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Short filmTranscript
00:04.
00:21Violence spiraled forward, mercilessly surrounding us.
00:27My father doubled down with each action and he knew the responses would escalate as well.
00:34Right in the heart of Medellin's high society, a place where doors were often closed to him,
00:41he built us a fortress which he called Monaco.
00:45How did I do?
00:47That was so slow, man. It took you forever.
00:50You think I'm too slow, man? No, I'm just testing it out first.
00:53You want to take it for a ride?
00:54But we can't go anywhere.
00:56Don't be so bitter, Patroncito.
00:59Fine, it's your loss then, but check this out.
01:01Go ahead.
01:09Hey, René.
01:12Look what I have for you.
01:16That's nice, Patroncito. Thanks.
01:32Don't let's go.
01:39Let's go.
02:08Let's go.
02:08Let's go.
02:39Juan Pablo, could you come here, please?
02:41Excuse me a moment, sir.
02:43I'll get him.
02:45Juan Pablo Escobar!
02:48Maria, will you go ahead and put this in the guest room, please?
02:55We were living in a calm tension, which for me at that age translated to confinement and uncertainty.
03:02Juan Pablo, your teacher's been waiting for half an hour.
03:06Ugh, Mama, why do I have to study if Papa took me out of school?
03:10I mean, he didn't study and he's successful.
03:13Well, first of all, your Papa did study and he finished high school.
03:16Second of all, he learned from your abuela who used to be a teacher.
03:19So do me a favor and take those skates off now!
03:21Ugh, Mama...
03:21Don't interrupt me.
03:23When you're done with your studies, you'll go upstairs and clean your room so they can paint the main rooms
03:27next.
03:28If they're gonna be painting up there, why don't we go back to Napolis?
03:31Because we're going to be much safer here, mi amor.
03:34And you are going to have to learn to listen.
03:36This isn't Napolis where you can do whatever you want.
03:38If Maria is safer, then why am I trapped here?
03:40You're not.
03:41You have 4,000 square meters to explore.
03:43Isn't that enough for you?
03:45Is that a lot?
03:46Well, you'd better go ask a teacher about her because that's why he's here.
03:49Now go on.
03:52Do you know who got who?
03:53I think the one from Medellin poached the one from Cali.
03:56No, let me tell you.
03:57They both ran their own cartel routes, dude.
04:00One in Cali, the other in Medellin.
04:02Oh, no.
04:03When they got thrown in jail in Miami, the lovebirds fell for each other.
04:07Oh, yeah.
04:08They promised each other whoever got out first would take the other person's route.
04:14Nah, dude, I don't believe it.
04:16The patrón was betrayed for Dick.
04:18That's what you're telling me.
04:19Nah, man, it's the power of love.
04:20They fell in love.
04:21They fell in love.
04:22Listen.
04:25The real problem here is that the Cali cartel won't let go of that route.
04:29Pablo's going to be pissed.
04:30And he doesn't forgive, so they'll pay for it.
04:33Yeah, but they're already in jail.
04:36And neither of you can imagine the things I've seen in there.
04:39I know.
04:40They're not love stories, man.
04:41They're nothing.
04:42I remember this guy.
04:44He came in for raping his own daughter.
04:47So guess what the warden did?
04:50He decided to round us all up one day and make us jerk off.
04:54Pour all our jizz into jars.
04:55Must have been 20-something jars.
04:59And they forced him to drink it.
05:03And afterwards, they went and cut the bastard's dick off.
05:09All this blood was gushing out of him like a hose.
05:12Gushing.
05:13Gushing.
05:14And that squealer pig does when you cut his head off, he screamed like that till he bled out.
05:19Oh, yeah.
05:20We watched him bleed to death.
05:24I'll tell you one thing.
05:27The hell they tell us about in church, dude?
05:30It's an amusement park when you compare it to prison.
05:34Long live freedom, right?
05:38Can you imagine what would happen to any of us if we ended up incarcerated in a U.S. prison?
