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00:10Say goodbye to your old-fashioned toilet and say hello to luxury.
00:16Introducing the Luxos MT, the world's most advanced luxury commode.
00:25It's going to change the way you think about the bathroom.
00:28Am I right, Cindy?
00:29That's right.
00:30It heats, it cleans, it deodorizes, it comes standard with Luxos' triple tornado flush system
00:37and it's smart home compatible.
00:39And here to tell us more about it is Luxos brand ambassador and three-time NBA All-Star Nick Brandon.
01:04Thank you, Cindy.
01:17Have you been in there? Because so far I can't argue with any of them.
01:20You have a string of successful businesses. Just tell us why toilets?
01:26Oh, instead of sneakers or tequila?
01:28Exactly.
01:29Because they've been done before.
01:30See, I always say why be late to the party when you can throw your own.
01:38Oh, speaking of party.
01:40Is that coming from there?
01:41It is.
01:42That's right. It's coming from the built-in Bluetooth speakers.
01:46Oh, no.
01:49Hey, hey, hey, hey.
01:51Hey, hey, hey.
01:52Show me what you got.
01:55Oh, no.
01:56No, no, no, no, no, no, no, no.
01:58So, go see, go see, get it.
02:02So, bottom line, the Luxos MT is going to change the game.
02:06Sitting on one of these is like a little vacation you can book for yourself every day.
02:09Nick Brandes, everybody.
02:24Hey.
02:25Uh, what are you doing here?
02:29I really love toilets.
02:31Okay, I'm working.
02:33I know. Look, I just...
02:36The party, it was a lot. I acted like an asshole.
02:41Yeah, no argument here.
02:43Hey.
02:46I'm so sorry.
02:49It's the last time I throw you a party.
02:55I appreciate you trying to take care of me, even if sometimes I don't know what to do with it.
03:06Well, I can't say you didn't warn me.
03:10No, you can't.
03:11Look, uh, I know this us way shouldn't have happened, or at least not the way it happened.
03:19I'm sure you have your regrets.
03:21Nick, I...
03:22No, no, no, no, no.
03:23I feel them.
03:24Believe me, I wish it had gone down differently, but, uh, just because it didn't start right
03:30doesn't mean it isn't right.
03:33This is real for me, Mel.
03:35Just wish you didn't feel like you have to try so hard.
03:38Yeah, that's what happens when you fall to the second round of the draft.
03:40You spend the rest of your career and life trying to make up for it.
03:44You don't have to do that with me.
03:51Do you have, like, a dressing room?
03:54Yeah, a nice one.
03:57Show me.
04:13You just want to make up for it.
04:16Oh, I think it's good.
04:17So what?
04:18How are we going?
04:20I win a promotion.
04:30A paper shadow in a house of stone.
04:34The wooden flag of a drifting dreamboat.
04:40I never knew how far the ride was gonna go.
04:44Till I look back at the smoke.
04:48You can't keep up with the Joneses.
04:53Don't wanna run for the roses.
04:58I got my pocket opposing.
05:03Sometimes I wonder why.
05:06Sometimes I wonder why.
05:08I just don't have the Joneses.
05:13Don't wanna smell their dying roses.
05:19I got my pocket full of poses.
05:23I don't keep up with the Joneses.
05:45What am I looking at?
05:47I know it looks like somebody wiping off their brushes, but this is a Lichtenstein.
05:52I know who Lichtenstein is, you barone.
05:54What I meant is why am I looking at a bad photo of it?
05:57Because I wanna steal it.
05:58I don't mess with art.
06:00Neither do you.
06:00Come on, jewelry and watches can only get me so far.
06:03A score like this?
06:04Way more upside for the exact same risk.
06:07Score?
06:07Who are you?
06:08James Caan all of a sudden?
06:10I'm sure you know someone that can move it.
06:12Rocco, what's my policy on paintings?
06:15No paintings!
06:16These art guys, they're a different breed.
06:19I'm telling you.
06:20They're savages.
06:21The last time this sold at auction, it went for over one million dollars.
06:27That was seven years ago.
06:29I've already been inside the house where it is.
06:30I steal it, I replace it with a forgery, nobody knows the difference.
06:33Easy.
06:33How do you know it isn't already a fake?
