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Transcript
00:01This price is on the new management
00:04By honor of the Peaky Blinds
00:07It's right now a piece
00:09Between the Jews and the Italians
00:13And what?
00:16Against the Gypsies
00:19I love him Tom
00:20I know
00:21That's why
00:22I'll keep him away from your own business
00:24Put him in charge of the new
00:26Maybe it's the Marcus of Law
00:27Tried to stop me and Assar from drinking
00:29But it's all right
00:30We fought them off
00:31You are quite sorry
00:38What do we want with the Thousand Guinea horse?
00:40Can we make our move on Sir Bailey's rice in pitches?
00:42With rice horse as a passport to the owner's enclosure
00:45Hey Carlton, don't breed race horses and train them
00:54I've made arrangements
00:56With men I trust
00:57If I should die
01:00Then you will die
01:19Take a little walk in the hedge of town
01:23And go across the tracks
01:35Oh
01:36Oh
01:38Oh
01:39Oh
01:42Oh
01:43Oh
01:43Oh
01:43Would you stop the noise?
01:45Across the square
01:46Across the bridge
01:47Across the mills
01:48Across the stout
01:52On a gathering storm
01:54Comes a tall handsome man
01:57In a dusty black coat
01:59With a red right hand
02:10You working tonight?
02:13Not so much work as pleasure
02:15Others are doing my work for me tonight
02:19Gentlemen, welcome
02:21Welcome
02:22Mr. Solomon
02:23You must be Arthur
02:24That is right
02:26Arthur
02:27Arthur
02:28Arthur
02:28Pleasure to meet you sir
02:29I've heard so much about you
02:31Shalom
02:32Let me just say
02:35Shalom
02:40Voila
02:42There are whispering his name
02:44Through this disappearing land
02:47But hidden in his coat
02:49Is a red right hand
02:59You understand I'm the commanding officer
03:01On this operation
03:02You are here purely as an observer
03:07Just do your duty
03:08Just do your duty
03:11Dear Lord
03:13For what we're about to receive
03:14May the Lord make us truly grateful
03:18Amen
03:23Amen
03:25Amen
03:29Passover started off
03:31Right out here in the far east
03:33Out in the sand
03:34Out in the desert
03:35Where my forefathers come from
03:37You know
03:37The Jews
03:37The Jews
03:38Whatever you want to call them
03:39Right
03:40The side of that
03:40Is a little speck on the horizon
03:42Arthur is him right
03:43Billy
03:43Billy don't worry mate
03:44You know what I mean
03:45If you want you can leave
03:46If you need to go to the little boys room or so
03:48You can leave
03:49We're going to open them in a minute anyway
03:50He's all right
03:50He's all right Billy boy
03:52Do you want to leave?
03:52No you're right
03:53You want to stay?
03:54I'll stay
03:56You stay there then Treacle
03:57Okay
03:58So
03:59The Pharaoh
04:00Have you heard of him?
04:01He kept my people
04:02The Jewish people
04:04In slavery
04:05For thousands
04:06And thousands of years
04:08Persecuted right
04:09He did
04:10He persecuted my race
04:12The killing of the innocent
04:14Right
04:14Seder
04:15This feast of what we was having here
04:17Right
04:18Seder
04:19Is basically the day
04:21When the Jewish angels decided
04:23You know
04:24That the evil fucking Egyptians
04:27Had pushed their fucking luck
04:28Right
04:29It was part of our tradition
04:31To do with Seder
04:32Right
04:33That in order
04:34To make it good with God
04:36To kill a king
04:38We have to carry out the Corbin
04:42The sack
04:43Right
04:44That
04:44Is the ritual sacrifice
04:47Of the Passover goat
04:54It's a goat
04:55Yeah
04:56And we're gonna sacrifice it
04:59Tonight
05:01That's part of the reason why we have to shut the doors as well
05:04But this year we thought that we'd give the fucking goat a name
05:08You've named it
05:09You fucking did
05:10Yeah
05:11After that
05:12They've named the fucking goat
05:13Evil fucking Egyptian Pharaoh
05:15The fucking enemy
05:17That's right
05:17You know what we call it
05:18What you call him
05:19Toby Shelby
05:44You're all fine
05:46Hey
05:46Fuck you
05:48That's right
05:49Let's take the light of
05:52So
05:54And the evil Egyptian scum
05:58Was finally cleansed
06:01The blood of the Passover goat
06:03Mate
06:11That's from Sabino
06:13Can you tell your gypsy king
06:16Whoever comes down south
06:19Shall return north
06:21In many fucking pieces
06:24Huh?
