- 1 day ago
Category
🎥
Short filmTranscript
00:10This is the Best Actor award.
00:13We would like to introduce the recipients of the Excellence Award.
00:17Takarajima Tsumabuki Satoshi
00:25Enemy: Kyōzō Nagatsuka
00:335 Centimeters Per Second - Hokuto Matsumura
00:42Bomb Yamada Yuki
00:50Kitaho Yoshizawa Ryo
01:03Congratulations to all of the above who received the Best Leading Actor Award!
01:08Thank you
01:16Now, let's hear from the award recipients. First, the wife of Takarajima.
01:19This is Mr. Shunsuke Fuki.
01:21Satoshi
01:27It was a film that portrayed postwar Okinawa as a pig, but in order to understand this role
01:34Are there any things you considered important or prepared in advance?
01:39That's right, that movie wasn't a war movie by any means, but still
01:45To understand Okinawa, one must also thoroughly understand its past.
01:48I feel like I have to be like that, so first of all, I'm going to study a lot.
01:54Yes, that museum.
01:57There is a place called the Sakuma Museum, and there is a place there that is the Okinawan parent
02:01A friend took me to see a picture called "Okinawa Line Map."
02:06But I went to see it, and when I saw it, I don't know what to say.
02:11I was so overwhelmed with tears that I couldn't move, and I started studying various things about Okinawa.
02:17Even though I have been doing
02:20I think at the time I was drawing, I felt like I knew something.
02:25I looked at it and thought that the girl in this picture was looking at me for a moment.
02:31So it's coming.
02:33When I looked into that girl's eyes, I felt like I could tell if she was really alive.
02:38I just can't move anymore, and I realize that the most important thing is...
02:43It's about truly feeling that pain and taking it into yourself.
02:48I realized at the time that I hadn't done that.
02:49I was made to realize that it was quite significant in my acting.
02:55It had become something like that.
02:57During this photoshoot, I worked with Suzu Hirose and local people from Okinawa.
03:01I heard that you had some kind of interaction with that person.
03:03Yes, I previously filmed a movie called Nata Sōsō in a town called Koza.
03:09At that time, I had several close friends, and I asked them for help, and everyone
03:15In Okinawa, there is a dance called "Kachiashi" (winning foot).
03:19In Okinawa, when that thing happens, or when someone strikes out, the music starts playing.
03:24What kind of moment is it when you naturally start dancing with your winning foot?
03:28I asked if they could make it for me somehow.
03:31I said I understood, and then they told me to go to their house and invited me over.
03:34That's right.
03:35And apparently, the stepmother of that best friend of mine is a dance teacher.
03:40So I thought that would be a particularly good opportunity to learn.
03:44But
03:45When I got there, everyone was so engrossed in Suzu-chan that there was no time for dancing.
03:49It's gone.
03:51It seems like everyone was taking pictures for a bit.
03:54And I think my friend will probably figure it out and if he strikes out, everyone will start dancing.
03:59But then I realized that it didn't matter to anyone at all
04:02It just turned into a meeting where I watched my best friend strike out.
04:06There was
04:08What did you think of Suzu Hirose?
04:10Yes, as soon as we arrived in Okinawa, we went to the home of a friend of that friend.
04:15I was invited over and even treated to a meal.
04:18But in the end, all of my big family gathered together, so
04:24I've been taught how to win by various people.
04:29The joy of winning, the warmth of this, enjoy it with love.
04:34I feel like I learned a lot about passion from that time.
04:38Because
04:39I am truly grateful to Mr. Tsumukai for creating that opportunity.
04:43So you were able to communicate with each other.
04:44Just 10 minutes
04:46Just for 10 minutes
04:47That's great!
04:49Thank you, Mr. Tsumukai.
04:50thank you
04:53Next up is our opponent, Kyozo Nagatsuka.
04:57thank you
04:59I also had the opportunity to appear on the show.
05:02The role was close to Mr. Nagatsuka's own age, which was very much like the husband.
05:07They managed to create a character that was appealing to the public.
05:10I saw the cheers and felt it.
05:13How was it performing the role?
05:18Being close in age made things much easier.
05:27As you know, there are quite a few things you can only understand once you reach this age.
05:33from
05:34I think I was 77 years old when I made that film.
05:40I'm 80 now.
05:45What I mean is that the protagonist's education and my life were really good
05:51They look alike, don't they?
05:53They look so similar
05:57His name is Gisuke.
05:59I will be playing myself, who is playing Gisuke.
06:06It even gives you the illusion of something like that.
06:12Is that a good thing?
06:16It's a special experience to play a role like that.
06:18I agree
06:20You performed with Ms. Kawai.
06:21Is a bar okay?
