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00:02He's the chief inspector.
00:04I reckon it's communists he's after.
00:06So this copper's gonna leave us alone, right?
00:08What the fuck?
00:12I want you to see this is me introducing myself to you.
00:16He said Mr. Churchill sent him to Birmingham.
00:19Something about a robbery.
00:21Thomas, you're a bookmaker.
00:23You're not a fool.
00:24You sell those guns to anyone who has used to them.
00:26You will hang.
00:27I'm just a poor communist frog with a big mouth.
00:30I'm with you because you're the only man around here not scared of them.
00:34The only difference between you and me, Freddie,
00:36is that sometimes my horses stand a chance of winning.
00:40Tommy!
00:42You're fixing rices now.
00:44I'm here about the job as a barmaid.
00:49Are you in possession?
00:51I am, sir.
00:57how lies do you enjoy your money?
01:01I am.
01:19You are so snanding.
01:20Because I'm willing to do some things to find your money.
01:22You are conscientiouslyдо chest up.
01:22You are the Thus of двufeness.
01:23You know that faith angle.
01:24It is a horseshoełeman ship.
01:26You are beautiful.
01:27Take a little walk to the edge of the town
01:31And go across the track
01:35Where the viaduct looms like a bird of doom
01:39As a ship and crap
01:43Where secrets align
01:46The border finds in the humming wind
01:49I thought you said we were going to the fair.
01:53I'm going to have business first.
01:55Come on.
01:56Bring your wits.
01:57What business?
01:58That's the Lee family.
02:00Tommy!
02:02Johnny dogs.
02:03Tommy, how the hell are you?
02:05All the better for getting the city smoke out of me lungs.
02:08I thought you became a bit too grand for us.
02:10I've been busy.
02:11I'm riding with the Lee family now.
02:14I heard.
02:15Myself would rather live among pigs.
02:17Come on, Tommy.
02:18No disputing.
02:20So your first fair since France?
02:22What do you know about France?
02:24You wash-eyed gypsy bastard.
02:55Oh, this is the horse.
03:08Come on.
03:10Come on.
03:13Come on.
03:15Come on.
03:16Come on.
03:17I knew it.
03:18I knew it.
03:19Tommy, you bloody idiots.
03:21Shut up, Arthur. I won.
03:23Right.
03:23I promised Johnny I'd let him have a spin in the car if he lost.
03:27All right.
03:33You league boys are laughing at my brother.
03:38Are you?
03:40Hey!
03:41Tommy! Tommy! Come on!
03:42I asked you a question.
03:44Tommy, come on. It's just a crack.
03:46Get your family out of here, go and injure yourselves at the fair before they start a war.
03:50Huh?
03:51Jamajor?
03:52Won't see shippo she got the lingo, papa she slingo, won't see laxia roma.
03:57Laxia roma!
03:59Yeah, but his mouth was a titty-coy whore.
04:23I'm so sorry.
04:31He is so good.
04:34I hate my blood.
04:36Come on, come on!
04:43You're the two to the class
04:45I'm the blue team
04:48I'm the blue team
04:51I'm the blue team
04:55I'm the blue team
05:28We will take them before last night's beer turns to pests and wakes the devils up
05:34We will leave no stone unturned
05:37Every gun, every bullet will be brought to me for inspection
05:41Now, take your possessions
06:12Get off me
06:14Get off me
06:15Get off me
06:15Get off me
06:16Get off me
06:16Get off me
06:17Come on
06:19Fred
06:19Fred
06:20Freddie
06:22Hi
06:23Hi
06:24Hi
06:28Are you sure your brothers are at the fair?
06:30If it was them, they wouldn't knock
06:32Mr. Thorne
06:34What is it?
06:36The plane surrounding up the communists
06:37Fuck it
06:39Come on, Ata
06:40If the cops find me we're screwed
06:41Fuck
06:42This is all
06:43Up me
07:03Look at the door
07:04Peter
07:04You have to jump, Peter
07:06I'll catch you
07:08Come on
07:13I'll catch you
07:17Look at this.
07:18A prescription for iron tablets for Ada fucking Shelby.
07:26Mrs. Donovan, I need that favour.
07:29Come in and be quick.
07:30I'm not coming in, she is.
