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00:06Hey! Sherlock! Sherlock! Step inside!
00:08Where are you taken? None of your business!
00:10Yes it is, what's the matter of Professor Thompson?
00:13Now! Out of my life!
00:36You've got the wrong man.
00:37Don't stop playing games, Mr. Holmes.
00:38Professor Thompson's dead.
00:40Your knife is found in his back.
00:41The blood in your shirt and the blood in your face.
00:43I was with Shuar.
00:45The princess?
00:45Yes.
00:48We...
00:49You what?
00:53I don't remember.
00:56I know all about your mother, Mr. Holmes.
00:58Such afflictions run in the family.
01:00You're obviously deranged.
01:02You planted the bomb so you could turn yourself into a hero by saving everyone.
01:06The only problem is...
01:07The professor saw you.
01:09That's what I reckon.
01:11Which would give you the motive to kill him.
01:13It's a simple enough conclusion, but unfortunately incorrect.
01:17Talk to the princess.
01:18She'll corroborate my story.
01:28How'd you come, Mr. Holmes?
01:38No strip.
01:41How about dinner first?
02:04Good breakfast, Mycroft.
02:05Perhaps you can have a kippus.
02:06Shaffir does the most remarkable kitchen.
02:09I've already eaten.
02:10But I insist it's far too good to pass on.
02:12So.
02:14That's it.
02:17In that case...
02:19So.
02:20How can I help you?
02:22My brother is not responsible for the crime, sir.
02:25He is innocent.
02:26Tedious.
02:27Used to be such good fun.
02:29Can we please talk about anything else other than this?
02:32I suppose innocent girls will do with it.
02:33I can hardly interfere with police procedure now, can I?
02:36Oh, your name does carry a certain amount of weight, sir.
02:37Why are you an oxford, Mr. Holmes?
02:40To assist you.
02:41Precisely.
02:42Not, are you.
02:43So try to remember your place.
02:44You've no idea what's at stake here.
02:46He's my brother.
02:47Quick, government.
02:47You're not listening.
02:49Stay out of it.
02:50Leave it with me.
02:51Keeping your brother locked up suits my purposes.
02:57Mr. Holmes has lost his appetite.
02:58Very good, sir.
03:03Thank you for your time, sir.
03:18Good morning, sir.
03:20Hmm.
03:21You think you're getting it back, don't you?
03:23Scholarship.
03:24That would seem appropriate.
03:26The scrolls were phoned, but I was exonerated.
03:28All part of your young friend's little show.
03:31But don't put a hand on me, Moriarty.
03:34Sorry, sir.
03:35Let's face it.
03:36You've always struggled to fit in here, haven't you?
03:39Perhaps you should find a calling better suited to your standing.
03:43I believe I belong here, sir.
03:44I believe you'd do yourself a service if you pack your bags and leave.
03:47Your time at Oxford is done, sir.
03:50Fine.
03:51I'll do anything.
03:52Dammit, man!
03:53I'll help me!
03:58I'll step out of my way.
04:02I want you out of your room at once.
04:14What are you all looking at?
04:16What are you all looking at?
04:18You fucking sheep.
04:25James!
04:26What?
04:28That was very unkind.
04:34This world is unkind.
04:38Where will you go now?
04:39I don't know.
04:40Will you go see Sherlock?
04:41I don't know.
04:42Well, I need to know what he's told the police.
04:45Well, I can't help you.
04:48I don't know.
04:51I don't know.
05:02I don't know.
05:32This is right.
05:41Oh, Sherlock.
05:43Can you get me out of here?
05:46Won't be easy.
05:47Not this time.
05:49This is a murder charge.
05:51You know, you don't have to leave me here just to make a point.
05:53I'm not making a point.
05:56It seems as though there are...
05:58Keeping your brother locked up since my purposes.
06:01Other forces at work.
06:03What forces?
06:04Not sure yet.
06:05You'll have to bear with me.
06:07My wife are in Vienna.
06:09Perhaps he can pull some strings.
