#video #High Potential Season 2 Episode 17 Engsub
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00:00Five, six, seven, eight!
00:05H-O-T-T-O-G-O
00:07Snapping, clapping, touchy-toes
00:09H-O-T-T-O-G-O
00:11H-O-T-T-O-G-O
00:14You can take me hard to go
00:17H-O-T-T-O-G-O
00:21You can take me hard to go
00:25Hey, buddy.
00:30H-O-T-O-G-O
00:39Oh!
00:41S-T-O-G-O
00:43S-T-O-G-O
01:02Updates on Willa Quinn.
01:03Still keeping a low profile since she landed in L.A.
01:06I checked with County.
01:07She tried to visit Eric Hayworth in jail two days ago.
01:09You were right to put her on the restricted visitors list.
01:11They turned her away.
01:12I'm sure she loved that.
01:14Let's put Hayworth in protective custody.
01:17You think she'd send an inmate after him?
01:19I don't know what that woman would do.
01:21Hayworth mentioned her and Roman Sinquera's abduction.
01:23I'm sure she wants to silence him.
01:25Let's not give her a chance.
01:27What about our wiretap? Are we up yet?
01:29I put in the request, but the D.A.'s dragging their feet, as usual.
01:31I'll stay on them.
01:32Captain Wagner also pulled some strings and got a surveillance detail in her hotel.
01:36They're keeping track of who's coming and going.
01:38Nothing notable yet, but they'll keep it supposed to.
01:42Oh, in the meantime, duty calls.
01:44Bodies spotted on a building in Mid-City.
01:46You mean in a building?
01:48No.
01:48On.
01:49Multiple 911 calls about it dangling off the side.
01:53I'll text you the address and have Morgan meet you there.
02:03This building is...
02:05I don't know what this building is.
02:06Looks like somebody dropped some spaghetti on the blueprints and just kind of went with it.
02:10Hmm.
02:11Tyler Villanueva, 24.
02:13Extensive rap sheet.
02:14Hmm.
02:15Let me guess.
02:17Vandalism.
02:20Looks like he's been busy, huh?
02:21Yeah.
02:22Blunt force trauma.
02:23Vic was hit with a hard cylindrical object before he fell.
02:26Not sure what yet.
02:27Been dead for a few hours, so killed early this morning.
02:30Said they found him hanging off the side of the building?
02:32Witnesses spotted him caught on an architectural feature there.
02:36Unis think he was two floors up when he was struck.
02:38Fell over a balcony.
02:39Poor guy.
02:41Ready to take a look?
02:50Set a cylindrical object to the head, right?
02:55Oh, I don't think spray cans are hard enough to cause that kind of damage.
02:58Wow.
02:59This is very...
03:00Disgusting.
03:02No, I was going to say cool, because it's art.
03:05Vandalism is not art, Morgan.
03:07It's a misdemeanor, and misdemeanors are not cool.
03:09Right.
03:10Yeah, no.
03:10Told you right, Mr. Minos are not cool.
03:13You never paid it over anything when you were a kid?
03:16Right, I forgot.
03:17You weren't a kid when you were a kid.
03:19It is hot in here, huh?
03:21No wonder Tyler tagged at night.
03:22Well, it's an abandoned building.
03:24That means no utilities.
03:25Can't just turn on the A.C.
03:30Yeah, we got blood over here.
03:34Looks like the Vic was struck here.
03:36Fled as a salient.
03:38That way.
03:38Probably disoriented.
03:39Already losing blood.
03:41Hit the ledge and went over.
03:42Sound about right?
03:48This is the last piece Tyler was working on before he got killed.
03:51The colors match the paint on his hands.
03:54Defunct.
03:55Must be his tag grenade?
03:56Mm-hmm, yeah, but check this out.
03:58This is not Tyler's.
03:59He was ragging somebody else's work before he got killed.
04:02What's ragging?
04:03Ragging, capping, painting over.
04:05Oh, Roman, huh?
04:07Mm-hmm.
04:07Yeah, the L.A. graffiti scene is how he got his start as a muralist.
04:10He said that taggers live by a code.
04:13Does that code mean some spray paint can get you killed?
04:17Well, if a tagger does some quick line work and somebody rags it, not a big deal.
04:23But if the artist did line work and started to add some shading and then somebody paints
04:27over it, not cool, but also not the end of the world.
04:32But painting over a completed piece that took time and skill, that's a problem.
04:39And that could get violent.
04:41Or, in this case, deadly.
04:42Okay, well, I'll have forensics process this area and tell everybody else what we're thinking.
04:47Yeah, okay, I'll see you when you land.
04:50Morgan and Karadak are coming back from the crime scene.
04:52The victim was a tagger, went by the name defunct.
04:55Sadly prophetic.
04:56Yeah, they think the killer might be a rival artist.
04:59You got a name of the rival?
05:00Not yet, just some graffiti they left behind?
05:02The gang unit keeps a graffiti binder.
05:04To track activity throughout the city, I'll put in a call.
05:07Hello, Selena.
05:12Catch her at a bad time.
05:22I wonder how long Settle's gonna let her sweat in there.
05:25Does she look like she's sweating to you?
