- 26 minutes ago
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00:02Hello, everyone. How are you?
00:03My name's Christina, and I'd like to welcome you on behalf of Prometeo Vianes.
00:07And I planned everything for this group tour down to the very last detail.
00:10Christina, this is a joke, right?
00:12Five tourists quietly duck out for their group tour and run into each other at the Museum of Crime.
00:16But why? The five of us are fans of crime stories.
00:19You must be sleepy.
00:21The tour starts in half an hour, no matter what.
00:23Middle-aged, overweight, alcoholic.
00:25It was a heart attack, right?
00:26It's obvious.
00:28All the rooms had a hairdryer in them.
00:30I sat in Fernando's room where there wasn't one.
00:32Someone threw it out the window.
00:34They threw it out to make the murder look like a natural death.
00:36And that's how they tricked the police.
00:38We have a security camera that didn't record anyone going into his room.
00:41And we have a wooden music box.
00:44There's also that one-armed man.
00:46A one-armed man is watching the hotel.
00:48If this was a murder, anyone could be the killer.
00:50It could even be one of us.
00:52The only thing we have to do is answer two questions.
00:55Who was Fernando?
00:57And why did he die?
01:17You're doing great, sweetheart.
01:19You're a big girl now.
01:24Yes, hello?
01:25What were you doing?
01:27We were supposed to watch her.
01:29She's only three years old.
01:31Esther, honey, calm down.
01:32She's right here with me.
01:36Anna?
01:38Anna?
01:39Anna?
01:41Anna, come back here!
02:00I was never here.
02:01I'll tell you later.
02:23Anna, come back here.
02:33You're setting the bar really high, aren't you?
02:35I'm proud of you.
02:36The world belongs to the brave.
02:50None of this makes any sense at all.
03:00Fernando Paredes was definitely killed
03:03The killer threw a hairdryer in the tub
03:04Then threw the proof out the window
03:07I mean the hairdryer, not Fernando
03:10I would understand if you preferred that I come back a little later
03:13Seeing that your wife kicked you out of the house
03:15I'm sure you don't need me
03:16No, my wife didn't kick me out of the house
03:18Oh
03:20I would have thought
03:22Since the couch is sunken in and doesn't look like when you sit on it
03:25It looks more like you've slept here a while
03:27And even though it's noisy outside
03:29You have your window wide open
03:30It feels like you wanted to air out the place a little
03:33I'm guessing
03:33You think my wife kicked me out?
03:35Well, yeah, because if you had left
03:37I don't think you'd still be wearing your wedding ring
03:43And you probably
03:47Wouldn't still have this photo here
03:49I can tell you still love her a lot
03:51You have a beautiful family, huh?
03:53You're good looking too
03:54You have a beautiful smile
03:55You really should smile
03:56Oh, I'm so sorry
03:57I really should mind my own business
03:59I mean, I'm sure that in your profession
04:01Things can get complicated, right?
04:02Like maybe a case that goes wrong
04:04What case?
04:05Oh, I don't know
04:06I'm just trying to avoid an awkward silence
04:07And because it really does look like
04:09You're living out of your office
04:10And yesterday they had you take a case
04:11You say was a natural death
04:12Everything seems extremely strange, that's all
04:14Oh, look, Gonçalo
04:15May I call you Gonçalo?
04:16I know we barely know each other
04:17But sometimes it's far easier to talk to someone you don't know
04:20So if you feel you need to talk
04:21Or whatever you want
04:22Anything at all
04:24Your secret's safe with me
04:31I think it's wonderful that you thought a police officer would listen to a housewife
04:36A housewife who loves to pretend she's Mrs. Marple
04:39But you told us someone electrocuted him
04:42No, no, no, no
04:45No, what I said was that he died from electrocution
04:49It could have been an accident or suicide
04:51You know, it's not the same thing
04:52Oh, I get it
04:54So then Fernando must have resurrected
04:56To throw the hairdryer out the window
04:59I know you mean well
05:00But maybe someone went in there before us
05:03And just got scared
05:05Someone who wasn't seen on the security camera
05:08So like a ghost
05:20My poor husband
05:21He doesn't know how to use the washing machine
05:23You better drink your orange juice before you lose the vitamins
05:26Then let's go
05:27But it's tomato
05:30Where's Daniel?