06:11Does mother know?
06:13Not yet.
06:15Don't tell her, please.
06:16Of course I won't, Sherlock.
06:18A case like this...
06:21will hit the newspapers.
06:23The police need to talk to Shuan.
06:25The princess?
06:26I was with her.
06:28It's the last thing I remember.
06:33I'll see what I can do.
06:38Oxford has become a theater of death.
06:40Well, that is admittedly unfortunate.
06:43I'm happy to be reporting that the situation is now in hand.
06:46We have the suspect in custody.
06:47The scout?
06:50Apparently he's claiming he was with you last night.
06:52I'm afraid that is not true.
06:54He's either mistaken or deluded.
06:56Well, now that's settled.
06:57Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
07:01A man lies dead and your concern is for your trade with my father.
07:05But I don't like to wallow in the past, Princess.
07:08Always look ahead to the next challenge.
07:15Sorry?
07:15I pray your assurances are not just dust and shadows.
07:21More tea?
07:27Forgive me.
07:28Let me fetch someone.
07:39You do if you'd be so kind.
07:41Of course, sir.
07:45My apologies.
07:46Think nothing of it.
07:49Well, I've taken up enough of your time.
07:51Princess.
07:56Take a telegram.
07:58Right away, sir.
07:59To Sir Sidney Blewett, Minister for War.
08:03Dear Sidney.
08:05Storm clouds threaten.
08:06I fear our work here is no longer covert.
08:13Laundry in the car.
08:14Move.
08:15Laundry in the car.
08:16Take out the claim.
08:17Come on.
08:18Move.
08:19Laundry in the car.
08:21Move.
08:22Come on.
08:23Laundry in the car.
08:25Take out the claim.
08:26Come on.
08:27Fuck this Miami, please, prisoner.
08:28Move along.
08:29Off you go.
08:30Move.
08:31Thanks.
08:36Head down.
08:37Straight up.
08:39What exactly are we doing?
08:41I am rescuing you.
08:42So if we can save the fawn in gratitude.
08:45It'll only embarrass me.
08:53Hold up, ladies.
09:15Let's go.
09:16We need to go.
09:17Take out.
09:19We need to go.
09:23All our guards are out.
09:24All our guards are out.
09:24Keep covered, I'll see your point.
09:47Excuse me, young lady.
09:51I said excuse me, young lady.
10:02You better now.
10:07Fuck!
10:08Fuck!
10:10Fuck!
10:12I'm backing out the speed,
10:14got you stuck right in front of me.
10:15Come around for a ride,
10:17right into some shock insanity.
10:19Fresh beneath a wave,
10:20like a shipwrecked by machine gun.
10:26Howdy, he goes!
11:03Escaped?! What do you mean escaped?
11:05My understanding is that nobody could escape from Oxford Jail.
11:08Seems like he had an accomplice dressed as a washerwoman.
11:11When? When did this happen?
11:13An hour ago. Our officers are searching the city.
11:17Constable, I do not want some trigger-happy marksman
11:20Gunning him down in the bloody street
11:22Pardon me, gentlemen
11:23Detective Fidget, Scotland Yard
11:26Constable Lestrade
11:26Is this the crime scene?
11:28It is, sir
11:29Sounds like this case has turned into something of a shambles, Constable
11:32With all due respect, sir
11:33A lapse in prison security can hardly be considered my responsibility
11:38And who might you be, sir?
11:40I am Sherlock Holmes' brother
11:42Mycroft Holmes
11:43From the Foreign Office
11:44Ah, the Foreign Office and his brother
11:46In one tiny package
11:50I am prepared to help you with your search
11:53On one condition
11:54When he is brought in, no harm will come to him
11:59My brother is innocent, Detective
12:03Well, if he is innocent, Mr. Holmes
12:06Why is he running?
12:17Why here?
12:19Look, it's as good a place as any to hide out
12:21It's dark, June, daylight hours
12:23You can get yourself a new outfit
12:25But we're not running from here until we sort out this mess
12:28This mess is my mess, not yours
12:31You can still have a future at Oxford
12:33I think we're well past that point
12:36I suppose I should probably rather awkwardly say thank you
12:43For what?