05:27We're gonna figure out the connection between Willa and Roman.
05:29We just don't have the answers yet.
05:31No, we certainly don't.
05:32So maybe we're asking the wrong questions.
05:34Uh, Morgan, whatever you're thinking about doing, don't.
05:37She's not under arrest.
05:38There's no reason I can't speak to her.
05:39I know that this is extremely frustrating, but you need to let Soto handle this.
05:44Any luck on the binders?
05:45Flagged a few that could be the tagger, but...
05:47But they're not.
05:48You sure?
05:49Yeah, I flipped through it.
05:50Tagger's styles are very specific.
05:52Letter shape, spray speed.
05:54Our guy's not in there.
05:55We want to find that guy.
05:56We need someone connected to the graffiti scene.
05:58Taggers aren't known to help cops.
05:59I know someone who will.
06:01I already called her.
06:04I know.
06:05I know it's hard for you to take a back seat on this.
06:07Hayworth didn't pull her name out of nowhere.
06:09She knows what happened to Roman.
06:10You're right.
06:10And I have a plan.
06:12Trust me.
06:19I hope our interrogation room isn't too unpleasant.
06:22Our ballroom's being renovated.
06:24A room's a room.
06:25So.
06:27What brings you to L.A.?
06:29Well, after what you told me in New York, I had to come and clear my good name.
06:32Is that right?
06:34If Eric Hayworth is making accusations against me, I need to get to the bottom of it.
06:39I need to clear it up and put it to bed.
06:40Well, Mr. Hayworth is unavailable.
06:43Yeah.
06:45So I noticed.
06:48So I come with an offer.
06:51You told me that you had an old case, a missing person, um, Roman Sinchiera.
07:00Well, I have contacts and I can help you.
07:04And then we both get what we want.
07:05You get Sinchiera and I, I get to prove that I had nothing to do with whatever happened to him.
07:12See, I think that you're scared that we'll get to him first.
07:16And then you won't be able to make sure that he's gone forever.
07:21Trust me, Selena.
07:22You want me as a friend.
07:24I have enough friends, thank you.
07:27Including Eric Hayworth these days.
07:31He's been very cooperative.
07:34You remember that Blackberry I found in Roman Sinchiera's backpack?
07:39I told you, my techs were working on it.
07:42We pulled these messages off of it.
07:45They're in some sort of code, so we can't really read them just yet.
07:49But the days and the times match the night that Roman disappeared.
07:54Like their instructions.
07:56See that?
07:59So I put a call into the DA.
08:02They're setting up a talk with me and my new friend, Eric Hayworth.
08:06I'm pretty sure he'll help us read them.
08:12Wow.
08:15Now I'm invested.
08:19So do tell me how that all goes for you.
08:22And if you change your mind about working together, let me know.
08:26Offer still stands.
08:31I am free to leave, right?
08:34This time.
08:36What's she doing?
08:37Wait, she's just gonna let her go?
08:39Hey! Hey!
08:41We are not done here.
08:42Morgan, calm down.
08:42Don't tell me to calm down, okay?
08:45Morgan!
08:46Let go of me!
08:47Morgan!
08:47This is your plan?
08:48As a matter of fact, yes.
08:49I needed to see her face, and now I'm sure.
08:53Willaquin is scared.
08:55And with Hayworth's help, we're about to find out why.
09:03Make anything of them?
09:05No.
09:07Well, Soda will get it out of Hayworth when she talks to him.
09:10Hey, we're close.
09:15Hmm.
09:16It's a fancy restaurant.
09:18That's Lucia's favorite.
09:19We're celebrating.
09:20She put in an offer on a house in Lafayette Park, and the seller just accepted it.
09:25Wow.
09:26That's a good school district.
09:27Think she'd mind if my family moved in?
09:30Unless she's already planning on maybe having a roommate one day.
09:33Well, we talked about it.
09:35What?
09:37You...
09:37Okay.
09:39You guys have been back together for, like, five minutes.
09:41Isn't that kind of rushing things a little bit?
09:43Well, I said we talked about it.
09:45That's it.
09:45But if that changes, you'll be the first to know.
09:47I don't need to be the first to know.
09:49You might want to notify your utility companies.
09:53Nicole?
09:55Hi.
09:58Margot.
09:58It's so good to see you.
10:00God, it has been forever.
10:02Last time I saw you, you were pregnant with your daughter.
10:04Ava, she's 16 now.
10:0616?
10:06It doesn't seem possible.
10:07Tell me about it.
10:09And you know what else?
10:10She's an artist as well.
10:11Like her dad.
10:13Yeah, like her dad.
10:15Uh, Nicole Heisler, this is Detective Adam Karadek.
10:18Nice to meet you.
10:19Nice to meet you.
10:20Nicole is a professor of urban art, but when I met her, she went by the name Michelangelo.
10:26I was hoping you'd forgotten that.
10:28It's a tough one to forget.
10:30Thank you for coming in.
10:31We wanted to see if you could help us identify a tagger.
10:34This is what our victim was working on when he was killed.
10:38Wait, defunct is dead?
10:40You knew him?
10:41I knew his work.