07:31Holy Jesus, it's the Shelby girl.
07:33You've not seen her with me, okay, Mrs. Donovan?
07:34Just give her a cup of tea and let her stand until the police are gone.
07:37She's the sister of those Peaky Blinder devils.
07:39And yet, she's an angel.
07:42Come on, Ada.
07:43What are you going to do, Freddie?
07:45Nay, I'm going to have to leave town for a bit.
08:05A gentleman would take off his hat.
08:09Put out his pipe.
08:19So you specials only dare come here when you know the boys are away at the fair?
08:23You mean your nephews?
08:26Their guns and their razors.
08:28Is it them you're lighting candles for?
08:31No.
08:33I'm lighting candles for the boys from the garrison who lost their lives in France.
08:39There's a list there.
08:42Look.
08:48Here you didn't make it to France, Inspector Campbell.
08:56You've heard of me.
08:59I've heard of you.
09:04Is it the Holy Grail you're looking for?
09:06Well, as a matter of fact, it is the Holy Grail I'm looking for.
09:12Something precious.
09:13Something stolen.
09:15Perhaps you know what I'm talking about.
09:20Sorry.
09:21Misunderstood your intention when you pushed me against the wall.
09:37Turn the place upside down.
09:42Arthur Shelby said you people would help us.
09:45We don't know what you've lost.
09:46How can we help you find it?
09:47But I have found out subsequently that I was speaking to the wrong man.
09:50Next time, I want to talk to the boss.
09:54Licky tea rooms.
09:56Friday, ten o'clock.
09:58And when I say the boss, I mean Thomas.
10:06Come on.
10:08Come on.
10:34Now, what have the bloody house been going on here?
10:39Jesus Christ.
10:40The coppers told everyone Arthur had agreed to it when he was arrested.
10:44They said the Peaky Blinders had cleared out to the fair to let them do it.
10:48No, I never said nothing to that copper about smashing up bloody asses.
10:52All right.
10:53Which pose do they do?
10:54The guns, the chain, the Marquis.
10:57All the ones that pay you to protect them.
10:59The only one they didn't touch was the garrison.
11:02Make sure people think we were in on it.
11:06Smart as copper.
11:09So go on.
11:10Drink your beers.
11:11Get out.
11:12You better show people you're still the cocks of the walk.
11:15And now some cash to the landlords of the pubs.
11:17Pay some veterans to fix the places up.
11:19Well, Nipper, give us the bag.
11:21So what about you, Tommy?
11:23I have to go to Charlie's to stable the horse.
11:26She looked for a sword in the box.
11:31Let them see your faces.
11:42So we both know what they were looking for?
11:50You don't read the papers?
11:52Rising papers.
11:54So let me tell you the odds.
11:56I reckon it's three to one, there'll be a revolution.
11:59I wouldn't bet on that.
12:01That copper's betting on it.
12:03He's not going to let it rest till he gets those guns back.
12:13Did he talk to you, Paul?
12:17In the church.
12:19Did he try to find our aider?
12:22She was sleeping.
12:27Where was she sleeping, Paul?
12:31I thought you didn't care for women's business.
12:39Who knows you're the boss.
12:41He wants to meet you.
12:49Will you talk to him?
12:51How?
12:53You don't parley when you're on the back foot.
12:58We'll strike a blowback first.
13:16V!
13:17Laz!
13:17What are you doing?
13:18We're having a fire.
13:22Football for your picture of the king.
13:24What?
13:25Bring it to Watery Lane.
13:27You're all fin, lad?
13:28All right, it's good.
13:29All right, you're cooking the interest, mate.
13:32Come on, please.
13:34Come on, please.
13:35Come on, please.
13:36Come on, please.
13:48Harry?
13:48Look around, boys.
13:55You know what you're doing?
14:00You're all fin.
14:02You're free, man.
14:03You're all fin.
14:05You're all fin.
14:07You're all fin.
14:08You're all fin.
14:11You're all fin.
14:12You're all fin.
14:14You're fin.
14:18I'm a reporter with the Birmingham Evening Dispatch.
14:21I had a phone call.
14:24Someone called Thomas Shelby.
14:26Come with me.
14:30Come on, folks. There's a bit of room.
14:32Tommy.