12:44For your flamboyantly impressive extraction
12:49There's no need to thank me
12:50I'm having a lovely time
12:53You ready?
12:54Sorry?
12:58Ow!
12:59Jesus, James, what was that for?
13:01You need to learn how to defend yourself
13:04Come on up
13:06Come on up
13:09I'd hate to break this to you
13:11But you're a bit of an embarrassment
13:17Stop hitting me in the nose
13:18You need to learn how to stop me from hitting you in the nose
13:23Very good
13:24Oh, so what happened to you last night?
13:26She came
13:28We drank
13:29I woke up covered in blood and was arrested for murder
13:32So you can't remember anything else?
13:34No, nothing
13:35Okay, how many did you drink?
13:37Two
13:37Two?
13:38One and a half
13:38One and a half drinks, yes
13:40That's it
13:40Yes
13:41Oh
13:42Are you suggesting she's involved?
13:44I would explain
13:46That's the way she came to your room last night
13:49Oh
13:50Sherlock
13:51Oh, I just wanted to thank you
13:54You're so pretty
13:59I stumbled
14:00Well, you deserved it
14:06She did have her back to me
14:09As she poured the drinks
14:10Your companion, James Moriarty, is quite brilliant
14:13But not as brilliant as you
14:15So she slipped something in your drink?
14:18That would explain why I can't remember anything
14:20Here's to your extraordinary future
14:22Perhaps we do have the right idea
14:24Just the wrong thief
14:31She stole the scrolls to ensure the library was locked down, giving her time to plant the bomb
14:36All good, all good
14:37All good, all good
14:38To a point
14:39If she was trying to kill the professor, why would you go to the trouble of building a bomb?
14:42Why would you not just lay from in the back and get it over with?
14:46That's Oscar
14:47I would love to see her again
14:50What's the collective known for a police?
14:53A plot
14:53A plot of Peelers
14:54A plot
14:56Of Peelers
15:04I think we should join the plot
15:23The party was not a success
15:27No one expected young Mr. Holmes to enter the picture
15:31What do you intend to do about him?
15:35Already done
15:39He's been arrested for murder
15:41And on the run, I hear
15:43Even more reason for them to think he's guilty
15:47Is he going to be a problem for us?
15:51I can control him
15:55He got to you, didn't he?
16:00Upon that wall are 26 characters from the Hebrew Bible
16:03The numerical value of Jehovah
16:06Jehovah is both positive and negative
16:09Ying and yang
16:11So we double the 26 and we find 52
16:14That is why we have 52 weeks in a year and 52 playing cards
16:20What we don't need here is a 53rd
16:24A Joko
16:28The first apostle has been eliminated
16:32I don't want to doubt you
16:36You have one week
16:38Move quickly
16:39Find Professor Roberts
16:45Or it will be our blood
16:47That is spilled
16:49Princess
16:58Forgive me
17:26Professor Roberts?
17:45Let's go.
18:01Let's go.
18:27Good. Keep your nose clean.
18:31Will do.
18:39Constable Lestrade?
18:40Yes.
18:42Do you have anything for me?
18:47You too.
18:50Here.
18:51Now.
18:56Yes, sir.
18:58Young man worked here as a scout.
19:01Sherlock Holmes.
19:03I need information.
19:04Family address.
19:06Background.
19:08Already there, sir.
19:09His family estate's in Appleton.
19:11His father's scientific pursuits take him aboard.
19:13And his mother's in a local asylum.
19:15You seem very knowledgeable, constable.
19:17I do like to be my own research, sir.
19:20I think it's fair to say that I would lay down my life for the constabulary.
19:25I also like to do my own research, sir.
19:28And I think it's fair to say that I would lay down my life twice for the constabulary.
19:33Very good, young man.
19:35What else can you give me?
19:37I hear he is dangerously smart.
