#video #Your Friends and Neighbors S01 Episode 5 Engsub
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00:10Say goodbye to your old-fashioned toilet and say hello to luxury.
00:16Introducing the Luxos MT, the world's most advanced luxury commode.
00:25It's going to change the way you think about the bathroom.
00:28Am I right, Cindy?
00:29That's right.
00:30It heats, it cleans, it deodorizes, it comes standard with Luxos' triple tornado flush system
00:37and it's smart home compatible.
00:39And here to tell us more about it is Luxos brand ambassador and three-time NBA All-Star Nick Brandon.
01:04Thank you, Cindy.
01:17Have you been in there? Because so far I can't argue with any of them.
01:20You have a string of successful businesses. Just tell us why toilets?
01:26Oh, instead of sneakers or tequila?
01:28Exactly.
01:29Because they've been done before.
01:30See, I always say why be late to the party when you can throw your own.
01:38Oh, speaking of party.
01:40Is that coming from there?
01:41It is.
01:42That's right. It's coming from the built-in Bluetooth speakers.
01:46Oh, no.
01:49Hey, hey, hey, hey.
01:51Hey, hey, hey.
01:52Show me what you got.
01:54Oh, no.
01:55Oh, no, she didn't.
01:58She didn't.
02:02So, bottom line, the Luxos MT is going to change the game.
02:06Sitting on one of these is like a little vacation you can book for yourself every day.
02:09Nick Brandes, everybody.
02:24Hey.
02:25Uh, what are you doing here?
02:29I really love toilets.
02:31Okay, I'm working.
02:33I know. Look, I just...
02:36The party, it was a lot. I acted like an asshole.
02:41Yeah, no argument here.
02:43Hey.
02:46I'm so sorry.
02:49It's the last time I throw you a party.
02:55I appreciate you trying to take care of me,
02:58even if sometimes I don't know what to do with it.
03:06Well, I can't say you didn't warn me.
03:10No, you can't.
03:11Look, uh, I know this...
03:14Us, we shouldn't have happened.
03:16Or at least not the way it happened.
03:19I'm sure you have your regrets.
03:21Nick, I...
03:22No, no, no, no, no.
03:23I feel them.
03:24Believe me, I wish it had gone down differently,
03:27but, uh, just because it didn't start right
03:30doesn't mean it isn't right.
03:33This is real for me, Mel.
03:35Just wish you didn't feel like you have to try so hard.
03:38Yeah, that's what happens when you fall to the second round of the draft.
03:40You spend the rest of your career and life trying to make up for it.
03:44You don't have to do that with me.
03:51Do you have, like, a dressing room?
03:54Yeah, a nice one.
03:57Show me.
04:04Come on.
04:17We coming a promotion.
04:21Ah да!
04:53Don't want to run for the roses I got my pocket of poses Sometimes I wonder why Sometimes I wonder
05:07why I just don't have a good choices Don't want to smell the dying roses I got my pocket full
05:21of poses
05:23I don't keep up with the chances
05:45What am I looking at?
05:47I know it looks like somebody wiping off their brushes But this is a Lichtenstein
05:52I know who Lichtenstein is, you baron What I meant is why am I looking at a bad photo of
05:57it?
05:57Because I want to steal it
05:58I don't mess with art, neither do you
06:00Come on, jewelry and watches can only get me so far A score like this, way more upside for the
06:05exact same risk
06:06Score? Who are you? James Caan all of a sudden?
06:10I'm sure you know someone that can move it
06:12Rocco, what's my policy on paintings?
06:15No paintings!
06:16These art guys, they're a different breed
06:18I'm telling you, they're savages
06:21The last time this sold at auction
06:24It went for over one million dollars
06:27That was seven years ago
06:29I've already been inside the house where it is
06:30I steal it, I replace it with a forgery, nobody knows the difference, easy
06:33How do you know it isn't already a fake?
