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00:22I'll keep taking everything you love.
00:53I'll keep taking everything you love.
01:07I'll keep taking everything you love.
01:12What are you talking about?
01:13We're returning the meals to stand trial in Brazil.
01:17H, it's our move.
01:22We're going to Brazil.
01:47We're going to Brazil.
01:50We're going to Brazil.
02:14I know you thought we'd be throwing Antonio Rias over to you.
02:17I still do.
02:19Unfortunately, Mr. Rias is about to become a free man.
02:21You can't free that man. He murdered my sister.
02:23To charge Mr. Rias, we require a list of all witnesses and contact information.
02:27Which we gave to you six weeks ago.
02:29We gave you the police reports, the witness statements, even the crime scene photos, everything you needed to go to
02:34trial.
02:34Because of his Malanoche affiliations, names were omitted.
02:37Your prosecutor sanitized them.
02:44We believe in witness protection.
02:46And we believe in full disclosure.
02:48And without that information, my hands are tied.
02:50Now you understand the importance of paperwork.
02:53That man commissioned the murder of my sister.
02:56I'm making a huge mistake.
02:59I'm sorry.
03:00Not as sorry as you're going to be.
03:06I'm sorry.
03:12Not as sorry as you're going to be.
03:31I don't think you know how this is going to end, Kate.
03:33I know exactly how it's going to end.
03:35Go home.
03:36I will, Antonio.
03:38When this is over.
03:39When this is over.
03:43When this is over.
03:47When this is over.
03:48When this is over.
03:50When this is over.
03:57When this is over.
03:59When this is over.
04:03When this is over.
04:05When this is over.
04:07When this is over.
04:08When this is over.
04:30We don't get fooled again
04:35Don't get fooled again
04:38No, no!
05:03Where's Ria's headed?
05:05My guess is one of the favelas
05:07The most dangerous parts of town
05:09The shanties built onto the hillsides
05:12Cops say rumor is that Ria's is something like the mayor of one of those
05:15I have no doubt
05:17Which way do you think he's headed?
05:18I don't know
05:19But Eric, I know someone who does
05:51The most dangerous parts of town
06:05I heard about your wife.
06:09I'm very sorry, Horatio.
06:11And you know why I'm here?
06:12I'm after a man named Riaz.
06:14I think Raymond can help me find him.
06:18What makes you think that Ray has anything to do with that world?
06:20Because I know Raymond, Yelena.
06:25Weppard doesn't change its past.
06:30I didn't want you to know I'm sorry.
06:34You sent us here for a clean start.
06:35It's not your fault.
06:37Could we go inside, please?
06:46I'm scared, Horatio.
06:48I think he's gone over completely.
06:49Does he go to the favelas?
06:52Drugs.
06:54He says he only collects payment, but I don't believe him.
06:59He comes home, changes clothes, disappears again.
07:01I think he deals with people at high levels.
07:03Is he with Riaz?
07:05With Riaz?
07:06Against Riaz?
07:07I don't know.
07:08He says he does it for us.
07:10That's a lie.
07:12The only person Ray Cain cares about is Ray Cain.
07:15Don't listen to her, Uncle Horatio.
07:18She has no idea.
07:19Ray, please.
07:20You're always talking trash about him.
07:22My dad puts his life on the line every day for us.
07:25If dad's with Riaz, it's because he wants to help us.
07:29Get to school.
07:30Raymond, do what your mother says.
07:32Go ahead, son.
07:37He idolizes his father.
07:40I'm afraid he's going to become just like him.
07:43Elena, are those Raymond's shoes?
07:46Yes.
07:47Let me see those, please.
07:55Would you hold that up, please?
07:57Just like that.
07:59Okay.
08:03What are you going to do?
08:05I'm going to get this to the lab.
08:20Got it.
08:23You think they'll manage to find Ray?
08:25This vegetation will help us find where he hangs out.
08:28You know, it suits you.
08:30What?
08:31Being boss.
08:32It's temporary.
08:34Okay.
08:35Lieutenant Duquesne.
08:36Base scale will be nice, though.
08:38Find me.
08:39All right.
08:42Kelly Duquesne.
08:43Larger than charge.
08:46By large, you know I mean in terms of your reputation and responsibility and you look very beautiful today.