14:34You're back for us, please, folks.
14:36You're Mr Shelby.
14:37All the way back, please.
14:38I am.
14:42You said I would be protected.
14:44You're protected.
14:46What's going on?
14:48There are some things I want you to write down.
14:52Now, first of all,
14:54it's not the people around here
14:55that are disloyal to the king.
14:57It's the opposite.
14:59You see, we don't want our beloved king
15:01looking down and seeing the things
15:02that have been done to us.
15:04So we are taking down his pictures.
15:06But why are you burning them?
15:08We went through hell for our king.
15:12Walked through the flames of war.
15:14Write all this down.
15:15And now we're being attacked in our own homes.
15:18These new coppers over from Belfast
15:21breaking into our homes
15:22and interfering with our women.
15:23We don't think our king would want to see that happening.
15:27So we are lighting fires to raise the alarm.
15:30May I ask you, in what capacity do you speak?
15:34No capacity.
15:36I'm an ordinary man.
15:37I won gallantry medals at the Somme.
15:41I want you to write in your paper what's going on here.
15:45Go on, go.
15:56Come on.
16:01There, er, there's a telephone call for you, sir, on the London line.
16:06There is?
16:07It's almost midnight.
16:08It's Mr. Winston Churchill, sir.
16:24Yes, sir?
16:25Inspector Campbell.
16:26I hear there's been a bonfire in your city.
16:29There was a small fire reported around nine o'clock.
16:32Watery Lane.
16:33Certainly nothing to trouble you about, sir.
16:35Ah, but I'm afraid it has troubled me.
16:38Half an hour ago, I received a wire communication
16:41from the editor of the Birmingham Evening Dispatch.
16:45It seems one of his reporters was invited to the fire
16:49and discovered that they were burning pictures of the king.
16:53Of the king?
16:55Any newspaper report which may cause embarrassment to his majesty
16:59is always referred first and as a matter of routine to the home office.
17:04I will go down there immediately and arrest those involved.
17:07No, you most certainly will not make arrests.
17:11If there are arrests, there will be trials.
17:13If there are trials, there will be more newspaper reports
17:17which will necessarily mention the burning of the king's likeness.
17:21I put you in Birmingham for one very specific reason.
17:26Are you any nearer to finding those stolen guns?
17:30We are making steady progress.
17:32We need results.
17:33Good night, Mr. Campbell.
17:35Sir, could I at least ask?
17:37Does this report name any of those involved?
17:41It names a Mr. Thomas Shelby.
17:44The report mentions he's a war hero.
17:57Good of you to join us.
17:59Where have you been all day?
18:01In bed.
18:02Couldn't sleep.
18:04Then I couldn't wake up.
18:06Then I was cold and then I had to go for a wee.
18:10Then I was with this bear on a boat.
18:13That was just a dream.
18:15I was hungry.
18:17Why are you reading the paper?
18:20Why wouldn't I be?
18:21Well, I've never seen you read the paper.
18:23I've never seen you light fires with them.
18:25The BSA are on strike.
18:27Minors are on strike.
18:30IRA are killing our boys.
18:32Ten a day.
18:36What?
18:38Stand up.
18:40Why?
18:41Just stand up.
18:49Side on.
18:52Holly, what are you doing?
18:53Ada.
18:57How late are you?
19:01One week.
19:05Five weeks.
19:07Seven, if you count weekends.
19:09I think it's a lack of iron.
19:11I got some tablets.
19:13But they didn't work.
19:18No.
19:29You can get dressed now, love.
19:32So am I or not?
19:41Keep bloody walking, Ada.
19:42If anybody sees us here, they'll know.
19:43I'm not getting rid of it, Aunt Paul.
19:45Just come home and we'll talk about it.
19:47You get off me or I'll scream it, I swear.
19:48Yeah, copy that.
19:50Yeah.
19:50Just a little short bit.
19:53All right, you want to do this on the street, let's do it.
19:56Whose is it?
19:58If I tell you, you'll tell them and they'll cut him to pieces.
20:02Not if he marries you, they won't.
20:06Will he marry you?
20:09I don't know.
20:10I don't know where he is.
20:11Jesus Christ, Ada.
20:12Look, he's gone away, but he said he'd come back.