06:23oh yeah
06:24How was it working with Ms. Kawai?
06:27What kind of daily life does Ms. Kawai lead?
06:32I imagine it's probably a quiet and unassuming life.
06:38Once the camera starts rolling
06:45What is that feeling of liberation?
06:49That was exactly what your voting instincts were.
06:54I was just completely overwhelmed.
06:58It was like I'd been struck by lightning.
07:02I could only stare in stunned silence.
07:08What is that?
07:10Where does your twisted acting style come from?
07:15Oh no, thank you so much for your kind words, they're too much to ask.
07:20You're probably the type of person who can achieve anything if you just think about it that way.
07:25That's not true.
07:26That's not true.
07:27I was desperately trying to keep up with Mr. Nagatsuka.
07:31I was desperately trying to accept it.
07:33It was a truly wonderful entrance scene.
07:37thank you
07:38thank you very much
07:38I ended up being praised.
07:41It is a day to honor Mr. Nagatsuka.
07:43This is a wonderful scene between the two of them.
07:44thank you
07:44Nagatsuka-san really does have a lot of scenes where he's alone.
07:47This is the movie called "The Enemy".
07:49Thank you, Mr. Nagatsuka.
07:53Next up is Hokuto Matsumura from "5 Centimeters Per Second".
07:59Matsumura's original work by Director Shinkai
08:03The anime it's based on is also a legendary work.
08:06It was a live-action adaptation, but...
08:09What did you value most when you were acting?
08:12There were many things I cherished.
08:16My answer might be slightly off-topic, but
08:19Above all, I really love the original work.
08:255 Centimeters Per Second is a song that many people
08:27I think it was a work that changed my life a little.
08:31The original author was one of them.
08:34The character I always played was Takagi.
08:38I've always had this feeling of longing that just won't go away.
08:43Even when it comes to actually performing
08:45It should be a tall tree.
08:46My admiration for Takagi is unstoppable.
08:49To break this
08:51Having reached the level of committee member
08:55The most difficult thing was
08:57Even though it's a role where there aren't many moments where you feel excited the whole time.
09:02I was so excited reading the script the whole time.
09:06I get chills from every single word.
09:09That's what I think
09:14It was a painful experience for me to be acting.
09:17This was very difficult.
09:19I had a bit of trouble with the director during filming.
09:21I asked about it.
09:25I love Director Okuyama
09:27First of all, he's a director I really love.
09:33Before an important scene
09:35First of all, Okuyama himself is always the best on set
09:40He seems to be brimming with murderous intent and passion.
09:43He's someone you can really rely on.
09:45That went too far
09:48This is an important scene.
09:51You don't have to say something like that
09:52But important scenes are important scenes.
09:54Going back and forth
09:57I just put too much pressure on them.
09:59Finally, forget about it yourself.
10:01I think it would put pressure on me.
10:03They tell me to forget about it.
10:06By that point, you'll be in a situation where you're breaking out in a cold sweat.
10:09of
10:10Upon checking on site
10:12Apparently, both I and Hikaru Takahata were affected.
10:17What do you think, Takahata-san?
10:19I agree
10:20Just before we started preparing for the scene, he came running towards me.
10:24Takahata-san said, "This is an important scene."
10:27I'll say "Paa".
10:28I thought, "No, I'm nervous."
10:31But that's what makes him such a charming director, I'd say.
10:33I always feel like I'm in the right place
10:35I think he was a director who made me feel warm and cared for.
10:39The two of you are both facing a common problem.
10:42You did a great job.
10:43Well, if I put it that way, I really love Okuyama-san.
10:49Thank you very much, Mr. Matsumura.
10:55Next up is Yuki Yamada from Bakudan.
10:58The character Ruike, played by Yamada, is a genius detective.
11:05How did you go about creating this character?
11:10If you just say "genius detective," it's only four letters long.
11:16This character named Ruike, written by the original author, Mr. Go
11:24It's incredibly interesting and fascinating.
11:28What is that?
11:31The world, society, organizations
11:35These people are able to judge the high IQ of these people
11:41The ability to decipher the truth
11:44Including both theoretical and emotional aspects.
11:48It's probably very visible.
11:51The character was named Ruike.
11:55I probably don't have anyone to talk to.
11:59It doesn't say anything about my childhood.
12:02If you use your imagination
12:05Was I all alone?
12:07Like a solitary genius
12:09I am pessimistic about the world.
12:12Concerned about humanity
12:13Why is the world like this?
12:15Why is this world so imperfect?
12:18This character thinks that very strongly.
12:23The only person I trust
12:26There is a character named Kiyomiya, played by Atsuro Watanabe.
12:30Facing him is Taisaku Suzuki, played by Jiro Sato.
