31:11Some eggs.
31:11You give them some polly, alright?
31:13And you.
31:14Keep your eyes on the road.
31:18Take care.
31:27He was on the phone, Arthur.
31:29John.
31:30Missing me Merry Christmas.
31:36Come inside.
31:37You ain't late.
31:41You don't know what I'm sure man.
31:51Why would you have a beer?
31:53I'm sorry.걸
32:01say something. Thanks.
32:03Hey man,
32:04come here. Look and see.
32:06Take care of yourself.
32:07You're welcome. Say,
32:31Take off the hats.
32:40Are you with those other Italians?
32:43We're Americans.
32:45It says it right there on the paper.
32:48USA.
32:53And what's the purpose of your visit?
32:57Pleasure.
33:11Mom?
33:12It's me.
33:20Left the door open.
33:21Change the air.
33:23I told you I was busy today.
33:25What do you want?
33:27Why haven't you opened your post?
33:30Tied it up.
33:33Ada's coming today.
33:35She's late.
33:37Tommy asked about you today.
33:41I hope Ada's car hasn't broken down.
33:44Shelby Company Limited's still using Bentleys.
33:47Yeah.
33:49Bentleys are no good in the cold.
33:51You should tell him.
33:53I will.
33:55Any other messages for Tommy?
33:57Yeah. Fuck off.
34:01He saw that your drain pipe was broken.
34:04He's worried.
34:09Is that it?
34:10Is that all he asked about drain pipes?
34:12No.
34:13He said that I'm to accept that you have a gift.
34:17That you've always had a gift.
34:20What gift?
34:22Second sight.
34:24Spirits, all that gypsy stuff.
34:26He said that I'm to believe you.
34:27You think I don't hear his voice and yours.
34:30You don't think I recognize his strategies.
34:34I'm still a match for him.
34:35Yes.
34:36You are.
34:38And you still can be.
34:42Me and Lizzie decided that this new year we're all to turn a page.
34:49You can't spend another year like this, Mum.
34:51No.
34:58Mum.
35:01Word is like a bullet to me.
35:09I see your sister in that chair sometimes.
35:16Look.
35:17Me and Lizzie decided.
35:22It's time.
35:26I bought these.
35:29One for you and Ada.
35:31One for you and me.
35:35So Tommy said keep it off the whiskey?
35:42I'll drink champagne the day my son needs the employment of Shelby Company Limited.
35:47You tell him that next time he mentions fucking drainpipes.
36:07What?
36:08Now, this is your job, Charlie.
36:11I give those for Santa and Rudolph.
36:16Good boy.
36:18There's half a Santa for his whiskey.
36:20Now, a night.
36:23Merry Christmas.
36:26I'll see you tomorrow.
36:28All right, you sleep well.
36:28Come on, Charlie.
36:43Hey!
37:08Oh, my God.
37:54Mr. Shelby, it's your sister.
37:56I know. Send her in.
38:05I've got a card, Aida. I'm guessing Arthur and John have earned one as well.
38:09Hello, Tommy. Hello, Aida. Welcome home. Thanks. It's nice to be back.
38:17I've spoken to Moss. Moss says that Cangretta is a soldier for the Spignetti family, which means that he'll have
38:22men with him, professional men.
38:24They usually operate in units of around ten. Moss is checking Cunard records to see if they're already in England.
38:30This one's for you?
38:31Hello? What is it? A time machine?
38:35My God, Tommy Shelby. Is that regret?
38:39That'll happen in tomorrow.
38:41So, boss, in light of the changed circumstances, what are your orders?
38:50Cangretta knows where we all live.
38:52If we stay out in the open, isolated, he'll pick us off one by one.
38:56We need to be together in the place even though he won't dare to come.
39:01You mean back home?
39:03Within a four-mile radius of the garrison, every man is a guard and a soldier for us.
39:08I'm calling a family meeting. Charlie Strong's Yard, Boxing Day.
39:12Finn's already there. You tell Polly and Michael I'll deal with John and Arthur.
39:15And Esme and Linda?
39:19Anyone who wants to live to see another Christmas needs to come when it's safe.
39:23These bastards will kill kids as well.
39:25When this business is finished, we can go our separate ways.
39:31Go and see Polly Unexplained. She'll have had a card as well.
39:36Do you think I'm on the list?
39:39We're all on the list, Aida.
39:43I gave my gun to Arthur.
40:03Welcome home.
40:23Holy shit.
40:25It's Father Christmas.
40:26Yeah, and if you're good, I'll get what you deserve.
40:32Fucking come here, yeah?
40:45Good morning.
41:07Oh, God.
41:17Yeah, put me through to Maypole 245.
41:30Hello.
41:31Arthur, it's Tommy.
41:33You'll be quick, they're asleep.
41:35Family meeting, Charlie's yard, boxing day, midday.