20:14Yeah, but they all say they'll come back.
20:15He's not like that.
20:16He's a good man.
20:17He promise.
20:19He will come back, Aunt Paul.
20:21I know he will.
20:30Give me down a Spanish saddle, Joey.
20:33Yes, Tom.
20:33A Spanish saddle.
20:35He's a beauty, Tom.
20:36Yeah, yeah.
20:37Beautiful.
20:38Yeah, yeah.
20:44Fine beast you got there, Thomas.
20:48But is he worth falling out with the Lee family over?
21:03Just passing it on.
21:06Declaration of War.
21:08The whole Lee clan.
21:15The guns are now this.
21:19The guns are not spoken of.
21:23Right.
21:27Tommy.
21:29Tommy.
21:32Would you mind how you speak to me?
21:35Forgive me, Uncle.
21:41Thomas Shelby against the old bloody world, right?
21:47cliffs, where's the movement fast?
21:50Oh, man!
21:58He ignition.
22:00Over, everyone.
22:03Over, too.
22:15Easy, easy, easy.
22:20Easy, boy.
22:25In France we used to say,
22:27in France we used to say,
22:30it's just a musical band turning up.
22:32It's just trombones and tubers,
22:34that's all.
22:35It's just noise.
22:36Shh, shh, shh.
22:39It's just noise, hey.
22:41It's just noise.
22:43You get used to it.
22:45It's just noise.
22:46Good boy.
22:47Good boy.
23:02Some pain there, boy, eh?
23:09I'm so sorry, Mr. Shelby.
23:13I'm Grace, by the way.
23:14I know who you are.
23:18What's his name?
23:20He doesn't have a name.
23:22Poor boy deserves a name.
23:25You have something to say to me.
23:31The other night you gave me to the pub when I was singing.
23:34They said singing wasn't allowed.
23:38I'd like there to be one night a week when they're singing.
23:43I think it would be good for everyone.
23:46Saturday nights.
23:49Harry was too afraid to ask you, so...
23:52But you're not.
23:57I am.
23:59But I love to sing.
24:04You sound like one of those rich girls who comes over from Dublin for the races.
24:09Do you like horses?
24:13How do you fancy earning some extra money?
24:15Doing what?
24:19To get out in a nice dress.
24:21I want to take you to the races.
24:32I want to take you to the twins, yeah.
24:37Coming in, boys.
24:43Get your best food now.
24:44One of them, boys.
24:45Do you want to take them to the twins, yeah?
24:49Down to ten!
24:50That's right.
24:52I say Fred, what a good boy.
24:55You oughta push that mate, cause he's going to go even soon.
24:58Shut up!
24:59Shut up!
24:59Shut up!
25:01Shut up!
25:02Shut up!
25:03Shut up!
25:04Shut up!
25:05Shut up!
25:06Sorry Mr Shelby.
25:08Come on.
25:10Shut up!
25:13Shut up!
25:14Shut up!
25:15Shut up!
25:16Shut up!
25:17Shut up!
25:17Shut up!
25:17Shut up!
25:18All right Mr Shelby, how's it going?
25:19I'm Frank, how's the leg?
25:21Good.
25:22Nice to see you Sam.
25:24Good morning Charlie.
25:28All right's good boys?
25:29How we looking?
25:30Looking good Tommy.
25:31Tommy!
25:32Tommy!
25:33They're all here for Monaghan boy.
25:34That's what I like to hear Johnny boy.
25:37And Aunt Paul wants to see you.
25:59I'm right.
26:04I'm not sure you were.
26:05I am very happy with him.
26:06Mrs Shelby.
26:06I'm happy with you, Wilbur.
26:10I have a story with her.
26:10Lets go.
26:12I am not afraid to be, but now I am a girl.
26:13What is she going with you for her?
26:14I am impossible.
26:14I am not afraid to be a man.
26:15I amstäpaged with him.
26:19I was allí.
26:19I am not afraid to go.
26:44Tell me the man's name, Ida.
26:47Rudolf Valentino.
27:09Get out.
27:11All of you.
27:12Go on.
27:13Come on.
27:13Now.
27:17I said tell me his fucking name.
27:24Freddie fucking Thorne.
27:28Yeah.
27:29Your best mate's in school, the man who's saved your life in France.
