#video #Agatha Christies Poirot S03E11 Episode 11 Engsub
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03:04Good luck, darling.
03:06Mm.
03:11Thanks, old man.
03:19Good shooting, Archie.
03:23Thanks, sir.
03:23Hey.
03:33Poor old Archie.
04:13Come in.
04:15Come in.
04:21Come in.
04:23gotta hug me.
04:29In your shoulder, tight, stroke the cheek, stroke the cheek, tight, right, 90-degree angle.
04:36Now break.
04:38Let's hope for a good bag.
04:40They're breaking, Mr. Pace.
04:42Here they come.
04:58Damn it.
05:14Monsieur Poirot.
05:16Monsieur Poirot.
05:18Oh, pardon, madame.
05:22It's a popping, you know.
05:24But why did you come, Monsieur Poirot?
05:27The red grass.
05:28It must be eaten fresh while the gun is still smoking, as we say.
05:35Ah, gourmet.
05:36Now you are too kind, madame Havering, but it is most rare in my country, the tetras.
05:40We make do with la jelly nut, the wood grass, but the flavor it is piney.
05:46Piney?
05:47Yes, this is not a word, piney, like the pine trees.
05:51Ah, piney.
05:52Yes.
05:56It's a very good word.
06:03There we are, sir.
06:06Slowed, quick.
06:13Watch him, Stoddard!
06:19You've hit Mr. Pace.
06:22Mr. Pace!
06:24You bloody fool!
06:29You bloody, bloody fool!
06:32You bloody, bloody fool!
06:33You damn near kill me!
06:35What the hell were you doing, Stoddard?
06:38You were supposed to be looking after him!
06:41Call yourself a gamekeeper?
06:43You can't even pass muster as a nursery maid!
06:48Oh, will you give me a handkerchief?
06:58Mr. Archie is a complete idiot!
07:04It looks like Uncle Harry's all right.
07:07Well, I'd better get back to Hunter's Lodge.
07:09Make sure Mrs. Middleton has everything under control for lunch.
07:13She's only with us, pro-tell.
07:17Monsieur Poirot.
07:20May I entrust you with a task?
07:22Madame.
07:23Look after Cousin Archie for me, will you?
07:25I couldn't bear it if he went back to his little cottage and brooded.
07:28He will not be able to brood in the company of Hercule Poirot, madame.
07:33You are a treasure.
08:08Ellie, where's Mrs. Middleton?
08:09Up in her room, ma'am.
08:11She done most of it.
08:12She left us a note to get on setting it out.
08:15She's impossible.
08:19Still, it all looks very nice.
08:21Thank you, ma'am.
08:22Thank you, ma'am.
08:24I'm going to lie down for a moment.
08:25I've got a wretched earache.
08:26The wind up there is like a knife.
08:28It's been snowing up on the moor, you know.
08:32Others will be here in about half an hour.
08:37Mrs. Middleton?
08:54Look at the back of the stage.
08:57Follow up.
08:58Look at the back.
09:00For two hours, I am waiting in the snow, Hastings.
09:03The ice, it is forming on my bones.
09:09No bottle.
09:11Ah, a log fire.
09:13One of the better traditions of the English.
09:18Roger was saying you keep an eye on the place for the family.
09:20Yes, I'm local.
09:22Poor relation is available.
09:25Damned invidious it is, too.
09:28What is it?
09:29Some of my pupils' families live six to a room.
09:31This place lies empty 40 weeks of the year.
09:34They only come up here for the shooting.
09:35Mrs. Middleton, where's my wife, do you know?
09:39She's open her room, sir.
09:40Her room?
09:42She's an earache, sir, I'm told.
09:44Well, she damn well ought to be here.
09:47That sort of thing won't get him very far.
09:50Not with Zoe.
09:51Will you have some more punch, girls?
09:52Thank you, Mr. Payne.
09:57Ah, excuse me.
10:03Uncle Harry, I'm really sorry about your hand.
10:07Don't think I'll take up grouse shooting as a career.
10:09Delighted to hear it.
10:12The fellow asked me the other day, a balshy, you know,
10:15asked me, had I actually made anything during my workless life?
10:21Certainly, I said.
10:23I made a lot of friends, I made a lot of enemies,
10:25and I've made a lot of money.
10:33You all right, Poirot?
10:34My feet, Hastings, are still blocks of ice.
10:36My lungs, they are full of the gunpowder and the fresh air,
10:39my ears are full of the popping, and I am ill.
