- 6 hours ago
Doctor Who (2005) S05E04
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TVTranscript
00:23It's a beautiful day.
00:32It's a hallucinogenic lipstick, hallucinogenic lipstick.
00:37She's here.
01:06It's a hallucinogenic lipstick, hallucinogenic lipstick.
01:15Wrong.
01:16Wrong.
01:16Bit right.
01:17Mostly wrong.
01:19I love museums.
01:20Yeah, great.
01:21Can we go to a planet now?
01:22Big spaceship, Churchill's Bunker.
01:24There must be a planet next.
01:25Amy, this isn't any odd asteroid.
01:26It's the Delirium Archive.
01:28The final resting place of the Headless Monks.
01:30The biggest museum ever.
01:32You've got a time machine.
01:33What do you need museums for?
01:34Wrong.
01:35Very wrong.
01:36Oh, one of mine.
01:37Also one of mine.
01:40Oh, I see.
01:42It's how you keep score.
01:53Oh, great.
01:54An old box.
02:02It's from one of the old Starliners.
02:04A home box.
02:06What's a home box?
02:07Like a black box on a plane, except it homes.
02:10Anything happens to the ship, the home box flies home with all the flight data.
02:15So?
02:15The writing.
02:17The graffiti.
02:18Old High Gallifreyan.
02:19The lost language of the Time Lords.
02:26There were days.
02:28There were many days these words could burn stars and raise up empires and topple gods.
02:35What does this say?
02:40Hello, sweetie.
03:10The party's over, Dr. Song.
03:14Why are we doing this?
03:15Someone on a spaceship 12,000 years ago is trying to attract my attention.
03:18Let's see if we can get the security plan back working.
03:32The party's over, Dr. Song.
03:34Yet still you're on board.
03:38Sorry, Alistair.
03:40I needed to see what was in your vault.
03:44Do you all know what's down there?
03:46Any of you?
03:48Because I'll tell you something.
03:50This ship won't reach its destination.
03:54Wait till she runs.
03:56Don't make it look like an execution.
03:59Triple seven five slash three four nine by ten.
04:02Zero twelve slash acorn.
04:06Oh, and I could do with an air corridor.
04:07What was that?
04:08What did she say?
04:09Coordinates.
04:12Like I said on the dance floor, you might want to find something to hang on to.
04:24Let's go.
04:39Woo!
04:46TREMORAL MUSIC
04:49Doctor?
04:51River?
04:53Follow that ship.
05:42They're going to warp drive. We're losing them. Stay close.
05:46I'm trying. Use stabilizers.
05:48They're not stabilizers. The blue switches.
05:51Well, the blue ones don't do anything. They're just blue.
05:54Yes, they're blue. They're the blue stabilizers.
06:05Yeah. Well, it's just boring now, isn't it?
06:08They're boringers. They're blue... boringers.
06:13Doctor, how come she can fly the TARDIS?
06:15You call that flying the TARDIS? Ha!
06:18Okay.
06:20I've mapped the probability vectors, done a fallback on the temporal isometry,
06:25charted the ship to its destination, and...
06:29Parked us right alongside.
06:31Parked us? You haven't landed?
06:34Of course we've landed. I just landed her.
06:38But it didn't make the noise.
06:40What noise?
06:42No, the...
06:48It's not supposed to make that noise. You leave the brakes on.
06:52Yeah. Well, it's a brilliant noise. I love that noise.
06:55Come along, pond. Let's have a look.
06:59No, wait. Environment checks.
07:01Oh, yes. Sorry. Quite right. Environment checks.
07:08Nice out.
07:09We're somewhere in the Garn Belt. There's an atmosphere. Early indications suggest that...
07:13We're on Alfalfa Metraxis, the seventh planet of the Dundra system. Oxygen-rich atmosphere,
07:18all toxins in the soft band, 11-hour day, and...
07:23chances of rain later.
07:24He thinks he's so hot when he does that.
07:26How come you can fly the TARDIS?
07:28Oh, I had lessons from the very best.
07:31Well...
07:32Yeah.
07:33It's a shame you were busy that day.
07:36Right, then.
07:38Why did they land here?
07:40They didn't land.
07:42Sorry?
07:44You should have checked the home box. It crashed.
07:57Explain. Who is that, and how did she do that museum thing?
08:01It's a long story, and I don't know most of it... Off we go.
08:04What are you doing?