06:27No!
06:39This fucking animal
06:40He's coming here right
06:41With a fucking gun and a razor
06:43He shot him in the face
06:44And my lads though
06:45He was saying
06:47Look at him
06:48He's dead
06:48Is he dead?
06:50He's fucking dead
06:51You really want to rest in the summit
06:53All right?
06:54Surely
06:55Oh
06:58Oh
07:01Michael
07:02You know you can't take him away again
07:04You can't take my son away
07:05Give me the boy
07:06You come back here
07:07No
07:08No
07:09No
07:10Get off of me
07:12Don't you fucking touch him
07:14Get off
07:15Don't
07:16Don't say anything
07:16Tommy will get you out
07:18I'll be all right
07:19Fucking
07:19No
07:25You should know
07:27That as of this night
07:28Tommy Shelby is finished
07:44Mick
07:45This is Thomas Shelby
07:46He's come to check up on his filly
07:50Yes, I've heard about you
07:52Mick is the best horseman in England
07:56Well, he likes to waste money
07:58I know that
07:59According to the reports I've been given
08:00I spend two pound a month
08:02On worming powder
08:03What, you want a horse with worms?
08:05Horses get worms from the water trough
08:07Put goldfish in them
08:08I eat the worm eggs
08:10Goldfish?
08:12It'll be a gypsy thing, is it?
08:14No
08:15It's an accounting thing
08:17Goldfish cost a penny each
08:18Yeah, or you can win them at the fair
08:24If you want, I'll dispense with the metal to get that
08:26Excuse me
08:31Did you ever consider a Korean diplomacy?
08:38Hello, hello
08:39How are you, aye?
08:41Goldfish, seriously?
08:42Yup
08:44You people have a lot to learn
09:04They asked me if I wanted a fire in the guest bedroom
09:10I said no
09:11I said no
09:13Just one fire tonight
09:16Bold and fearless, aye?
09:19Yes
09:21Though I'm not really fearless
09:32Drink?
09:33Why not?
09:49Madam, there is a telephone call
09:50I'll take it in the drawing room
09:52It's for Mr Shelby
09:57We had a deal
10:00Hey?
10:02We had a fucking deal
10:04I would thank you to moderate your language in a place of worship
10:09We had a fucking deal
10:15Mr. Shelby, if you read the papers, you might have seen that the Home Secretary has got
10:24himself into a bit of a fizz about certain moral issues. Prostitution, protection,
10:32racketeering, drinking, cocaine, and of course, gambling. And he's demanded results.
10:39You offered me protection. You promised me protection.
10:45Well, no, you see, it was Mr. Churchill that made you that promise. And the Home Secretary outranks him, so...
10:56And I can hardly be blamed if your demented brother decides to go on some sort of blood orgy during
11:02dinner.
11:02Don't fucking lie to me. Do not sit here in your fucking church and lie to me!
11:08You will need to contain your emotions or this meeting is on an end.
11:24Good. That's better.
11:30So, let us review the new situation.
11:35I have your brother in a prison cell, charged with the murder of Billy Kitchen.
11:40The case against him is strong. And I have no doubt that his destiny is to hang.
11:48And then there is Polly's son, Michael. He has already admitted to helping Arthur burn down the Marquis pub.
11:57Oh, he was a tough nut to crack, that boy. But crack he did.
12:02So, I have your brother facing a noose. I have your cousin facing five years of arson.
12:07And I have your entire organization in disarray in Birmingham and in London.
12:14What do you want?
12:15What do I want?
12:18I don't understand.
12:21I have already agreed to do your fucking killing for you.
