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Short filmTranscript
00:01Hey son, I'm looking forward
00:05You're aiming backwards
00:08Of course I'm sure
00:10Have you had enough?
00:13Are you feeling rough?
00:15Got your skull hard
00:17Well if it's war
00:23I'm waiting
00:27Right here now, I'm waiting
00:29For so long
00:32For something
00:34To take me, to take me over
00:38Days, days I've forgotten
00:46Now it's all over
00:50To be forgotten
00:54How to disappear
01:04It's not your fault Sherlock
01:06It's not your fault Sherlock
01:25It's not your fault
01:34Find me Sherlock
01:36Find me
01:39One's for sorrow
01:42Two's for joy
01:44Can you hear me?
01:46Can you hear me?
01:48Days for a girl
01:49And falls for a boy
01:56Five's for silver
01:58Six for gold
02:03That's right
02:03No, no, no, no, no, no, no, no, no, no, no, no, no
02:06Wait
02:06Wait, I'm not sure I'm married.
02:09I'm married.
02:10That's right!
02:12That's right!
02:14That's right!
02:15Shut up!
02:17Shut up!
02:24You're all right.
02:26I got you.
02:27Come here now, I'm getting shot, eh?
02:29That was a terribly stupid thing to do.
02:32Here, let's get you up. No, no, no.
02:35She tried to shoot my father.
02:37And we have to stop her.
02:38I'm not leaving you, don't you?
02:39Shut up!
02:41Oh, he's bleeding.
02:43I think that has something to do with the bullet in his abdomen.
02:45I'm sorry to be a burden, brother dear.
02:47No burden, brother dear.
02:48Wait, wait, wait.
02:50If she gets to my father, we may never find Beatrice.
02:53Go. You have him.
02:54Go, James, go!
02:56Now, if you listen to me, we are going to get fixed up.
02:59Are you crying?
03:00No.
03:02Why not?
03:04One, two, three.
03:05Up you!
03:09He's been shot.
03:11Oh, my poor boy!
03:13We have to find a hospital.
03:15A dash of opium would be greatly appreciated.
03:27This way.
03:28Why? How do you know?
03:29There's only one hospital still open.
03:31Sadly, it's where the gunfire's coming from.
03:33And we can't find a hospital.
03:40Now, let's go.
03:45Come on!
03:47How do you know?
03:50Oh!
03:54Oh!
03:55Oh!
03:55Oh!
03:57Oh!
03:58Oh!
03:59Oh!
03:59Oh!
04:06What are you doing?
04:07Give me that.
04:08I'm stopping you from shooting that man.
04:10Why?
04:10Because that's Sherlock's father.
04:14That's his father.
04:15I didn't know.
04:16Easy, easy.
04:21I'll be taking that.
04:23Thank you kindly.
04:28Up we go.
04:29Over the top.
04:33Right in the back.
04:34Where are we going?
04:35I'm afraid we're going to have to go the long way around, Bella.
04:38All aboard.
04:39Off we go.
04:41You may be in my way, James.
04:43But I have no wish to see you dead.
04:45Am I the fair for one, huh?
04:47Because you shot Sherlock.
04:49Not intentional.
04:50Oh, right.
04:50It wasn't intentional.
04:51I suppose that makes it okay, then.
04:53I'll be sure to tell him.
04:56How is he?
04:57He's alive.
04:58You'll be glad to hear.
05:01His brother's looking after him.
05:04Is Sherlock looking for his father?
05:05Yes.
05:07Where are you going?
05:08To find Sherlock.
05:09He's looking for Silas.
05:10I'm looking for Silas.
05:12And Sherlock has a rather stubborn habit of finding people.
05:14There's only one hospital still open in Paris.
05:17That's where my craft will take him.
05:20Come in.
05:21He's going to be beside him.
05:22He's going to be beside you!
05:24Come in!
05:39Come in!
05:40Come in!
05:40Don't do it.
05:50You had no choice.
05:52There'll be more of them.
05:54We need to go.
06:02James! We need to go!
06:29Let's go.
06:37Right now.
06:41Right, hand on the wound.
06:45Monsieur.
06:46Monsieur.
06:47Doctor.
06:49Je vous en prie.
06:50On a tiré sur mon fils.
06:51Regardez autour de vous, madame.
06:53Tout pareil est blessé par mal.
06:54Oui, oui, mais je vous en supplie.