10:43He was an up-and-comer in this scene.
10:45The piece we're actually interested in is the one that he was painting over.
10:48Do you recognize that style?
10:51Um, well, you see the flares and the drip marks along the side?
10:58They're as unique as a signature.
11:00Yeah.
11:02Cyclops.
11:02Half of these are Cyclops.
11:07And if I am remembering right,
11:09he and the funk had beef.
11:12Ragged over each other's work before.
11:14Do you know Cyclops' real name?
11:16Sorry, I don't.
11:17Well, if these are all Cyclops' I know where he works.
11:21His paint cans are all from the same store.
11:24Well, how do you know the guy worked there and wasn't just a customer?
11:26Well, anyone on a budget knows that dented food cans get restocked and resold at a discount.
11:32Same goes for dented spray paint cans,
11:34unless the dent is along the seam because then they could explode.
11:36These are safe because they're empty,
11:38but these cans really should have gone back to the wholesaler.
11:40So Cyclops didn't buy them from the store.
11:42He intercepted them because he worked there.
11:48What?
11:49Nothing.
11:50Just, I'm surprised.
11:52You working with the police?
11:53You seem happy.
11:55I like it.
11:57Well, you know.
11:59Free coffee.
12:02Mm-hmm.
12:07Welcome to.
12:12Cheers.
12:14Cheers.
12:14Cheers.
12:19Hey, order yourself something.
12:21Nah, I'm good.
12:22I see the cigars and bacon haven't killed you yet.
12:25Which one do you think will get me first?
12:27Look, Dad, I got a job to get back to,
12:30and you don't summon me unless you need something.
12:32So, what's up?
12:35I've asked the city council to launch a panel to look into corruption.
12:39You?
12:40That's rich.
12:41I'm considering a run for Senate, so I'll be the face of it.
12:44Plays well with the voters.
12:46Yeah, that makes more sense.
12:47I've heard about this Morgan Guillory.
12:51Consultant of yours, right?
12:53I think she'd be perfect for her.
12:54Full benefits, opportunity for advancement.
12:58I'm sure we could pay her a little bit more than what LAPD's given her.
13:00Wait, wait a second.
13:01You want to offer her a job?
13:03Yeah, she's smart.
13:04Problem solver.
13:06Won't take no for an answer.
13:07Perfect.
13:08And you know a hundred people who fit that description.
13:10Why are you looking at someone from my squad?
13:13That touch of nerve there, Nicky?
13:15Come on, son.
13:17You and I both know that she's special.
13:19And I also know that she's not going to want to work with you.
13:22Well, how about we let her decide that?
13:25Present her with the opportunity.
13:28Are you asking me to do this, or are you telling me?
13:31You're a big boy.
13:32I'm sure you'll do what's best for everyone.
13:49Oh, wow.
13:51That's just, wow.
13:53I had to wear a Hawaiian shirt and jorts the summer I worked at Knott's Berry Farm.
13:57This is much worse.
13:59Can I see a picture?
14:00No, got me.
14:02Excuse me.
14:03Hey, we're looking for someone that works here.
14:04It goes by the name Cyclops.
14:06Do you know him?
14:27You got about two feet of foam sticking out from behind that dumpster, genius.
14:31Come on out.
14:34Damn it.
14:35I didn't do anything.
14:36Yeah, well, tell that to Tyler Villanueva.
14:38Who?
14:40Defunct.
14:40He was killed this morning.
14:42Someone killed defunct?
14:44Yo, I didn't have anything to do with that.
14:45Really?
14:46Your rival just so happened to get murdered while he was pinning over your work?
14:49Yeah, we were rivals, but we called a truce.
14:51We were working a job together.
14:52What kind of job?
14:53That weird building.
14:54In case.
14:55We were being paid to tag it.
15:07These pictures make you pretty upset, huh, Anton?
15:10How would you feel if someone drew on one of your parking tickets?
15:12Or whatever you cops care about.
15:14I can tell you we wouldn't kill anyone for it.
15:16I didn't kill the guy.
15:17Like I said, me and defunct had a truce because we were both hired to tag that building.
15:21Okay, so who hired you?
15:23I don't know.
15:24Someone.
15:25I didn't get a name.
15:26I never met the guy.
15:27Nothing.
15:28We're going to need more than that.
15:30Why do you smell like an ashtray?
15:31Oh, sorry.
15:32I had lunch with the command.
15:34And an ashtray?
15:35I got nothing for you.
15:36You took a job from an anonymous client to tag a building.
15:39Guys like me and defunct throw our work on online forums.
15:42A couple months back, I saw a post offering to pay taggers to cover in case.
15:46Wait.
15:46Someone posted a criminal one ad.
15:49I thought it might be the cops.
15:50But it said the building was abandoned, there'd be no security, and they're paying crypto to keep both sides anonymous.
15:55So?
15:56I DM back.
15:57Seems like a pretty big risk.
15:59In case you forgot, I work as a dancing hammer.
16:02I needed the cash.
16:03Turns out the gig was legit.
16:04I got paid.
16:05And as far as I knew, me and defunct were good.
16:07You mind telling us where you were between five and seven this morning?
