- 8 minutes ago
Category
📺
TVTranscript
00:02The
00:02The
00:02The
00:02The
00:02Let's go.
00:33Let's go.
01:06Let's go.
01:38Let's go.
01:40All right.
01:41Let's go.
01:42Mr. Franklin.
01:46Third time this week I've had to call the police.
01:48Come on.
01:49This town's being taken over by yobs.
01:55He's been keeping me hostage.
01:57I found him there asleep, surrounded by all the food he's pilfered.
02:00What, three stale custard creams?
02:02Follow me.
02:09Um, yeah.
02:11What's your name?
02:12Adam Walsh.
02:14What were you doing in that man's shed?
02:16It came to save a mate last night, but we fell out.
02:19Just needed to get my head down, but then I woke up and that old crank had locked me in.
02:23Am I going to get done or what?
02:26I don't think they hand out custodial sentences for stealing biscuits.
02:32Custodial.
02:33As in custard creams.
02:35Forget it.
02:36Where do you live?
02:37Exeter.
02:38Okay, straight on the train.
02:40Go on home.
02:40Don't want to see you around here again.
02:42I just want to get home, have a shower and some food.
02:44I'm starving.
02:46Oh.
02:48Mum's cheese and homemade pickle sandwiches.
02:51Take it for the journey if you like.
02:53Oh, cheers.
02:53Okay.
02:54Go on.
02:58Oi!
02:59Is that it?
03:00You won't be having any more trouble from him, Mr. Franklin.
03:03I'll hold you personally responsible if I do.
03:06Just so you know, Mr. Franklin.
03:09False imprisonment is also a criminal offence.
03:16Humphrey.
03:26Oh, Humphrey and I appreciate that.
03:29Thanks.
03:30Bye.
03:31That was Hannah.
03:33Checking on us after our meeting the other day.
03:37Pausing fostering still feels like the right thing to do.
03:40Yeah, it's probably for the best.
03:41Especially now we're back living with your mum.
03:43Exactly.
03:45Green or blue?
03:47What do you think?
03:48It's a bit formal for a Tuesday morning.
03:50The W.I. ladies are taking me out tomorrow evening.
03:53Again?
03:53Oh.
03:54Between us.
03:55They've become slightly suffocating since I've become councillor.
04:00Oh, they're both nice.
04:03Uh, the green one, then.
04:05You're just saying that to shut me up.
04:07Humphrey.
04:08Green to match your eyes.
04:10My eyes are brown.
04:12So are they all.
04:16Sorry.
04:21Hello.
04:23Right.
04:24On my way.
04:26Saved by the bell.
04:39Hiding from the paparazzi.
04:41Pardon?
04:44Well, don't get me wrong.
04:45They're very stylish.
04:47Not a criticism.
04:49Is it an image revamp?
04:52No.
04:53It's a tension headache from a cricked neck and no sleep.
04:57But thanks for the compliment.
04:58Ah.
05:02Rosewood Cottage.
05:03Where are you?
05:05Are you the police?
05:09Hello?
05:11Mrs Harris?
05:15I've been hiding in case they came back.
05:18Okay.
05:22Oh, darling.
05:24I am so sorry I was with a client.
05:26My phone was off.
05:28Um, Clive Harrison, June's husband.
05:30Uh, D.I.
05:31Goodman, this is D.S. Williams.
05:32I'm sorry we weren't here earlier, too.
05:34Um, it's slightly tricky to find.
05:36We are tucked away here.
05:38It was much easier to find when the woodwork was pink, albeit slightly garish.
05:42Uh, shall we go inside, Mrs Harris?
05:53Look at it.
05:54They've wrecked the place.
06:05Sorry, Mrs Harris.
06:07What exactly did you notice was wrong?
06:14The whole place was upside down.
06:17They turned the drawers out.
06:19This chair was on its side.
06:22It was all a mess.
06:47How are you so good at it?
06:49At what?
06:51Adulting.
06:52I mean, you make it look so easy doing ten different things at once and you're not even stressed.
06:58I'm just good at hiding it.
07:00Besides, stress isn't always a bad thing.
07:01We wouldn't get what we wanted without it.
07:04But what if you don't know what you want?
07:06Like, I really like what I do here, but I'm just worried that it's not what I want to do
07:11long term.
07:11I should hope not.
07:13I don't want to see you go, Zoe, but you've got a whole life to live.
07:16Doing what, though?
07:19You're 18.
07:19You've got bags of time.
07:21Takes six years to train to be a vet.
07:23Don't be a vet.
07:23No.
07:24I'm just making a point.
07:27How did you decide?
07:29I didn't.
07:30I went travelling.
07:31Thailand, Vietnam, Malaysia and the Caribbean.
07:35That must have been incredible.
07:37It was the best thing I could have done.
07:38I went alone and it taught me more than any course ever did.
07:41Really?
07:42Weren't you frightened?
07:44Sometimes, but that's life, isn't it?
07:46My advice is to have all the experiences you can, good and bad.
07:51Take risks.
07:52Choose adventure, Zoe.
07:56Bingo.
08:01I know what I saw.
08:04You're sure there's nothing missing?
08:06I've checked.
08:08Everything appears to be where it should.
08:11Understanding attachment disorders by Dr. Clive Harris.
08:14I'm a clinical psychologist.
08:16And a published one at that.
08:19I'm sorry, what happens now?