06:35Because the guy that owns it probably bought it from Larry Gagosian personally.
06:39He's an insecure narcissist whose entire self-worth is wrapped up in what he owns.
06:43He doesn't care that it's beautiful, he cares that it's real.
06:46I know the type.
06:49Come on.
06:50I'll toss you an extra 10%.
06:52You don't have to lift a finger, I just need the introduction.
06:58I will have to lift a finger.
06:59And for that I'll take an extra 20.
07:01And if it goes sideways, I don't know you.
07:04But you have to hear me now, you do this.
07:06You do it the way I say.
07:08Pickpock.
07:09No improvising.
07:10Yeah.
07:11I hear you.
07:12Say it.
07:13Pickpock.
07:14Smartass.
07:15No improvising.
07:19Okay, get out of my store.
07:21I'll let you know when it's set.
07:25Rocco!
07:28So, it looks like we hit a shale shelf.
07:32And what does that mean?
07:33Oh, it means my guys are going to have to spend a few weeks breaking it up, pulling it out.
07:37Well, can't you just dig around it?
07:40Yeah, sure.
07:41If you want to move your entire house a hundred feet that way.
07:44I'm kidding.
07:45But I can't dig a foundation in a solid rock.
07:48We gotta pull it out.
07:49Hey, Phil!
07:49Where do you want this loader?
07:51Yeah, I'll be there in a minute.
07:52So, just, Phil.
07:53So, how much is that gonna cost?
07:56Well, I can't give you an exact figure until we start demolition, see how far down the shelf goes.
08:02Oh.
08:02It's gonna be heavy machinery, possibly some blasting.
08:04You're gonna blow up my backyard?
08:06Well, not me.
08:06I'm gonna bring in some specials.
08:08Ballpark, Phil.
08:11How fucked are we?
08:15Two hundred grand, give or take.
08:19Okay.
08:20Okay, maybe we should just press pause, you know?
08:22Get a surveyor out, be checking with the architect.
08:24We should maybe do that.
08:26I think we do.
08:26Well, hey, that's your call.
08:28But if we stop work, I gotta move my guys to the next project in line.
08:32That won't be necessary, Phil.
08:34Email us the quote.
08:35We'll work it out.
08:38Will do.
08:47Yeah.
08:48The world is so small.
08:50Till it ain't.
08:51Till it ain't.
08:52Till it ain't.
08:53Till it ain't.
08:53Till it ain't.
08:53Till it ain't.
08:54I'm building up a w-
08:57Hey.
08:58Sorry I didn't see you.
09:00Surprise.
09:04I love this song.
09:05I don't wanna keep you waiting.
09:08I hope I never keep-
09:18Where are you headed?
09:20Chemistry.
09:21Yeah.
09:26Forget chemistry.
09:28You're coming with me.
09:39Yeah.
09:40Fuck me.
09:41Harder.
09:41Harder.
09:44Harder.
09:45Harder.
09:46I'm gonna come.
09:47I'm coming.
09:49Ah.
09:50God.
09:52Ah.
09:53Yeah.
09:55Ah.
09:56Yeah.
09:57Yeah.
09:57Ah.
09:58Yeah.
10:06It's Henry's birthday on Saturday.
10:08Oh right.
10:08What is he?
10:09I don't know.
10:10Six?
10:12Five.
10:13Yeah.
10:13Well that's a fun age.
10:14Is he having a party?
10:15I'm taking him to Boston to see my parents.
10:18Nice.
10:19When will you be back?
10:20I'm not sure.
10:23I think I need to get away from everything for just a bit.
10:27Well, when you get back, if you want, we can maybe go around to the city, check in someplace,
10:32get away from everything together.
10:35It's fine.
10:36We don't have to do that.
10:39I mean, I know we don't have to do that.
10:41We don't have to do any of this.
10:42That's true.
10:44And I'm thinking maybe we shouldn't.
10:47What are you talking about?
10:49I think maybe we've taken this as far as it goes.
10:51Let's not ride it till the wheels come off.
10:54I like you, Coop.
10:56A lot.
11:00Maybe too much.
11:03The thing is, I don't always like myself when I'm with you.
11:06Hey, hey, Sam.