05:45No, man.
05:46I'd rather die.
05:48Hey, what's going on?
05:52Hey, patrocito, what's going on?
05:55You come and eat my special world famous beef trance?
05:59No, I just hate it.
06:04I'm fine.
06:05Is Rodri there with you guys?
06:07Uh, Rodri?
06:09Well, Rodri went on a walk with Angie.
06:12They went to eat.
06:13They all like eating each other.
06:19There they are.
06:21Those are the guys who are just dying to throw us and the patron into American presence.
06:25Ugh, those bastards.
06:28As if we were just bananas, they could export out.
06:32The man in charge there is Garcia Zarate.
06:35The owner and editor of the newspaper that's been insisting on our deportation.
06:42And obviously he used that to get into politics, like everyone else does.
06:47He's been married for 24 years.
06:50Those three men he's with right now, they're his children, all boys.
06:56And him?
06:57That's his secretary there.
06:59He never leaves Zarate said.
07:01He's like another son.
07:03You know what I don't get?
07:05Why can't they just leave us in peace?
07:07Well, I refuse to go to an American prison.
07:10I'd kill myself before that happens.
07:13A little pill of cyanide and that's it.
07:16Nighty-night.
07:16She loves me when I'm back.
07:19She's having mom's term.
07:45What is it, Ange?
07:49That woman with the secretary over there is my little sister.
07:53I haven't spoken to her in four years.
07:59I wasn't aware that I had a niece.
08:15Oh, they called me.
08:16They told me, Mr. Victoria, take whatever you want.
08:19We have all the certificates and everything.
08:21So I said, okay, you'd like it.
08:23It arrived a week ago.
08:25They called and offered me double.
08:27Mija, just hold on to it.
08:28If those guys offered you double the price,
08:31they've got some fool paying them triple.
08:33Don't sell it.
08:34That works for me.
08:36You're having a party without me, huh?
08:38Yeah.
08:41I came to see what your mom just bought.
08:45Come on, it looks like a photograph, right?
08:47Seems boring, doesn't it?
08:49Boring?
08:51Pictures of girls with their boobs out are way more interesting.
08:54Come on, Papa.
08:55It's good.
08:57It's five o'clock in the morning.
08:58Your dad must be tired.
09:01Mama, come on.
09:03It's been a week since I've seen him.
09:08I'm sorry, Mija.
09:19Yeah.
09:20It's the best thing to do.
09:23Stay somewhere else or you're both safe.
09:28Yeah.
09:34Excuse me, Patron, but it's time.
09:47I love you.
09:50And we love you, don't we?
09:53Yeah.
09:59Honey, this one doesn't fit in with the rest.
10:02Oh, who asked you, Pablo?
10:06Ridiculous.
10:22Oh, gee.
10:26Wait, what the hell?
10:28Six, D, 65, 70, 75, 80, 85, 90, 95, 100.
10:34105, 110, 115, 120, 125.
10:38Hey.
10:39Hey.
10:42This house is so small you couldn't find your own spot.
10:45Keep it down.
10:46Yeah.
10:47Stop it.
10:48Stop it.
10:50Shh, shh.
10:56Get your chicken.
10:59People can see us.
11:00You chicken son of a bitch.
11:03265, 270, 275, 280, 285, 290, 25, 100.
11:17Hey.