06:57Oh, come on.
06:57Who's gonna make my life bloody impossible to get around here?
07:01Et moi?
07:02Si vous ne le soignez pas.
07:05Oui.
07:06C'est de l'or? C'est de l'or?
07:08Prenez-les.
07:09Pour la révolution, oui.
07:11Mais vous devez vous...
07:13Vous devez vous occuper immédiatement, par pitié.
07:17Monsieur, s'il vous plaît.
07:18Vite, vite.
07:19Monsieur, ici, ici.
07:20Laissez-moi voir.
07:23Infirmière.
07:25Préparez-vous pour une opération chirurgicale.
07:31Laissez-moi voir.
07:32Laissez-moi voir.
07:33Laissez-moi voir.
07:34Laissez-moi faire mon travail.
07:34Laissez-moi voir.
07:35Laissez-moi voir.
07:39Laissez-moi voir.
07:40He's...
07:41He's stubborn as a mule.
07:42Yes, he is.
07:43He'll be up and drowning us both mad in no time.
07:45You watch.
08:10I suppose no news is good news.
08:12Absolutely.
08:28Comment vas-tu?
08:30Euh...
08:31Bon...
08:32J'ai fait de mon mieux, mais...
08:34Ça doit se battre maintenant.
08:35Merci pour tout, Monsieur.
08:37Merci, Monsieur.
08:41Darling.
09:06Cook.
09:16Salut !
09:17Come on, Trylo.
09:18Fight.
09:36Mother.
09:41My darling boy.
09:42Sherlock.
09:44Oh, there he is, my little brother.
09:48Luckiest Englishman alive.
09:51Can I give you some water?
09:53Yes, please.
09:55Ah, he's too stubborn to die.
09:58James, where on earth have you been?
10:01Are you all right?
10:03Are you all right?
10:09I'm fine.
10:11James.
10:13I'm fine.
10:14I'm fine.
10:16You're still lazing about, I see.
10:19Up you get.
10:20What?
10:21There's work to be done.
10:22Oh, I'm only missing Mrs Holmes.
10:25It's good to see you.
10:30Did you?
10:32Stop her.
10:34I did.
10:38And I brought her here.
10:40Now don't piss your bedpan.
10:42She's unarmed.
10:48Hello, Sherlock.
10:50What on earth are you doing here?
10:52I need to speak with you.
10:53An inch to the left, my brother would be dead.
10:56I wasn't aiming at him.
10:57I was aiming at your father.
10:59Ah, well that is understandable.
11:01I've tried to shoot him twice myself and missed both times.
11:05James?
11:06Why is she here?
11:08Because I think you need to hear what she has to say.
11:14My name is Xiaowei.
11:17I come from the village of Tai'an and Gansu.
11:21High in the hills.
11:26This is the effect of what the scientists in Oxford were working on.
11:31What you saw in that tunnel.
11:33They first tested on my village.
11:38On my parents.
11:42There is a mineral deep beneath my people's lands.
11:45Professor Malik found a way to transform that mineral into a creeping death.
11:50And turn it into a weapon.
11:52The program was paid for by your government and run by Becephalus Hodge.
11:57But Professor Malik betrayed him.
11:59Sold it to the highest bidder.
12:02A private buyer.
12:04My father?
12:07Yes.
12:13I'm so profoundly sorry.
12:17It's not your pity I need, but your help.
12:20To ensure this can never happen again to anyone.
12:23Anywhere.
12:24You want to stop our father.
12:26And you want to find him.
12:28Yes.
12:29I propose we combine our talents.
12:31Double our chances of tracking him down.
12:33Yes.
12:35But on one condition.
12:38We have to find out where Beatrice is from Silas.
12:41So you cannot touch him until we have that information.
12:45And after that?
12:46Oh after that you can do whatever you like to him.
12:48And provided my sons don't have any objection of course.
12:52Given the circumstances I do not intend to stand in your way.
12:55I find it difficult to condemn him to death so readily.
13:01But if that's what it takes to find Beatrice.
13:04That's what it takes.
13:06He's still in Paris.
13:08Or at least the man who works for him is.
13:11His name is...
13:12Esad...
13:13Kashkali.
13:14At the demonstration the buyers were told to follow the usual channels at the two corners.
13:19For those of you who wish to place an order it's only fitting that we should meet at the famous
13:23two corners.
13:24Two corners.