19:41That's not where my investigation has led me, sir.
19:44I hear that he's not as smart as he thinks he is.
19:48A genius is probably a more appropriate term to describe his intellectual capacity.
19:52I hear he gets all his best ideas from his associate, who we recognize to be the true artist.
19:56I think my colleague's research has taken him down a verisimilitudinous cul-de-sac, if you will.
20:02The barren land is how our saviour might describe this particular cerebral pasture.
20:07Oh, I think that the acclaim is so often erroneously misplaced to a cosmetic factor in an equation of two.
20:15E pluribus unum, sir.
20:18The moon so often takes the credit for the light that is shone upon it.
20:28Thank you, champs.
20:30Carry on.
20:31Wonderful hat, sir.
20:32Thank you, principal.
20:34Sir.
20:39Waste of time.
20:41You're constable to very impressive, Lestrade.
20:50You take the room, or take the stairs.
21:13Take the fridge, sir.
21:14We just serve these staircases.
21:21Well, I'll stop you there, chaps.
21:23Save me a job.
21:24I think I'm there.
21:26I suggest you take a look at the north stairs.
21:28I'll check this out.
21:29On you go.
22:01I know about your English children and your nursery games.
22:05Shall I be the nanny and you'll be the little boy?
22:08Are you going to make me come and find you?
22:12That won't be necessary, nanny.
22:16I surrender.
22:17Did you find anything incriminating, officer?
22:20Sadly, my search hasn't been as productive as I would have hoped.
22:24It seems your obsession with me runs very deep.
22:26More curiosity than obsession.
22:31However, shockingly, I am curious as to why I'm being set up for murder.
22:35Are you implying in some way that I am guilty?
22:37Well, yes.
22:42Yes, I think I am.
22:43If I were to scream and they came in here, whose side would they take?
22:48An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty?
22:54And yet you haven't screamed, have you, princess?
22:57Maybe there's a reason you don't want anyone snooping around in here.
23:05Maybe there's something you're trying to hide.
23:35You haven't been doing all right there, princess?
23:36Fine, I'm just doing my exercises.
23:50Oh, that is a shame.
23:52It won't be long now before they come to save the innocent princess from the deranged escaped convicts.
24:04Wait, Dojain.
24:06Conjol.
24:10Well, that was dramatic.
24:12Should have taken your job.
24:30Mr. Holmes, I am here to visit my mother.
24:32These two gentlemen wish to speak to the director.
24:35My name is Detective Fidget, Scotland Yard.
24:37Constable Lestrade.
24:39I'll stand for the director.
24:43If you don't play your cards right, you could end up in a place like this, Lestrade.
24:47No, Dojain.
24:48Dojain, please.
24:49Everything under control, Lestrade?
24:50Yes.
24:51Thank you, Dr. Clark.
24:52Right.
24:53Yes, sir.
25:06Twice in one week.
25:09To what do I owe the pleasure?
25:12You knew it was me.
25:15I know your footsteps.
25:17The echoes in that corridor are my whole world.
25:22Has he been here?
25:26Sherlock.
25:29You said he was with you in Oxford.
25:31What's happened?
25:32Nothing.
25:33I just wondered if you'd been to visit, that's all.
25:35You're lying.
25:39The man with the bird's claw, who came after me.
25:41Oh, please, Mother.
25:42Now he's after Sherlock.
25:45He's hunted.
25:46Shh.
25:47Please, Mother.
25:48Don't upset yourself.
25:49Sherlock is fine.
25:51He's settling in, making friends.
25:54Now I know you're lying.
25:58Sherlock never made any friends.
26:01I just wondered if you'd been to visit, that's all.
26:05How to paint a mother's grief.
26:09She was such a pretty little thing.
26:13She was.
26:14She'll never grow old.
26:17No.
26:19She'll always be a child to me.
26:26You have been most helpful, sir.
26:30She hasn't seen him.
26:32The director confirms your brother, in fact, hasn't been here.
26:35He'll be miles away by now.