06:36Because the guy that owns it probably bought it from Larry Gagosian personally
06:39He's an insecure narcissist, whose entire self-worth is wrapped up in what he owns
06:43He doesn't care that it's beautiful, he cares that it's real
06:46I know the type
06:49Come on, I'll toss you an extra 10%
06:52You don't have to lift a finger, I just need the introduction
06:58I will have to lift a finger
06:59And for that I'll take an extra 20
07:01And if it goes sideways, I don't know you
07:04But you have to hear me now, you do this
07:06You do it the way I say
07:08Pickpock, no improvising
07:10Yeah, I hear you
07:12Say it
07:13Pickpock
07:14Smartass
07:15No improvising
07:19Okay, get out of my store
07:21I'll let you know when it's set
07:25Rocco
07:28So, it looks like we hit a shale shelf
07:31And what does that mean?
07:33It means my guys are going to have to spend a few weeks breaking it up, pulling it out
07:37Well, can't you just dig around it?
07:40Yeah, sure
07:41If you want to move your entire house 100 feet that way
07:44I'm kidding
07:45But I can't dig a foundation into solid rock
07:48We've got to pull it out
07:49Hey, Phil, where do you want this loader?
07:51Yeah, I'll be there in a minute
07:52So, just, Phil
07:53So, how much is that going to cost?
07:56Well, I can't give you an exact figure until we start demolition
07:59See how far down the shelf goes
08:01It's going to be heavy machinery
08:03Possibly some blasting
08:04You're going to blow up my backyard?
08:06Well, not me
08:06I'm going to bring in some specials
08:08Ballpark, Phil
08:11How fucked are we?
08:15200 grand, give or take
08:18Okay
08:20Okay, maybe we should just press pause, you know
08:22Get a surveyor out
08:23You're checking with the architect
08:24We should make it do that
08:25I think we can
08:26Well, hey, that's your call
08:27But if we stop work
08:29I've got to move my guys to the next project in line
08:32That won't be necessary, Phil
08:34Email us the quote
08:35We'll work it out
08:38Will do
08:47Yeah, the world is so small
08:50Till it ain't
08:51Till it ain't
08:52Till it ain't
08:53Till it ain't
08:54I'm building up a
08:56Hey
08:58Sorry, I didn't see you
09:00Surprise
09:04I love this song
09:05I don't want to keep you waiting
09:08I hope I never keep you
09:18Where are you headed?
09:20Chemistry
09:26Forget chemistry
09:27You're coming with me
09:38Yeah, fuck me
09:40Harder
09:41Fucking dick is big
09:43Harder
09:45Harder
09:45Harder
09:46I'm gonna come
09:47I'm coming
09:48God
09:52Yeah
10:06It's Henry's birthday on Saturday
10:08Oh, right
10:08What is he?
10:09I don't know, six?
10:12Five
10:12Yeah, well, that's a fun age
10:14Is he having a party?
10:15I'm taking him to Boston to see my parents
10:17Nice
10:18When will you be back?
10:20I'm not sure
10:23I think I need to get away from everything for just a bit
10:27Well, when you get back, if you want, we can maybe go down to the city, check in someplace
10:32Get away from everything together
10:35It's fine, we don't have to do that
10:39I mean, I know we don't have to do that
10:41We don't have to do any of this
10:42That's true
10:44And I'm thinking maybe we shouldn't
10:47What are you talking about?
10:49I think maybe we've taken this as far as it goes
10:51Let's not ride it till the wheels come off
10:54I like you, Coop
10:56A lot
11:00Maybe too much
11:03The thing is, I don't always like myself when I'm with you
11:06Hey, hey, Sam
11:07Look, I know I've been a bit preoccupied the last few days
11:11You're not ready for anything real
11:12At least not with me
11:14I just can't be some wayward bachelor's mid-life fling forever
11:18That is not what I think of you
11:20Come on, Coop
11:21I'm giving you a guilt-free out
11:23Just take it
11:25God, sounds like I don't have much choice
11:27Wrong again
11:30Sam
11:41Hey
11:42A little afternoon delight with Sam, huh?
11:45Uh, yeah
11:46I'm afraid it
11:48Might be the swan song for that
11:50Aw, that's too bad
11:53Right?