08:53Well, that's a nice save.
08:55Let me ask you something.
08:57You going to make any changes while they're gone?
08:58Because you can, you know.
09:01Like what?
09:02Like, I don't know.
09:04Like her.
09:06I can't believe she's a CSI now.
09:08She's worked hard for it.
09:09And history aside, she'll make a good one.
09:11Hey, just got a call out on a female Vic in Coral Gables.
09:17What are you waiting for?
09:19No.
09:20Hey, there's nothing that says I got to take a trainee with me.
09:22Okay.
09:23I mean, I can, I can process a crime scene myself.
09:26That's true, but you won't.
09:28Are you sure you want this to be your first act as a boss for the day?
09:31It's my fifth.
09:32Get going.
09:41How's Brazil?
09:42Ah, the leaf.
09:44The petioles are hidden.
09:46The lamina are ten centimeters.
09:48It's a dracera biosa.
09:50This thing's carnivorous, so we are looking at the face of a killer.
09:54That's interesting.
09:55Can it be found in Rio?
09:56I doubt it.
09:57It's indigenous to the rainforest.
09:59Their job just got a lot harder.
10:02Callie.
10:03Hey.
10:04Hey.
10:04How's it going?
10:05It's been tough.
10:06Is everything okay?
10:08No.
10:09They released Ria's.
10:10I heard.
10:11What's it like down there?
10:12It's beautiful.
10:13Couldn't be farther from Miami other than the weather.
10:15Everybody turned as a skyscraper or a mountain.
10:18Shantytown's here.
10:19They wield all the power.
10:20They've already had two police actions today.
10:22What about the people?
10:23The people are great.
10:24Are they just everywhere?
10:25No, that's the thing.
10:26Eleven million and it feels less crowded than Miami.
10:29It's like they're waiting for something.
10:30For what?
10:31I don't know.
10:32I don't know if I want to find out.
10:34Look, what have you got on Ray's location?
10:36I'm confused.
10:37Why are you looking for Ray?
10:39Because we hear he's with Ria's.
10:41Bad news.
10:42The leaf, it's a dracera biosa.
10:45It's indigenous to the rainforest, which means he's working outside the city.
10:49I forgot to tell you Rio has an inner city rainforest.
10:52It's right next to one favela.
10:53Oh, well, in that case, I'm glad we could help you.
11:06The rainforest in the middle of Rio, Eric.
11:08Yeah, favela starts right up here.
11:12Wait a second.
11:15You hear that?
11:16I do hear that.
11:18Come on.
11:40He's alive.
11:46Hey, it's your brother.
11:50Get help, Eric.
11:54Easy, easy.
11:58Hold on.
12:01Big brother.
12:03Yeah.
12:04Ray.
12:05Ray.
12:07Ray, who did this to you?
12:14I just wanted to help my family.
12:17Right now, let me help you, okay?
12:20Not me.
12:21He doesn't understand.
12:24Ray.
12:24He's just a kid.
12:25I know.
12:26I want you to let me worry about Ray Jr.
12:27You have to help him.
12:29Ray has got his hooks in him.
12:31He's in danger.
12:32I wish to listen to me.
12:33I'm going to take care of that boy.
12:35Okay?
12:36Okay?
12:38Okay?
12:50I'm going to take care of it.
13:00I love you.
13:02I love you.
13:03I love you.
13:37The authorities have his body.
13:40I'm making the arrangements right now.
13:45Yeah.
13:48Somehow, I always knew he would end up like this.
13:52Elena, there's one other thing.
13:55Ray Jr., is he okay?
13:57Where is he?
13:58I can find him.
14:05You gave him a GPS watch.
14:07I started hanging around with those favela boys, so scared something like this would happen.
14:15One day.
14:16That's the elevated rail.
14:18That's the elevated rail.
14:19By the aqueduct.
14:20That's Ria's country.
14:39That's the elite, so he's in danger.
14:43Chase Barker, next year, in the country.
14:49You can't have time to talk to me.
14:51We need to remember him, okay?
14:53Hey, Ray.
14:56Ray.
14:58Ray, this is not a good idea.
15:00I think he's doing fine, Kane.
15:02So are you.
15:03You found me.