27:34So go on.
27:35Go on.
27:36Cut him.
27:37Cut him up and chuck him in the cut.
27:42Oi!
27:43I'm a Shelby too, you know.
27:45Put my fucking film back on.
27:52Can I see some lighting for the car?
27:56Here we go.
28:20Sir Monaghan, boy, finally lost.
28:25Third time unlucky.
28:28We took money from all over the city.
28:30Yeah, but you'll pay it back to people round here.
28:33Buy your popularity back.
28:35Already done.
28:37Taught you well.
28:39And you fixed this race without the permission of Billy Kimber?
28:43No.
28:45Obviously didn't teach you well enough.
28:47Rule one, you don't punch above your weight.
28:50Billy Kimber is there for the taking.
28:52Says who?
28:53Says Tommy and his parliament of want.
28:55I ran this business for five years.
28:58Yeah, while I was away fighting, remember?
29:00Where I learned some things, such as,
29:02you strike when your enemy is weak.
29:06And I thought you came here to talk family business.
29:10I'll deal with it.
29:11You're too busy taking over the world.
29:13Polly, it's about Ada. I need to know.
29:25Ada wants you to give Freddie this letter.
29:28She wants Freddie to know she's having his baby.
29:31He deserves an opportunity to do the right thing.
29:34I say we give them a chance.
29:41For a woman who's had a hard life with men,
29:44you're still full of romance, eh?
29:47What do you think Freddie sees in our Ada?
29:50It's Freddie's business.
29:51No.
29:52No, I'll tell you what he sees.
29:54He sees machine guns and rifles and ammunition
29:58and some glorious revolution.
30:00What is it you really don't like about Freddie?
30:02She'll have no life with a man on the run.
30:05If you can't see that, you can't see much.
30:12Damn them for what they did to you in France.
30:18Tell Ada Freddie went to America.
30:21Or Russia.
30:23Polly, you'd do no good for Ada to bring a baby into the world alone.
30:27Paul, listen.
30:28The truth is you would have hit me with that thing
30:30if it weren't for the fact that you know I'm right.
30:39I thought I heard someone knocking.
30:42Couldn't get back to sleep.
30:47The longer you leave it,
30:49the worse it gets.
30:59Believe me.
31:01I know.
31:04I was 16.
31:08And I didn't dare tell anyone.
31:11Polly, Freddie will come back.
31:14In the end I did it myself.
31:18I did it to myself.
31:21And I almost died.
31:23And he didn't come back.
31:26They don't.
31:27Why should they?
31:29You know the words.
31:30You're a whore.
31:32Baby's a bastard.
31:34But there's no word for the man who doesn't come back.
31:40One day.
31:42On your wedding day.
31:44You'll have a good man on your arm.
31:48And you'll say, Polly.
31:51For common sense.
32:02This woman's in Cardiff.
32:05We'll take the train tomorrow.
32:11I'll go to the castle afterwards for a treat.
32:13One night.
32:25That's right.
32:27One night.
32:29One night.
33:07Hey, Charles, this plea of speakers.
33:09What does Ed say to both of our jurisdictions?
33:14Do I tell you?
33:17Inspector, I responded to your invitation because I want us to understand each other.
33:23I'm a businessman.
33:25I want to make my business successful.
33:29And I want my city run peacefully.
33:32Well, if the city is peaceful, business can thrive.
33:37So we're on the CM side.
33:40I think perhaps we could be.
33:49Good night.
33:54How can we be on the CM side when I see things like this?
34:00My men found this in the bedroom of a known communist.
34:07It has your sister's name on it.
34:11It was obvious she'd been sleeping in us bed.
34:16Are you also in bed with the communists, Mr. Shelby?
34:21I do not share their fantasy.
34:24Unless for my sister.
34:26I've already dealt with the situation.
34:29Freddy Thorne is at the very top of my list.
34:31I'll cross him off.
34:33He won't be returning to the city.
34:37I'll make him part of our deal.
34:41What deal?
34:47You and your specials will leave my businesses alone from now on.
34:51No more raids into our territory.
34:53No more smashing up pubs.
34:54No more lifting my runners.
34:56You will turn a blind eye to all of my gambling operations.
35:00Also, I am planning an expansion onto the racetracks.