11:07Look, I know I've been a bit preoccupied the last few days.
11:11You're not ready for anything real.
11:13At least not with me.
11:14I just can't be some wayward bachelor's midlife fling forever.
11:18That is not what I think of you.
11:20Come on, Coop.
11:21I'm giving you a guilt-free out.
11:23Just take it.
11:25God, sounds like I don't have much choice.
11:27Wrong again.
11:30Sam.
11:41Hey.
11:42Oh.
11:42A little afternoon delight with Sam, huh?
11:44Uh, yeah.
11:46I'm afraid it might be the swan song for that.
11:50Oh, that's too bad.
11:53Right?
11:53I mean, it's fine.
11:56Okay.
11:56Cool.
11:57Well, I will not miss the play-by-play.
12:01Oh, my God.
12:02Oh, right there.
12:02Can we talk about something else?
12:03Yeah, that's the spot.
12:04Oh, fuck yeah.
12:04Come on.
12:05Oh!
12:07Fine.
12:09What do you want to talk about?
12:11Anything else.
12:12How's your new gig?
12:12It's good.
12:14It was really good, actually.
12:16They offered me a regular slot.
12:18Four nights a week at the tap.
12:19Prime time.
12:20Poster in the window.
12:21I mean, the whole shebang.
12:22That's amazing.
12:23I'm so proud of you.
12:24Congratulations.
12:25Thanks.
12:25Wow, now one of us actually has a job.
12:29Well, for a guy who has no job, you sure are busy.
12:33I feel like I have this place all to myself, like, every day.
12:38Yup.
12:39Well, not today, baby.
12:42TCM beckons.
12:45Okay.
12:46Excellent.
12:49Can we watch something that was made after I was born?
12:55No.
12:55Who was murdered?
12:58I was.
13:04I let my friend live upstairs in the spare room for a minute.
13:19What?
13:27Look up.
13:29It's only been a year.
13:30We're still in the grief phase, you know?
13:32Imagining they'll get back together and everything will be like how it used to be.
13:35Once you let go of that little fantasy, you'll see divorce has its upsides.
13:40Like what?
13:41With two parents, you're outnumbered.
13:42But with one, it's way easier to slip under the radar.
13:45The real trick is playing them off each other to get what you want.
13:48I used to do that when they were still married.
13:52There's more to you than meets the eye hunter, Cooper.
13:55God, I hope so.
13:57Who's in there?
13:58Shit.
13:59Unlock this door.
14:00Immediately.
14:05Skipping class and trespassing are cause for concern as it is, but...
14:09Okay, trespassing?
14:10Come on.
14:11You make it sound like you have a ski mask and a bolt cutter.
14:14He was messing around backstage with his friends.
14:16I'm afraid this goes way beyond that.
14:19Hunter was distributing drugs to his peers.
14:21Excuse me?
14:21What?
14:22They were snorting his Adderall in the dressing room.
14:24Mayfield has a zero tolerance policy when it comes to drug dealing on campus.
14:28I cannot turn a blind eye.
14:30I'm afraid Hunter will be expelled.
14:32Wait, just a second.
14:33Just a second.
14:34Please.
14:34Look, our son is not a drug dealer.
14:37Okay?
14:37He has ADHD.
14:38Now, do teenagers make bad decisions?
14:41Yes, it's baked into their DNA.
14:43But he's never gotten in trouble before.
14:44He deserves a second chance.
14:46Mr. Cooper, this isn't the first meeting we've had about Hunter's behavior this year.
14:49The absences, the missed assignments.
14:51What are you talking about?
14:52What is she...
14:53Cooper.
14:54You had meetings without me?
14:56They were in your calendar.
14:57Why wouldn't you have called me and told me what was going on in these meetings?
15:00Okay, now.
15:00Please.
15:05I understand the position our son has put you in.
15:08I see troubled kids every day in my practice.
15:12I always try to consider the mitigating circumstances.
15:15Maybe these older kids pressured him into sharing his prescription.
15:20Right?
15:20He wanted to impress them.
15:21He wasn't selling drugs.
15:23He was trying to fit in.
15:25But he will be punished.
15:27We will personally guarantee nothing like this ever happens again.
15:31I'm afraid my hands are tied.