12:34Perhaps that work by Taishi Suzuki is also...
12:39That's how I've lived my life alone.
12:43Emotions and human psychology
12:47He grew up to be a person with strong theoretical abilities.
12:50Like a monster of loneliness
12:52It's a story of a solitary genius and a lonely monster facing off.
12:56That was the situation.
12:59Gradually, gradually
13:02How to show my abilities within the unfolding events
13:07As I truly began to work on the play with Jiro-san
13:11It was born quite naturally.
13:16Looking at Jiro's face should make me angry.
13:19I feel like I'm smiling.
13:22Something like that about my acting
13:26Don't put the plan down
13:29It's like I'm just there, in a relaxed way.
13:32I really cherish that kind of feeling.
13:35You were in the interrogation room the whole time, weren't you?
13:39I think we spent a lot of time facing each other across a desk.
13:43How are you doing, Jiro-san?
13:48There are some really amazing senior actors here.
13:51I hesitated to say anything, but...
13:53Actors are just...
13:55There's nothing more enjoyable than acting with a good actor.
13:59That was when I really confronted Yuki Yamazaki.
14:02I had a truly dreamlike and wonderful time.
14:07I'm laughing so much, I love being praised a lot.
14:10It shows on your face really easily, doesn't it?
14:13There's a scene where Yuki Yamazaki and I are laughing together.
14:17This wasn't in the script, nor was it in the Tokogaki
14:19But Yuuki suddenly laughed.
14:21I was laughing too.
14:22It's a really tense situation.
14:25It's like these two are the only ones laughing in the whole universe.
14:28It's like the genius and the madness understand each other a little bit.
14:33That's what I thought
14:34I laughed too.
14:35This is just one example.
14:36Thanks to Yuuki, we were able to have a jam session together.
14:39Of course, that includes the director and staff.
14:41I'm aiming for something a little higher.
14:47I think we were able to do it together.
14:48I had a really great time during the session.
14:51I was praised.
14:54Stop making that face.
14:55thank you
14:55Child
14:58They make a great team.
14:59thank you
15:00And Mr. Yoshida is sitting next to us.
15:02We've asked everyone to fill out a survey in advance in preparation for today.
15:06Yamada's strong feelings for Yoshida are very
15:10How do you feel about writing down your thoughts about Mr. Yoshida?
15:16I was wondering what I wrote in that questionnaire I filled out back then.
15:20I don't really remember, but...
15:22But, having had the opportunity to work together three times,
15:28Well, of course, being cast in a movie means
15:34I think it's because various forces are at work.
15:37I understand perfectly well that it wasn't solely his decision, but...
15:41About two of them
15:44I'd like to work with Yamada-kun.
15:46There are about two projects where I've been able to convey my ideas to the production team and get them working.
15:51and
15:52He says that's not true, but
15:56I am very grateful for that.
16:01I feel like he really helped me up.
16:07inside
16:07Even during filming, there was that kind of respect,
16:12Well, we became like friends and then we achieved such an amazing record.
16:18Put it away
16:18It's like going back to the distance between friends and actors.
16:22I kind of have that feeling, but at the same time, I'm incredibly grateful.
16:26And they also gave a wonderful performance as a national treasure.
16:30Just as he finished eating
16:34Something like, "We're going to start practicing Kabuki now."
16:38We had a meal together once around the time I started saying that.
16:44I thought to myself, "Oh, this guy's about to start something outrageous."
16:47while
16:49Well, it really has been over ten years.
16:52Standing on the same field as the Super Sentai series and Kamen Rider
16:57tte
16:58Right now, this black floor here looks like it's reflecting a mirror.
17:02I made eye contact with him briefly when I bowed.
17:06Ah, I think to myself, this is a view only we can see.
17:10Gara
17:11I really savored it.
17:13We made eye contact on the floor.
17:14When you do this on the floor, it's like the reflection in this mirror.
17:17Some of you might not understand this, but
17:19When it was reflected there, our eyes met.
17:22Is that enough? Sorry.
17:25I have very strong feelings about this.
17:27How do you feel about this, Mr. Yoshida?
17:29How about it?
17:30No, I didn't think we made eye contact.
17:33That's incorrect.
17:34I'm sorry, I was only looking at my own face.
17:36I didn't quite understand.
17:37That's a shame.
17:39No, but thank you so much.
17:42Thank you, but
17:43Not at all.
17:45Seriously, the producers and others
17:47I heard that Yamada-kun had originally said that.
17:50I was also very excited.
17:52If I were with Yamada-kun
17:54He often played those intense, competitive roles.
17:58They were really playing the role of best friends.
18:00We often co-starred in roles where we had a close relationship.
18:04Such
18:07I'd really like someone I can rely on to do it.