16:10At my girlfriend's.
16:12And your Belinda.
16:14Two hours away.
16:15Oh, and your girlfriend would never lie for you.
16:17She might.
16:18But I'm guessing your boys at Highway Patrol wouldn't.
16:21Yeah, they pulled me over leaving there on my way to work.
16:23Ask them.
16:26I never thought the cops would get me out of trouble.
16:29Why would someone pay people to tag that one building?
16:31Try to cover up as much of it as possible?
16:33Well, it doesn't look like the owners are going to be any help.
16:35It says here they're a Hong Kong consortium.
16:37It ran out of money three years ago and haven't been heard from since.
16:40A consortium of them.
16:43What are you looking for?
16:44The architect.
16:45Takes a lot of time and planning to design a building like that.
16:48They can't have been thrilled at the new paint job.
16:51Does this job ever get to you?
16:53What do you mean?
16:54Working at major crimes, dealing with murder all day.
16:56Yeah, I mean, it doesn't help that I can remember absolutely everything, but I like it.
17:00Why?
17:01Trying to fire me again?
17:02Oh, maybe the opposite.
17:03City council starting an anti-corruption panel and your name came up.
17:07Clearly they haven't seen me help myself in the bulk foods aisle.
17:12You've been an asset here, but it sounds like a great opportunity.
17:15Well, thank you very much, but I'm not looking for an opportunity.
17:17Well, you should think about it.
17:18It's a 95.
17:19Okay, why are you trying to push this job on me?
17:21You want to get rid of me?
17:23Of course not.
17:24Council just asked me to pass along the offer.
17:26Okay, great.
17:27You did it.
17:27You passed it along.
17:28Can we get back to the job that I like doing?
17:31Okay, Gerald Lee.
17:33In case it's the culmination of years of work, blah, blah, blah, blah, blah.
17:36An inseparable part of my soul.
17:39Ew, come on.
17:39Well, if anybody has thoughts on that graffiti, it could be him.
17:48Thanks for coming in, Mr. Lee.
17:50We assume you heard about what happened at the in case building.
17:53Yeah, it's awful.
17:55I feel so guilty.
17:56Yeah.
17:58The way I first reacted.
17:59Why?
18:00How'd you react?
18:00My first thought wasn't about the man who was killed.
18:03I worried what would happen to my building.
18:06It makes sense.
18:07You poured a tremendous amount of time and energy into it.
18:09Oh, there's nothing like it in the world.
18:11The beams on the outside make the support structure part of the design.
18:15That's why I named it in case.
18:17Did you know the taggers were hired to deface the building?
18:20You're kidding.
18:21You didn't know.
18:22Who would pay someone to do that?
18:24That's what we were hoping you could tell us.
18:25I had no idea.
18:26I mean, the building has its critics.
18:29Some people didn't get it.
18:30Really?
18:31But if all that graffiti was some kind of critique, joke's on them.
18:35Why's that?
18:37In case it's finally going to get finished.
18:39Until a few weeks ago, the only people interested were developers who wanted to tear it down for
18:43the land.
18:44That couldn't have felt good.
18:46You're right.
18:46It didn't.
18:47But all that graffiti tanked the value.
18:50Someone swooped in and bought it in a private sale.
18:52Private sale.
18:53So, that means the name of the buyer isn't public.
18:55Any chance you know it?
18:58I can try and do some digging.
19:00Yeah.
19:00Or you could just tell us.
19:02See, I think you know who the buyers are.
19:04You just don't want us to know because they're about to finish your building.
19:07We read about how important this building is for your career, Mr. Lee.
19:11But if that buyer had something to do with Tyler Villanueva's murder and you protect them,
19:15that's accessory.
19:16So, unless you want to read about your grand opening from prison, you might want to think about
19:20coming up with that name.
19:28Mrs. Latmore.
19:29I'm Detective Karadek.
19:30Finally.
19:31Brad, the police are here.
19:33You're here about the graffiti.
19:35Um, actually, yes.
19:53Subtle.
19:53My husband called a few days ago when it happened.
19:56We thought you guys weren't coming.
19:57My apologies.
19:58It's the first we're hearing.
19:59It's definitely defunct.
20:00Minnie was here just before he died and looking to collect.
20:03Wait, someone died?
20:04What's this about?
20:05Well, this is about your friend, Defunct.
20:08Who?
20:09The guy who wants you to pay up.
20:11The thing is, Mr. Latmore, we're here because your employer, Rabner Hughes Industries, just
20:15bought the encase building.
20:16And you are their head of acquisitions.
20:18Mm-hmm.
20:18Now, we were planning to ask if you'd hired Defunct and another tagger to deface the building,
20:22but seeing this, that's, uh, definitely a yes.
20:25And you and Defunct got into a dispute over the money.
20:27Yeah, one sec.
20:28Your husband hasn't been telling you the truth, and the reason the police never showed up is
20:31because he didn't call him.
20:32Go ahead.
20:32What happened?
20:33Defunct tried to shake you down for extra, so you killed him?
20:35I-I didn't kill anyone.
20:38Rabner Hughes wanted to encase, and if I didn't deliver, I was out.
