Thriller. 28. Killer With Two Faces.

deaddogsdam

First broadcast 25th January 1975.  A crazed killer escapes from an asylum and goes on a murder spree, all connected with his fetish for physical perfection.  Ian Hendry - Terry Spelling/Bob Spelling Donna Mills - Patty Heron Roddy McMillan - Inspector Fillory David Lodge - Bradley Robin Parkinson - Mr. Holland Susan Dury - Jenny Jonathan Dennis - Intern Hazel McBride - Nurse Seretta Wilson - Sara Christine Shaw - Woman Susannah MacMillan - Dorothy James Greene - Policeman Ralph Ball - Doctor Styles John Saunders - Man

Transcript

00:00:18All right. I'm in great shape, aren't I, Doctor?

00:00:22Are you?

00:00:23Fantastic.

00:00:23Yes.

00:00:24The perfect specimen.

00:00:25If you say so.

00:00:26Oh, I do. I mean, so it is. Just look at me. Look at you. And yet we're about the

00:00:35same age, aren't we, Doctor?

00:00:36Close enough.

00:00:37Yes. Certainly the same size. I mean, that jacket of yours would fit me perfectly, wouldn't it?

00:01:00Now, someone's不用 question.

00:01:15So, where would you sell me of yours?

00:01:16Is it still there enough Tweets?

00:01:20No, not just the blew to sink.

00:01:24Why do you want to open me up?

00:01:28Perfect.

00:02:03That's it.

00:02:33Oh, my God.

00:03:05So many people. I'd almost forgotten there were so many people. Oh, how pretty. I'd forgotten

00:03:22there were such pretty people. It's not something I'm in the habit of, you know.

00:03:29Letting myself get picked up by strange men. But there's something about you that...

00:03:38Oh, my husband. Ex-husband. We've been divorced for three years.

00:03:45Well, what shall we drink to? A fortuitous meeting?

00:03:50Fortuitous? Oh, no. No, I made the running. I mean, as soon as I saw you, I wanted...

00:03:57to know you. Why? Well, the street out there is full of pretty girls. I mean, I've often wondered,

00:04:05how does a man make a choice like that? Well, there was something...

00:04:14there was something about you. Perfection. Perfection? Oh, come on. No, no, no. I thought

00:04:21you were perfect. Quite perfect. Well, not so bad yourself. Oh, no. I'm flawed. Lack the occasional

00:04:30diamond. But you are perfect. And here we are in this perfect little apartment. First meeting.

00:04:40The atmosphere is full of romantic tensions. It's a perfect situation.

00:04:52What a pity it won't last. Well, it never does, does it?

00:04:57Hmm? The male-female relationship starts out all pink and frothy and then you have the

00:05:07teeth in the glass, hair curlers in bed, the rows, the quarrels, the disillusions.

00:05:15That's why I like to end it at the pink and frothy stage. Oh!

00:05:20Oh! Yes. While it's still perfect. Hmm?

00:05:34The perfect end to a perfect meeting.

00:06:03The perfect end to the house is so easy.

00:06:28Let's go.

00:07:09Sting. Sting. Sting.

00:07:15Dr. Stiles.

00:07:18Dr. Stiles.

00:07:21Spelling. Spelling.

00:08:09Is that all?

00:08:10No. No, the kitchen sink is coming by freight.

00:08:18Well, my friends told me to take the car.

00:08:22Actually, I just came up here to see the cathedral.

00:08:25They said, take the car.

00:08:26I said, no, no, no.

00:08:27The train will be much more relaxing anyway.

00:08:29I'm not going to buy that much.

00:08:30Maybe a souvenir or two.

00:08:35Well, your old English towns are very seductive, you know.

00:08:40I'm glad you did.

00:08:42And take the train.

00:08:44Perfect way of meeting you.

00:08:47You know, I feel I know you already.

00:08:50You only saw me a few seconds ago.

00:08:52Yes.

00:08:52Well, I'm a man of instant impulses.

00:08:55And this way you present the opportunity.

00:08:58Whereas I usually have to make the running.

00:09:02I didn't realize your Englishman was so predatory.