15:04Ray, I want you to come with me.
15:07Stay out of this.
15:08You don't understand.
15:09Ray, I do understand, and that's why I want you to come with me.
15:15I thought you came.
15:17I was going to take everything you love.
15:21All right, I'm going to work with gringos.
15:23Ray!
15:25Ray!
16:05That trolley hits into the heart of the favelas, most dangerous part of town.
16:09Well, you know what, Eric?
16:10That's where we're going to go.
16:24All we have is Ray Jr.'s watch to go on, huh?
16:28That's it.
16:33There's a blue substance smeared on here.
16:38Pepper.
16:39Smells like pepper spray, but it doesn't explain the color.
16:41Not true, Eric.
16:42They used to stop riots.
16:50That's right.
16:51The bullet fire is a combination of the two.
16:53The die identifies the agitators.
16:55Find this morning's police action.
16:57We find that favela and Riaz.
16:59The police response.
17:00Guns.
17:03Guns.
17:08Guns.
17:14Guns.
17:15I'm going to second.
17:25Guns.
17:30this beauty is pamela silvers first responders say her husband call found her
17:37sabage robbery that's what he's saying i'm speaking pretty bad yeah c.o.d's head trauma
17:44right see these thin rings of blood on her lips that's expiration now i think her lungs collapsed
17:52sending blood into her esophagus her saliva mixed with the blood creating these droplets
17:59eventually leading to full esophageal blockage she drowned in her own blood
18:06okay i'll start collection wait you start over there with a murder weapon
18:09you photo you sketch you measure before you collect anything you got that got it check
18:28okay
18:32do you recognize this mr silver that's the shirt you made me take off at my house
18:38you see the tiny bubbles in the blood that's your wife's saliva which can only be there if you were
18:44while she was alive all right you told me she was dead when you got home okay okay okay she
18:53she was
18:54flailing but i tried okay i tried to save her hang on honey hang on i'll call your name let's
19:03and you didn't tell us this why because i thought it would make me look guilty mr wolf let's tell
19:08the
19:08man what he want okay i swear all right i i gave her cpr until the paramedics arrived but it
19:14was too late
19:16it's never too late
19:19okay let's start from when you got home
19:25can i help you
19:27that man killed my mother
19:30carl silvers is your father
19:32stepfather
19:34he killed her didn't he well i assure you that we're on top of it and those guys in there
19:39they're
19:39very good they'll get him okay okay but you really shouldn't be in here right now all right
19:52how'd it go on interrogation uh husband sticking to a story and i can't budge him
19:56well he may just have a good reason all physical evidence is equivocal so if the evidence isn't
20:02telling us anything what do you got meet air dna it captures and analyzes the signatures of any
20:08volatile organic compounds so anything airborne basically any invisible evidence so the killer
20:14could have left behind some evidence he didn't even know existed such as cologne or aftershave
20:19you already processed her clothes yeah
20:27there's benzene oxal acetate let me guess there's texanol because it's house paint
20:34yeah i'm such an idiot one of the guys we interviewed
20:39was a painter doing the signing why are you beating yourself up you just broke the case
20:48i gave you guys a statement we found traces of the exact paint you used on the victim's body
20:54the xenos indicates you were in close proximity to mrs silver
20:59please
21:04we're executing a search warrant for your vehicle as we speak do you want to tell me anything that may
21:08help you yeah so okay she did come out and talk to me and neighbor ladies only do that for
21:17one
21:18reason so i went in there at lunch
21:23get out of my house come on
21:32i just wanted to have a little fun
21:57i'm gonna go and bury my wife now
22:02i'm really sorry mr silverman i'm gonna go and bury my wife now
22:04but i mean you understand we have to follow protocol procedures no no i don't have to understand
22:15we're so sorry did you just apologize to him
22:19yeah yeah i okay i i'm i know i know i'm supposed to leave the emotion out of it if
22:24you knew
22:24you wouldn't do it okay i'm sorry i'm new
22:42let's go put your hands behind your back come on hold still
22:49scott you said they'd get him you promised come on who did you tell him his stepfather did this no
22:54i didn't i i don't i don't know i don't know you don't think so you don't know you don't
22:59think so
23:00what is it the kid thought that the husband did it just because your husband was a bastard doesn't
23:04mean that they all are that's low ryan i'm gonna tell you that's low
23:16he's out with the pio
23:19so
23:40Chief Braga said that this was the location of the police action this morning after Riaz's release.