10:42No, you're not all right, Hastings, not at all.
10:44Um, au revoir, Monsieur Poirot.
10:47Au revoir.
10:48Good to have met you.
10:49I have to be off.
10:51It's a six-mile bike ride for me, I'm afraid.
10:54You are leaving?
10:56One can leave?
10:59Mr. Poirot, goodbye.
11:01Ah, Monsieur Habery, goodbye.
11:05Next year, we'll put you up at the house.
11:07No, the hotel's fine.
11:08It's very comfortable.
11:09Bye, Roger.
11:10Bye.
11:12Cheerio.
11:13Thanks.
11:14Maybe time gets better.
11:16I'm sure it will.
11:18Bye, Archie.
11:19Take care.
11:21Take care.
11:22God, I'm sorry.
11:24It's all right.
11:26I'm all right.
11:27Are you all right, Zoe?
11:29Oh, yes.
11:30I had a filthy earache.
11:31I'm fine now.
11:33Take care of yourself, Archie.
11:34Yes.
11:35Yes, indeed.
11:40Well, uh...
11:41Bye, then.
11:42Bye, then.
12:09I'll get myself ready.
12:10Then I'll be off to London, Anne.
12:11You could make the five o'clock.
12:14Darling, couldn't you catch the 6.15?
12:16Why?
12:17Mrs. Middleton wants to go down to Studdard's place to pick up some game.
12:20Oh, darling.
12:22She makes such a fuss.
12:25Bloody temporary staff.
12:27Don't know what that agency's playing at.
12:30Ellie has to walk four miles, and you never hear her complaining.
12:34It would be so much easier if you gave her a lift.
12:37She'd only have to walk back.
12:38All right, all right.
12:40I'll do it.
12:42Mrs. Middleton?
12:43Joan, would you like a lift, too?
12:47Mr. Haven could drop you off on the way to Mr. Studdard's.
12:49Oh, thank you, Mum.
12:51Come along, then.
12:52Oh, all right.
12:52Oh, my God.
13:22Look at this, Hastings.
13:25I am a corpse waiting to die.
13:27I shall not survive to enjoy my tetra-alangroise.
13:52Pull-up on.
13:54It's the 650 Greenhouse Stations to London, Kings Cross.
13:59Come on.
14:49Oh, you stay there.
14:52You stay.
14:59You stay.
15:11You stay.
15:14You stay.
15:21You stay.
15:36You stay.
15:37You stay.
15:55Hey, is that my boy?
15:57You stay.
16:09You stay.
16:13You stay.
16:18You stay.
16:24You stay.
16:35You stay.
16:37You stay.
16:40You stay.
16:50Mr. Stoddard!
16:53Mr. Stoddard!
16:56Fetch the police.
16:58There's been a shooting.
16:59Go!
17:02Go!
17:32And you can confirm that this is Mr. Arrington Pace?
17:35Yes, sir.
17:37Mrs. Haven's in a terrible state.
17:39I've given her something to help her sleep.
17:42I let the killer in.
17:44That's what I can't get over.
17:46Describe this man.
17:48He was wearing a big overcoat.
17:51And he had a beard.
17:52A great bushy thing.
17:54He said he wanted to see Mr. Pace,
17:56so I showed him into the gunroom,
17:57like I always do with visitors.
17:59Yes?
18:00I went back into the living room
18:02and started clearing up.
18:03And then you heard the sound.
18:06The shot.
18:08Like someone knocking on the door of hell it was.
18:30Who is it?
18:32It's me.
18:33Come in, Hastings.
18:38There's been a murder.
18:40Who has been murdered?
18:41Harrington Pace,
18:42up at Hunter's Lodge,
18:43shot with one of his own revolvers.
18:49Oh, you're still not well, Poirot.
18:52Oh.
18:53Oh, I must confess I feel a little weak.
18:56You get back into bed now.
18:57Oh.
19:01You can leave this to me.
19:03Come on.
19:03This investigation,
19:04you can leave it to me.
19:06I'll report back to you, of course.
19:07Oh.
19:07I know these people, Poirot.
19:09I've got one or two ideas already.
19:11What are these ideas, Hastings?
19:14You just relax.
19:18Hastings,
19:18will you please stop tapping your nose
19:20in that theatrical manner
19:21and tell me all that you know?
19:28Don't seem to be able to find that Mrs. Middleton, Sarge.
19:31What do you mean,
19:32can't find her?
19:34Oh, this is the Scotland Yard fellow.
19:40Find her!
19:41That's all, Sarge.