13:27An intersection?
13:29Doesn't exactly narrow it down Sherlock.
13:41Matchboxes.
13:43What do you mean darling?
13:44On the table where father was sat they were matchboxes.
13:49With a design on the front of two corners.
13:54Is there any address in it?
13:59I wasn't close enough to get a good look.
14:02I can't be sure.
14:04Well, this is as good a place as I need to start.
14:08I'll get going.
14:11I'll go with him.
14:14Well I'll be delighted to have your company.
14:16I'll go with him.
14:21Hello.
14:23You could make you so rich.
14:29Yes, I can't wait.
14:40Snow dress.
14:42Excuse me.
14:45Have you found this place?
14:47No.
14:48No.
14:49Sorry, my shoe.
14:51It's impossible.
14:52Impossible is a word.
14:54Only found in the dictionary of fools.
14:58That's what Silas said.
15:01Why that quote maybe means something?
15:04Originally, who said it?
15:07Napoleon Bonaparte.
15:10Napoleon?
15:11Napoleon.
15:11Mm-hm.
15:21It's Napoleon's hat.
15:24Famous bicon.
15:25It has two corners.
15:27Like little leaf.
15:28What?
15:29The eagle and the olive on the outskirts of Paris.
15:32It's a restaurant where Napoleon supposedly left his hat behind him.
15:35It's only fitting that we should meet at the famous two corners where you can contact Mr. Eska Kashka.
15:44You have no idea.
15:49I fear that I may have unwittingly set this all in motion.
15:53Why do you say that?
15:54About a year ago, father asked me what I was working on.
15:58Yes.
15:59Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
16:04I didn't know any details at the time, but I told him that I was working for the government.
16:07It was secret.
16:10He obviously set about making his own inquiries.
16:13The only person who can be blamed for what has happened is your father.
16:18Oh, let's let Mycroft torture himself, mother.
16:22At least for a while.
16:27Righto.
16:29Where are you going?
16:30I need to get a message to London, warn them that father has the weapon.
16:35Another nail in the coffin of what remains of my career.
16:40Try not to die in my absence, would you?
16:44Reasonable request, mother.
16:46Thank you, darling.
16:50No sign of his head.
17:01You can ask me, you know.
17:03What you've been wanting to ask since you shot that soldier.
17:09You're not nearly as mysterious as you assume.
17:13Hmm.
17:18When you killed for the first time,
17:23how did you feel?
17:25A great weight on my chest, pressing harder every day so I can hardly breathe.
17:32And now I live with it.
17:38Strange.
17:42I don't feel any of that.
17:43Where are you?
18:03There you go.
18:05Okay.
18:06Good.
18:09Sorry.
18:11There you go.
18:13Good.
18:13at a brasserie called The Eagle and the Olive.
18:16Where he meets his potential customers.
18:18And tomorrow he is meeting a man called the Duke de Mont.
18:21Still no sign of silence?
18:23No, I'm afraid not, Mrs. Holmes.
18:26So we will need to lure him out of the shadows.
18:29But how, darling?
18:32By posing as customers.
18:37Please don't mind your stitches.
18:39I am all right.
18:45This is what we are going to do.
18:50Bonjour.
19:06Sorry, madame, it's occupied.
19:08I'm expecting something.
19:10Yes, oui.
19:11Madame Dormant.
19:13Mother will explain the Duke never attends meetings.
19:16That's his wife's duty.
19:17Enchantée.
19:18What if he recognizes you with him with Sunk?
19:25Meanwhile, the actual buyer will be redirected by The Eagle and Olive's newest waiter to me.
19:33Excusez-moi, monsieur.
19:34Le Duke de Mont.
19:36Cecile Fillemont.
19:37I'll give him the sales pitch.
19:39Then, the Duke will duly hand over his money,
19:42which James will deliver to my mother, allowing us to finance stage two of the operation.
19:54What is stage two of the operation?
19:57I'm so glad you asked.
19:59I have something for you.
20:01You will ask to meet the bigwig himself.
20:04Excuse me, my love.
20:08Unable to resist so intriguing an offer, Silas will then agree to meet with them a day.
20:14Well, then, a little bit of music to get in front.
20:16I don't know, something like...
20:17Talking about my generation.
20:23Keep moving.
20:24Yeah, it's not exactly that.
20:27I'll take my teeth off.
20:28Bonjour.
20:29And voilà.