23:45Then Ray Jr. can't be far.
24:08I know you're cops, you better go, it's danger.
24:13Where's Riaz?
24:14He's usually there, not now, he's waiting for collections.
24:19Where?
24:20We light the bottle rockets off in different city areas, he sees and others collect.
24:27For the heroin that you package and sell.
24:39There's only one place you can see the whole city from, that's the hill of Kokabala.
24:42Was he with a boy?
24:46I'm gonna ask you again, where's the boy?
24:50He got into an auto with a lady.
24:54What lady?
24:55A pretty lady.
24:56And other boys, like me.
24:58Where were they heading?
25:04Hey!
25:06Hey!
25:06Hey!
25:07Hey!
25:12Hey!
25:13Hey!
25:14Hey!
25:15Hey!
25:17Hey!
25:25Hey!
25:41Hey!
25:46Hey!
25:55Hey!
26:05Hey!
26:07Hey!
26:12Hey!
26:17Hey!
26:35Hey!
26:39Hey!
26:41Hey!
26:41Hey!
26:43Hey!
26:47Oh, my God.
27:17Antonio, I unwisely showed you compassion the last time we met.
27:22This time you won't be so lucky.
27:24Where is my nephew?
27:26You'll never find your nephew.
27:32Easy, Eric.
27:34Easy.
27:36Now, Antonio, this is your last chance.
27:39Where's my nephew?
27:40You still don't understand our kid.
27:48Don't I?
27:50Don't I, Antonio?
27:52Don't I?
27:55Don't I?
27:57Don't I?
27:59Don't I?
28:13Don't I?
28:18Don't I?
28:21That's gotta be where he sent Ray Jr.
28:23I'd bet money on it.
28:25We're headed home.
28:27We're going home.
28:38I didn't tell Scott Sattlin anything.
28:42Did he or did he not see his stepfather in interrogation?
28:45He did, but I didn't know it was his son until he told me.
28:48But the second you found out, you should have taken him down.
28:50Hang on. Well, I know that now.
28:53Just so you know, his attorney is pleading the insanity defense.
28:56He claims you put him in a murderous state.
28:58Okay? So think.
28:59What exactly did you say to him?
29:01I told him that Tripp and Ryan were good and that we'd get him.
29:05Him as in the stepfather?
29:06Him as in the killer.
29:07Are you sure?
29:10I don't know.
29:12Okay, look, Boavis, your career isn't over because of this,
29:15but you see how hard things can be when people take what you say out of context.
29:18That's a mold egg, isn't it?
29:21No. No, it absolutely isn't.
29:23It's a reality.
29:25We're on the same team now.
29:27We present a unified front to the world regardless of how we're feeling at the moment.
29:30Okay?
29:31I never explicitly said the stepfather did it.
29:37Well, we've got one question left to answer.
29:39What?
29:40Where'd Scott get the firearm?
29:44Hey!
29:45I heard you were here. Welcome back.
29:47Thanks.
29:49So, I heard it didn't go down like it was supposed to.
29:52The courts dropped the ball, let Riaz out.
29:56Yeah.
29:57But, uh, we took care of it.
30:02You okay?
30:07It doesn't bring Marisol back.
30:09I know, Eric.
30:10Look, if there's anything, I can do anything at all.
30:13There isn't, but thanks, Alex.
30:16Look, I gotta get to question documents.
30:18Okay?
30:19See you later.
30:24Callie.
30:25Hey, you got anything on the Sattlin case?
30:27Found a theft report.
30:28Guy's condo was broken into four days ago.
30:32Only item missing is a nine mil.
30:34Yeah, take a look at that address.
30:36Gun owner resides in the keys.
30:38Looks like I need to have another conversation with Scott Sattlin.
30:43Do you remember anything about the shooting?
30:45Barely.
30:46I saw him and then...
30:50Just black.
30:52Then I was cuffed.
30:54Do you remember stealing the gun?
30:57What?
30:58The gun you used, you stole it four days ago.
