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00:27For more information visit www.fema.org
00:38Oh, good evening and welcome to the great England Sabir Show.
00:48What a lucky man I am.
00:51You're putting your hands on your hands.
00:52You're lucky to have your own.
00:54Why are you running?
00:57You come here.
00:58Who has made it?
00:58Our expiry date has been.
01:01No, no.
01:01Where are you?
01:02Tiger is also alive.
01:06Siddhupaji, do you know what the difference between the satellite and OTT is?
01:11What?
01:11When we started the show, Siddhupaji was just in front of me.
01:15It was the time of the Durdarshan.
01:18Then Arshana Ji came and had a glamour ad.
01:21Then it was the best satellite TV.
01:24But now the four of them were the best OTT.
01:28The story was international.
01:32The story was international.
01:33Lily, Lily, go to OTT.
01:34You guys go to OTT.
01:35I will talk about the satellite and the satellite.
01:38Please.
01:41You will know that because of OTT, there is a big difference between the population.
01:46Okay?
01:46The population has reduced.
01:47Because couples who have new婚ers have been released in a binge watch.
01:53During the time of the time, there was one film for two hours.
01:56After that, the couples watched their honeymoon binge watch.
01:59There was time for them.
02:01Now, when there was one episode coming,
02:03there were 8-8 kids.
02:05Now, in the 8-8 episode, there were kids who were 1-2.
02:08Because the whole time was released in a binge watch.
02:11The names of the first family members were in a binge watch.
02:14Today, they were on the screen.
02:16Every member of the family was on the TV.
02:19The husband, the wife, the children, the baby, the baby.
02:23If the baby was on the baby's profile,
02:27then they would know that
02:28why did Shilajit go out every month?
02:30No?
02:33No?
02:35No?
02:37No?
02:38No?
02:49No?
02:52No?
02:56No?
03:01No?
03:03No?
03:06No?
03:27No?
03:33No?
03:33No?
03:33No?
03:35No?
03:35No?
03:39No?
03:40No?
03:41No?
03:41No?
03:43No?
03:48No?
03:52So, this means that at one time, TV actors were made of stars at home, and now OTT actors are
03:57made of global stars.
03:59And we have made some global stars here today.
04:02Please welcome very talented and versatile actors.
04:06Mr. Jaidip Ahlavar, Mr. Vijay Verma, Mr. Prateek Gandhi and Mr. Jitendra Kumar.
04:17Welcome, welcome, Mr. Prateek.
04:20What a joke, what a joke.
04:23What a joke.
04:25He's a joke.
04:27What a joke.
04:36What a joke.
04:38What a joke.
04:40What a joke.
04:41What a joke.
04:45What a joke.
04:45What a joke.
04:55What a joke.
04:56We know that our four brothers are so talented and so talented that we can enjoy.
05:02Jaijib brothers, you don't feel the personality of any kind of police.
05:07After a night, someone comes to sleep and gives them a bottle.
05:13They feel that they didn't come to jail.
05:16And Pratik brothers, they feel that they came from dry state.
05:21They don't feel the bottle's mouth like this.
05:23They feel that they come to jail.
05:24They are very beloved actors.
05:28And Vijay brother, Vijay brother's name is so rich.
05:31I feel that they will be good for themselves.
05:35And Jitu brother, they are so beloved.
05:38This man is such a way that someone opens up in some kind of rehab.
05:42So this man takes 10 women to sit down and sit down.
05:45This man should be closed.
05:50Come, come, please.
05:51Look at that.
05:53Look at that.
05:54Look at that.
05:55There is also Netflix.
05:56No, no.
05:56There is also my house.
05:57Put it on my house.
05:59It's my house.
06:00It's my house.
06:03You will all have seen Netflix Pain, IC814.
06:07Yeah.
06:29I love it.
06:35Love it.
06:56Thank you so much.
06:59Thank you so much.
07:06Look at that.
07:06Kapil brother is very fit.
07:07Who is watching us?
07:08What are you talking about?
07:09When you are in front, we are afraid of that.
07:13You are from Gujarat.
07:15And all the artists do not like Gujarat.
07:17Why don't you do outside Gujarat?
07:19You have to have roaming in acting.
07:20You have to have roaming in acting.
07:23Before I was roaming.
07:24Now I am free.
07:26I am doing it.
07:27I am doing it.
07:29Look at that.
07:29Jitu brother's face.
07:30Look at that.
07:31Look at that.
07:32Look at that.
07:45You're a man.
07:46Where are you from?
07:48You're a man.
07:48I am saying.
07:49If you call me, I won't get a selfie.
07:51Only girls.
07:52You're learning slowly.
07:56Sure.
07:57I don't know about this.
07:58I got involved with the IIT.
08:00He came from acting.
08:01So, you're ready to be at home.
08:02You don't have to tell me.
08:03If you were an actor, why would you come from my money?
08:05No, it's so happy.
08:07But then I will admit.
08:08I will tell them.
08:09Whatever I am to show them.
08:10Then I am ready.
08:11Okay.
08:11Now it comes to the form of UPSC, so what do you want to do?
08:17Yes, even now?
08:18Yes, it happens to be that if you had to do this, then why would you come to our money?
08:21Pratik is also an engineer. He has worked in a cement factory.
08:25You were an industrial engineer, right?
08:27The cement was small, but what did you do?
08:31How did you put it in here?
08:32The actor?
08:33He had to put the cement, and he had to put it in the cement,
08:36so he had to put it in the cement.
08:39After engineering, it also happens to be clear that you have to do what to do.
08:46When boys are living at home, they are living in love.
08:49They are living in love with films and in love with them.
08:52Then what do you want to do with your house?
08:54What do you want to do with their house?
08:55From a house, they get the same thing.
08:57They get the same thing or the same thing.
08:59They get the same thing as well.
09:02So they get the same thing as well.
09:05So do it.
09:06Do it.
09:06After 10th, sit.
09:08After 10th, I was good at the school.