15:38Okay, Leila, I saw the big thermometer downstairs in the hallway.
15:44This year's fundraiser for the new athletic center.
15:46You're short.
15:50How much is it going to take to put you over the top?
15:52Mel?
15:52Mrs. Cooper.
15:53No, Hunter's a good kid.
15:55You know it.
15:56We know it.
15:58And the school has needs.
15:59Everybody wins.
16:00So come on.
16:02What's the going rate for turning a blind eye these days?
16:07$240,000, Mel?
16:08Jesus Christ.
16:09Look, her son was about to get kicked out at one of the best schools in New York State.
16:14And that would have killed his chances of getting into a decent college.
16:16And you know something?
16:17I didn't see you doing anything to fix it.
16:19We could have reasoned with her.
16:20We could have appealed to her.
16:21My God, she's only known us forever.
16:23She called him a truck dealer.
16:24And you rewarded her with a quarter million dollar pledge.
16:27Sorry.
16:27I really thought she was going to say like 20 or 30.
16:30Maybe leave with that.
16:31Instead of with a blank check.
16:32Hey, guess what?
16:33You're the big hedge fund guy.
16:35Why didn't you negotiate?
16:37Because when you negotiate, you need leverage.
16:38Leverage is what you immediately gave away when you opened your mouth.
16:41You know what?
16:41That's not fair.
16:41What is the going rate for turning a blind eye?
16:44My God.
16:45Are you done?
16:47Because I've already got one child to deal with today.
16:50You.
16:54So you're suspended.
16:56And grounded.
16:57Forever.
16:58Mom.
16:58And it would be really smart if you don't talk right now.
17:02Bowie, huh?
17:02I didn't know you were into him.
17:04He's all right.
17:06Wow.
17:07Read the room, Coop.
17:08It's not the time to play the cool dad.
17:12Good luck, buddy.
17:24Girls.
17:27Hi.
17:28Hi.
17:29Mom.
17:31Hi.
17:32Hi.
17:33Hi.
17:33It's nice to see you again, Momoni.
17:35Barney?
17:36Hmm.
17:37So he is still in Korean.
17:40But he is still sleeping.
17:42He's still sleeping.
17:43A little bit.
17:44Mr. Pot, welcome.
17:46That's it.
17:47How are your parents, Barney?
17:49About the same, sir.
17:51Do you still drink scotch?
17:53Oh, from time to time.
18:02This one is for special occasion.
18:05Forty-year-old country gold.
18:08Well, thank you, sir.
18:13Hi.
18:14Hi.
18:16How are you doing?
18:17Yeah.
18:19Inside the Harabaji?
18:20Yeah.
18:22Okay, girls.
18:23Do you want to show the harmony and Harabaji the side door?
18:25Sorry about the mess.
18:26The construction's moving a little slower than we expected.
18:37So what do you think?
18:40I don't know.
18:41I mean, with stuff like this, it seems like it's more provocative and meaningful in any real way.
18:47Who's gonna care about this stuff five years from now, right?
18:52I'm no expert.
18:54Well, no wrong answers.
18:56That's the beauty of art.
18:58Yeah?
19:00Who told you that?
19:03When I was little, my aunt was a docent at the Villaparte in Santo Domingo.
19:07I used to spend the summers with her.
19:09Watch her give tours.
19:11Hmm.
19:15Hey, are you sure you want to do this?
19:17For what?
19:20Any of it.
19:20All of it.
19:22Are you trying to call me out of this?
19:23No.
19:24No.
19:24Not at all.
19:25Then what?
19:25Well, I'm just saying.
19:27If we get caught, I can talk my way out of it.
19:29I can lawyer up.
19:31What happens when you get caught?
19:35I don't need you to protect me.
19:36Well, good.
19:37Because I'd probably be pretty shitty at it.
19:40But aren't you putting kind of everything at risk?
19:43What are we putting at risk?
19:46What do you think I actually have to lose?
19:53Okay, partner.
19:56What about this thing?
20:03It's a lot to take in, isn't it?
20:06The artist was once an altar boy in Dusendorf.
20:11Likely molested.
20:13Definitely a prick.
20:17I'm Christian Thoroson.
20:19I'm the owner of the place.
20:20Oh.
20:20For better or worse.