18:10I had that thought in mind.
18:13When they said "Yamada-kun," I got really excited.
18:15It's like I'm the one who contacts them first.
18:18You should definitely play this role.
18:19something like that
18:20That's how it felt.
18:21I'd also like to see the two of them together again in the future.
18:24thank you
18:25Absolutely.
18:26Thank you, Mr. Yamada.
18:27thank you
18:31And next up is the national treasure, Ryo Yoshizawa.
18:35Yoshizawa-san, the kabuki scene was really beautiful.
18:39I could sense the time that Yoshizawa-san has spent honing her craft.
18:45What kind of journey was it?
18:49I agree
18:50When I was actually offered this opportunity...
18:53I had been to see Kabuki a few times, but
18:58Of course, there are also things like the difficulties of being a woman.
19:01I was given the opportunity to speak with them without knowing anything about it.
19:04I received an offer
19:07I was so thrilled to be the lead actor on the set of my idol, director Lee.
19:10It was more like, "Please let me do it."
19:13From there, I continued practicing Kabuki for about a year and a half.
19:17As time goes
19:19Even though there is a year and a half to spare
19:23Actual Kabuki actors are really
19:26Building up over decades since childhood
19:29Because you are all people who have honed your skills in one art form and are now performing on stage.
19:33After all, even after a year and a half
19:35It's not even close to being on the same level.
19:38The more you do it, the more you understand it.
19:42I thought to myself, "There's no way I'll make it in time."
19:45But there's no other choice but to do it.
19:47It's a kind of stubbornness.
19:51Yokohama Ryusei is sitting next to me
19:54We've been encouraging each other all this time
19:58I feel like I somehow managed to pull it off.
20:02Many scenes are memorable.
20:04On the rooftop of the building, I felt like I had lost my mind a little.
20:08That scene was truly impressive.
20:10What did you think of that scene, Mr. Yoshida?
20:13This scene is indeed
20:16It left quite an impression on me too.
20:20Until the actual filming begins
20:24This scene was supposed to be filmed at night, but
20:28The director suddenly decided to leave before the sun went down.
20:32I wanted to take the photos in about 30 minutes.
20:36We all quickly got ready.
20:39We really only have 30 minutes left
20:43We've already done various rehearsals and so on.
20:46I was filming while the camera was rolling.
20:49I had some short lines of dialogue written in there originally.
20:54It was almost entirely improvised.
20:56The director has already come over to me
20:59He muttered something.
21:02I went over to Nana Mori and whispered to her.
21:04Okay, let's give it a try, like, "Okay, let's go!"
21:07The atmosphere that was created right there
21:10It was a scene where he was picking something up.
21:14I had a lot of fun doing it.
21:20We shot three takes, but...
21:22The third take was used.
21:24On the third take, the director came over to me.
21:33I was told to keep looking at Mori's face.
21:37It started with "I understand."
21:39If you keep looking at it
21:41People ask me, "Where are you looking?"
21:45I wondered why they said that to me.
21:47But when someone said that to me
21:50It's very, somehow
21:51I felt like I'd been struck at the very core of Kikuo's character.
21:56Even though they're so close
21:58It's not even in my field of vision.
21:59Probably a person who only thinks about their own act.
22:03It felt like a human being had spoken.
22:08That place is very
22:11I feel like I know a person named Kikuo
22:13It was a scene that allowed me to reaffirm something for myself.
22:15It left a very strong impression on me.
22:17It was a wonderful scene.
22:20The final dance scene was also very impressive.
22:23What was that moment like when you were filming?
22:28That's this scam girl
22:31I agree
22:34During the three months of filming...
22:38I probably took this photo about two months later.
22:42The dance scenes up until that point were
22:45Basically, from morning till night until the director gives the OK.
22:48I danced dozens of times
22:50I was taking pictures from various angles like this.
22:53Regarding this fraud girl
22:56Well, it's also because it's the ending of the movie.
23:00I'm only going to spin it two or three times.
23:02From beginning to end
23:05It's like they're saying, "Just finish dancing it in these next two or three times."
23:09I was told
23:10Rather than just dancing beautifully
23:12My life as Kikuo up to this point
23:15Both the parts that are depicted and the parts that are not depicted
23:19A life lived as an actor
23:22Something that helps to digest things
23:24The director instructed me to do it with feeling.
23:29I was working really hard too,
23:35When we were filming this scene
23:36I could really only hear the sound of my own breathing.
23:41I feel like I was able to take the photo with complete concentration.
23:46It was an incredible space, unlike anything I'd ever experienced before.
23:50I felt like I was transported to this scene.
23:53It left a very strong impression on me as well.
23:56This is the last scene.