41:39I can't raise John, but I'll send Michael to get him.
41:43If you have to pull a gun on Linda, do it.
41:45Merry Christmas.
41:52Merry Christmas, Tom.
42:03What did you do with them?
42:07My tablets were in the bathroom cabinet.
42:08What did you do with them?
42:10I threw them in the lavatory.
42:14For Tommy's orders?
42:15No.
42:16My own decision.
42:22How am I going to get through Christmas without them?
42:24They closed everything.
42:25How am I going to get through Christmas without them?
42:27I'll help you.
42:28They don't open anything.
42:29Fucking yellow pocket three nothing.
42:32You can move in with me and I'll help you.
42:35How am I going to get through fucking Christmas without anything?
42:41Half.
42:42Half.
42:43Half.
42:44Half.
42:45You can move in with me and I'll help you.
42:48Fuck off.
42:49Fuck off.
42:49Fuck off.
42:50Stop it, Shelby.
42:51Fuck off.
42:52I don't want you.
42:52Mum, this has got to stop.
42:54This has got to stop.
42:56This has got to stop.
42:56Tommy's meant to be even spirits with you, but I can't.
42:58Hello, Polly.
42:59Hello, Michael.
43:01Merry Christmas.
43:03Door was wide open.
43:06Fuck.
43:08I spent the whole day hiding.
43:10Look, I wanted it to be nice.
43:11I wanted it to look nice.
43:13Why, Paul?
43:14It's only me.
43:15It's okay.
43:16It's okay.
43:17We can sit.
43:18Sit and talk.
43:19We'll put things back together.
43:21It's okay.
43:23I'll leave you to do it.
43:24No, you stay.
43:28Now, listen.
43:29Something's happened.
43:30Things have changed.
43:33Today, everyone in the family
43:35I received one of these.
43:48What does it mean?
43:50Tommy's called a family meeting.
43:52I want you both to come.
44:05Come.
44:13I'm really sorry to bother you again, sir.
44:16But Chef insists on knowing what time the guests will arrive.
44:20Francis, for the last time, it's Johnny Dogs.
44:25They're gypsies.
44:26They're camped down by the river.
44:28When they're ready, they'll walk up.
44:30All right?
44:31He says it's about preparation, sir.
44:33What is?
44:34He's asked specifically.
44:36Will they arrive before the King's speech or after?
44:44He said he was new there, Chef.
44:48When did he join us?
44:50October.
44:55October.
44:58And he's fallen?
44:59He's Italian, sir.
45:01Oh.
45:04He's the best chef we've ever had in the house.
45:07No shouting or swearing or blaspheming.
45:10Do we owe his references?
45:11Yes.
45:15The only problem has been his assistant.
45:18What assistant?
45:19He brought an assistant with him.
45:21He calls him his sous chef.
45:27Are they still working, Francis?
45:29They'll be there till midnight, sir.
45:36All right, thank you.
45:37Good night. You can go to bed.
45:40Merry Christmas, sir.
45:43And I thought about your offer.
45:47I'd be happy to sit at your table.
45:50All right, thank you.
46:21Mr. Shelburne.
46:31What's your name?
46:33Max, Mr. Shelburne.
46:34Max.
46:37It's all right.
46:38Don't get up.
46:40Oh.
46:41Sorry.
46:42Sorry, sorry, sorry.
46:46You're new on Mr. Shelby.
46:48Hello, sir.
46:51I haven't taken time to introduce myself.
46:55Antonio.
46:59What have you done that's so wrong, eh?
47:03Excuse me?
47:04See you, chef.
47:06Billing potatoes.
47:08Oh.
47:10It's an emergency.
47:11Late notice.
47:12Oh.
47:14Late notice.
47:16Right.
47:18Right.
47:19Right.
47:19Carry on.
47:28Antonio.
47:31Yeah, ten pound.
47:34The lane notice.
47:35I'm sorry, please.
47:36I'm sorry, please.
47:37I'm sorry.
47:43I'm sorry, please.
47:46I'm sorry.
47:54I'm sorry.
48:14You wanted to know if my guests would arrive before or after the King's speech?
48:22Eh?
48:22Yeah.
48:26It'll be after.
48:36How are you?
48:38Oh, Mr. Worried about tomorrow.
48:43Yeah, I'm worried about Antonio.
48:51You've been here two months and we've not met before.
48:54It's my fault.
48:55I've been busy.
48:58Tell me, shall we?
49:02My hand has blood.
49:04Oh, mine too.
49:08Hey.
49:10How much do you pay, Antonio?
49:15I forget.
49:17Must be a lot.
49:19I was just getting turned bound.
49:21Didn't mean a fucking thing to him.
49:27Maybe it isn't you that pays him.
49:42I've been reading up on you.
49:43Where's the rally?
49:45Claridges?
49:47You used to work in a place called San Marco's.