11:19be honest
11:20are you fucking Anji
11:22what
11:25so it's really true then
11:28yeah it's true
11:29but let's just keep it between us
11:31okay I'm trusting you
11:34everyone knows already
11:35what
11:36quiet get down
11:42he's coming
11:43he's coming
11:44hey we're playing a game here
11:50hey man I'm telling you
11:52that's Bolivar's sword
11:53this is Bolivar's
11:56it's over
11:57you're hanging by the balls man leave it alone
11:59it's a replica
12:00seriously put that away
12:01it's not a replica dumbass that's the real thing
12:04hey senore
12:07did I just fucking lose
12:09which one is it holy or a bitch
12:14yo how come you're getting up on one of your own
12:16wait what does that mean
12:18you see one beat God gave men dicks
12:20and I'm talking big dicks
12:22big enough to penetrate a pussy
12:23but ponytail over here likes to put a sad dick somewhere else
12:26hope you know I have a girlfriend
12:28yeah we don't really fuck with you you dumbass
12:31that's the same shit
12:33come on Rene don't put up with that
12:35gentleman Jerry's calling
12:36he needs your now
12:37he needs your now
12:38yeah yeah yeah
12:39let's go everybody
12:41come on
12:41let's go
12:42it's like we're saved by the bell patrensito
12:46later
12:47sir
12:47to
12:50God
12:51God
12:51God
12:52God
12:59Oh, my God.
13:24What is
13:29Yeah, give me a sec I'll take a look
13:48Okay, okay, thank you
13:53Bumpi
13:57Amor I'm making sandwiches. Would you like one? No mommy. Thanks. I'm not hungry. Okay
14:23Hey
14:24Hey
14:25Hey
14:25Hey
14:27Hey
14:28Hey
14:28Hey
14:34Hey
14:35Hey
15:03Girl
15:13Hey
15:13Hey
15:13Hey
15:13You better be careful you mean a lot to me
15:16It'll be fine
15:18I'll meet you inside
15:20It'll be fine
15:21Good
15:23Hmm
15:32You
15:33Oh
15:33You
15:36You
15:38Oh
15:38You
15:52To be continued...
16:19May I help you?
16:22That woman with the secretary over there is my little sister.
16:51What's up, what's up?
16:51What's up, what's up?
17:22My father's enemies had spared my life.
17:25But they had been clear.
17:27They didn't want Escobar's children living in Colombia.
17:31My mother's priority became getting my sister and me out of the country.
17:36Nevertheless, we were faced with an even more complex reality.
17:41No other country wanted Escobar's heirs on their land.
17:47Mexico, Canada, Germany, Spain.
17:52Same response from every embassy.
17:54Unfortunately, we can't grant you a visa.
17:57Why not?
17:58Because you're an Escobar.
18:05An explosion.
18:08A bomb.
18:09That's the only thing the airlines seem to hear.
18:11It's every time we try to buy plane tickets with our names.
18:14And it doesn't matter if we try to buy them ourselves or we send other people to do it.
18:19We could travel by land.
18:21But that's taking a big risk.
18:23And even if we make it out, no country is willing to take us.
18:26You know the saying, where there's a will, there's a way.
18:30But because of Juan Pablo's agreement with the Cali Cartel, we need to get him out of Colombia now.
18:34If only it was just those in Cali.
18:36Our enemies are all over.
18:37That's it then.
18:38We're no better than pests.
18:39They'll be looking for us anywhere we go.
18:41They're looking for the Escobar's.
18:44We are Escobar's.
18:45That's our name.
18:48What I'm trying to say is that if you guys had a common name and a different surname,
18:55it's likely you'd get through immigration.
18:58And live the rest of our lives illegally?
19:01Absolutely not.
19:02I refuse to subject my children to that.
19:04It would all be completely legal.
19:11I found this little known law.
19:13And it allows any Colombian to correct, change, or amend their names.
19:22It's an opportunity to reinvent yourselves completely.
19:25To escape the freedom.
19:34Juan Pablo, you need to stop moving the antenna every day.
19:37There's something wrong with the television now.
19:39Then what do we even have the antenna for?
19:42I'm just telling you to stop moving it.
19:44Now all we get here is this Japanese stuff.
19:47And I don't know why you like it so much.
19:56And no sleeping on the couch anymore either.
19:58It's a mess in here now.
19:59But my room still isn't ready yet.
20:02I guess you're stuck sleeping with me in the guest room then.
20:05Don't argue.
20:05Tonight, another unfortunate attack on journalism has taken place.
20:09In a failed attempt, thugs tried to violently enter the home of newspaper editor Franco Garcia Serapi.