11:53I mean
11:55It's fine
11:55Okay, cool
11:56Well, I will not miss the play-by-play
12:01Oh, my God
12:01Oh, right there
12:02Yeah, that's the spot
12:03Oh, fuck yeah, Coop
12:05Please
12:07Fine
12:08What do you want to talk about?
12:11Anything else?
12:12How's your new gig?
12:12It's good
12:13Um, it was really good, actually
12:16They offered me a regular slot
12:17Four nights a week at the tap
12:19Prime time
12:20Poster in the window
12:21I mean, the whole shebang
12:22That's amazing
12:23I'm so proud of you
12:24Congratulations
12:24Thanks
12:25Wow, now one of us actually has a job
12:27Oh, for a guy who has no job
12:31You, um, sure are busy
12:33I feel like
12:34I feel like I have this place
12:35All to myself
12:36Like, every day
12:38Yup, well
12:39Not today, baby
12:42TCM beckons
12:45Okay
12:46Excellent
12:49Can we watch something that was made
12:50After I was born?
12:53San Francisco
12:53Last night
12:55No
12:56Who was murdered?
12:57I was
13:00I was
13:04I let my friend
13:06Live upstairs
13:07In the spare room
13:09For a minute
13:13We need a space
13:15And we can't have to relate to our letting agent
13:19But we did it
13:20I submit
13:21I submit
13:23Yeah
13:27Look up
13:29It's only been a year
13:30We're still in the grief phase, you know
13:32Imagining they'll get back together
13:34And everything will be like how it used to be
13:35Once you let go of that little fantasy
13:37You'll see divorce has its upsides
13:40Like what?
13:41With two parents, you're outnumbered
13:42But with one, it's way easier to slip under the radar
13:45The real trick is playing them off each other to get what you want
13:48I used to do that when they were still married
13:52There's more to you than meets the eye, Hunter Cooper
13:55God, I hope so
13:57Who's in there?
13:58Shit
13:58Unlock this door
14:00Immediately
14:05Skipping class and trespassing are a cause for concern as it is
14:09But
14:09Okay, trespassing
14:10Come on
14:11You make it sound like you have a ski mask and a bolt cutter
14:13He was messing around backstage with his friends
14:16I'm afraid this goes way beyond that
14:19Hunter was distributing drugs to his peers
14:21Excuse me?
14:21What?
14:22They were snorting his Adderall in the dressing room
14:24Mayfield has a zero tolerance policy when it comes to drug dealing on campus
14:28I cannot turn a blind eye
14:29I'm afraid Hunter will be expelled
14:31Wait, wait, wait, wait
14:32Just a second, just a second, please
14:34Look, our son is not a drug dealer, okay?
14:37He has ADHD
14:38Now, do teenagers make bad decisions?
14:41Yes, it's baked into their DNA
14:42But he's never gotten in trouble before
14:44He deserves a second chance
14:45Mr. Cooper
14:46This isn't the first meeting we've had about Hunter's behavior this year
14:49The absences, the missed assignments
14:51What are you talking about?
14:52What is she?
14:53Cooper
14:54You had meetings without me?
14:55They were in your calendar
14:57Why wouldn't you have called me and told me what was going on in these meetings?
15:00Okay, now
15:00Please
15:05I understand the position our son has put you in
15:08I see troubled kids every day in my practice
15:12I always try to consider the mitigating circumstances
15:15Maybe these older kids pressured him into sharing his prescription
15:19Right? He wanted to impress them
15:21He wasn't selling drugs, he was trying to fit in
15:25But he will be punished
15:26We will personally guarantee nothing like this ever happens again
15:31I'm afraid my hands are tied
15:39Okay, Leila, I saw the big thermometer downstairs in the hallway
15:44This year's fundraiser for the new athletic center, you're short
15:50How much is it going to take to put you over the top?
15:52Mel
15:52Mrs. Cooper
15:53No, Hunter's a good kid
15:54You know it
15:56We know it
15:58And the school has needs
15:59Everybody wins
16:00So come on
16:02What's the going rate for turning a blind eye these days?