19:53Jack, Scotland Yard.
19:55Sergeant Fogun, Ashby Pickard.
19:57Pleasant drive, sir.
19:59Are you trying to be funny?
20:01No, sir.
20:03Rich, was he, the victim?
20:04Oh, yes, sir.
20:06Harrington Pace, sir.
20:07Owned a stud outside Newmarket.
20:09House in Belgravia,
20:11mooring at Monte Carlo.
20:12And who stands to benefit?
20:13Practically all of it goes to his nephew,
20:15Roger Avering.
20:16And where is he?
20:17Spent the night at his club in London.
20:19Yeah, we phoned him there.
20:20He's coming back on the first train, sir.
20:28He was shot by a man
20:29who just turned up at the door asking to see him.
20:32Must have got a way through that window.
20:34Hmm.
20:35It was the gamekeeper who came and got us.
20:38Oh, he stood to game, too, sir.
20:39He's the only other real beneficiary.
20:42Oh, yes.
20:42Pace left him £4,000.
20:45Did he, by God?
20:47Excuse me, Sergeant,
20:48but she's not on premises.
20:49She's definitely gone.
20:51Who's that?
20:52Well, the housekeeper, Miss Middleton.
20:54She's your killer into the house.
20:56She's our chief witness.
20:57Better initiate a search.
20:59How many men have you got?
21:01Men, sir?
21:03Just the one, sir.
21:04Him.
21:05Well, you'll have to make optimum use
21:06of your resources, won't you?
21:10Sir?
21:12Oh, sir.
21:32What a terrible thing.
21:33I'm awfully sorry.
21:35I must go straight to the lodge.
21:36Zoe needs me.
21:37I think we ought to pop in
21:38and see Poirot on the way.
21:39He's feeling a bit poorly,
21:41so I'm handling the case.
21:43Well, we must keep them informed.
21:47I am profoundly ill, as you can see,
21:49but I will do my best to assist.
21:55One thing, Mr. Havering, if you please.
21:57Yes.
21:59Pardon, but what were you doing
22:01when your uncle was killed?
22:03Oh, it's all right.
22:04Roger was on his way to London.
22:05I spent the night at my club.
22:08Police rang me there.
22:10It's a horrible business.
22:11You went to London by train?
22:13Yes, I caught the 6.15.
22:15You talked to anyone on the train?
22:17No.
22:18You arrived at your club at what time?
22:21About 10 o'clock.
22:22Actually, it was a bit later.
22:23I walked down from King's Cross.
22:26That's fine.
22:31Hastings.
22:35We'll get on up to the launch, Poirot.
22:39Very well, Hastings.
22:58Hello, reception desk.
23:00Hello, yes.
23:01This is Hercule Poirot, room number five.
23:04I require, if you please, a railway timetable.
23:11I was in here with Mr. Pace
23:13when there was a knock at the door.
23:15I heard Mrs. Middleton go to answer it,
23:17so I got up to see who it was.
23:19Yes.
23:21He was a man I didn't recognise,
23:23so I waited for Mrs. Middleton
23:26to show him into the gunroom
23:27and come and announce him.
23:29What did he look like?
23:31Averageish height.
23:33Hat.
23:35Specs, I think.
23:37Couldn't be sure.
23:39Beard.
23:40What sort of beard?
23:42Bushy.
23:44He looked like one of those anarchists
23:46in a cartoon in Punch.
23:49Do you remember what time this man arrived?
23:52About a quarter to seven.
23:56Mr. Middleton.
23:56Please go on.
23:59Well,
24:02Mrs. Middleton knocked a minute later,
24:04said the man wouldn't give his name,
24:05but wanted to see Mr. Pace.
24:09Harry said he'd see what he wanted.
24:13He got up,
24:14and a few minutes later,
24:15we heard the shot.
24:17The housekeeper,
24:18Mrs. Middleton,
24:19she was in the room with you,
24:20was she?
24:21Yes,
24:22she was clearing the drinks glasses.
24:24Did this man arrive by car?
24:28I don't know.
24:29I didn't hear anything.
24:31Would you normally hear a car arriving?
24:33Oh, yes.
24:35Yes,
24:35if he came by car,
24:36he didn't bring it up to the house.
24:49You carry on here.
24:51Yes, sir.
24:52This hotel of yours is presentable, is it?
24:54Not too bad.
24:55I'll book myself in.
24:57What are their sandwiches like?
24:58Sandwiches?
24:59No idea.