08:04Leaving. She's got where she wants to go. Let's go where we want to go.
08:07Are you basically running away?
08:08Yep.
08:09Why?
08:09Because she's the future. My future.
08:10Can I run away from that?
08:11I can run away from anything I like. Time is not the boss of me.
08:14Hang on. Is that a planet out there?
08:16Yes. Of course it's a planet.
08:17You promised me a planet.
08:20Five minutes?
08:23Okay. Five minutes.
08:25Yes.
08:26But that's all, because I'm telling you now,
08:28that woman is not dragging me into anything.
08:48What caused it to crash? Not me.
08:51Nah, the airlock would have sealed seconds after.
08:53You blew it. According to the home box, the war pin is at a phase shift.
08:57No survivors.
08:58Phase shift would have to be sabotage.
09:00I did warn them.
09:02About what?
09:03At least the building is empty.
09:05It's Aplan Temple.
09:06Unoccupied for centuries.
09:10Are you going to introduce us?
09:15Amy Pond.
09:17Professor Riverside.
09:19I'm going to be a professor someday, am I?
09:22How exciting.
09:26Spoilers.
09:27Yeah, but who is she and how did she do that?
09:29She just liked you a note and it was him.
09:31Two things always guaranteed to turn up in a museum.
09:33The home box of category four star liner and sooner or later.
09:38Him.
09:40It's how he keeps score.
09:42I know.
09:43It's hilarious, isn't it?
09:45On nobody's taxi service, I'm not going to be there to catch you every time you feel
09:49like jumping out of a spaceship.
09:51And you are so wrong.
09:56There's one survivor.
09:58There's a thing in the belly of that ship that can't ever die.
10:08Now he's listening.
10:10You're not in orbit yet?
10:12Yeah, I saw it land.
10:13I'm at the crash site.
10:14Try and home in on my signal.
10:17Doctor.
10:18Can you sonic me?
10:20I need to boost the signal so we can use it as a beacon.
10:25Oh, Doctor.
10:26You sonic'd her.
10:29We have a minute.
10:31Shall we?
10:32Where are we up to?
10:34Have we done the bone meadows?
10:36That's the bick.
10:37Stay away from it.
10:39What is it, though?
10:40Her diary.
10:41Our diary?
10:42Her past.
10:43My...
10:44future.
10:47Time travel.
10:48We keep meeting in the wrong order.
11:00Time travel.
11:03You promised me an army, Doctor Song.
11:05No.
11:06I promised you the equivalent of an army.
11:10This is the Doctor.
11:13Father Octavian, sir.
11:15Bishop.
11:15Second class.
11:16Twenty clerics at my command.
11:17The troops are already in the dropship and landing shortly.
11:20Doctor Song was helping us with a covert investigation.
11:26Has Doctor Song explained what we're dealing with?
11:29Doctor, what do you know of the weeping angels?
11:36The angel, as far as we know, is still trapped in the ship.
11:39Our mission is to get inside and neutralize it.
11:42We can't get through up top.
11:43We'd be too close to the drives.
11:48According to this, behind the cliff face, there's a network of catacombs leading right up to the temple.
11:53We can blow through the base of the cliffs, get into the entrance chamber and then work our way up.
11:58Oh, good.
11:59Good, sir.
12:00Catacombs.
12:01Probably dark ones.
12:02Dark catacombs.
12:03Great.
12:04Technically, I think it's called a maze of the dead.
12:07You can stop any time you like.
12:09Father Octavian!
12:11Excuse me, sir.
12:16You're letting people call you, sir.
12:18You never do that.
12:22So whatever a weeping angel is, it's really bad, yeah?
12:25Now that's interesting.
12:28You're still here.
12:29Which part of waiting the TARDIS till I tell you it's safe was so confusing?
12:33Where are you all Mr. Gronk and face today?
12:35A weeping angel, Amy, is the deadliest, most powerful, most malevolent life form evolution has ever produced.
12:40And right now, one of them is trapped inside that wreckage and I'm supposed to climb in after it with
12:43a screwdriver and a torch
12:44and assuming I survived the radiation long enough and assuming the whole ship doesn't just fly up in my face,
12:48do something incredibly clever which I haven't actually thought of yet.
12:52That's my day.
12:52That's what I'm up to.
12:53Any questions?
12:55Is River Song your wife?
12:57Because she's someone from your future.
12:59The way she talks to you, I've never seen anyone do that.