35:05I intend to do business with Billy Kimber.
35:08He runs most of the legal tracks I'm betting outside of London.
35:12He has policemen on his payroll.
35:15I want you to put in a word with the Chief Inspector of Gloucestershire
35:18that his men should leave me alone when I make my move.
35:26Forgive me, I don't seem to have a pen
35:28to write down this rather long list of demands.
35:35And what do I get in return?
35:38I have what you're looking for.
35:46I have the guns.
35:50What guns?
35:51We're not here to play games.
35:53Wait, wait.
36:0525 Lewis machine guns, 50 carbines,
36:0910,000 rounds of ammunition,
36:11all in a crate bound for Libya,
36:13stolen from the BSA factory-proofing bay.
36:17I'm guessing they sent you to Birmingham
36:19to get those guns back.
36:21Well,
36:22to me, that hasn't.
36:26I have left word with men I trust
36:28that if I am taken into police custody for whatever reason,
36:31those guns will be shipped to Liverpool.
36:34From there,
36:34they will be sent directly to Belfast
36:36and sold to the Irish Republican Army.
36:40All your good work in Ireland will be undone.
36:43Each stolen weapon is numbered and marked.
36:46If I sell them to the IRA,
36:48it won't be long before Mr Churchill finds out.
36:51I imagine you've gone into enough trouble
36:52over the burning of the King's photographs.
36:55That was just a taster.
36:57If those guns reach Belfast,
37:00your life in the force is over.
37:04When I have achieved what I've set out to achieve,
37:07I will let you know where to find the guns.
37:10You'll be a hero.
37:12You'll probably get a medal.
37:16I'm a fair man.
37:18It's a fair offer.
37:22Do we have a deal?
37:24Do we have a deal?
37:32I need an answer.
37:34Right now.
37:40Very well.
37:44But I'd prefer if we don't shake hands on it.
38:01And why would I shake the hand of a man
38:03who didn't even fight for his country?
38:05I'd prefer if we don't shake hands on it.
38:35But I'd prefer if we don't shake hands on it.
38:49Rias.
38:55I have new information.
39:02Thomas Shelby is now the beginning.
39:05The medal and the end of your mission.
39:20So what shall I do?
39:23It hurts me as much as it would a father sending his own daughter into a whorehouse.
39:32But no matter how repugnant it may be, you must do everything you can to get close to him.
39:43And find out where those guns are heading.
39:48Of course, when I say everything, I don't mean.
39:53You underestimate me in every way.
40:05Here.
40:17You are now active on a military operation on behalf of the Crown.
40:24And I wish to God, if circumstance hadn't chosen you.
40:30It's what I'm trained for.
40:33I'm late for my shift.
40:39Grace.
40:42My heart is with you.
40:56Oscar!
40:58Oscar!
40:58Vida e venda mia!
41:02Maledetto!
41:03Yes!
41:04Please, guardate!
41:05Aiuto!
41:07Oddio!
41:08Oddio!
41:09Oddio!
41:10Oddio!
41:10Oddio!
41:13Oddio!
41:18Oddio!
41:20Oddio!
41:21Oddio!
41:22Oddio!
41:23Oddio!
41:24Oddio!
41:24Oddio!
41:24Oddio!
41:25Oddio!
41:26Oddio!
41:26Oddio!
41:27Oddio!
41:27Oddio!
41:27Oddio!
41:28Oddio!
41:28Oddio!
41:28Oddio!
41:29Oddio!
41:29Oddio!
41:30Oddio!
41:31Oddio!
41:32Oddio!
41:42Tom, Tom, Tom, you better come quick, Tom, come.
42:05Tom, come.
42:16Kelly, tell me.
42:19Curse Tom.
42:21Kelly. Kelly, Kelly.
42:26Tell me. Tell me, Kelly, what's wrong with yours?
42:30You watered the fair and bad feeling.
42:33The leaves put a bad seed in the hoof and got an old woman to put a spell.
42:41So those leaf bastards cursed him?
42:45Whatever it is, he says it, spread to the other feet.
42:49It's going to his heart by tomorrow, I say.
42:52Seen curses like this twice. Can't take them back, Tom.
42:55No.
42:57I told you, Tommy.