16:07$240,000, Mel?
16:08Jesus Christ
16:09Look, her son was about to get kicked out
16:12One of the best things in New York State
16:14And that would have killed his chances of getting into a decent college
16:16And you know something?
16:17I didn't see you doing anything to fix it
16:19We could have reasoned with her
16:20We could have appealed to her
16:21Oh my god, she's only known us forever
16:23She called him a truck dealer
16:24And you rewarded her with a quarter million dollar pledge
16:27Sorry, I really thought she was going to say like 20 or 30
16:30Maybe leave with that
16:31Instead of with a blank check
16:32Okay, guess what?
16:33You're the big hedge fund guy
16:35Why didn't you negotiate?
16:37Because when you negotiate you need leverage
16:38Leverage is what you immediately gave away when you opened your mouth
16:41You know what?
16:41That's not fair
16:41What is the going rate for turning a blind eye?
16:44My god
16:45Are you done?
16:47Because I've already got one child to deal with today
16:50You
16:54So you're suspended
16:56And grounded
16:57Forever
16:57Mom
16:58And it would be really smart if you don't talk right now
17:02Bowie, huh? I didn't know you were into him
17:04He's alright
17:06Wow
17:06Read the room, Coop
17:07Without the time to play the cool dad
17:12Good luck, buddy
17:25Good luck
17:44How are you parents?
17:47How are you parents, Barney?
17:48About the same, sir.
17:51Do you still drink scotch?
17:53Oh, from time to time.
18:02This one is for special occasion.
18:05Forty-year-old country gold.
18:08But thank you, sir.
18:13Papa!
18:14I have a...
18:16I have a good one.
18:17Yes.
18:18Girls, inside the Harabuji?
18:21Yeah.
18:22Okay, girls, do you want to show the Harmony and Harabuji the side door?
18:25Sorry about the mess.
18:27Construction's moving a little slower than we expected.
18:37So, what do you think?
18:40I don't know.
18:41I mean, with stuff like this,
18:42it seems like it's more provocative and meaningful in any real way.
18:47Who's gonna...
18:48care about this stuff five years from now, right?
18:52I'm...
18:52no expert.
18:54Well, no wrong answers.
18:56That's the beauty of art.
18:58Yeah?
19:00Who told you that?
19:03When I was little, my aunt was a docent at the Villaparte in Santo Domingo.
19:06Well, I used to spend the summers with her.
19:09Why'd you give it to us?
19:13Well...
19:15Hey, are you sure you want to do this?
19:17For what?
19:20Any of it.
19:20All of it.
19:22Are you trying to call me out of this, or...
19:23No, no, not at all.
19:25Then what?
19:26Well, I'm just saying, if we get caught,
19:28I can talk my way out of it.
19:29I can lawyer up.
19:31What happens when you get caught?
19:35I don't need you to protect me.
19:36Well, good, because I'd probably be pretty shitty at it.
19:40But aren't you putting kind of everything at risk?
19:43What are we putting at risk?
19:46What do you think I actually have to lose?
19:53Okay, partner.
19:57What about this thing?
20:03It's a lot to take in, isn't it?
20:06The artist was once an altar boy in Dusendorf,
20:11likely molested.
20:13Definitely a prick.
20:17I'm Christian Thoroson.
20:19I'm the owner of the place.
20:20Oh, for better or worse.
20:21Of course.
20:22Nice to meet you.
20:22I believe we have a mutual friend.
20:25I believe you're correct.
20:26Well, I have to say, she described you perfectly.
20:28Is that so?
20:29Yeah.
20:31And who's your date?
20:32His partner.
20:34Pleasure to meet you.
20:35Bonjour.
20:38Partner.
20:42I saw you looking at this piece.
20:45Yes, it's provocative.
20:48Yes, most of this shit is.
20:51But is it actually any good?
20:54That feels like a trick question.
20:57Come with me.
20:58Let's talk arts.