12:26Now, what is it you want from me?
12:30Oh, there you go, you see.
12:35An agreement is not the same thing as an assurance now, is it?
12:41See, I found it.
12:44I wasn't sleeping so well.
12:48And it wasn't just the smell and the noise in that room, no.
12:53It was the noggin dight, the knowledge.
12:58The knowledge that...
13:01Tommy Shelby is not afraid to die.
13:06And therefore, the threat to your own life might not be enough
13:11to make it certain that you will obey me on the given day.
13:18I needed also the power of life and death over your family.
13:24And that I now have.
13:26Your brother, your cousin, and your sister.
13:32I've known her address in Primrose Hill since the day she moved in.
13:37And she is safe.
13:39Only as long as I want her to be.
13:42I've been ahead of you.
13:45Every step of the way.
13:49And...
13:50As my father used to say,
13:52to make sure your dog obeys you,
13:54you have to show it the stick.
13:57Once in a while.
13:58Help.
14:06Tommy.
14:07Arthur's in solitary confinement.
14:09Michael's in the remodel.
14:10Yeah, I order you now.
14:11Get out.
14:11Shut the doors.
14:20Yes.
14:27Tommy?
14:29It's me.
14:33Tommy, can you hear me?
14:36Yes, Grace.
14:39I think you called.
14:40I...
14:41I haven't slept.
14:45Grace, this is not a good time.
14:48I can call you back.
14:49No, no, no, it's fine. It's all right.
14:51Can we meet?
14:53Yes.
14:54We'll meet.
14:57When?
15:01Grace, there are some things I have to do first.
15:13John.
15:15John.
15:15Coppers have lifted ten of our men in Camden Town.
15:18The rest of them on the run.
15:20Time is taken, Michael.
15:21Business first.
15:22They took Michael last night.
15:23That's a business first.
15:23Polly, business first!
15:27John.
15:28They took all our whisky.
15:30So no doubt they'll be sopping there for Christmas.
15:33They've impounded all our vans.
15:35Put their own locks on the warehouse.
15:38The Eden Club and all our pubs have been raided by the coppers
15:42and handed back to Sabiney and Solomons.
15:47The black country boys think it was Arthur killed Billy
15:50because that's what the coppers told them.
15:52So there'll be no more free passes for our whisky boats.
15:55I don't give a fuck about whisky.
15:57I don't give a fuck about Billy Kitchen.
15:59I want my son out of prison.
16:02Thomas, I spoke to Johnny Doggs.
16:04This meeting should just be family.
16:05I can help.
16:06It's family only.
16:07She's not blood Tommy.
16:08Or is this a business?
16:09Have you forgotten?
16:10Enough!
16:13Enough, Polly.
16:15Ismay.
16:15Ismay.
16:16I spoke to Johnny Doggs.
16:18The Lees are king.
16:19The bloody Lees!
16:20They can give us men!
16:21We don't need more fucking men!
16:23It's men that have done the damage!
16:25It's...
16:26It...
16:27It is men fighting like cockerels
16:29that have put us here in the first place!
16:32Ismay.
16:33We'll take up their offer.
16:34We need men.
16:43If Michael ever gets out of prison, I am taking him away from this family.
16:50For good.
16:53This life is bad.
16:59This life is all bad.
17:02Aunt Paul, what are you doing?
17:03Shut up and walk.
17:13Thomas.
17:16Should I go and speak to Queen Mary Lee at the Black Patch?
17:24Yes.
17:26She can give us soldiers for a few nights.
17:28Good.
17:33John.
17:34Go bring up the car.
17:56Imagine riding away, Thomas.
17:59Living the real life, you know.
18:03Your gypsy half is a stronger.
18:07You just want to ride away.
18:11France is a new place for us, they say.
18:15Not a metal lying around still.
18:18Guns and trucks and spent shells and things.
18:21Then you go south.
18:24St. Marie.
18:26Where the Black Madonna is.
18:30My brothers go sometimes for the fair.
18:33It's like a home for us.
18:40They still let you get lost there.
18:54I've been to France, that's me.
18:58So has John.
19:01I'll get your girls.