08:21Without any evidence of a break-in, then I'm afraid there's nothing much we can do.
08:25I am not mad!
08:27No-one's suggesting that, Mrs. Harris.
08:29You don't need to.
08:31Clive is diagnosing me as we speak.
08:33June, that's not true.
08:39Yeah, thank you both for your time.
08:41I'm sorry if I've wasted it.
08:43Of course not.
08:43You're very welcome.
08:45Nothing to apologise for.
08:48Have there been any causes for concern with June recently, psychologically?
08:53Nothing.
08:54I'm as perplexed as you are.
08:55Yes, well, you know where we are.
08:58Yes, Sergeant.
09:04Might be the start of something to do with our mental health?
09:08Yes.
09:09Well, there's a buck coming.
09:11I believe her.
09:14You think someone trashed the place, then immediately put everything back exactly as it was?
09:20Not exactly as it was.
09:22Dr. Harris's book was upside down.
09:23That's odd.
09:24Don't you think?
09:26And the rest of the shelves were so neat.
09:36A profile here on the eminent Dr. Clive Harris in the Times last month.
09:41I became a psychologist because I care.
09:44Oh, the burglary on Millstone Lane.
09:48I give my right arm for a burglary at the minute.
09:51Honestly, if I get one more call out about kids doing wheelies in the high street or eating people's custard
09:58creams, I'm going to scream.
09:59Well, it wasn't actually a burglary, so you didn't miss out on anything.
10:03But I took the call.
10:05Poor woman was hysterical.
10:07House was immaculate.
10:08What's going on, then?
10:10Not sure yet, but she certainly seemed convincing.
10:13Maybe it's like that old film where the husband gaslights the wife into thinking she's gone doolally.
10:20Oh, what's it called now?
10:23Erm, gaslight.
10:26That's the one.
10:28Oh.
10:29It says here they fostered, too.
10:31Dr. Harris's interest in attachment theory inspired him and his wife to foster children from troubled backgrounds.
10:38Doesn't sound like a manipulative gaslighter.
10:41Mum, I did an online quiz about this.
10:44Apparently, I've got an anxious attachment style.
10:50Oh, I don't buy into all that nonsense.
10:53That's because you're an avoidant.
10:56The only thing I'm avoiding is cod psychology.
11:00And this headache, if I can.
11:03See?
11:04You're masking the pain with pills when you should be pinpointing the root causes.
11:09I can pinpoint one of them right now, actually, Margot.
11:12Stress.
11:13That's what's going on here.
11:16Cortisol flooding the nervous system.
11:19I bet I know what started it and all.
11:21Or should I say, who started it?
11:24Yeah, all right, Margot.
11:25Thanks for the insight.
11:26But I slept badly.
11:27That's all.
11:28You should both try positive affirmations.
11:31Now, every morning, I look in the mirror and I say,
11:35I am enough, out loud.
11:38Here.
11:40You try it.
11:42I am enough.
11:44No, no, no, no, no.
11:45It's a statement, not a question.
11:47Say it like you mean it.
11:50I'm enough.
11:51Less mumbly.
11:54Punctuate each word.
11:56I am enough.
11:58I am enough.
12:00All right.
12:01Don't blow me ears off.
12:03Now, you do that every morning and feel the difference it makes.
12:09Hmm?
12:10Good.
12:18Yeah.
12:22Oh.
12:27You should have to have a police station.
12:29Hold the line for me, please, Mr. Smith.
12:34Apologies, Mr. Smith.
12:36He's just popped out.
12:39Would you care to leave him a message and I'll get him to call you back?
12:45Will do.
12:46Goodbye.
12:50He didn't have the good grace to say goodbye.
12:54He wants you to call him back, air CP.
12:56He says he's keen to know your decision.
13:12Dr. Harris, sorry to bother you.
13:14Can I just check?
13:16Our next session is Tuesday, isn't it?
13:18Ten o'clock, yes.
13:20See you then, Amy.
13:59Well, there's another liar.
14:01Looks like someone's tried to remove it.
14:03But she was right then.
14:05It's odd, but I feel rather relieved.
14:08Have you had any run-ins with anybody recently, Dr. Harris?
14:13No.
14:14There's nobody you know who might be inclined to call you a liar?
14:18Not at all.
14:19You see, I did a bit of research after I left you earlier,
14:24and I found this.
14:27A fellow psychologist, Roger Franklin,
14:30accused you of plagiarising one of his research papers last year.
14:35How he was allowed to stay in the profession all those years is beyond me.
14:41That's the paper in question.
14:44Breaking the cycle of insecure attachment.
14:47Roger's under the impression that he invented Bowlby's theory of attachment.
14:51It's ridiculous.
14:52It's jealousy.
14:53Plain and simple.
14:55Good idea to start with him, then.
14:56Maybe, but I'd be amazed if he had the gumption to pull this off.
15:02Anything else?
15:04Unusual interactions?
15:07Who was the last patient you saw?
15:08Well, I bumped into one of them just before I arrived earlier.
15:12Amy Riley.
15:13She was outside the office.
15:15I wouldn't call it unusual, though.
15:17So she didn't have an appointment?
15:18No, not today, but I have a good rapport with all of my patients, Detective.
15:25Amy has a complex diagnosis, but she deals with it admirably.
15:29I've never had any cause to be concerned.