20:31He'll tell us where Beatrice is.
20:33Yeah.
20:34That's it.
20:35What could possibly go wrong?
20:38The key to being successful confidence men...
20:40And women.
20:42The key to being successful confidence men and women is confidence.
20:50I love the eye patch.
20:55Enchanté.
21:02Excusez-moi, Monsieur.
21:05Excusez-moi, Monsieur.
21:07Le Duc Delmont.
21:10Cecil Fillemont.
21:15So.
21:17Where is Mr. Casgarly?
21:19I do hope you understand, Duke.
21:21The unexpected events at our demonstration have forced us to change our plans.
21:26My instructions were to hand the money only to Mr. Casgarly himself.
21:32I don't deal with the monkey.
21:34Only with the grinder of the organ.
21:36Speaking as a monkey, I concur.
21:39More common sense is what is needed in this topsy-turvy world of ours.
21:43But if that is your instinct, you will have to come back another day, understood?
21:48Understood.
21:49Then I shall take your advice.
21:53It would be remiss of me not to inform you that the incident in the tunnels has only in fact
21:59proven the potency of our product.
22:02We're selling out fast.
22:03We're selling out fast.
22:04It's true, Monsieur.
22:05Excusez-moi, I'm so blue.
22:06If you delay, you would risk missing out altogether.
22:15Have a good day, sir.
22:19Don't don't!
22:23I'm gonna stay up here on the car!
22:26Come back.
22:28Wait hold on!
22:30Wait!
22:31No!
22:32You already Institutus!
22:33You!
22:33aufre mäld далее! This item!still!
22:34Good day...
22:36J'ai dit que je suis désolée.
22:46Permettez.
22:50Burgundy, 57.
22:52Some people say that you have a 62,
22:54but for me, if I wanted that much oak,
22:56I would eat a tree.
23:01So, tell me what you think of my proposal.
23:04You introduce me to your boss,
23:07and in return, I furnish you with a finder's fee.
23:14Voilà.
23:19You carry your money in a plant pot.
23:27Mr. Holmes is in the back.
23:31Perhaps Mr. Holmes could come here?
23:33You will be able to talk to him more,
23:35freely and private.
23:41If you wish to meet him, that is.
24:02I do not see Monsieur Silas Holmes.
24:07If you please.
24:11Monsieur.
24:17So,
24:21we both know you're not the Duke's wife.
24:25Who are you really, Madame?
24:29Do you doubt my monies?
24:33Pardon?
24:34Do you doubt the value of my money?
24:36Do you believe it's real?
24:38It looks real.
24:41You are correct.
24:42You are correct.
24:42I am not Madame Dormand,
24:44and I do apologize for the deception.
24:47But now that I have your attention,
24:49I should like to inform you that I am working on behalf of a very prominent British investor
24:56who wishes to make a significant purchase from Mr. Silas Holmes.
25:01And if you play your part in arranging this,
25:06I can assure you that the money in that pot is merely the tip of the iceberg.
25:12Purely for your own pockets, you understand.
25:15So, as I see it, you have two options.
25:20You can either continue to insult me
25:23and let this golden opportunity slip through your fingers,
25:27or you can simply introduce me to Mr. Silas Holmes.
25:33This is taking too long.
25:49The
25:49Come back here tomorrow at the same time.
25:52And I will have an answer for you, Madame.
25:55Thank you, sir.
25:56I am much obliged.
26:19He's sending a telegram to Silas.
26:44I'll go ahead, cause a distraction.
26:46No, no distraction.
26:48How about this time we don't do one of your clever little scams?
26:51Or pickpocket dances?
26:54Just let me try something.
27:01Bonjour, monsieur.
27:02Bonjour, monsieur.
27:02Que puis-je pour vous?
27:03Cet homme-ci était ici il y a quelques instants.
27:08Je veux voir ce qu'il a envoyé.
27:12Monsieur?
27:17Pour votre pain.
27:21Pour vous, préférer que l'oreille sorte au mot?
27:26Monsieur?
27:27Non?
27:33Non, un espionable.
27:39Talkin'희.
27:40Non?
27:42Un espionable.
27:46Very careful.
27:46Mrs Holmes,
27:47vous m'avez dit leогоeur.
27:52Il y abased.
27:53Pardon?
27:54Le embasle che je prend d'argent!
27:56Ele est là !
27:59Il faut seauft!