21:08This piece was difficult to acquire,
21:12especially on such short notice.
21:14You mean someone already had this sitting around?
21:17I have a lesbian in Bushwick who sources all my pop abstracts.
21:21Impressive.
21:22You see the one looking at us now?
21:26It is as close to perfect as it can be.
21:31The magna acrylic paint Lichtenstein used is nearly impossible to source.
21:36Most modern-day acrylic paint is water-soluble,
21:39but the magna was miscible with turpentine.
21:42Golden artist colors comes closest to magna's high-gloss finish,
21:47but it's not an exact match.
21:50It'll hold up to scrutiny, but not chemical analysis.
21:54Well, it won't be analyzed.
21:56How can you be sure?
21:57You know your job, I know mine.
22:00You've never done this before, have you?
22:02I'm a quick study.
22:03You're a tourist.
22:04Tourists make me nervous.
22:06And yet, here you are.
22:07Yes, I am here.
22:10Lou believes in you, and I believe in Lou.
22:13But I'm still not convinced you can deliver.
22:15Well, the fact that you called your lesbian in Bushwick
22:18makes me think that you think I can deliver.
22:21Okay, so we swap out the fake,
22:24bring you the original, and then what?
22:27Oh, after I authenticate the piece,
22:30I have two buyers interested.
22:32One, a crypto bro who wants to move into tangible assets,
22:37and the other, his former employer.
22:42It's deliciously messy.
22:44I expect the bidding to be heated.
22:46Sounds promising.
22:52What the hell?
22:57I have decided to like you.
23:00I appreciate it.
23:03Now, if you'll excuse me,
23:05I have some psychedelics to procure for some clients.
23:10Oh.
23:13Have fun.
23:29There is another day to go.
23:32It's a place to go.
23:34It's so pretty.
23:35It's a good day.
23:40It's good to go.
23:41I'm going to be busy.
23:45But it's a worry about children.
23:48The kids don't know what to do.
23:52I can't wait for them.
23:55I've talked about your mom.
23:57We'll just go to our house.
24:03I'm sorry to think about it,
24:06but when you're sleeping,
24:07it's harder for them.
24:09You're going to live in a lot more than you're going to live in a lot
24:14Your father's own house is going to take care of it
24:18You and your children are going to think about it
24:21Um?
24:23Let's do it
24:25Are you going to live in a lot of green house?
24:41Why don't I get us some whiskey?
25:11Oh, my name, um, did you need anything?
25:14Grace tells me you're having some financial challenges.
25:18I'd like to help.
25:20Well, that's not necessary.
25:22I'd feel better knowing she didn't have to worry.
25:26I don't know what Grace told you, but there's nothing to worry about.
25:30I'm just trying to encourage some financial responsibility.
25:33Um, one of the hazards of marrying a wealth manager, I guess.
25:44My daughter is not a client.
25:47She's your wife.
25:49Don't worry.
25:51This will stay just between us.
25:55I have a personal account I keep just for these little emergencies.
25:59It's very generous of you, Mrs. Park, but there is no emergency.
26:04Sorry.
26:08You know, you would do so much better working for Mr. Park.
26:11Ah, yeah.
26:14It's a shame you don't speak Korean.
26:26Shame you're such a fucking prick.
26:41Hey, Hunter, we still need to talk about what happened at school.
26:45Why?
26:46Because you almost got expelled.
26:48Does that not concern you?
26:49Not really.
26:50Have you seen the flaming hots?
26:51How about something that won't rot your guts?
26:53I can whip you up a smoothie.
26:54No, thanks.
26:55Hey, I just want to understand what happened.
26:59I cut class.
27:00It's not that complicated.
27:01What about the medication?
27:03Were you selling it?
27:04No.
27:05What?
27:05It's understandable for you to want to impress your peers.
27:10But Adderall's a serious drug.
27:12You can't just hand it out.
27:13Oh, my God.
27:13Can you stop?
27:14Wait a minute.
27:15Where are you going?
27:16Hey, I'm not done talking to you.