15:37Thank you, Doctor.
15:39Hi.
15:40Humbley.
15:41Esther.
15:42Hi.
15:43Hi.
15:43Hello, Archie.
15:45Are you here to see Doctor...
15:46About some wine.
15:49Dr. Harris wanted some advice.
15:52I'm so sorry to keep you.
15:54Unfortunately, I'm going to have to postpone our session.
16:06Good to see you, Archie.
16:07You too.
16:14So, someone trashes the house,
16:16then puts everything back
16:17and cleans up after themselves,
16:18then goes and does the same thing to Doctor Harris's office.
16:22Any thoughts?
16:24Huh?
16:25Why would somebody commit a crime
16:27and then try to undo it twice within a couple of hours?
16:37Esther?
16:40Sorry, um...
16:41What was that?
16:42Are you okay?
16:45I'm fine.
16:46Yes.
16:47It's odd.
16:48Some sort of psychological game, maybe?
16:51Well, yes.
16:51Possibly.
16:52In any case, I'm pretty sure it'll happen again.
16:54So, uh...
16:55We should submit an urgent request for access to his patient files
16:58and, uh...
16:59Let's pay a visit to Roger Franklin.
17:12Hi, Margot.
17:13Got a call from the manager at the train station.
17:15Fights broken out there on Platform 1
17:18between a couple of, uh...
17:20Don't tell me.
17:21Kids.
17:23Now, don't scream.
17:25Remember, you are enough.
17:30I've definitely had enough.
17:31Know that much.
17:36Kids.
17:37Kids.
17:39Kids.
17:51Kids.
17:55Kids.
18:00Kids.
18:03Kids.
18:03Kids.
18:04Kids.
18:06Kids.
18:06Kids.
18:07Kids.
18:07Kids.
18:07Kids.
18:15Oh, I'm so sorry. I was miles away.
18:19In, er, Dolphin Cove?
18:21Have you been?
18:22Oh, I wish. It just says there.
18:25Sorry, I wasn't snooping. It just caught my eye.
18:28It looks like paradise.
18:30Doesn't it?
18:31You, er, planning a holiday?
18:33Thinking about going travelling?
18:35Seeing a bit of the world?
18:36That sounds amazing. Who are you going with?
18:39I'm not sure yet. Probably by myself.
18:43Well, that's brave.
18:45That's what life's about, isn't it?
18:47Having those different experiences, taking those risks.
18:50Well, good for you.
18:51As long as you take care of yourself.
18:55Er, Kelby, I haven't told my mum yet,
18:58so please don't say anything, will you?
19:12Mr Franklin?
19:14Yes?
19:15I'm D.I. Goodman.
19:16This is my colleague, Detective Sergeant Williams.
19:19Oh, glad to see it's been passed up the rags.
19:21I trust you'll be throwing the book at that little toe rag
19:24who's been squatting in my shed.
19:26They sent a young lad this morning.
19:28Barely out of his teens, by the looks of it.
19:31If you're referring to PC Hartford,
19:34then he's a highly competent police officer
19:35and a fully grown adult.
19:37Yes, we're actually here to talk to you
19:39about Dr Clive Harris, Mr Franklin.
19:42What about him?
19:43And his Dr Franklin?
19:45Dr Franklin, my apologies.
19:48Can we have a quick chat?
19:49Now?
19:49Yes.
19:51Is there somewhere a little more, er,
19:53private we could go?
19:59But that is what Dr Harris said.
20:02Absolutely preposterous.
20:03But you have called Dr Harris a liar in the past.
20:05Because he is one.
20:06He stole my work and got away with it scot-free.
20:09Oh, and you wanted revenge?
20:11Don't try and trick me, Detective.
20:13For a start,
20:14I can't be in two places at one time, can I?
20:16And if one of your own officers
20:18isn't enough of an alibi,
20:20then I don't know what is.
20:22I suppose that depends on what time
20:23you arrived at the allotment.
20:24Oh, here we go.
20:26Okay.
20:27I got here about eight o'clock,
20:29unlocked the shed,
20:30and saw some layabout sleeping on the floor.
20:33End of story.
20:35If it's padlocked from the outside,
20:36how did he get in?
20:38Well, I was here late last night, too,
20:40about one a.m.
20:44I'm an insomniac,
20:46the bane of my life.
20:46I hadn't locked up when I left earlier that day,
20:49so he must have got in then.
20:51I put the padlock on
20:53and then came back this morning and found him.
20:58Happy?
20:59And where were you at about 10 a.m.?
21:01Well, still here.
21:03Obviously.
21:04And there'll be other people who can vouch for you?
21:06The other allotment holders?
21:09Well, they've not long arrived.
21:11I mean, I was alone
21:13for much of the time, as it happens.
21:18Right.
21:19Well, thanks very much for your time, Mr. Franklin.
21:22Beg your pardon, doctor.
21:23Watch out, share the seats.
21:25Broken.
21:25Yes, I noticed.
21:27Take a little heads up.
21:28Oh, I don't mind that.
21:30I just skipped that coat of varnish.
21:34So you have.
21:38Technically, Roger Franklin
21:39could have broken into the Harris's,
21:41trashed it, regretted it, tidied up,
21:44then come straight here.
21:46Er, technically, yes.
21:49Though, judging by the state of his shed,
21:51he doesn't strike me as being
21:52a particularly fastidious cleaner.