25:01Tell you what,
25:02I put my money on this Middleton woman
25:03being in league with the killer.
25:05On her own admission,
25:06she shows the fellow in,
25:07and next morning,
25:08she's gone.
25:08Yeah,
25:09but she's the only person
25:10who's had a proper look at the killer.
25:12What did she saw through his disguise?
25:14Disguise?
25:15What disguise?
25:16Bushy beard and glasses.
25:22And suppose she saw who it was
25:24under the disguise.
25:26Perhaps we'd better start looking
25:27for another body,
25:28not a witness.
25:38Well, Mr. Poirot,
25:40you get that down here,
25:42and I reckon you'll have to fight another day.
25:46Oh.
25:48Thank you very much,
25:49Mr. Anstruther.
25:50Come in.
25:53Ah,
25:54Chiefs,
25:55here's things.
25:56This is Mr. Anstruther
25:58of the London,
25:59Midland,
25:59and Scottish Railway.
26:00Afternoon,
26:01gents.
26:02Well,
26:02if you'll excuse me,
26:03I have to get back.
26:05A railway don't run itself,
26:07you know.
26:08I'll drop in tomorrow
26:09with some more blackberry tea.
26:10Thank you very much.
26:11Oh,
26:12and don't forget my bike,
26:14will you?
26:14Certainly not.
26:15That bike means a lot to me,
26:17that bike does.
26:19Man and boy,
26:19I've had that bike.
26:21Au revoir.
26:25Beauvoir,
26:25Mr. Anstruther.
26:27He is a man obsessed.
26:28Obsessed with what?
26:29His bike.
26:31Yes,
26:32indeed,
26:32Chief Inspector.
26:33It has been stolen.
26:35He is also obsessed
26:37with other things.
26:38He knows every final detail
26:40about the movements
26:41of the trains
26:42in and out
26:42of his little station.
26:44Oh,
26:44yes.
26:45Been doing some investigation,
26:47have we?
26:47How can I,
26:48Chief Inspector?
26:48I am prostrated.
26:50I toy with the little lines
26:52of inquiry,
26:53that is all.
26:54You,
26:55of course,
26:56will be well ahead of me.
26:57Well,
26:58we've got a description
26:59of the murderer.
27:01Yes,
27:01a man of medium height
27:02wearing a broad-brimmed hat
27:03sporting a beard
27:04that is large and fluffy.
27:06How did you know that?
27:08Because that is a description
27:09of the man
27:09who stole the bicycle
27:10of Mr. Anstruther.
27:11It is essential
27:12that we find it,
27:13Hastings.
27:14Oh,
27:15right.
27:16Find what?
27:20The bicycle!
27:32You didn't really like your uncle,
27:34did you?
27:36What are you implying?
27:38Look,
27:38I'm sorry about this.
27:39I'm afraid I have to ask you.
27:41Poirot wants to know
27:42what you were doing
27:43yesterday evening
27:44at the time
27:44of your uncle's death.
27:46How dare you?
27:49What on earth
27:50makes you think
27:50I'd want to kill a man
27:51like my uncle Harry?
27:53I tell you,
27:54he was beneath contempt.
27:57Mean,
27:58selfish.
28:00You know,
28:00Stollard,
28:01the gamekeeper,
28:01is his half-brother.
28:02One of his father's bastards.
28:04Good Lord.
28:06His own blood.
28:07And he used him
28:08like a servant.
28:11How did he get his money
28:12in the first place?
28:13I'll tell you.
28:15He's cheated his partner
28:17and counting Mayo,
28:18then used the money
28:19for profiteering
28:20in the war.
28:21And people liked him.
28:24He boasted about it
28:25and people applauded.
28:29Clear off!
28:57Hello?
28:58Chief Inspector.
29:00Ah,
29:00how's the cold,
29:01Poirot?
29:02It is not a cold.
29:03It is a deadly fever.
29:05Hmm.
29:06Nasty.
29:07However,
29:08I have asked
29:09Monsieur and Madame Havering
29:10to come to the hotel.
29:11I am now convinced
29:13that Monsieur Roger Havering
29:14has not been telling the truth.
29:17You say,
29:18Monsieur Havering,
29:19that you arrived at London
29:20at nine o'clock.
29:22The only witness
29:23that you can produce
29:24is the doorman at your club
29:25where you arrived
29:26at ten o'clock.
29:27You say
29:28that you spent this hour
29:30walking between
29:30King's Cross
29:31and St. James's
29:32and yet
29:32you can describe
29:34none of the movements,
29:35no events,
29:36no street names,
29:36rien, nothing.