09:13I got 50 percent.
09:14Okay.
09:1650 percent?
09:1850 percent.
09:18Our school is going to be top.
09:21I was like feeling like,
09:24you have a lot of research.
09:26It's a shock.
09:27Then I graduated and I was going to work in Hyderabad.
09:31I was going to work in the theater.
09:34And my father said to me,
09:35go to the shop.
09:36Then I got a plan.
09:37I applied to the FTI.
09:39In the first year, I applied.
09:40I didn't have a selection.
09:42Then I applied to the theater in Hyderabad.
09:43Then I applied again.
09:45This time, I got a selection.
09:46I told a friend that I got a selection.
09:48I didn't have money.
09:49He gave me fees.
09:51I said,
09:52I don't have permission.
09:53I'm going to run away from home.
09:54So, I'm going to run away from home.
09:55I'm going to run away from home.
09:55In Amrish Sar,
09:56we had a workshop every year.
09:58I went to work alone.
09:59We had to call alone.
10:01They said,
10:02What's your name?
10:03I said, Captain Sharma.
10:04If you go to the light,
10:05what will you do?
10:07I said,
10:07I'm going to go and see
10:08whether everyone is gone
10:09or our one is gone.
10:11I don't understand any questions.
10:13I don't understand age.
10:13We have a lot of age.
10:14Very big.
10:15So, what do we do?
10:17What did we do?
10:18Jadid?
10:19Put it on the phone?
10:21Yes.
10:21Why don't you put it on the phone?
10:23Put it on the phone.
10:25I didn't understand this question.
10:27Why don't you ask me?
10:27But this question is,
10:28you give me UPSC.
10:29Maybe.
10:32So, what do you mean?
10:34Jadid,
10:35you have done a job first
10:37that you have done
10:37on the phone
10:37that you have done
10:38with yourself?
10:39You have done a selfie with that person?
10:41You are my first debut fan.
10:42Haryana,
10:43I don't know what happened
10:44the first time
10:45that the university
10:46has been on the phone.
10:47So,
10:48the people who are sitting
10:4920, 25, 30,
10:5040 years old
10:51there was the topic of discussion
10:54that was me.
10:55So, I thought
10:55that yes.
10:56Now, the issue is reached.
10:57Because,
10:58if you talk about this
10:58in the school,
11:00it means that this is
11:00in the house.
11:01Yes.
11:01What a deal,
11:02man.
11:06Pritik,
11:06you have seen
11:06the first time
11:07that you have seen
11:07in Bombay.
11:09This is me.
11:11I don't know.
11:12What did you do?
11:14No.
11:15hoarding was such a big
11:16job as a scam.
11:18First of all.
11:19And,
11:19when the scam came,
11:20it was COVID-19.
11:21So, there was no hoarding
11:22anywhere.
11:23I didn't know anything.
11:24The last film
11:25came to Netflix.
11:27Okay.
11:28It was a huge hoarding
11:29and it was a huge place.
11:31Did you see it?
11:32Yes.
11:33I thought,
11:33this is what I wanted.
11:37You are so popular.
11:39When did you think
11:40that you are popular?
11:45There were new videos
11:47on YouTube.
11:48Yes.
11:48There were many videos
11:50that people liked.
11:51So, I was running
11:51on the airport.
11:52So, at the same time
11:53in a restaurant
11:54I ordered my food
11:55on the phone.
11:56So, there was a person
11:57there.
11:59Oh, Jitu,
12:01you are roaming like this
12:02and nobody is recognizing you.
12:03Come give me a selfie.
12:05Come give me a selfie.
12:07Come give me a selfie.
12:08Then,
12:08I thought,
12:09yes,
12:09now I am famous.
12:12Genuinely,
12:12I said,
12:13when I first came here
12:14to Kapil's shop,
12:16then,
12:16when I went home,
12:18then,
12:18all people were talking
12:19about this.
12:20You came to Kapil Sharma's shop?
12:22Yes.
12:23Then,
12:23I thought,
12:24hey,
12:24this is something different.
12:25People were talking about
12:26my work,
12:27they were talking about
12:27the show.
12:28So,
12:28I thought,
12:29you should give 10%
12:30in the background.
12:34Okay,
12:36our industry has another
12:38speciality.
12:39Now,
12:40you also recognize
12:41you are stars.
12:42When you work in the beginning,
12:44people don't recognize
12:45and don't know.
12:47So,
12:47they say,
12:48it's a whole drama.
12:49No.
12:52That's it.
12:52That's it.
12:53They say,
12:53they say,
12:54they'll do something wrong.
12:55They do another job.
12:57Yes.
12:57Yes,
12:58it's like the airport.
12:59Yes,
12:59we're sitting here.
13:02Yes,
13:03yes,
13:06yes,
13:10yes,
13:13yes.
13:15Yes,
13:16Yes,
13:16yes.
13:16Yes,
13:19Okay,
13:22yes.
13:22This is what you're telling your character.
13:24Sometimes you get irritated or talk about it.
13:26No, no.
13:27You're always asking yourself to answer yourself.
13:29Yes, that's what I keep doing.
13:30I had a very interesting story.
13:33What?
13:34I was eating food at a hotel in Delhi.
13:36I was doing my director's breakfast.
13:39I saw that two people have taken me and taken me.
13:43Yes.
13:44That's what I keep doing.
13:45So there were two notes.
13:47One girl and one girl.
13:48They were all in love.
13:50Okay.
13:50Okay.
13:51Now the girl came here.
13:53And I don't know who I am.
13:54The girl didn't know who I am.
13:55The girl didn't know who I am.
13:56The girl didn't know who I am.
13:57Now the girl is thinking about who I am.
13:58And the girl didn't know who I am.
14:00She said, who is who I am.
14:04Let me see.
14:05I will sit and eat.
14:07Oh my god.
14:08Tell me.
14:14Is that the girl right?
14:15Yes.
14:16No.
14:16No.
14:17No.
14:19No.
14:22No.