05:32Have you seen him?
05:33Well, where is he?
05:34I don't know
05:34Did you call yourself on?
05:35Five times already
05:36No answer
05:37You must have it on silence
05:41Are you going to help me look or should I get you another croissant?
05:45And where have you been?
05:48Hotel Ovalade
05:55I arrived two days ago with Prometheus Travels
05:58We were supposed to stay here
05:59But there was a last minute change
06:01We were told you were fully booked
06:04She told me the agency hadn't confirmed our reservation
06:07And they didn't have any rooms
06:08Because there was a conference
06:10Are you saying that they did have rooms available?
06:13I'm saying that someone wanted us to stay in this hotel
06:15I called him multiple times
06:17I looked everywhere
06:17I can't find him
06:18I have to do something now
06:19Because he isn't familiar with the city, you know
06:21What if his cell phone battery just runs out?
06:23You'll figure it out just like anyone else would
06:24No, he's not like anyone else
06:26Christina, we really need to call the police
06:28What happened to Daniel?
06:30We can't wait
06:36The adventure of the Greek interpreter
06:37The sign of the four
06:39The hound of the Baskervilles
06:40The adventure of Husteria Lodge
06:41The adventure of Copper Beaches
06:43The adventure of the Terrible Treaty
06:44The Baskerville Valley Mystery
06:46The adventure of the cardboard box
06:48The adventure of the Engine of the
06:49The adventure of the Carcass Man
06:51The adventure of the Sussex Vampire
06:52What are you doing in here?
06:53The adventure of the Bruce Pennington planes
06:56What?
06:58Kike was going to show me a mysterious room he found
07:02Or lock you in a closet to be funny
07:03That's also possible
07:05Oh, my cell phone
07:06He asked me for my phone to light the way
07:08If I hadn't given it, I wouldn't have spent
07:12Fifty-three minutes here
07:13I'm sorry, I must go
07:15I have an emergency
07:17I'm interested
07:18We have to do something
07:20Look, he's here
07:21Daniel, where have you been?
07:22Tell me, are you okay here?
07:24Kike took my phone and locked me in a closet
07:25For fifty-three minutes just for fun
07:27It wasn't particularly fun, but it was eye-opening
07:29Why would you do that? That's wrong
07:29I have to go, I'm late
07:30Where are you going?
07:31Fabio
07:32Fabio
07:32Daniel, your mother's going crazy looking for you
07:34Where were you?
07:35Locked in a closet
07:36Kike, just for fun
07:37Let's go find the other
07:37Wait, hang on a second
07:38Are you hurt?
07:39Are you okay?
07:41I know how the killer snuck into the bedroom
07:52Room's all yours, kid
07:55You need to all stay here until I call you
08:05It looks like it's going to ring today
08:08Okay, this is stupid
08:11Okay, this is stupid
08:19Danny?
08:21Daniel?
08:22Wait a minute, where did he go?
08:23I don't understand
08:27Where is he?
08:28Unbelievable
08:32I told you guys to wait out there
08:34How did you do that?
08:40So, these two rooms used to be connected before
08:42But when they did their low-budget renovations
08:44They covered the door instead of sealing it shut
08:48I wouldn't have thought about it
08:50If Kike hadn't locked me up
08:51Finding myself in a tiny dark space
08:53Made me think about these closets
09:00This is Pilar's bedroom
09:06The camera's pointing at Fernanda's room
09:09Yeah
09:09But the door to Pilar's room is in a blind spot
09:17How did the killer know that Pilar wouldn't wake up and see them?