29:38This isn't the line
29:39I've been following
29:40at all, Poirot.
29:42What are you driving at?
29:43I am driving at a curve
29:44in the line
29:45of the local railway.
29:46A loop of iron
29:47which connects
29:48Ashby-Pickard
29:49with the little station
29:50of Ashby-Lewalkin.
29:51What?
29:52It is quite possible,
29:53Monsieur Havering,
29:54for a man to catch
29:55the 615 train
29:56at one station
29:57and get off
29:57at the next.
29:58With the aid
29:59of the bicycle,
30:00he returns
30:00to Hunter's Lodge,
30:01disguised with a beard
30:02and wearing
30:03the broad-brimmed hat.
30:04He shoots the man
30:05he wishes to shoot.
30:06Then he catches
30:07the 720 from Ashby-Pickard,
30:09a train that is faster
30:10than the 615
30:10which will get him
30:11to London in time
30:11to be at his club
30:12by 10 o'clock.
30:14My God.
30:16You're serious, aren't you?
30:17It is a serious affair.
30:20A man has been killed
30:21and you are about
30:21to be accused
30:22of his murder.
30:23Me?
30:23You, sir.
30:26Do you not see it, Monsieur?
30:29You must tell us
30:30of your movements
30:30that night.
30:33Absolutely not.
30:35I can't.
30:36For God's sake, Roger,
30:38why not?
30:39I just can't.
30:40Well, Poirot.
30:44Carry on, Chief Inspector.
30:47I would like you to
30:48accompany me
30:49to the local police station,
30:50sir.
30:51What?
30:52I wish to question you
30:53in connection with
30:54the murder of your uncle,
30:55Mr. Harrington Pace,
30:56and with the disappearance
30:57of the housekeeper,
30:58Mrs. Middleton.
31:07Yes?
31:08It's for you,
31:09Chief Inspector.
31:13Jack.
31:17Right.
31:20What is it?
31:22They found Mrs. Middleton.
31:51It's not late, are we?
31:53No, she hasn't arrived yet.
31:57Shouldn't you be in bed?
31:59Possibly.
31:59But please,
32:00do not fuss.
32:01You look like
32:02you were at death's door
32:03last night.
32:04Unfortunately,
32:04Chief Inspector,
32:05it was my appetite
32:06that was dead.
32:07My tetra,
32:08her languas,
32:10it was fed
32:10to the cat.
32:26Mrs. Middleton?
32:27Yes, I'm Mrs. Middleton.
32:30What have you
32:30brought me here for?
32:38The instructions
32:40from the agency
32:41were to go to
32:42Ashby Pickard
32:43by train
32:44and I'd be met there
32:45and the engagement
32:46would be for one month.
32:48So,
32:49I did.
32:50And I was met
32:51by a very nice
32:52Irish lady who...
32:54Irish?
32:54Are you sure?
32:55Oh, yes.
32:56She said she was
32:57at his pace
32:58and she said
33:00there'd been
33:00an embarrassing
33:01mix-up.
33:02What's not a mix-up?
33:03She said
33:04they were cancelling
33:05the shooting this year
33:06and there was
33:07no household
33:08for me to keep.
33:09So, anyway,
33:10she said
33:11she'd be grateful
33:12if I didn't say
33:14anything to the agency
33:15because she didn't
33:16want them to think
33:17she was unreliable.
33:18You know.
33:19And she was
33:20very generous.
33:21She said she'd give me
33:23two months' wages
33:24in lieu
33:25if I'd agree
33:26not to put myself
33:27back on the agency
33:28books for a full month.
33:29And you agree?
33:31Yes.
33:32She seemed very nice.
33:41You kept very quiet
33:42through all that.
33:43I am unwell.
33:44And it changes everything,
33:46this testimony
33:46of Mother Middleton.
33:47Well, it all seems
33:48pretty straightforward to me.
33:49We still have to find
33:50this other woman
33:51who pretended
33:52to be a housekeeper.
33:53Agreed?
33:55I think it would be
33:56more fruitful
33:56to find the bicycle
33:58of Monsieur Anstruther.
33:59What on earth for?
34:01Because Hastings
34:02it was stolen
34:02to transport the murderer
34:03to Hunter's Lodge.
34:04Why has it disappeared?
34:06Sir?
34:07Sir?
34:08What is it, Forgan?
34:10It's Mr. Avering, sir.
34:11He's asking to see you.