20:21Of course.
20:22Nice to meet you.
20:22I believe we have a mutual friend.
20:25I believe you're correct.
20:26Yeah.
20:26Well, I have to say, she described you perfectly.
20:28Is that so?
20:29Yeah.
20:31And who's your date?
20:32Uh, his partner.
20:34Pleasure to meet you.
20:35Enjointed.
20:38Partner.
20:40Excellent.
20:42I saw you looking at this piece.
20:45Yes.
20:45It's provocative.
20:48Yes.
20:49Most of this shit is.
20:51But is it actually any good?
20:54That feels like a trick question.
20:57Come with me.
20:58Let's talk arts.
21:08This piece was difficult to acquire.
21:12Especially on such short notice.
21:14You mean someone already had this sitting around?
21:17I have a lesbian in Bushwick who sources all my pop abstracts.
21:21Impressive.
21:22Is she the one looking at us now?
21:26It is as close to perfect as it can be.
21:29Hmm.
21:31The magna acrylic paint Lichtenstein used is nearly impossible to source.
21:36Most modern day acrylic paint is water soluble, but the magna was miscible with turpentine.
21:42Golden artist colors comes closest to magna's high gloss finish, but it's not an exact match.
21:50It'll hold up to scrutiny, but not chemical analysis.
21:54Well, it won't be analyzed.
21:56How can you be sure?
21:57You know your job, I know mine.
22:00You've never done this before, have you?
22:02I'm a quick study.
22:03You're a tourist.
22:04Tourists make me nervous.
22:06And yet, here you are.
22:07Yes.
22:08I am here.
22:10Lou believes in you and I believe in Lou, but I'm still not convinced you can deliver.
22:15Well, the fact that you called your lesbian in Bushwick makes me think that you think I can deliver.
22:21Okay.
22:22So, we swap out the fake, bring you the original, and then what?
22:27Well, after I authenticate the piece, I have two buyers interested.
22:32One, a crypto bro who wants to move into tangible assets.
22:38And the other is former employer.
22:42It's deliciously messy.
22:44I expect the bidding to be heated.
22:46Sounds promising.
22:52What the hell?
22:57I have decided to like you.
23:00I appreciate it.
23:03Now, if you'll excuse me, I have some psychedelics to procure for some clients.
23:10Oh.
23:13Have fun.
23:30Yes, that is cool.
23:32The gangster children have a full bath in, maybe.
23:35Yes, you are the best.
23:38Because they'll be there.
23:40You've got a full bath.
23:40Yes, you are absolutely right.
23:41The aspirin of the aspirin and the aspirin and the aspirin will be done.
23:41If it's complete, you'll have to apply everything.
23:43Yes, you will take a full bath.
23:46But it's a worry about the kids.
23:48The kids who don't know what to do, and they don't know what to do.
23:52I've been waiting for a couple of months.
23:55I've been talking about your mom, but we're going to go to our house.
23:59Yeah.
24:03Thank you so much for thinking about it.
24:06If it's time to change, then it's more difficult.
24:09If you're going to go to school, it's harder than you're going to go to school.
24:14You should have to buy your own house.
24:18I think you and your children.
24:21Hmm?
24:23We'll have a good time.
24:26Do you have a good time?
24:28Do you have a good time in the green house?
24:41Why don't I get us some whiskey?
24:44Hmm?
24:55Uh.
25:11Oh, my name, um, did you need anything?
25:14Grace tells me you're having some financial challenges.
25:18I'd like to help.
25:19Well, that's not necessary.
25:22I'd feel better knowing she didn't have to worry.
25:26I don't know what Grace told you,
25:28but there's nothing to worry about.
25:30I'm just trying to encourage some financial responsibility.
25:33Um, one of the hazards of marrying a wealth manager, I guess.
25:45My daughter is not a client.
25:47She's your wife.
25:49Don't worry.
25:51This will stay just between us.
25:55I have a personal account I keep just for these little emergencies.
25:59It's very generous of you, Mrs. Park,
26:01but there is no emergency, so...
26:08You know, you would do so much better working for Mr. Park.
26:11Ah, yeah.
26:14It's a shame you don't speak Korean.
26:26Shame you're such a fucking prick.