19:03And go with your husband.
19:14If you ever talk about getting lost again, I'll cut you.
19:19From this family.
19:30What family?
19:51Polly.
20:02Come to see my son.
20:06Close the door.
20:11I've just been conducting an interrogation.
20:16It can be awfully hard in the hands.
20:19My son, Michael, where is he?
20:22Do you think I need a shave?
20:25It's been a long day.
20:28I need a shave, don't you think?
20:33Well, maybe he can wait till later.
20:38Your son has been having a hard time of it, I'm told.
20:42And that is why I thought that you and I together,
20:45we should do whatever we can to get him freed.
20:50Now, I have a form here, a lease form.
20:53And with my signature, he can be freed by tomorrow morning at dawn.
21:15So sign it.
21:20You didn't do anything.
21:21Sign it.
21:22Mr. Comble.
21:24Please, sir.
21:26Something like that.
21:27That'd be a way to say it, wouldn't it?
21:31Now,
21:34what would prompt me to do you such a favour?
21:37Hm?
21:40What do you want?
21:45Information?
21:46You mean insider information about Tommy Shelby's criminal empire?
21:53With respect,
21:55I would say that I know more about Tommy's demons than you do.
21:58He doesn't trouble the family with Irish business, for instance, does he?
22:02Oh.
22:04So, no.
22:07That's not information I need.
22:16What else could you give me?
22:20In return for my signature?
22:24I'm talking about a simple transaction here.
22:28I have a great curiosity.
22:32Make a mock pay.
22:34I see something.
22:38Something's shining in the mud.
22:41He has no need for this silver, but...
22:46But he takes it anyway.
23:14Sign the form.
23:16Please, sir.
23:18Please, sir.
23:22I will sign that form.
23:24With this hand.
23:27When I'm finished.
23:29Is it a deal?
23:31It's a deal.
23:36Don't cry.
23:38Oh, I can cry.
23:41So...
23:42That is what I want.
23:45I need you to cry.
23:49I will try.
23:53I need a favour, Esther Comble, sir.
23:56And I will do anything...
23:59Anything in return.
24:01That's what you might have said.
24:02Hm?
24:06You felt something, man.
24:10When I had you up against that car.
24:12And you felt it, too.
24:14Don't tell me you didn't, probably.
24:18Because...
24:18Oh.
24:20And now you think you're...
24:23You're so respectable.
24:25You're so respectable.
24:25With your son.
24:26And your house.
24:28And your mate.
24:29But I know what you are, you gypsy, feiny and slut.
24:34Do you want it on the floor?
24:36Or on the desk, Mr. Campbell?
24:42No.
24:47You do.
24:50You do.
24:52Bye.
25:00Get it.
25:02Get it.
25:04Get it.
25:06No, no!
25:08I want him free.
25:10I'll get him free.
25:16You don't need to shave.
25:20You don't need to do anything.
25:24You don't need to do anything.
25:25Her victory's just doing nothing as well.
25:28Doing it soft and gentle.
25:39Should I talk or not talk?
25:44Should it be like a weak, small, yes?
25:50Do you want me to talk or not to talk?
25:55Talk.
25:57Or small and weak.
26:00That's what I am.
26:03Small and weak.
26:06Look.
26:09You.
26:13You made me cry.
26:22We had an agreement, right?
26:25Yes!
26:26Yes!
26:27Yes!
26:35Where have you been?
26:38Went to the spot a dog at Digberth.
26:42Got a glass of two rum.
26:45Was it one glass or two?
26:48It was three.
26:50Where's the baby?
26:53Sleeping.
26:56More like five.
27:02It was more like six.
27:03Yes.
27:06Did you meet the maid?
27:09I talked politics with her and she got bored and went to bed.
27:16I phoned James.
27:18He talked to the lawyer anyway.
27:20Said he'd take Arthur's case for free so we don't need Tommy.
27:30We'll get Michael free as well, I promise.
27:33No need.
27:34They'll let him out in the morning.
27:40If the baby wants anything at night, ring the bell by the bed.
27:45She gets paid to wait 24 hours, that girl.