34:15I'll tell you
34:16what I was doing
34:17if you promise
34:18not to tell Zoe.
34:19Well, let's hope
34:20it won't be necessary.
34:22I'll make no promises.
34:25Very well, then.
34:27I was with Lord Quornby.
34:28Lord Quornby?
34:30The racing hell?
34:31Yes, he's chairman
34:32of the board
34:33in charge of Encore Spetting.
34:34I wanted him to
34:35get me off the hook.
34:37Well, buy me some time
34:38on a couple of my debts.
34:40Why were you so reluctant
34:41to tell us this?
34:42A few months ago,
34:44you see,
34:44I promised Zoe
34:46that I'd never back
34:47another horse
34:47as long as I lived.
34:48And will Lord Quornby
34:50verify that you were with him?
34:52Of course he will.
34:59Tell me,
35:00Mademoiselle Joan,
35:02on the night
35:03of the murder,
35:03when was the last time
35:05that you saw
35:05Madam Middleton?
35:07She was in the car
35:08with Mr. Avering
35:09when they dropped me
35:09off at home.
35:10He was on his way
35:11to the station
35:13and he gave her
35:14a lift over
35:14to Mr. Stoddart's house.
35:16Mr. Stoddart,
35:17the gamekeeper?
35:18Yes.
35:19Ah, yes, of course,
35:21Monsieur Stoddart.
35:23You hope to be
35:23his wife one day,
35:24you know.
35:26No one's supposed
35:27to know that, sir.
35:28I comprehend.
35:30Tell me more
35:31about Madam Middleton.
35:33Oh, she was that strict.
35:35Always leaving
35:36little notes
35:37about the place,
35:38criticising.
35:39Mr. Stoddart
35:40didn't like her.
35:42We used to be
35:43quite sharp
35:44with each other.
35:45Did Madam Middleton
35:47ever talk to you
35:47about herself?
35:49No, not really.
35:51She said you were
35:52from Ireland.
35:54Mayo, I think.
35:56But she always
35:57kept herself
35:58to herself, like.
36:03Madam Joan,
36:05this apron...
36:06Oh, that's
36:07Mrs. Middleton's, sir.
36:09Oh, thank you.
36:10That will be all.
36:14So,
36:14when Harrington Pace
36:16was living in Ireland,
36:17he cheated his partner
36:18and ruined him.
36:19Then,
36:20this mysterious woman,
36:21who was also
36:22from County Mayo,
36:23turns up
36:24and replaces
36:24Mrs. Middleton.
36:26She was probably
36:27a relation
36:28of the ruined man.
36:29She opens
36:30the door
36:30to her accomplice,
36:31the fellow
36:32with the bushy beard.
36:33They kill Pace,
36:35and both of them
36:35disappear.
36:38Absolute woman,
36:39I mean.
36:42you have
36:43the story
36:43exact.
36:44Huh.
36:50In your hot
36:51countries,
36:51of course,
36:52they use your gaze,
36:53Howard,
36:54hunts by sight.
36:56With the moistness
36:57and array,
36:59we favor a dog
37:00that hunts
37:00by scent.
37:02I'll tell you,
37:05she's a prime
37:06example of that,
37:07aren't you?
37:08She's the best
37:09of her kind,
37:10she is.
37:11That is most interesting.
37:14Tell me,
37:15Monsieur Stardard,
37:15if you please,
37:17on the night
37:17that Monsieur Pace
37:18was killed,
37:19Mother Middleton
37:19came to your house
37:20to collect
37:21some game birds,
37:21did she not?
37:24No.
37:26Are you right?
37:28I was expecting her.
37:30She never arrived.
37:32I didn't see her
37:34until much later
37:34when she came
37:35running down lane
37:36to tell me
37:36about the shooting.
37:38Chief Inspector,
37:40there is at Hunter's Lodge
37:41a telephone,
37:42is there not?
37:43Yes,
37:43there is.
37:45Then why did not
37:45Madame Middleton
37:46herself
37:47telephone to the police?
37:48Why?
37:50Cross my mind,
37:51then.
37:52What she said
37:53was
37:53that Mrs. Havering
37:55was near hysterical
37:56at the horror of it.
37:57She wanted to get her
37:59to sleep
37:59before the police
38:00got there.
38:02So she sent me
38:03to fetch them.
38:04Ah, yes.
38:06She needed
38:07the time alone
38:08in the house.
38:09Yes, of course,
38:09of course.