09:21Because she takes sleeping pills
09:24Okay, it was Bruno who assigned the rooms to each of us
09:27Yes, but Christina switched us to this hotel
09:29But I have more
09:32I swear this kid
09:43In the other bathrooms, the tubs and sinks are in a different spot
09:46This is the only renovated one
09:48But once again, they were on a budget
09:51So instead of changing the electrical installation
09:54They simply covered up the old one
10:00No need for an extension cord
10:19You see, you can't say anymore that they were crazy
10:44I guess you're right
10:45This is a real crime
10:51This outlet could very easily short-circuit and blow a fuse
10:53You should have an electrician check it out
10:55What are you saying?
10:56This is what's called a textbook murder
10:58The victim was taking a bath and he...
11:00The only real loss here is the time I've lost
11:02And my time is way more valuable than yours
11:06Have a nice day
11:10As you can see, these avenues are wide
11:13And laid out in a grid-like pattern, right?
11:15This whole area was destroyed in the 1755 earthquake
11:18You might also be wondering...
11:20Please, could you use the microphone?
11:21Yes, of course, sorry
11:21Okay, can you hear me better now?
11:23Good
11:23Are you wondering who built this area?
11:25The Marquis of Pumbam
11:27And you're probably wondering, who is that?
11:29Christina, who is that guy?
11:30Well, look over there
11:31When my kids were little and they took baths in the tub
11:33They made a huge mess every time
11:36Did all of you notice?
11:37There wasn't a single drop of water on the floor in Fernando's bathroom
11:40So he didn't put up a fight
11:42Or the killer thought to bring a mob with them
11:44Or maybe they caught him off guard
11:46No
11:48He was facing the door when we found him
11:51Maybe they drugged him while he was having dinner
11:54I mean, I still have a hard time believing he was killed
11:57But, uh, if you want to play, let's play, right?
12:01A bit risky, in my opinion
12:03First he's drunk, then electrocuted with a hairdryer that's thrown out the window
12:06I don't know about you, but
12:08I would have just stabbed him in his sleep and that would have been it
12:11Look, Pura, how it's done isn't important
12:14The real questions are why and who
12:17The who is step one for Agatha Christie
12:23So, Agatha, how do you get to step two?
12:26Well, if I were investigating this case, which I'm not
12:29Um, I'd stay close to that group over there
12:33And listen in
12:5017 suspects are too many
12:52It will be easier to find the killer if we get to know Fernando
12:54What do we know about him?
12:57Fernando Paredes? Welcome to the group
12:58We know he lived in Badajoz
13:00I heard Christina say so
13:01We weren't gonna make you drive to Madrid when we were going through Badajoz
13:03And that he shaved right before the trip
13:05At that age, you only cut yourself if you never shave
13:07He also had a bag that was too small for a seven-day trip
13:10That he liked history
13:11And that he didn't take a single photo
13:15Fernando had a beard but wanted to shave it before the trip
13:19So he didn't want to be recognized
13:21And you can only be recognized
13:24If you're somewhere you're used to going
13:26He lived in Lisbon
13:30How can we find his address?
13:33From the magazines on his nightstand
13:36He had subscribed to them, so they'll have his address, right?
13:38Yeah
13:38I doubt they'll give it to us just like that
13:42Puda, you speak Portuguese
13:44Well
13:45Okay, I'm calling
13:46You're Fernando's widow
13:47Say you want to cancel his magazine subscription
13:49But you don't know if it's mailed to your home in Cascades or in Lisbon
13:52There, talk
13:52Go, go, go
13:54Hello
13:55Hello, hello
13:56I'm, uh
14:00Su, a viuva, do Fernando
14:03Fernando Paredes
14:07He died
14:09Moheo
14:11He passed on, my dear
14:16Quiero cancel a Lisboa
14:18A subscription
14:19No, quero dicir
14:20A assinatura
14:22Subscription
14:23Subscription
14:23No, no, say, say, chega
14:26Al Lisboa
14:27Ou
14:29Cascais
14:30Cascais
14:32Moheo on Tom
14:34Mas oscoprimus
14:36A corpus da manha
14:37Es manha
14:40Sim
14:42Sao utliste
14:43Ki
14:43Mohei sozinho
14:45Hey
14:48A veces
14:50Perguntam me
14:51Como
14:52Ela sentiera
14:55Estaria com medo
14:57I don't know
15:00Entend de ano mau
15:01Em busca de ajuda
15:06Muito triste assim
15:07What the fuck
15:12Muito obrigada
15:13Muito obrigada
15:20Muito obrigada
15:22Muito obrigada
15:22Muito obrigada
15:22That's great, Buro
15:23Muito triste, sim
15:26Ciao
15:28Adios
15:29I just heard the music box through the vent that's in the bathroom
15:59So what?