21:54Yeah.
21:55So, what now?
21:56Any ideas?
21:57Yep.
21:58Piece of cake.
21:59You know who did it?
22:00No idea.
22:01I mean, I want a piece of cake.
22:04Hmm.
22:07This stuff is ridiculous.
22:10Two lemon drizzles,
22:12two Americanos,
22:13a large milk,
22:14and a double espresso.
22:16For Lady Gaga.
22:18Hardly surprising I'm stressed,
22:20considering the amount of stick
22:22I have to put up with.
22:24Oh, no, I can't take any more
22:26or I'll be rattling.
22:27They're useless anyway.
22:29Sounds like you need a massage.
22:30You should try this new place.
22:32Apparently the masseuse is incredible.
22:34No thanks.
22:35Can't bear anybody touching me,
22:37let alone when it's accompanied
22:39by bare feet and pan pipes.
22:41Mum, you should take some risks.
22:43Get out of your comfort zone.
22:45Hardly class a neck massage
22:46is risk-taking.
22:48Great.
22:53What are you doing?
22:57Hi.
22:58I was wondering if you had any availability
23:01for a massage lately today?
23:03Zoe.
23:04No.
23:07Are you OK?
23:09Yeah.
23:10No.
23:16Mr. Smith from the Hub.
23:18He's chasing me for a decision
23:20on who I'm letting go of.
23:22There must be another way
23:23to deal with these cuts, surely.
23:26Show them how well you can operate
23:27on a strict budget.
23:30Yeah, possibly.
23:33Can I get a refund on the lemon drizzle?
23:36I'm not sure that equates
23:37to someone's yearly wage.
23:39It's a start.
23:44Oh.
23:47I knew it.
23:49The lad fighting at the train station before
23:51is the same one from the allotment this morning.
23:54Some angry old man found him
23:56kipping in his shed.
23:58Roger Franklin.
23:59How do you know that?
24:00Because we interviewed him earlier
24:02about the breaking at the Harris's.
24:03He's an odd fish, that man.
24:05I know his wife.
24:07She's a sorrynist short of a picnic hamper
24:09and all, truth be told.
24:10Kicked him out a few weeks ago.
24:13Well, that explains why he spends
24:14so much time at the allotment.
24:16Apparently, they had a huge row
24:18because he got suspended from his work.
24:20Oh.
24:22What happened here, then?
24:23Well, it was all over by the time I arrived,
24:26but the station manager thinks
24:28it was something to do with drugs.
24:29Er, he heard the other lad shouting,
24:32we've got a deal, you can't pull out.
24:35Very good.
24:38So, two crimes,
24:40two attempts to undo those crimes.
24:44What would an eminent psychologist
24:46have to say about that?
24:48Oh, that reminds me.
24:51Email from Dr Harris' receptionist arrived
24:53with his patient records attached.
24:55I've just sent it to you.
24:56Excellent.
25:06I've just discovered something else
25:08very interesting.
25:10About Roger Franklin?
25:11No, Amy Riley.
25:13The patient Clive mentioned this morning.
25:15The one he saw just before he discovered
25:17his office had been broken into.
25:19He was right about her complex diagnosis.
25:25Dissociative identity disorder.
25:28Yeah, it's a psychological condition
25:30where a person switches between different identities.
25:33Each identity or alter
25:35has their own name, age and history.
25:38Well, it might explain the attempts to undo each crime.
25:42Well, because it was two different alters
25:47belonging to the same individual?
25:50Possibly.
25:51Oh.
25:54Okay.
25:55Shall we go and talk to her?
25:57No.
25:58Sorry, Sergeant.
25:59As your senior officer,
26:01I am asking,
26:01no, ordering you,
26:02to please stand down
26:04and go and have the massage
26:06your daughter booked for you.
26:07Oh, no.
26:08Honestly.
26:08It's for purely selfish reasons,
26:10believe you me.
26:11Because I'm honestly not sure
26:12how many more of those strange noises
26:13I can listen to you make.
26:15Okay?
26:15So please, off you go.
26:19Enjoy.
26:23Right, Kelby, you're with me.
26:41Have a lovely day.
26:43All right.
26:44Hello.
26:44Hiya, can I help you?
26:46Amy Riley.
26:47Can I have a quick chat, please?
26:52I was a kid when it started.
26:55Seven, maybe.
26:56Nobody took any notice, really.
26:59My parents just thought
27:00I had imaginary friends.
27:02It's not unusual
27:03when you're little, is it?
27:05But they weren't friends.
27:08They were me.
27:10Or part of me, anyway.
27:13Would you mind telling us
27:14a little bit about
27:15the other identities?
27:17The past couple of years,
27:19it's been mainly Becky.
27:20Right.
27:21Sixteen.
27:22Always acting out.
27:23Can't stand authority.
27:25Authority meaning Dr Harris?
27:28Apparently she gives me
27:29a bit of a hard time.
27:31What, apparently?
27:32I can't really tell you
27:34what my alters are like.
27:36You're best off asking other people.
27:38Dr Harris says that Becky
27:40is always taking the mick.
27:43Calls him Clive,
27:45which is embarrassing.
27:47He doesn't mind,
27:48but I do.
27:50What does Amy think about him?
27:53I think that he is
27:55a brilliant,
27:57kind man.
27:58I just can't believe I did this.