13:02She's kind of like, you know,
13:04Heal Boy.
13:06She's Mrs. Doctor from the future, isn't she?
13:08Is she gonna be your wife one day?
13:11Yes.
13:13You're right.
13:15I am definitely Mr. Grumpy Face today.
13:19Doctor!
13:20Doctor!
13:23Oops.
13:24Car indoors.
13:25Father Octavian!
13:28Why did they call him Father?
13:30He's their bishop, there is cleric.
13:31Since the 15th century, the church has moved on.
13:47What do you think?
13:49It's from the security cameras in the Byzantium Vault.
13:52I ripped it when I was on board.
13:53Sorry about the quality.
13:54It's four seconds.
13:55I put it on loop.
13:55Yeah, it's an angel.
13:57Hands covering his face.
13:59You've encountered the angels before.
14:00Ah, once on Earth a long time ago, but those were scavengers barely surviving.
14:04But it's just a statue.
14:06It's a statue when you see it.
14:07Where did it come from?
14:08Oh, pulled from the ruins of Rasperhan, end of last century.
14:11It's been in private hands ever since.
14:13Dormant all that time.
14:14There's a difference between dormant and patient.
14:17What's that mean, it's a statue when you see it?
14:20The weeping angels can only move if they're unseen.
14:24So legend has it.
14:25No, it's not legend.
14:26It's a quantum lock.
14:27In the sight of any living creature, the angels literally cease to exist.
14:31They're just stone, the ultimate defense mechanism.
14:35What, being a stone?
14:37Being a stone.
14:39Until you turn your back.
14:45A hyperdrive would have split open on impact.
14:47That whole ship's going to be flooded with dry burn radiation,
14:49cracked electrons and gravity storms.
14:51Deadly to almost any living thing.
14:53Deadly to an angel?
14:54Dinner to an angel.
14:55The longer we leave it there, the stronger it will grow.
14:57Who built that temple? Are they still around?
14:59The Atlants, indigenous life forms. Died out 400 years ago.
15:02200 years later, the planet was terraformed.
15:05Currently, there are six billion human colonists.
15:07Whoo! You lot, you're everywhere.
15:09You're like rabbits!
15:10I'll never get on saving you.
15:12Sir, if there is a clear and present danger to the local population...
15:15Oh, there is. Bad as it gets.
15:17Bishop, lock and load.
15:19Virgil, how are we doing with those explosives?
15:21Dr. Song with me.
15:23Two minutes. Sweetie, I need you.
15:27Anybody need me?
15:30Nobody?
15:45I found this. Definitive work on the angels. Well, the only one.
15:49Written by a madman. It's barely readable, but I've marked a few passages.
15:52Not bad, but slow in the middle. Didn't you hate his girlfriend?
15:54No, no. Hang on. Wait, wait, wait, wait, wait.
15:56Dr. Song?
15:59Did you have more than one clip of the angel?
16:01No, just the four seconds.
16:03This book is wrong. What's wrong with this book is wrong?
16:33It's so strange when you go old, babyface.
16:36How early is this for you?
16:37Very early.
16:39So you don't know who I am yet?
16:41How do you know who I am? I don't always look the same.
16:44I've got pictures of all your faces.
16:46You never show up in the right order, though. I need the spotter's guide.
16:49Pictures? Why aren't there pictures?
17:24You're just a recording. You can't move.
17:29You're just a recording.
17:50Doctor?
18:00This whole book is a warning about the weeping angels, so why no pictures?
18:04Why not show us what to look out for?
18:06There was that bit about images. What was that?
18:07Yes. Hang on.
18:10That which holds the image of an angel becomes itself an angel.
18:17Doctor!
18:20What does that mean? An image of an angel becomes itself an angel.
18:29Doctor! Is it in the room?
18:31Amy!
18:31Doctor!
18:33Are you all right? What's happening?
18:36Doctor?
18:37Doctor is coming out of the television. The angel is here.
18:40Don't take your eyes off it. Keep looking. It can't move if you're looking.
18:43What's wrong? Deadlocked.
18:44There isn't a deadlock.
18:45Don't blink, Amy. Don't even blink.
18:47Doctor?
18:48What are you doing?
18:49Cutting the power. She's in the screen. I'm turning the screen off.
18:53No good. It's deadlocked whole system.
18:54There is no deadlock.
18:55There is now.
18:56Help me!
18:58Can you turn it off?
18:59Doctor!