00:09:05Well, not predatory at all, no.

00:09:07No, I've been on this train for two hours now and I'm bored.

00:09:11No offense.

00:09:12Spelling.

00:09:13Bob Spelling.

00:09:15Patricia Heron.

00:09:16But call me Patty.

00:09:18Patty.

00:09:24What do you do?

00:09:26Guess.

00:09:31I don't have an idea.

00:09:33All right, then.

00:09:34I'll give you a clue.

00:09:35If I were applying my work to you, I'd say...

00:09:40Underpinning, splendid.

00:09:42Penthouse area, beautiful.

00:09:45And the middle store is...

00:09:48You're a professional sex maniac.

00:09:52No?

00:09:53Well, um...

00:09:55What, a surveyor?

00:09:57Architect.

00:10:00Well, you're just the man I want to see.

00:10:02I told you I'm buying myself a house.

00:10:05Well, it's a...

00:10:06Kind of a Victorian monstrosity, but it has great possibilities for improvement.

00:10:11I just don't have an idea in my head how to improve it, that's it.

00:10:15Well, where is it?

00:10:17Merringmore.

00:10:17Right out in the country.

00:10:20Well, tell me about it.

00:10:21Good morning.

00:10:30I'll get you, Mr. Carson.

00:10:33Mrs. Carson.

00:10:41Mrs. Carson?

00:11:20Through there.

00:11:22Then give you a patio area.

00:11:27Right through here.

00:11:29That's marvelous.

00:11:31Just some first wild ideas.

00:11:34Wild, it's perfect.

00:11:35Until you know the hidden snags, I'm afraid perfection takes a little more than that.

00:11:41Without actually seeing the place.

00:11:44That could be arranged, couldn't it?

00:11:46You don't even know if you could afford me.

00:11:48It's true.

00:11:50But I'm sure we could work something out.

00:11:54Yes, I believe we could.

00:11:56But I must warn you that my services come high.

00:12:01You are predatory.

00:12:03Yes, I am now.

00:12:05There's something about you.

00:12:07We've only just met her.

00:12:09I told you I was a man of instant impulses.

00:12:13I'll follow them through.

00:12:13I'll go.

00:12:15Excuse me.

00:12:17Nick.

00:12:24I could make it tomorrow.

00:12:27Hmm?

00:12:28To take you out to see my house.

00:12:30Well, I guess, um, I guess that would be fine.

00:12:33Why don't we do that?

00:12:34And, uh, perhaps we could have dinner afterwards.

00:12:37Love, here's my address.

00:12:40And I better know where to reach you in case anything goes wrong.

00:12:43Yes.

00:12:43I have a card here.

00:12:48Take that.

00:12:50I could make it about 12 o'clock.

00:12:53How's that?

00:12:54That would be perfect.

00:12:59Doctor?

00:13:01Here.

00:13:03Take these.

00:13:17Hours ago, you say, Doctor?

00:13:20Well, it was this morning when he...

00:13:29What time is it now?

00:13:31Past three.

00:13:35Then it is ours.

00:13:37Oh, God.

00:13:39Inspector.

00:13:42Inspector, look.

00:13:43He's wearing my clothes.

00:13:45Dark brown striped suit.

00:13:48Don't worry.

00:13:50Could have changed half a dozen times as then.

00:13:54He's had time to be miles away.

00:13:55Time to be anywhere.

00:13:59And God help anybody he picks up on the way.

00:14:04He'd like to havenipe.

00:14:32bob good god i drew the curtains just like old times how'd you get in here you don't ever change

00:14:44do you the spare key was where it always was just above the door conventional yes

00:14:54yes i'm still the kind of man that doesn't like his fiance to be unfaithful to him oh come on

00:14:59bob

00:15:01one time he left yeah just the one i could prove i explained yes yes your explanations were always

00:15:08persuasive persuasive in other ways too you haven't forgotten

00:15:22oh you can't have forgotten

00:15:28can we have a drink relax

00:15:49get out jenny oh bob

00:15:58oh

00:15:59mom please get out or i swear

00:16:02you can't have forgotten bob

00:16:11we had something something good

00:16:16i was spoiled

00:16:20now get out

00:16:49i don't give up easily

00:16:54i'll be seeing you

00:17:00you

00:17:09you

00:17:11you

00:17:13you

00:18:13Spelling.