23:57It was a truly wonderful scene in the movie.
23:59Thank you, Mr. Yoshida.
24:02We interviewed the winners of the Best Leading Actor competition.
24:14Now, here is the announcement.
24:15The presenter was invited last year and won the top prize.
24:20This is Ryusei Yokohama.
24:38Congratulations to the winners of the Outstanding Leading Actor Award!
24:41Congratulations!
24:44I was inspired by the valuable and wonderful stories I heard.
24:50thank you
24:51Now, I will make the announcement.
25:03The winner of Best Leading Actor is
25:08This is Yoshizawa Ryo, a national treasure.
25:11The winner for Best Leading Actor is the national treasure, Yoshizawa Ryo.
25:15congratulations
25:17please
25:19Best Leading Actor Winner
25:21Award recipients will receive a certificate of commendation and a bronze medal for the top prize.
25:25As a supplementary prize, similar to the prize money
25:28Japan's world-renowned luxury jeweler
25:31Tasaki will present you with a pearl and diamond pendant.
25:43A two-shot of Yokohama and Yoshizawa was seen on stage.
25:47I did
25:47So, the winner of the Best Leading Actor award...
25:53thank you
25:54I am very happy.
25:57Calling my name
25:59The person who gave me this trophy
26:02Together with Yokohama Ryusei
26:04Having overcome a tough training period
26:10Really
26:13If he hadn't been there, I wouldn't have been able to adapt to the climate either.
26:18I don't think I would have been able to stand here.
26:21This movie is truly also
26:24He was a truly great figure to me personally.
26:26thank you
26:29And the director and others
26:31To all the cast members
26:32To all the staff
26:35Thanks to everyone's support,
26:41The filming has finished without any problems.
26:43Now
26:45A wonderful view
26:47I've seen a lot of this in this work.
26:52I agree
26:52When I was 15
26:55I joined my current agency.
26:57I've been doing this for about 17 years now.
27:00I still have a long way to go, though.
27:02Until now
27:03Just because I think acting is fun
27:07I guess I'll just continue being an actor for some reason.
27:09I've continued acting,
27:12this time
27:13The path of that art
27:16Humans living
27:19Karma
27:20The difficulty of that path
27:23again
27:24I felt it deeply
27:27and
27:29What lies ahead
27:30Something like true joy
27:33I felt like I was touched a little
27:37again
27:39I will live my life on this path.
27:40It gave me an opportunity to re-examine things.
27:44from now
27:46To all movie lovers
27:48I hope you will enjoy the work.
27:51To be able to participate
27:53I myself
27:55I will continue to work hard and improve.
27:58We look forward to your continued support.
28:00Thank you for today.
28:04Best appearance batting victory
28:05This is Ryo Yoshizawa, a national treasure.
28:07congratulations
28:31Best Actress Award
28:33We would like to introduce the recipients of the Excellence Award.
28:38Night Flower
28:39Keiko Kitagawa
28:47Roll House
28:49Masami Nagasawa
28:56Tokyo Taxi
28:58Chieko Baisho
29:05Light from distant mountain ranges
29:07Suzu Hirose
29:13First kiss
29:14Takako Matsu
29:25All of the above
29:26Best Actress Award
29:28They received the award.
29:29congratulations
29:36Now, to all the award recipients...
29:38I will go and listen to your story.
29:39First, Night Flower
29:40This is Keiko Kitagawa.
29:42Kitagawa-san
29:43Making a very big decision for my child
29:47It was a role where that chain reaction occurred.
29:49Ms. Kitagawa herself
29:51You are raising children
29:53When playing this role
29:55What were you thinking about?
29:58I agree
30:00This is the role I played
30:01Natsuki is a mother
30:02Somehow, to the children
30:05I want to treat them to delicious food.
30:07I want to help them fulfill their dreams.
30:09Just with those feelings
30:11She's a woman who keeps pushing forward.
30:14Finally, socially speaking
30:16Unacceptable
30:17Going astray
30:18Making a decision
30:22I myself am just like the movie
30:24I am a mother with a daughter and a son.
30:28If you fall into such poverty...
30:32I wonder if they'll get involved in something like this.
30:34What do you call it every day?
30:36While asking myself questions
30:38There were times when I was unsure,
30:40Ultimately, I want to live only for my children.
30:43I intend to cherish the role and perform it with care.
30:45I kept going until the very end.
30:47The karaoke scene was
30:48This is the beginning of the movie.
30:49What did you think of that scene?
30:52I hadn't been told anything about singing.
30:54I looked at the script and a little
30:57I was like, "Wow!"
30:59I'm not good at singing at all.
31:01I've always avoided singing in front of people.
31:04The script said to sing.
31:07I wonder why the director wrote a scene like this.