19:00The screen! Can you turn it off?
19:01I tried.
19:02Try again, but don't take your eyes off the angel.
19:04I'm not!
19:06It's time it moves a little bit faster. Don't even blink.
19:09I'm not.
19:10Blinking! Have you ever tried not blinking?
19:30Just keep switching back on!
19:31Yeah, it's the angel.
19:34It's just a recording.
19:35No, anything that takes the image of an angel is an angel.
19:41What are you doing?
19:42I'm trying to cut through. It's not even warm.
19:44There is no way in it. It's not physically possible.
19:46Doctor?
19:48What's it gonna do to me?
19:49Just keep looking at it. Don't stop looking.
19:53Just tell me.
19:55Tell me.
19:57Tell me!
19:58Amy, not the eyes. Look at the angel, but don't look at the eyes.
20:02Why?
20:03What is it?
20:04The eyes are not the windows of the soul, they are the doors.
20:06Beware what may enter there.
20:08Doctor, what did you say?
20:09Don't look at the eyes!
20:11No, about images. What did you say about images?
20:14Whatever holds the image of an angel is an angel.
20:19Okay.
20:22Hold this.
20:24One, two, three, four.
20:33I froze it.
20:35There was a sort of blip on the tape and I froze it on the blip.
20:38It wasn't the image of an angel anymore.
20:41That was good, yeah?
20:42It was, wasn't it?
20:43That was pretty good.
20:45That was amazing.
20:46River, I gave you me.
20:47Why?
20:48Because I'm busy.
20:49I'm fine.
20:50You're brilliant.
20:52Thanks.
20:53Yeah, I kind of creamed it, didn't I?
20:55So it was here?
20:55That was the angel.
20:56That was a projection of the angel. It's reaching out, getting a good look at us.
21:00It's no longer dormant.
21:06That's not positive!
21:09Doctor!
21:10Doctor!
21:10We're through!
21:12Okay.
21:13Now this starts.
21:15And standing by, sir!
21:22Coming?
21:23Yeah, coming.
21:25There's just... something in my eye.
21:39Do we have a gravity globe?
21:41We have a globe.
21:45Where are we?
21:46What is this?
21:47It's an Apline Mortarium.
21:50Sometimes called a maze of the dead.
21:52What's that?
21:53Well, if you happen to be a creature of living stone...
22:06Perfect hiding place.
22:09Well, I guess this makes it a bit trickier.
22:11Ha.
22:12A bit, yeah.
22:14A stone angel on the loose amongst stone statues.
22:17A lot harder than I prayed for.
22:20Needle in a haystack?
22:21A needle that looks like hay.
22:22A hay-like needle of death.
22:23A hay-like needle of death in a haystack of statues.
22:27No.
22:28Yours is fine.
22:29Right.
22:30Check every single statue in this chamber.
22:33You know what you're looking for?
22:34Complete visual inspection.
22:36One question.
22:37How do we fight it?
22:38We find it.
22:39And hope.
22:45He doesn't know yet, does he?
22:47Who and what you are.
22:49It's too early in his time stream.
22:51Well, make sure he doesn't work it out.
22:53Or he's not gonna help us.
22:55I won't let you down.
22:57Believe you me, I have no intention of going back to prison.
23:03Sir.
23:04Star chamber.
23:05One visible exit.
23:08Check it out.
23:10Angelo, go with him.
23:20Rachel M scrap the house.
23:24He's a man they bring around.
23:25Go with him.
23:33It's Drag экos arrest.
23:34You look at him.
23:36He buscando suspense diurn.
23:36You look at him.
23:36Not even a monster.
23:37We run through his turnover.
23:38He was here to Loomans.
23:38Or at least he was aìn-aing.
23:38You look way?
23:39He's creeping up.
23:39Attorney, who's a nighter.
23:40g manner.
23:40What is?
23:58you all right yeah i'm fine so what's a maze of the dead oh it's not as bad as it
24:06sounds
24:07it's just a labyrinth with dead people buried in the walls
24:11okay that was fairly bad right give me your arm
24:19this won't hurt a bit oh there you see i lied it's a viral stabilizer stabilizes your metabolism
24:28against radiation dry burn anything you're gonna need it when we get up to that ship
24:34so what's he like in the future i mean because you know i'm in the future don't you
24:41the doctor oh the doctor's the doctor oh well that's um berry help form it if i um write that
24:51down yes we are sorry what talking about you i wasn't listening i'm busy ah the other way up
25:07yeah you're silver's wife oh amy amy amy this is the doctor we're talking about do you really think
25:12it could be anything that simple yep you're good i'm not saying you're right but you are very good
25:30can you believe this we're hunting statues
25:36better than chasing lava snakes
25:41actually a lot of snakes weren't that bad
25:43better than chasing the other way up
25:46yeah
26:03that's it
26:05that's it
26:10so
26:18Who's there?