27:47She's getting lazy.
27:50Well.
27:53Take advantage if you're nice.
28:06Forgive me, Hera, I cannot stay.
28:11He cut out my tongue, there is nothing to say.
28:18Love me, oh Lord.
28:21He threw me away.
28:23He laughed at my sins in his arms at my stake.
28:31He wrote, I'm broke.
28:36Please send for me.
28:42Her skin is white and I'm light as the sun.
28:47So holy light shines on the things you have done.
28:53So I asked him how he became this man.
28:59How did he learn to hold fruit in his hands?
29:03And where is the lamb that gave you your name?
29:09He had to leave, though I begged him to stay.
29:13We speak when spoken to.
29:19And that suits us well.
29:25That suits me well.
29:35You need cream on them good so they'll go bad.
29:45The screws tell me why I've been through it.
29:52They told me what you did.
29:54They told me what you did.
30:01They thought it was funny.
30:10Maybe it is.
30:37What are you doing, Tommy?
30:39You think shit, Scully.
30:42That's like you.
30:50Well, why are you doing that, Tommy?
30:51To remind myself what I'd be if I wasn't who I am.
31:27Tommy?
31:29Tommy.
31:29What's going on?
31:30I think Tommy's trust is mine, Charlie.
31:35Well, he's all needs to work early, but I don't want to get used to it.
31:42So I'll need six cans of petrol, bring him to the garage, put him in the back of the car.
31:51Six cans.
31:54Tommy, if everyone wants a job, I'll get you your own shovel.
31:59Petrol.
32:00Yeah.
32:01Yeah.
32:02Yeah.
32:19Climbed over mountains, travel the sea, cast down all heaven.
32:30Cast down all my news, I blame with the devil, curse God above.
32:53Far too gorgeous as a half-blind auntie.
32:56She's my harshest critic.
32:58She's my harshest critic.
32:59I have to be perfect.
33:01She's not half-blind, she's half-deaf.
33:04So what time will you be back?
33:06Before midnight.
33:09I'll be awake.
33:18I'll be awake.
33:26I'll be awake.
33:27I'll be awake.
33:30I'll be awake.
33:30I don't know.
34:07Is this your house?
34:09Yes.
34:10Have a seat.
34:22Do I not get a drink?
34:25Please.
34:30You want one?
34:32Yes.
34:33Still whiskey?
34:35Yes.
34:37But other things have changed.
34:40So Vans are there naming at the docks?
34:41Yes, some things have changed.
35:01Tell me I really wasn't sure about coming tonight.
35:03I left a fire in the bedroom upstairs.
35:07My plan was that we'd sit here for a while, talk about old times, drink some whiskey.
35:17And I was going to tell you, I hadn't spent a day without thinking about you.
35:23And then we're going to go upstairs and sleep together.
35:28Just now on the way to opening the door, I changed my mind.
35:36So just have one drink.
35:38Tell me how happy you are in New York and then you can go.
35:41You changed your mind.
35:43Hmm.
35:44So you can go.
35:46Well.
35:50As a matter of fact, I am happy in New York.
35:53And I am married.
35:54Oh yeah, he's rich, I know.
35:56And he's sweet.
35:58And he's kind to me.
36:00So what makes you think that I would have gone to bed with you after one whiskey and some conversation?
36:05I was accounting for three whiskeys.
36:07How dare you?
36:09Doesn't matter now because I've changed my mind.
36:10I came here because you asked me.
36:13Even though he's sweet and he's kind to you?
36:15And now I feel like an idiot.
36:17Well then go.
36:18Jesus.
36:31But you're still here.
36:37Are you so certain?
36:38That you're still in love with me.
36:42I was.
36:44But I'm not anymore.
36:50You're not armed, Grace, are you?
36:52No, I'm not armed.
36:55I don't carry guns.
36:57I don't have to.
37:04You don't have a sense of humour anymore either.
37:06What are you talking about?
37:18Thing is, I hate reunions.
37:22I didn't want to sit here for hours talking about nothing and dancing around what we really want to say.
37:28So now, I know you're happy in New York.