31:02Scott.
31:04What?
31:05You told Homicide that you'd been in the keys.
31:08That's where the gun was stolen.
31:09It was reported three days ago when you were down there.
31:13I stole the gun from the neighbor at the beach house.
31:16For protection.
31:17From my stepdad.
31:20Let me tell you something.
31:23People who fail an insanity defense are five times more likely to get a life sentence than those who just
31:28simply admit they're guilty.
31:34I hated that man.
31:37He made my mother so unhappy.
31:40She called me while I was on vacation.
31:42Said he threatened to hit her.
31:44And when you saw Boa Vista, you found a chance to hide behind insanity.
31:51He was wrong.
31:53I know.
31:55Incidentally, so are my statistics.
31:58Frankly, I haven't a clue which way the jury will rule.
32:05Get him out of here.
32:21Anything?
32:22This is gonna take one minute, Eric.
32:24Look, these kids are like a ticking time bomb.
32:26I know, I know.
32:26Just give me one second here.
32:28How much you figure they're carrying?
32:2925 pellets per compressed powder heroin.
32:31It's a million dollars a kid, provided they don't burst.
32:33Right, right from their stomach acid.
32:35Once heroin enters the system, it shuts everything down.
32:38Blood stops flowing.
32:40Lungs stop breathing.
32:42Kid stops living.
32:44Which is exactly why I need this to go faster.
32:46One of those kids is Horatio's nephew.
32:4920281 Flagler.
32:50Does that address mean anything to you?
32:53That's where they're hiding the kids.
33:03Ma'am.
33:04Ma'am.
33:06Stand back, please.
33:09I didn't do this.
33:22It's not Ray.
33:25Well, it's somebody's son.
33:31All right, tell us again how it all happened.
33:33I escort these boys for Rillas.
33:35I drop them off and then I return home.
33:48I only come up here for my family.
33:50The money is very good.
33:52And illegal.
33:53And illegal.
33:53I know.
33:54I'm so ashamed.
33:55How did you get up here?
33:57I tried a flight.
33:58Private airfield.
34:00I drove the boys here.
34:03And then this one boy, he started to sweat.
34:07He looked so sick.
34:09There's a number that I'm told to call.
34:11Then what happened?
34:12A man came.
34:15And he did that to the boy.
34:20He cut off and the boy took out the pellets.
34:22All he cared about were the drugs.
34:27What about the other two boys?
34:29They ran.
34:30I didn't stop them.
34:31I was afraid for their lives.
34:33How'd you get in contact with this man?
34:35With this cell phone.
34:37Redial it, Eric.
34:47Eric?
35:01See this little tiny bit of circuitry right there?
35:05That is like a teeny tiny cheese grater for epithelials.
35:17Alright, let's hope it pans out.
35:44Angel Del Morte works for Diego Matos.
35:47He's a big time Miami mover.
35:49Not Melanoche, though.
35:50It means Riaz was dealing outside of his gang.
35:52Wow.
35:54If you bring an angel, maybe you can get to Matos.
35:57H.
35:58Got a lead.
36:01You guys got nothing.
36:04We found a murder weapon on you, Angel.
36:06I keep telling you to help yourself out and give us something to charge Tiago Matos with.
36:11I do that?
36:12That's on my death war.
36:14Well, it's you or the state.
36:15Doesn't matter to me.
36:19Man, you've got the wrong guy.
36:21Entiende?
36:24Lieutenant Kane?
36:25Tiago Matos.
36:27Where are you taking my driver?
36:28I'm taking him to prison.
36:30He murdered a young boy over your drugs.
36:33He knows so much.
36:34Why am I still a free man?
36:35Because I want it that way.
36:37Now, where are the other two kids?
36:38There's two others.
36:39I don't know.
36:41They're full of packets, as you say.
36:43Then Marco get them some.
36:44I sincerely hope for your sake that doesn't happen, Tiago.
36:48There you are, Lieutenant.
36:49I do better than that.
36:50I help you look.
36:51When I find them, I make sure to give you a call.
36:54Are you sure you want to waste that call on me, Tiago?
37:10Hello?
37:12Mom.
37:12Ray!
37:13Oh my God, where are you?
37:14I'm okay, Mom.