14:29No.
14:30No.
14:36No.
14:37No.
14:42No.
14:43No.
14:44No.
15:13No.
15:15No.
15:17No.
15:19No.
15:20No.
15:22No.
15:25No.
15:27No.
15:35No.
15:36No.
15:36No.
15:40No.
15:41Govinda, govinda, come in and get out.
15:46Which location did you get?
15:48I'm in front of those people who play all their bands.
15:53Oh, I'm in front of them who play all their bands.
15:57What are you saying? I don't understand.
16:05I'm in front of them who have scammed them.
16:08I'm in front of them who have scammed them here.
16:13And one of them is such a way to ask OTP now.
16:19You're in front of the friends of Kabir Sharma.
16:23I'm in front of the guests of Kabir Sharma.
16:26Guests of Kabir Sharma.
16:27You work.
16:28So in the road, one of the Kabir Sharma is reading there.
16:32Oh, here we go.
16:34Oh, here we go.
16:36Oh, here we go.
16:37Hey, what are you doing at the road?
16:40No, it's only Shani Vare.
16:44If you do a road road, you'll get more money.
16:46But you don't have to handle that.
16:49You're so good, Vijay Varmad.
16:54My God, I feel like someone has put a leachy chill.
16:59Leachy?
17:00Leachy chill.
17:01I'm sorry.
17:03Who is today?
17:04What is this?
17:05What are you doing?
17:06What are you doing now?
17:07Who are you doing now?
17:08Who are you doing now?
17:10What do you mean?
17:10No, I mean we live in the characters.
17:13Okay.
17:13I was very surprised.
17:15I said today you've not picked up the villain.
17:17The villain's character is not going to happen.
17:20Why?
17:20Sir, if you're in a villain character,
17:22then you'll be able to catch me.
17:27To accept you is a little bit difficult,
17:29but I am more beautiful.
17:31Yes!
17:33What do you want to eat in this movie?
17:40Who are you talking about?
17:42Who are you talking about?
17:42Who are you talking about?
17:49I am more beautiful.
17:51I am more beautiful.
17:52I am more beautiful.
17:52I am more beautiful.
17:53You are beautiful!
17:55Oh, oh, oh!
18:02Look, if you've talked about more about us,
18:06we'll write your number in Jens's bathroom,
18:08and we'll write you on the phone.
18:11There will be a call for you,
18:13and you'll find out who you've got.
18:16You'll find out who you've got.
18:17You understand?
18:18We're not doing the first time.
18:20Yes.
18:20We've written the number of Jenduji.
18:22Yes.
18:24It was written in the name of Sonam.
18:25How many calls?
18:26How many calls?
18:27How many calls?
18:27For six years now.
18:29For 20 years now.
18:29I am more human at work.
18:35This is the question of the story.
18:36And whoever we've talked about in our work,
18:38we've come for a security check.
18:40Yes, security.
18:41So, first of all, Jai Deeb Ji will spit in.
18:44You spit?
18:45What do you mean?
18:46What is what is the fear?
18:46What is it saying?
18:48What is the fear?
18:48What is the fear?
18:48What is the fear of our footage?
18:49We've seen the footage.
18:51and these people are doing the footage.
18:52Where does the footage?
18:53There's a 30 minutes on Netflix.
18:55on Netflix.
18:56Yes.
18:58And so good man, Saif Ali Khan,
19:01everyone has a great pleasure.
19:02Wow.
19:03That's why he was killed for half an hour.
19:07That's the film.
19:08Jewel Thief.
19:09What?
19:10So, it's not our fault.
19:13What is necessary to do so natural acting?
19:16We don't know how we are acting.
19:19I'm not acting.
19:21Oh, okay.
19:22You guys are acting very good.
19:24My prior to acting was a question for you guys.
19:27Related to me,
19:28sir…
19:31This,
19:32this animal is in the breast.
19:33Oh, God.
19:34This is in the breast.
19:35Okay?
19:36This animal is in the breast.
19:41This animal is in the breast.
19:42This animal is in the breast.
19:43This animal is in the breast.
19:44Which animal?
19:44I am not.
19:45I am not.
19:51Which part of the body do I live in the body?
19:56The person who lives here can't show.
20:00I can't show, I can't show.
20:03No, I can't show.
20:05Where do I live in the body?
20:07He lives in the heart.
20:09He lives in the heart.
20:10He can't show.
20:12Let's go, the person who lives here is happy.
20:15You both are very happy.
20:17What are you doing here?
20:18We are actually coming to check in sir.
20:21Yes.
20:22So, who do you want to start?
20:23First of all, Jiju checking.
20:25Jiju?
20:27Yes, you are.
20:29Give me one second check in.
20:37You know me.
20:39Come, Jiju.
20:43Jiju, go.
20:45Take a little.
20:46Take a little.
20:59Hey Mona, what is this checking?
21:02I was checking their relationship status.
21:04Oh.
21:04Okay.
21:05Yes.
21:06As long as they put my head, they feel single.
21:13Oh, man.
21:14Single.
21:17Do you want to check-in?
21:19Who's?
21:20Malvarma, sorry, Vijayvarma.
21:24Come on.
21:26Come on.
21:26Come on.
21:27Come on.
21:28Come on.
21:34You know, sometimes you go to a foreign country,
21:36and you go to a airport,
21:38Sometimes you go to a foreign country,
21:38and you go to a river.
21:40Sometimes we will pass.
21:42Now, the guy who came to the village,
21:44the village of the village of the village.
21:49I'm telling you,
21:50and he was in the village of the village.
21:52I told him how to leave the village of the village.
21:54I couldn't tell you.
21:58It happens.
22:00It happens.
22:00It happens here.
22:01That's the day Anup Jalota.
22:02He's thrown out.
22:04That's right.
22:05opinion?
22:07How did he get out?
22:11Love.
22:12Him?
22:13And I even, I have been sent to them all along.
22:17In the village of the village of the village.