26:36He won't run.
26:37No.
26:38He wouldn't do it to our mother.
26:40My brother is innocent, Detective.
26:42Mr. Holmes, your brother remains a fugitive.
26:46The chase continues.
26:53Siobhan was desperate for me not to see something.
26:56What?
26:56A burnt piece of paper in a grate.
27:04My God, it pains me to see you so defenseless.
27:08Yes, well, I recognize I'm a work in progress.
27:15Something silver in boss writing.
27:18Can you see the letters?
27:19L and R?
27:22Gothic script.
27:23Mean anything?
27:24There was a number, too, for signing up the Magna Carta.
27:26That's 1215.
27:27That's it?
27:29No, I have seen those letters.
27:33Fortress Lodge.
27:34The photograph's on the wall.
27:35It's not L and R.
27:37It's L and K.
27:38Lord and Kingsley, the Oxford photographer.
27:40Why would you want to destroy a college photograph?
27:42Well, you have the number.
27:44You can find the original plate.
27:46You can make yourself a copy.
27:48Lord and Kingsley, they have a shop on the high street.
27:49If we find out what she burned, maybe we can find out why.
27:53And so we stand like greyhounds in the slips,
27:57straining upon the start.
28:01Fancy yourself a king.
28:04If the crown fits.
28:16Oh, good afternoon, gentlemen.
28:18Good afternoon, sir.
28:19We would like to order a copy of a photograph I believe you have already taken.
28:23It's number 1215.
28:25Okay, let me see.
28:32I don't seem to have a plate of that one.
28:35Unfortunately, we don't have enough room to store all the originals.
28:38What was the photograph?
28:39I don't recall.
28:40Would you at least be able to tell us who you made copies for?
28:43Well, ladies and gentlemen, let me check my other ledgers.
28:47I say, is this a Richard Maddox model?
28:49Good heavens, sir.
28:50You certainly know your cameras.
28:52Would I be correct in saying this works on a gelatin dry plate to produce a shorter exposure?
28:56Yes.
28:57And it builds on the collodium process to require only two to three seconds of exposure
29:02before producing an image.
29:03Must have been jolly expensive.
29:05Yes, it was, Robert.
29:08It only just arrived.
29:10To be honest, I'm still getting to grips with it myself.
29:13But it produces a remarkable image.
29:16I think this is going to pave the way to miniaturization.
29:19Yes, and potentially more adaptable photographic emulsions.
29:23Yes.
29:24A new world beckons.
29:26Well, we shall be back tomorrow to pick up the photograph.
29:32You'll be most helpful.
29:35Gentlemen.
29:36Any luck?
29:37Two copies made.
29:38Chuan burned one.
29:39The other one went to the master's lodge.
29:41House of Candlet.
29:44So, you just walk up to his door and knock on it?
29:50Sorry to disturb you, sir.
29:52Is the master at home?
29:54Not here.
29:54There's an engagement in London.
29:56Right.
29:57We're checking all the college premises for this fugitive Sherlock Holmes.
30:01Ah, yes.
30:02I heard.
30:02Well, I can assure you he's not in here.
30:06If I don't check for myself, sir, my sergeant, I'll never hear the end of it.
30:16Thank you, sir.
30:22Did you know him, sir?
30:24The scout, Sherlock Holmes?
30:27Never met him.
30:29They say he was an odd sort.
30:32Excuse me, would you, constable?
30:34I was just about to take the mistress her afternoon tea.
30:37If you wouldn't mind waiting.
30:53Sorry about that, constable.
30:55Would you like me to give you the tour?
31:02Good afternoon, smudger.
31:04Oh, good afternoon, your highness.
31:05I need to speak with Professor Roberts.
31:07I'm afraid he's not in college at present.
31:09I have to hand in an essay.
31:12The tunnelling shield perfected by Ismbard Kingdom Brunel is the future.
31:17Discuss.
31:18Sounds fascinating.
31:19He's very strict about deadlines.
31:21Would you be so kind as to give this to him?