20:41But the owner wouldn't budge on the price.
20:43So you hired the taggers hoping their graffiti would drive the price down.
20:46Okay, and did Rabner Hughes pay for that?
20:48No, I got the money out of our girls' college fund.
20:52What?
20:53Oh, my.
20:54So, if you paid him, what's with the garage door?
20:57Well, the plan worked faster than expected, and I tried to prorate.
21:01Then he came by the house, and I paid him out.
21:03You can see both transfers.
21:05Ma'am?
21:08Second payments before Defunct was killed.
21:11Brad had no motive.
21:12Any idea how he found your house?
21:13Eh, a guy can answer that.
21:15You sent him a screenshot of your bank balance.
21:17Did he want to make sure you had the money?
21:19Yeah, you had your location turned on.
21:21Just let him write to you.
21:22My mother was right.
21:24Sandy.
21:24Get in the house, Brad.
21:31Starting to feel like Defunct wasn't killed over anything to do with the tagging.
21:34We should head back to the building.
21:35Maybe he walked in on something else.
21:44Okay, so Defunct ragged Cyclops in there got bashed right around here.
21:53What did he see?
21:54God, it's still so hot in here.
21:55My pits are blasting.
22:00Uh, Karadak?
22:03That wasn't here before.
22:12I think I see a propane torch.
22:18Multiple propane tanks.
22:20I've got to shut it off.
22:24No, Karadak, wait, stop, stop.
22:26There's gasoline in that glove.
22:27The whole place is going to blow up.
22:28The glove?
22:29Yes.
22:32Gasoline dissolves latex.
22:33That glove is basically just a slow fuse.
22:35And when it finally eats through...
22:39Morgan, get out of here.
22:40Well, what are you doing?
22:42Hey, there's still time to turn it off.
22:43I'm right behind you.
22:45Go.
22:46Uh...
23:01Come on.
23:07Uh...
23:08Uh...
23:10Uh...
23:11Uh...
23:12Uh...
23:20No!
23:25Oh, God!
23:26There you are!
23:27Are you crazy?
23:28You're right.
23:28I have to call this in.
23:30Are you okay?
23:30Are you okay?
23:31No.
23:32Oh, my God!
23:33Yeah, I...
23:34Oh, no, no, no, no.
23:35I'm okay.
23:35I'm okay.
23:36I'm okay.
23:37I got you.
23:38I got you.
23:39I got you.
23:41Oh, no.
23:42Okay.
23:44Officer Dan!
24:02Morgan.
24:05I'll give you one more guess.
24:06But she, uh, I, uh, how...
24:08Easy, easy, Adam.
24:10I didn't mean...
24:11I know you didn't.
24:14You look incredible.
24:18Dinner.
24:19Lucia, I'm so sorry.
24:20No, no, no.
24:22There's no reason to be sorry.
24:23You're okay.
24:25That is all that matters.
24:26Toast?
24:27Can you at least put some avocado on it?
24:29No apple juice.
24:30Throw that right in the trash.
24:31It needs protein.
24:31Bring him avocado toast and just all the meats you have, okay?
24:34He's a big meat guy.
24:36Oh!
24:37Sorry to interrupt, Lucia.
24:39Uh, hi.
24:41You look hot.
24:43You don't.
24:44You look bad.
24:45You almost got your head blown off, you moron.
24:49Glad you're okay.
24:50Thanks.
24:53What?
24:54What is this?
24:54It's a gallbladder.
24:55I don't know.
24:56Hospital gift shop.
24:56It was that or a uterus.
24:58Right choice.
25:01Is this...
25:02Chocolate chip cookie with all the chocolate chips picked out?
25:05Yes.
25:06I washed my hands thoroughly before I jumped in there.
25:09Why not just a sugar cookie?
25:11It's not the same thing.
25:14Was anyone else hurting the explosion?
25:16Just a little cracked concrete on one side.
25:19So the building's still standing?
25:20Mm-hmm.
25:21Thanks to us, we got there and called it in on time.
25:24Were they able to...
25:25Oh.
25:26Okay.
25:27Let's go and get some sleep, okay?
25:29Uh-huh.
25:43Here.
25:43Oh.
25:44Thanks.
25:45Yeah.
25:48Are you okay?
25:50Yeah.
25:51I'm fine.
25:53It's just...
25:55dating a cop.
25:56You know this kind of thing can happen,
25:58but you're never ready for it.
26:00Yeah.
26:03Before I got the call,
26:04I was, um,
26:06sitting in the restaurant,
26:08alone,
26:09and, uh,
26:11I had this flashback
26:12of what it was like
26:14before
26:16Adam getting wrapped up in the case
26:18and forgetting our plans,
26:22forgetting about me.
26:24But that didn't happen.
26:25No.
26:26He's different now,
26:27and I...
26:29I think you had something to do with that change.
26:32Well,
26:33just after a whole day with me,
26:34he's ready to go home.
26:35Yeah.
26:39It's just so hard to see him like this.
26:42You know, he is the careful one.
26:44I'm the more elite-before-you-look type.
26:46Same.
26:48Now, last year, I was in the ER.
26:50Really?