00:18:20Hi.

00:18:21It's me again.

00:18:22All right, all right.

00:18:23I'm not going to badger you.

00:18:25My car wouldn't start.

00:18:27I phoned the garage from the phone box across the road.

00:18:29They're working on it now.

00:18:31Shouldn't take long.

00:18:32So I was forced back here by...

00:18:35A technical conspiracy.

00:18:40Oh, come on.

00:18:41You don't hate me that much, do you, Bob?

00:18:44Make me stand outside in the cold.

00:18:48Hey, can't we call a truce?

00:18:51Maybe have a drink?

00:18:55Come on, Bob.

00:18:57What do you really think of me?

00:18:59I don't think of you.

00:19:01Hmm.

00:19:01That's ironic.

00:19:03Because I think of you, Bob.

00:19:05Often.

00:19:09We, um...

00:19:11We had some good times.

00:19:12Jenny, I'm tired.

00:19:15That's my car.

00:19:20Prearranged signal.

00:19:22I could probably prove that one, too.

00:19:27Oh, well.

00:19:30Oh, thanks for the drink.

00:19:33Jenny, don't come here again.

00:19:34Remember, I don't give up easily.

00:19:37Please, Jenny.

00:19:38For your own sake, don't come here again.

00:19:41Okay.

00:19:43I'll be seeing you.

00:20:08I'll be seeing you.

00:20:22That was perfect.

00:20:25Just perfect.

00:20:26Oh, my God.

00:20:56Dorothy? Dorothy? Dorothy!

00:21:19I only got the briefest kill himself. He was...

00:21:23Do you speak? No.

00:21:30Wait a minute. He...

00:21:33He did say something. Yes?

00:21:38What did he say? I don't know. It...

00:21:41It didn't make sense. Something about perfection?

00:21:48Why... yes.

00:21:52That's the man you saw, isn't it?

00:22:00Oh.

00:22:11I thought I was going to try to...

00:22:23I thought it was good.

00:22:23A little bit.

00:22:27Oh, God.

00:22:53Oh, God.

00:23:37Oh, God.

00:23:53You mean he took the key away.

00:23:56Spare key outside.

00:23:58Oh, yes.

00:24:10But you still opened the door to me.

00:24:12Why?

00:24:14I was curious.

00:24:17but you're not going to throw me out

00:24:20why should i want to throw you out you look wonderful hey this is a different man today

00:24:26back to normal i knew you couldn't completely forget what about that drink now

00:24:35drink oh yes of course what would you like the usual vodka martini surely you haven't forgotten

00:24:43that i was just kidding you're actually smiling it's a smile of adoration what

00:24:58do you smell good too fresh

00:25:06i didn't completely spoil everything then spoil

00:25:13i'm not going to let you spoil anything there won't be time

00:25:57sorry but mr mckay says you just have to prove these right away oh no

00:26:05oh

00:26:22Thank you very much.

00:26:42hello yes Bob is this Bob spelling yes oh hi this is Patty Aaron oh no don't tell me you've

00:26:59forgotten yesterday on the train fine except I'm busy busier than I expected as a matter of fact

00:27:11that's why I'm calling I don't want to cancel or anything like that it's it's just that I can't

00:27:17get away when I thought I could I still want to take you out to see my house though it's

00:27:25just I'm

00:27:25gonna be late that's all right oh good the thing is it would be easier if if I picked you

00:27:33up I've got

00:27:33my car and I don't work too far away from where you are yes well fine okay good listen I'm

00:27:41not

00:27:41gonna have time to change so you're just going to have to accept me with all my imperfections

00:27:48imperfections you said imperfections yeah well you know what I mean listen I could be there by

00:27:57um I don't know 12 12 30 how's that all right okay fine I'll see you then all right oh

00:28:07Patty yeah

00:28:08yeah you'll be alone won't you well sure of course see you then

00:28:27now come on that can wait

00:28:31wait this can certainly wait this can wait all this stuff can wait but Patty you can't just

00:28:38tell McKay you just missed me and he's finished for the day go on now

00:28:43all right

00:29:59Are you proud of me?