31:23Of course, your highness.
31:25Lad.
31:28Thank you, smudger.
31:29My pleasure, your highness.
31:30Put it with the others, lad.
31:33When are you going up to his country house?
31:35This evening, sir.
31:36Why the secrecy?
31:38Why not give out his address?
31:40You mourn your own business, lad.
31:42Do as you bid.
31:50I'm not going up to his country house.
31:57I'm not going up to his country house.
32:00I'm not going up to his country house.
32:03I'm not going up to his country house.
32:03I'm not going up to his country house.
32:03I'm not going up to his country house.
32:03I'm not going up to his country house.
32:03I'm not going up to his country house.
32:04I'm not going up to his country house.
32:05I'm not going up to his country house.
32:12I'm not going up to his country house.
32:21Candling College Tennis Court, 1870.
32:24Why would she not want anyone seeing her?
32:27That's Professor Thompson, your supposed victim.
32:31Who are the other three?
32:33You should know, Sherlock. You waited on a hand and foot.
32:35I cleaned 35 places a day. I made 30 beds a day. I might need a moment.
32:39Pink, man. Pink.
32:40What do you think I'm doing?
32:41I'm not frying an egg or milking a cat. I'm thinking.
32:44This professor, in particular, was very tidy. He kept very little in his room.
32:49There were some books on his desk, but nothing that helps me remember his name.
32:52Excuse me, sir.
32:58Professor Roberts. That was his name.
33:01Very good, very good. Well, keep going. Keep going. Come on.
33:04I might be a scout. I'm not your scout.
33:07I emptied his waste paper basket. There were some letters.
33:10One of them from a John...
33:11John... John... John... John who?
33:14John... Nowell?
33:14John Nowell or John Howell?
33:16John Howell. How did you know?
33:17That's John Howell. He's an engineer.
33:19So Professor Roberts is a professor of engineering.
33:22Our work here is done.
33:25That's Professor Enright.
33:27He's a meteorologist.
33:30And that is Professor Malik.
33:33Visiting professor from the University of Bombay.
33:36His speciality?
33:38Geology.
33:39So what links are four of them?
33:44The gala opening.
33:47The science building.
33:50There was a guest list by the entrance.
33:52Investigate.
33:53They were all on the same table.
33:55The table nearest the front, nearest the podium, nearest the bomb.
33:57So this bomb was designed to kill them all.
33:59That's why she didn't want us seeing this.
34:01It's a picture of her targets.
34:03A way to identify them.
34:04But then the crux of the thing is,
34:05why does she want them dead in the first place?
34:08If I had half the money
34:14I left in your care
34:23Professor Malik!
34:24Professor Malik!
34:27Sir!
34:38I need you to give me their home addresses.
34:40I can't give out private information.
34:42Check their rooms.
34:44Do you think I'd be standing here
34:45talking to a fat arse
34:47if I hadn't already done that?
34:48What's your tone, Moriarty?
34:51You are not listening to me.
34:53Bones will be broken.
34:55Blood will be spilled here today.
34:56There's more drama with you, innit?
34:58Now, on your bike, I'm busy.
35:01Well, you've been fear-selfful.
35:09One day, I'll remember that.
35:11Oh, yeah.
35:19It's no use.
35:21Mine's an empty suit.
35:23I couldn't kick anything out of them.
35:26Excuse me?
35:31Do you really think they're in danger?
35:33Why?
35:35Is there something you'd like to share?
35:45Who is it?
35:46Jeff Corb!
35:47Roll through delivery.
35:50One moment.
35:53Rather late, aren't you, boy?
35:55Come on.
35:56Chop, chop.
35:56Read it through.
35:57Yeah.
35:57Yeah.
36:03All right.
36:13Let's do it.
37:45You stand like Greyhorns in the slips straining upon the stern.
37:55The game's afoot.
37:57As I was walking all the lane, I heard talk of his mackin' wane.
38:06In behind your low-fled light, I watched their lives on yesterday night.
38:15And nobody pens any more.
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