26:41Hey, Hunter, we still need to talk about what happened at school.
26:44Why?
26:46Because you almost got expelled.
26:48Does that not concern you?
26:49Not really.
26:50Have you seen the Flaming Hots?
26:51How about something that won't rot your guts?
26:53I can whip you up a smoothie.
26:54No, thanks.
26:55Hey.
26:56I just want to understand what happened.
26:59I cut class.
27:00It's not that complicated.
27:01What about the medication?
27:03Were you selling it?
27:04No!
27:05What?
27:05It's understandable for you to want to impress your peers.
27:10But Adderall's a serious drug.
27:12You can't just hand it out.
27:13Oh, my God.
27:13Can you stop?
27:14Wait a minute.
27:15Where are you going?
27:16Hey!
27:17I'm not done talking to you!
27:40Hey!
27:41Watch your prezzy.
27:49So, uh, how's it feel being Mayfield's main character?
27:54Those sophomore hotties sliding into your DMs or what?
27:57Yeah, totally.
28:14You make this?
28:16Yeah.
28:20Holy shit, Hunter.
28:21I think you might actually have a soul.
28:26Fuck off.
28:35I think you're not doing anything.
28:52This is how hot I've been sending my brain from me.
28:53I've been eating my brain from my inbox.
28:53Don't just walk.
28:55Run.
28:56Don't just talk.
28:58I need action.
29:01Uh-huh.
29:02I need more peace.
29:04Go home.
29:05Hi, I want to see the heart racing.
29:09Okay, I ain't seen a gym in a while.
29:16Allie.
29:18Hey, I didn't know you joined.
29:20Oh, I'm just borrowing Andy's.
29:22He doesn't use it anymore.
29:23It seemed a shame to let it go to waste.
29:25Sorry, memberships aren't transferable.
29:27Neither was.
29:28And yet.
29:31Tell you what, why don't you take her for a test drive?
29:34If you decide to sign up,
29:36we're running a friends and family promotion all month.
29:38Thanks, Nick.
29:39I am neither.
29:59A reasonable person might have seen a close call with the police
30:02and a flesh wound from a large dog
30:04as a flashing neon sign from the universe
30:06telling them to find a new line of work.
30:09But that wasn't really an option for me.
30:11Know what you're doing?
30:12Not particularly.
30:14Canvas.
30:17Stretch bars.
30:18I'm going to get it like this.
30:21I usually need to square the corner.
30:24Back door open.
30:34When it comes to American pop art,
30:36Roy Lichtenstein is in a dead heat with Jeff Koons
30:38as the favorite for buyers who don't actually give a shit
30:40about art, but regard it as a sexy investment.
30:43They're coins.
30:44Collectors only in name.
30:46This piece here, Square, from 1983,
30:48was most likely purchased as an appreciating asset
30:50rather than on its artistic merit, which is a shame.
30:53I always kind of liked Lichtenstein's work,
30:56especially the comic book paintings.
31:00It was becoming apparent that my expenses
31:02would always find a way to outpace me,
31:04so a few higher-priced scores like this painting
31:06would mean more money with fewer robberies.
31:08Higher risk, higher yield.
31:10Or maybe I was just starting to like it.
31:18Oh, hey.
31:43I am not a chicken.
31:49Hey, guys, can you calm down just a little bit?
31:51We're almost to Grandma and Grandpa's.
31:53James!
31:55Go!
31:56Go!
31:57Go.
32:00Dad!
32:01Dad!
32:03Oh, my God.
32:05Hey.
32:07Hey, honey.
32:08Hey.
32:09I hear it's someone's birthday tomorrow.
32:11You know anything about that?
32:12He's turning five.
32:13Really?
32:14We better go see if we can find some cake.
32:16I don't see him.
32:16Look at that table right there.
32:18Whose presents?
32:20Everything OK?
32:26Oh, yeah, just a long car ride.
32:30Come on, then.
32:30Come on, don't go over here.
32:32Come on.
32:33Yeah!
32:38Oh, hon.
32:43Hey, don't.
32:51It's good to have you home.
32:58That's it.
32:59Okay, activate those boots.
33:01Squeeze at the top.
33:02I want to see it.
33:03Nice.
33:04Good.
33:05Great class, everybody.