22:19That's not his idea that even Today we had,
22:27and I have done a DDBlack Knee for the village of the village.
22:29All of these,
22:29I have done some artifacts from here.
22:34yes
22:35for jadeep ji
22:36kya dance karte
22:38yes
22:39oh yeah
22:39oh
22:41oh
22:42oh
22:42oh
22:42oh
22:43oh
22:43oh
22:43oh
22:43oh
22:43I mean, I mean, if I see so much,
22:45then I see in the Nourafatai.
22:47In the dance, you also passed the Ritik Roshan.
22:51No, I failed.
22:53Look, the fact is different.
22:54Let's see.
22:59Let's see.
23:02Moves, moves.
23:39Let's see.
23:52How did you do this?
23:55What happened?
23:56Yes, it was a great opportunity.
24:06When did you learn all this?
24:08My brother, he was on the time of the youth festival.
24:10What?
24:11It's amazing.
24:12What is it?
24:12It's a lot of rhythm.
24:16Jadip and Vijay are from FTII.
24:19Jitu and Prateek are both engineers.
24:22He did an engineering man.
24:23He came in acting.
24:24If he doesn't become an actor, he doesn't say anything.
24:26He is an engineer.
24:28You are from FTII.
24:30If you don't become an actor,
24:32you can live in the first place.
24:34Correct.
24:35If you go back to the house,
24:36you will meet the children.
24:41If you don't become an actor,
24:44you have a back-up plan?
24:46No.
24:47In FTII, my brother told me,
24:49he has to think about what to do.
24:51In FTII,
24:52he has to think about what to do.
24:52In FTII,
24:52he has to think about what to do.
24:52he has to know that he will become an actor.
24:54But it doesn't happen in my life.
24:55If I have my father's face,
24:56then I will not say that?
24:57No.
24:59Tell him.
25:02In our batch,
25:03there were four engineers.
25:03but he is also an engineer.
25:06He has to think about how to become an actor.
25:07Okay.
25:08So, Vijay,
25:08you both met FTII, right?
25:10Yes.
25:11We met in the workshop,
25:12before the selection.
25:13Okay.
25:14I saw a long hair,
25:16so long hair,
25:18so long hair,
25:18and a good dance.
25:19Okay.
25:20I thought this would be in English,
25:22but I opened my mouth.
25:23Yes.
25:25I did not say a lot,
25:31I did not say a lot.
25:31I did not say a lot.
25:33I came to .
25:36In the process,
25:37I did not say a lot.
25:41I want to say a lot.
25:43But then the last thing came up.
25:45I knew it was a huge challenge.
25:48It was just a lot of shit.
25:49I knew it was also a lot.
25:49You were,
25:50You are the only people who wereans who wereans.
25:53You were trying to do it.
25:53The most people who wereans who wereans who wereans who wereans who wereans who areans.
25:53you go to the boys hostel in the mess,
25:55all of you take your bags.
25:56Ghee?
25:57Yes, of course.
25:58Of course.
26:00Of course.
26:00I was studying in L.S.R.
26:02He was also in the boys hostel.
26:04This is a little bit of a body.
26:06What do you say?
26:09He was also in the boys hostel.
26:11How do you know?
26:14But I was in the girls hostel.
26:17Only the people don't drink.
26:18We can also drink.
26:19No, no, we don't have any trouble on you.
26:24If you tell them,
26:26Kaule,
26:27this is a big deal of blood.
26:31It's a strong force.
26:33It's a strong force.
26:35When you become an actor,
26:37it's okay.
26:37You will take a blessing.
26:39Sometimes you have to do weird work.
26:42I started doing a jagran
26:43and I was with a singer.
26:45I asked if someone will see a jagran.
26:48I went to a jagran.
26:50I was also a main singer.
26:51You are standing there.
26:52You have to put the microphone.
26:544 people would now kill me.
26:55And the sound used.
26:57I joined my classmate at the time.
27:00I was trying to remove my office from behind.
27:04I was looking to remove my husband behind me.
27:04But where do you give that?
27:06She will take me.
27:07I'm a great person.
27:09You have done some kinds of work earlier?
27:11They did a lot of interesting work.
27:13I had a lot of comparing in the children's parties.
27:15To play games, dance, gifts,
27:20then I took a rotary water jet machine,
27:24a submersible pump,
27:26and in Parla East,
27:28and in West,
27:2813 society's water tank cleaning contract.
27:32Oh, wow!
27:33Generally, they do it manually.
27:35We take three machines,
27:36and train them to four people.
27:36I trained them for the raincoat,
27:39which is the raincoat,
27:41and made a uniform.
27:43It happened twice that the person didn't come.
27:47Now the phone is not holding.
27:48So I'm going to go.
27:50Lovely!
27:51But this is a big example.
27:54The people who work hard,
27:57are the ones who are willing to do.
27:59What the truth!
28:27Yes!
28:30It's strong.
28:31Yes, it is feel it.
28:33The people who are willing to do this birthday,
28:34and the normal般.
28:34It's not going to work hard.
28:36Still strongly,
28:36No. 3 Orchestra Chak Chak Dhum Orchestra!
28:43I am the proprietor Diamond Raja. I want to sing two liners in today's internet.
28:51BB or TV, both get the click.
28:55BB or TV, both get the click. We are on Netflix!
29:09The main item of this evening, we will do the entry of the hero.
29:13Hero!
29:23First of all, the first of all, the first of all, Vijay Varma.
29:31Where are the two?
29:33The first of all, the first of all.
29:37Hey!
29:40Hello!
29:47What is the talent?
29:52Why won't you win?
29:56Why won't you win?
30:01A big poster!
30:03I am a little hero!
30:05Where do you feel your hero?
30:07You look at the height of your brother's brother, and you look at it.
30:10It's the same.
30:11Look at this.
30:16This is your own deep.
30:19Where are you from?
30:21I am a little girl.
30:22I have told you to do this.
30:26You have to do this.
30:26You have to do this.