31:09That's what I thought.
31:10I rushed to karaoke.
31:14I went to karaoke alone.
31:16I've been listening to this song over and over again.
31:22Is it called a demo phrase?
31:23Keep singing
31:25I'm sure they think I'm incredibly suspicious right now.
31:29We practiced the day before this scene.
31:31I did my best singing karaoke by myself.
31:34This movie truly shows what I've never seen before
31:36I saw a lot of Kitagawa-san.
31:39thank you
31:39Thank you very much, Kitagawa-san.
31:44Next up is Masami Nagasawa, who specializes in dollhouses.
31:47please
31:49thank you
31:52It was a role with very complex emotional ups and downs.
31:58How did you approach the role?
32:02I agree
32:03The reason why things have come to this is
32:08It's like it exists but doesn't really.
32:13Things that are impossible in everyday life start happening one after another.
32:18That
32:19By turning it into a story
32:21I think a variety of emotions will emerge.
32:25while
32:26I got the feeling on set that the director was probably expecting that too.
32:30Because I felt that way
32:32It was a matter of facing each one individually.
32:36A scream that seems to have no reason, yet is unique to this genre of film.
32:42Scenes
32:43There were many scenes where just watching Masami was enjoyable.
32:47But
32:48What kind of impression did those impressive aspects leave?
32:52Did the director give you any specific instructions?
32:56I agree
32:59If you all look straight ahead
33:02yes
33:03Yes, they are here.
33:06Her name is Aya-chan.
33:10Just having Aya-chan there creates that atmosphere.
33:14He was an important co-star, though.
33:17The time I spent with Aya-chan has given me a deeper understanding of myself.
33:26I'm sorry
33:27Looking at it this way, it's a little scary.
33:31But when you look at the movie as a whole, there's a bit of sadness in it.
33:34That's right.
33:35The director was really particular about Aya-chan's facial expressions.
33:39My face looks different every day.
33:43I put on various kinds of makeup and
33:45There was quite a bit of time for Aya-chan to change her outfit.
33:49yes
33:50Well, but how should I put it...
33:52Actually, I perform the play with the puppets right in front of me.
33:56He is indeed a fine co-star.
34:01I always think that
34:03When acting
34:04I realized that I've been completely overwhelmed with my own needs until now.
34:09I think it's about looking back on the past.
34:12At that time, the co-stars were
34:16The most
34:17Well, we'll hone our skills through friendly competition in that situation.
34:22Like a rival
34:23They're like comrades to me.
34:26Sometimes you can let it all out.
34:30A person who can provide reassurance.
34:33Freedom without any constraints
34:36I felt that this person was someone who could liberate me.
34:42that's why
34:43I've listened to so many award winners' speeches today.
34:49Let them give it their all without worry.
34:52To be in a state where you can give it your all
34:55I want to become an actor who can actually go to the set.
34:59I was very encouraged.
35:01thank you
35:02This is Aya-chan doll.
35:04I truly felt the emotion.
35:06It felt like the two of them were having a conversation.
35:08Is that true?
35:09Please take good care of it.
35:12Thank you very much, Mr. Nagasawa.
35:14thank you
35:17Now, let's go to Tokyo Taxi
35:19This is Chieko Umesho.
35:22I'm glad I got to hear from you, Umesho-san.
35:25I'm happy too.
35:27I had the opportunity to work with you before.
35:29Madam embarking on her life's job search
35:33You played the role of Sumire.
35:35Very charming and positive
35:39How did you perform it?
35:42In Yamada's work
35:47In the movie "It's Tough Being a Man"
35:49I've been playing Sakura-san all this time
35:55This time, she played the role of Sumire.
35:59So the name
36:03I was thinking that both of their names are flower names.
36:07I was wondering how the filming would begin.
36:11The first day of filming
36:13It was Shibamata, wasn't it?
36:15It was right in front of the large store in Shibamata.
36:19Sumire-san
36:21In an outfit that Sakura has never worn before
36:25Standing in front of the large store
36:27I thought this would make me look like Sumire, but...
36:30If you put the large store behind you
36:32This is just not good enough
36:34I feel like I have to carry Sakura-san on my back.
36:37Let's start by removing Sakura-san.
36:40I myself
36:43Enter Sumire-san
36:46I'll go
36:47Also, I used to work as a nail technician.
36:50Do your nails quickly
36:52Looking at those nails
36:54Thinking of it as a violet.
36:56Also, most of them are of age.
37:00Sumire is 85 years old.
37:01I'm 84 now.
37:04Because it was close
37:06That's up to you
37:10While cherishing yourself just the way you are
37:12I think this is how we have to do it.
37:15Let me hear it
37:16That's how we've been doing it.