33:08Don't forget to stretch.
33:10See you next week.
33:13Holly?
33:14Oh.
33:15Hey, Bruce.
33:17Uh, what are you doing here?
33:19Same as everyone else.
33:21Just trying to turn my ass into a legal weapon.
33:27I'm not stalking you if that's what you're worried about.
33:30No, of course.
33:31I've been staying with Andy.
33:34He had a couple of visitor passes.
33:36Hope that's not weird.
33:39You look good.
33:41Healthy.
33:42You mean, uh, not, uh...
33:47I guess the move's been good for me.
33:49I've been spending more time with Andy.
33:51I've actually been playing some gigs again.
33:53Oh, yeah?
33:54Yeah.
33:55At the tap.
33:56It's mostly just drunk locals talking over my socks.
34:01Heavy.
34:02Hey, you're out there doing your thing, playing music.
34:04Somewhere other than my lawn.
34:06Oh.
34:07Damn.
34:07You went there.
34:09Honestly, I kind of miss it.
34:11I bet you do.
34:12I bet your wife does, too.
34:15I don't know.
34:16Maybe I should come back and take requests.
34:21Sorry.
34:22Dad duty.
34:23It's good to see you.
34:25Maybe I'll swing by the tap sometime.
34:27Cool.
34:29See you in ass class.
34:46Oh, my God.
34:47I misjudged you, my friend.
34:49Yeah, I get that a lot.
34:50This tourist has balls!
34:53Yes!
34:53I love it!
34:55Okay.
34:56So what happens now?
34:58Uh...
35:00Give me a minute.
35:14What?
35:15You look really nice.
35:17That's because you're taking me to dinner after this.
35:20Oh.
35:24Okay.
35:25Okay.
35:26It'll take my people, uh, a few hours to authenticate.
35:31In the meantime, I see you're dressed to celebrate.
35:35So let's celebrate!
35:37It hurts!
35:40Don't stop the music.
35:44I can feel the vibe.
35:47Don't stop the music.
35:50I can feel the vibe.
36:06Hey!
36:08Woo-hoo!
36:09Here we go!
36:12Thank you!
36:14Of course!
36:17Right on the table.
36:27Woo-hoo!
36:30Oh, um, maybe later.
36:34I thought you Ivy League types loved the nose candy.
36:37Yeah.
36:41Hey, what about you, beautiful?
36:43You in?
36:46Sure.
36:56What?
36:57We're celebrating, right?
36:58I guess so.
37:02Give it!
37:03Give it!
37:03Give it!
37:03Give it!
37:06My goodness.
37:08Yeah, good.
37:10Yes, indeed.
37:11I think I need to dance.
37:14Sorry.
37:19What a place!
37:20It's nice, huh?
37:23I'd love to come here and chill.
37:26Huh?
37:28Yeah!
37:29I love it!
37:42Hey, so you and the girl.
37:44Oh!
37:45Uh, no, we, we, we keep it professional.
37:48Ah, okay.
37:50That's probably for the best.
37:52I mean, you're a very handsome man, but maybe too old for some rides.
37:56Ha, ha, ha, ha, ha!
37:58Whatever you say.
38:00Yeah.
38:01Uh, you want another bump?
38:04Oh, no, I'm, I'm good.
38:06Could always be better, though.
38:09Yeah.
38:11Oh, yeah!
38:14That's so good.
38:17Yeah, I'm gonna, I'm gonna go, uh...
38:27Whoop!
38:28Whoop!
38:30Who are we going to get this?
38:32That's it.
38:34Hey, hey.
38:35Oh, okay.
38:36Looks like you needed a break.
38:38Was it that obvious?
38:43Maybe I just know you better than you think.
38:46Yeah, maybe.
38:48Come on, dance with me.
38:50Oh, I'm not much of a dancer.
38:52Well, a few weeks ago you were much of a thief.
38:55Maybe you're a good dancer, you just don't know yet.
38:58Okay.
39:17Hey, okay.
39:19See, you got some moves.
39:21Yeah, I think that's pretty much the drugs talking.
39:24Oh.
39:25Don't be sad, Coop.
39:28What are you talking about? I'm not sad.
39:30You're always sad.
39:33I see it.