27:40Hey, watch your prezzy.
27:49So, uh, how's it feel being Mayfield's main character?
27:54Those sophomore hotties sliding into your DMs or what?
27:57Yeah, totally.
28:14You like this?
28:16Yeah.
28:20Holy shit, Hunter.
28:21I think you might actually have a soul.
28:26Fuck off.
28:52Don't just walk.
28:55Run.
28:57Run.
28:57Run.
28:57Don't just talk.
28:58Talk.
28:59I need action.
29:01Uh-huh.
29:03I need more peace.
29:05Go hard.
29:06Hard.
29:06I want to see the heart racing.
29:09Okay.
29:10I ain't seen a dim in a while.
29:16Allie.
29:18Hey.
29:18I didn't know you joined.
29:20Oh, I'm just borrowing Andy's.
29:22He doesn't use it anymore.
29:23It seemed a shame to let it go to waste.
29:25Sorry.
29:25Memberships aren't transferable.
29:27Neither are wives.
29:28And yet.
29:31Tell you what.
29:32Why don't you take her for a test drive?
29:34If you decide to sign up, we're running a friends and family promotion all month.
29:38Thanks, Nick.
29:39I am neither.
29:59A reasonable person might have seen a close call with the police and a flesh wound from
30:03a large dog as a flashing neon sign from the universe telling them to find a new line
30:08of work.
30:09But that wasn't really an option for me.
30:11You know what you're doing?
30:12No particular.
30:14Canvas.
30:17All right.
30:18Stretch bars.
30:18I'm about to go to like this.
30:21I use these to square the corner.
30:24Back door open.
30:34When it comes to American pop art, Roy Lichtenstein is in a dead heat with Jeff Koons as the favorite
30:39for buyers who don't actually give a shit about art, but regard it as a sexy investment.
30:43They're coins.
30:44Collectors only in name.
30:45This piece here, Square from 1983, was most likely purchased as an appreciating asset rather
30:50than on its artistic merit.
30:52Which is a shame.
30:53I always kind of liked Lichtenstein's work.
30:55Especially the comic book paintings.
31:00It was becoming apparent that my expenses would always find a way to outpace me.
31:04So a few higher price scores like this painting would mean more money with fewer robberies.
31:08Higher risk, higher yield.
31:10Or maybe I was just starting to like it.
31:19Oh, yes.
31:32Looks great to see for this.
31:35Way back to your birthday.
31:43So I get a hundred bucks, but no, I get to eat chicken.
31:48I am not a chicken!
31:49Hey, guys, can you calm down just a little bit?
31:51We're almost to Grandma and Grandpa's.
31:53Yay!
31:54Stop!
32:00Dad!
32:01Dad!
32:03Oh, my God.
32:05Hey.
32:06Hey, boys.
32:07Hey, honey.
32:08Hey!
32:09I hear it's someone's birthday tomorrow.
32:11You know anything about that?
32:12He's turning five.
32:13Really?
32:14We better go see him if we can find some cake.
32:16I won't see him.
32:16Look at that table right there.
32:18Whose presents?
32:20You want to bring that?
32:22You can't wait.
32:23You can't look at him.
32:25Everything okay?
32:26Oh, yeah, just a long car ride.
32:30Come on, then.
32:32Dog?
32:34Oh, hon.
32:43Hey, don't.
32:51It's good to have you home.
32:58That's it.
32:59Okay, activate the scoot.
33:00Squeeze at the top.
33:02I want to see it.
33:03Nice.
33:04Good.
33:05Great class, everybody.
33:08Don't forget to step.
33:10See you next week.
33:13Ali?
33:15Oh.
33:15Hey, Bruce.
33:17Uh, what are you doing here?
33:19Same as everyone else.
33:21Just trying to turn my ass into a lethal weapon.
33:27I'm not stalking you if that's what you're worried about.
33:30No, of course.
33:32I've been staying with Andy.
33:34He had a couple of visitor passes.
33:36I hope that's not weird.
33:39You look good.
33:41Healthy.