20:16After a shootout, one of his secretaries was gravely injured.
20:20What the hell is wrong with you guys?
20:22I really don't get how you had such horrible work, man.
20:25All you had to do was keep your cool, but instead you went crazy.
20:28Like, I don't even understand how you guys can mess that up so badly.
20:31It's crazy to me.
20:32They were tipped off.
20:33I swear to God, right when they opened the door, those motherfuckers started firing like they knew.
20:38Oh, really?
20:39Then I guess the real question is who would have snitched?
20:43Nobody snitched on anyone.
20:46Angie just fucked up.
20:47How'd she do that?
20:49We saw her.
20:50She freaked out.
20:51Jesus, kid.
20:52All she had to do was distract him.
20:54Easy enough, right?
20:55You pop out a titty and charm him so we can get him from behind and grab the car.
20:58But no.
20:59Instead, she just stood there frozen like a fucking statue.
21:02You gotta admit this whole gig failed because of her.
21:04Don't talk about her like that.
21:05No.
21:06Angie did exactly what she had to do.
21:08Look, we all know she was prepared.
21:10But something or someone distracted her from getting the job done.
21:14What the hell are you trying to say?
21:16I'm just telling the truth.
21:18Yeah?
21:20He's right, kid.
21:21You two messing around, splitting up the group, and things are falling apart.
21:27Wait, you two?
21:28When did I screw up exactly?
21:29I was there firing away, dude.
21:31And I say that's what we all should have done from the very start.
21:34We were shooting.
21:35Listen to me, dumbass.
21:39The order was to take the guy in alive.
21:42If we went in guns blazing, it would have been a bloodbath in there.
21:45Cool yourself, Rodrigo.
21:49Then I'm gonna do it live.
21:50I thought you didn't do that.
21:56Well, today I do.
21:59Go on, then.
22:07Welcome to the party, Parse.
22:29The blow to your stomach caused some internal bleeding, and stopped the pregnancy you were carrying.
22:34I'm very sorry.
22:36I'm very sorry.
22:40We have more details in regards to the attempted attack that was made from the CSI.
22:46The editor achieved one of the cameras.
22:48I've made this accounts for this amount of static indicators of the attack.
22:53The查 and the attack happened.
22:58The attack became suspicious at theenizad of the conflict,
23:02and both the police were going to be watched on the police.
23:06The alarm was a forest להedadry.
23:09The entry was a lot.
23:10The attack was a lot off the ground and there was a lot of passiert.
23:27Take Luis as your first name and sing to me at night.
23:32How about Emiliano, Diego, Willy?
23:35There are so many.
23:37Which one do you like?
23:38You could just leave one and add another name, right?
23:40Like Daniel.
23:42Daniel means the chosen one.
23:44I have enough problems with people who think I'm the chosen one.
23:47Pick a new one.
23:50Sebastian?
23:52Juan Sebastián.
23:54Juan Sebastián.
23:57And who's the mom of Juan Sebastián?
24:00This is going to be annoying.
24:03María Isabel, mi amor. María Isabel.
24:06María Isabel, mother of Juan Sebastián Ramírez.
24:09No. Not that one.
24:11Not Ramírez, González, López, García. No.
24:15Think about it.
24:15If we want to earn their respect, we need an aristocratic name to use.
24:19Ángeles Sarmiento, only daughter, from Barranquilla.
24:24Parents are Eugenia Rodríguez and Pedro Sarmiento.
24:29Lived in Barranquilla until she was ten years old.
24:32Want me to make you breakfast?
24:34Yes, please. I'm hungry.
24:35Okay.
24:37Andrea?
24:38Yes, mi amor?
24:41That's not your name anymore.
24:42You can't react to it.
24:44Then it's just you and me. We're alone.
24:47No. There's always someone who should be watching us.
24:49If what you want is for us to be alone,
24:52Ángeles,
24:53you really need to understand that.
24:55Are you serious?
24:58Miss Ángeles, where were you born?