39:34Behind your eyes.
39:50I'm going to get another drink.
39:52Do you want anything else?
39:54I'm just going to stick with bubbles.
39:55Okay.
39:56Yeah, I'll be right back.
39:57I mean, I'm just going to be right back.
40:01I'm just going to get another drink.
40:12Here we go.
40:30But I'm thinking that maybe you and I are also here for a different reason.
40:37Oh, yeah?
40:37Yeah.
40:38What's that?
40:39Let me show you.
40:42Oh, no.
40:51Easy, Chuck.
40:52Easy.
40:55Easy is for kids, guapa.
40:58I prefer hard.
41:04Hey!
41:05Hey!
41:06Hey!
41:07Everybody okay here, guys?
41:08Yeah, we just had a private moment.
41:10You okay?
41:11Yeah, I'm fine.
41:13You sure?
41:13I got it.
41:14Okay.
41:15Asked and answered, old man.
41:16I think maybe we should all just go back upstairs.
41:21Okay.
41:24Goddamn.
41:27Okay.
41:29Fuck, you're coming good.
41:30Okay.
41:31Okay, let's take a deep breath.
41:32Hey!
41:36Come on!
41:42Stop squirming!
41:44You're drowning me!
41:45Ow!
41:46Okay, don't rub them.
41:47It's only gonna make it worse.
41:48Oh!
41:51Is that better?
41:53Yeah, a little, I guess.
41:54I don't know.
41:54What the fuck were you thinking?
41:56Huh?
41:57You're welcome.
41:58I had him under control.
42:00Well, it didn't look like that to me.
42:01Do you know how many times I've had a guy press his dick up against me in a place like
42:04that?
42:05No, you don't.
42:06Of course not, because you're a man.
42:07Look, I was trying to help you.
42:09Okay, do me a favor.
42:09The next time you try to defend me, how about you wait until after we get paid?
42:13What, that's what you're mad at?
42:14Are you kidding me?
42:15It's not that big a deal.
42:16We can steal something else.
42:17I needed that money!
42:22You know what?
42:24You're just a rich guy who lost his money and now you think you're fucked, but you have no idea.
42:29You've never gone hungry.
42:31Your kids will never go hungry.
42:33You just want what they took from you because all you know how to be is rich.
42:36Elena.
42:37You have no idea what real struggle is, Coop.
42:40The shit that you complain about, most people, they would kill for it.
42:47I'll make it up to you.
42:49Yeah, you fucking better.
42:52You're really just going to leave me here?
42:54I really am.
42:55Well, I forgive you for the mace.
43:00Fuck you.
43:01It was pepper spray.
43:29All right, sweetie.
43:31I'll go give you the chicken as well.
43:31I'm sorry.
43:31I'll let you go.
43:32I'll let you go.
43:32OK.
43:54Sam being away left me with a choice.
43:57I could drink too much scotch and fall asleep watching the Criterion collection in my house.
44:06Or I could go make some money in hers.
44:56This one is for a special location.
44:59Let's go.
45:03Let's go.
45:18Let's go.
45:20Let's go.
45:21Let's go.
45:21Let's go.
45:21Let's go.
45:49Shit.
45:50Shit.
45:55Shit.
46:05Shit.
46:14Oh, my God.
46:58Oh, my God.
47:07$50,000 in change thanks to the painting snafu.
47:09And Sam's French doors never locked properly.
47:24You remember this part.
47:42You remember this part.
47:55And if I'd known everything that was about to happen, I think I probably would have done just that.
48:01But the truth is, and I think this has been made painfully clear, I didn't know shit.
48:07I don't know.
48:07I don't know.
48:15I don't know.
48:15I don't know.
48:15I don't know.
48:17I don't know.
48:19I don't know.
48:21I don't know.
48:32I don't know.
48:34I don't know.
48:41I don't know.
48:45I don't know.
48:48I don't know.
48:49I don't know.
48:51I don't know.
48:52I don't know.
49:21I don't know.
49:25I don't know.
49:28I don't know.
49:31I don't know.
49:33I don't know.
49:33I don't know.
49:48I don't know.
49:58I don't know.
49:59I don't know.
50:00I don't know.
50:17I don't know.
50:21I don't know.
50:53You
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