16:00What do you mean, so what?
16:01The music box was at the museum.
16:02And the night Fernando died, Pura and I heard it coming from his room.
16:06Now he's dead and we hear it again.
16:08It could be the motive for the murder, Pura.
16:11That would explain why Fernando was at the museum.
16:14His 15-minute walk to find a restroom wasn't very convincing.
16:17Are you suggesting that Fernando went to the museum to steal the box?
16:20And then someone steals it afterwards.
16:23Hmm?
16:24So if we find the music box, we'll also find the killer.
16:40We have to find a way to search all the bedrooms now.
16:43No way. No, no, no.
16:45What are we going to do? Pick the lock?
16:46That's illegal, you know.
16:49We should start doing things by the book.
16:51Let's go to Fernando's house.
16:52I'm sure we'll find something there.
16:54So what if we go ask Gonzalo to get a warrant, huh?
16:56Forget the police. No.
16:57No. We have to do this without...
16:59Letting the cat out of the bag.
17:04So no police, then?
17:06Do you want to go?
17:09Me?
17:11No. No.
17:13One of us has to stay in case the music box reappears.
17:20Fine. I'll go and check it out, then.
17:21I'll go with...
17:22No. Yes, I will, because this could be dangerous, huh?
17:24Yeah.
17:25I'll go get my things.
17:30I guess if this music box is valuable, you and I should create profiles to categorize
17:34each suspect based on their financial needs.
17:36That would give us a better understanding...
17:37Yes, that's brilliant.
17:38Yes, that's brilliant. You go do that, okay?
17:44Alicia, I made you some sandwiches.
17:46I don't want anything.
17:47You'll snoop better on a full stomach.
17:51Hey, wait a minute.
17:56You're Kike, aren't you?
17:58Yeah.
17:59You like playing jokes on people.
18:01If you ever play a joke on Daniel again, I'll scare the hell out of you so bad you'll end
18:05up pissing yourself.
18:07Do you understand?
18:09Good talk.
18:11Okay, let's go.
18:22But did she hit you hard?
18:23I don't want to talk about it anymore.
18:25Yes, of course.
18:25I understand, darling.
18:27That little group is just a bunch of psychopaths.
18:29It's not just the crazy lady who threatened my son, but it's all of them.
18:31That crazy bitch just slapped me for no reason.
18:33You locked up that kid.
18:34I didn't lock him up.
18:35The weirdo did it himself.
18:36Wait a minute.
18:37That group of people.
18:38Don't.
18:38It's not worth it, really.
18:39You better watch out.
18:40It's really screwing up our trip right now.
18:42Oh.
18:42I don't want him to ruin our getaway, okay?
18:44Yeah, for sure, girl.
18:56Yes.
19:00The photos you take in a nature setting are 20% more accepted than the ones in an urban setting.
19:06Accepted, you said?
19:07Yes.
19:08Do you mean liked?
19:10You should post the photo you took of yourself in the estufa fria.
19:13You were next to the Tasmanian tree fern.
19:15The frame and focus were particularly optimal.
19:19So was your face.
19:25My face was optimal?
19:28Does that mean you think I looked pretty?
19:33Nothing.
19:33I have to...
19:35I have to make some, uh, work calls.
19:37I don't want to hold up the group.
19:38Don't worry about it.
19:39This is today's itinerary.
19:40Call me when you're done and I'll tell you where we are.
19:41Thank you for this.
19:42I'll call you.
19:44Okay, my little group, we're going to see a really beautiful mural.
19:47It's not graffiti, it's a mural.
19:48Come on, let's go.
19:49We're leaving.
19:49Come on, my little group.
19:50I don't want to go.