28:02Wait,
28:03so you're admitting
28:04it was you?
28:05Not me as such.
28:07It sounds like
28:08just the sort of
28:09stunt Becky had pulled.
28:11Why might Becky
28:12call Dr Harris a liar?
28:13Well, she doesn't reckon
28:14there's anything wrong with her.
28:16She tells him
28:16that he's talking rubbish.
28:18So if Becky
28:19is responsible
28:19for both break-ins,
28:21and then you,
28:22Amy,
28:23put things right,
28:25then,
28:25well,
28:27wouldn't you remember
28:28doing that?
28:29Not all the time,
28:31no.
28:32Especially if I go back
28:33to Amy
28:33in the middle
28:34of doing some
28:34silly Becky stuff.
28:37Sometimes I remember.
28:39Sometimes I don't.
28:42Can you tell us
28:43where you were
28:43between 8 and 9
28:44this morning?
28:45At home.
28:46I think
28:48my memory
28:49gets a bit
28:49fuzzy.
28:51Sorry,
28:52I'm not being very
28:52clear, I know.
28:53No, no, no, no.
28:55You've been really helpful.
28:56I mean, thank you.
29:00Dr. Harris said
29:01he saw you
29:02this morning.
29:03I was on my way
29:04to work.
29:06So is it possible
29:08that you
29:09might have
29:10switched
29:11to Becky
29:12and then
29:12back to Amy
29:14just before you
29:15saw Dr. Harris
29:15this morning?
29:18It could have
29:19happened.
29:20Could have
29:21easily happened.
29:24You all had to
29:25shut up?
29:26Yes,
29:28circumstantially.
29:29She pretty much
29:30confessed, though.
29:31That's more than
29:31circumstantially.
29:32Well, a lifetime
29:33of not being in
29:34control of your own
29:35actions has to
29:36take its toll,
29:37Kelby.
29:38Amy strikes me
29:39as someone ready
29:40to take the blame
29:40for anything.
29:42Unlike Roger
29:43Franklin.
29:45Yes.
29:58Have you had a
29:59heartstone massage
29:59before, Esther?
30:01Er, I've had a
30:03brick thrown at me
30:04if that counts.
30:05Sorry?
30:07Hazard of the job.
30:08I'm a detective.
30:10Oh, a detective.
30:11Wow.
30:12Well, no wonder
30:13you're stressed.
30:14Now, it's
30:15perfectly normal
30:16to feel a little
30:16nervous the first time.
30:18I'm not nervous.
30:20Good.
30:27Okay.
30:31How's that
30:32pressure?
30:33Er,
30:34fine.
30:36Thanks.
30:37Good.
30:38Oh.
30:40Oh.
30:42I don't
30:43normally enjoy
30:44this sort of
30:45thing, but
30:46oh,
30:47that feels
30:48amazing,
30:48actually.
30:49My boyfriend's
30:50the same.
30:51Mm-hmm.
30:51It's early days,
30:53though, so
30:53perhaps I can
30:54convince him.
30:56Most people
30:57would be delighted
30:58to have free
30:58massages on tap.
31:01Not
31:02Archie Hughes,
31:03though.
31:04Ooh.
31:05You are
31:06tense, aren't you?
31:08Let's get in
31:09those shoulders.
31:14Clive!
31:15Becky.
31:16Girl on
31:17shift with Amy
31:18said she had a
31:18visit from the
31:19police before.
31:19Said what
31:20happened.
31:21I'm sorry,
31:22Becky, but
31:22I'm afraid
31:23I can't have
31:25this conversation
31:25now.
31:26I'll see you
31:26at our next
31:27session.
31:29You know I
31:30never do anything
31:30like that,
31:31don't you?
31:33Clive!
31:35Clive!
31:36Clive!
31:40Clive!
31:41Clive!
31:42Clive!
31:43Clive!
31:44Clive!
31:45Clive!
31:45Clive!
31:46Clive!
31:46Clive!
31:47Clive!
31:48Clive!
31:55Clive!
32:01Clive!
32:02Clive!
32:02Clive!
32:03Clive!
32:04Clive!
32:04Clive!
32:05Clive!
32:05Clive!
32:07Clive!
32:07Clive!
32:08Clive!
32:08Clive!
32:09Who can assume it's because I was so desperate to get away from Archie's new girlfriend that I left them
32:13behind?
32:16What?
32:51Oh, so, um, background search on Franklin is pretty revealing. Apparently his behaviour towards Clive Harris was erratic, bordering on
33:01unhinged. Hundreds of abusive emails and phone calls.
33:06I mean, it's a pretty solid case for a disciplinary action.
33:10No wonder his wife gave him the elbow.
33:13Even more of a motive. He accuses Clive Harris and his whole life just unravelled. It makes sense.
33:20Yes, apart from the undoing.
33:23Oh, and that Mr Smith's been on again. He's like a terrier with a bone, that man. What's he after?
33:30Oh, well, I suppose he's just new to the role.
33:33And wants to make sure he's communicating regularly with everyone.
33:38Well, he's certainly doing that. I don't speak to my next of kin as much as I speak to him
33:43at the moment.
33:44And as for communicating, I can't understand half of what he's on about.
33:48I mean, what's the KPI when it's at home?
33:51Ha!
33:52What's the KPI?
34:01Yeah V
34:25June?
34:43Humphrey, you're asleep?