38:13Monsieur Stardard,
38:15would you consider
38:16to involve
38:16your excellent dog
38:18in a little experiment?
38:20She is clever
38:21with her nose,
38:21you say?
38:22She's got a nose
38:23that could scent
38:24a poppy
38:25in a bit
38:25of slurry,
38:26she has.
38:27Eh bien,
38:28Monsieur Stardard,
38:29our poppy,
38:31it is in here.
38:39It is essential
38:40that we determine
38:40the whereabouts
38:41of the person
38:41who calls herself
38:42Madame Middleton.
38:43Easier said than done.
38:45Not a glimmer.
38:46Road, rail,
38:47local gossip,
38:48nothing.
38:49That's why I think...
38:51There you are.
38:51There you are.
38:52What's the girl?
38:53What's the matter of girl,
38:54her?
38:55What's the matter of?
38:58Where does it be?
39:01Something's been buried.
39:03Something.
39:11It's a coat.
39:16And a hat.
39:31Hey, look at this.
39:33Swipe me.
39:35Bon.
39:36Monsieur Anstruther, he will be most pleased.
39:43What a clever dog.
39:57What a clever dog.
40:01Is this a good dog?
40:05I'm not a good dog.
40:05I'm not a good dog.
40:05I'm not a good dog.
40:27Everyone here?
40:28In the gun room, sir.
40:41Mr. Harrington Pace was not a likable man.
40:46He used his wealth to control his friends and his family.
40:52For example, Mr. Stoddard, his unacknowledged brother, he employed as a gamekeeper,
40:57but refused to lend him the 300 pounds necessary to purchase his house and to get married.
41:05His nephew, Mr. Archie Havering, he used as an estate manager, paying him not with money,
41:12but with promises of a legacy.
41:14His other nephew, Mr. Roger Havering, was also made to dance the attendance by assurances of wealth to come.
41:21There are, I think, here, motives for murder, n'est-ce pas?
41:28Now, look here, poor heir.
41:29No, no, no, please, Mr. Roger. I make not the accusations. I merely speculate.
41:34For instance, we know that you could not have possibly committed the murder.
41:39Because at 6.15, on that night, you were boarding a train for London.
41:56But what we did not know was that there was another passenger who also boarded that train.
42:08This person alighted from the train at the very next stop and stole the bicycle of my friends, your Anstruther.
42:16A curious thing to do, huh?
42:20Hey, that's my boy!
42:24But the next thing that this person did was even more curious.
42:31He buried the bicycle.
42:34Then he buried all the necessary accoutrements of a bearded man.
42:42And turned himself back into Madam Middleton.
42:48Mrs. Middleton was the bearded man?
42:51But yes, Hastings.
42:52You see, we only had the word of Madam Middleton herself that a bearded man came to the house that
42:57night.
42:58But, of course, that was not true.
42:59No, I saw him.
43:01Madam Havering, if you please, we will come to that in a minute.
43:04It's as I've said all along.
43:05We've got to find this Mrs. Middleton.
43:07Well, may I suggest that you get on and do just that?
43:11So far, all you've done is ask impertinent questions and treat respectable people like a lot of criminals.
43:17Please, Monsieur Roger, do not be in such haste.
43:20We may know that you did not commit a murder, but there are other things which are not yet so
43:23clear.
43:25This crime was of a daring most extraordinary.
43:30It had to be like clockwork.
43:33And the spurious Madam Middleton had to have an accomplice to wind the spring.
43:40I'm sorry, Mrs. Middleton.
43:41At a quarter to six on the night of the murder this spring, it was ready for release.
43:46The guests had departed.
43:49Mademoiselle Ellie had already gone home.
43:52And Mademoiselle Joan had been offered a lift in your car, Monsieur Havering.
43:57Mademoiselle Joan was duly dropped at her cottage.
44:01Madame Middleton was then to be driven to the home of Monsieur Stutter to collect some game birds.
44:06But, of course, she never arrived.
44:09She was undergoing a transformation.
44:13It was essential, you see, that a suspect should be seen to a light from the train at the very
44:17next stop.
44:19A suspect that could well be Monsieur Roger Havering in disguise.
44:24Why should I try to incriminate myself?
44:28Because, Monsieur Havering, you had planned most carefully your alibi.
44:31Your meeting with Lord Quamby, which you would seem to have every reason for keeping secret.
44:36But once you were forced to reveal it and were released, it was most unlikely that the police would suspect
44:41you for a second time.
44:43You're talking complete rubbish.
44:45No, no, no. I think not, Monsieur Havering.