30:27There is no difference.
30:28In the show business, it goes down slightly.
30:31It goes down slightly.
30:31It's okay. Let's go. Let's go.
30:35No matter what the matter is.
30:36Let's go. Let's go.
30:38Let's go.
30:49Let's go.
30:50People say, no.
30:52No.
30:53No.
30:53Let's go.
30:54Let's go.
30:54Let's go.
30:55Let's go.
31:14Let's go.
31:16Let's go.
31:17Let's go.
31:18Let's go.
31:19Let's go.
31:21No.
31:21I've got a card.
31:26I've got a card.
31:28I've got a card.
31:29It's our printing press.
31:32Diamond Raja Printing Service.
31:34I was given to you a casting and coaching classes.
31:41What name is this?
31:42This card is called Diamond Raja M.A.A.A.A.A.A.A.A.A.A.A.A.A
31:51.A.A.A.A.A.A.A.A.A.A.
32:01A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A
32:05.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A
32:10.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A
32:12.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A
32:22.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A.A
32:24.A.A.A.A.A.A.A.A.A.A.A.A
32:25I don't want to say anything.
32:27It's my thoughts.
32:29My thoughts are about the place and the place.
32:34What is it?
32:35I remember two lines of it.
32:38There is a place on the ground.
32:44There is a place on the ground.
32:48There is a place on the ground.
32:50There is a place on the ground.
32:51There is a place on the ground.
32:54Wow.
32:56What a joke.
32:57One more time.
33:00What were you studying here?
33:03What was it?
33:05So now, share it again.
33:07Why don't you listen to me?
33:09I forgot to listen to me.
33:10Why don't you listen to me?
33:11Share it again.
33:14Tell the first line.
33:14Tell the first line.
33:18He was sitting down.
33:19He was sitting down.
33:21I heard how many people listen to me.
33:24The floor is down.
33:25Tell the next one.
33:27There's a place on the ground.
33:28There's a place on the ground.
33:31There's a place on the ground.
33:32There's a place on the ground.
33:36People came from a city.
33:38It was a city of Maharashtra.
33:40It was a city of Maharashtra.
33:42Latour.
33:43Latour.
33:45The floor is down.
33:46The ground is above.
33:47There's a place in Mumbai.
33:49Now, tell the floor.
33:51You're reading it.
33:52What are you reading?
33:53Who is writing it?
33:54I'm reading it.
33:55I'm reading it.
33:56Who is writing it?
33:57Who is writing it?
33:57Who is writing it?
33:58Who is writing it?
33:59Who is writing it?
34:00You're writing it.
34:02You're writing it.
34:02I'm reading it in the top of your head.
34:04I feel like it's written in Chinese.
34:07You have written all the spelling.
34:12Why are you playing it on the top of the chopstick?
34:14For which work I'm coming, I'll tell you.
34:17I'll tell you for acting.
34:18I'll tell you for teaching.
34:18They come to acting.
34:20Why will you teach them?
34:21This is ego.
34:24That comes to me.
34:26When you say this,
34:27that comes to me,
34:27then the person will do something about it.
34:29Yes.
34:30Do you come to or do you?
34:32Lerner.
34:33Say, is there a learner or a learner?
34:35Lerner.
34:35Lerner.
34:36Say, is there a learner?
34:37Lerner.
34:38He is a learner.
34:39Say, is there a learner?
34:40Lerner.
34:41Lerner.
34:42Lerner.
34:42Lerner.
34:43Lerner.
34:43If Sharnama wants to learn anything,
34:48then don't learn anything.
34:49Don't be in their growth.
34:52I will not show you normal acting.
34:54Which way?
34:56Not romantic,
34:58not action,
34:59Not serious, I don't want to show this acting.
35:03This is DHAKOSLA.
35:04Oh!
35:06Original.
35:06You will know that DHAKOSLA is very famous.
35:09DHAKOSLA is not famous.
35:11It's famous.
35:12DHAKOSLA is very famous.
35:14You always get the wrong thing.
35:16Just listen to it.
35:18When you don't leave negativity, you won't be famous.
35:24If you want to make a show,
35:28don't leave positivity.
35:34First of all, I will tell you what is humble acting.
35:37Humble?
35:37Humble acting.
35:38Humble acting.
35:39Humble acting.
35:40Humble acting,
35:41I work in interviews.
35:43You know,
35:45I want to show you humble.
35:46How does this happen?
35:47Humble acting,
35:48there is a little thought and a choreo.
35:52The thought is that
35:53you have to think that
35:54I want to make the front of you.
36:17One, two, three, four.
36:20One, two, three, and four.
36:25One, two, three, four. One, two, three, four.
36:30Now I have to count on my mind, I don't have to say anything.
36:32Now I have to give up my attention.
36:34And I know that it's a choreo.
36:36You are Kamal's actor.
36:40He's doing it!
36:45People get down to the heart of this humble act.
36:48The second is Paparazzi acting.
36:49Yes.
36:50He's got five bucks in two days.
36:54What's that?
36:55Look, he's so famous.
36:57I'll tell you, it's very good.
36:59I'll tell you about this.
37:03It's also our business.
37:06Diamond Raja footwear.
37:09What's your shoe size?
37:10Ten.
37:11How many numbers do you eat?
37:14We wear our footwear.
37:16Shashi!
37:18Ten and a half spots.
37:20Black and brown man.
37:22Oh, man.
37:31Shashi, where are you?
37:32I don't know.
37:34You're telling Paparazzi acting.
37:35You're telling Paparazzi acting.
37:35You're telling me.
37:36Oh, sorry, Paparazzi acting.
37:38In acting, there are three things.
37:41You're telling the first thing,
37:44Are you here too?
37:49Very good!
37:51Number two is yellow.
37:54Yellow.
37:54Number three is a circle of fame.
37:57One, two, and a half.
38:00Let me explain.
38:03First, let's see.
38:04First, let's see.
38:04Let's see.
38:13Sir, please.