34:47Yes.
34:49Are you?
34:55A few days ago, Hannah told me that Rosie had something she wanted to send us.
35:00And?
35:01Nothing's arrived.
35:04I keep rushing to the door every time the post comes.
35:20Why didn't you mention it sooner?
35:22Because you've got so much on your mind.
35:26Speaking of which, talk to me about work. I know that's why you're still awake.
35:31Oh, do I have to?
35:39Mr Smith is still hounding me for a decision on who I'm going to let go.
35:45The guys are still oblivious and I'm still desperately trying to think of a solution.
35:50I've thought of myriad ways to save money and none of it comes close to a yearly salary.
35:55I can't stave him off for much longer.
35:57PHONE RINGS
36:12Hello?
36:15PHONE RINGS
36:22They were all in black.
36:25Did you hear them speak?
36:27No. I collapsed straight away. And the next thing I remember I woke up in the ambulance.
36:36Oh, is it my sister's? I will never forgive myself for leaving him alone in the house.
36:42Come on now, Jenny. It's okay.
36:45Okay? It's not okay, Clive. This has to be dealt with once and for all.
36:53Is there something else we should know, Dr Harris?
36:58Clive.
36:59Yes.
37:01I ... bumped into Amy Riley yesterday.
37:06Or rather, her main altar, Becky.
37:11She told me you'd spoken to her.
37:17The ambulance. Who called for it?
37:24I have no idea.
37:26No, me.
37:28The hospital phoned when he was admitted.
37:39It doesn't look like anything was damaged.
37:42Nothing obvious stolen either.
37:44Laptop's out on the desk in the office.
37:55Woven polyester mix?
37:57From cargo pants?
37:59But this is grey.
38:02Clive Harris said the intruder was all in black.
38:04Grey could be mistaken for black in the dark, though.
38:08They've caught themselves on something when they ran out.
38:11Right.
38:12So nothing damaged this time.
38:14And nothing taken.
38:18But something left behind.
38:25Amy, does the name Edith mean anything to you?
38:30Edith?
38:31No.
38:32You don't have an altar by that name?
38:35No, not that.
38:38Edith, no.
38:40It's mainly Becky who is more than enough.
38:45Uh, Dr. Harris said he saw Becky yesterday.
38:49Do you remember that?
38:52Beg pardon.
38:54Can I have a quick word?
38:57The recording of the 999 call from last night just came through from emergency services.
39:02I knew you'd want to listen to it straight away.
39:04Right, thanks, Margot.
39:06Hello.
39:07Can you send an ambulance to the house with the pink to Rosewood Cottage on Millstone Lane?
39:12Right.
39:14So it's fair to assume it's the intruder making the call.
39:16And yet another attempt from them to reverse the damage they've done.
39:20They sound genuinely upset.
39:22And definitely male.
39:24Puts Amy Riley in the clear?
39:25Mm-hmm.
39:26Plus, the caller started to refer to it as the house with the pink woodwork.
39:29Do you remember?
39:31Clive mentioned it used to be pink.
39:39Hello.
39:41I just popped back to pick up a few bits for Clive.
39:44The doctor's being very positive, so that's good.
39:46Good.
39:48Um, sorry, Mrs. Harris.
39:53Do you recognise this?
39:59I've never seen it before.
40:01It says Edith on the back.
40:03Does that name mean anything to you?
40:05Nothing.
40:08And, um, sorry.
40:10What about this?
40:13Sorry.
40:18Ah, Clive, uh, mentioned that the woodwork on the house used to be pink.
40:24That's right.
40:25Well, I don't suppose you remember how many years ago it was painted white.
40:28I do, as it happens.
40:30It was ten years ago.
40:32He'd just finished painting it when he had his first heart attack.
40:36I told him not to do it, that it would be too strenuous, but he wouldn't listen.
40:39And that's when we had to give up fostering.
40:43Yes, of course, you fostered.
40:46I read it.
40:49My wife and I do.
40:50Although we've had to put it on hold for the moment.
40:53It's a wonderful thing to do.
40:55But hard not to get too attached.
40:58Jess.
40:58We actually had a placement when Clive fell ill.
41:01A gorgeous boy.
41:03He'd been with us for months.
41:04We talked about adoption.
41:06But social services were worried about Clive's health.
41:08We just didn't know what the future held and how much care Clive would need.
41:14The last thing I wanted was for Adam to feel sidelined again.
41:18He deserves so much more.
41:21It must have been hard.
41:23It was the hardest decision we ever had to make.
41:26I can't say I don't regret it.
41:31No.
41:33Sorry.
41:36How old would Adam be now?
41:39He'd be...
41:41What?
41:43He'll have just turned 18.
41:4618.
41:4718!
41:48Pink!
41:49And now they're white!
41:5018!
41:51Thank you!
42:00I'm sorry, sir.
42:03Your boy from the allotment, the one who was fighting at the station, what was his name?
42:06Adam.
42:07Adam Walsh.
42:13Edith is not a person, it's a place.
42:18Specifically, a children's home.
42:26Edith's house in Exeter is for young people aged 16 to 18 on the cusp of leaving care.
42:32Yep.
42:32I just spoke to the unit manager.
42:34This key ring is included in a leavers pack.
42:37She also sent me over a photograph of the most recent residence.
42:42Look.
42:44Adam?
42:45Yep, he left there a few days ago.