26:50Mm-hmm.
26:51I took a shortcut through the park
26:53and slammed my bike
26:54into a statue of George Washington
26:57and took a hoof to the elbow.
26:58Oh.
26:59See that?
27:00Hoof elbow.
27:01Mm-hmm.
27:01Worst.
27:02Awful.
27:03Mm-hmm.
27:05I'm gonna check on Adam.
27:08Thanks for being there for a Morgan.
27:11You're a really good friend.
27:30How's he doing?
27:31You're gonna keep him
27:31a couple days for observation,
27:33but he's gonna be just fine.
27:35So things have gone
27:36from a little graffiti
27:37to someone trying to burn down
27:39the whole building.
27:39They sure did.
27:40And it's looking like the killer
27:41and the arsonist are the same guy.
27:43Emmy thinks one of those propane tanks
27:45is the murder weapon.
27:46Shape of the cylinder
27:46matches Defunct's head wound.
27:48So the arsonist and Defunct
27:50run into each other.
27:51Mm-hmm.
27:51The first time this guy
27:52tried to set the fire,
27:53Defunct saw him,
27:55so the arsonist killed him.
28:02Problem was,
28:02Defunct ended up dangling
28:04off the side of a building,
28:05so the killer left
28:06and then came back later.
28:07Forensics is still trying
28:08to lift prints and DNA
28:09off what's left of the tanks,
28:10but it's gonna take time.
28:11So who would want
28:12to take it down?
28:12Uh, anybody with eyeballs?
28:14Very ugly building.
28:15But we were wondering
28:16the same thing.
28:17We talked to Gerald Lee,
28:18the architect.
28:19He talked about that building
28:20like it was his baby.
28:21Unlikely he would want
28:22to destroy it.
28:22Same with Ravner.
28:23He used Industries.
28:24I mean, they bought it
28:25to fill it with tenants.
28:26Still wouldn't hurt
28:27to ask Lee or Brad Lapmore
28:29to see what their thoughts
28:30are on the subject.
28:32It's Wagner.
28:33He is checking on Karadek
28:34and seeing if he can help
28:35out with the case.
28:36Give it a thumbs down.
28:37Take him up on it.
28:38Bring him along
28:38on the re-question of Lapmore
28:40and you two go talk
28:42to the architect.
28:43Sure, but only because
28:45Soto is making me say
28:47sure.
28:58You know, that job you mentioned,
29:00if the offer still stands,
29:01I think I'm interested.
29:03Really?
29:04Yeah.
29:05Better hours, better pay,
29:06less murder.
29:07Like you said,
29:08I should at least consider it, right?
29:12No, you shouldn't.
29:14Why not?
29:16Because you'd be working
29:17for my father.
29:18He's spearheading the panel
29:19and the only reason
29:20why he wants you
29:21is because he wants
29:22to use you
29:23to make him look good.
29:26I'm sorry, Morgan.
29:28Obviously, this is
29:29your decision to make,
29:30but you shouldn't be making
29:31one without all the facts.
29:33And I apologize.
29:35I should have been up front
29:36from the start.
29:38Yeah, you really should have.
29:40Then I wouldn't have had
29:41to figure it out for myself,
29:42which I did.
29:44Of course you did.
29:45You mentioned city council.
29:47Your dad's on it.
29:47It wasn't exactly
29:48a Christopher Nolan movie.
29:52So you're not interested
29:52in the job?
29:53No.
29:54Just wanted to see
29:55if you'd be honest with me.
29:59Took me a little longer
30:00than it should have.
30:01Did you get there?
30:06This panel's important
30:07to your dad, right?
30:08How's he gonna feel
30:08about me turning him down?
30:11Honestly, Morgan,
30:12I couldn't care less.
30:20You again.
30:22You're new.
30:23Brad Latmore, Captain Wagner.
30:26My wife took the kids.
30:27They're staying with her mom.
30:29So thanks for that.
30:30Thank me?
30:31Okay, all the stupid things
30:32you did, that's my fault?
30:33What, are you one of my kids?
30:34Mind if we take this inside?
30:36Yeah.
30:43We wanted a buy-in case,
30:45not level it.
30:46That whole neighborhood's
30:47coming up because they're
30:48putting in a new rail line.
30:49Rents are gonna go
30:50through the roof.
30:50Any idea who would
30:51want to burn it?
30:52We found evidence
30:53of an arson attempt inside.
30:55Really?
30:56Maybe we should have
30:56waited to pull the trigger.
30:57The price would be lower now.
31:00I'm joking.
31:01Hilarious.
31:02Hey, you know your model's wrong.
31:04It doesn't match the real thing.
31:05It's rotated 90 degrees.
31:06Oh, yeah.
31:07I think the original client's
31:08asked for that change
31:09at the last minute.
31:11Beams on the outside
31:13make the support structure
31:14part of the design.
31:16That's why I named it in case.
31:18It is hot here, huh?
31:20No wonder Tyler tagged a knife.
31:23Have you ever been
31:25inside the building, Brad?
31:27I don't know.
31:27Tell you what,
31:28it's real hot in there.
31:30Hey, you're gonna break it.