38:14Sir, one photo.
38:15You're here too.
38:18One minute, sir.
38:20Sir, one minute, sir.
38:31Sir, look here, sir.
38:32Sir, one photo, sir.
38:33Sir, one photo, sir.
38:34Sir, one photo, sir.
38:39Sir, one photo, please.
38:42Sir, one photo, sir.
38:45Sir, one photo, sir.
38:48Why are you doing this?
38:51Nice.
38:51You're thinking that I'm a strict acting coach.
38:55No, we don't think that I'm an acting coach.
38:59Normally, Vijay, people tell me that I'm strict,
39:03but otherwise, I'm an emotional person.
39:05Oh, oh, a desire.
39:08I was struggling with my family in Ramnagar.
39:12When I was watching Roll Walls,
39:15I had written a song in the audition.
39:20Do you want to listen?
39:26I didn't have a mistake.
39:27I didn't have a mistake.
39:28I didn't have a happy birthday.
39:29I didn't have a happy birthday.
39:31It's an emotional song close to my heart.
39:34Oh, oh, oh.
39:36Mark, do.
39:37Singing mic.
39:38Singing mic.
39:44Oh, oh, oh.
39:47This is my...
39:49Oh, oh, oh.
39:51Rockstar here, rockstar.
39:53My, my, my, my, my, my, my, my, my.
39:58This is my left profile.
40:00This is my right profile.
40:02I do swimming also.
40:05I know horse riding also.
40:08I'm open to a sea.
40:12This is my left profile.
40:14This is my right profile.
40:16I do swimming also.
40:19I know horse riding also.
40:21Open to a sea.
40:25This is my left profile.
40:27This is my left profile.
40:28This is my right profile.
40:30This is my right profile.
40:30I do swimming also.
40:32I know horse riding also.
40:34Open to a sea.
40:37Guys, you want to join me?
40:39I hope you know the choreography.
40:42Come on, guys.
40:43Let's do it.
40:46And let's do the audition song.
40:48haaaaaaaaaw.
40:49This is my left profile.
40:51This is...
40:52Jade, champion!
40:54Let's go!
40:55This is my left profile.
40:58This is my right profile.
41:00Come on!
41:01I do swimming also.
41:03I know horse riding also.
41:05Open to a sea.
41:09This is my left profile.
41:11This is my right profile.
41:14I do swimming also.
41:16I know horse riding also.
41:18Oh, thank you, thank you guys.
41:24Thank you so much.
41:27OK, off from the point, seems...
41:30...Ajki Sam, Sapakar, Good Night, Shah...
41:33...Bilamala Godi Hai.
41:36Chak, chak, doobar, chastra.
41:39Chak, chak, chak.
41:40Chak, chak, chak.
41:41Oh.
41:43Oh.
41:46You know Pratik's wife, Aminie?
41:48They are also doing theatre.
41:51What do you think about Pratik?
41:52Mya and Bibi is the same profession.
41:53Their benefits are the same.
41:55Like you are doing something with a handbag.
41:56You have never seen anything in front of me.
41:59It's not that?
42:01But their benefits and benefits are both.
42:03The benefits are the same.
42:04The first sentence is that at a time of the time of the time of the time of the time.
42:08All of this is to say in the stage.
42:10If you fumble in the time of the time of the time of the time of the time,
42:13then the man says,
42:14but then again.
42:17First we need clarity.
42:19Did you meet with Bhabi in FTA?
42:21No, I met him in Haryana.
42:23You're not as to FTA.
42:26No, he is a junior.
42:28We knew that Bhabi has come.
42:30I'm a teacher kid.
42:31I'm just a good plan.
42:34When youired Bhabi was promised,
42:37did you believe that you were acting?
42:40Do you think that you have to propose a person?
42:44I think it's like a ghee-ka-pipa.
42:47And the ghee-ka-pipa is like ghee-ka.
42:49This is for you.
42:51The ghee-ka-pipa is about the ghee-ka-pipa.
42:53I will not give the ghee-ka-pipa.
42:54You can tell the rest of the ghee-ka-pipa.
42:58Jitu and Vijay, you both are single.
43:01So, in Jeevan Saati,
43:03only this field you are looking for a girl from,
43:06or anyone can give your application from any field?
43:09I mean, you can get the engineer from any field.
43:13His marriage bureau is also that way.
43:15This is for 200 rupees and this is for 200 rupees.
43:19Yes, it's for you too, right?
43:22I have given you a kambal.
43:24Surely.
43:26In Jitu's college,
43:27I will tell you about their history.
43:28In their college, 1,000 girls were taught
43:30and there were 70 girls.
43:33You understood that girls
43:35didn't come back to the engineer.
43:36They didn't come back to the senior.
43:39What did they do?
43:41They proposed their own senior.
43:43There were 70 girls in this circle
43:45who did the senior.
43:45If you were 50,
43:46they would do the principal.
43:58I think that they were very lucky.
44:03because he has convinced him.
44:04Now you will see him sitting in the house.
44:12Friends, we told you that every fan will grow our family
44:16and we will give a chance to perform a super fan here.
44:19So, if we are a super fan today,
44:21we will have a great talent.
44:38I want to do that.
44:40I want to do it.
44:41I want to do it.
44:41The one who is the one who is painting by the jeep.
44:45Is it a fan?
44:50Who is a fan?
44:51How is a fan?
44:52I am a super fan of this show.
44:56Who is everyone?
44:57Who is everyone?
44:58Go down, go down, go down.
45:00Everyone knows who you are.
45:02When everyone knows who I am,
45:04why am I so late at the show?
45:06No, no, no,
45:08you didn't call me today.
45:12I'll tell you frankly.
45:14Sidhu Paji came,
45:15a little budget issue.
45:18Sidhu Paji and my budget.
45:23Have you ever heard, Paji?
45:24Paji, you have told me that
45:25you have come in a badaam.
45:28Paji, look, there are so many big stars.
45:30And I'm also, you know,
45:32OTT star. Yes?