42:46The manager said that once they turn 18, then there's little support from social services.
42:51What's his connection to Clive and June Harris?
42:53He was their last foster placement ten years ago.
42:56They wanted to adopt him.
42:57But Clive had his first heart attack and then the social services removed Adam because they
43:02became concerned about the Harris' ability to care for him long term.
43:05So he went back into the system until he left last week and came straight back to Shipton Abbott.
43:11Why target them if they were so close?
43:14For that exact reason.
43:16Imagine thinking you'd found a family at last and they'd send you away.
43:19They couldn't help that.
43:21I'm not sure a vulnerable eight-year-old would say it that way.
43:25But Adam was locked in Roger Franklin's shed when the first break-in happened.
43:30It couldn't have been him.
43:34Hold on, look.
43:36There's that lad he was fighting with at the train station.
43:40The deal.
43:42The deal!
43:44The station manager heard the other boy say,
43:47we've got a deal you can't pull out.
43:49Is that right, Kelby?
43:50Yeah.
43:51I don't think it was a drug deal.
43:53So what if the other boy targeted the Harris' in return for Adam doing something for him?
43:58But Adam got cold feet.
44:00Exactly.
44:00And tried to reverse the damage each time.
44:03The other boy broke into the Harris' first and trashed the living room.
44:14This is what June saw when she came back from her power walk that morning.
44:29After June left to go and get help, Adam entered the house at around 9.15.
44:36Straight from the allotment where Kelby had just seen him.
44:38Exactly.
44:40He then placed everything back as it should be.
44:45Apart from one book.
44:46Which he put back on the shelf upside down.
44:54The same thing happened in Clive's office.
44:56Adam tried to put it right again.
44:58But before he could finish the job,
45:00he heard Clive opening the door.
45:05And escaped through the window.
45:09Adam then tried to leave ship to Nabok,
45:11but the other boy stopped him and a fight broke out.
45:13What are you doing?
45:15Get off of me, man!
45:16We have a deal!
45:18You joking?
45:19What's wrong with me?
45:25So during the last break-in, the other boy framed him.
45:28A piece of cloth torn from Adam's cargo pants during the fight
45:31was left there deliberately along with the Kiwi.
45:36I don't think it was his intention to harm Clive.
45:40June?
45:44But the other boy certainly didn't want the risk of being accused of possible murder.
45:52Adam went back to the house to put things right again.
45:55But this time it was far worse than he could have imagined.
46:05Hello?
46:07Can you send an ambulance to the house with the pinked...
46:10to Rosewood Cottage on Millstone Lane?
46:13When we first went to the Harris's,
46:15we were looking for Rosewood Cottage but couldn't find it.
46:17Clive said it used to be easier to find when it was painted pink.
46:20So whoever made that call
46:23must have had a history with the house.
46:26Adam?
46:28I don't think I know where to find it.
46:43Adam?
46:45Can you tell us...
46:47who this is?
46:49Sam.
46:50We met in care and became mates.
46:52Same boat.
46:53Nobody wanted us.
46:55A few days after we left Edith's house,
46:57Sam showed me this thing he found online.
46:59Clive.
47:00In a newspaper.
47:02A profile piece in the Times?
47:05Talking about how much he cared about helping people.
47:09Didn't seem like he cared much about me when I went back into care.
47:12You must have stung reading that.
47:15I know it was stupid,
47:17but I wanted to hurt them like they hurt me.
47:20not properly,
47:22just...
47:23shaped them up.
47:24So that's when you and Sam
47:27made the deal.
47:28He would go after the Harris's for you,
47:31and what did he want you to do
47:32for him in exchange?
47:35Set up his mum's dealer boyfriend.
47:38Get him arrested.
47:39A revenge swap?
47:40I told Sam I changed my mind,
47:42but he wasn't having it.
47:44So you tried to stop it?
47:45Yeah, but that stupid bloke locked me in his shed,
47:47and by the time I got to the house,
47:50it was too late.
47:52Then Sam started blackmailing you?
47:54If he didn't keep your side of the deal,
47:57he'd frame you.
47:59It all got so out of hand.
48:05I never meant them any harm,
48:07but nobody told me anything.
48:11One day I'm living with Clive and June
48:13thinking I've got a family again,
48:14and the next I'm back in care.
48:17You understand.
48:20No, you don't.
48:22No, you're right.
48:26I don't understand what it was like for you.
48:29But I do have experience from the other side.
48:37My wife and I fostered
48:40a little girl, Rosie,
48:42not so long ago.
48:44I thought we might have a future together
48:46as a family.
48:50But we had to say goodbye to her.
48:53It was hard.
48:56It still is.
49:00Clive and June
49:02didn't reject you, Adam.
49:04They loved you.
49:06Letting you go
49:08wasn't their choice.
49:15Adam.
49:18Can you take us to Sam?
49:21I can't.
49:23He's not a bad person.
49:24He's just been through all...
49:25This isn't about punishment, Adam.
49:27We want to help both of you,
49:29I promise.
49:30But we can't do that
49:32if we don't know where Sam is.
49:38The next train to Exeter
49:39will be from Platform 1
49:41in 12 minutes.
49:51Finally seen some sense, then.
49:53Took your time?
49:55I'm sorry, Sam.
50:08You crashed.
50:09It's okay.
50:10I never laid a finger on him,
50:11I swear.