37:15Ray, honey, I'm in Miami.
37:16I've been looking for you.
37:18You're what?
37:19Listen to me.
37:19I know what you're doing, and you're in real danger.
37:22I am if you're here, Mom.
37:23Go home.
37:24Ray, please listen to me.
37:25I have to do this to save Dad.
37:28If you try to stop me, they'll kill him.
37:31What about your father?
37:32I...
37:32There's something I have to tell you.
37:34I don't want to hear it.
37:35And don't try to trace this call, because I'm throwing this phone away.
37:38Ray, please.
37:39Ray!
37:44What else did he say?
37:46Nothing, unfortunately.
37:47Just that he was trying to save his father.
37:49Makes me know he's still alive.
37:51There's more.
37:52I got in touch with one of his friends, Dominic.
37:55Dominic.
37:55Okay.
37:56Dominic gave Ray Jr. a gun.
37:59And there's one more thing.
38:01Pablo, one of the boys Ray traveled from Brazil with, got sick.
38:06Ray.
38:07No debate.
38:10He's in a hospital.
38:11What do you mean sick?
38:13He's in surgery.
38:14They're removing their heroin pallets.
38:18Concision.
38:19Yeah, monitoring vials.
38:20Here we go.
38:21Son.
38:22Up to you.
38:27Hi.
38:28Are the patient ready?
38:30Get the pray ready.
38:33We'll talk later.
38:40Is this what H got at the hospital?
38:43Yeah.
38:43From the third kid, Pablo.
38:45Okay, so what exactly are we looking for?
38:47Well, we can find a byproduct in these things.
38:49We can target it on the street.
38:50Okay.
38:51So what's all this?
38:53It's the wax.
38:54It's the tape.
38:55And there's a carbon layer.
38:56And there's the tip of the latex glove it was originally packed in.
38:59Hang on a second.
39:20Hang on a second.
39:29About what?
39:30An innocent chaperone to these kids.
39:32You packed those pills down in Brazil.
39:34I did nothing of the sort.
39:36That's funny because we found your print packed inside one of these heroin pallets.
39:50If I pack them, they pay me triple.
39:54The money is too good to say no.
39:56So you put these kids' lives at risk?
39:57There are no angels, believe me.
39:59One of these kids was killed, Anna.
40:03Well, that never happened before.
40:04And it's not gonna happen again, I can assure you.
40:12This is Delco.
40:15All right, thanks.
40:18Hey, it's the kid in the hospital.
40:19He's conscious.
40:20He knows where Ray is meeting Matos to give him the drugs.
40:55I want my dad after you give me what I came for.
41:00Gentlemen, put your weapons down.
41:03I want my dad.
41:04Matos, put it down.
41:05You too, Ray.
41:06Let me speak to my dad.
41:07Ray, Ray, your dad is gone.
41:10He's gone, son.
41:12You killed him!
41:13Ray!
41:14Ray, don't do it.
41:16No, he deserves to die.
41:17If you cross this line, you can't come back, son.
41:21Shoot me.
41:23Shoot me or I shoot you.
41:24Ray, this is the last thing that your dad would want you to do.
41:28You gotta believe me.
41:29I want you to put it down.
41:32Put it down.
41:33Put it down.
41:38That a boy.
41:41Hey!
42:11You okay, son?
42:15Are you okay?
42:21I'm okay.
42:24I'm okay.
42:33Why don't we?
42:35Get you the car.
42:40Bye, Uncle Richie.
42:41See you soon.
42:48Remit?
42:49The body is being transported as we speak.
42:53Here's a Brazilian term.
42:55It's audage.
42:57It's the sadness we feel for happy memories.
43:01I got you for Ray, and you have for Marisol.
43:05What are you gonna do?
43:08Marisol is audage now, too.
43:12Although I'm not really sure what there is here for us.
43:14I do.
43:15What?
43:17Family.
43:28Family.
43:28I am considered.
43:32It's modern in the world.
43:34It's 14 the sun.
43:37Show kit.
43:38Going for you 3D.
43:54Still카, yeah.
43:54It's a beautiful one.
43:55I have to deal with that.
43:55When you deliver about you, Ken Bing,рост
43:55How
43:55is it? How
43:55is it telling me?
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