33:42Uh, you mean, uh, not, uh...
33:47I guess the move's been good for me.
33:49I've been spending more time with Andy.
33:51I've actually been playing some gigs again.
33:53Oh, yeah?
33:54Yeah.
33:55At the tap.
33:56It's mostly just drunk locals talking over my socks.
34:01It's heavy.
34:02Hey, you're out there doing your thing.
34:04Playing music.
34:04Somewhere other than my lawn.
34:06Oh.
34:07Damn.
34:07You went there.
34:09Honestly, I kind of miss it.
34:11I bet you do.
34:13I bet your wife does, too.
34:15I don't know.
34:15Maybe I should come back and take requests.
34:21Sorry.
34:22Dad duty.
34:23It's good to see you.
34:25Maybe I'll swing by the tap sometime.
34:26Yeah, cool.
34:29See you in S-Class.
34:33See you in S-Class.
34:35See you in S-Class.
34:46Oh, my God.
34:47I misjudged you, my friend.
34:49Yeah, I get that a lot.
34:50This tourist has balls!
34:52Yes!
34:53I love it!
34:55Okay.
34:56So what happens now?
34:58Uh...
35:00Give me a minute.
35:14What?
35:15You look really nice.
35:16That's because you're taking me to dinner after this.
35:20No.
35:24Okay.
35:25Okay.
35:26It'll take my people, uh...
35:28a few hours to authenticate.
35:31But in the meantime...
35:33I see you're dressed to celebrate.
35:35So let's...
35:37Shut a bit!
35:40Don't stop the music.
35:44I can feel the fun.
35:47Don't stop the music.
35:51I can feel the fun.
35:55Don't stop the music.
36:06Yay!
36:08Woo hoo!
36:09Here we go!
36:14Of course!
36:17Right on the table.
36:30Oh, um, maybe later.
36:34I thought you Ivy League types loved the nose candy.
36:37Yeah.
36:42Hey, what about you, beautiful?
36:43You in?
36:46Sure.
36:56What?
36:57We're celebrating, right?
36:59I guess so.
37:02Give it, give it, give it!
37:05Oh.
37:07My goodness.
37:08Yeah, good.
37:09Yes, indeed.
37:11I think I need to dance.
37:14Sorry.
37:19What a place.
37:20It's nice, huh?
37:23I'd love to come here, too.
37:26Look.
37:28Yeah!
37:29I love it!
37:42Hey, so you and the girl.
37:45Oh, uh, no, we, we, we keep it professional.
37:48Ah, okay.
37:50That's probably for the best.
37:52I mean, you're a very handsome man, but maybe too old for some rides.
37:57Whatever you say.
38:03You want another bump?
38:04Oh, no, I'm good.
38:06Could always be better, though.
38:09Yeah.
38:17Yeah, I'm gonna I'm gonna go
38:35Oh
38:43Maybe I just know you better than you think
38:47Yeah, maybe
38:48Come on, dance with me
38:50Oh, I'm not much of a dancer
38:52Well, a few weeks ago you were much of a thief
38:55Maybe you're a good dancer, you just don't know yet
38:58Okay
39:20Yeah, I think that's pretty much the drugs talking
39:24Oh, don't be sad, Coop
39:28What are you talking about?
39:29I'm not sad
39:30You're always sad
39:33I see it
39:34Behind your eyes
39:49Hey, I'm gonna get another drink
39:52Do you want anything else?
39:54I'm just gonna stick with the bubbles
39:55Okay
39:55Yeah
39:56I'll be right back
40:16Elena
40:21I started to worry you'd forgotten about me
40:25Of course not
40:26The whole reason we're here
40:27I suppose I am
40:29Yeah
40:30But I'm thinking that maybe you and I are also here for
40:35For a different reason
40:36Oh, yeah?
40:38Yeah
40:38What's that?
40:39Let me show you
40:42Oh, no, thank you
40:51Easy, Chacha
40:52Easy
40:54Hey, hey
40:55Easy is for kids
40:57Guapa
40:58I prefer hard
41:02Hey
41:05Hey
41:06Hey, hey
41:06Everybody okay here?