00:30:01I said, are you proud of me?

00:30:36I said, are you proud of me?

00:30:48I said, are you proud of me?

00:30:50Is it patting?

00:30:50Yes.

00:30:53You're early.

00:30:59Hello.

00:31:03Oh, why are all the barricades?

00:31:06Expecting the bailiffs?

00:31:11Oh, what a nice room.

00:31:16Can I look around?

00:31:28It's what I expected from you.

00:31:39Oh, what a shame.

00:31:41One of your figurines has a tad missing.

00:31:44Did I have an accident or something?

00:31:48You had me worried.

00:31:50Worried?

00:31:54Imperfections.

00:31:56I can't see a single one.

00:31:58Imperfections.

00:31:59Oh.

00:32:02Well, they're all powdered over now.

00:32:09Is this your father?

00:32:14He's a very fine looking man.

00:32:17Has the same intensity you do.

00:32:19He was very much shorter than he looks in the portrait.

00:32:23Where are you parked?

00:32:24Just on the next block.

00:32:27Shall we go?

00:32:30Shall we go?

00:32:30Oh, all right.

00:32:34Just one moment.

00:32:40Traveling incognito?

00:32:41I burned the midnight oil last night.

00:32:44My eyes get tired.

00:32:58Where did he go?

00:33:00Hmm?

00:33:02That chatty man of yesterday.

00:33:04I'm sorry.

00:33:06Oh, don't be.

00:33:07He feel like being quiet.

00:33:09It's all right with me.

00:33:12Hello.

00:33:14It's all right, Miss Bridges.

00:33:15It's all right.

00:33:18It's okay.

00:33:19This isn't Terry's spelling.

00:33:21This is Bob's spelling.

00:33:22His brother.

00:33:24His twin brother.

00:33:26And even though I know it, I must admit,

00:33:28I still get a bit of a creepy feeling when I see him.

00:33:31His twin brother?

00:33:33Oh, I am sorry.

00:33:34But when I saw him...

00:33:35Understandable, we are identical.

00:33:38You all right now?

00:33:43Now, Mr. Spelling, about your brother.

00:33:44Yes, well, as soon as I knew he was out, I came right over.

00:33:48I don't know what I intended to do,

00:33:49or what I thought I could do.

00:33:51Go home.

00:33:52Leave it to the authorities.

00:33:54Go home.

00:33:54Well, that's...

00:33:55That's easy to say, but he is my brother.

00:33:57I mean, what if he does what he did before?

00:33:59He already has.

00:34:02I'm afraid your brother's already murdered one woman,

00:34:04and attacked another.

00:34:09Now, the police are keeping quiet about it at the moment.

00:34:12They don't want to start any panic.

00:34:15So why don't you just go home, Mr. Spelling?

00:34:19You all right?

00:34:21Oh, yes, I'm all right.

00:34:24Did something bad happen yesterday?

00:34:27Something bad?

00:34:28No, a business or a domestic problem.

00:34:33You are quiet and different today.

00:34:37You all right?

00:34:39Yeah, I think you're Produced.

00:35:00Okay.

00:35:01Oh, boy.

00:35:05See ya later.

00:35:29What the hell?

00:35:33What is this?

00:35:36Sorry about that, sir.

00:35:38I'd hate to be talking to the wrong man.

00:35:41For God's sake, you know me, Fillory?

00:35:43Yes, I know how to check the difference between you and your brother.

00:35:46He has a scar there and you haven't.

00:35:47Yes, well, might have damn well asked.

00:35:51I haven't got a warrant to be here, but you're not going to make a fuss about that, are you,

00:35:54sir?

00:35:55Not under the circumstances.

00:35:58Now, I blame myself for not thinking of it earlier and staking the place out.

00:36:03Must have missed him by inches.

00:36:05Where is he now?