37:18And the one who played the young Sumire was
37:21This is Yu Aoi.
37:22The scenes I shared with Umesho-san
37:24I wonder if it was really just one thing.
37:26I heard it left a very strong impression on you.
37:28How do you like it
37:28yes
37:31I still remember it
37:33My heart is overflowing
37:36So many people
37:38Apparently, it can make beautiful expressions.
37:41I absolutely can't do it right now.
37:43The expression you want
37:46I am in the world
37:47All one
37:48Right in front of my eyes
37:49Please give me your gaze.
37:51I was able to see it
37:53like this
37:54I'm going to live my life honestly.
37:56I thought
37:58How do you like it
38:00Seriously
38:00I want to be able to make faces like that.
38:05How do you like it
38:05How do you like it
38:06No, that's not true.
38:08Seriously
38:09I wonder why.
38:11In the taxi
38:12It was a scene where the two of them were standing side by side.
38:14We spoke with Mr. Byjohn.
38:15thank you very much
38:20Now, eat!
38:21Light from distant mountain ranges
38:22This is Suzu Hirose.
38:23thank you
38:24thank you
38:26Hirose-san
38:26Living in postwar Nagasaki
38:29I think she was a woman with a very intricate background.
38:33How did you approach it?
38:36I agree
38:37In Nagasaki
38:39Up until now
38:41Five connections, or something like that
38:42I have no connection to it
38:44Something like
38:45I wonder what I should do.
38:47Based on the original work by Wao Ishiguro
38:49very
38:51The place where they lived during their childhood
38:52This is a record of Mr. Wao's memories.
38:57There were many scenes
38:59When it becomes a script
39:01It's completely different.
39:02I thought about it a lot, but
39:04I'm quite a bookworm
39:06Several times
39:36So
39:37Sometimes, I even played the role of Nagasaki's sister.
39:41It was my first time performing in a movie.
39:44It's a really strange feeling.
39:48How about you, Nagasaki-san?
39:49Now you're standing side by side like this
39:52Outstanding Leading Actress Award
39:54I'm embarrassed.
39:56I feel kind of embarrassed.
39:58Matsu-san too.
39:59They also co-starred together.
40:01How do you feel about standing next to each other now?
40:04I am very happy.
40:07Really
40:08Something about this
40:09Standing alongside all of you
40:13The procedure for entering, too.
40:15Let's have a quick meeting.
40:16I did my best.
40:17Did you discuss it beforehand?
40:18yes
40:18How
40:19Formation
40:21Matsu-san is the captain.
40:23No, that's incorrect.
40:24As a result of compensation
40:27Thank you for taking the lead.
40:29Compensation captain
40:31This is how we're going to proceed.
40:34I received help.
40:36Matsu-san
40:37I'll be there to help, so it'll be alright.
40:40Thank you for holding my hand the whole time.
40:43With everyone's help
40:45It has risen like this.
40:46I walked here.
40:47A good combination
40:48You have entered.
40:50There are five people.
40:51Thank you very much, Hirose-san.
40:52thank you
40:56And then
40:57First kiss
40:58This is Matsutakako.
40:59please
41:00Matsu-san
41:01Time travel
41:03Falling in love again with a former husband
41:06Very charming
41:08I can't help but love you
41:10My character was named Kanna.
41:11After reading this script for the first time...
41:14How did you perform it?
41:17Yuji Sakamoto
41:19Thank you for writing this love story.
41:22the
41:24Traveling back and forth between the present and the past, or something like that.
41:27Those things are my
41:31I realized that brute force can't accomplish anything.
41:34Director Tsukahara and others
41:37Excellent staff
41:39already
41:40They are all neatly lined up.
41:44Regarding that time travel
41:48I'll leave it to them.
41:51I just...
41:53Why do you do that?
41:55why
41:56Why go back to the past?
41:58Will we keep repeating this?
42:01Don't lose sight of it
42:04Useful
42:05All I can do is concentrate.
42:07The rest is up to the directors
42:10Do as you please
42:13Because they depict such journeys.
42:18The question is how much we can entrust to them.
42:21That might have been my challenge.
42:24Time travel
42:25I went there 15 years ago.
42:27Matsumura is not married yet.
42:29Please don't make my heart race.
42:32Mr. Matsumura
42:33"Give me that again,"
42:34It made my heart flutter so much
42:35It became a hot topic on social media.
42:36What did you think of that scene?
42:40that
42:43Personally, that is.
42:46Such
42:50At that time
42:51what
42:52We will repeat this many times.
42:54Change clothes at the site
42:56Change clothes
42:57I don't know
42:58Desperate for that
43:00I'm glad you find it so interesting.
43:02I was so surprised by that.