41:07Cuts
41:07Yeah, we're just having a private moment
41:09Are you okay?
41:11Yeah, I'm fine
41:12You sure?
41:13I got it
41:14Okay
41:15Asked and answered, old man
41:16I think maybe we should all just go back upstairs
41:20Oh
41:22Ow
41:22Ow
41:24God damn
41:27Okay
41:29Fuck, you look on me good
41:30Okay
41:30Okay, let's take a deep breath
41:32Hey
41:36Come on
41:37Ow
41:42Stop squirming
41:43You're drowning me
41:45Ow
41:45Okay, don't rub them
41:47It's only gonna make it worse
41:51Is that better?
41:53Yeah, a little, I guess
41:54I don't know
41:54What the fuck were you thinking?
41:56Huh?
41:57You're welcome
41:58I had him under control
42:00Well, it didn't look like that to me
42:01Do you know how many times
42:02I've had a guy press his dick up against me
42:04In a place like that?
42:05No, you don't
42:06Of course not
42:06Because you're a man
42:07Look, I was trying to help you
42:08Okay, do me a favor
42:09The next time you try to defend me
42:11How about you wait until after we get paid?
42:13What?
42:13That's what you're mad at?
42:14Are you kidding me?
42:15It's not that big a deal
42:16We can steal something else
42:17I needed that money
42:22You know what?
42:24You're just a rich guy
42:25Who lost his money
42:26And now you think you're fucked
42:28But you have no idea
42:29You've never gone hungry
42:30Your kids will never go hungry
42:32You just want what they took from you
42:34Because all you know how to be is rich
42:36Elena
42:37You have no idea
42:38What real struggle is, Coop
42:40The shit that you complain about
42:44Most people would
42:45They would kill for it
42:47I'll make it up to you
42:49Yeah, you fucking better
42:52You're really just gonna leave me here?
42:54I really am
42:55Well, I forgive you
42:58For the mace
43:00Fuck you
43:01It was pepper spray
43:25The shit that took me
43:25Except for me
43:25No keep warm
43:28I'm not
43:35I don't know
43:35I don't know
43:35You hate
43:35I don't think
43:54Sam being away left me with a choice.
43:57I could drink too much scotch and fall asleep watching the Criterion collection in my house.
44:06Or I could go make some money in hers.
44:56This one is for a special occasion.
45:01Ahem.
45:59I don't know.
46:07I don't know.
46:45I know that breaking into your ex-lover's house is problematic on many levels.
46:50All of them, really.
46:53But when you've done some blow for the first time in over a decade,
46:56drunk your weight in whiskey, and been pepper sprayed all in the span of an hour,
46:59it's safe to say that making good choices isn't really on the agenda.
47:04All I knew was that Sam was out of town.
47:06I was out 150 grand and change thanks to the painting snafu.
47:09And Sam's French doors never locked properly.
47:24You remember this part.
47:29There was a lot of blood on the floor, and I'd taken a pretty nasty whack to the head,
47:33so it took me a moment to realize that the dead guy next to me was Paul Levitt, Sam's ex.
47:42If there was ever a moment in all of this that I truly considered giving up, this was it.
47:46I was tired.
47:47Tired in a way I'd never been before.
47:50Tired in a way that makes you seriously consider just closing your eyes,
47:53opening your mouth, and letting the water fill your lungs.
47:55And if I'd known everything that was about to happen, I think I probably would have done just that.
48:01But the truth is, and I think this has been made painfully clear, I didn't know shit.
48:38I think this has been made painfully clear, I think it's been made painfully clear.
48:55And if I knew it would have been made painfully clear, I think it's been made painfully clear.
49:19Nice one.
49:20Thanks.
49:23So what'd you get up to last night?
49:25Oh, uh, you know, not much.
49:32How about you?
49:36Same.
49:38There you go.
49:58There you go.
50:25There you go.
50:55There you go.
50:55There you go.
50:57There you go.
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