37:32I know your husband's rich and sweet and kind here.
37:34I know you're unarmed.
37:36And you didn't come here for sex because you don't love me anymore.
37:41And it's only three minutes past.
37:45Another drink.
37:50I'll take that as a yes.
37:56It's good to see you, Grace.
37:59So you didn't light the fire?
38:05You see, my real plan
38:09was that we go out.
38:13I want to impress you.
38:15Now.
38:19Do you like Charlie Chaplin?
38:23Yes, I like Charlie Chaplin.
38:25Good.
38:27I bet you've never heard Charlie Chaplin speak.
38:32I thought you were taking me to see Charlie Chaplin.
38:34I am.
38:35This isn't a picture house.
38:37No, it's not a picture house.
38:40So how will I see Charlie Chaplin?
38:41You will see him and you will hear him, just like I promised.
38:46There you go.
38:46Where's Chaplin?
38:47Oh, my God, it's him.
38:49Is really Charlie Chaplin in person?
38:51Yep.
38:51He's in England, promoting his film.
38:54And how the hell do you know Charlie Chaplin?
38:56What else?
38:56I know his bodyguard, Wag MacDonald.
38:59It's that chap there.
39:01Wag was a bookie in Birmingham,
39:02then he went to Los Angeles.
39:04You see, Wag is also a Romany Gypsy,
39:06as is Chaplin,
39:07but he keeps it a secret.
39:09Chaplin was born in the Black Patch,
39:10a gypsy camp in Birmingham.
39:13That's why I gave Wag the job,
39:14even though Wag was on the run.
39:20So are we all of our secrets, Grice?
39:23Come on, I'll introduce you.
39:30Jesus Christ.
39:41Hello.
39:42Oh, Mr. Campbell.
39:44You said you knew my sister's address in Primrose Hill.
39:48So I expect you men watching the house
39:50to see who comes and goes.
39:53Well, tonight, you men will see me return to the house
39:55with a very beautiful woman.
39:57She will stay until just before midnight.
40:01Of course, I'll close the curtains.
40:04Can you guess who the woman is?
40:09Liar!
40:10Sleep well, Mr. Campbell.
40:21Tell me.
40:25Tell me to have someone.
40:35It's too late, Tommy.
40:38It's 11, Grice.
40:39I mean, it's too late.
40:44If you'd come and be to New York...
40:47There are things to do.
40:51You mean they're going and I did the wrong way?
40:55It couldn't have worked.
40:58That was the question.
41:13Tell me to have someone.
41:18Mother I saw us.
41:21She's going to win the derby.
41:26She's going to win the derby.
41:28Till the light shines on me
41:30Down a hill, every second you breathe
41:37I envy the road, the ground you tread under
41:42I envy the wind, your hair riding over
41:45I envy the pillow, your headrest in slumber
41:49I envy two murderers, envy your lover
41:53Till the light shines on me
41:57Down a hill, every second you breathe
42:01Till the light shines on me
42:05Down a hill, every second you breathe
42:09Till the light shines on me
42:17I'll drive you.
42:24When do you sell a bike?
42:29We don't know yet.
42:32You don't have a return ticket.
42:35This wasn't right, Tommy.
42:38And you go back, right?
42:45They're doing tests on us.
42:47I don't know when they'll be finished.
42:53We're having treatment.
42:56We're having treatment.
42:57A doctor in Hardy Street.
42:59Some new thing, a breakthrough.
43:04We're trying for a baby.
43:31What did you call me here tonight?
43:33I don't know.
43:35I don't know.
43:36I don't know.
43:39The doctor believes it's surely me who's at fault.
43:45I'm sorry.
43:50It's no one's fault.
43:51I'm tired of that, Tommy.
44:04I see you again.
44:11Christ.
44:17You used to work in undercover, aye?
44:22I have never lied to him once.
44:27So tell him the truth.
44:47Get your arms up.
44:58What have we got here, then?
45:04Hey, you're fucking out.
45:08Oh, here he is.
45:09The king of London town.
45:21You been enjoying yourself?
45:23Oh, yeah.
45:23It's fucking great.