31:32No, I probably won't.
31:33But even if I did,
31:34Sandy's gonna get it.
31:35Right?
31:36The way it is positioned now,
31:38the side that gets the most sun
31:40has a ton of concrete.
31:41But the way you've got it,
31:42the side that would get
31:43the most sun
31:45doesn't have that much concrete.
31:46It's all glass and noodles
31:48or whatever that's supposed to be.
31:50That building's not
31:51supposed to get hot.
31:52Part of the design is
31:53it's supposed to stay cool.
31:55That could be a problem.
31:56What kind of problem?
31:58Well, I'm not an expert,
31:59but that could cause
32:00the whole structure
32:00to come down.
32:01Well, that sounds bad.
32:12Just a quick update
32:13on the case, please.
32:14Shouldn't you be resting?
32:15I can rest and listen.
32:17Where is Lucia?
32:18She stepped out.
32:20Could you send her
32:20on a pointless errand
32:21so you could call us?
32:23I sent her to get me some water.
32:25Hydration is not pointless.
32:26Mm-hmm.
32:26Can we get to the case, please?
32:28You mean before she comes back
32:29and catches you on the phone?
32:30Yeah, you got it.
32:30We're thinking that
32:31whoever rigged that fire
32:33did it to hide the fact
32:34that the building
32:35was about to fall down.
32:36It's gonna come down?
32:37Morgan and the captain
32:38got the building plans
32:39from that exec you saw,
32:40Brad Latmore.
32:41We had the plans
32:42examined by experts.
32:43You remember when we felt
32:43like it was really hot in there?
32:45It was right before
32:45the building exploded
32:46and you almost got yourself
32:47killed like an idiot?
32:49Yes, Morgan.
32:50My memory is intact.
32:51It gets crabby
32:52when it doesn't get enough exercise.
32:53I am begging you to go on.
32:55Well, it turns out
32:56the original clients
32:58decided to rotate the building
32:59at the last second.
33:00They went at the boss's office
33:01to face the mountains.
33:02Problem is,
33:03they rushed the plans through
33:04so now the side of the building
33:05with the most concrete
33:06got the most sun
33:07which made the building
33:08get too hot
33:09and that's not good.
33:11Like any high-rise here in L.A.,
33:13in case has earthquake
33:14shock absorbers at its base.
33:15They're called seismic isolators.
33:18But according to the experts
33:19we talked to,
33:20those shock absorbers
33:21get too hot,
33:22they lose their flexibility
33:24and they don't work.
33:26The way it is now
33:27any earthquake above a five
33:28and that building's coming down.
33:30And now that we know this
33:31we realize the fire
33:32that you guys found
33:33was specifically set up
33:34to damage the concrete
33:35on that side of the building.
33:36Almost as if somebody
33:37wanted to be able
33:38to redesign one side
33:39of the building
33:40without anybody asking why.
33:42The architect.
33:44Lee.
33:45Exactly.
33:47He must have bumped into defunct
33:49while setting the fire.
33:51And he knew he couldn't
33:52leave a witness.
33:54His whole career
33:55is hanging on the
33:56successman case.
33:57This lets him fix the mistake,
33:59save the building
34:00and avoid a scandal.
34:01We've been trying
34:02to reach Lee since yesterday.
34:03Send Eunice to his house,
34:04his office.
34:05He's in the wind.
34:07Oh, hey, I gotta go.
34:08Bye.
34:10Bye.
34:10You were trying
34:11to sneak in a call.
34:12He was.
34:12So busted.
34:14You said before
34:15these new buyers
34:16it looked like the building
34:17was gonna be torn down?
34:18Yeah, that must be why
34:19Lee felt the need
34:20to set the fire.
34:21I mean, before that
34:22his problem
34:22was gonna take care
34:23of itself.
34:24And the debris
34:24around the blowtorch
34:25included spray cans, right?
34:27You think he's trying
34:27to make the fire
34:28look like the taggers
34:29caused it?
34:29Yeah, absolutely.
34:30Those blowtorches
34:31are the same ones
34:32the taggers use.
34:33They help quick dry
34:33the paint
34:34and control
34:34where the drips go.
34:35We're guessing
34:36he checked back
34:36to see if the fire worked.
34:37And once he realized
34:38we got there in time
34:39to prevent more damage,
34:40he fled.
34:41We've notified
34:41all the travel authorities,
34:42flagged his passport,
34:44car, credit cards,
34:45bank accounts.
34:46The last purchase
34:46he made before
34:47we stopped it
34:48was a sleeping bag
34:49and a lantern.
34:50But no food rations?
34:52Hmm.
34:53Go check out
34:54his house,
34:55his office,
34:55see if you can find
34:56any clues
34:57to where he'd hide.
35:04Do you really think
35:05you can lay up there
35:06and pretend
35:07I didn't just see you
35:08get off the phone
35:09with work?
35:09I know you better
35:10than that.
35:12And I know you better
35:13than the thing
35:14I could fool you.
35:15Mm-hmm.
35:15But I still might
35:16be able to surprise you.
35:26I think I owe you
35:28a date.
35:29Is this Arlo's?
35:31Mm.