44:49You see, while you continued your journey to London, Madame Middleton returned to Hunter's Lodge.
45:01Your uncle was a very wealthy man.
45:05In time, you would inherit his fortune.
45:08But your gambling debts grew heavier and Monsieur Pace refused to bail you out.
45:12You desperately needed the money now.
45:15And so on that fateful night, Monsieur Pace was shot in cold blood.
45:25Prove it.
45:29You just prove it.
45:31That is a lying slander.
45:33You're going to find yourself in court, Mr. Bloody Poirot.
45:35And who is this Mrs. Middleton I meant to have been an accomplice of?
45:39You can't even find her.
45:40So you're busy yourself accusing everybody else.
45:43You think that Hercule Poirot is unable to find this mysterious Madame Middleton?
45:50Look, you Poirot know the way to make Madame Middleton appear in our midst as if by magic.
46:00You do not believe in magic.
46:03Very well.
46:05I have only to tap with my cane on the floor three times.
46:12That's one, two, three.
46:21Wow.
46:49Can we now stop this charade?
46:52Chief Inspector?
46:54I don't know, sir.
46:55I've always enjoyed party games.
46:57No one's task.
46:58No one's task.
47:04Just wait for me.
47:04See dog.
47:04Miss leader, what's it doing?
47:11Will someone take it away?
47:16Stop it.
47:21Stop it.
47:22It's alright.
47:22I'd say.
47:27Come on, go! Come on, here!
47:30Good girl!
47:32Don't...
47:32I don't know what your silly game is, but it seems to have gone horribly wrong.
47:36Now, leave her alone!
47:38Zoe had nothing well ever to do with this, Mrs. Middleton!
47:41On the contrary, Mr. Archie.
47:44Madame Havering had a very close relationship with the housekeeper, Madame Middleton.
47:48The odd thing about it being was that they were never once seen together.
47:55This temporary housekeeper had only recently been employed for the family's stay at Hunter's Lodge.
48:03She left little notes for the servants and kept herself to herself.
48:10If the mistress was at home, the housekeeper was absent.
48:14When the housekeeper was downstairs, the mistress was in her room.
48:19And that is where, on the night of the murder, after she had been interviewed by the police,
48:26Madame Middleton disappeared forever from the face of the earth.
48:41Because it was you, Madame Zoe Havering.
48:46Together with your husband, you planned and carried out this murder ingenious.
48:51Together, you plotted to rid yourselves of your uncle that was hated, and to lay your hands, at last, on
48:57his money.
49:00I must ask you both to come with me to the police station.
49:03How dare you? This has gone far enough. I do not intend to stand idly by...
49:08Oh, shut up, Roger!
49:34But why did she have to bury the bicycle?
49:36How could she leave it lying around Hastings?
49:39If it was found and identified by Mr. Anstrada as the bicycle that was stolen outside the railway station,
49:45then it would show that the murderer was still close to Hunter's Lodge.
49:51Oh, hello, Mr. Poirot.
49:53Mr. Anstrada?
49:54The blackberry teeth did the trick, then?
49:56It did indeed, Monsieur.
49:57It also stimulated the little grey cells to such an extent that it enabled me to track down your bicycle.
50:05It's a bit of a bloomy mess, isn't it?
50:08Yes, it got buried.
50:10Buried?
50:11Buried.
50:12It's all covered in mud and mould.
50:15I regret that I did not have the time to clean it for you, Monsieur.
50:17I don't know as I could be seen riding about on a thing like that.
50:21That mudguard's all bent, too.
50:25Mr. Anstrada, do you or do you not want your bicycle?
50:29Oh.
50:31Oh, just leave it there.
50:33I'll see if the boy can do anything with it.
50:40Is this gratitude Hastings?
50:43Is it for this that Dr. Poirot exerts his talents on behalf of the world?
50:46You expect gratitude?
50:48Don't make me laugh.
50:49Now you know what a real detective feels like.
50:53A real detective?
50:56Chief Inspector Jap.
50:57He's truly most amusing.
50:59Do you not think Hastings?
51:00Oh, yes.
51:00Most amusing.
51:02For a policeman.
51:18Ain't so much.
51:38You don't think Hastings over this fight night.
51:38The man who whispered gonna can't stop.
51:38The man who whispered into her identities would nobody beg rather not in it.
51:38I think, of course, God is pain.
51:38There's only two several people who have died for yourself at은ha.
51:38Who ہو?
51:46You were sure to step up and 합니다.
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