00:36:06I was about to ask you the same question.

00:36:08How would I know?

00:36:10Oh, some favorite spot he had when he was more normal.

00:36:15Some perfect little place.

00:36:19Oh, so that's him, eh?

00:36:22Your father.

00:36:24Doctors say it was all his fault.

00:36:26This rejection of anything perfect, of perfection.

00:36:33Your father's standards were very high, perhaps too high to live up to.

00:36:37Look, look, Terry was in a very bad car crash.

00:36:39So were you, sir.

00:36:41Same crash.

00:36:42Yet you, unaffected.

00:36:47Now, take this.

00:36:50What is it?

00:36:50Oh, just a bit of bureaucracy.

00:36:52It says who you are.

00:36:54More important, it says who you're not.

00:36:56Carried about for a few days.

00:36:58Save you a lot of aggravation.

00:36:59Few days?

00:37:00Well, yes.

00:37:01Brother's very intelligent, smooth.

00:37:04He knows how to lie low.

00:37:13Well, yes, that puzzled me, too.

00:37:15What was he looking for?

00:37:18Well, how would I know?

00:37:19The question is, did he find it?

00:37:20I wouldn't know that either, would I?

00:37:22You have no idea at all where he might be headed for?

00:37:25No, none at all.

00:37:30Well, don't forget to carry the card.

00:37:38Just a minute.

00:37:41He usually does this afterwards, doesn't he?

00:37:44Well, that is.

00:37:45Check the rooms again.

00:38:04Nothing, sir.

00:38:19Mr. Spenning.

00:38:22Mr. Spenning.

00:38:50Well,

00:38:54It's big.

00:38:57Top marks for observation.

00:39:01What about this?

00:39:06Well, this is it.

00:39:09The stairway.

00:39:12Remember, you said it was the vital consideration.

00:39:14Whether it could be enlarged so that it would support a spiral staircase in wrought iron.

00:39:24What does it mean?

00:39:27It'll do.

00:39:28Good, good.

00:39:30What about your idea for knocking down this dividing wall here and leaving the staircase suspended in space, huh?

00:39:38It's possible.

00:39:40It's possible.

00:39:41You're awfully noncommittal today.

00:39:42Yesterday, you said you just have to look at it, you know.

00:39:45Yes.

00:39:45Well, it will work.

00:39:52And now the dining area.

00:39:55Well, out through there.

00:39:58Well, I thought you said you wanted to look onto the garden.

00:40:01Oh, yes.

00:40:03Yes.

00:40:06Well, out through there, then.

00:40:09Well, you can't knock that wall down, you know.

00:40:12It's a couple of feet thick.

00:40:14It's a support wall.

00:40:15Even I know that.

00:40:19It really was a mistake coming out here today, wasn't it?

00:40:24Something's bothering you.

00:40:28No, only you.

00:40:38Hello?

00:40:39Anyone here?

00:40:40Mr. Holland.

00:40:42Ah.

00:40:43In here.

00:40:43Miss Heron.

00:40:44Oh, that's all your car.

00:40:46The estate agent.

00:40:47Oh.

00:40:47It is dusty in here.

00:40:48Mm-hmm.

00:40:50Uh.

00:40:51Mr. Holland.

00:40:52Uh, this is Mr.

00:40:53Hi.

00:40:54Just call me Bob.

00:40:55How do you do?

00:40:55Mr. Holland.

00:40:57Mm-hmm.

00:40:57Bob is an architect.

00:40:59Ah.

00:41:00He's going to give the place a facelift.

00:41:02Well, it certainly needs it.

00:41:03Oh, not that the structure isn't sound.

00:41:05Dear me, no.

00:41:05I, uh, wouldn't have sold it to you if it wasn't sound.

00:41:08Well, the structure of the place is fine.

00:41:09Ah, there.

00:41:10I told you, Miss Heron.

00:41:11It's not perfect, but, uh, it could be.

00:41:13And will be, I'm sure.

00:41:15And, uh, you know, what's, uh, what's more?

00:41:22Mr.

00:41:22Bob?

00:41:24I told you to call me Bob.