28:00Un espionable!
28:01Mycroft Holmes.
28:04The point is, Ambassador,
28:05I now know who sabotaged
28:07our government's secret weapons program.
28:09And indeed, I know who stole the weapon.
28:13Yes, yes, well, go on.
28:15Regretfully, sir,
28:19it was my father,
28:21Silas Holmes.
28:24Are you certain of those?
28:25I'm afraid so, sir.
28:27And it appears that the government's interests
28:29are now aligned with my own.
28:31We must find my father
28:33and bring him to justice.
28:35Yes, well,
28:37quite, quite, quite.
28:40I shall wire the Foreign Secretary immediately.
28:42Yes, sir.
28:43Please wait here. Will do.
28:55Ah.
29:16I shall wire the Foreign Secretary.
29:17Apologies for the wait.
29:18Not at all, sir.
29:19I have a reply from the Foreign Secretary.
29:22He informs me that you are in disgrace,
29:24and in fact, no longer work
29:26for Her Majesty's Guard.
29:27Yes, well, it's a little more nuanced than that.
29:29There is, however, a path to redemption,
29:33if you are prepared to walk it.
29:36Now listen.
29:38Carefully.
29:46Train leaves in an hour.
29:57It's not your injury that makes you weak.
30:00It's your insistence that your body is unchanged.
30:04My body has changed.
30:06It's changed because you shot me in the stomach.
30:10The details, are you relevant?
30:14Not to me.
30:17You think strength is something physical.
30:21It's body mass and muscle and reach.
30:29All of which you have over me,
30:31and yet have best to do in every encounter.
30:34Why?
30:37Because real strength comes from here.
30:42And here.
30:46Aw.
30:49James, mother, you found him.
30:54I did.
30:56Well, he found his own attire.
31:01Mother, were you met with success?
31:04I was.
31:06The British government has offered her full support
31:08in helping to bring fathers to justice.
31:11Excellent.
31:13So this is what it's come to.
31:15It would certainly seem that way.
31:17Wonderful.
31:18Right, then.
31:21Constantinople.
31:36Where are we going, exactly?
31:38To meet a friend of mine.
31:46This is Hermine.
31:48She has agreed to help us.
31:50Welcome to my city.
32:00What?
32:02Sherlock!
32:03Show her the photo.
32:13Have you seen this man?
32:16No.
32:17Oh.
32:17Yeah.
32:26Andy.
32:27Good push for your son, Vicky.
32:29I'll have him up now.
32:31So.
32:35That small child is going to find our father, is he?
32:37The lowly status of the street urchin is what makes them the most useful of allies.
32:42They can go anywhere.
32:44They are invisible.
32:46They're irregulars.
33:13Sir, they are looking for you.
33:26They are in the middle of the street.
33:27Thank you, Vicky.
33:31They are waiting for me.
33:34See you!
33:37See you!
33:38See you!
33:39Bye!
33:39Bye!
34:01They have found your father.
34:04He knows you're here with me.
34:06How?
34:06It seems our three-telegraph works both ways.
34:12He wants to see you alone.
34:15Well, darling, I have to come with you.
34:17He was quite specific.
34:20If you want to see your sister, you come alone.
34:24Very well.
34:30Sherlock.
34:32Good luck.
34:40Good luck.
34:42Good luck.
34:49Do you know why magic is so beguiling, Sherlock?
34:56No.
34:58When something seems to defy rational explanation,
35:06wonder.
35:08Wow.
35:10The impossible.
35:12Made possible.
35:26Is she still alive?
35:28Please, sir.
35:29I'd rather not.
35:30What you did back in England, solving all this, finding me here, so clever.
35:37I'm proud of you, my son.
35:38Not natural for a father to leave his boy for dead now, is it?
35:42Sherlock, what are you talking about?
35:44In the tunnel.
35:45I was shot.
35:48You ran.
35:50I ran because that crazy woman was trying to kill me.
35:53I was the one under attack, remember?
35:57You really think I'd want any harm to come to you?
36:05Harm.
36:08You've done nothing but harm.
36:11Look at me.
36:13You broke my heart.
36:14You broke my mother's heart.
36:16And only God knows what you've done with my sister.
36:19So I ask you politely, please, tell me, is my sister still alive?
36:31Beatrice is fine.
36:34I made sure she was looked after.
36:40Where is she?
36:43I still love you, you know.