19:52Come on, you have to leave.
19:53I know.
20:01When we went into Fernando's room, we saw the music box in the closet.
20:06Then we went down the hall to tell everyone, and everyone was there.
20:10Everyone, except for three.
20:19Carolina?
20:49I'll give a full explanation once everyone gets to the top.
20:51The thief is planning on selling it this afternoon.
20:54Come on, everyone.
20:54Keep moving all the way to the top, please.
20:56On the steps leading up to this famous mural.
20:58Keep it up.
20:59What do you want to do tonight?
21:01Let's go to that bar we saw.
21:02Don't worry, Mama.
21:03We're almost there.
21:05Don't stop.
21:06Let's hurry up already.
21:08Wow, Fabio, that was quick.
21:10Well, the group needs a bar, right?
21:11I'm sure there was another way to get there.
21:13There has to be a road or something, right?
21:15I paid like everyone else, and I want to see the same thing.
21:17It's just a wall with graffiti.
21:19Some bandos destroying public property.
21:21It's called art.
21:22And Mama loves art.
21:23Lighten up.
21:25Hey, you think you dropped your wallet?
21:28No, no, no, no, no.
21:31Are you trying to inherit the factory ahead of time by making my death look like an accident?
21:35You're all a bunch of idiots.
21:37Finding is important, so let me give you a hand, okay?
21:39Yes, please help.
21:40Sure.
21:41All of this trouble, because my son is an idiot.
21:46Okay, come on.
21:47You got it.
21:48You okay?
21:49Thank you, young man.
21:50You're welcome.
21:51You guys are all gonna kill me.
21:52Okay, my little group?
21:53Don't look at me.
21:54I'm not of historical interest.
21:56Let me tell you about this piece of art, okay?
21:57This mural is a tribute to Fado music, which is a popular kind of Portuguese music.
22:02This represents the bohemian Fado, or vagabond Fado, which means amateurish, or alternative
22:08Fado, which is a bit more underground.
22:12You can say what you'd like, but Fernando was forgetful.
22:17Didn't you notice he forgot his room key on the table after dinner?
22:22I'm telling you, someone like him will always keep us spare somewhere.
22:26Can you move?
22:28Nothing.
22:30The best hiding place is somewhere that no one will ever touch.
22:38Not even to dust it.
22:41Let's see.
22:58Let me try this key.
23:08You go ahead.
23:16Wow, so this is the famous church.
23:18Right, this is that beautiful church you always tell us about, Grandma.
23:21It's beautiful.
23:22I would have gotten married here, too.
23:24To whom?
23:25Your ex?
23:25I'm sorry, kid.
23:26Or to someone who wasn't a total drunk.
23:28At least he wasn't the one who threw up at a shareholders meeting.
23:36Come here.
23:39Bad news is that it's completely worthless.
23:41Cote had it.
23:42Cote?
23:43So Cote did it?
23:44No, no, no, no.
23:45Cote's not the killer.
23:46He must have gone inside, saw Fernando in the tub, and for whatever reason, stole it.
23:49But he's not the killer.
23:50Do you understand?
23:52How did you find it, then?
23:54Oof.
23:54No.
23:57Don't worry.
23:58I won't explain it again.
24:02Let it count for me, hmm?
24:07You okay?
24:15Oh, my God.
24:17Wow, this place is really fancy.
24:20Shh, don't touch.
24:24It was a history professor.
24:26If he was living here, why on earth did he sign up for a group tour?
24:32The question isn't why he came back.
24:34The question's why he left in such a rush.
24:40Ugh!
24:41Disgusting!
24:42Hey, what is it?
24:43Everything's rotten in here.
24:44Gross.
24:48Look at this.
24:50Jogo Alvis.
24:54That's why he came back to Lisbon.
24:57And that's why he went directly to the museum to steal his box.
25:01Oh.
25:04Ooh!
25:05Excuse me.
25:07Excuse me.
25:23You scared me.
25:25Hey, ladies.
25:26You know you're missing some pretty great churches.
25:29Wow.
25:30What'd you find?