43:06that
43:06yes
43:08I was just saying it.
43:10It was written there.
43:12Sakamoto-san is still
43:14I feel like they've written it for me.
43:15Because there was trust.
43:17I don't need it, or rather
43:20What is written
43:21Let's say it, let's do it
43:21in
43:22Matsumura-kun
43:24Suitable for
43:25Thank you for your reaction.
43:28first time
43:29something
43:31I think that was the right moment.
43:33I truly believe it's all thanks to everyone.
43:35Thank you, Matsumura.
43:38Best Actress Award
43:40These are the award recipients.
43:56Now, here is the announcement.
43:58The presenter is
43:59last year
43:59About Anne
44:00They won the top prize.
44:02This is Kawayumi.
44:16Congratulations to the five recipients of the Excellence Award!
44:18Congratulations on this special day!
44:21I came here for the first time last year.
44:24On this stage
44:27I have always admired
44:29I am honored to be able to stand alongside my seniors.
44:32I felt a sensation I'd never experienced before.
44:37At the edge of such a rich history
44:41I was allowed in too, or rather
44:43I felt like I was finally included in the group.
44:48I was really overwhelmed.
44:50I remember being very moved.
44:52Thanks to everyone this year
44:56Thanks to everyone who received an award this time
44:59I feel the same way
45:02I feel a very strong sense of solidarity.
45:07See you all again in the future
45:12The ability to create new films
45:13I'm very happy and excited.
45:18So
45:19I would like to make this announcement, if I may be so bold.
45:25The Best Actress award goes to
45:29Tokyo taxi
45:31This is Chieko Baisho.
45:34Best Leading Actress Award
45:36Tokyo Taxi
45:37This is Chieko Burke.
45:38Please come to the stage.
45:40Best Leading Actress Award
45:42The award recipients
45:43Certificate of Commendation
45:45Best Award: Bronze
45:46Prize money and supplementary prizes
45:49Japan's pride to the world
45:51Luxury jeweler
45:52From Tasaki
45:53Pearl and diamond earrings will be given as a gift.
46:01Please proceed slowly and without rushing.
46:09Thank you for watching.
46:33So, Burst-san
46:35Please share your thoughts.
46:44What should we do?
46:46I'm trembling.
46:48that
46:5380 years since the end of the war
46:55Throughout 1981
46:57This Tokyo taxi
47:01I had the opportunity to appear on the show.
47:05very
47:07I'm grateful.
47:09and
47:11I'm so happy!
47:16The first Academy Awards
47:18It was a yellow handkerchief.
47:21That's what I say.
47:22And then I
47:24I've been doing this job for a long time.
47:26I really thought about it.
47:30This time, in this Tokyo taxi
47:36To all the staff I met
47:41And I
47:43I've rethought what movies are all about.
47:47And especially today
47:48I've been listening to everyone's stories.
47:53I hope to meet and connect with all of you in the future.
48:05Yes
48:11The most beautiful in Japan
48:14More than Mount Fuji
48:15Together with a wonderful staff
48:17This movie called Tokyo Taxi
48:21I believe I have created it.
48:24Thank you so much to all the staff
48:26Thanks to all of you.
48:28Thank you very much.
48:30Good for you
48:35Mina-chan
48:39thank you
48:41I will continue to work hard
48:43I would like to go.
48:45Here with Mr. Yamada
48:46My partner Kimura Takuya isn't here.
48:49It's really sad, though.
48:52Takuya Kimura
48:54There are a lot of scenes inside taxis.
48:59When his eyes came into view in the rearview mirror
49:02What big, beautiful eyes they are!
49:05I received a great deal of support.
49:08My older brother Tora-san
49:09She had thin, small eyes.
49:13Remember my older brother's eyes
49:15The size of Kimura's eyes
49:17I didn't compare them, but
49:19Kimura's big eyes
49:21I received a great deal of strength from you.
49:24Kimura-kun, if you happen to hear this somewhere...
49:27thank you
49:28Thank you so much.
49:30I will continue to strive for improvement.
49:33Best Leading Actress Award
49:35Tokyo taxi
49:36This is Chieko Umeo.
49:37congratulations
49:47thank you
49:49thank you
49:50thank you
49:52thank you
49:53thank you
49:53thank you
49:53thank you
49:54thank you
49:54thank you
49:56thank you
49:56thank you
49:56thank you
49:56thank you
49:57thank you
49:58thank you
49:58thank you
49:58thank you
49:58I have necesitabimin
49:59Atsushi, where is it? I'm concentrating.
50:05It's like thoughts there
50:06Is it normal?
50:06They started to suppress the challenge to us.
50:06Would you really call me for something like that?
50:06thank you
50:06Thank you for watching.
Comments