45:34Shraka.
45:36Yes, sir.
45:38My favorite, Atan Khaadish.
45:39Look, I've done IC 814 with them.
45:44Paji, you're doing their interview,
45:45so I'll do it too.
45:47I'll ask four questions.
45:48Where are you going to go?
45:50you're going to get the news.
45:52I can ask you these things in the car.
45:56These are the same things.
45:59Be professional, man.
46:01I don't have any kind of work, brother.
46:04This is a wrong thing.
46:05You're doing it for a while.
46:06You're doing it for a while.
46:06You're doing it for a while.
46:12You're doing it for a while.
46:19I'm doing it for a while.
46:20What's he doing?
46:22What's he doing?
46:23What's he doing?
46:24I'm doing it for a while.
46:28What's he doing?
46:31Oh, man.
46:38What's he doing?
46:41Oh, man.
46:43Oh.
46:44Man, you are an artist.
46:48Oh boy.
46:49Oh, man.
46:53What did you do? He made Salman Khan. What did you do?
46:57I made coffee.
46:58Coffee?
47:01Where did you feel like this?
47:03This is when you didn't have money.
47:07Let me show you a smile.
47:11Why?
47:17Tell me.
47:19Are you keeping your work or not?
47:21I'm keeping your work.
47:22I pay your work for you.
47:22Because you're seeing a rain that I'm keeping the rain.
47:23And they dont run without rain.
47:25Stalk with the rain.
47:27You take them down and they'll take their fingers.
47:28What?
47:34I'm a artist.
47:35I'm a artist.
47:35I am a artist.
47:36You don't love animal to have it.
47:39You don't have to sing along the tune or sing it
47:40and write lyrics on the tune.
47:44You know what?
47:44You're the artist.
47:45I always sing a song.
47:48Listen to Siddhu, brother.
47:49I'm doing this,
47:51and I'm glad I got it.
47:52I gave him a claim to him.
47:55My artist will die, right?
48:00Brother, I...
48:01Ask them.
48:02I'm a method actor.
48:03When I was a terrorist,
48:05I became a terrorist.
48:06I'm a method acting.
48:07I'm doing that work.
48:08It doesn't happen to be in the courtroom.
48:10They teach them to flip them,
48:12so that they can't stand themselves.
48:13You'll do it?
48:14I'm doing my work, but I don't do it.
48:20I'm doing my work.
48:21I'm doing my work.
48:23I'm doing my work.
48:23In the film city,
48:23there are many people.
48:25You want to see all the people.
48:26Whatever they see,
48:27the jawline.
48:28They're going to give you Netflix.
48:30Can I tell you?
48:32This is something.
48:33People will see the people on Netflix.
48:38People have seen you or haven't seen them?
48:41If you can see them,
48:42then what's the problem in the world?
48:46I'm doing my work.
48:47Just brush it.
48:48It won't come out.
48:53Friends, today,
48:59there are such a super fan
49:01who are all of the world's fans.
49:04Wow.
49:05He's a wonderful songwriter,
49:06powerful rapper,
49:07soulful singer,
49:08and electrifying dancer.
49:09He's also a businessman.
49:10He's also a businessman.
49:11So, please welcome international sensation,
49:14Jackson Wang.
49:15He's a great guy.
49:17What's up, my baby?
49:19Shut up.
49:20Just gotta be a love, sometimes.
49:23You only live once.
49:25Just gotta be a love.
49:26What's good? What's good?
49:28Now go by the name of Jackson Wang.
49:30Just gotta be a love, sometimes.
49:33You only live once.
49:35Please stand up.
49:36Gotta be a love, sometimes.
49:38For me, one for the love, second to the trust.
49:41Three to the principal, and that is us.
49:43Hey, you're counting facts, but they don't line up.
49:46Face like a fever without a clean hug.
49:48Turn this, turn that for love as a favor.
49:51It never ain't enough,
49:52cause they got used to the flavor.
49:54The puzzle came with many layers,
49:55too many players.
49:56When it goes down,
49:57they still want you to be the savior.
49:59Became the pick and roll from the getaway.
50:02Fancy rule with the fadeaway.
50:03Uh, they're reaching way and the ref looks away.
50:07Gotta keep myself from tapping my okay.
50:09I still believe and trust over a thousand.
50:12I'm gonna fuck your corn with yeses on both sides.
50:14Insane when they still blame me.
50:16Cause I'm flying, I guess that's why we gotta be.
50:18So, so, so.
50:19Your hands in the air.
50:22Welcome, Jackson.
50:23Lorda Taliyah Jackson ke liye.
50:26Welcome.
50:30Nice to meet you, too.
50:32Uh, namaste.
50:33Namaste.
50:36Jackson, it's a pleasure to have you on our show.
50:38No, thank you, thank you.
50:39Do you know Hindi?
50:42Thoda, thoda.
50:43Thodi both?
50:44Uh, namaste.
50:45Uh, shukriya, shukriya.
50:48I have a translator here.
50:53Siddhu ji and his brother, Arshana ji.
50:56Oh, English.
50:58Oh, no, she's a lady.
51:01Guys, let me tell you one thing.
51:04We are with you.
51:09First of all, sorry for my bad English.
51:13It's almost in last stage.
51:15It's fine.
51:19This is Jackson's second visit to India.
51:22Last time, he was seen riding a chariot.
51:27With an Indian actress, Disha Patani.
51:31So, you guys are friends or Patani?
51:33Friends.
51:34Just friends?
51:35Only friends.
51:36Indian girls are crazy for your songs.
51:38Never.
51:40Why are you saying like that?
51:41Because I'm, uh, second time coming to, uh, India.
51:44Okay.
51:45And this, this trip, I went to, uh, three clubs.
51:48And what happened there?
51:48Nobody look at me.
51:49Why?
51:51Nobody.
51:52Maybe there was a dark inside the club?
51:53No, I'm pretty, I'm pretty white.
51:54There was a dark inside the club.