45:25It's surrounded by civilians, man.
45:28Rats everywhere.
45:30Fucking cockies.
45:32Well, at least you're going to get what you've always wanted.
45:35And what's that?
45:36Well, you try to hang yourself twice.
45:38No, the king's going to do it for you.
45:45I've been a fucking idiot.
45:46Yeah.
45:49I haven't appreciated nothing, John.
45:51Are you fucking repenting or something?
45:52Drawing.
45:54I used to be good at drawing.
45:56Oh, Arthur, please, for God's sake.
45:58I don't know this.
45:58I should have listened more in class.
46:00What fucking class?
46:01You were never there.
46:03I used to draw horses.
46:06Arthur.
46:07Stallions.
46:08Great big ones.
46:09Arthur.
46:10They look real.
46:11Not stallions.
46:12Not now.
46:13I should have done more with me life, John.
46:16Good things.
46:17Arthur, for God's sake.
46:18Even though I'd have said it wasn't my fault.
46:20Arthur, will you listen?
46:21They're going to hang me, John.
46:22They're not going to hang you.
46:24Cesar.
46:27Tommy.
46:32How's Udini going to get me out of this?
46:35What?
46:35Tommy.
46:36He's got a plan.
46:38But you don't know what that plan is, do you, John?
46:40Because we're just killed.
46:41We can't be trusted.
46:44All right.
46:45He's so fucking clever.
46:47Why am I in here?
46:48Well, if you...
46:49Why has all that men and half old whiskey been lifted?
46:52What?
46:54The Jew and the Cockney have run the rings around.
46:56Will you shut up?
46:57Look at you, look.
46:58The big fucking man that I'm...
47:00Fucking shut up!
47:04He's already told me what I've got to do.
47:24What business have you got here?
47:26I've just pulled over.
47:28I never smoke and drive, you know?
47:30Where are you from?
47:31I'm from Ireland.
47:33The beautiful north where the rocks sing in the wind.
47:36Yeah, in the beautiful north.
47:38You know what?
47:38I've just pulled over for a fact.
47:39I want to see some identification.
47:41Ha!
48:00Come home.
48:03It's my plea.
48:06Your home now is...
48:10Here with me.
48:11Come home.
48:16To your son.
48:19Tomorrow might never come.
48:23Look.
48:24Come.
48:28See.
48:33Does it really stop the horses from getting worms?
48:38Yep.
48:39It really does.
48:46Anyway, I thought it would make you smile.
48:50I'm sorry that you had to drive through the night.
48:51You must be exhausted.
48:52Go and sleep if you want.
48:56Aye.
48:59We have to stop.
49:02And this came here to tell you we have to stop.
49:09Why?
49:11Find me and you're you, that old thing.
49:15There's someone.
49:19For a long time.
49:26And I didn't want you to think anything about how it's going to be after the race.
49:35Not many of your people know about me, so I haven't done the damage that will come.
49:39My people.
49:43Well, the damage isn't done.
49:45It is what I mean.
49:47Right.
49:51Even if it's like this, I want the horse to stay here.
49:54To stay? Yes.
49:55Of course.
49:56Epson is close.
49:57I haven't got my outfit yet, so it's all right.
50:00You can still be with me at the enclosure.
50:03That's very gracious of yourself.
50:05You can wear something.
50:06It's funny, isn't it?
50:07Because you'll be up there and I'll be down in the ring.
50:11Sort of upside down, isn't it?
50:14You can still be with me after and you can still wear something.
50:17I'll be covered in mud from the ring.
50:22May, forget about men like me.
50:24I was going to tell you how much she's improved.
50:32There are other men, May.
50:33I think she stands a chance of placing, so...
50:36That's a silly part of our business, Donny.
50:38Are you going to drive straight off to Birmingham, or...?
50:45And what if I said, er...
50:48All right, I'll stay.
50:50After what I just said.
50:57Then that would be all right.
51:05You talk about damage.
51:07The damage not yet done.
51:08You don't think that half of London already thinks that I'm fucking a racketeer?
51:12Laughing about it, laying on bets about when you stole the silver.