50:12We know that.
50:13We just want to help.
50:14Yeah, whatever.
50:15Sam.
50:17It is all right.
50:22The sun's gone down
50:25Like a king to rest
50:28You're okay.
50:30Yeah.
50:30The brightest palace holds
50:33Thanks.
50:34Far and going
50:35Where are the sun?
50:39Come now and remember
50:43The fire we made
50:47Meet me in the twilight
50:50Meet me in the day
50:54Meet me where those troubles
50:58Now all been cast away
51:08The noble stars
51:11As they first arise
51:14The silence of the eve
51:18The deep and full new skies
51:24The two plans lie
51:28I'll get my stuff
51:29Amy
51:32I'm not here to arrest you, okay?
51:35I'm here to tell you
51:36That we have found
51:37Who's responsible
51:38And it's not Becky
51:40Okay, so most importantly
51:42It's not you
51:44Really?
51:45Yeah
51:46Thank God
51:53Amy
51:55I hope this doesn't sound
51:56Passionizing
51:57But
51:58I think you're really brave
52:01The way you handle
52:03Your disorder
52:03The way
52:04You're so honest
52:05And open
52:07Everyone has their stuff
52:08Don't they?
52:09Yeah, true
52:10But
52:10Not everyone handles
52:12Their stuff
52:12Like you do
52:16Thank you
52:19Take care of yourself
52:26The sun's coming down
52:30Like a king to rest
52:34Brightest palace
52:35Come on then
52:36Spit it out
52:37What's on your mind?
52:38Nothing?
52:41Okay, there is something
52:43It's exciting, though. Don't worry. I was talking to Martha.
52:47Oh, my God, ma'am. There's Archie and that woman.
52:50What should we do?
52:52Hello.
52:53Esther. Zoe, hi.
52:56Sorry, this is...
52:57Amelia, I know. We met. Hi.
52:59Hi, Esther. Came in for a massage.
53:02Oh.
53:03How's the headache?
53:04Gone. I feel like a brand-new woman.
53:06Oh, I'm so pleased. Well, let me know when you want to book in again.
53:09Oh, no need. I'm fixed. You're a miracle worker.
53:12Well, tell him that, will you?
53:14She is. It's true.
53:16See? Sort yourself out, mister.
53:18Yeah, I'm trying.
53:22Well, we'd best be going, haven't we, Zoe?
53:25Nice to see you both.
53:26Great to see you, Esther.
53:28Yeah, well, you know where I am, if you need me.
53:30I do. Cheers.
53:32Right, um...
53:33Oh, my God, ma'am.
53:39You're so amazing.
53:41Well, we're all adults.
53:43Apart from you, obviously, you'll always be my little baby girl.
53:47Go on, anyway, what was it you want to talk about?
53:51Can't think, no.
53:52No, you were chatting to Martha, something exciting.
53:56Kind of forgotten already.
53:58Er, yeah, she was just saying how much she appreciated me working at the cafe.
54:03See?
54:05None of us can do without you.
54:09I'm very proud of you.
54:10Yeah?
54:11Yeah.
54:12Thanks.
54:14Thanks, ma'am.
54:23It came this morning.
54:32Aren't you going to open it?
54:34Yes.
54:35Why am I so nervous?
54:39July?
54:40July?
54:44To hunt for your Martha?
54:45Yeah.
54:56Do you think she knows how much we cared about her?
55:00How much we still care about her?
55:04Of course she does.
55:06She knows Humphrey.
55:10I wonder what she'd think about the lily bond, though.
55:13I think it was my fault.
55:15No, it wasn't.
55:18Was it?
55:22Well, we couldn't live on a boat forever.
55:26Speaking of which, I think we should put an offer in on the house.
55:28Oh, it's so much work, Martha.
55:30Not to mention money.
55:32Yeah, but we take our time.
55:35Do it bit by bit.
55:38Remember what we said.
55:40It's the two of us.
55:42And whatever else happens, it will always be the two of us.
55:46This is our adventure, Humphrey.
55:49And there's nobody else I'd choose to be on it with.
55:57Come on, ladies.
55:58That's it.
55:58Come on, ladies.
56:00Come on.
56:01Let's get inside and I'll get us all a drink.
56:03Come on.
56:04Come on.
56:06Come on.
56:06Come on.
56:06We did watch this.
56:08A minefield for a week after.
56:10Just the two of us.
56:12Just the two of us.
56:20This is Darth Morris.
56:22Someone help him.
56:23Hurry!
56:24You should have to be a good one.
56:24So if someone did trigger the allergy, they did so during the dance?
56:27But we were all watching.
56:28So what did we miss?
56:30Is that the allergy one?
56:31There's a Mr. Smith was talking about left on the golf course.
56:33So, not just me you ignore, but your staff too.
56:36She doesn't know about Mr. Smith.
56:38Don't be cross-liver.
56:39I'm not.
56:39I'm angry at him.
56:40I'm here for one reason, and that's to save your sentimental ass.
56:45You can't help who you fall in love with.
56:47You can't decide what you do about it.
56:53Love is a confusing game.
56:55Perhaps it's better left unplayed.
56:57Catch the other Bennet sister now on iPlayer.
56:59This and everything across the BBC is made possible because we're funded by you.
57:05On the way next, new Have I Got News For You here on BBC One.
57:11What?
57:11What?
Comments