42:59Better enemies to have than black blood gypsies.
43:06Get out.
43:08Get out, Curly.
43:16I'm sorry.
43:36I am the captain of my pain.
43:42I am the captain of my pain.
43:46My cup is empty.
43:48And I haven't got a penny.
43:50But I buy no more whiskey.
43:54I have no more whiskey.
43:56...
43:57It's very construir.
43:57Here are you closer, Mr. Chegan.
43:59Just get me a drink.
44:14Shall I leave you alone?
44:17Came here for company.
44:20Where's Harry?
44:22He took the night off.
44:26We went to the pictures.
44:35How's your beautiful horse?
44:46I just put a bullet in his head.
44:53Was he lame?
44:57He looked at me the wrong way.
45:00It's not a good idea to look at Tommy Shelby the wrong way.
45:09What a waste.
45:10Yeah.
45:11A waste is what it is.
45:20You know, in France.
45:26In France, I got used to seeing men die.
45:31Never got used to seeing horses die.
45:35They die badly.
45:43I dug out a dress like you asked.
45:47Thanks.
45:50It's Cheltenham you're talking about.
46:00It's Cheltenham's Grand Affair, is it not?
46:02The king will be there.
46:04King George?
46:05Nope.
46:08King Billy Kimber and all his men.
46:13What must I do?
46:15For two pounds, you'll do what I ask you to do?
46:20I want three.
46:23If I'm meeting a king, I won't be wearing a cheap dress.
46:29And I ask you to let me sing.
46:31It's part of the deal now, too.
46:35Since when?
46:38Since you nearly smiled.
46:44Saturday nights, open and easy.
46:47Everyone gets to sing their song, just like we did in Dublin.
46:50You never worked in Dublin.
46:52So don't lie to me.
46:54I asked around about that pub you said you used to work in.
46:58I have friends over there.
47:01No one has heard of you.
47:09My guess is you had a girl from a good family who got herself pregnant.
47:19It's not something I won't know.
47:21And bringing a child into the world alone ruins your life.
47:25Right.
47:30So I'm right.
47:33And Bolly is wrong.
47:35Right about what?
47:37It doesn't matter.
47:40Looks like it matters to you.
47:43Family business.
47:49You won't tell anyone my secret.
47:52Do you think I'll tell people things?
47:58So what do you sing?
48:02Anything you want.
48:03Right.
48:03Get up on the chair.
48:15Happy or sad?
48:21Sad.
48:23Okay.
48:25But I warn you.
48:27I'll break your heart.
48:29Already broken.
48:36In a neat little town they call Belfast.
48:42Apprentice to trade I was bound.
48:45Many an hour's sweet happiness that I spent in that neat little town.
48:57A sad misfortune came over me which caused me to stray from the land.
49:09Far away from my friends and relations.
49:15Far away from my friends and relations.
49:19Betrayed by the black velvet band.
49:25Her eyes they shone like diamonds.
49:30I thought her the queen of the land.
49:36And her hair hung over her shoulder.
49:42Tied up with a black velvet band.
50:11I think there's more carriages over there that are going to be empty.
50:15But we...
50:16Jesus.
50:17I think there's more carriages over there that are going to be empty.
50:19Freddie.
50:20Freddie.
50:21You came back.
50:25I got a tip off.
50:27Freddie.
50:28Tommy will kill you.
50:29It's Tommy who tipped me off.
50:31Maybe he's got half a heart after all.
50:34Tommy got a message to me.
50:36Said get out of town.
50:38Take her with you.
50:39So?
50:45Ada Shelby.
50:49Will you marry me?
50:53Yes.
50:55Yes.
50:57Yes.
51:14Right.
51:15Get on this bloody train and get out of here.
51:18Come on.
51:19Both of you.
51:19Freddie.
51:20Come on.
51:20Freddie.
51:21Cardiff's okay.
51:22Anywhere.
51:23But here's okay.
51:24We're not going anywhere, Ada.
51:28We're gonna stay here.
51:30We're gonna marry here.
51:32I'm not afraid of Tommy Shelby.
51:44Give me your smile.
51:48There's a long light in your eyes.
51:53Lovey.
51:54I shuffled these cards.
51:59Go play snap with Finn.
52:02Did you want whisky as well?