25:31Well, we found photos of the music box, but nothing that links Fernando to anyone in the group.
25:36Except that it looks as if he knew you.
25:39Who, me?
25:41Absolutely not.
25:43As for the box, Cote had it.
25:47Cote?
25:48The big guy with the mustache who's with the woman in the wheelchair?
25:52Really?
25:52Yeah, but he's not the killer.
25:54He's a thief and a small-time one.
25:55Because they won't give him more than three euros for this.
25:58And just how do you know this?
25:59I was an antique dealer in 2015.
26:01There's some nice stuff here.
26:09Smells weird.
26:11Yeah.
26:12It does smell.
26:13Let's get out of here.
26:17Who could have lit a candle?
26:18A candle?
26:21Shit.
26:30So Alicia said something about a candle, and I said a candle, and boom, everything exploded.
26:36A gas heater once exploded next to me when I was at Boris Beach.
26:40I was so scared.
26:44Someone wanted to get us out of their way.
26:46I'm telling you.
26:48So it was just the two of you in there?
26:50Yes.
26:51No.
26:52Yes.
26:53This was attempted murder, obviously.
26:56It was just a gas leak.
26:58If someone really wanted to kill both of you, it probably would have been a bigger explosion.
27:02Right.
27:02And you don't find it a bit weird that this explosion occurred in the house of a man who died
27:06two days ago, under strange circumstances?
27:09What's also strange is that you were in his home, uninvited, which is completely illegal.
27:14You have to go out?
27:24You are used to be a man who died.
27:27I didn't find it anymore.
27:27I just thought of it.
27:31I can't see them.
27:34I can't see them anymore.
27:36I can't see them anymore.
27:38You've got to go.
27:43In Belen.
27:44sherlock holmes just take photos go eat some fish buy towels like spanish tourists normally do
27:51then go back to your regular lives
27:56he's right i do need to buy towels
28:00oh my god that scared me so much i'm shaking like a leaf
28:03i can barely breathe i see you guys are still in one piece
28:06wait where did you disappear to you walked down with us and suddenly you weren't there
28:10i did what you two should have done it's a miracle you weren't arrested
28:13right so then why did you go there huh we're a team right yeah we are
28:20christina
28:24sonhoem como alburxulim
28:31com ondas e mar maduro
28:46do you understand what she's singing
28:50no that's the thing about this bloody music no matter how hard you try it always gets to
28:55and you do you understand
29:00the song's about wounds that never heal about holding on to your memories and learning to say goodbye
29:11what if you don't want to say goodbye
29:14do you want a piece of advice from an old lady who's got one foot in the grave
29:19you'll never get attached to anything you're not ready to leave behind
29:22at a moment's notice to nothing and to no one
29:33i love how emotionally this woman sings
29:46hang on hang on hang on
29:50cheers
29:51drink
29:53you kept her a secret from us didn't you
29:57we all have secrets right
29:58oh no i don't alex and i tell each other everything
30:01everyone lies your best friend lies look
30:04and your boyfriend lies
30:05and you lie and it's no big deal
30:07me
30:11hello my love
30:13yeah sorry about that i'm at a kind of boring party
30:37you stole it in the first place
30:38stealing from the dead isn't stealing
30:39plus that guy didn't need it anymore
30:41the box isn't worth anything
30:42come on kid i'll buy you a couple of beers and we'll call it even
30:47by the way are you allowed to drink with your mask
31:27what looks like you made friends with the girls huh
31:30to be honest
31:31i truly hate bachelorette parties
31:34you never said why you came to lisbon
31:37i've always wanted to come here
31:39give me an answer i'll believe
31:41alicia
31:43there's a man here
31:44i also saw him at the explosion
31:46hey just forget about the explosion
31:47i think the kid's in danger
31:49someone's after him
32:10jenny
32:12Hey, wait!
32:13Forget him! There's the music box!
32:16He's getting away!
32:19But he's not one-armed.
32:32Oh, well.
32:36Guess he got away.
32:41Holy cow, Alicia!
32:43You've got to be kidding me.
32:55Maybe we should take the stairs instead.