26:20Is someone there?
26:24Angela?
26:28Angela!
26:34Christian, is that you?
26:37Angela, come and see this.
26:45What is it?
26:46Just come and see it.
26:49It's not a school trip.
26:51Just tell me.
26:53No, really.
26:54Come and see.
27:19I'm sorry.
27:20Sorry, I thought he looked at me.
27:22We know what the angel looks like.
27:24Is that the angel?
27:25No, sir.
27:26No, sir, it is not.
27:28According to the doctor, we are facing an enemy of unknowable power and infinite evil,
27:32so it would be good.
27:33It would be very good if we could all remain calm in the presence of decor.
27:38What's your name?
27:40Bob, sir.
27:41Oh, that's a great name.
27:42I love Bob.
27:43It's a sacred name.
27:44We all have sacred names.
27:46They're given to us in the service of the church.
27:50Sacred Bob.
27:51More like scared Bob now, eh?
27:55Yes, sir.
27:56Ah, good.
27:58The scare keeps you fast.
27:59Anyone in this room who isn't scared is a moron.
28:04Carry on.
28:10We'll be moving into the maze in two minutes.
28:12You stay with Christian and Angela.
28:15Guard the approach.
28:24Isn't there a chance this lot's just going to collapse?
28:27There's a whole ship up there.
28:29Incredible build, just the Aplands.
28:31Had dinner with her chief architect once.
28:33Two heads are better than one.
28:34What, you mean you helped him?
28:35Uh, no, I mean he had two heads.
28:37That book, at the very end, what did it say?
28:39Oh, hang on.
28:41Read it to me.
28:45What if we had ideas that could think for themselves?
28:48What if one day our dreams no longer needed us?
28:51When these things occur and are held to be true,
28:53the time will be upon us.
28:55The time of angels.
29:00Hey, Angelo.
29:02Christian.
29:03Where are you?
29:05Where are you?
29:13Are we there yet?
29:14It's a hell of a climb.
29:16The maze is on six levels, representing the ascent of the soul.
29:19Only two levels to go.
29:21Lovely species, the Aplands.
29:23We should visit them sometime.
29:26I thought they were all dead.
29:28So is Virginia Woolf.
29:29I'm on her bowling team.
29:31Very relaxed.
29:32Sort of cheerful.
29:33Well, that's having two heads, of course.
29:35You'll never sort of snob with an extra head.
29:37Doctor, there's something.
29:39I don't know what it is.
29:39Yeah, there's something wrong.
29:41Don't know what it is you're tired of working on it.
29:42Of course, then they started having laws against self-marrying.
29:45I mean, what was that about?
29:46But that's the church for you.
29:48No offence, Bishop.
29:51Quite a lot taken, if that's all right, Doctor.
30:01This point in the wreckage is only about 50 feet up from here.
30:05That way.
30:06Church had a point, if you think about it.
30:08The divorces must have been messy.
30:15What's wrong?
30:19Oh.
30:29Exactly.
30:30How could we not notice that?
30:32No level perception felt at all.
30:33Maybe we're thick.
30:34What's wrong?
30:35Nobody move.
30:36Nobody move.
30:36They're able to stay exactly where they are.
30:38Bishop, I am truly sorry.
30:39I've made a mistake and we're all in terrible danger.
30:42What danger?
30:46The outplands.
30:49The outplands?
30:50They've got two heads.
30:51Yes, I get that.
30:52So why don't the statues...
30:55Everyone over there, just move.
30:58Don't ask questions, don't speak.
31:05Okay.
31:08I want you all to switch off your torches.
31:10Sir.
31:12Let's do it.
31:19I'm going to turn off this one, too, just for a moment.
31:22Are you sure about this?
31:25No.
31:31Oh, my God.
31:32They've moved.
31:50They're angels.
31:51All of them.
31:52They can't be.
31:54Clerics, keep watching them.
32:04Every statue in this maze, every single one, is a weeping angel.
32:09They're coming after us.