52:03Nah.
52:04Just be here.
52:05Why no whisky, Tommy?
52:07You expecting trouble?
52:11Jesus Christ, Tommy.
52:13What the hell made you let them sing?
52:14They thought they were strangling cats out there.
52:17Alright, 20's the play.
52:19Come on.
52:20And what did make you change your mind, though, Tommy?
52:23Hmm?
52:25You know what I mean?
52:26It's without time, Tommy.
52:28Time for what?
52:30Time you took yourself a woman?
52:31Just play the bloody hands.
52:34Who stay the way you are, Tommy?
52:36Remember what Dad used to say?
52:38Fast women and slow horses will ruin your life.
52:43Coppers.
52:44No.
52:47Come Josephine in my flying machine.
52:50He go, up she goes, up she goes.
52:54Balance yourself like a bird on a beat on the air.
52:59And she goes, and she goes, up she goes.
53:07Holy shit.
53:10It's Billy Kimber.
53:20Is there any man here named Shelby?
53:30I said, is there any man here named Shelby?
53:41I'll give these men a drink.
53:43Everyone else go home.
53:58You go home.
53:59But Mr. Fenton said...
54:01I said, go home.
54:05I've never approved of women in pubs, but wouldn't they look like that?
54:09He said you wanted men, call Shelby.
54:11You've got three of them.
54:14Right, I never heard of you.
54:15And then I did hear of you, some little Diddy Coy Razor gang.
54:18I thought to myself, so what?
54:21But then you fucked me over.
54:23So now you have my undivided attention.
54:28By the way, which one am I talking to?
54:30Who's the boss?
54:32Well, I'm the oldest.
54:33Ha!
54:34Clearly.
54:36Are you laughing at my brother?
54:40Right, he's the oldest, you're the thickest.
54:43I'm told the boss is called Tommy, and I'm guessing that's you.
54:45Because you're looking me up and down like I'm a fucking tart.
54:50I want to know what you want.
54:53There were suspicious betting patterns at Kempton Park, a horse called Monaghan Boy.
54:58He won by length twice and then finished last.
55:01With £3,000 bet on him.
55:04Which one am I talking to?
55:06Which one of you is the boss?
55:08I'm Mr Kimber's advisor and accountant.
55:09And I'm the fucking boss, okay?
55:11Right, end of parlay.
55:13You fixed the race without my permission.
55:16You fucking gypsy scum.
55:19What live off the war pensions are these poor old Garrison Lane widows.
55:23That's your level.
55:24I am Billy Kimber.
55:26I run the races and you fixed one of them.
55:29So I'm going to have you shot against the post.
55:33Mr Kimber.
55:39Look at it.
55:42That is my name in it.
55:44It's from the Lee family.
55:47You are also at war with the Lees, Mr Kimber, am I right?
55:54The Lees are attacking your bookies and taking your money.
55:57Your men can't control them.
55:59You need help.
56:02Perhaps we should listen to what Mr Shelby has to say
56:06before we make our decisions.
56:08Right, the Lees are doing a lot of talking at the fairs.
56:13They have a lot of kin.
56:14They are saying the race tracks are easy meat
56:16because the police are busy with strikes.
56:18Now, we have connections.
56:20We know how they operate.
56:22You have muscle.
56:25Together we can beat them.
56:26Divided, maybe not.
56:30Mr Kimber, perhaps we should take some time for reflection.
56:35Possibly make arrangements for a second meeting.
56:38I admire you, Mr Kimber.
56:40You started with nothing and built a legitimate business.
56:45It would be an honour to work with you, Mr Kimber.
56:52Nobody works with me.
56:54People work for me.
57:00Pick it up, Pikey.
57:13Sit, sit down.
57:23It's for your ceiling.
57:25Thank you, Mr Kimber.
57:31We will be at Cheltenham.
57:33As will I.
57:42Well, you're in your little room.
57:44And you're working on something good.
57:48But if it's really good.
57:50You're gonna need a bigger room.
57:56So you picked a fight with Elise on purpose.
57:58Tommy, we can't mess with Billy fucking Kimber.
58:03Get yourself a decent haircut, man.
58:05We're going to the races.
58:29Take a little walk to the edge of town.
58:33And go across the track.
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