51:18You think your people are ruthless? Try mine.
51:24So that's why you'd carry on, eh?
51:27Because you can't back down.
51:31Amongst many other illogical reasons.
51:38So will you drive straight off, or...?
51:40I haven't got any petrol in the garage.
51:46Yeah, I have some cans of petrol in the car.
51:49Good. So you can go.
51:51I don't know.
51:53There's a drink.
51:59You've got to go.
51:59Alright.
52:19I don't have a copy in the head, eh?
52:23And why wouldn't there be?
52:28I don't have a copy in the head, eh?
52:38Who is she?
52:41Someone who's sailing away.
52:52It's a letter sale.
52:58You've told me about her like a gentleman.
52:59I kindly behaved like a gangster again.
53:06Feel sorry for me. It's fine.
53:19Because your horse will come fifth or sixth.
53:23But I will renew.
53:33Mr Shelby's just parking his car.
53:35He's set for you to wait in here.
53:42Isn't this impressive?
53:45And what is it you exactly do here?
53:49I exactly am a secretary to Mr Shelby.
53:53A secretary?
53:54My, my, my.
53:56All that paperwork.
54:00Do you want tea?
54:02No.
54:02I'm getting a call.
54:19I'm sure to check this door.
54:22Thank you, sir.
54:23I'll see you tomorrow.
54:23I'll see you tomorrow.
54:23You might be all at a door at home.
54:23I'll see you tomorrow.
54:23You're done tomorrow.
54:49I'll keep everything locked up, Mr. Campbell.
54:51Everything of value.
55:01Take a seat.
55:07How is your accompanied treasurer, Paul?
55:12Why do you ask?
55:14Well, let's give it my regards.
55:27You like to play with fire, don't you, Mr. Shelby?
55:34Yesterday, in Belgravia, Field Marshal Russell's house was burnt out.
55:41The unsungry device was put to his letterbox, which means that he will have to find somewhere
55:47else to live for at least the next three months.
55:52Which also means that your plan for me to break in and shoot him in his bed is now no
55:58longer
55:58an operational possibility.
56:00Indeed.
56:01But if you think a wee burn frees you from your obligations, think again.
56:06I will keep my side of the bargain.
56:09Oh, by God, you will.
56:10I will shoot you, Field Marshal, but I will do it in a way that serves my purpose.
56:13The only purpose is my purpose.
56:16I will carry out your assassination at a place of my choosing.
56:21Listen to me.
56:24All operational detail must be mutually agreed.
56:27I'm a soldier of experience, and I will determine where and where...
56:29Now, that man has 24-hour armed police protection.
56:34Your plan was full of holes, Mr. Cameron.
56:35My plan was mutually agreed.
56:37Well, now your plan is up in smoke, and I have formulated the only viable alternative.
56:42Oh, for God's sake, what do you mean?
56:45How would you get to him?
56:49Well, I won't.
56:51He will come to me.
56:56Now, listen to me, Mr. Shelby.
56:58When this meeting is concluded, I must report directly to Mr. Winston Churchill.
57:05Your relationship with Mr. Churchill is not my concern.
57:09And Mr. Winston Churchill will need to hear detail.
57:13Well, you tell him, he'll have to trust me.
57:20Look, Mr. Campbell, I will carry out my mission.
57:25Good. Good.
57:27But I will do it in a place where it will be impossible for you or your men to have
57:33me shot afterwards.
57:36Because that was the plan.
57:39Right?
57:40Copper's front and back, no way out.
57:43May shot dead, dumped in the Thames.
57:45I will do the killing.
57:47But in a place where that will not be an option.
57:52I've recently become a race horse owner, Mr. Campbell.
57:59Oh, it's, uh...
58:03Well, perhaps you can guess which one is my horse.
58:23Where and when?
58:27Apsom.
58:30Derby Day.
58:48On a gathering storm comes a tall handsome man in a dusty black coat with a red right hand.
58:59Apsom.
59:00The End.
59:00Apsom.
59:01Apsom.
59:02Apsom.
59:02Many.
59:05Apsom.
59:05Apsom.
59:05You
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