36:45I'm still the man who raised you.
36:47You're a monster.
36:49Oh, Sherlock.
36:51Don't be so simple.
36:53We're all of us capable of good and evil, even if it helps to call it that.
36:58You included, whether you realize it or not.
37:01Tea?
37:01No.
37:04I acted...
37:06in my best interests.
37:08Of course I did, but I also acted in yours.
37:13You think you would have become the man you have had you not been tested in the fire?
37:16I can't listen to this.
37:17And yet you can't leave.
37:19Can you?
37:20I can't leave.
37:21Because you won't tell me where my sister is.
37:24Where is she?
37:27She's here.
37:29In Constantinople.
37:31With me.
37:32You can see her tomorrow if you like, but...
37:38I request something in return.
37:42So that's his price?
37:45That's his price.
37:48Shuan.
37:48She wants me dead, and if she kills me, well then you'll never find Beatrice.
37:53Our futures are intertwined.
37:57Bring Shuan tomorrow, the square, same time, and I'll give you your sister.
38:03Well then, the choice is not choice at all.
38:06You really find it that easy, condemning someone to death?
38:09You Oshuan nothing.
38:11No, I don't find it easy, but if it was my sister, then I wouldn't have the slightest breath of
38:15hesitation.
38:16I don't think you should either.
38:19Am I interrupting?
38:20Not at all.
38:23No cracks a noble heart.
38:24Good night, sweet prince, and flights of angels sing thee to thy rest.
38:43I'm pleased for you, that your journey ends well, that you'll see your sister.
38:53Afterwards, your father is mine to do with, as I see fit.
38:57I realise this is hard for you, but we had an agreement.
39:01I want what's mine.
39:02And you shall have it.
39:04You have my word.
39:11The porter and the princess.
39:20The scout.
39:24Never made it to the illustrious position of porter.
39:26And I was never a princess, only shall we?
39:42How do you feel?
39:43How am I supposed to feel?
39:44How do you want to feel?
39:45However I'm supposed to.
39:51You are a work in progress, Sherlock.
40:24I think just me and mother from here.
40:40Lisa, there he is.
40:45She's not with him.
40:47Let me talk to him.
40:48I don't trust him.
40:49I'll be fine, mother.
40:50You wait with my coffee.
41:08Silas?
41:10Don't you call me father.
41:14I can't see my sister.
41:16Do you know this city was built to rival the majesty of Rome?
41:22It had the most sophisticated defense fortifications.
41:26In antiquity.
41:28It has survived foreign empires, brutal wars, disease.
41:36Just about anything human history could throw at it.
41:41This city has endured.
41:45A lovely lecture.
41:47Is it finished?
41:50She doesn't exactly look ready to surrender, Shirley.
41:54She is.
41:56She just doesn't know it yet.
41:59What are they talking about?
42:05You, I expect.
42:10Now, as you can see, I'm ready to deliver.
42:16So, where's my sister?
42:42Be?
42:44Be?
42:45Oh, mother.
42:46Mother.
42:53My dad.
42:56Your move, my boy.
42:58I've missed you.
43:03Silas.
43:04Son.
43:07You know what troubled me the most about killing that soldier?
43:12I might have got a taste for her.
43:14Move.
43:24Let me see your face.
43:26Sheila.
43:34I find myself out of the last for words, which wouldn't be a first.
43:40What's the matter, mother?
43:43It's not her.
43:45Mother.
43:49Silas.
43:50Trust me.
43:52It's not Beatrice.
43:55How about him, princess?
43:56Thank you, James.
43:58James!
43:59I'm going to kill you.
44:05You're not my daughter.
44:08You're not my daughter.
44:08Come back.
44:08I'm going to kill you.
44:21I knew you'd betray me Sherlock are you not my son after all
44:30Hello mother
44:34B?
44:36B?
44:45Sherlock
44:48Mycroft
44:50Close your hands
44:54If you'd be so kind
44:59You too brother dear
45:07Isn't this nice
45:14All it is
45:17It's not what you think it's for
45:22And I can't seem to say it all
45:27And maybe I've been insecure
45:31The chances of a lifetime
45:34I've been hiding their tricks up my sleeve
45:38Used to be the greatest I've seen
45:46Time shall I do
45:55Time in Budget
45:58Time will slow
45:58Time is far
45:59Time will wake me up
46:03Time to start
46:10Time is far
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