35:32How did you get Arlo's?
35:33I had it delivered.
35:35The nurses
35:36helped me set it up.
35:37Oh, also,
35:39the best vintage
35:41I could find.
35:42Ooh.
35:43This is exquisite.
35:45Is it Napa?
35:47Cafeteria.
35:48Oh.
35:50Cheers.
35:56Mm.
35:56Mm.
36:03I love you, Lucia.
36:05I love you, Lucia.
36:09I love you, too, Adam.
36:32I wonder what his dating
36:33profile interests are.
36:34Himself?
36:36Laptop needs a password.
36:38I'll get it to TID,
36:39see if I can crack it.
36:50What you got there?
36:52I think this is
36:53what encase is made of.
36:54It's called bendable concrete.
36:56And it's not the first time
36:58Lee's used it.
37:01Is that important?
37:02Uh, yeah.
37:04Because I think it just
37:05helped me figure out
37:05where he's hiding.
37:23He really loves
37:24an ugly gray wall.
37:25I think he's gonna find
37:26prison aesthetically pleasing.
37:30How did that brick tell you
37:31where he'd be?
37:32Oh, it's not a brick.
37:33It's a miniature.
37:35This guy kept every single
37:37sketch he ever made
37:38and every article
37:39that was ever written
37:40about him,
37:41which, I mean, okay.
37:43But one of the articles
37:44was about how he had planned
37:45for years to build encase
37:47ever since the first time
37:49he worked with
37:49bendable concrete
37:50when he was hired
37:51by a client
37:52to build an underground bunker.
37:56The sleeping bag
37:57and the lantern.
37:57Yes, that explains
37:58why he didn't have
37:59to stock up on food.
38:00He knew the bunker
38:00would be completely empty
38:02except for a big food supply.
38:03But how did this thing
38:04tell you it was a bunker?
38:06Well, when we were
38:06searching Lee's office,
38:07I noticed a detail
38:08on the miniature.
38:10See the rectangle
38:10on the top?
38:11It's a door.
38:14Nicole!
38:15Hi!
38:16Hi.
38:17Uh, Nicole Heisler.
38:18This is my boss,
38:19Lieutenant Soto.
38:19I heard you were helpful
38:20on the case.
38:21I was glad
38:22I could do something.
38:23I got your message
38:25that you caught
38:26Defunct's killer.
38:27I've been talking
38:28to taggers who knew him.
38:29They wanted me
38:30to say thanks.
38:32That's nice.
38:33You didn't have to come
38:34all the way down here
38:34to do that, though.
38:35No.
38:36I also wanted
38:37to give you something.
38:38Really, it's for Ava.
38:41Roman helped
38:42get me out of the life.
38:43He gave me that.
38:45Wanted me to see
38:46the difference
38:46a female artist
38:47could make.
38:48I thought it might
38:51inspire his daughter, too.
38:54She's really
38:54going to love this.
38:57You know,
38:57she also might
38:58really love to talk
38:59to you sometime
38:59if you want to
39:01try not to let
39:0116 more years go by
39:02before we bump
39:03into each other.
39:05Call me anytime.
39:07I will.
39:17Oh, wait.
39:17No, no.
39:18You know you can't
39:19keep it, right?
39:19I'm not going to keep it.
39:20I'm just going to borrow it.
39:21I'm just going to swing
39:22by the hospital
39:22and fill Carradick in.
39:24Okay.
39:25Good night.
39:27Good night.
39:38Ms. Quinn.
39:40You still in L.A.?
39:42Yes.
39:42And I thought
39:43I'd share some news.
39:45I heard that the FBI
39:46took Eric Hayworth
39:47into federal custody.
39:51Really?
39:53Nobody told me.
39:54Yeah, I just
39:55found out myself.
39:57Apparently,
39:58they got a tip
39:59that he had information
40:00on an old murder
40:02FBI agent,
40:03Lila Flynn.
40:04In other words,
40:05you had Hayworth
40:06move somewhere
40:06I can't get to him,
40:07but you can.
40:08Oh, I'm sorry, dear.
40:10I have to go.
40:10I'm just walking
40:11into a meeting,
40:11but I'm sure
40:12we'll speak soon.
40:27One second.
40:38Hey, now.
40:39That is a 30-year-old whiskey.
40:45I guess I should
40:46know better
40:47than expect you
40:48to ask politely.
40:49You should.
40:55And you're right.
40:55It is a 30-year-old.
40:58The owner of the club
40:59is a client.
41:00I bought him the bottle.
41:06So any word
41:07from the prodigal son?
41:08Yes.
41:09Nick is not
41:10sidelining Morgan Guillory.
41:12The time being,
41:13she's staying
41:14at major crimes.
41:16So there.
41:17Done your errand,
41:18and I'm out.
41:19Whatever you're doing,
41:20you have to find
41:21another way.
41:23Well,
41:25do I need to remind you
41:27that we're in this together?
41:31I know where all
41:32your bodies are buried.
41:34If I go down,
41:35you're coming with me.
41:38And you are right.
41:40We
41:41are going to have
41:42to figure out
41:42another way.
41:47looks like
41:49a moment
41:50to care.
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