25:02Can I just go make your breakfast now?
25:07Fine.
25:10I'm from Barranquilla.
25:12I'm the only child of a housewife and an accountant,
25:14and I attended Maria Auxiliadora Elementary.
25:16You happy?
25:18Juan Pablo, mi amor, listen to what all...
25:20Sebastián, mamá. My name is Sebastián.
25:22What you told me?
25:22Juan Pablo, you're being so rude.
25:25Please, go ahead.
25:27There's a possible destination.
25:29And this country's representatives
25:31said their government's willing to receive you
25:33and provide you with protection.
25:36Tell me where.
25:37Mozambique.
25:38Mozambique?
25:39In Africa.
25:51Hey, Angie.
26:16There's a possible destination.
26:16There's a possible destination.
26:16There's a possible destination.
26:17There's a possible destination.
26:17There's a possible destination.
26:17There's a possible destination.
26:17There's a possible destination.
26:18There's a possible destination.
26:18There's a possible destination.
26:18There's a possible destination.
26:18There's a possible destination.
26:20There's a possible destination.
26:21There's a possible destination.
26:22There's a possible destination.
26:23There's a possible destination.
26:27There's a possible destination.
26:53I don't give a damn what those fuckers do.
26:56It's their asses on the line.
27:00Those bastards can go fuck each other for all I care.
27:02All I'm asking is that they don't touch my routes.
27:05Of course, Patron, you're totally right.
27:07All those routes are yours.
27:09So do we have a deal with the Cali cartel or not?
27:11Yes, we do have one, senor.
27:13But isn't it better to just do what we discussed, huh?
27:15Give me the routes they promised me?
27:18Or do you think the bastards in the cartel are trying to make us go to war?
27:22Or do you think the bastards in the cartel are trying to make us go to war?
27:51They need to show you respect.
27:53They need to see that you have the boss to do what it takes.
27:57That means war is war, Pablo.
28:00You're damn right.
28:12Security!
28:13Security!
28:15Security!
28:18Security!
28:19Security!
28:19Security!
28:20Security!
28:20Security!
28:21Security!
28:22Security!
28:22Security!
28:23Security!
28:23Security!
28:24Security!
28:24Security!
28:48Oh, my God.
29:11Contact Monaco.
29:41Mama!
29:43Mama!
29:45Mama!
29:47I'm not here!
29:49Mama!
29:50Okay.
29:51Mama!
29:52Okay, mama.
29:53Here he is!
29:55Papa, my amor.
29:56Look at me!
29:57Stop at me!
29:58I'm here, ma.
29:59We're right here, my amor.
30:00Right here.
30:00Right here, you okay?
30:01It's okay, my amor.
30:02It's okay, I'm okay.
30:03I'm okay, give me your hand.
30:05Give me your hand now.
30:06Give me your hand, give me your hand.
30:09Dorado!
30:10Mrs. Victoria!
30:12Mrs. Victoria!
30:13Help me!
30:14Come on, get it!
30:15Come on, come on!
30:16My baby!
30:17My baby!
30:18My baby!
30:19My baby!
30:19We're right here.
30:20They're gonna get you out.
30:21They're gonna get you out.
30:23It's okay.
30:24It's okay.
30:24It's okay.
30:25My baby!
30:27My leg!
30:30I'm walking.
30:30I'm walking.
30:30I'm walking.
30:31I'm walking.
30:31Pull him out!
30:32Come on!
30:33Pull him out!
30:35Let's get out!
30:36My baby!
30:37My boy!
30:38Pull him out!
30:38Pull him out.
30:39Move it!
30:40Get him out of there.
30:41Come on.
30:42My baby!
30:43You're okay, buddy.
30:44Come on.
30:45Down.
30:46Let's go.
30:47Dammit!
30:47Come on!
30:48We're gonna go to the
30:48way for this!
30:48Come on!
30:56Come on!
30:57Come on!
30:57Let's go!
30:58Let's go!
30:58Let's go!
30:59I got you.