00:41:26Uh, what's the matter, Mr. Holland?

00:41:28Uh, nothing, Mrs. Heron, nothing.

00:41:30I just wanted to make sure it wasn't vandals in the house.

00:41:33I, uh, I must go now.

00:41:34You don't have to.

00:41:34No, I must go.

00:41:35I really must.

00:41:36I, uh, nice to have met you, Mr. Bob.

00:41:38See you again.

00:41:38Goodbye.

00:41:39I'll see him out.

00:42:46Hello?

00:42:47Patty.

00:42:48No, I'm afraid Miss Herron's gone.

00:42:50Who is this?

00:42:52Spelling.

00:42:52Rob Spelling.

00:42:53Oh.

00:42:54So you're the architect?

00:42:56Yes.

00:42:57Well, I don't understand.

00:43:00Surely Patty is with you.

00:43:03Well, we haven't taken any notes or made any measurements.

00:43:06No, I've seen everything I want to see.

00:43:09All.

00:43:10What?

00:43:11It's dust.

00:43:13It blemishes you.

00:43:16It spoils the illusion.

00:43:18The illusion?

00:43:19Yes.

00:43:21Shall we move on?

00:43:22Where to?

00:43:24I want to show you my new place.

00:43:29Goodbye.

00:43:31Inspector.

00:43:34I forgot that I'd had a date with a girl.

00:43:37I've just telephoned her.

00:43:39And I was told that she'd talk to me and then come over here to pick me up.

00:43:44Well?

00:43:45Well, I didn't talk to her.

00:43:47You cut your hand.

00:43:48Huh?

00:43:49Your hand, look.

00:43:52Yes, so have.

00:43:53You're right.

00:43:54These old houses can be a hazard.

00:44:27You're right.

00:44:53Mr. Bradley.

00:44:55By Godfrey, you are like him, aren't you?

00:44:59You know you're all over the front page.

00:45:02Or rather he is.

00:45:04Not that it makes any difference.

00:45:06Huh.

00:45:07You're like us two peas.

00:45:13Hmm.

00:45:16You never told me about him.

00:45:19Oh, why should I?

00:45:20He didn't build your house.

00:45:21Oh, touchy.

00:45:23Should have told me about him, though.

00:45:25Why?

00:45:25Would it have made any difference?

00:45:27Of course it would have made a difference.

00:45:28I see, yes.

00:45:28You want your fee back?

00:45:31You've never liked me, have you, Spellett?

00:45:33Don't bother to deny it.

00:45:35You never have.

00:45:36I didn't come here to gloat.

00:45:38It's good and bad in every family.

00:45:40And I am sorry about this, about your brother.

00:45:42I really am.

00:45:43I wouldn't wish it on anyone.

00:45:44Now, how about a drink, eh?

00:45:46Any of you?

00:45:48You know, I, I've really, I've never seen anything quite like this.

00:45:54Not in California or, well, even Bel Air.

00:45:59Well, it is my most considered work.

00:46:03Father would have liked it.

00:46:07He's dead now.

00:46:08Car crash.

00:46:09But he would have liked this.

00:46:11The symmetry.

00:46:13He, he was a stickler for things like that.

00:46:17Everything had to be right.

00:46:19In its place.

00:46:20Mm-hmm.

00:46:21Yes, I know exactly what you mean.

00:46:23Uh, I've known people like that.

00:46:26Uh, perfectionists, eh?

00:46:28Yes, he was.

00:46:30Yes.

00:46:32Yes, you know, I told you he was small, but he, he towered over you.

00:46:40You know, dominated you.

00:46:43Suffocated you.

00:46:45Uh, he, he wasn't small, but by God, sometimes I wish he had have been.

00:46:51You're a little bit hung up about him, aren't you?

00:46:55But after all, you're, you're your own man now.

00:46:59Mature and successful, certainly.

00:47:02You ought to try and think of him in a, oh, a mellower way.

00:47:07Think of the good times.

00:47:08Hmm?

00:47:10Yes.

00:47:12Well, it seems that Lady Gifford has got a double bath.