32:57Yeah.
33:08Oh, my God.
33:48I don't understand.
33:49The homeless guy said a one-armed man.
33:52Oh, for fate's sake.
33:53Hi, Alicia.
33:55How are you, sweetheart?
33:57What?
33:57Yeah, the thing is, we have a reservation at a restaurant.
34:01And we're running really late.
34:02I think we lost them.
34:03Huh?
34:04Oh, yes.
34:04No, no, no.
34:05Wait, what?
34:06No, we lost ConchÃn again.
34:07You know how slow she can be sometimes.
34:09Always window shopping.
34:11Hey!
34:16Stop!
34:16Hand it over.
34:18Hey, just calm down, okay?
34:19Give us the music box.
34:22Alicia, the box is in his pocket.
34:30But I bet she'll be here any minute.
34:53You didn't run away this time.
34:55I didn't get a chance to.
34:59I wonder who that guy was.
35:01I have no idea, but he did have this in his pocket.
35:04You go out for a walk and a suicide victim lands next to you?
35:07Would you leave him alone, please?
35:09Well, supposedly, yes.
35:10At least that's the story we all agreed to.
35:12What do you mean, agreed?
35:14We were talking and we all agreed it was a terrible accident.
35:17Another one.
35:18That's it. I can't allow this trip to turn into a killing spree any longer.
35:21You're right, Christina.
35:22In fact, I think we should do something different tomorrow to improve the morale of our group.
35:25No, we're not going to do anything tomorrow because your group's going back to Spain.
35:29Impossible. The plan was a seven-day trip.
35:30There's no plan, Daniel. There is no plan.
35:32Yes, there is.
35:32No, Christina, there's no bad luck.
35:34Two deaths in two days, David?
35:35That's not bad luck.
35:36That's an evil curse.
35:37And this curse will finally be over when everyone in this little group has left.
35:49Alicia.
35:52How are you doing?
35:54How do you think I'm doing?
35:58You know, every year where I live, we slaughter pigs for food, right?
36:01And everything everywhere is covered in blood.
36:04But what I saw today was terrible.
36:07It was an accident, you know.
36:08Yeah, I know. It was an accident and an explosion.
36:11Was that also an accident?
36:15Look, I think what the police officers said was right.
36:18Maybe we should all just stop playing detectives.
36:22I thought you liked solving mysteries.
36:24Yes, I do, but I like them when I'm watching TV.
36:27But in real life, it's just not as entertaining, you know, Alicia?
36:31Yeah.
36:31I saw him there.
36:33There's blood as a pancake.
36:33It's going to be okay.
36:37Are you planning on staying in Lisbon?
36:43I don't know yet.
36:45I don't know what I'm doing here.
36:47I don't know what to do.
36:48I really shouldn't be here.
36:49I should be at home with my kids.
36:51With all my goats.
36:53You were trying to help Fernando.
36:57I wanted to share this with you.
36:59I don't know.
37:01It was in the victim's pocket.
37:11It's the Alvalade Hotel.
37:29It's very beautiful.
37:32Do you know what this song is?
37:34It's a very old Christmas song.
37:38I want to give you a refrain.
37:40What is missing?
37:42The Stripilho.
37:50I saw on the Museum of Crime's website that it was donated by a woman, Margarita Moray.
37:54I searched the name online, but did not find any relevant information on her.
37:58It's better this way.
37:59This was a bad idea.
38:01Can I see?
38:03Somebody's not working.
38:04Give me some light.
38:10What are you doing?
38:12I want to see what's inside.
38:23You see something?
38:24It doesn't look like anything's wrong.
38:26What are you guys doing here?
38:34Look.
38:35What's this for?
38:37Be careful.
38:38Don't touch.
38:44Oh, my God.
38:50The print's so tiny.
38:51Yeah, it's unbelievably tiny.
38:53What does it say?
38:55The count is safe.
38:56The treasure comes back to life if the king turns the cube and your hand touches the belly.
39:00It doesn't hurt.
39:00Oh.
39:01Ah.
39:02Ah.
39:02Ah.
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