49:52On, er...
49:54On Fleet Street.
49:58I used to know the man that owned San Marco's.
50:01A man called Darby Sabini.
50:05I've never met him.
50:06No.
50:08Maybe your, um, assistant Antonio, maybe he's met him.
50:15It is how it is.
50:18Antonio was sent from New York.
50:19I don't know.
50:20Please.
50:20Darby Sabini facilitated.
50:22He passed him on to you.
50:23He told you to bring him into my house.
50:25Threatened to kill you if he didn't do it.
50:28You got me to dress you like a dress that fucking stag.
50:31Please.
50:32Don't.
50:35You know about me.
50:37Right?
50:39You know what I do?
50:43You wanted to know when my guests would arrive,
50:45because Antonio needed me alone.
50:47He's an assassin.
50:49Plan needs to kill me tomorrow.
50:50Huh?
50:55They just said, bring him here.
51:02I'll bring him here.
51:09Antonio!
51:11Here you go.
51:13You'll be on you.
51:43Oh.
51:45Che cazzo succede?
51:48Huh?
51:49No!
52:05You are blackhands!
52:08You are blackhands!
52:10How many came from New York?
52:12Hey!
52:12How many fucking came from New York?
52:14Oh, thank God.
52:15I'm not.
52:16What did he say?
52:18Is that a curse or a number?
52:19What did he fucking say?
52:21What did he fucking say?
52:22What did he fucking say?
52:22He said, fuck you!
52:24Yeah!
52:24What aيع!
52:26Oh, my God!
52:37Oh!
52:37It's fine.
52:38Oh!
52:38You got to get me killed.
52:40Oh, my God.
52:41You got back to London.
52:42You told Derby, it's a zoning.
52:44Oh, my God.
52:44He picked the wrong side in this war.
52:48Once we dealt with the Americans, we'll come for him.
52:51Come on.
52:52Come on.
52:53Come on.
52:54Come on.
52:54Oi!
52:55You tell anyone else, I'll come and find you.
53:18I know, 335.
53:21The head in the house, Bob.
53:29Robert.
53:30Yes, it's Mr. Shelby.
53:33Merry Christmas to you two.
53:35Robert, is there a gypsy in the public bar playing the fiddle for shillings?
53:39Yes.
53:41Can you, uh...
53:43Can you tell him I need to speak to him?
53:58Oh, fuck, Tom.
54:01I thought these sporting days were over.
54:03Yeah, so did I.
54:04They keep coming back at us.
54:08There's a black stallion in the stables.
54:09He's invisible at night. Use him.
54:12Take the body across the river to the rough ground.
54:15Burn him?
54:17No.
54:17This one's a message.
54:20Will there still be geese for dinner?
54:22Only if you can steal them on the way.
54:24On the way where?
54:26We're going back, Charlie.
54:30Back to Sporleith.
54:32Back where you belong.
54:34Toots the Bengal Romani Chow, Tommy.
54:38Merry Christmas.
54:39You can keep the stallion.
54:40Christ the fucking night.
54:57Michael, they're coming today.
55:00Michael, shut up and listen.
55:02Gotta get everyone out.
55:04Get Polly and Ada to Charlie's yard.
55:06I've told Arthur, but I can't reach John.
55:08And you've dropped Polly and Ada,
55:09go to John's place,
55:10and get him out.
55:11All right?
55:15Come on.
55:16Let's go away.
55:18Mummy.
55:28Move!
55:30Daddy!
55:31Get push!
55:54Oh, fuck a show.
55:56What, nothing better to do on Christmas morning?
55:58Don't be wants everybody at Charlie's yard now. Come on.
56:02Get in. Get in.
56:03What's going to happen, mate? It's fucking Christmas.
56:06Look, John, we don't have time for this.
56:08All right? Just come to the meeting.
56:10Have some food.
56:13Hey.
56:13Tell Tommy Shelby we can look after ourselves.
56:15Tommy says that they could come for us today, hasn't he?
56:17Tommy says, Tommy says. Are you his fucking parrot?
56:19Look, it's the Mafia, all right?
56:20This is the New York Mafia we're talking about.
56:23And we're the Peaky fucking Blinders.
56:25No, we're not, John.
56:26We're not the Peaky fucking Blinders unless we're together.
56:29We were together in the gallows.
56:31With one man missing.
56:34John.
56:35John, come to the meeting.
56:37All right? Think about the kids.
56:39Come to the meeting, and if you want to leave, then fine.
56:42No.
56:43It's Christmas Day.
56:45We're the family now.
56:46We're staying at home.
56:50Get in the fucking house!
56:51Yes, mate.
56:54No!
56:55No!
56:56No!
56:59No!
57:04No!
57:06No!
57:33Oh, no, no, no, no, no, no.
57:37Old handsome man in a dusty black coat with a red right hand.
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