00:47:15A double bath?

00:47:16Heh, double.

00:47:17Like twin beds.

00:47:18Two gigantic baths alongside each other.

00:47:21Well, it impressed Martha.

00:47:22She's been on about it all the week.

00:47:24She wants the same.

00:47:25Oh, well, it's not quite as simple as that.

00:47:27Easy to arrange.

00:47:28All you've got to do is shove one in alongside the other.

00:47:30Well, that isn't quite the way it's done, now, Mr. Bradley.

00:47:32No, and besides space is limited, we might have to knock out the wall.

00:47:35Yes, I know, but you're the brilliant architect.

00:47:37Yeah, well, I suppose it could be done, but we have already decorated and...

00:47:41Let's go and see to it, then.

00:47:43But now?

00:47:44Oh, sure.

00:47:45That's how I made my first million.

00:47:47Wanting something, going right in after it.

00:47:49Come on, let's go.

00:47:50It's not quite convenient.

00:47:52Look, I know you've got a problem, but maybe this problem will take your mind off the other problem, if

00:47:56you follow me.

00:47:56Yeah?

00:47:57Come on.

00:47:59All right.

00:48:01Look, why don't we see the rest of the house?

00:48:04Oh, I'd love it.

00:48:06Oh, dear.

00:48:09God, it's ruined.

00:48:10Well, not exactly ruined.

00:48:11Yes, it is, damn thing.

00:48:14I mean, it was perfect, and now it's ruined.

00:48:17Don't worry, I can fix it.

00:48:19Fix it?

00:48:20Sure, that's how I started out in the fashion business, you know.

00:48:23Sewing.

00:48:24If I can find a needle and thread, I can fix it good as new.

00:48:27Good as new?

00:48:28Where would I find it?

00:48:29Upstairs?

00:48:31A needle and thread?

00:48:33Where?

00:48:33Upstairs?

00:48:34Yes, yes, yes, upstairs.

00:48:35Okay.

00:48:36Listen, don't worry.

00:48:37Won't take me long.

00:48:45Be as good as new.

00:49:19I'm going to be able to find it.

00:49:23Let's go.

00:50:04Oh, my God.

00:50:23Oh, my God.

00:51:08Oh, my God.

00:51:25Oh, my God.

00:51:30Oh, my God.

00:51:39Oh, my God.

00:51:41Oh, my God.

00:51:52Oh, my God.

00:51:57Oh, my God.

00:52:17Oh, my God.

00:52:31Oh, my God.

00:52:57Oh, my God.

00:53:11Oh, my God.

00:53:21Oh, my God.

00:53:22Oh, my God.

00:53:54Oh, my God.

00:54:14Oh, my God.

00:54:46Oh, my God.

00:54:47Oh, my God.

00:55:17Oh, my God.

00:55:43Oh, my God.

00:56:13Oh, my God.

00:56:14Oh, my God.

00:56:30Oh, my God.

00:56:41Oh, my God.

00:57:19Oh, my God.

00:57:38Oh, my God.

00:58:07Oh, my God.

00:58:24Oh, my God.

00:58:50Oh, my God.

00:59:18Oh, my God.

00:59:48Oh, my God.

00:59:51Oh, my God.

00:59:57Oh, my God.

01:00:41Oh, my God.

01:00:54Oh, my God.

01:01:20Oh, my God.

01:01:32Oh, my God.

01:01:39Oh, my God.

01:02:25Oh, my God.

01:02:36Oh, my God.

01:02:57Oh, my God.

01:03:01Oh, my God.

01:03:19Oh, my God.

01:03:45Oh, my God.

01:04:16Oh, my God.

01:05:02Oh, my God.

01:05:25Oh, my God.

01:05:33Oh, my God.

01:05:47Oh, my God.

01:06:04Oh, my God.

01:06:22Oh, my God.

01:06:54Oh, my God.

01:07:22Oh, my God.

01:07:57Oh, my God.

01:08:09Oh, my God.

01:08:17Oh, my God.

01:08:26Oh, my God.

01:08:49Oh, my God.

01:09:19Oh, my God.

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