32:27Bob, come and see this.
32:30Angelo?
32:33Come and see what we found.
32:36Are you with Christian?
32:37The bishop said you'd be five minutes.
32:38I'm here, Bob.
32:39Come and see this.
32:42Where are you?
32:44Through the arch, Bob.
32:46Honestly, you've got to come and see this.
32:48What have you found?
32:50Come and see.
32:52No.
32:53What is it?
32:54Come and see.
33:21There was only one angel on the ship.
33:23Just the one, I swear.
33:24Could they have been here already?
33:26Yeah, plans.
33:26What happened?
33:27How did they die out?
33:27Nobody knows.
33:29We know.
33:30They don't look like angels.
33:31They're not fast.
33:32You said they were fast.
33:34They should have had us by now.
33:35Look at them.
33:35They're dying, losing their form.
33:36They must have been down here for centuries, starving.
33:38Losing their image.
33:39And their image is their power.
33:42Power.
33:43Power!
33:44That's it?
33:45Yeah, don't you see all that radiation spilling out the driver?
33:47And the crash of the Byzantium wasn't an accident.
33:49It was a rescue mission for the angels.
33:50We're in the middle of an army.
33:51And it's waking up.
33:54We need to get out of here fast.
33:55Bob, Angelo, Christian, come in, please.
33:59Any of you come in?
34:00It's Bob, sir.
34:01Sorry, sir.
34:02Bob, are Angelo and Christian with you?
34:04All the statues are active.
34:06I repeat, all the statues are active.
34:08I know, sir.
34:09Angelo and Christian are dead, sir.
34:11The statues killed them, sir.
34:12Bob.
34:13Sacred Bob.
34:13It's me, the doctor.
34:14I'm talking...
34:15Where are you now?
34:16I'm talking to my...
34:16Yeah, yeah, yeah, yeah.
34:17Shut up.
34:18I'm on my way up to you, sir.
34:19I'm home in and you're sick.
34:20Ah, well done, Bob.
34:21Scare keeps you fast.
34:22Told you, didn't I?
34:23You're friends, Bob.
34:24What did the angels do to them?
34:25Snap their necks, sir.
34:28See, that's odd.
34:29That's not how the angels kill you.
34:30They displace you in time
34:31unless they needed bodies for something.
34:34Bob, did you check their data packs for vital signs?
34:37We may be able to initiate a rescue.
34:39Oh, don't be an idiot.
34:40The angels don't leave you alive.
34:42Bob, keep running.
34:43But tell me, how did you escape?
34:44I didn't escape, sir.
34:46The angel killed me, too.
34:53What do you mean the angel killed you, too?
34:55It snapped my neck, sir.
34:56It wasn't as painless as I expected,
34:58but it was pretty quick,
34:59so that was something.
35:00If you're dead, how can I be talking to you?
35:02You're not talking to me, sir.
35:04The angel has no voice.
35:06It stripped my cerebral cortex from my body
35:08and reanimated a version of my consciousness
35:09to communicate with you.
35:11Sorry about the confusion.
35:12So when you say you're on your way up to us...
35:14It's the angel that's coming, sir.
35:16Yes.
35:16No way I am.
35:18Can we get out through the wreckage?
35:19Go, go, go, go.
35:20Always on.
35:21Come, Ted.
35:22Yeah, yeah, yeah, I'm coming.
35:23Just go.
35:23Go, go, go.
35:27Yeah.
35:28I called you an idiot.
35:29Sorry, but there's no way we could have rescued you.
35:31I know that, sir.
35:32And when you've flown away in your little blue box,
35:35I'll explain that to their families.
35:42Angel Bob.
35:43Which angel am I talking to?
35:44The one from the ship?
35:46Yes, sir.
35:47And the other angels are still restoring.
35:49Ah, so the angel is not in the wreckage.
35:55Don't wait for me.
35:56Go, run.
35:57I can't.
36:00No, really, I can't.
36:02Why not?
36:03Look at it.
36:03Look at my hand.
36:05It's stone.
36:20Well, there it is.
36:22The Byzantium.
36:24It's got to be 30 feet.
36:26How do we get up there?
36:30Check all these exits.
36:31I want them all secure.
36:33You looked into the eyes of an angel, didn't you?
36:35I couldn't stop myself.
36:36Have I tried?
36:37Listen to me.
36:37It's messing with your head.
36:38Your hand is not made of stone.
36:39It is.