31:01I can't move my thing, guys!
31:02I can't move my thing!
31:03I can't move my thing!
31:04This way!
31:05Where is it?
31:06You know what?
31:07Come on!
31:07Get out of the car!
31:08Get out of the car!
31:09Come on!
31:11Let's go!
31:12Give me my car!
31:14Let's go!
31:14Get in the Jeep!
31:15Get in the Jeep!
31:20Come on!
31:21Come back!
31:22Get in the Jeep!
31:24Get in the Jeep!
31:24We don't have time for that!
31:26Come on!
31:26Get in the Jeep!
31:27Get in the Jeep!
31:27Get in the Jeep!
31:27He's gonna be OK!
31:28Holy shit!
31:30Hurry in!
31:30Hurry in!
31:30Hurry in!
31:31Hurry up!
31:31Let's go!
31:31I'm gonna be careful!
31:34The Monaco Explosion was the first Carbom attack
31:37in the history of Colombia.
31:40Go!
31:40My goal was to end my father's life.
31:43Miraculously, they didn't kill my sister, my mother, or me.
31:48There were ten injured and three dead.
31:56The affected neighbors, caught between outrage and resignation,
32:00were thanking God for being alive after the terrifying explosion.
32:04The citizens, still stunned,
32:06recounted the words of the authorities comparing Medellin with Beirut.
32:09The citizens are now left speculating about what happened.
32:25You're here now, Patron.
32:30Mijo!
32:32Papito.
32:32Hi, Papi.
32:34Hi.
32:41You okay?
32:42Yes.
32:46Oh, God.
32:48Honey, did they hurt you?
32:51Come on, we're going to your mother's.
32:53Okay.
32:55Hey, guys, pack it up. We're going.
32:58Hurry up over there so you can help them get in the truck.
33:07Just give me a minute.
33:16Up until that day, the country had known all about the kidnappings, extortion and murders.
33:21But in response to this attack, my father would escalate an offensive that would bring about narco-terrorism.
33:28It was the Kali Cartel.
33:31Motherfuckers, I'm going to fuck them so bad that for the rest of their miserable fucking lives,
33:37they'll regret messing with my family.
33:54Motherfuckers, I'm going to correct it bad that would bring about to me fazem me a better job.
33:59Can I redeem them for my family everybody?
34:03It's not as...
34:03The journey we believe but happen to me!
34:04You struck me, one guy, what's the story that champions all right?
34:06Good.
34:06Yeah, all right?
34:07I built an elaborate scare away from me or something,ump I, I tied my husband's gonna fight,
34:08and who של השigans all right?
34:10Rear para no llorar, huir de esta realidad.
34:18El precio de vender el alma se paga con carna y puta soledad.
34:27Rear para no llorar, correr sin mirar atrás.
34:33El precio de vender el alma es que la conciencia no puede callar.
34:46Hace la voz, no llames la atención.
34:50Si dudas se va peor, por la sombrita mejor.
34:53Si te preguntan, nadie sabe nada.
34:57Poquita callada, al que piensa lo callan con vara.
35:02Hay que opinan, lo callan con vara.
35:06Si es que hay un Dios, raza por mí.
35:09Va a vivir, vivir sin miedo a morir.
35:11Hay que estar muerto por dentro.
35:15Rear para no llorar, huir de esta realidad.
35:23¿Cuál costo de vender el alma?
35:26Ya no hay oración que te pueda salvar.
35:31Padre nuestro, llévame a tu cielo.
35:33Porque aquí en la tierra se vive el infierno.
35:35La voluntad depende del dinero.
35:37Y el único reino lo tienen mis dueños.
35:39El pan de cada día es vivir con el miedo.
35:42Que dejes caerme en las manos de ellos.
35:44Líbrame de este mal.
35:45Líbrame de este miedo.
35:48Líbrame de este mal.
35:50Líbrame de este mal.
35:51Líbrame de este mal.
35:51Líbrame de este mal.
35:52¿Vale?
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