51:55People can see me.
51:57I walk, they look through me.
52:01Every time in India, when people know me, my community,
52:05they always come for, ask for autograph.
52:08Yeah.
52:09But always for their friend.
52:11Never, never for them.
52:12For them.
52:13Yeah.
52:13So, maybe it's my last visit in India.
52:16No, bro.
52:17You, you.
52:17Yeah.
52:17Oh my God.
52:18I'm so sad.
52:19Okay.
52:19How many girls are there in the audience who love Jackson?
52:23Raise your hand.
52:23See, Jackson.
52:25Very good actor.
52:26Mr. Jackson.
52:27Very good actor.
52:27Mr. Jackson, if you understand this.
52:29Yeah.
52:30They will understand this.
52:31Mehmaan jo hoara hota hai,
52:32ho chaan se piara hota hai, Guru.
52:35It means.
52:37It means she will translate.
52:42He said a guest in India is so close to our heart that he's even closer than our loved ones.
52:49So, you're a guest and we treat guests like God all.
53:00Shukra.
53:01Shukriya.
53:02Shukriya.
53:04Shukriya.
53:04Jackson, can we have a nice song in your voice so we can all dance?
53:08Can I teach you one step first?
53:10Yeah, please.
53:15Hey, you keep drinking water, there's no water in the cup anymore.
53:23Okay, please come.
53:25So, so this is three steps, three step.
53:29One, two, three, stop.
53:32One, two, three, stop.
53:34One, two, three, stop.
53:37You got it?
53:41You got it?
53:41Yes, got it.
53:43Two, three, four, one, two, three, four, one.
53:48Yeah!
53:49Hey, where are you going?
53:53My, yeah, yeah, yeah, yeah, yeah, yeah.
53:57Bad little thing, make it ruckus.
54:00Smiling when she turned around and bust it.
54:02Yes, it's a new step, it's a new step.
54:04You got it?
54:05Yeah!
54:06Yeah!
54:07This way!
54:07Hey!
54:08Hey!
54:09Yeah!
54:11Five, six, seven, go.
54:13One, two, three, four.
54:17Amazing.
54:19Oh, DJ.
54:19I'm trying to talk again, lost in a good place in your days.
54:23Yeah!
54:26Come on, Sammy.
54:28Five, six, seven, eight, go.
54:32Amazing.
54:34Amazing, guys, thank you.
54:37Now, Jackson, thank you so much for teaching us your step.
54:42Excellent.
54:42Now, Mr. Prateek, he will teach you a Indian step, which is called Garba.
54:47Yeah.
54:47Yes.
54:48Yes.
54:54Yes!
54:55Yes!
55:00Yes!
55:01Yes!
55:02Yes!
55:02Yes!
55:03Yes!
55:06The same step, now we will do, after four pack down.
55:10Come on!
55:22Come on!
55:25Come on!
55:26Come on!
55:29Come on!
55:36Jackson, you are a rock star, no?
55:39Come on!
55:39Jackson, you are a rock star, no?
55:40Hey, you are a rock star, you are a rock star.
55:43You are a rock star, no?
55:43Okay, now, Baji's show is a rock star.
55:47Baji, action!
55:50Come on!
55:53Come on!
55:55Hey!
55:58Hey!
55:59Hey!
56:00Hey!
56:01Hey!
56:18Guys, please give me a big round of applause.
56:21Come on!
56:21Come on!
56:24You are a rock star, bro!
56:26Superb!
56:29Jackson, bro, thank you so much for coming.
56:31Really pleasure to have you on our show.
56:33And yes, we want you to come again and again to India.
56:36Thank you, guys!
56:38Thank you!
56:38Thank you, Jackson!
56:41Thank you, girls!
56:45Thank you, guys!
56:49Come on!
56:50Come on, Baji!
56:50Come on, Baji!
56:51Pratik!
56:51You're welcome!
56:54Thank you, sir!
56:55inspiring stories. Thank you so much once again for coming.
57:01And, friends, today we will see you with some new guests.
57:06The Great Indian Company Show.
57:08Every funny one will grow our lives only on Netflix.
57:11Good night, sweet drink.
57:18Please welcome Mr. Ajay Devgan, Mr. Ravi Kishan,
57:21and Murunai Thakul.
57:23It's our third season.
57:25Ajay Sir, you're the first time.
57:26I'm waiting for this.
57:27When it comes to this, then I'll come back.
57:30We've never seen so long, Kapil Sharma.
57:33Who is the good packer?
57:36After the years, the whole world will see them.
57:40I didn't give a mic to him.
57:43You've put it in his mouth.
57:46Ajay Sir, you're comedy in your films.
57:48The show is comedy.
57:49You're going to be serious.
57:51Why do you get into this?
57:52Ganga Ram Ji says,
57:53When I film, I'll check my name.
57:56When I'm here, I'll check your name.
57:57When I'm here, I'll check your name.
57:59The film is shooting and it's going on the mountain.
58:01Sanjabiya.
58:01He's an actor.
58:02He said that the actors are talking about the song.
58:04No, but the good work they can do.
58:06Shariyam.
58:1025 years ago, the Serdar release is released.
58:1225 years ago, the Serdar release is released.
58:14You're going to mimicry.
58:19Papa.
58:21He's wearing.
58:22He's wearing.
58:23He's wearing.
58:24He's wearing.
58:25He's wearing a girl's character.
58:28We went to the restaurant in the night.
58:30We didn't change the clothes.
58:31He was wearing a dress.
58:32He was wearing a washroom.
58:33He was wearing a girl's costume.
58:34He was wearing a man.
58:35He was wearing a man.
58:36He was laughing.
58:36He was wearing a man.
59:24He was wearing a man.
59:25So ?
59:27I was wearing so little pants.
59:28Because you're wearing this dress.
59:28Let's video-type check.
59:29It's a little set of time.
59:30There was only Monte Sahaja.
59:34I saw breakfast.
59:36queenie Fredasana.
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