36:40Look at it.
36:40It's in your mind, I promise you.
36:42You can move that hand.
36:43You can let go.
36:44I can't, okay?
36:45I've tried and I can't.
36:46It's stone.
36:48The angel is going to come.
36:50And it's going to turn this light off
36:52and then there's nothing I can do to stop it.
36:53So do it.
36:54Concentrate.
36:54Move your hand.
36:55I can't.
36:56Then we're both going to die.
36:57You're not going to die.
37:00Don't kill the lights.
37:02You've got to go.
37:03You know you have.
37:04You've got all that stuff with River
37:05and that's all got to happen.
37:06You know you can't die here.
37:08Time can be rewritten.
37:09It doesn't work like that.
37:13Keep your eyes on it.
37:14Don't blink.
37:16Run!
37:16See, I'm not going.
37:17I'm not leaving you here.
37:18I don't need you to die for me, Doctor.
37:20Do I look that clingy?
37:21You can move your hand.
37:22It's stone.
37:22It's not stone.
37:24You've got to go.
37:25Those people up there will die without you.
37:27If you stay here with me,
37:28you'll have as good as killed them.
37:29Amy Pond, you are magnificent
37:31and I'm sorry.
37:33It's okay.
37:34I understand.
37:37You've got to leave me.
37:38Oh, no, I'm not leaving you.
37:39Never.
37:39I'm sorry about this.
37:40No!
37:41See, not stone.
37:42Now run.
37:43Help me.
37:44Yeah, and you're alive.
37:45Look, I've got a mark.
37:46Look at my hand.
37:47And you're alive.
37:48Did I mention?
37:49Maybe your teeth.
37:50Have you got space?
37:51Yeah, alive.
37:52All I'm saying.
37:57Statues are bouncing along all the corridors.
38:00And, sir, my torch keeps flickering.
38:01They all do.
38:02So does the gravity globe.
38:03Clerics, we're down to four men.
38:05Expecting coming.
38:07Yeah, it's the angels.
38:09They're coming.
38:10And they're draining the path themselves.
38:12Which means we won't be able to see them.
38:14Which means we can't stay here.
38:16There are two more incoming.
38:18Any suggestions?
38:19The statues are advancing on all sides.
38:21We don't have the climbing equipment to reach the Byzantium.
38:24There's no way up, no way back, no way out.
38:26No pressure.
38:26But this is usually when you have a really good idea.
38:32There's always a way out.
38:34There's always a way out.
38:37There's always a way out.
38:40Doctor, can I speak to the doctor, please?
38:43Hello, angels.
38:44What's your problem?
38:45Your power will not last much longer.
38:47And the angels will be with you shortly.
38:49Sorry, sir.
38:51Why are you telling me this?
38:52There's something the angels are very keen you should know before the end.
38:54Which is?
38:56I died in fear.
38:58I'm sorry.
39:00You told me my fear would keep me alive.
39:02But I died afraid, in pain and alone.
39:05You made me trust you.
39:05And when it mattered, you let me down.
39:09What are they doing?
39:11They're trying to make him angry.
39:13Sorry, sir.
39:14The angels were very keen for you to know that.
39:18Well, then, the angels have made their second mistake, because I'm not going to let that pass.
39:22I'm sorry you're dead, Bob, but I swear to whatever is left of you, they will be sorrier.
39:26But your traps are about to die.
39:29Yeah, a trap.
39:30And you know what?
39:30Speaking of traps, this trap's got a great big mistake in it.
39:33A great big whopping mistake.
39:35More mistakes, sir.
39:37Trust me.
39:39Yeah.
39:40Trust me.
39:41Always.
39:42You lot, trust me.
39:46Sir, two more incoming.
39:48We have faith, sir.
39:49Then give me your gun.
39:54I'm about to do something incredibly stupid and dangerous when I do.
39:58Jump.
39:59Jump where?
40:00Just jump high as you can.
40:01Come on, leave a faith, Bishop, on my signal.
40:03What signal?
40:04You won't miss it.
40:05Sorry, can I ask again?
40:06You mentioned a mistake with me.
40:08Oh, big, big mistake.
40:09Really huge.
40:10Didn't anyone ever tell you there's one thing you never put in a trap if you're smart?
40:13If you value your continued existence.
40:15If you have any plans about seeing tomorrow, there's one thing you never, ever put in a trap.
40:20And what would that be, sir?
40:24Me.
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